forthcoming releases available for pre-order
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How preorders work: FAQ
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LP
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ACRSLP 1674LP
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$26.00
PREORDER
RELEASE DATE: 7/18/2025
"Pioneering rock 'n' roller, Chuck Berry is one of the most important figures in popular music. His sound captured the imaginations of 1950s teenagers across the world like no other. Revered by artists like The Beatles, the Rolling Stones, Brian Wilson, and Joe Cocker, without Berry all would have sounded very different. Widely acknowledged as the 'Father of Rock 'n' Roll,' Berry was one of the very first musicians to be inducted into the Rock 'n' Roll Hall of Fame when it launched in 1986. Speaking of launches, his music was considered so pivotal in the understanding of contemporary popular culture, that it is featured on the Golden Record, carried by space probe, Voyager 1 -- still transmitting from the farthest reaches of the known universe. This collection features a veritable banquet of Berry's greatest hits, showcasing the lyrical and musical talent that has made him such an iconic artist including the timeless 'Maybellene,' 'Roll Over Beethoven,' 'Johnny B. Goode,' 'Wee Wee Houra,' 'School Day (Ring! Ring! Goes The Bell)' and 'Almost Grown'."
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LP
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ACRSLP 1679LP
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$26.00
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RELEASE DATE: 7/18/2025
"Sister Rosetta Tharpe was a gospel singer, songwriter and guitarist who was unique in her genre as the pioneer of performing gospel using an electric guitar, to the extent that many of her records and performances have been seen as early examples of rock 'n' roll, and she acquired the nicknames 'the original soul sister' and 'the Godmother of rock 'n' roll.' Rock 'n' roll artists like Elvis Presley and Little Richard, and blues guitarists like Eric Clapton and Jeff Beck cite her as an influence. This rocking 16-track LP includes releases with Lucky Millinder's Orchestra, duets with fellow gospel singer Marie Knight, and tracks where she is accompanied by The Sam Price Trio. Her work strayed into the mainstream R&B market, and this collection includes her US R&B hits 'Strange Things Happening Every Day,' 'Precious Memories,' 'Up Above My Head I Hear Music In The Air,' and 'Silent Night' alongside single releases from her iconic album Gospel Train. She was an artist who broke the mould of how gospel could be performed and this collection from a key era of her career is a substantial and entertaining showcase for her unique approach."
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LP
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ACRSLP 1687LP
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$26.00
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RELEASE DATE: 7/18/2025
"They called him the Originator for a very good reason. Bo Diddley was the foremost bridge between blues and rock 'n' roll, facilitated in no small part by his 'Bomp ba-bomp bomp, bomp bomp' sound, the famous 'Bo Diddley beat.' He was a master of invention too, inventing his name, his persona and style, and his own guitar. Put simply, he was one of those artists whose importance and influence as a pioneer of popular music far outweighed the commercial and chart success he enjoyed during his career. With just nine U.S. R&B and two Pop chart successes across a career spanning five decades, Diddley was not exactly a hit-making machine. But his legacy is such that echoes of his music pervade rock, pop and hip-hop to this day. This LP revels in Diddley's guitar genius and features 16 of his greatest and most iconic tracks including 'I'm A Man,' 'Diddley Daddy,' 'Pretty Thing,' 'Mona,' 'Say Man' and 'Road Runner.' Once he had scored his first No. 1 with 'Bo Diddley' the shape of popular music changed forever. His influence is clear to see, through some of the work of artists -- and Diddley devotees -- like Buddy Holly, the Rolling Stones, Johnny Otis, Cliff Richard, The Who, Bruce Springsteen, U2, and George Michael. Every time a song uses the 'Bomp ba-bomp bomp, bomp bomp' motif, Diddley's legacy lives on."
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LP
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ACRSLP 1690LP
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$26.00
PREORDER
RELEASE DATE: 7/18/2025
"The life and career of Billie Holiday was underscored by triumphs and tragedies. One of the greatest artists of her generation, no-one conveys deep emotion better than 'Lady Day.' Hers was a new jazz voice, influenced by jazz instrumentalists, with its ability to manipulate tempo and phrasing in bold and enthralling ways. The great Frank Sinatra was both a friend and a fan of her music. He said of her in 1958, 'With few exceptions, every major pop singer in the U.S. during her generation has been touched in some way by her genius. It is Billie who was, and still remains, the greatest single musical influence on me.' In fact, her legacy carries across the generations, with artists such as Nina Simone, Joni Mitchell, and Amy Winehouse citing her as an influence. This collection traces an important six years of her early recording career which built the platform for the huge commercial success she enjoyed during the mid to late '40s, before she began to succumb to the lifestyle which eventually destroyed her. It features iconic and beautifully harrowing recordings such as 'Summertime,' 'Strange Fruit,' 'Night & Day,' 'God Bless The Child,' and 'Solitude,' demonstrating her unique and unmistakable way of interpreting the songs. It is a fascinating and beguiling musical journey."
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LP
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BISON 017LP
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$32.00
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RELEASE DATE: 7/18/2025
Fireproof Sweat picks up the torch from the group's second album, Vivéré (2016, La République des Granges), though where Vivéré fights and shouts, Fireproof Sweat wonders what for. Writing in Italian allowed for a kind of naïve retour aux sources and opened up a more subjective form of songwriting. Percussionist Camille Emaille and drummer Francesco Pastacaldi each make their first appearance in the group, lending spacious restraint and gorgeous texture, and when paired with the brass of Gabriel Bristow and Simon Sieger they form an irresistibly light touch quartet. Led by the curious invention of singer Adrien Bardi Bienenstock and violinist Prune Bécheau (also cited as performing "mermaid calls"), musically Fireproof Sweat is the most direct Urs Graf Consort record to date, yet its theme is one of loss.
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2LP
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BRED 915LP
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$47.00
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RELEASE DATE: 7/18/2025
"Over two years in the making, the brand-new studio album from The Residents featuring the story of Maggot and Mark -- two young heavy metal fans -- and the mysterious Doctor Anastasia Dark, a disgraced visionary who offers those who need it THE GIFT. Veering from blissed out electronica to thrash metal as only The Residents can, and produced with the San Francisco Conservatory Of Music alongside several familiar guests and collaborators, Doctor Dark is the latest masterpiece of storytelling from San Francisco's weirdest beat combo. 'The Buddha said that life is misery. For the terminally ill, dying in pain, life is misery compounded - but what comes next? Is there a heaven, a nirvana, a paradise with 72 virgins for every martyr? No one knows, but what is known is that nothing makes humans more uncomfortable than death -- the ultimate unknown, the other side of zero, the everlasting void. But maybe death is nothing more than a warm feeling, after a lifetime of whatever misery we choose to embrace, suggesting that nothing is quite so satisfying as one more dip into a lovely river, endlessly flowing into forever. Maybe it is possible to die happily ever after.' -- The Residents"
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LP
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BS 091LP
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$31.50
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RELEASE DATE: 7/18/2025
This album is both a musical and political document that tells the story of one of the most brutal massacres that took place in 1976 in a Palestinian refugee camp during the Lebanese Civil War. Pianist Gaetano Liguori, along with Giulio Stocchi and Demetrio Stratos (the legendary singer of the band Area), composed this album, a gut-wrenching blend of free jazz, poetry, and Mediterranean music. The first edition was released in 1978 and, after almost 50 years, unfortunately, nothing seems to have changed. This is the third edition of the album, and as with the previous releases, all proceeds will go to charity. This time, Black Sweat have chosen to donate the funds to UNRWA.
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LP
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BT 5056LP
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$24.00
PREORDER
RELEASE DATE: 7/18/2025
"Formed in Germany in the 1960s The Blackbirds gained recognition as part of the burgeoning beat and psychedelic rock scene in Germany. The band was active in the late 1960s and early 1970s, and their sound was influenced by the British Invasion and American rock and roll, blending elements of psychedelia, beat music, and early progressive rock. Their albums, such as No Destination recorded in 1968, received some attention in the underground music scene, characterized by experimental soundscapes, melodic harmonies, and a distinctive 1960s rock influence. Though The Blackbirds didn't achieve widespread international fame, they remain a notable part of Germany's rock history, especially within the context of the Krautrock and psychedelic rock movements."
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12"
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BTR 124EP
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$22.50
PREORDER
RELEASE DATE: 7/18/2025
Mysterious disco outfit Jiri Jiri deliver an essential EP -- four tracks of sublime, summery European cool hand-picked by Batov Records boss DJ Kobayashi for the label's brand new and carefully curated Give Me Disco 12" series, named after Raja Zahr's disco classic. Springing from the ranks of global grooves ensemble Muito Kaballa and psychedelic travelers YĪN YĪN, Jiri Jiri have honed their musical chops and crafted four Neapolitan funk and pan-European disco jams as hot as the Adriatic coastline. The songs on Give Me Disco: Vol. 1 were born in Naples. Collaborators Jan Janzen and Niklas Mündemann enlisted the production expertise of Pellegrino S. Snichelotto -- founder of Early Sounds Recordings, former Nu Genea producer, and a key architect of the Neapolitan funk renaissance, to further refine their sound. The Neapolitan connection shines brightest on opener "Gino". Gentle, breeze-like percussion interlocks with a gorgeous guitar line and a buttery bassline, laying the foundation for a seductive Neapolitan-style vocal. Flute and synth flourishes are the icing on the cake. Things crank up a notch on "Senza Benza". This uptempo, largely instrumental track fuses Afro disco rhythms with Azymuth-esque synths. The relentless groove hardly lets up, save for a brief, wordless vocal break. Elsewhere, "L'amour" does what it says on the tin, expanding the palette from Neapolitan funk to include Anglo-French vocals that both lament and celebrate love's ups and downs. Closer "Lummo Luvva" returns to instrumental territory with flair. The Give Me Disco: Vol. 1 EP marks the beginning of two exciting new ventures -- the emergence of Jiri Jiri, and inspired by their need for a home, the launch of Batov Records' Give Me Disco 12" series.
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LP
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CLASSIC 099LP
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$29.00
PREORDER
RELEASE DATE: 7/18/2025
"Brand new studio album from Marek Pospieszalski Octet featuring Zoh Amba. 'This band turned out to be an effective working unit from day one,' Pospieszalski admits. 'Its musical concepts leave a lot of space for creative playing and that's why I decided to use the Octet as a platform open for outside participation. One of the musicians I considered for this purpose was Zoh who is well recognized for her direct and limitless approach to music. And this opportunity came on the occasion of our concert at NOSPR concert hall in Katowice. The next day we visited Emil Berliner Studios where the album was recorded,' he explains. For most of the music recorded here, sheet music is treated only as a guideline, a rough entry point, and it's only thanks to collective improvisation that Now! sounds as good and coherent as an album. 'And that's one of the reasons why I decided to add titles only once the music got recorded,' Pospieszalski says. 'And despite the fact that I am being really direct here, I prefer to have listeners interpret the album's message on their own. Individual context is key here -- place, time and most importantly, personal emotions.' Leading a 9-person band may seem like a challenge on a lot of levels but Pospieszalski prefers to treat it as a set of new opportunities instead. 'Although everything here is focused on my artistic vision, it wouldn't sound as good if it weren't for other musicians involved,' he admits. 'Each member of the group has their influence over the final result of our collective playing. I tend to give them direction but it is up to them to interpret it.'"
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2CD
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CSR 359CD
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$20.00
PREORDER
RELEASE DATE: 7/18/2025
An aural exploration of the solar system by Italian deep sound master Sonologyst, using data from NASA's probes. On this album, raw data from radio waves, electromagnetic fields, and plasma fluctuations, utilizing data sonification files provided by NASA, are transformed into a haunting soundscape, unveiling the ambient music of planets, solar winds, and the cosmic beyond. As the newest addition to Sonologyst's series of sonic documentaries, this work deepens his exploration of the sonic spectrum, converting cosmic phenomena into immersive auditory experiences. NASA and other space agencies have captured "sounds" from the cosmos by recording non-audible signals like radio waves, electromagnetic waves, and plasma (ionized gas that's prevalent in space) wave fluctuations. These are converted into audio frequencies we can hear using a process called data sonification. Spacecraft like Voyager, Cassini, and Juno are equipped with special instruments (e.g., plasma wave antennas, magnetometers, radio wave receivers) to detect radio waves, plasma waves, and electromagnetic fields. These signals can provide data on phenomena like solar wind, planetary magnetospheres, and charged particles. Since many of these signals are outside our hearing range (radio waves might have frequencies far below the audible range (20 Hz to 20 kHz) or far above it, while magnetic and plasma waves are often in the range of milliHertz (mHz) to kilohertz (kHz), also outside human hearing), they are converted using various techniques, including frequency scaling, sampling, filtering, and amplitude modulation. Some events, like plasma wave bursts, happen over long periods. Scientists may speed up the playback so people can hear the changes in a shorter time frame. After conversion, the resulting sounds are often enhanced to make certain patterns, pitches, or changes in intensity more noticeable. This may involve amplifying certain frequencies or adding layers to represent multi-dimensional data. This processing helps bring out subtle differences that might otherwise be hard to discern. Double CD in a matt-finish gatefold ecopak, with a bonus disc of the raw source material from NASA's probes.
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LP
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DAMGOOD 622-3LP
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$24.00
PREORDER
RELEASE DATE: 7/18/2025
"The Courettes are back with their fourth and best album to date -- The Soul Of The Fabulous Courettes. And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor Back In Mono with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal The Soul Of The Fabulous Courettes. 'We didn't want to do Back In Mono 2',' stresses drummer Martin Couri. 'We always try to put ourselves into a zone of discomfort, which I think is where exciting things happen rather than just doing the same thing over again,' agrees singer, guitarist and multi-instrumentalist Flavia Couri. 'I mean, I know some bands can do that but we don't see ourselves making the same album for the next 20 years. We thought Back In Mono was our best album until this one!' She's not wrong. Having evolved with each album release, The Soul Of The Fabulous Courettes draws inspiration from many of the duo's numerous idols that have only previously been hinted at. 'We wanted to show our love of the Spector Wall Of Sound and Motown,' reveals Flavia. 'It was a clear mission and we've absolutely nailed it.'"
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12"
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DRUNK 003EP
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$21.50
PREORDER
RELEASE DATE: 7/18/2025
Limited edition repress of classic Punch Drunk release. Bristol music Godfather Rob Smith (Smith & Mighty) was a major force in the first wave Bristol Dubstep scene, not only as a huge musical influence on the likes of Pinch and Peverelist but also as a producer in his own right. This typically dubwise 12" is one of his best from that era.
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LP
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DSDM 009LP
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$31.50
PREORDER
RELEASE DATE: 7/18/2025
LP, one-time edition of 200 copies, pressed to 180g black vinyl and housed in a pro-printed jacket, contained in a silk-screened PVC sleeve. Returning with one of its final instalments, Die Schachtel's Decay Music series extends its explorations of inspired contemporary experimental efforts of the ambient, ethereal, and emotively abstract with Luigi Turra and Elio Martusciello's Liminale, an astounding electroacoustic gesture of blurred space and time, plumbing complexity of meaning bound to sonority. Creatively groundbreaking and inspired, radically rethinking the terms of what ambient music can be perceived to be, it stands among the most striking efforts to appear within the series to date. An aural bridge between two distinct generations of Italian experimental musicians, Liminale is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello. Active within the context for roughly two decades, Turra (b. 1975) is a reductionist/electroacoustic composer, noted from his tense deployment of concrete and acoustic sources -- particularly small sounds and noises -- whose work threads the balance between silence, tactile auditory perception, and aleatoric music. Martusciello (b. 1959), on the other hand, is a musician and composer working across the fields of acousmatic and electroacoustic composition, sound installation, multi-media and audiovisual art, and computer music improvisation, who is widely celebrated for both his solo efforts and his collaborations with Eugene Chadbourne, Mike Cooper, Alvin Curran, Chris Cutler, Rhodri Davies, Iancu Dumitrescu, Michel Godard, Tim Hodgkinson, Lawrence D. "Butch" Morris, Jérôme Noetinger, Tony Oxley, Evan Parker, Z'EV, and others. A single, nearly 40-minute work, extending across the two sides of the LP, Liminale is an exploration of the liminal through sonic means. Unfurling like a labyrinth navigated in darkness, the piece's first half is marked by sparseness and restraint, as slow-paced guitar tones and harmonics thread silences and resonant ambience within a sprawling sense of space, delicately populated by tiny sounds, fleeting punctuations drawn from undeterminable sources, vocal utterances, and the unexpected appearance of intoxicating piano tones. As Liminale progresses into its second half, Turra and Martusciello enter a more densely populated notion of the in between. No less defined by the presence of space and mystery, discreet textures rustle and writhe within passages of pure concrete abstraction and a fragmented, stretched sense of musicality. Intimate, fragile, and achingly beautiful, Liminale, Luigi Turra and Elio Martusciello's debut collaboration, is a masterstroke in sound-craft and composition. Mastered for vinyl by Giuseppe Ielasi, Liminale is issued as the ninth entry in Die Schachtel's Decay Music series.
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LP
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DSDM 010LP
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$31.50
PREORDER
RELEASE DATE: 7/18/2025
LP, one-time edition of 200 copies, pressed to 180g black vinyl and housed in a pro-printed jacket, contained in a silk-screened PVC sleeve. Returning with its final instalments, Die Schachtel's Decay Music series extends its explorations of inspired contemporary experimental efforts of the ambient, ethereal, and emotively abstract with Sergio Armaroli and David Toop's And I Entered Into Sleep, an astounding electroacoustic gesture of blurred space and time, plumbing complexity of meaning bound to sonority. Creatively groundbreaking and inspired, radically rethinking the terms of what ambient music can be perceived to be, it stands among the most striking efforts to appear within the series to date. Reconfiguring the notion of bridge building on a multitude of terms, it feels fitting that the tenth and final installment of Die Schachtel's Decay Music series, Sergio Armaroli and David Toop's And I Entered Into Sleep, was co-created by an artist whose work featured in the first suite of LPs issued by Brian Eno's Obscure Records in 1975, the groundwork toward which Decay Music's own efforts nod. David Toop has been regarded as a pioneer in British experimental and improvised music: a sonic voyager who has continuously challenged the sources and materiality of sound through rigorously thoughtful performances, a vast catalog of recordings, and a steady flow of highly influential texts. Be it as a member of Alterations, his group breaking group with Peter Cusack, Terry Day, and Steve Beresford that ran between 1977 to 1986, or through is noteworthy work with artists like Rie Nakajima, Thurston Moore, Paul Burwell, and numerous others, collaboration has always played a central role within Toop's singular practice. A composer, percussionist, vibraphonist, and multidisciplinary artist, Armaroli has been issuing radical and forward-thinking musical gestures for decades, working as one of Italy's most noteworthy interpreters of composer's like Giacinto Scelsi, John Cage, Franco Evangelisti, Giancarlo Schiaffini, and Walter Branchi, as both a solo performer and member of the highly regarded Rib Trio, as well as forging a singular practice as a composer. Featuring Armaroli on vibraphone and prepared vibraphone and Toop on electronics, And I Entered Into Sleep is "a sonic journey, a Proustian suggestion à la Recherche, into the unconscious between electronic and acoustic sounds." Feeling almost subaquatic at times, each artist's markedly different sound-sources dance in abstract grace, incorporating subtle nods to minimalism, free jazz, and musique concrète. And I Entered Into Sleep traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.
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7"
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EDGE 029SP-EP
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$22.50
PREORDER
RELEASE DATE: 7/18/2025
Limited splatter vinyl edition of "The Most Mysterious Song On The Internet." Imagine having a song go viral for 17 years -- without even knowing it. That's exactly what happened to the German 1980s band FEX. And this isn't just any song -- it's "The Most Mysterious Song on the Internet," a track that puzzled music detectives for decades before finally being identified in November 2024. Now, it has been officially released -- twice. The Story in Brief: Sometime around 1984, a song was broadcasted on NDR Radio. The name of the song was "Subways Of Your Mind" -- only found out 40 years later in November 2024. Back then, a listener recorded the NDR show on cassette, a common practice at the time. Decades later, the tape resurfaced, but while most songs from the recording were identified, one remained an enigma. On March 18, 2007, the track was uploaded to the internet in an attempt to uncover its origins. Due to its now-iconic opening lyric, it was tentatively titled "Like The Wind." Over time, the mystery deepened, and the song was given a nickname: "The Most Mysterious Song" -- or simply "TMMS." Then, in 2024, the breakthrough: Reddit user marjin1412 reached out to musician Michael Hädrich after discovering a reference to his band FEX in an old newspaper article. Hädrich, FEX's keyboardist, provided a recording from an old demo cassette which included an alternative version of the song. On November 4, 2024, the mystery was officially solved: FEX was the band, "Subways Of Your Mind" was the title. A higher-quality version of the NDR radio recording was rediscovered in late December, 2024, remastered, and now sent for a second vinyl pressing: the "TMMS Version." This new vinyl 7" is backed with "Talking Hands," another great and unissued song that was found on the demo cassette.
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LP
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ENOISEREC 020LP
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$36.50
PREORDER
RELEASE DATE: 7/18/2025
After a 30-year interstellar silence, the enigmatic producer Alien Signal -- pioneering alias of Italian electronic composer Alex Silvi -- reemerges with Whispers from Distant Suns, a transcendent odyssey that bridges retro-futurism and modern electronica. Hailed as a magnum opus, this album transcends genre boundaries, captivating ambient purists, downtempo aficionados, and even experimental listeners with its hypnotic fusion of analog warmth and digital precision. Whispers from Distant Suns marries nostalgic synth textures with cutting-edge production. Silvi's mastery of melody shines through in tracks like "Stardust Memories" and "Fragile Eden" where shimmering arpeggios and celestial pads drift over robotic, glitch-infused drum patterns and sparse, meditative percussion. The result is a paradox: a retro-futuristic soundscape that feels simultaneously ancient and alien, familiar yet unexplored. Pressed on heavyweight vinyl, the album's physical release amplifies its immersive qualities. The gatefold sleeve, adorned with surrealist astrophotography and metallic foiling, mirrors the music's cosmic ethos. This album is a testament to Silvi's evolution. Whispers from Distant Suns is more than an album -- it's a transcendent odyssey. Spanning time, space, and the artist's own creative evolution, this immersive work invites listeners to lose themselves in its ebb and flow. Designed for moments both intimate and expansive, its balearic-tinged atmospheres resonate equally through dawnlit Mediterranean terraces or the solitary glow of headphones in darkness.
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CD
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FARO 082X-CD
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$11.00
PREORDER
RELEASE DATE: 7/18/2025
Originally released in 2003, Marcos Valle's Contrasts combined early noughties production techniques with his trademark Brazilian songwriting brilliance. The album quickly became one of Valle's most in-demand, with tracks like the triumphant "Parabéns" (which was sampled by Childish Gambino, covered by Tom Misch and remixed by Misa Negra) and bossa beach classic "Agua de Coco," both becoming firm fan favorites. Produced by Roc Hunter, and executive produced by Joe Davis, with musicians including Robertinho Silva (percussion), Alex Malheiros (bass), and Marcos' wife Patricia Alvi (vocals), Contrasts encapsulated Valle's ever evolving musical vision, bringing together samba, baião, bossa pop, broken beat, house, trip-hop and more, on one era-defining record. After 22 years, Contrasts is finally set for a double LP vinyl and CD reissue, with the original mix of "Valeu" and "My Nightingale" making it onto the vinyl edition for the first time. Remastered by Stuart Hawkes at Metropolis Studios.
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2LP
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FARO 082X-LP
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$31.50
PREORDER
RELEASE DATE: 7/18/2025
Double LP version. Originally released in 2003, Marcos Valle's Contrasts combined early noughties production techniques with his trademark Brazilian songwriting brilliance. The album quickly became one of Valle's most in-demand, with tracks like the triumphant "Parabéns" (which was sampled by Childish Gambino, covered by Tom Misch and remixed by Misa Negra) and bossa beach classic "Agua de Coco," both becoming firm fan favorites. Produced by Roc Hunter, and executive produced by Joe Davis, with musicians including Robertinho Silva (percussion), Alex Malheiros (bass), and Marcos' wife Patricia Alvi (vocals), Contrasts encapsulated Valle's ever evolving musical vision, bringing together samba, baião, bossa pop, broken beat, house, trip-hop and more, on one era-defining record. After 22 years, Contrasts is finally set for a double LP vinyl and CD reissue, with the original mix of "Valeu" and "My Nightingale" making it onto the vinyl edition for the first time. Remastered by Stuart Hawkes at Metropolis Studios.
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LP
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FEED 2500LP
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$30.50
PREORDER
RELEASE DATE: 7/18/2025
Norwegian electronic pioneer Lindstrøm returns with Sirius Syntoms -- seven tracks of melodic, cosmic disco and shimmering synth grooves. This album marks a more focused and open sound than his previous work, with warm analog textures, pulsating rhythms, and hypnotic basslines at the core. Combining the uplifting energy of house and the introspective tone of ambient synth music, Sirius Syntoms blends dancefloor elegance with emotional depth. The lead single "Cirkl" sets the tone for a record that's both refined and playful. This is also the relaunch of Lindstrøm's Feedelity label, with artwork by longtime collaborator Ole Martin Lund Bø. For fans of cosmic disco, nu-disco, synth-driven house, and electronic explorations with heart and soul.
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LP
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HPS 262P-LP
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$31.50
PREORDER
RELEASE DATE: 7/18/2025
Purple color vinyl. Born from the murky industrial depths of Birmingham, UK, Margarita Witch Cult's self-titled debut studio album is a tour-de-force in classic metal, hard rock, doom, and mind-melting psych. A thunderous drum fill propels you into opener "Diabolical Influence" -- a lurching behemoth of a tune that makes easy bedfellows of crushing stoner riffs, Latin incantations, and a simply humongous chorus. The pace quickens with the frantic "Death Lurks at Every Turn" -- a hair-raising thrasher of breakneck snare rolls and unruly guitar solos. "The Witchfinder Comes" only furthers the sense of foreboding, as tales of torture and pleas for exile fall on the ever-deafening ears of the listener. "Be My Witch" comes in hot and heavy as a grungy ode to the forbidden, and the blistering "Annihilation" concludes side A with speed-freak ferocity. The more adventurous and immersive side B is kick-started with "Theme From Cyclops" -- the deft chops of all three members being undeniable as they gallop into the ambitious, face-melting journey that is "Lord Of The Flies" -- a belting doom groover that culminates in a classic guitar and bass dual to rival even the most virtuosic of axe-wielders. Near the end of this perilous sonic expedition, "Aradia" serves up an instrumental serving of pure downtuned filth, with sleazy swagger and tasteful shredding that give extra provenance to its author's deep bag of tricks. The killer blow comes in the shape of the simply savage "Sacrifice" -- an unholy exhibition of undeniable force. The duality of the track makes for an experience that leaves the sweet listener reeling -- the bludgeoning weight of its monstrous main-riff giving way to razor-sharp verses and a tripped-out, mind-bending psych jam -- only to come crashing back to crushing reality as the final, fatal notes ring out. With their debut LP, Margarita Witch Cult have crafted a timeless, merciless beast -- one that will chew you up and spit you out, yet somehow keep you crawling back for more.
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LP
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HPS 262ULTRA2LP
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$41.00
PREORDER
RELEASE DATE: 7/18/2025
Yellow/blue splatter color vinyl. Born from the murky industrial depths of Birmingham, UK, Margarita Witch Cult's self-titled debut studio album is a tour-de-force in classic metal, hard rock, doom, and mind-melting psych. A thunderous drum fill propels you into opener "Diabolical Influence" -- a lurching behemoth of a tune that makes easy bedfellows of crushing stoner riffs, Latin incantations, and a simply humongous chorus. The pace quickens with the frantic "Death Lurks at Every Turn" -- a hair-raising thrasher of breakneck snare rolls and unruly guitar solos. "The Witchfinder Comes" only furthers the sense of foreboding, as tales of torture and pleas for exile fall on the ever-deafening ears of the listener. "Be My Witch" comes in hot and heavy as a grungy ode to the forbidden, and the blistering "Annihilation" concludes side A with speed-freak ferocity. The more adventurous and immersive side B is kick-started with "Theme From Cyclops" -- the deft chops of all three members being undeniable as they gallop into the ambitious, face-melting journey that is "Lord Of The Flies" -- a belting doom groover that culminates in a classic guitar and bass dual to rival even the most virtuosic of axe-wielders. Near the end of this perilous sonic expedition, "Aradia" serves up an instrumental serving of pure downtuned filth, with sleazy swagger and tasteful shredding that give extra provenance to its author's deep bag of tricks. The killer blow comes in the shape of the simply savage "Sacrifice" -- an unholy exhibition of undeniable force. The duality of the track makes for an experience that leaves the sweet listener reeling -- the bludgeoning weight of its monstrous main-riff giving way to razor-sharp verses and a tripped-out, mind-bending psych jam -- only to come crashing back to crushing reality as the final, fatal notes ring out. With their debut LP, Margarita Witch Cult have crafted a timeless, merciless beast -- one that will chew you up and spit you out, yet somehow keep you crawling back for more.
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CD
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HPS 358CD
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$16.00
PREORDER
RELEASE DATE: 7/18/2025
Atom Juice step onto the scene with their debut album -- a psychedelic/progressive rock journey released via Heavy Psych Sounds. Inspired by The Allman Brothers Band, The Beatles, Pink Floyd, Pond, and Nolan Potter's Nightmare Band, the band blends vintage vibes with a modern edge. Recorded entirely in their rehearsal space, the album features layered guitars, rich vocal harmonies, and spacey effects -- all crafted with great attention to detail. Also available on black vinyl (HPS 358LP), pink vinyl (HPS 358LTD-LP), and splatter color vinyl (HPS 358ULTRA-LP).
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LP
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HPS 358LP
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$28.00
PREORDER
RELEASE DATE: 7/18/2025
LP version. Atom Juice step onto the scene with their debut album -- a psychedelic/progressive rock journey released via Heavy Psych Sounds. Inspired by The Allman Brothers Band, The Beatles, Pink Floyd, Pond, and Nolan Potter's Nightmare Band, the band blends vintage vibes with a modern edge. Recorded entirely in their rehearsal space, the album features layered guitars, rich vocal harmonies, and spacey effects -- all crafted with great attention to detail.
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LP
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HPS 358LTD-LP
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$31.50
PREORDER
RELEASE DATE: 7/18/2025
LP version. Pink color vinyl. Atom Juice step onto the scene with their debut album -- a psychedelic/progressive rock journey released via Heavy Psych Sounds. Inspired by The Allman Brothers Band, The Beatles, Pink Floyd, Pond, and Nolan Potter's Nightmare Band, the band blends vintage vibes with a modern edge. Recorded entirely in their rehearsal space, the album features layered guitars, rich vocal harmonies, and spacey effects -- all crafted with great attention to detail.
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LP
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HPS 358ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 7/18/2025
LP version. Splatter color vinyl. Atom Juice step onto the scene with their debut album -- a psychedelic/progressive rock journey released via Heavy Psych Sounds. Inspired by The Allman Brothers Band, The Beatles, Pink Floyd, Pond, and Nolan Potter's Nightmare Band, the band blends vintage vibes with a modern edge. Recorded entirely in their rehearsal space, the album features layered guitars, rich vocal harmonies, and spacey effects -- all crafted with great attention to detail.
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12"
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INEX 019EP
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
Toomy Disco, hailing from the land of silver -- Argentina -- delivers a top-tier house EP. Blending deep cuts with a touch of disco flair and progressive grooves, this release is tailor-made for summer dancefloors. Featuring two standout remixes by Furz and Takuma Matsumoto.
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CD
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JB 004CD
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$16.00
PREORDER
RELEASE DATE: 7/18/2025
Second album by Brazil's upcoming star, Liniker. A seamless blend of pop, samba, jazz, R&B, and house. Featuring Lulu Santos, Pabllo Vittar, Tropkillaz, Melly, Priscila Senna, Baianasystem, Amaro Freitas, and Anavitória. Born in Araraquara/São Paulo, Liniker is a multitalented artist -- singer, songwriter, music producer, and actress -- whose passion for the arts began in childhood. Influenced by her mother and uncles, who were active in samba rock circles, Liniker's early musical experiences planted the seeds for her future career. Today she is one of the most exciting Brazilian artists. In 2022, she won the Best Brazilian Album category at the Latin Grammy Awards with Indigo Borboleta Anil. In 2023, Liniker became immortalized by the Brazilian Academy of Culture, taking the seat once held by Elza Soares, the eternal Brazilian singer. Liniker's sophomore album CAJU has quickly become a classic in Brazilian popular music. The album's 14 tracks -- some extending beyond seven minutes -- demonstrate Liniker's commitment to artistic expression over commercial constraints. Liniker showcases versatility and artistic growth through a seamless blend of pop, samba, jazz, R&B, and house. Songs like "Veludo Marrom," "Tudo," and "Ao Teu Lado" shine for their musical complexity and emotional depth. Its success led to multiple wins at 2024 Multishow Brazilian Music Awards, including Artist and Album of the Year.
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LP
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JB 005LP
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$33.00
PREORDER
RELEASE DATE: 7/18/2025
A true embodiment of Brazilian boogie, this is the first official reissue of Brylho's album, founded in Rio de Janeiro in 1978 as Brylho da Cidade. The group was influenced by the Black Rio movement of Tim Maia, Cassiano, and others. Members included Arnaldo Brandão (vocals/bass), Paulo Roquette (guitar), Cláudio Zoli (guitar/vocals), Robério Rafael (drums), Bolão (percussion), and Ricardo Cristaldi (keyboard). Claudio Zoli stands out as an important funk artist of the 1980s, during a time when pop rock bands dominated the Brazilian music scene. This album features one of the biggest hits of 1983: the soulful reggae groove "Noite do Prazer." Often described as Rio de Janeiro's answer to George Benson's "Give Me the Night," it's a timeless classic that bridges funk, soul, and Brazilian grooves. On "Se Você For a Salvador," a sun-soaked, feel-good boogie track, younger generations have embraced a new term to describe the sound: Brazilian City Pop. The record also delivers dancefloor heat like the stomping "Jóia Rara," the vibrant soul-reggae fusion "Destrava Maria," the ahead-of-its- time rap-funk hybrid "Cheque Sem Fundo," and the electrifying samba-reggae "Pé de Guerra," rich with Bahian rhythms and energy. Closing out the album are two under-the-radar jazz-funk gems: "Meditando" and "171." Though often lumped into the boogie category, these tracks lean more toward the sleek 1980s jazz-funk sound, reminiscent of UK acts like Level 42.
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CD
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KAI 22048CD
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$18.00
PREORDER
RELEASE DATE: 7/18/2025
"This compelling album presents works by Israeli composer Chaya Czernowin, exploring the fragile balance between destruction and communication, control and surrender. 'Seltene Erde' transforms the double bass and ensemble into a shifting landscape of illusion and resonance, evoking the invisible forces shaping our world. 'Atara,' born from the isolation of 2020, is a powerful orchestral lament, where vast sonic masses collide with the delicate voices of two singers, lost yet luminous. Through these works, Czernowin crafts a deeply visceral experience -- where sound becomes both raw material and fleeting shadow, revealing the unseen forces that shape existence."
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CD
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KAI 22302CD
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$18.00
PREORDER
RELEASE DATE: 7/18/2025
"Olivier Messiaen saw birds as his greatest teachers, capturing their songs with passion and precision. His piano works, especially 'Catalogue d'oiseaux' and 'Petites esquisses d'oiseaux,' translate birdsong into rich, colorful music. Messiaen's fascination with rhythm, color, and nature shaped his compositions, blending ornithology with spirituality. Pianist Alfonso Gómez delivers an astonishing interpretation on this recording, adding to his acclaimed discography for this label. As Messiaen himself said: 'Nature, birdsong! These are my passions. They are also my refuge.'"
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12"
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LIH 049EP
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$19.00
PREORDER
RELEASE DATE: 7/18/2025
The new Lumberjacks Real Love by Jerk Boy and Marcel Vogel and featuring Million Miles is a truly intercontinental connection, started as a seed by Marcel Vogel in Amsterdam, transmitted across half the world to Sydney Australia to be refined by Jerk Boy aka Adam Stivala and refined in Los Angeles by French singer Million Miles and eventually remixed in London by Oliver Night. While the original versions touch on classic disco/vocal house, Londoner Oliver Night takes his remixes into deeper territory and brukwise.
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12"
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LIR 011EP
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$20.50
PREORDER
RELEASE DATE: 7/18/2025
"A place between deep listening and a dance" is how Gene Tellem describes the music she releases via her Montreal-based independent label, Bienvenue Recordings. However her words apply just as well to her own sound as an artist, producer and remixer. Though inspired by early deep house and its musical antecedents, Gene's work possesses an emotional resonance that transcends influence. It's a quality that's characterized her output since debuting her productions in 2017 -- whether working solo or within her four-piece group Secret Witness, with vocalists or instrumentally, or via Bienvenue or other labels within the indie community. And it's in abundance on the five-track Phantom Vibrations EP -- her latest contribution to the imprint with which she shares an appreciation for the sounds and spaces that blur active listening and movement, NYC's Love Injection Records. Its centerpiece is "Phantom Vibrations" -- a paean to the allure of the elusive and ethereal that features the soulfully understated vocals of singer and co-writer Teddy Bryant across four distinct mixes. Gene's "Main Mix" emphasizes the song's emotive duality. It opens pensively -- Teddy's doubled voice pledging devotion to an unrequited "phantom love" over stuttering bass and percussion. But halfway through, his repeated refrain becomes less a plea than an invitation. Bass and drums synchronize, the track motors up, and the lyrics' melancholia is absorbed into the momentum of the dance. The "Radio Mix" and largely instrumental "Alt Mix" capture these intertwined emotional ghost notes as stand-alone statements. Two remarkable additional remixes come courtesy of Sapporo, Japan's Kuniyuki Takahashi. Long venerated as an artist, producer and sound designer (over a storied career that's included collaborations with Theo Parrish, Joe Claussell, Henrik Schwartz, DJ Sprinkles and 4 Hero's Dego amongst others), Kuniyuki's "Kuniyuki Remix" dubs out Bryant's vocals within a beautiful arrangement of darting synth work. His dreamlike "Beatless Remix" strips back the track to its melodic bones, and in the tradition pioneered by Francois K's early '80s Prelude dubs, bathes Bryant's vocals in ecstatic echo.
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LP
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META 031LP
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$28.50
PREORDER
RELEASE DATE: 7/18/2025
Originally released in late 2012, the third John Foxx And The Maths album brings together collaborations with The Soft Moon (the post-punk psychedelia of the title-track); Gazelle Twin (including the strikingly beautiful "Changelings"); New York duo Xeno & Oaklander, and Ghostly International's Matthew Dear, plus a Pink Floyd cover and some new Foxx/Benge material. This includes the rich analogue glow of "Walk" and apocalyptic ballad "Only Lovers Left Alive." Meanwhile, regular Maths live band member Hannah Peel plays violin on "My Town." This new vinyl reissue includes only the vocal tracks from the album.
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3CD
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MIG 130CD
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
"Re-launch of the successful and famous La Vie Electronique series by Klaus Schulze. Each volume contains three CDs and an extended booklet with photos and extended liner notes. MIG will gradually make the out-of-print volumes available again. La Vie Electonique Vol. 4 contains music from Schulzes 'golden era' in the mid '70 -- the peak of German electronic music in the 20th century."
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CD
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MK 004CD
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$16.00
PREORDER
RELEASE DATE: 7/18/2025
"All 13 songs on Exterminating Angel use cheap synthesizers to create cyclical, machine-like keyboard riffs as a foundation for the moody, Teutonic music. Crutchfield sings like a lost member of Kraftwerk with a dry detachment creating a starker and chillier atmosphere. Lyrics were derived from cut-up methods similar to those used by the surrealists, fluxus artists, and William Burroughs and Bryon Gysin and pit the subjected against their torments and tormentors. All songs on Exterminating Angel were originally recorded at Sorcerer Sound, NYC. 1979 and produced by Charles Ball."
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12"
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MM 006EP
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$20.00
PREORDER
RELEASE DATE: 7/18/2025
Todh Teri is back with a brand-new chapter. The Return of Neela Devi kicks off a vinyl-only series where the iconic characters from Deep In India finally take center stage. Leading the way is Neela Devi herself, across three genre-spanning tracks that cover everything from vintage disco to spaced-out synths and slow-burning indie dance. There's something here for every kind of listener -- the groover, the dreamer, and the deep digger. It opens with "Maalgaadi 54" -- a relentless disco heater drenched in '70s glam, trippy layers, and hands-in-the-air energy. Next comes "Cosmic Dirt" -- dusty, mysterious, and dripping with attitude. Think desert synths, dark disco grooves, and a mood straight out of an Indian spaghetti western. Closing the record is "Beauty Blues" -- a dubby slow-burner that gently builds before locking into a bouncing, blissed-out groove. A cheeky take on a classic that'll leave you smiling from start to finish. Those who dig a little deeper into the wax will uncover a secret locked groove visually, the record is a stunner. The artwork is helmed by Soju Aduckathil, with creative direction by Manoj Kurian, the visionary behind Masala Movement. Marking the sixth release on the Masala Movement label, this vinyl-only beauty is just the beginning.
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LP
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MOM 062LP
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$36.50
PREORDER
RELEASE DATE: 7/18/2025
Flags Are Walls is the latest release from an enigmatic electronic duo based in Barcelona, Universal Comfort. The album explores the boundaries of contemporary electronic music, blending synthetic and organic sounds, layering analogue and digital sources, where abstract and concrete elements shift in and out of focus. Boundaries are not only physical -- shaping how listeners experience time and space -- but also emotional, framing the sense of place they attach to them. The tracks play with these flimsy, and uncertain intersections, exploring expression and perception through evolving, haunting and diffused sonic landscapes.
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2LP
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MOV 184B-LP
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$52.00
PREORDER
RELEASE DATE: 7/18/2025
"Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by Andre Aciman. Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them. The film received critical acclaim. Critics praised in particular Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction and the screenplay. Call Me By Your Name won a variety of Awards, including Academy, Bafta, GLAAD and many more. Sufjan Stevens's song 'Mystery of Love' was nominated for the Academy Award for Best Original Song at the 90th Academy Awards. Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces in order to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and 'the kind of canon they would be a part of.' Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: 'Visions of Gideon,' which was used at the end of the film, 'Mystery of Love,' which was featured in the film's first trailer and a new rendition of 'Futile Devices' with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film. The vinyl package of Call Me By Your Name includes a poster, an insert and the 180-gram records are housed in two exclusive printed inner sleeves."
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LP
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MOV 3899COL-LP
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$38.00
PREORDER
RELEASE DATE: 7/18/2025
"Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top-class original compositions and sublime cover versions. A sumptuous piece of gourmet music. Timeless dub, executed to perfection. The B-Side sees Lindo cover Al Green and Bobby Womack, converting their slow jams into stoney instrumental masterpieces, a sort of precursor to the hip-hop way of sampling and reinterpreting our collective heritage. Far And Distant was recorded at 220 Marcus Garvey Drive, eight years prior to Rita Marley relocating Tuff Gong International to that address. A relic from an era where being 'in the studio' actually meant something. Far And Distant is available as a limited numbered edition of 750 copies on orange colored vinyl."
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LP
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MOV 3900COL-LP
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$38.00
PREORDER
RELEASE DATE: 7/18/2025
"Few Jamaican music makers have demonstrated greater versatility or proficiency than Lloyd Charmers, who first made his name on the Jamaican music scene as a youthful singer-songwriter in the early '60s. His output as both a performer and producer included multiple major reggae hits. After his international break through, he produced work for keyboard maestro Harold Butler. Butler's widely sought-after Gold Connection album, an instrumental collection from 1976 features nine superior reggae and soul instrumentals, including popular versions of 'That's The Way I Like It' and the title track. This album is an essential acquisition for both completists and all those who prefer their reggae with a little bit of soul. Gold Connection is available as a limited edition of 500 individually numbered copies on orange colored vinyl."
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6LP
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MPD 052LP
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$119.00
PREORDER
RELEASE DATE: 7/18/2025
Musique Pour La Danse presents the definitive edition of the highly acclaimed and globally beloved Donkey Kong Country soundtracks, meticulously recreated by composer and producer Jammin' Sam Miller. Released in 1994 for the Super Nintendo Entertainment System (SNES), Donkey Kong Country was celebrated not only for its groundbreaking quasi-3D graphics but also for its exceptional soundtrack. The soundtrack featured a variety of compositions, and has been highly praised for its diverse and high-quality music, with tracks like "Aquatic Ambiance" and "Fear Factory" standing out as fan favorites. The influence of the Donkey Kong Country soundtrack extends beyond the gaming world, having inspired modern artists and changed the way video game music was perceived. This limited-edition boxset, limited to 500 copies, comes as a triple double-LP set, containing Volumes 1, 2, and 3. Pressed on red, green, and blue marbled vinyl, it is housed in a hardboard slipcase featuring new and original artwork by Andrew Beltran. Don't sleep on this ultimate release-the previous boxset edition has been sold out for a long time, and if you can find it, it's being sold for crazy money. Using hex SPC data converted to MIDI, Jammin' Sam Miller painstakingly recreated the DKC soundtrack note by note, sourcing the original equipment used to create it. He then translated the MIDI into a modern studio context, incorporating keyboard samples, remixing the sounds with added effects, and mastering the tracks.
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DVD
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MVD 17097DVD
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$17.00
PREORDER
RELEASE DATE: 7/18/2025
Region code: 0. "George Harrison famously claimed, 'No Lead Belly, no Beatles.' Revered by countless musicians -- the first record Janis Joplin ever bought was Lead Belly. The definitive bio, with historic performances and extraordinary archive access. The folk/blues icon, from childhood through prison to worldwide fame. Stories and performances from Joplin, Harry Belafonte, BB King, Pete Seeger, Arlo Guthrie, Odetta, and many more. Huddie Leadbetter: 'Lead Belly. King of the 12 String Guitar. Born in poverty, he became a master folk innovator who inspired rock and roll. Woody Guthrie called him the greatest folk singer. Hundreds of artists have covered his songs -- The Beatles, Rolling Stones, Nirvana, and Led Zeppelin spring to mind. Interviews and performances by Janis Joplin, Harry Belafonte, Paul McCartney, B.B. King, Alan Lomax, Pete Seeger, Arlo Guthrie, Joan Baez, Odetta. Hollywood film clips, archive performances and intimate inside accounts dispel myths and let his true personality shine through.'"
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12"
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NOIRE 019EP
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$21.50
PREORDER
RELEASE DATE: 7/18/2025
Edmondson presents his new five-track EP, Azura. Newcastle-born, the English producer, renowned for his skills as a DJ and his atmospheric electronic music deeply rooted in UK movements, returns with a new EP on the French label Noire & Blanche. Azura embodies his signature deep house sound, infused with refined instrumentation that showcases his mastery of detail and sonic textures. Having made a name for himself by playing in venues across Europe and South Africa and gaining recognition from major media outlets such as NTS, Resident Advisor, Truants, and Delayed, he continues to establish himself as a key figure in the electronic music scene.
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LP
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PBREDD 758X-LP
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$38.00
PREORDER
RELEASE DATE: 7/18/2025
"Originally released in the summer of 1994 at the height of interest in the US underground rock scene, Without A Sound was Dinosaur Jr's sixth album, and their third major label offering. Recorded by the then two-piece band (Mike Johnson on bass and vocals, J Mascis performing everything else himself, including drums), the album saw Dinosaur Jr continue to deliver on their distinct formula, J's soulsearching songs being performed with his trademark effortlessly cool heavy style. Including classics such as 'Feel The Pain' and 'Grab It', the album remains a firm fan favorite. Released on highly collectable splatter green vinyl, this is a chance for the uninitiated and younger fans to discover a classic, and for familiar fans to revisit an album which sounds as vibrant and essential today as it did thirty years ago."
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CD
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PLE 65413CD
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$16.00
PREORDER
RELEASE DATE: 7/18/2025
The official soundtrack to Jean-Cosme Delaloye's documentary about the life and career of Detroit techno pioneer Carl Craig, Desire: The Carl Craig Story is presented on 2x12" vinyl as well as CD. The collection, coming via his prolific and seminal Planet E Communications, features music from across Craig's vast catalog, including several tracks that have never previously seen full release. Its selections span his many aliases and projects, offering a rare glimpse into the full scope of his groundbreaking career. Among the rare and remastered tracks featured is "No More Words" -- originally released in 1991, newly reissued on vinyl and available digitally for the first time. A foundational track in the Detroit techno canon, "No More Words" captures the emotive synths and tight grooves of Craig's sound that would soon resonate across dance floors worldwide. Its reissue marks a moment of reflection on the genre's roots and evolution. Another remastered track from Craig's extensive archive is "The Truth," a deep cut from Craig's discography under his Designer Music alias, now widely available for the first time a quarter-century after its original release. The film's end credits are scored by the contemplative Meditation 4, an ambient production previously only available on Craig's 2013 Masterpiece compilation CD for Ministry of Sound. Iconic remixes such as his Grammy-nominated rework of Junior Boys' "Like A Child" is included alongside lesser-known but equally epic remixes such as his sublime 2012 mix of Slam's "Azure," which is employed for the film's title credits and had previously only seen a limited release. Also featured across the soundtrack's multiple formats are iconic Carl Craig productions under his 69, Psyche/BFC and Innerzone Orchestra aliases, and collaborations with Moritz von Oswald and Francesco Tristano. The soundtrack serves as a companion to the new documentary directed by Jean-Cosme Delaloye and produced by Sovereign Films, which follows Carl's journey from Detroit's middle-class roots to global stardom, set against the city's decline and recovery. The film explores his work at the intersection of music, art, and culture, from his collaborations with Bottega Veneta to his Party/After-Party installation, acquired by the Detroit Institute of Arts and exhibited at MOCA Los Angeles. Featuring interviews with Gilles Peterson, Roni Size, Laurent Garnier, DJ Minx, Kenny Larkin, Moritz von Oswald, and James Lavelle, Desire highlights Carl's championing of Detroit's Black creative excellence and the often-overlooked African-American roots of electronic music.
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2LP
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PLE 65413LP
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$35.50
PREORDER
RELEASE DATE: 7/18/2025
Double LP version. The official soundtrack to Jean-Cosme Delaloye's documentary about the life and career of Detroit techno pioneer Carl Craig, Desire: The Carl Craig Story is presented on 2x12" vinyl as well as CD. The collection, coming via his prolific and seminal Planet E Communications, features music from across Craig's vast catalog, including several tracks that have never previously seen full release. Its selections span his many aliases and projects, offering a rare glimpse into the full scope of his groundbreaking career. Among the rare and remastered tracks featured is "No More Words" -- originally released in 1991, newly reissued on vinyl and available digitally for the first time. A foundational track in the Detroit techno canon, "No More Words" captures the emotive synths and tight grooves of Craig's sound that would soon resonate across dance floors worldwide. Its reissue marks a moment of reflection on the genre's roots and evolution. Another remastered track from Craig's extensive archive is "The Truth," a deep cut from Craig's discography under his Designer Music alias, now widely available for the first time a quarter-century after its original release. The film's end credits are scored by the contemplative Meditation 4, an ambient production previously only available on Craig's 2013 Masterpiece compilation CD for Ministry of Sound. Iconic remixes such as his Grammy-nominated rework of Junior Boys' "Like A Child" is included alongside lesser-known but equally epic remixes such as his sublime 2012 mix of Slam's "Azure," which is employed for the film's title credits and had previously only seen a limited release. Also featured across the soundtrack's multiple formats are iconic Carl Craig productions under his 69, Psyche/BFC and Innerzone Orchestra aliases, and collaborations with Moritz von Oswald and Francesco Tristano. The soundtrack serves as a companion to the new documentary directed by Jean-Cosme Delaloye and produced by Sovereign Films, which follows Carl's journey from Detroit's middle-class roots to global stardom, set against the city's decline and recovery. The film explores his work at the intersection of music, art, and culture, from his collaborations with Bottega Veneta to his Party/After-Party installation, acquired by the Detroit Institute of Arts and exhibited at MOCA Los Angeles. Featuring interviews with Gilles Peterson, Roni Size, Laurent Garnier, DJ Minx, Kenny Larkin, Moritz von Oswald, and James Lavelle, Desire highlights Carl's championing of Detroit's Black creative excellence and the often-overlooked African-American roots of electronic music.
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12"
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PP 120EP
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$18.00
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RELEASE DATE: 7/18/2025
2020 was a good year to listen to Baba. So is 2025. Good music is never dated. This music is good for a date. Chugging rock disco. What else? This is the future.
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LP
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RANDB 167LP
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$27.00
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RELEASE DATE: 7/18/2025
This release includes gritty blues with Chicken Shack and an orchestra and a session cut with the Perfect Group. The hit single "I'd Rather Go Blind" is included: it is one of only four tracks released on a studio LP. Comes with complete recording details and extensive sleeve notes.
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LP
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RANDB 168LP
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$27.00
PREORDER
RELEASE DATE: 7/18/2025
Christine Perfect moved to center stage, with the band successfully re-recording material from her Chicken Shack and solo LP. Also included are songs from the Then Play On, Kiln House (TV documentary) and Future Games albums. Jeremy Spencer and Danny Kirwan feature extensively, as does Bob Welch on a specially recorded version of should- have-been-a-hit single "Dragonfly." Comes with extensive sleeve notes including full recording details.
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LP
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RBL 068-2LP
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$38.00
PREORDER
RELEASE DATE: 7/18/2025
"30th Anniversary edition of this soundtrack from Michele Soavi's Italian cult horror film, Dellamorte Dellamore (Cemetery Man). Music composed by Manuel De Sica. De Sica nails the tone of the film, allowing the music to somehow walk the line of sinister and mundane without coming off as forced. Gothic atmospheres with electronic grooves and jazz tapestries. Limited red vinyl plus poster."
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LP
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SDBANU 045LP
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$30.50
PREORDER
RELEASE DATE: 7/18/2025
Following the success of his debut album Echoes of Prayer Ghanaian-Dutch artist Bnnyhunna presents the album's first-ever vinyl release. Echoes of Prayer stands as a deeply personal and spiritual work that reflects Bnnyhunna's faith, his early experiences growing up in church, and his West African heritage. Every track on the album serves as a form of prayer, a conversation with God. The album showcases his ability to weave poetic lyrics, vivid visuals, and captivating melodies, creating an immersive experience that resonates on a spiritual and emotional level. Bnnyhunna's signature fusion of jazz, hip-hop, gospel, and Afro rhythms highlights his versatility and musical integrity. Echoes of Prayer also blends elements of '70s P-Funk grooves, gospel harmonies, and modern hip-hop rhythms. Each song represents a different facet of Bnnyhunna's artistic vision. The album's diverse sound is elevated by collaborations with The Cavemen, who lend their signature highlife revival, and Jembaa Groove, who contribute with West African-inspired rhythms. Bnnyhunna challenges conventional music by engaging all the senses through photography, videography, and poetry. The release of Echoes of Prayer follows a year of significant achievements for Bnnyhunna. In 2024, he performed for Highsnobiety at Paris Fashion Week, appeared at prestigious festivals such as Dekmantel and Zwarte Cross, and played a standout performance at the Steam Down Weekly series in London. Additionally, he composed an original score for the Dutch National Opera and won the Edison Pop Award, one of the most prestigious music awards in the Netherlands (often referred to as the Dutch Grammys), in the Soul/R&B/Funk category. With the vinyl release of Echoes of Prayer, Bnnyhunna offers fans a tangible, collectible edition of his powerful debut.
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4K UHD BLU-RAY
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SEV 17600UH
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$50.00
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RELEASE DATE: 7/18/2025
Region Code: 0. "Just prior to Faster, Pussycat! Kill! Kill!, producer/director/co-writer and cinematographer Russ Meyer first unleashed his singular vision of full-throttle violence and vengeance with this 1965 shocker: When a trio of psycho bikers launches a sexual assault and murder spree in a desert town, the local veterinarian (Alex Rocco of The Godfather fame in his screen debut) teams with a rage-ravaged vixen (the incredible Haji in her own first film role) to settle the score. Steve Oliver (Werewolves On Wheels), Lane Carroll (The Crazies), Timothy Scott (The Farmer) and Russ himself co-star in this 'slick, violent and well made' (Variety) Meyer milestone, now scanned in 4K from the original negative restored by The Museum of Modern Art with new and archival special features curated by Severin Films in association with The Russ Meyer Trust."
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BLU-RAY
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SEV 17702BR
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$41.00
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RELEASE DATE: 7/18/2025
Blu-Ray version. Region code: 0. "No fairy tale -- this! In 1976, producer/director/cinematographer/editor Russ Meyer delivered his penultimate feature film -- co-written by Beyond The Valley Of The Dolls screenwriter and Pulitzer Prize winner Roger Ebert -- hailed as 'jaw-droppingly perverse' (Entertainment Weekly), 'Meyer at his most outrageous' (Images Journal) and 'definitely not to be confused with the Pixar cartoon' (The Spinning Image): Welcome to a sex-blasted burg in Northern California where sodomized Führers, ravenous piranha, sapphic ecstasy, murder mystery, Shakespearean appropriation and the remarkable Raven De La Croix collide, with Kitten Natividad -- in her RM Productions debut -- as The Greek Chorus of it all. Janet Wood (The Centerfold Girls) co-stars in 'one of Russ Meyer's best films' (We Are Movie Geeks)."
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DVD
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SEV 17703DVD
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
Region code: 0. "No fairy tale -- this! In 1976, producer/director/cinematographer/editor Russ Meyer delivered his penultimate feature film -- co-written by Beyond The Valley Of The Dolls screenwriter and Pulitzer Prize winner Roger Ebert -- hailed as 'jaw-droppingly perverse' (Entertainment Weekly), 'Meyer at his most outrageous' (Images Journal) and 'definitely not to be confused with the Pixar cartoon' (The Spinning Image): Welcome to a sex-blasted burg in Northern California where sodomized Führers, ravenous piranha, sapphic ecstasy, murder mystery, Shakespearean appropriation and the remarkable Raven De La Croix collide, with Kitten Natividad -- in her RM Productions debut -- as The Greek Chorus of it all. Janet Wood (The Centerfold Girls) co-stars in 'one of Russ Meyer's best films' (We Are Movie Geeks)."
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BLU-RAY
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SEV 17749BR
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$41.00
PREORDER
RELEASE DATE: 7/18/2025
Blu-Ray version. Region Code: 0. "Just prior to Faster, Pussycat! Kill! Kill!, producer/director/co-writer and cinematographer Russ Meyer first unleashed his singular vision of full-throttle violence and vengeance with this 1965 shocker: When a trio of psycho bikers launches a sexual assault and murder spree in a desert town, the local veterinarian (Alex Rocco of The Godfather fame in his screen debut) teams with a rage-ravaged vixen (the incredible Haji in her own first film role) to settle the score. Steve Oliver (Werewolves On Wheels), Lane Carroll (The Crazies), Timothy Scott (The Farmer) and Russ himself co-star in this 'slick, violent and well made' (Variety) Meyer milestone, now scanned in 4K from the original negative restored by The Museum of Modern Art with new and archival special features curated by Severin Films in association with The Russ Meyer Trust."
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DVD
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SEV 17750DVD
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
DVD version. Region Code: 0. "Just prior to Faster, Pussycat! Kill! Kill!, producer/director/co-writer and cinematographer Russ Meyer first unleashed his singular vision of full-throttle violence and vengeance with this 1965 shocker: When a trio of psycho bikers launches a sexual assault and murder spree in a desert town, the local veterinarian (Alex Rocco of The Godfather fame in his screen debut) teams with a rage-ravaged vixen (the incredible Haji in her own first film role) to settle the score. Steve Oliver (Werewolves On Wheels), Lane Carroll (The Crazies), Timothy Scott (The Farmer) and Russ himself co-star in this 'slick, violent and well made' (Variety) Meyer milestone, now scanned in 4K from the original negative restored by The Museum of Modern Art with new and archival special features curated by Severin Films in association with The Russ Meyer Trust."
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7"
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SMR45 001EP
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
At the height of Pan-Arabism, when the United Arab Republic fused Egypt and Syria in a fleeting but bold experiment, a new wave of popular music was emerging -- vibrant, infectious, and universally danceable. Among its lesser-known stars was actress Leila Gamal, whose voice -- delicate yet rich with longing -- embodied the golden era of Egyptian cinema. Born in Alexandria to Syrian roots, Gamal's vocals were a magnetic blend of sweetness and passion, with a timeless allure that echoed the silver-screen sweethearts of her time. "Abaleeh Abalingi" pulses with the hypnotic drive of funky organ riffs, reminiscent of the blind visionary Ammar El Sheriyi, creating a sound both cinematic and undeniably catchy. The delicate lyrics by Khairi Fouad place the track firmly in the lineage of the Middle East's most iconic pop divas, from Angham to Nawal El-Zoughbi who he subsequently wrote for. This reissue, lovingly remastered, brings this long-lost gem back to life, where it belongs -- spinning on turntables, teasing dance floors, and transporting listeners to Egypt in the late sixties. Adel Osman's "Oriental Eyes" captures the essence of the '60s Egyptian Franco-Arab movement, blending Western (often jazz) influences with Arabic melodies to mesh mystique with sensuality. Osman's commanding yet delicate vocals deliver the bilingual lyrics with captivating sincerity, his voice effortlessly gliding over the swells of the arrangement. The trumpet, possibly connecting him to Zaki Osman of Salah Ragab's legendary Cairo Jazz Band, adds a layer of flair, enriching the track's Tarantino-esque eclecticism. Now remastered, "Oriental Eyes" is not only a nostalgic gem but a timeless reminder of the boundary-defying spirit that defined the 1960s musical landscape. Given the ongoing war efforts against Israel, this record wasn't pressed by Sono Cairo till much later in 1975 once Egypt had recaptured the Sinai and restored national pride.
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7"
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SMR45 002EP
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
Maggid Tewfik's "Mazzika Nicab" Parts 1 and 2. Released in 1973, Mazzika Nicab by Egyptian film director and iconic figure Maggid Tewfik is a trippy instrumental journey into the experimental realms of baladi music. Known for his prolific career as a director and DOP in over 30 Coptic films, Tewfik's composition, split in two parts, presents a moody yet undeniably cheeky tune that is unlike anything found in Egyptian music over the ages. The track is a hypnotic blend of Eastern rhythms and Latin grooves, featuring an early drum machine that guides the track through its jubilant and stormy atmosphere. This mechanical beat is paired with funky garage sounds, creating a psychedelic fusion that evokes images of an epic cinematic score, where belly dance meets the raw energy of late-'60s experimental rock. Belly-dance sci-fi perhaps.
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7"
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SMR45 003EP
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
Finally, hopping across from Egypt to Lebanon for this infectious number, Georgette Sayegh delivers what some consider her magnum opus in a captivating duet together with Melhem Barakat, and on the flipside a stripped-down instrumental version that's equally catchy. Georgette Sayegh is a legendary Lebanese singer and actress known for her tender and dulcet voice that echoed the grace and beauty of the inimitable Fairuz yet carried its own unique warmth. Her passion for collecting vinyl at an early age formed her eclectic musical palette, and she eventually caught the eyes of the Rahbani brothers and played the lead role in a monthly play written by Fairuz's son, Ziad. Georgette's household classic "Yay Yay Ya Nassini" shot her to stardom across the Arab world in the 1970's, and till this day carries the exact same nostalgia of a Lebanese summertime anthem -- flirtatious, jolly, and unfettered. In "Belghi Kull Mawaidi" (I cancel all my appointments), Sayegh's voice entwines with compatriot and fellow household staple, Melhem Barakat in an emotional display of longing and depth -- her voice delicate yet powerful, effortlessly blending with Barakat's commanding baritone. The instrumental version on the flipside (surprisingly a stereo mix) reveals a highly catchy arrangement that is lush and emotive, driven by strings that glide smoothly through the melody, while brass instruments add a touch of drama. The rhythm section, punctuated by a steady percussion, anchors the track, allowing the interplay of instruments to build a sense of urgency and longing, accurately reflecting the struggles and emotional resilience that defined Sayegh's own life. This reissue, remastered with painstaking care, brings both versions of Belghi Kull Mawaidi back to life, making it an essential addition to any avid listener, DJ or collector's shelf. It captures the timeless beauty of two of Lebanon's most cherished musical icons, their voices and instruments merging to create a track that resonates through the ages.
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Cassette
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SODA 017CS
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$12.50
PREORDER
RELEASE DATE: 7/18/2025
Scavenger tones and scrambled cassette residue drift across the surface of Compressed Knowledge, a quietly astonishing new work by Philadelphia-based sound artist Tyler Games, operating here as Radio Species. Following releases on Regional Bears, Irrational Tentent, and his own now-defunct Born Physical Form imprint, Games works in a space between musique concrète, tape collage, and microsound, using an economy of gesture to create a suite of fundamentally elusive compositions. Harmonic loops stutter and fold in on themselves, hazy rhythms break free from their clocks, snatches of speech cut out mid-thought as a layer of room tone and tape gunk holds everything in suspension. There's a sense of broadcast without a source, flickering across half-tuned frequencies -- hinting at formal structures while continually slipping away from them. The result is not archival in the traditional sense, but archaeological: these tracks are partial objects, pulled from the noise floor of memory. In its refusal to resolve into stable meaning or musical form, this is work that draws from traditions of sound ethnography, experimental documentation, and concrète montage -- where listening itself becomes a mode of speculative reconstruction.
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LP
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SOUK 015LP
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$27.00
PREORDER
RELEASE DATE: 7/18/2025
An elusive and quiet figure amidst the Portuguese electronic scene, Timóteo Azevedo aka Random Gods releases his debut album on Discrepant's sub label Souk after his killer appearance in the long sold out Antologia de Música Atípica Portuguesa Vol. 2 compilation back in 2019. With two previous EPs on Danse Noire and ZABRA, Random Gods' futurist visions project themselves through a scavenger-like body music assembled from the hopes and debris of these uncertain and dread-inducing times. Rituals conjured from metal shards, blunted kickdrums, submerged basslines, reverberating textures, cut up vocals and lazer guided melodies. The orchestral runs of opener "Abertura" as a glimmer of nervous light into the deep end bass weight meditations on syncopated kicks and grimey synth stabs of "Somatiga." Slow burner "Pneuma" conjures neon synth lines into its half-step flow, while "Acervo" complicates the rhythm further with its profusion of crumbling kickdrums, tossed off claps and tonal percussion. "Prumoo" dwells deeper into post-industrial ardkore nuum with its merciless drum patterns and mol-ten basslines and "Alvoro" feels like footwork taken into those same wastelands, with a nervous percussive backbone from some ancient future -- take that as you will.
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LP
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SPITTLEJ 501LP
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$29.50
PREORDER
RELEASE DATE: 7/18/2025
Originally released in 1981, this is Mizutama Shōbōdan's legendary debut album. A wild theatrical mix of avant-post-punk material worked out by one of the most uncompromising women's brigades ever. An outstanding document from "another" Japan! Contains printed inner sleeve and four-page fold-out insert.
"Mizutama Shōbōdan were a force of nature -- powerful and original and unapologetic. I saw them live before I heard the first record and was very impressed. I liked the way the group interacted, it was a very good atmosphere between everybody. I really liked the contrasting sounds and styles of Kamura and Tenko, two very different kinds of voices that really worked well together." --Fred Frith
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LP
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SPITTLEJ 502LP
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$29.50
PREORDER
RELEASE DATE: 7/18/2025
Mixed by master Fred Frith and released in Japan in 1985 this is Mizutama Shōbōdan's sophomore album. Another dangerous ride with the fearless "Polka Dots Fire Brigade" and a further step into the Japanese dreamland. Contains printed inner sleeve and four-page fold-out insert.
"Mizutama Shōbōdan were a force of nature -- powerful and original and unapologetic. I saw them live before I heard the first record and was very impressed. I liked the way the group interacted, it was a very good atmosphere between everybody. I really liked the contrasting sounds and styles of Kamura and Tenko, two very different kinds of voices that really worked well together." --Fred Frith
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12"
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SYNAPTIC 009EP
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$25.00
PREORDER
RELEASE DATE: 7/18/2025
Congratulations, Electro connoisseur! You are about to enter the Electrifying Dojo. A place where Sifu pdqb and Sensei Rolando teach a transcendental, one-of-a-kind neo-futuristic martial art that does not use hands but something far more delicate and powerful: MUSIC. Blending martial discipline with the art of electronic music is something deeper, something that no words can properly describe. The skills you will be taught here are feeling music, embodying it. pdqb and Rolando believe that true harmony comes when the mind, body, and soul are united in the sounds that vibrate through the air. The sounds of this first lesson are soft at first, almost imperceptible. But then they grow into a delicate, trembling melody that fills the room with an emotion that is difficult to place. It isn't sadness, nor is it joy, but something in between. The more you listen, the more you will be aware of something strange: tears will fall gently, silently. They are not forced, nor are they out of sorrow -- it is simply because the music feels so beautiful. Your deepest emotions will be triggered, every note will carry out an old truth, a secret truth, buried deep in your heart. Another quality drop from Synaptic Cliffs. Four dark and beautiful signature-style Electrocognition journeys from pdqb, playful with a modern twist while still remaining loyal to its roots. And on the flipside: two stunning, classic Rolando remixes, each with the potential to be the crowning moment in the club.
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2LP
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TRESOR 379LP
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$34.00
PREORDER
RELEASE DATE: 7/18/2025
A long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records -- their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback. Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of "BLOKK"). Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk -- a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection -- a sound forged in the act of creating, not polishing. In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole. From the opening crawl of "C4" (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of "MOTHERJAM" via the intense peaks of "BLOKK, 707," and classic acid track "3D," it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
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12"
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TURBO 247EP
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$20.50
PREORDER
RELEASE DATE: 7/18/2025
When the people just gotta dance right now, Turbo Recordings will drop everything to fast-track the hottest, rawest music the moment the download links hit. Such is the case with rising Lithuanian superstar DJ JM's moov EP, which contains five tracks so good they needed to hit today's streets today. To ensure the mind-churning efficiency and logistical brilliance needed to pull off this kind of turnaround, label life-giver Tiga slept and tried to bathe at the office for five straight days before being hospitalized for "caring too much." The result is a thrilling showcase for DJ JM, perhaps the label's favorite current artist working in any medium. His grit-rich beats, his melodist's ear, his sound design -- sometimes it's all too much to bear. But bear it and grin you shall, and as you have the night of your life every night from now into the future untold, take a moment to spare a grin in the knowledge that somewhere there is a man hooked up to a Gatorade IV who wanted all of this for you and could not bear for you to wait a moment longer.
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LP
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VPGS 7118LP
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$27.00
PREORDER
RELEASE DATE: 7/18/2025
"Big loud and proud Greensleeves 12" rounding up back to back '80s vocal and dub Prince Jammy digi-killers. Junior Murvin's lethal Cool Down The Heat complete with killer dub backed with Nitty Gritty's original 'Run Down The World' vocal cut now matched with the sought after Jamaican only dub mix."
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LP
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WWSLP 107LP
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$29.50
PREORDER
RELEASE DATE: 7/18/2025
Wewantsounds reissues Charles Kynard's 1972 cult classic Woga, recorded in Los Angeles for Mainstream Records and featuring top-tier musicians Chuck Rainey, Paul Humphrey, Arthur Adams, and George Bohanon. Produced by Bob Shad, the album stands as one of the label's funkiest releases, showcasing Kynard's signature Hammond organ grooves. Woga is reissued here on vinyl for the first time since its original release, complete with its original gatefold artwork using first-generation session photos. This edition comes with newly remastered audio plus a two-page insert featuring new liner notes by Kevin Le Gendre. Charles Kynard, born in St. Louis in 1933, passed away relatively young at the age of 46 in 1979. Despite a short career, he left a lasting impression on the international jazz-funk scene with a string of soul-jazz classics, culminating with Woga. Kynard began his professional career in St. Louis before relocating to Los Angeles in the early '60s, where he started recording for the Pacific Jazz label. There, he worked with renowned musicians such as Howard Roberts, Sonny Stitt, and Buddy Collette, releasing his debut album for the label in 1963. In 1971, Kynard joined Bob Shad's Mainstream Records and recorded three highly sought-after albums for the label, including Woga. Woga includes dynamic covers of contemporary soul hits such as Donny Hathaway's "Little Ghetto Boy," Aretha Franklin's "Rock Steady," and the Staple Singers' "Name the Missing Word," alongside deep-cut originals like the fiery "Hot Sauce," the laid-back "Lime Twig," and the explosive nine-minute jam "Slop Jar," featuring standout solos by trombonist George Bohanon, guitarist Arthur Adams, and trumpeter Jerome Rusch. This reissue also includes the bonus track "Smiling Faces Sometimes", a rendition of the Motown psychedelic soul hit by The Undisputed Truth. Recorded during the original Woga sessions, the track briefly surfaced on a low-profile compilation two years later. It features none other than the legendary Carol Kaye on bass.
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12"
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XBIT 007EP
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$19.00
PREORDER
RELEASE DATE: 7/18/2025
Rico found an old painting from his childhood and set it to music as he remembered the infantile feels behind those moments of painting over 30 years ago. While perfectly fitting the label's idea of presenting Exhibitions, this interdisciplinary time travel truly grew into some unique and remarkable music.
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CD
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AHA 001CD
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$16.00
PREORDER
RELEASE DATE: 7/25/2025
Magical Power Mako passed away unexpectedly on February 7, 2025. The reissue release was planned and authorized by Mako before his passing. Packaged in a standard jewel case with an obi stripe, manufactured in Tokyo. Artwork by Yuko Asano stills from her animation movie The Western Mantra (1980). Originally released in 1993 Next Millennium Vibrations drifts through warped tape loops, ambient zones and sampled oriental percussion with comical electronics, conjuring a surreal, meditative and disorienting atmosphere. Mako weaves fractured beats with ethereal melodies, blending kosmische, lo-fi psychedelia, and avant-garde experimentation.
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LP
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AMI 063LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
"As long-time admirers of his six and twelve-string wizardry, Amish Records presents the release of James Blackshaw's (kinda) new album, Unraveling In Your Hands. Originally released digitally in November 2024, solely on James' Bandcamp. The album marks the first music James has released since his self-imposed hiatus in 2016. After much personal tumult including a broken shoulder, the loss of his job and the death of his beloved dog Dexter, James finally felt the pull back to music. He begun to work, not even knowing if his injury would allow him to play the guitar, and then Unraveling In Your Hands quietly appeared. The title track is the album's center piece, a 27-minute meditation of precise guitar phrasings and shimmering harmonics, recorded in a single take. In UNCUT, Jon Dale says it's 'an unrelenting, hypnotic stream of shivering strings, tiny flecks of light dazzling as you plunge deep into the repetition, while following a snaky melody through the thickets -- is certainly unforgettable.' 'Dexter' is a somber piece with a minimal organ melody enveloped by droning woodwinds and scratching strings provided by multi-instrumentalist and longtime collaborator, Charlotte Glasson. Finally, 'Why Keep Still?' moves back into familiar sonic territory with fingerpicked guitar accompanied by rolling piano notes. Pitchfork gave the album an 8.0 rating, stating, 'The lucidity and beauty of this music feels hard-won, something to revere and cherish.' Inspired by the '60s Takoma school of American Primitive guitar, minimalist composers and European classical music, James Blackshaw b. 1981 has been highly regarded for his works for solo acoustic guitar since his debut album in 2003, employing fingerpicking techniques to create drones, overtones and repeating patterns, alongside a strong inclination for melody, to create instrumental music that is both intelligent, hypnotic and emotional. James Blackshaw has released eleven solo studio albums, two EPs, two live recordings and appeared on numerous compilations, receiving praise and earning places on Best of Year lists from many online and printed publications. Since its release, the album has received significant critical acclaim, with reviews in Uncut, Mojo, Stereogum, Aquarium Drunkard, Dusted, and Brainwashed."
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12"
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BARN 118EP
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$21.50
PREORDER
RELEASE DATE: 7/25/2025
Bristol-based artist and DJ A.Wild presents his debut EP, Report Deluxe, a striking collection of four hypnotic tech-house-not-tech-house tracks crafted with meticulous care, showcasing adventurous samples and a distinctive, slightly acidic atmosphere. Known for exploring the deeper and more immersive aspects of dance music, A.Wild skillfully integrates an assortment of captivating sonic details that thrive both on and off the club dancefloor. Report Deluxe firmly establishes A.Wild as a true leader of the new school, his fresh and compelling approach to sound set to transport listeners into ever-so-fresh musical spaces.
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CD
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BJR 111CD
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$18.00
PREORDER
RELEASE DATE: 7/25/2025
Alice is a vocal harmony trio made up of three persons, joined by a cheap synth and limited virtuosity. Together, they craft a kind of future folklore that's part funny, part apocalyptic -- half-soft, half-harsh, half-sad, half-simple, half-complex, half-controlled, half-Yvonne Harder, half-Sarah André, half-Lisa Harder. Since their last album L'Oiseau Magnifique (BJR 091CD), Alice have spent time on the road -- in cars, in trains, out in the open. Accustomed to writing outdoors, they slowly stitched together a collection of new songs. After two years of performing in clubs, bars, stairwells, carpentry workshops, activist agricultural fairs and roadside shoulders, they took their Oiseau Magnifique just about everywhere. It felt like time to sew these new pieces together -- a quilt of humor and soft words, something we could really use in these half-sweet, half-fascist times. Les Châteaux Faibles is the name of one of their latest songs, and naturally, the title of their new album. It captures the group's ethos perfectly -- a search for refuge in fragility, in a weakness that's better when shared. A collective sensitivity to bring us closer, stronger -- united in Châteaux Faibles.
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LP
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BJR 111LP
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$28.00
PREORDER
RELEASE DATE: 7/25/2025
LP version. Alice is a vocal harmony trio made up of three persons, joined by a cheap synth and limited virtuosity. Together, they craft a kind of future folklore that's part funny, part apocalyptic -- half-soft, half-harsh, half-sad, half-simple, half-complex, half-controlled, half-Yvonne Harder, half-Sarah André, half-Lisa Harder. Since their last album L'Oiseau Magnifique (BJR 091CD), Alice have spent time on the road -- in cars, in trains, out in the open. Accustomed to writing outdoors, they slowly stitched together a collection of new songs. After two years of performing in clubs, bars, stairwells, carpentry workshops, activist agricultural fairs and roadside shoulders, they took their Oiseau Magnifique just about everywhere. It felt like time to sew these new pieces together -- a quilt of humor and soft words, something we could really use in these half-sweet, half-fascist times. Les Châteaux Faibles is the name of one of their latest songs, and naturally, the title of their new album. It captures the group's ethos perfectly -- a search for refuge in fragility, in a weakness that's better when shared. A collective sensitivity to bring us closer, stronger -- united in Châteaux Faibles.
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LP
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BLUE 035LP
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$23.00
PREORDER
RELEASE DATE: 7/25/2025
"Bitterviper is the brand-new quartet of Nikos Veliotis (cello), Taku Unami (synthesizer), Sarah Hennies (percussion), and David Grubbs (guitar, piano), four individuals who separately are responsible for some of the most striking and wildly idiosyncratic music of the past couple of decades -- not to mention the duo collaborations between Grubbs and Unami (the albums Comet Meta and Failed Celestial Creatures) and Veliotis and Grubbs (The Harmless Dust). Athens-based Nikos Veliotis set Bitterviper into motion with four overdubbed pieces of dense psychoacoustic marvels on the cello; Grubbs responded with characteristically subtle tracery on piano, guitar, and lap steel; Unami weighed in electronically from Tokyo to mysteriously thicken both the plot and the low end; and Hennies applied her compositional gifts to structure the whole thing with an Occam's Razor approach to percussion. But once you drop the needle on Bitterviper, its origin story becomes ancient history; you're suddenly in the presence of an ensemble that sounds like no other and for whom there are no false steps. It's all fair game when this is how you choose to play; Bitterviper is a salvo of confidence and conviction, and this is only the beginning. David Grubbs is Distinguished Professor of Music at Brooklyn College and The Graduate Center, CUNY. He was a member of Gastr del Sol, Bastro, and Squirrel Bait, and has performed with Tony Conrad, Pauline Oliveros, Luc Ferrari, Will Oldham, Loren Connors, Jan St. Werner, The Red Krayola, and many others. Sarah Hennies is a composer and percussionist based in upstate New York whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer and trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is currently a Visiting Assistant Professor of Music at Bard College. Taku Unami's work is influenced by science fiction, supernatural horror and weird fiction. He's the composer of film scores for directors including Isao Okishima and Takeshi Furusawa, was half (with Toshiya Tsunoda) of the group Wovenland, is one-third of the group Hontatedori, and has collaborated with, among others, Annette Krebs, Radu Malfatti, Jean-Luc Guionnet, Jarrod Fowler, and Graham Lambkin. Nikos Veliotis founded Mohammad with ILIOS and Coti K. (renamed MMMD in 2015). In the 1990s he developed an experimental practice, exploring image and sound, mainly through the cello; he also performed in numerous groups, most notably CRANC (with Angharad and Rhodri Davies) and Looper (with Ingar Zach and Martin Küchen)."
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LP
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BRED 923LP
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$38.00
PREORDER
RELEASE DATE: 7/25/2025
"Originally released in 2006, this recording of J Mascis' debut solo acoustic performance has since become a cult classic and a fan favorite. Featuring understated presentations of Dinosaur Jr staples such as 'What Else Is New', 'Get Me' and 'Repulsion', and captured in front of an enthusiastic audience, this is a warts 'n all, almost voyeuristic, experience. Long out of print, and now issued on highly collectable red vinyl, this is a chance for the uninitiated and younger fans to discover a classic, and for familiar fans to revisit and own a fantastic presentation of an album which remains an essential part of J's body of work."
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12"
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COR 179B-EP
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$18.00
PREORDER
RELEASE DATE: 7/25/2025
Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar returns to Cocoon Recordings with his third contribution Twofold. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive. Twofold: Fade -- Rooted in a minimalist rhythmic structure, "Power" takes listeners in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading listeners into a wild, almost chaotic energy, before Kaspar's meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding to the absolute freak-out moment. After all the insanity, Jonathan Kaspar leads into a melodic, trancy after-hours mood with "1993," bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as the EP winds down.
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12"
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COR 179BCOL-EP
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$28.00
PREORDER
RELEASE DATE: 7/25/2025
Color vinyl version. Known for his ability to create captivating, emotionally charged techno, Jonathan Kaspar returns to Cocoon Recordings with his third contribution Twofold. One, yet simultaneously two releases that once again showcase his extraordinary talent through condensed techno with a pinch of trance, weaving together driving rhythms and atmospheric textures in a way that feels innovatively progressive. Twofold: Fade -- Rooted in a minimalist rhythmic structure, "Power" takes listeners in a new direction, steadily building momentum as its energy billows upwards, with the intensity never wavering throughout. A large, dented, tinny tuba sounds imposingly as Jonathan blows louder and louder into the old thing, its raw, metallic tone instantly commanding attention. What an explosion in the break, leading listeners into a wild, almost chaotic energy, before Kaspar's meticulous attention to detail ensures that the shimmering synths feel perfectly placed, guiding to the absolute freak-out moment. After all the insanity, Jonathan Kaspar leads into a melodic, trancy after-hours mood with "1993," bringing a sense of release after the wild ride of the previous tracks. What a successful closing track to this outstanding release. With its melodic trance influences, it offers a soothing, almost nostalgic atmosphere, bringing a sense of calm and closure, a perfect moment of introspection and euphoria as the EP winds down.
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CD
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CSR 351CD
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$15.50
PREORDER
RELEASE DATE: 7/25/2025
Unavailable for almost 30 years in its own right, this collection from the Cold Spring archive has been repackaged and remastered with new art. This classic album exists as a document of the soundtrack work Psychic TV created for the many films and videos of Derek Jarman. Another demonstration of why Psychic TV were one of the most important groups in the world. The titular track, "Prayer For Derek," is intended as an invocationary prayer, based on Tibetan rituals; a collage of sounds including field recordings of the lulling waves running aground on the shingle beach opposite Jarman's Prospect Cottage in Dungeness, Kent alongside bird song, crying babies, and massed ritualized chants to aid the late film director in his after-life journeys. Other tracks feature elongated drones, washes of dissonance, melancholic guitar chime, evocative piano scoring, Burroughs cut-ups, gothic chants, and familiar snarling gods. CD is featured in matt digipak with eight-page fold-out booklet, with detailed liner notes by Genesis P-Orridge (1997); Astorical anecdotes and background facts for completeness.
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CD
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DC 930CD
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$13.50
PREORDER
RELEASE DATE: 7/25/2025
"Like a sweet spring breeze after a long, cruel winter, Cory Hanson's blowing through town again. And like the wind, I Love People comes from parts unknown. Followers of Cory's twin arcs as solo singer and Wand member will be intrigued to learn that the lineup here is the same band that recorded 2024's Vertigo. That's Robbie Cody co-producing behind the desk, Evan Backer playing bass and arranging strings and horns, Evan Burrows on drums and percussion and Cory on piano, guitars and voices and songs. I Love People bugs out to the wtf-ness on the edge of town spied now and again on Cory's previous solos, Pale Horse Rider and Western Cum. Here though, the simmering shades of Rider's quiet horror and the bursts of Cum's cartoonish, gun-slinger bravado have given way to an ever-more impartial view of life on the ground, tinted in gossamer sepia and other nostalgic tones. Written over the past several annums, Cory's songs ensnare the '70s singer-songwriter in a feedback loop, drawing additional inspiration from the indelible everyman melodies of the American Songbook. With gilded threads and emboldened needling, I Love People's songs are rendered with immediacy and a deep-pile Hollywood production sound that radiates affluence and comfort, even in the darkest and coldest nights way out beyond the range of any signal. Placed and displaced among gorgeously outfitted musical arrangements, I Love People's people are kin to their threadbare folk forbears. Song by song, their occupations, social positions and dispositions unravel like silk into the wind. While they perform, Cory loiters backstage, gently pulling at the curtain to reveal silly details hidden in plain sight inside America's broken heart. It doesn't come as a surprise, and it's not strictly funny, either: a giddy mash of the two, the delirium that comes from finding what you think is 'true' is someone else's 'false.' When maps won't help you find out where you are anymore, you're as normal and horrible as the next person, playing out your days in a place of constant activity with your parallax view progressing invisibly into a limbo beyond the horizon. That's your freedom for you, and it might be more sad, more terrifying -- if it weren't so much fun! Even though their subject won't stop squirming, Cory and his merry men have constructed a timeless still life with I Love People, simply by living for the fun and love of it all."
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Cassette
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DC 930CS
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$12.00
PREORDER
RELEASE DATE: 7/25/2025
Cassette version. "Like a sweet spring breeze after a long, cruel winter, Cory Hanson's blowing through town again. And like the wind, I Love People comes from parts unknown. Followers of Cory's twin arcs as solo singer and Wand member will be intrigued to learn that the lineup here is the same band that recorded 2024's Vertigo. That's Robbie Cody co-producing behind the desk, Evan Backer playing bass and arranging strings and horns, Evan Burrows on drums and percussion and Cory on piano, guitars and voices and songs. I Love People bugs out to the wtf-ness on the edge of town spied now and again on Cory's previous solos, Pale Horse Rider and Western Cum. Here though, the simmering shades of Rider's quiet horror and the bursts of Cum's cartoonish, gun-slinger bravado have given way to an ever-more impartial view of life on the ground, tinted in gossamer sepia and other nostalgic tones. Written over the past several annums, Cory's songs ensnare the '70s singer-songwriter in a feedback loop, drawing additional inspiration from the indelible everyman melodies of the American Songbook. With gilded threads and emboldened needling, I Love People's songs are rendered with immediacy and a deep-pile Hollywood production sound that radiates affluence and comfort, even in the darkest and coldest nights way out beyond the range of any signal. Placed and displaced among gorgeously outfitted musical arrangements, I Love People's people are kin to their threadbare folk forbears. Song by song, their occupations, social positions and dispositions unravel like silk into the wind. While they perform, Cory loiters backstage, gently pulling at the curtain to reveal silly details hidden in plain sight inside America's broken heart. It doesn't come as a surprise, and it's not strictly funny, either: a giddy mash of the two, the delirium that comes from finding what you think is 'true' is someone else's 'false.' When maps won't help you find out where you are anymore, you're as normal and horrible as the next person, playing out your days in a place of constant activity with your parallax view progressing invisibly into a limbo beyond the horizon. That's your freedom for you, and it might be more sad, more terrifying -- if it weren't so much fun! Even though their subject won't stop squirming, Cory and his merry men have constructed a timeless still life with I Love People, simply by living for the fun and love of it all."
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LP
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DC 930LP
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$25.00
PREORDER
RELEASE DATE: 7/25/2025
LP version. "Like a sweet spring breeze after a long, cruel winter, Cory Hanson's blowing through town again. And like the wind, I Love People comes from parts unknown. Followers of Cory's twin arcs as solo singer and Wand member will be intrigued to learn that the lineup here is the same band that recorded 2024's Vertigo. That's Robbie Cody co-producing behind the desk, Evan Backer playing bass and arranging strings and horns, Evan Burrows on drums and percussion and Cory on piano, guitars and voices and songs. I Love People bugs out to the wtf-ness on the edge of town spied now and again on Cory's previous solos, Pale Horse Rider and Western Cum. Here though, the simmering shades of Rider's quiet horror and the bursts of Cum's cartoonish, gun-slinger bravado have given way to an ever-more impartial view of life on the ground, tinted in gossamer sepia and other nostalgic tones. Written over the past several annums, Cory's songs ensnare the '70s singer-songwriter in a feedback loop, drawing additional inspiration from the indelible everyman melodies of the American Songbook. With gilded threads and emboldened needling, I Love People's songs are rendered with immediacy and a deep-pile Hollywood production sound that radiates affluence and comfort, even in the darkest and coldest nights way out beyond the range of any signal. Placed and displaced among gorgeously outfitted musical arrangements, I Love People's people are kin to their threadbare folk forbears. Song by song, their occupations, social positions and dispositions unravel like silk into the wind. While they perform, Cory loiters backstage, gently pulling at the curtain to reveal silly details hidden in plain sight inside America's broken heart. It doesn't come as a surprise, and it's not strictly funny, either: a giddy mash of the two, the delirium that comes from finding what you think is 'true' is someone else's 'false.' When maps won't help you find out where you are anymore, you're as normal and horrible as the next person, playing out your days in a place of constant activity with your parallax view progressing invisibly into a limbo beyond the horizon. That's your freedom for you, and it might be more sad, more terrifying -- if it weren't so much fun! Even though their subject won't stop squirming, Cory and his merry men have constructed a timeless still life with I Love People, simply by living for the fun and love of it all."
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CD
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DDJ 064CD
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$22.50
PREORDER
RELEASE DATE: 7/25/2025
Beat Records presents for the first time on CD the OST by Riz Ortolani for the dramatic comedy Porca Vacca, directed in 1982 by Pasquale Festa Campanile. At the time of the film's release, nothing came of this beautiful soundtrack by Riz Ortolani. Thanks to the stereo master tapes of the original sessions, it was possible to release the complete score for the first time. Riz Ortolani composed and conducted an OST introduced by a rhythmic comic theme which is reprised in a slow version with accordion. After a cheerful introduction, the orchestra describes the historical period of World War I, and the military-flavored theme for trumpet and strings and is reprised by the harmonica. The harmonica, guitar, piano and rhythm section perform a folk-flavored motif perfect for the sad atmosphere of those distant days then reprised for harmonica alone. Dissonant passages for strings create a tense and macabre atmosphere, (and the harsh conditions of the war are underlined by dramatic passages with a little space dedicated for a love theme). As a special surprise for fans of the legendary Renato Pozzetto, Beat also includes the popular songs of the period in which the story is set, performed by Pozzetto and choir as they are heard in the film, all arranged and conducted by M°Ortolani. With a duration of 54:59, this CD can finally be added to your collection of works by the great composer.
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LP
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HBR 027LP
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$33.00
PREORDER
RELEASE DATE: 7/25/2025
"Closing out the Special Sound Series in style, we are proud to present the long-awaited vinyl reissue of Shigeo Sekito's 1985, an instrumental masterpiece that arrived nearly a decade after his iconic Kareinaru Electone Special Sound Series of the 1970s. A true pioneer in the world of Electone music, Sekito's name -- instantly recognizable in katakana -- has left an indelible mark on the genre. This album showcases his signature artistry across eight captivating tracks, blending originals and covers with his distinct sonic palette. The cosmic allure of the original composition 'Amish At Dusk' stands out among the set, while the Manhattan Transfer cover 'Twilight Zone, Twilight Tone' brims with dynamic, fast-paced arrangements. Meanwhile, Sekito's take on The Crusaders' 'Rhapsody And Blues' unfolds with a laid-back groove, gradually building into an uplifting crescendo. Drifting between chill-out and ambient sensibilities, 1985 captures a wistful, melancholic beauty -- where the rich textures of the Electone transport listeners into a world of nostalgia and dreamlike introspection. This final reissue in the series is a must-have for collectors and fans alike. Experience 1985 in its warm, analog glory -- now on vinyl."
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LP
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HBR 028LP
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$33.00
PREORDER
RELEASE DATE: 7/25/2025
"A captivating deep cut from the golden age of Italian library music, Il Ponte Dell'Asia stands as one of Piero Umiliani's most evocative and exotic soundscapes. Originally released in 1967 as a private pressing for Italian the TV documentary by Corrado Sofia, this elusive gem blends Far Eastern motifs with the elegance of mid-century European jazz and the textured experimentation that defines Umiliani's best work. On Il Ponte Dell'Asia, Umiliani constructs a cinematic bridge between continents, layering modal melodies, sinuous flutes, shimmering vibraphones, and richly orchestrated strings over hypnotic rhythms and subtly psychedelic touches. The result is a masterful fusion of East-meets-West that channels both travelogue fantasy and avant-garde sophistication -- a rare synthesis of traditional instrumentation and modernist sensibility. Exported from the original tapes, and pressed on high-quality vinyl with faithfully restored artwork, this reissue offers a long-overdue return to one of Umiliani's most immersive sonic journeys, an essential for fans of Italian library music, film scores, and genre-defying jazz. Rediscover a lost jewel from the vault of one of Italy's most visionary composers -- where bamboo forests, smoky clubs, and dreamlike landscapes converge in sound."
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LP
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KOY 004LP
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$23.50
PREORDER
RELEASE DATE: 7/25/2025
Keith Lynn and Ken Lazarus were singers for Byron Lee's Dragonaires. Their debut album on 4 Corners Of The World was released in UK in 1964. Featuring a track by Mongo Santamaria -- the opener "Tear Up (Fat Back)" -- the album was considered an excellent early reggae and calypso tinged production.
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LP
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KOY 005LP
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$23.50
PREORDER
RELEASE DATE: 7/25/2025
"My Boy Lollipop," cut in London by a group of session musicians and featuring her childlike, extremely high-pitched vocals, was the first international ska hits and introduced global audiences to the bluebeat style. Millie Small, who was known as "the Blue Beat Girl," was just a teenager at the time, and little was heard from her after she left the business in the early '70s. Originally released in 1964 on Fontana in the UK, this album is widely considered a milestone.
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LP
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LPOST 071LP
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$40.00
PREORDER
RELEASE DATE: 7/25/2025
Crystal white vinyl. The film is based upon books written by Paolo Villaggio and narrates the misadventures of accountant Ugo Fantozzi, and his vicissitudes on his workplace and private life. It builds a unique communicative style to which generations of Italian people are fond. The soundtrack composed by Fabio Frizzi, with the collaboration of musicians Vince Tempera and Franco Bixio, is based upon the cue "La Ballata di Fantozzi," a cult track that literally everybody in Italy could whistle by memory, just to witness the immense cultural heritage of this cinematic franchise. This edition pays homage to the 50th year of life of Beat's favorite accountant and, aside the aforementioned cue features other cult tracks such as "Impiegatango," the New Year's Eve party music, the themes describing Fantozzi's "love affair" with Mrs. Silvani, music describing hallucinations of Fantozzi and Filini, the background music in the Japanese restaurant and alternate versions of "La ballata di Fantozzi." A release that marks an important appointment for all film music and Fantozzi lovers now available in a limited edition on crystal white LP, cover featuring the logo of the movie and Paolo Villaggio silhouette embossed, mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring on the cover the crucifixion scene in the canteen room and, on the back, a lobby card reproduction displaying an epic scene of the football match "married vs singles."
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LP
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MAR 102LP
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$37.50
PREORDER
RELEASE DATE: 7/25/2025
Essential funk, soul, and jazz grooves finally unearthed. Highly regarded lost classics -- never reissued until now. At last, here they are in all their funky glory! Download card included! Featuring Citation, Cho-Ko, The Aferton Project, Ice-O-Matic, Coleus, Clonzo May's Sextet, Oasis II Oasis, Arejay, M & M Co., Frank Pisani, and Sonny Khoeblal.
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12"
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MUSAR 021EP
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$20.50
PREORDER
RELEASE DATE: 7/25/2025
Ricardo Tobar returns to MUSAR with Knitting -- a four-track EP blending dancefloor intimacy with raw, analog spirit. A two original cuts from the Chilean producer are joined by standout remixes from synth sorcerer Pye Corner Audio and cosmic rave queen Nightwave. The EP opens with "Los Siblings," a distilled snapshot of Tobar's current sound: intricate arrangements, ethereal melodies, heavyweight bassline and a vintage edge shaped for the club. "I'm embracing the dancefloor," he says. "This is me doing tunes I would like to dance to." On the flip, "Knitting" unravels from a simple arpeggio into lysergic "Stereolab"-techno chaos -- alive, imperfect, and deeply personal. "It sounds like it wants to eat itself," Tobar reflects. Layers on layers of psychedelia and cosmic melody turn this into a trippy journey track like no one else does. Architect of foggy club rituals, Pye Corner Audio transforms "Knitting" into an eerie, trancetinged club weapon, while Nightwave turns "Knitting" into a high-gloss, dreamy club stormer.
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10"
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NSD 656EP
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$23.00
PREORDER
RELEASE DATE: 7/25/2025
"With creative verses rooted in technical brilliance, Detroit emcee Elzhi has attained the highest level of lyrical mastery. Now 15 years into an inspired solo career, the former Slum Village member has ramped up his output lately, joining forces with producers Georgia Anne Muldrow, Oh No, and JR Swiftz for three acclaimed albums in the 2020s. Now, Elzhi is reuniting with famed North Carolina producer Khrysis as the duo Jericho Jackson, revisiting the chemistry that resulted in a celebrated 2018 joint album. After emerging in the Justus League collective during the rise iconic group Little Brother, Khrysis has gone on to work with hip-hop royalty like Sean Price, Black Thought, Mac Miller, JID, Conway, Rapsody, Talib Kweli, Redman, and many more. Elzhi and Khrysis are launching the new era of Jericho Jackson with the flawless EP I Am Him, channeling the spirit of vintage maxi-singles. 'For me, the maxi-single represents a time when hip-hop was unapologetically raw and underground,' Elzhi explains. 'Some of my favorite artists used the format to showcase remixes, freestyles, and loose tracks that might not have fit the sound of an album. This is our way of restoring that feeling.' An exciting burst of new music from two undeniable talents, the project features appearances by Domo Genesis and Oh No."
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12"
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ORN 055EP
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$21.50
PREORDER
RELEASE DATE: 7/25/2025
Ornaments welcomes Lesterr with the 2 Jahre Dazwischen EP -- a beautifully crafted journey through two distinct sonic perspectives. The A-side offers a deep and heartfelt dancefloor journey with subtle piano infusions, complemented by a mesmerizing, deep grooving remix from none other than Isolée. On the B-side, the mood shifts inward with four immersive cuts drifting from ambient landscapes to laid-back downbeats -- perfect for your listening pleasure.
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12"
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OUTIS 015EP
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$19.00
PREORDER
RELEASE DATE: 7/25/2025
Dino Sabatini welcomes Concrete Records owner Maurizio Cascella to Outis Music. Together they created their Chiron EP, an important chapter on Outis, bringing Sabatini's immersive hypno-grooves and the captivating sonorities of Cascella together. The duo explores mythological and archetypal themes, intertwining the intensity of mental techno with dark and transcendental atmospheres.
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LP
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PAROLE 111LP
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$24.00
PREORDER
RELEASE DATE: 7/25/2025
Parole presents Charles Mingus' Mingus Plays Piano.
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LP
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PINCHE 006LP
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$28.50
PREORDER
RELEASE DATE: 7/25/2025
Tired of waiting for a compilation of the wildest and most hilarious punk-leaning music of the '60s? Yes, you may have already been taught a lesson by mediocrity and endless volumes. Well, the wait is over. Here are 19 atomic bombs from wonderful Mexico with doses of lysergia, frat, go-go, and, yes sir, punk. Just when you thought everything was discovered and handled, it's refreshing to find such a batch of teen spirit and desire to explode like those included in this magnificent compilation from the Pinche label. Songs that have never sounded so good have been captured from the original tapes. Featuring Los Soñadores, Los Shakers, Los Polivoces, Los Weelers, Los Belmonts, Los Rockin Devils, Los Antorchas, Los Crazy Birds, Los Hippies, Los Pajaros, Luis Vivi Hernandez, Los Glidders, Los Novels, Los Locos, Los Twist Teens, Los Rogers, Los Cinco, and Los Viking Boys.
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7"
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PINCHE 007EP
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$13.50
PREORDER
RELEASE DATE: 7/25/2025
Imagine a young artist from the Orfeon label (Mexico) in 1968 decided to combine the New Orleans funk sound with the emerging -- not yet mentioned as such -- West Coast Latin Rock, a little bit of free jazz and a few drops of Pink Floyd (era Syd Barrett). Got the picture? Something similar can be said about this super elusive -- originally $350, if it turns up -- 45 rpm record with over six minutes of freak-out per side. WARNING to DJs: You might start tapping your foot to the opening groove and end up on the floor in ecstasy.
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12"
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PRTL 12006EP
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$19.00
PREORDER
RELEASE DATE: 7/25/2025
Speaker distressing early 1990s UK dub from The Disciples. "Chant Of Freedom" and "Armageddon" are dubplate cuts only ever heard before in sound system dances. The original versions of "Chant Of Freedom" tracks appeared on 10" on the Boomshackalacka label in 1995, while "Armageddon" is previously unreleased on any format. Disciples, along with the likes of Sound Iration, Manasseh, Alpha & Omega, and Conscious Sounds, are the forerunners of what became known as the UK roots/dub scene. Highly regarded for their custom built dubplate cuts for Jah Shaka.
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CD
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RA 041CD
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$16.50
PREORDER
RELEASE DATE: 7/25/2025
Live at Konfrontationen, Nickelsdorf, 2024. Featuring Georg Graewe (piano), Brad Jones (double bass), and Hamid Drake (drums).
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2LP
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RPTD 063LP
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$57.00
PREORDER
RELEASE DATE: 7/25/2025
Recorded in the Oscar Niemeyer Dome in Tripoli, Lebanon, The Dome Sessions captures the distinctive acoustics of this iconic masterpiece. Designed in 1962, the dome's architectural and acoustic qualities provide a distinctive reverb and resonance, shaping a project that dissolves the boundaries between sound, space, and memory. Featuring performances by notable musicians from Lebanon's contemporary experimental scene, the album invites listeners to engage in an immersive auditory journey, exploring the interplay of sound, memory, and space. Featuring Sandy Chamoun, Abed Kobeissy, Pascal Semerdjian, Makram Aboul Hosn, Abdo Sawma, Anthony Tawil, Ghassan Sahhab, Wassim Tanios, Julia Sabra, Farah Kaddour, Marc Ernest, Makram Aboul Hosn, Fayha Choir, Charbel Haber, Anthony Sahyoun, Fadi Tabbal, and Marwan Tohme.
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LP
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SFTS 008-LP
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$24.00
PREORDER
RELEASE DATE: 7/25/2025
Alessandro Alessandroni's Panoramic Feelings, originally released in 1971 by the great Italian label Canopo, is a mega-rare work of Italian library music containing psych, funk, lounge, and bossa tunes from Ennio Morricone's closest collaborator.
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LP
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SFTS 008Y-LP
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$28.00
PREORDER
RELEASE DATE: 7/25/2025
Yellow color vinyl version. Alessandro Alessandroni's Panoramic Feelings, originally released in 1971 by the great Italian label Canopo, is a mega-rare work of Italian library music containing psych, funk, lounge, and bossa tunes from Ennio Morricone's closest collaborator.
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LP
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SPITTLEJ 504LP
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$29.50
PREORDER
RELEASE DATE: 7/25/2025
Originally released in 1985 on the legendary independent label Telegraph and reissued here for the first time on vinyl, this is Chance Operation's debut album. From the heart of '80s Japanese underground, a crazy strong mix of post-punk-funk-jazz material by one of the great bands of the era.
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LP
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SPITTLEJ 505LP
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$29.50
PREORDER
RELEASE DATE: 7/25/2025
Originally released in 1981 on Jeep Records and reissued here for the first time, this is Chance Operation's debut 12" EP. A loud and clear no wave statement from Japan and a visionary warning for the decade to come.
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LP
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SPITTLEJ 506LP
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$29.50
PREORDER
RELEASE DATE: 7/25/2025
Originally released in 1982 as double 7" on Jeep Records and reissued here for the first time as 12", this is Chance Operation's sophomore release. A dense four track EP full of hypnotic, infectious, sonic grooves. This is pure Japanese post-punk genius!
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LP
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SPS 114LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
Idealism is an album about navigating life in the 2020s as millennial adults, and all the difficulties and uncertainties that come with that -- knowing you'll probably never be able to afford to buy a house, and that a simple grocery shop costs way more than ever before. But it's also about all the joys and positives of modern life too -- being kind to yourself, being kind to other people, and overcoming difficulties. The band tries to capture that dichotomy on this album, hence the title Idealism, which the dictionary says is "the unrealistic belief in or pursuit of perfection." The album has been a long time in the making, diligently demoed before tracking across studios in London and Essex. Taking a more pop production approach, layering parts and additional keyboards, synthesizers and percussion to add a richer and fuller sound to their traditional indie rock set up. Nostalgia has always been a running theme for Don't Worry, as displayed on 2022's Remorseless Swing and their 2018 debut album Who Cares Anyway?. There's a decent dose of it on this new album still, including on the cover, with a photograph taken in their home of Harlow New Town in 2001 by Jim Brown. And in their musical influences, Pavement, Pixies, Smashing Pumpkins, The Streets, Fleetwood Mac, UK Grime, and The GTA Vice City Soundtrack (alongside contemporary influences such as Fontaines D.C., MJ Lenderman, Andy Shauf). But perhaps for the first time on this album, they push through the comfort of the past, embrace the present and look forward to the future with hope.
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LP
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SQM 034LP
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$34.00
PREORDER
RELEASE DATE: 7/25/2025
Swiss percussionist Julian Sartorius and UK electronic artist Dan Nicholls team up as Clay Kin, presenting their debut record on Squama. They had never planned to make an album, yet through pure improvisation and spontaneity, Clay Kin have crafted Vevey. An album of seven tracks, distilled from over seven hours of improvised percussion and electronics. Recorded mostly outdoors -- on pedalo boats, up mountains and deep in forests near the namesake Swiss town of Vevey, it is imbued with the soft fascination of birdsong, rushing water and chattering children. Vevey resists genre. As musicians, Sartorius and Nicholls bridge the divide between acoustic and electronic soundscapes. Sartorius' raw, organic percussion interweaves with Nicholls' keyboard-triggered samples and harmonic landscapes, creating a dialogue where the lines between rhythm, melody and noise dissolve. Clay Kin identify their outfit as an audio-visual collective, with visual artist Lou Zon (Louise Boer) rounding out the group, creating videos to accompany both the recorded music and the live experience.
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LP
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SSR 155LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
redrum (with a lowercase r) is the original music for the dance performance of the same name by the gruppo nanou (with lowercase g and n). Composed in 2023 and staged in 2024, it won the Ubu Prize for best dance show of the year. The collaboration between Bruno Dorella and gruppo nanou has been going on for many years now, and for this show the music is almost entirely electronic, with rare inserts of guitar, bass and vocals. Bruno Dorella plays, produces and mixes the entire work, in a process that, as with the previous Paradiso, involves continuous dialogue with choreographers Rhuena Bracci and Marco Valerio Amico, and with the bodies of the company's dancers.
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LP
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SSR 155LTD-LP
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$31.50
PREORDER
RELEASE DATE: 7/25/2025
Red color vinyl version. redrum (with a lowercase r) is the original music for the dance performance of the same name by the gruppo nanou (with lowercase g and n). Composed in 2023 and staged in 2024, it won the Ubu Prize for best dance show of the year. The collaboration between Bruno Dorella and gruppo nanou has been going on for many years now, and for this show the music is almost entirely electronic, with rare inserts of guitar, bass and vocals. Bruno Dorella plays, produces and mixes the entire work, in a process that, as with the previous Paradiso, involves continuous dialogue with choreographers Rhuena Bracci and Marco Valerio Amico, and with the bodies of the company's dancers.
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LP
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THRILL 555LP
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$25.00
PREORDER
RELEASE DATE: 7/25/2025
"Manslaughter 777 are powerhouses of forward-thinking rhythmic music and production. The duo, composed of drummers/programmers Lee Buford (The Body, Sightless Pit, Dead Times, Everyone Asked About You) and Zac Jones (MSC, Nothing, Braveyoung), combine their prowess as percussionists and producers into beat-centric music that delights in turning unexpected sounds into razor sharp rhythms. Buford and Jones, along with engineer/producer Seth Manchester of Machines with Magnets (The Body, Model Actriz, Liturgy), have collaborated for nearly two decades, consistently shattering genre boundaries and redefining the role of the studio in the process. God's World uses innovative sound sampling to create expansive sonics driven by complex rhythms. The resulting album's infectious grooves are both celebratory and irreverent. The duo deftly interweave their own playing into field recordings and synthesized drums. The taut pieces blur the boundaries between acoustic and electronic instruments, samples and performances. 'It's kind of strange to be making music like this using acoustic sounds,' Jones continues, 'but I think that adds a special element to it, sampling our own playing and being very meticulous about the sounds we get out of those.' 'Power in the Blood' turns a ping-ponging hip hop beat into a throbbing House thump. 'Silk Barricade's' dub-gone-jungle drop is met with an industrial breakdown where 'Pulling A Truck Up A Hill''s Afro-Latin groove leaves more room to breathe. Overblown 808s and steady tambourine speckle the slow-mo 'Child Of (featuring MSC)' and a sine-wave bass lilts across the live kit on 'Luv.' On God's World, kaleidoscopic revelations reveal a rhythmic approach unbound by expectations. Buford and Jones are willing to completely shift gears within one short piece or to allow individual percussive elements to subtly transform the landscape of the beat. Manslaughter 777 have their own unique cadence, built on a deep affection for beat music, but untethered by any adherence to one specific style or set of rules. The duo imbue their music with a sinewy pulse and sense of dynamic care that lends a humanity to their unyielding arrangements. God's World is an album whose electrifying turns and gripping compounds, in pursuit of lush, incendiary grooves, is a thrilling and joyous expressive delight."
"True electronic body music -- the detail and precision of the beats here is key, a real care and attention to the strafed snares and rippling breakbeaks that reward headphone immersion." --The Wire
"drum sounds are gloriously blown out, scorched, fried to bits, but you can tell: they're blown out, scorched, and fried to bits with love. The way this thing knocks, you just know the guy behind the boards was feeling it." --The Quietus
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LP
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THRILL 555X-LP
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$27.00
PREORDER
RELEASE DATE: 7/25/2025
Orange color vinyl version. "Manslaughter 777 are powerhouses of forward-thinking rhythmic music and production. The duo, composed of drummers/programmers Lee Buford (The Body, Sightless Pit, Dead Times, Everyone Asked About You) and Zac Jones (MSC, Nothing, Braveyoung), combine their prowess as percussionists and producers into beat-centric music that delights in turning unexpected sounds into razor sharp rhythms. Buford and Jones, along with engineer/producer Seth Manchester of Machines with Magnets (The Body, Model Actriz, Liturgy), have collaborated for nearly two decades, consistently shattering genre boundaries and redefining the role of the studio in the process. God's World uses innovative sound sampling to create expansive sonics driven by complex rhythms. The resulting album's infectious grooves are both celebratory and irreverent. The duo deftly interweave their own playing into field recordings and synthesized drums. The taut pieces blur the boundaries between acoustic and electronic instruments, samples and performances. 'It's kind of strange to be making music like this using acoustic sounds,' Jones continues, 'but I think that adds a special element to it, sampling our own playing and being very meticulous about the sounds we get out of those.' 'Power in the Blood' turns a ping-ponging hip hop beat into a throbbing House thump. 'Silk Barricade's' dub-gone-jungle drop is met with an industrial breakdown where 'Pulling A Truck Up A Hill''s Afro-Latin groove leaves more room to breathe. Overblown 808s and steady tambourine speckle the slow-mo 'Child Of (featuring MSC)' and a sine-wave bass lilts across the live kit on 'Luv.' On God's World, kaleidoscopic revelations reveal a rhythmic approach unbound by expectations. Buford and Jones are willing to completely shift gears within one short piece or to allow individual percussive elements to subtly transform the landscape of the beat. Manslaughter 777 have their own unique cadence, built on a deep affection for beat music, but untethered by any adherence to one specific style or set of rules. The duo imbue their music with a sinewy pulse and sense of dynamic care that lends a humanity to their unyielding arrangements. God's World is an album whose electrifying turns and gripping compounds, in pursuit of lush, incendiary grooves, is a thrilling and joyous expressive delight."
"True electronic body music -- the detail and precision of the beats here is key, a real care and attention to the strafed snares and rippling breakbeaks that reward headphone immersion." --The Wire
"drum sounds are gloriously blown out, scorched, fried to bits, but you can tell: they're blown out, scorched, and fried to bits with love. The way this thing knocks, you just know the guy behind the boards was feeling it." --The Quietus
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2LP
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THRILL 638LP
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$29.00
PREORDER
RELEASE DATE: 7/25/2025
"Originally released in 2010, The Body's All The Waters Of The Earth Turn To Blood is a watershed album that changed the landscape of heavy music. Buoyed by the eclectic cast of musicians, from the undeniably potent collaboration with The Assembly of Light Choir as led by now longtime The Body collaborator Chrissy Wolpert, to guest contributors that include members of Dead Times, Fang Island, Lichens (aka Robert Aiki Aubrey Lowe), Human Beast, and many more. The album's singularly bleak, yet beautiful atmosphere not only set the tone for The Body's career in breaking the mold, but set a new standard for what extreme music could do. All The Waters rightfully broke The Body, the duo of Lee Buford and Chip King, out from the underground and was met with acclaim from across a wide spectrum. Pitchfork's Grayson Haver Currin said of the record: 'The rare album that feels truly dangerous. As it crushes and collides doom metal, harsh noise, industrial rock, and gospel singing into one mean mess, it seems to obey no rules but its own. The result is a singular, explosive masterpiece.' NPR's Lars Gotrich put it in his 2010 Top 10 list, calling it 'the most surreal doom-metal record of 2010' and The Quietus called it the year's 'best record on the fringes of metal.' Following the album's release and subsequent tours, which sometimes included the entire Assembly of Light Choir, The Body established themselves as a permanent fixture of forward-thinking artists and a reliably overwhelming force, both on record and in live settings. All The Waters also helped spark the duo's penchant for collaboration, which they then solidified across dozens of releases, from collaborations with Braveyoung to BIG|BRAVE, Thou, Full of Hell, Uniform, and beyond. The new reissue for All The Waters is packaged as a double LP, including a whole new Side D, which is composed of bonus material never before pressed to vinyl. First edition pressings of the double vinyl reissue will be a deluxe poster edition."
"As the record continues, the beating just doesn't stop. The choral voices, returning here and there, are the only ray of hope: the Body's own singing amounts to weedy, apocalyptic howls, barely clearing the din of their processional stomps. It's an experience, this record, written in big riffs and celestial choirs and digital static." --The New York Times
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2LP
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THRILL 638X-LP
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$32.00
PREORDER
RELEASE DATE: 7/25/2025
Clear vinyl version. "Originally released in 2010, The Body's All The Waters Of The Earth Turn To Blood is a watershed album that changed the landscape of heavy music. Buoyed by the eclectic cast of musicians, from the undeniably potent collaboration with The Assembly of Light Choir as led by now longtime The Body collaborator Chrissy Wolpert, to guest contributors that include members of Dead Times, Fang Island, Lichens (aka Robert Aiki Aubrey Lowe), Human Beast, and many more. The album's singularly bleak, yet beautiful atmosphere not only set the tone for The Body's career in breaking the mold, but set a new standard for what extreme music could do. All The Waters rightfully broke The Body, the duo of Lee Buford and Chip King, out from the underground and was met with acclaim from across a wide spectrum. Pitchfork's Grayson Haver Currin said of the record: 'The rare album that feels truly dangerous. As it crushes and collides doom metal, harsh noise, industrial rock, and gospel singing into one mean mess, it seems to obey no rules but its own. The result is a singular, explosive masterpiece.' NPR's Lars Gotrich put it in his 2010 Top 10 list, calling it 'the most surreal doom-metal record of 2010' and The Quietus called it the year's 'best record on the fringes of metal.' Following the album's release and subsequent tours, which sometimes included the entire Assembly of Light Choir, The Body established themselves as a permanent fixture of forward-thinking artists and a reliably overwhelming force, both on record and in live settings. All The Waters also helped spark the duo's penchant for collaboration, which they then solidified across dozens of releases, from collaborations with Braveyoung to BIG|BRAVE, Thou, Full of Hell, Uniform, and beyond. The new reissue for All The Waters is packaged as a double LP, including a whole new Side D, which is composed of bonus material never before pressed to vinyl. First edition pressings of the double vinyl reissue will be a deluxe poster edition."
"As the record continues, the beating just doesn't stop. The choral voices, returning here and there, are the only ray of hope: the Body's own singing amounts to weedy, apocalyptic howls, barely clearing the din of their processional stomps. It's an experience, this record, written in big riffs and celestial choirs and digital static." --The New York Times
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LP
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TOC 1914LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
Cheo y Los Consentidos de la Casa is a dynamic, funk-infused Latin music project led by Cheo Pardo (of Los Amigos Invisibles). Serving as the house band for a bi-weekly dance night at NYC's Nublu, the group blends salsa, boogaloo, cha-cha-cha, and bolero with psychedelic effects and deep grooves. Their debut live album captures this high-energy fusion, reimagining Latin classics with a modern, electrifying twist that honors tradition while pushing boundaries. This isn't your abuela's salsa night -- this is Cheo Y Los Consentidos De La Casa. Funk-forward. Rhythm-obsessed. 100% dance floor approved. Born from a love of vintage Latin soul and the raw energy of NYC's dance floors, Cheo assembled an all-star crew of the city's hottest Latin players all filtered through wah-wah pedals, space echoes, fuzzy guitar solos, and a deep, unshakable groove. The result? A psychedelic, percussive party that's equal parts tradition and funked-out future. Recorded live at Nublu this album captures the heat, sweat, and sabor of their wildest nights -- reimagining classics from Joe Cuba, Willie Colón, Eddie Palmieri, Mon Rivera, and more. Each track is a tribute and a reinvention, breathing new life into the old- school with a cosmic twist, and opening the doors for a whole new generation to feel that sabrosura in their bones. Featuring Felipe Fournier, Chico Raro, and José Benjamín.
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CD
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TR 580CD
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$16.50
PREORDER
RELEASE DATE: 7/25/2025
Unsent Letters is the weird cousin to songs on half a lifetime of albums. It has been living in the basement, in a box and is now emerging, blinking into the daylight. Even though it's a bit rough around the edges, it turns out to be a rather charming and likeable fellow for all that. And with stories to tell. Pete Astor is a musician, writer and educator. He led Creation Records' groups The Loft and The Weather Prophets, writing songs and releasing records that helped define the sound of the label and the emerging Indie genre. He has gone on to a lengthy solo career since then; writing, recording and releasing music on a range of labels including Matador, Heavenly, Warp, EMI and Fortuna Pop. He is Senior Lecturer in Music at the University of Westminster. As well as touring extensively, he also makes records with David Sheppard as Ellis Island Sound and releases his spoken word electronic pop project as The Attendant with Ian Button (Go Kart Mozart, Death in Vegas) on his label Faux Lux. Since 2017, Astor has been signed to the estimable Tapete Records, home to Robert Forster, Lloyd Cole, and Comet Gain among many excellent others. Unsent Letters features songs that Astor wrote while in The Loft but which the group never played, along with songs from throughout his forty-year career that are now, finally coming out into the world.
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LP
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TR 580LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
LP version. Unsent Letters is the weird cousin to songs on half a lifetime of albums. It has been living in the basement, in a box and is now emerging, blinking into the daylight. Even though it's a bit rough around the edges, it turns out to be a rather charming and likeable fellow for all that. And with stories to tell. Pete Astor is a musician, writer and educator. He led Creation Records' groups The Loft and The Weather Prophets, writing songs and releasing records that helped define the sound of the label and the emerging Indie genre. He has gone on to a lengthy solo career since then; writing, recording and releasing music on a range of labels including Matador, Heavenly, Warp, EMI and Fortuna Pop. He is Senior Lecturer in Music at the University of Westminster. As well as touring extensively, he also makes records with David Sheppard as Ellis Island Sound and releases his spoken word electronic pop project as The Attendant with Ian Button (Go Kart Mozart, Death in Vegas) on his label Faux Lux. Since 2017, Astor has been signed to the estimable Tapete Records, home to Robert Forster, Lloyd Cole, and Comet Gain among many excellent others. Unsent Letters features songs that Astor wrote while in The Loft but which the group never played, along with songs from throughout his forty-year career that are now, finally coming out into the world.
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LP
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TRALP 002LP
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$28.00
PREORDER
RELEASE DATE: 7/25/2025
It's time. Miami's son, Nick León, presents his highly anticipated album A Tropical Entropy en su casa, TraTraTrax. After two #1 tracks of the year, "Xtasis" and "Bikini," Nick expands his "Arquitectronica" sonic universe to an exploration of decay, disillusionment, and psychedelia. Inspired by Joan Didion's novel Miami and his unique energy, as well as altered states of consciousness -- both chemically induced and sleep-deprived -- the album reflects León's personal experience of witnessing life and love fall apart against the backdrop of a crumbling society. The album is a manifesto from start to finish, featuring stellar collaborations with Ela Minus, Casey MQ, Erika de Casier, Xander Amahd, Jonny from Space, Esty & Mediopicky, and Lavurn. You'll find hazy tracks for the body and the mind; tracks to dedicate and feel deeply; tracks for heartbreak and tracks with the promise of future love. You will find themes of memory, sleep deprivation, decaying wildlife, and the suburban still life of Florida. A Tropical Entropy captures the haunting feeling of watching life unfold like a broken video recording -- frozen in the orange hue of a never -- ending sunset, signaling the final days of an apocalypse. In the meantime, León and TraTra will continue to establish their influence on the global circuit and their mission to keep releasing edgy music that connects la mente con el qlo.
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2LP
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TW U-LP
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$35.00
PREORDER
RELEASE DATE: 7/25/2025
The In Between is the debut solo album by harpist, composer, and sound artist Shelley Burgon. Burgon is one of the most accomplished and sought-after performers and collaborators in the world of avant-garde and new music. Her interpretations of works by composers such as Pauline Oliveros, John Cage, Morton Subotnick, and Cornelius Cardew, as well as her collaborations with artists as diverse as Bjork, Anthony Braxton, and Fred Frith have shown her to be an artist with an extraordinary ability to get to the core of the music, surpassing the limitations of technical mastery with a transcendent sense of nuance and feel. Over the years, Burgon's own compositions, including works for groups such as the Merce Cunningham Dance Company and The Ne(x)tworks ensemble featuring Joan LaBarbara, have demonstrated these intangible qualities with even greater clarity and shown her to be an artist with a deeply personal, spiritual vision. The In Between is an immersive, meditative work in which Burgon's subtle arrangement of space and seemingly simple melodic lines draws the listener into a deep awareness of the piece itself as well as the wider, vibrant sound world that we all inhabit. It was composed and performed by Burgon alone on her acoustic concert harp without amplification or effects and recorded live, in one take, as an early summer day gave way to dusk in the mountains overlooking the Ojai Valley in California. The continuous 56-minute piece unfolds as the sounds of songbirds and airplanes fade with the setting sun; the chirps of crickets and frogs slowly emerge; the wood of the auditorium roof crackles as it cools with the evening air. The music is spacious, Burgon plays each note with a focus that is both tense and gentle, often allowing each to fully resonate and float before evaporating into the sounds of the surrounding chaparral and woodlands. At other moments, cascades of notes come into being, flowing with a ringing clarity and dissolving as quickly as they emerge from the mountain air. As motifs and figures repeat and evolve, Burgon's work becomes one of memory and foresight, a Feldman-esque unfurling realized as a sort of field recording in which the listener is both present and in between. Cut at 45RPM and pressed to HQ180gram vinyl at RTI. Presented in heavy tip-on gatefold double vinyl. with spot finishes and two full color printed inner sleeves with notes by the artist.
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CD
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UTR 173CD
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$13.50
PREORDER
RELEASE DATE: 7/25/2025
Follow up to the critically acclaimed 2023 album RPG. Me Lost Me -- the project of Newcastle-based artist Jayne Dent -- delights in experimenting with songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. On Me Lost Me's fourth full-length, This Material Moment, she has created an "emotionally raw" album, her most honest and vulnerable yet. Concerned with physicality, interpretations, and, yes, materiality, This Material Moment is an album akin to rummaging through a box of long-forgotten trinkets. With each song, Me Lost Me extracts something from the box and asks listeners to consider it from every angle. With the release of This Material Moment, Me Lost Me puts into practice the automatic writing techniques she developed during a workshop with Julia Holter, and in the process has spun her music in different directions that draws on poetry, psalms and using mesostic poems and phonetic translations to generate words. Whilst Jayne Dent's music as Me Lost Me has previously presented time stretching back and forwards in opposition, on This Material Moment she does away with linearity altogether, evoking rather than narrating, and presenting feelings, happenings and moods with no clear beginning or end point. Instead, each track on This Material Moment exists entirely in media res, adjacent to past and future, and instead sprawling across the endless now. This Material Moment was written and arranged solo, but played with a core band of John Pope on electric/double bass, Faye MacCalman on clarinet, and now with the addition of Ewan Mackenzie (Dextro/Pigs x7) on drums -- bringing in live drums and electric bass for the first time. The album was recorded by Sam Grant at Blank Studios in Newcastle, who also worked on RPG.
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LP
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UTR 173LP
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$26.00
PREORDER
RELEASE DATE: 7/25/2025
LP version. Follow up to the critically acclaimed 2023 album RPG. Me Lost Me -- the project of Newcastle-based artist Jayne Dent -- delights in experimenting with songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. On Me Lost Me's fourth full-length, This Material Moment, she has created an "emotionally raw" album, her most honest and vulnerable yet. Concerned with physicality, interpretations, and, yes, materiality, This Material Moment is an album akin to rummaging through a box of long-forgotten trinkets. With each song, Me Lost Me extracts something from the box and asks listeners to consider it from every angle. With the release of This Material Moment, Me Lost Me puts into practice the automatic writing techniques she developed during a workshop with Julia Holter, and in the process has spun her music in different directions that draws on poetry, psalms and using mesostic poems and phonetic translations to generate words. Whilst Jayne Dent's music as Me Lost Me has previously presented time stretching back and forwards in opposition, on This Material Moment she does away with linearity altogether, evoking rather than narrating, and presenting feelings, happenings and moods with no clear beginning or end point. Instead, each track on This Material Moment exists entirely in media res, adjacent to past and future, and instead sprawling across the endless now. This Material Moment was written and arranged solo, but played with a core band of John Pope on electric/double bass, Faye MacCalman on clarinet, and now with the addition of Ewan Mackenzie (Dextro/Pigs x7) on drums -- bringing in live drums and electric bass for the first time. The album was recorded by Sam Grant at Blank Studios in Newcastle, who also worked on RPG.
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7"
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VAMPI 45107X-EP
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$15.50
PREORDER
RELEASE DATE: 7/25/2025
Splatter color vinyl version. Jonathan Richman's classic "Egyptian Reggae" has been responsible for setting thousands of discerning dance floors on fire. After getting the obvious Jah twist on a few occasions, so Vampisoul thought it was about time for the Richman's song to receive a fun yet respectful cumbia treatment! This cumbia candy has been recorded in Lima by no other than Pancho Acosta, founder and guitarist of Compay Quinto, and one of the greatest cumbia guitar players in Peru. On the flip side is one of Acosta´s own original songs, "Carnaval de Jujuy," recorded by Austin-based future-cumbia group Money Chicha. The band presents a fascinating exploration of the nexus of Peru's legendary fuzzed out early chicha sound and the band's unique application of chicha-influenced sounds to this terrific cumbia.
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CD
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WMQ 010CD
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$16.00
PREORDER
RELEASE DATE: 7/25/2025
Wojtek Mazolewski Quintet (WMQ) -- one of the most charismatic groups on the European jazz scene -- returns with Live Spirit I, a new double album recorded at the iconic Witold Lutosławski Polish Radio Concert Studio in Warsaw. The release features four brand-new compositions alongside electrifying new takes on WMQ classics, including a stunning 20-minute version of "Polka," the title track from their best-selling record. This is WMQ at its core: deeply rooted in Polish jazz tradition, elevated by the spiritual depth and uninhibited virtuosity of improvisation, and shaped by a distinctly modern sensibility and urban energy. Live Spirit I is not just a celebration of the group's unmistakable sound -- it's a powerful reflection of their ongoing evolution. The album was recorded during the international tour for their critically acclaimed studio release Beautiful People (WMQ 009LP). Alongside the Warsaw concert, the quintet performed dozens of shows worldwide -- selling out Londons Jazz Cafe and earning ovations in Chile, Argentina, Colombia, and Mexico. As both a virtuoso bassist and composer, Mazolewski seamlessly blends traditional jazz with contemporary influences, creating a sound that is both hypnotic and emotionally charged. His 2014 album Polka was named one of the five best jazz records of the year by DownBeat, and earned high praise from Kind of Jazz in the UK. The follow-up, When Angels Fall -- featuring reimaginings of Krzysztof Komeda's compositions -- was also widely acclaimed by outlets like DownBeat and London Jazz News. His latest studio project Beautiful People showcases a bold immersion in spiritual jazz traditions, while remaining deeply rooted in Slavic culture and sharply attuned to the pulse of the present. Live Spirit I captures WMQ in peak form: a tightly unified collective that shifts effortlessly from meditative focus to ecstatic improvisational flights, powered by the energy of a live audience. Mazolewski's compositions flourish in this setting, revealing a potent mix of vitality and groove -- qualities that have kept jazz relevant across generations and continue to attract new listeners.
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2LP
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WMQ 010LP
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$35.50
PREORDER
RELEASE DATE: 7/25/2025
Double LP version. Wojtek Mazolewski Quintet (WMQ) -- one of the most charismatic groups on the European jazz scene -- returns with Live Spirit I, a new double album recorded at the iconic Witold Lutosławski Polish Radio Concert Studio in Warsaw. The release features four brand-new compositions alongside electrifying new takes on WMQ classics, including a stunning 20-minute version of "Polka," the title track from their best-selling record. This is WMQ at its core: deeply rooted in Polish jazz tradition, elevated by the spiritual depth and uninhibited virtuosity of improvisation, and shaped by a distinctly modern sensibility and urban energy. Live Spirit I is not just a celebration of the group's unmistakable sound -- it's a powerful reflection of their ongoing evolution. The album was recorded during the international tour for their critically acclaimed studio release Beautiful People (WMQ 009LP). Alongside the Warsaw concert, the quintet performed dozens of shows worldwide -- selling out Londons Jazz Cafe and earning ovations in Chile, Argentina, Colombia, and Mexico. As both a virtuoso bassist and composer, Mazolewski seamlessly blends traditional jazz with contemporary influences, creating a sound that is both hypnotic and emotionally charged. His 2014 album Polka was named one of the five best jazz records of the year by DownBeat, and earned high praise from Kind of Jazz in the UK. The follow-up, When Angels Fall -- featuring reimaginings of Krzysztof Komeda's compositions -- was also widely acclaimed by outlets like DownBeat and London Jazz News. His latest studio project Beautiful People showcases a bold immersion in spiritual jazz traditions, while remaining deeply rooted in Slavic culture and sharply attuned to the pulse of the present. Live Spirit I captures WMQ in peak form: a tightly unified collective that shifts effortlessly from meditative focus to ecstatic improvisational flights, powered by the energy of a live audience. Mazolewski's compositions flourish in this setting, revealing a potent mix of vitality and groove -- qualities that have kept jazz relevant across generations and continue to attract new listeners.
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LP
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99CHANTS 016LP
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$26.00
PREORDER
RELEASE DATE: 8/1/2025
Indonesian duo Kuntari make music that's so distinctive, they had to devise their own genre: primal-core. On Mutu Beton, multiinstrumentalist Tesla Manaf and percussionist Rio Abror dialog with both history and their tropical surroundings in Bandung, West Java's mountainous capital. Using the cornet and hulusi, a free reed instrument made from a bottle gourd and bamboo pipes, Manaf echoes the bellows of local elephants, orangutans and rhinos, grazing Abror's ancestral Indonesian rhythms with potent overdriven riffs and evocative microtonal chimes. It's music that's profoundly atmospheric and simultaneously raw, recorded live to fully encapsulate the dynamic and deeply human interaction between the two seasoned players. There are elements of sludge metal, noise and post-hardcore, references to traditional folk music and jazz, and gestures towards sound art, 20th century minimalism and dark ambient, but what Kuntari do is completely idiosyncratic -- it's hardly surprising it needed a similarly unique categorization. Manaf started Kuntari as a solo project, debuting in 2020 with Black Shirt Attracts More Feather and animating his nimble instrumental improvisations with bold electronic processes and booming synthetic drums. And by the time he recorded 2022's acclaimed Last Boy Picked, his approach had evolved significantly; prioritizing organic sounds, he played prepared cornet and piano, bringing in additional percussionists to help devise a ritualistic rhythm section. Abror was one of those performers, and ended up sticking around, playing on 2023's furious LARYNX/STRIDULA, the stylistic precursor for Mutu Beton. At this stage, the duo have racked up a litany of accolades and collaborated with a spectrum of like-minded artists, from noise deity Keiji Haino to fellow Indonesian free-thinker Rully Shabara, who's best known for his work with Senyawa and avant-garde supergroup Osmium. Mutu Beton plays like a lap of honor, showcasing their most kinetic and most feral recordings to date. Kuntari surpass their own high standards, folding history and geography in on itself and suggesting a trailblazing Indonesian cultural movement that's not restricted by highbrow Western conventions. It's not just automation and technology that drives progression, it's interaction and observation. And there's nothing more primal, or revolutionary, than that.
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LP
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ACRSLP 1686LP
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$26.00
PREORDER
RELEASE DATE: 8/1/2025
"There are perhaps few characters in the history of popular music who were as mysterious, as they were brazen than Aleck Ford, AKA Sonny Boy Williamson II. The true story of Sonny Boy Williamson II remains shrouded in mystery and uncertainty, and it seems this was Ford's intention, but to what ends, nobody can say. One thing is certain though -- he was one of the all-time greats of the harmonica, a bone fide bluesman, talented and charismatic in equal measure. His influence cannot be overstated. The first incarnation of the band that would become the Rolling Stones was named after him: Little Boy Blue and the Blue Boys; B.B King described him as 'the King of the harmonica;' and maybe there would have been no Howlin' Wolf, or Elmore James without Williamson's mentorship and support. The British Blues explosion of the late 1960s certainly owed much to Williamson and his compatriots. This carefully curated collection of this colorful and charismatic performer's work showcases just why he was one of the true legends of blues music. Interestingly, he was inducted into the Blues Hall of Fame in 1980, the same year as Sonny Boy Williamson I. It seems fitting that even in death and in honors they were inextricably linked. This collection hones in on his work that took the world by storm during his tenure with Trumpet and Checker in the 1950's and early '60s from his iconic 'Eyesight For The Blind' through to 'One Way Out.' It is a true celebration of one of the most mysterious characters in music."
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LP
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ACRSLP 1689LP
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$26.00
PREORDER
RELEASE DATE: 8/1/2025
"John Lee Hooker, known as 'The King of the Boogie' and 'the Boogie Man,' was a true blues icon. Quality rather than quantity is the key to Hooker's singular success. He did not have a huge number of hits in the R&B chart, but those that did make a major impact would provide some of the key musical architecture for future blues and rock artists. When he came to prominence in the late '40s, he was playing blues in a way that was regarded as somewhat spare, his dark repetitive vocals supported only by his amplified guitar and his stamping foot. His was no overnight stardom. Having paid his dues over many years, once he started recording, he did so prolifically. This fine collection of his earlier songs demonstrates Hooker's blues virtuosity while at the same time establishing his work as a signpost to a deeper understanding of the British Blues explosion. It features a host of early hits including the iconic No. 1's 'Boogie Chillen'' and 'I'm In The Mood,' alongside 'Hoogie Boogie,' 'Hobo Blues,' 'Crawlin' King Snake,' 'Dimples,' 'No Shoes,' and, naturally, the timeless 'Boom Boom.'"
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LP
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APRON 050LP
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$26.00
PREORDER
RELEASE DATE: 8/1/2025
Zopelar has built a distinguished place in the Brazilian electronic music industry. He is known as a complete and versatile DJ and music producer, and is a key figure in São Paulo's underground music scene. With his signature "retro-futuristic-funky-groovy" style, Zopelar has made some celebrated albums and EPs released by labels like Apron Records, Clone Records, Tartelet Records, Soul Clap Records and others. A prolific producer and sound designer, Zopelar's work extends beyond music production into the realm of contemporary art and film scoring. His sound pieces have been showcased in prestigious exhibitions and galleries, including New Museum (NYC) and the Venice Biennale. Zopelar is now back for his third solo release on Apron Records, titled Call it Love. It features Brazilian artist Ashira, who lays her beautiful voice over Zopelar classic R&B production. "Je t'aime" features French born Brazilian based L'Homme Statue plus Amsterdam's Retromigration giving a tropical and very hot Brazilian house for the dance floors. The album also features Virgina Beach's very own MC Hernbean5150. Overall, this LP slams in every way and its very well put together, whether at home, driving, in nature or in the clubs.
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LP
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BB 281LTD-LP
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$29.50
PREORDER
RELEASE DATE: 8/1/2025
Limited anniversary edition: hand numbered, limited edition white vinyl, 500 copies available! Sophomore album from the French space rock electro combo Heldon. Here, mastermind Richard Pinhas has formed a duo with Georges Grunblatt. The music: an interplay of feather-light acoustic guitars, Mellotron textures, fuzzy sounds and heavy, spherical synthesizers. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. By now the British group has buzzed in Pinhas' mind for decades, but their greatest impact came early, from something he couldn't even identify immediately. When he first saw them play, Pinhas was struck by music played during intermission. That influence is clear on the second Heldon album, Allez-Teia, originally released in 1975 on Pinhas's own Disjuncta label. The opening song, a soaring mix of string-like electronics and smeared guitar, is called "In the Wake of King Fripp," a reference both to the guitarist and King Crimson's second album In the Wake of Poseidon. The meditative "Omar Diop Blondin," in which free tones float above a repetitive guitar figure, is dedicated to Fripp and Eno. Allez-Teia -- whose title is a nod to "aletheia," the ancient Greek term for philosophical truth -- is hardly a tribute album. The pieces Pinhas crafts with partner Georges Grunblatt -- both playing guitar, Mellotron, and ARP synths -- are beatific on the surface but infused with undercurrents of tension. Over four decades after he made Allez-Teia, Pinhas's admiration for King Crimson remains profound. He actually met Fripp in 1974, and the two still stay in touch.
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2LP
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BB 282LTD-LP
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$38.50
PREORDER
RELEASE DATE: 8/1/2025
Limited anniversary edition: hand numbered, limited edition light blue double vinyl, 500 copies available! Third album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock and Roll. Richard Pinhas' essential attack of searing guitar and space-bound synthesizer didn't change radically after the first two Heldon albums, 1974's Electronique Guerilla and 1975's Allez-Teia. But there's dark energy coursing through this double album, a chilly aura that makes even the quietest pieces shiver with tension. The darkness of It's Always Rock and Roll is more about exploring what's hidden and overturning convention -- about diving beneath bright surfaces to find something more mysterious. If It's Always Rock and Roll stands up in Heldon's catalog, perhaps it's due to expansion -- both in the sense of big ideas and lengthy durations. Most tracks last over seven minutes, and two are side-covering epics. "I think the length of a track is part of the creation of the track," says Pinhas. "There are imperatives. You can do something very complex with a lot of events in four minutes, and then some other things need to be done very slowly. You have to do the length that it demands." Like the Heldon albums that precede it, It's Always Rock and Roll is undoubtedly Pinhas' baby. But its depth-probing sounds earned it a godfather, too.
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CD
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BFR 042CD
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$12.50
PREORDER
RELEASE DATE: 8/1/2025
"In celebration of their 30th anniversary, Dozer present Rewind to Return, a double album of singles, rare tracks and B-sides from across their proliferant history. Neither a chronological document nor a comprehensive assemblage of every non-album track, Rewind to Return is a carefully considered selection of the band's favorites, chosen for their meaning and impact. Brilliantly remastered by Karl Daniel Lidén, this collection was created as the best possible record to commemorate Dozer's vast catalog and untouchable three decade legacy at the forefront of the heavy underground."
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2LP
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BFR 042LP
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$29.00
PREORDER
RELEASE DATE: 8/1/2025
LP version. "In celebration of their 30th anniversary, Dozer present Rewind to Return, a double album of singles, rare tracks and B-sides from across their proliferant history. Neither a chronological document nor a comprehensive assemblage of every non-album track, Rewind to Return is a carefully considered selection of the band's favorites, chosen for their meaning and impact. Brilliantly remastered by Karl Daniel Lidén, this collection was created as the best possible record to commemorate Dozer's vast catalog and untouchable three decade legacy at the forefront of the heavy underground."
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LP
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BR 186LP
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$35.00
PREORDER
RELEASE DATE: 8/1/2025
Buh Records presents Primera Secuencia, the debut album by Ballet Mecánico, the project of Fernando Pinzás. After his time in the synth-punk band Varsovia, Pinzás embarks on a new phase as a solo artist and producer, exploring electronic styles from the 1980s like synthpop, Hi-NRG, Italo disco, and techno pop. The album blends synthesizers, programmed sequences, and pulsating basslines to create a nostalgic yet danceable soundscape. Set against the backdrop of the pandemic and social movements in Peru, each track tells a story, featuring guest vocalists from the Peruvian independent scene, including Susana Fátima (Gomas), Noelia Cabrera (Blue Velvet, Silveria), Kat Kathia, Luxsie, Luminiscencia, Anabhell (Las Ratapunks), Laura Rosales (Solenoide), and Elva Cío (Specto Caligo). Singles "No Cederé" and "Testamento" define the project's dark and ethereal pop aesthetic. "No Cederé," featuring Susana Fátima, critiques societal notions of success over an Italo disco and Hi-NRG beat. The track includes a remix by Italoconnection, the duo of Fred Ventura and Paolo Gozzetti, who take it into a hypnotic, spacey realm. "Testamento," with Luminiscencia, reflects on the emotional weight of the pandemic, blending synthpop and ethereal pop. Other standout tracks include "La ciudad de los incendios," a dystopian vision of Lima with dark disco rhythms, and "Como la última vez," a synthpop-driven, melancholic song featuring Noelia Cabrera. Produced by Pinzás with Antonio Ballester, Omán Morí, Rafael Benavides, and Juancho Esquivel, the album was mastered by José Marcos Aguilar Villanueva (Antinori) and features artwork by Gonzalo de Montreuil.
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LP
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BR 189LP
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$35.00
PREORDER
RELEASE DATE: 8/1/2025
Buh Records presents El tiempo quiere cantar ("Time Wants to Sing") the debut album by Pacha Wakay Munan, a duo formed by Peruvian musicians and researchers Dimitri Manga Chávez and Ricardo López Alcas. This album explores the sonic possibilities of pre-Hispanic instruments in a contemporary musical context. Through their performance, they explore their tonal possibilities, the interaction between their frequencies, and their ability to generate new dialogues. The work of Pacha Wakay Munan aligns with the tradition of sound explorers such as the Peruvians Arturo Ruiz del Pozo and Luis David Aguilar or the Colombians Yaki Kandru. The album's repertoire consists of pieces that explore diverse sonorities and musical concepts. "Pacha Wakay Munanqa" introduces the timbral variety of the instruments used. "El Taki Onkoy" draws inspiration from historical accounts and the meaning of its name ("Sick Song"), based on a Culina chant documented by Rodolfo Holzmann. It features vocals by the experienced singer Ximena Menéndez. "Mundo Posible" is a reinterpretation of an improvisation session with musicologist Chalena Vásquez Rodríguez, where the piano dialogues with ceramic antaras. Other pieces delve into the sonic construction of these instruments in relation to their cultural contexts. "Machu Tara" explores the concept of tara, a rough and vibrant sound quality found in certain Andean musical traditions. "Túpac Huaca" references the Huaca Aliaga in Lima, creating a sound palette where pututos, whistling vessels, and quenas converge. "Agua, Cuarzo y Viento" introduces quartz sikus and bowls tuned to different frequencies, evoking the interaction between natural elements and resonant vibrations. In the piece "Qinray Tema", Camilo Ángeles plays the metal transverse flute, creating a contrast with the pre-Hispanic ceramic flutes and pelican bone flutes. El tiempo quiere cantar is released by Buh Records in digital format and in a limited vinyl edition of 300 copies.
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LP
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BSR 922PT-LP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
"Rasta Pon Top is a classic roots reggae album by the Twinkle Brothers, a Jamaican reggae group formed in the early 1960s. Rasta Pon Top is known for its strong Rastafarian themes, uplifting lyrics, and infectious rhythm, which are hallmarks of the group's music. The Twinkle Brothers, led and produced by Norman Grant, have been influential in the reggae scene for decades."
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LP
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BSR 999P-LP
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$24.00
PREORDER
RELEASE DATE: 8/1/2025
"1978's Slum in Dub album re-issued on purple vinyl. Coupled with the succinct Revolutionaries band and Isaacs quality songwriting, the deconstructed cuts, weave and flow like any good quality dub album should. with some of the track names giving more than a hint of the original song title such as 'Public Eyes,' which was one of the major hits off The Cool Ruler as John Public. The dense Slum originated as 'Party In The Slum,' while the brighter 'Reform Institution' began life as 'Uncle Joe.' 'Word Of The Farmer' becomes 'Croft' and 'Tam Tam' began life as 'One More Time.' One of Gregory Isaacs's early hits, 'Black A Kill Black' is translated into 'Leaving' while 'Leggo Beast' using an updated old Studio One rhythm, 'Swing Easy,' probably refers to Trevor 'Leggo' Douglas who ran the Cash & Carry label with Isaacs. The track 'N****r' also uses an old Studio One rhythm track updated and this time it's The Heptones breezy 'Party Time' which gets the Jammy treatment as too 'Embarrassment' which again revitalizes a Studio One gem; 'Frozen Soul' by The Soul Vendors band."
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LP
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BT 5009PT-LP
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$24.00
PREORDER
RELEASE DATE: 8/1/2025
"Morgan Studios sound engineers Mike Bobak and Andy Johns teamed up with psychedelic musician Will Malone to record one of UK's rarest prog/psych albums. Originally released in 1969, the music reflects the Brit psych sounds of the time with swirling organ, fuzzed guitar and blissed out vocals. Vinyl edition on purple vinyl."
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12"
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EFFICIENT 035EP
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$20.50
PREORDER
RELEASE DATE: 8/1/2025
Efficient Space honors trailblazing Australian imprint Volition Records with Volition Cuts Vol. 1. Evolving from Andrew Penhallow's time at GAP Records, which smuggled Cabaret Voltaire, The Fall and the Factory catalogue into the region, Volition shifted focus to homegrown talent over imported sounds. Echoing its precursor's blend of indie friction and electronic curiosity, the label wired itself into the pulse of club and rave culture, linking city scenes and amplifying them for the mainstream. With retina-scorching design, uncompromising packaging and top-tier remixes, Volition consistently bent the major label machine to its will. No Volition retrospective would be complete without Sisters Underground's intergenerational anthem "In the Neighbourhood." Ōtara teenagers Brenda Makamoeafi and Hassanah Iroegbu brought their Pasifika perspective to Proud (An Urban-Pacific Streetsoul Compilation), a commercial success that platformed NZ rap and R&B with a clarity that outshone its overseas counterparts. The quiet architect of Volition's sound, producer prodigy Robert Racic flipped the classic as a hip-house dub before his untimely passing in 1996. Its A-side companion comes from Brisbane synth-pop unit Boxcar, who signed to Volition after frontman Dave Smith handed a cassette to Tom Ellard of Severed Heads during a school newspaper interview. That unlikely handoff led to their 1990 debut Vertigo. Here, their ritual-laced, body-jacking industrial is retooled by Miami freestyle maverick Tony Garcia. Further cherry-picking from the VOLT vaults, Sexing The Cherry unleash a bleep-addled meltdown from Brisbane's Edwin Morrow and Cherryn Lomas. "This Is A Dream" was recorded exclusively for High (A Dance Compilation), the first all-Australian V/A to top the ARIA charts, propelling the local movement into national consciousness. Closing the sampler, Sydney's Single Gun Theory joined Volition as they moved from post-punk abstraction and electronic collage toward downtempo, sample-based mysticism. Their 1994 ambient-pop reverie "Fall" is reimagined by Stuart Crichton and Apollo 440's Norman Fisher-Jones as full-throttle Goa trance, a final surge that channels the label's relentless push into new terrain. Volition Cuts Vol. 1 is dedicated to the loving memory of Volition's visionary founder Andrew Penhallow, and key contributors Robert Racic and Edwin Morrow.
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LP
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JJ 5018LP
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$27.00
PREORDER
RELEASE DATE: 8/1/2025
The Southern Fold was formed in Kilkenny, Ireland in 2014 by singer/guitarist/songwriter Emlyn Holden. Incorporating elements of country, blues and gospel music into a folks/Roots sound, influences from sources as far and wide as Hank Williams and Nirvana can be found. Holden first picked up a guitar at age 10 when he heard Elvis Presley and was totally immersed in those old Sun recordings in his early teens. Moving on towards Roots rockers Creedence Clearwater Revival and into punk rock, he forged an eclectic backdrop of inspirations to draw from. Discovering alt country pioneers Uncle Tupelo and Wilco brought the country back into his songwriting and set him on the road to The Southern Fold. Initially starting out as a duo in the style of Gram Parsons/Emmylou Harris, the band's first EP -- 2016's A True Ascension from the Wayward Path included five originals plus a cover of "Where Did You Sleep Last Night." It was a stripped-down folk-country affair coupled with deeply personal lyrics and extra instrumentation provided by piano, cello and electric guitar. A few years of heavy gigging followed, and by the time full length album Bible Fear's came along in 2019, the band had developed into a full five-piece which brought about a more folk-rock sound. Joining Holden in a new live lineup are ex- Blackbird & Crow guitarist Stephen Doohan, Mauritius native Madeline Leclezio on vocals, Canadian drummer Gregor Beresford, and ex-Midnight Union Band bassist Brian McGrath. This limited-edition vinyl release recorded live at Cleere's, Kilkenny (entitled 5+2 Live), makes an appearance through German record label JukeJoint500.
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LP
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KRXN 049LP
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$27.00
PREORDER
RELEASE DATE: 8/1/2025
Itara is the debut solo album by Paul Pèrrim -- guitarist, composer, and anthropologist -- featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvisation into a vivid and distinctive sonic tapestry. With a background in ethnomusicology and a degree in Music Education, Pèrrim's work bridges popular and experimental music. He contrasts the acoustic guitar's austerity with the expansive possibilities of the electric guitar, drawing from late '60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation. A key figure in the Canary Islands' experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges ana-log electronics with guitar, using vintage synths and effects. In 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the international tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski. Itara was recorded and produced by Pèrrim, and features liner notes by critic Bill Meyer, who writes: "While it's common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation."
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LP
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LBR 058LP
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$33.00
PREORDER
RELEASE DATE: 8/1/2025
Butterfly Records presents a vinyl reissue of Radio Babilonia, the fourth electrifying studio album by Uruguayan band Traidores. The album was originally released on CD and cassette in 1995 and it stands as one of the most representative works of their career. In Radio Babilonia voices of Juan Casanova and Víctor Nattero converge into a symphony of intense emotions and profound reflections. Each note resonates with their musical legacy, rising as a testament to the reality that surrounded them, where pain and beauty intertwine in a powerful auditory experience. With a style that defies convention, their lyrics transport listeners to a world of poetic chronicles, inviting them to explore the catastrophes of the present and future through their vibrant and critical lens. This album from 1995 is a masterpiece for those who seek an authentic and moving sound -- a sonic journey that reflects its time and makes a bold statement. Songs like "Máquina" and "Crónica del Sur" explore inner turmoil and fracture realities, wrapped in melodic brilliance and sharp arrangements. Nattero's guitar work shines, especially in tracks like "Ella sabe bien" and "Pasajero de un tren," where a sense of déjà vu echoes through the lyrics. Side A closes with the haunting waltz "Como una plegaria," evoking blood-stained devotion. Side B deepens the album's mystique, offering lucid hope through punk anthems like "Enemigo del mundo" and "Fragmentos de mí." It culminates in the defiant "Canción rebelde." Traidores channel poetic rage into a powerful, redemptive soundtrack for a disenchanted era.
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LP
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LION 203LP
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$27.00
PREORDER
RELEASE DATE: 8/1/2025
"Several years in the making, Lion can now finally deliver on its promise of another Groove Club volume dedicated to the deep and moving (and grooving) compositions of Sinn Sisamouth, sung by the Emperor of Khmer music himself, alone or duetting with the other legendary singer of those halcyon days in Cambodian music: Ros Sereysothea, the 'Queen with the Golden Voice.' Groove Club Vol. 5 also includes a 16-page booklet featuring an exclusive interview with Mrs. Khav Thong Nhot, widow of Sinn Sisamouth, and Sin Sethsochhata, artist and granddaughter of Sinn Sisamouth, revealing more about Sinn Sisamouth than has ever been known before now. Readers hear directly from his wife about their courtship, their life together as Sinn Sisamouth became famous -- and then what happened as the Khmer Rouge took control: the separation from her husband, and her own harrowing experiences trying to keep herself and their children alive. It's not easy reading, yet stands as an important contribution to a story which until now has only been partially told. Sinn Sisamouth's granddaughter, Sin Sethsochhata, a musical artist and also keeper of the family's legacy, speaks of her own experiences in both realms. Sinn Sisamouth is, without question, the most famous and beloved Cambodian singer and songwriter of all time. A brilliant singer and composer, 'the Emperor of Khmer music' has had a greater influence and has touched more hearts than any other singer in the country's history. Though he was tragically taken from this world, his soul, spirit, and emotions are echoed in the legacy of songs he bequeathed to the world, and for this reason, he is eternal. The fact that any of this music even exists today is nothing short of miraculous. Original vinyl is extremely rare -- and well-guarded! Lion has done its utmost to make the sound quality of the songs as good as can be without in any way treating or disrupting or limiting (or destroying) the frequency range of the tracks. This means that a few tracks might sound less than audiophile quality. But who cares! It's about the music. It's always about the music. And the stories. Mostly the music. Although this time, very much about the stories too. Official reissue -- and in most cases, first appearance of any kind -- of these insanely rare recordings since their initial release as singles."
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LP
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MOV 2721COL-LP
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$38.00
PREORDER
RELEASE DATE: 8/1/2025
"The Jamaican musical group The Maytals can be considered as one of the best known and most important ska and rocksteady groups of all time. Frontman Toots Hibbert penned an impressive catalogue of songs during his time in jail, and after he did his time, he reunited with his bandmates and entered the studio with the brilliant producer Leslie Kong. Some of the great tracks he recorded during that time are included on this record, like 'Monkey Man' (covered by the legendary Amy Winehouse) and 'Pressure Drop.' The quality and energy of this band is very well captured on this release. Monkey Man is available as a limited edition of 1,000 individually numbered copies on yellow colored vinyl."
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7"
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RELS 666EP
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$14.50
PREORDER
RELEASE DATE: 8/1/2025
Rico Friebe's earworm sequel to 2024's single "So Many Hints" and deep take on narcissism and manipulative behavior.
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CD
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RM 4257CD
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$17.50
PREORDER
RELEASE DATE: 8/1/2025
A note from Andy and Klaus: "After playing together for years, our tide was turning. What began as a happy rhythm of show dates in Berlin, from cozy trios in Klaus' home studio to ten-piece ensembles at Ausland, was now ebbing away thanks to Andy's move to the US. Whenever an accustomed pattern shifts it can take time to readjust, to find the gravity that will pull to shape an orbit again. What had been working well between us remained on both our minds for a few years after: the tension between complimentary forms and reflexes -- from deep bass to airy hiss, from swift improvised gesture to slowly developing layer -- these still animated our imaginations. But they had been honed in live playing, a situation now vanishingly rare. Then Klaus simply suggested we work toward a record, in gradual steps, no pressure, by trading recordings and responding to them in turn. This would be a conversation in concrete sound objects as opposed to the intuitive communication and reciprocal flow of on-stage collaboration. A different listening, becoming a different sounding. Again we found seemingly opposing tendencies resonating to surprising effect in the long-distance, long-term recording and exchange process. A new productive tension was added to our process: between the excitatory becoming of live playing and the carving directly in fixed blocks of sound that felt more like writing than performing. We took our time, savored the eddies and deluges, gaps and jumps of building a work together asynchronously. Around the time we were working on the last track of this collection, Andy pored over Stefan Helreich's A Book of Waves, a brilliant exploration of the ocean wave in its many forms and meanings across science and cultures, from histories to technologies to ecologies. In both the title's turn of phrase and the depths it plumbed, we felt we had found an echo of our cyclical endeavor, circumnavigating an idea, a shadow of which we can finally share in the shape of this record."
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LP
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SHOUT 001LP
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$22.50
PREORDER
RELEASE DATE: 8/1/2025
A compilation of South African punk bands originally released on cassette by French label Western Front Tapes in 1983. Compiled by Rubin 'WILDMAN' Rose, it features, in addition to the established bands of that period -- Wild Youth (South Africa's first punk rock band, formed in 1978 and Rubin Rose's group), Leopard, Gay Marines (both among the very first bands of the scene) and Powerage (from Durban, on the scene since 1981) -- lesser-known names with almost non-existent discographies but certainly worthy of being brought to light today. Those selection gave a broader and clearer picture of what it meant to be a punk band in the apartheid years. Also featuring Ultra White Lovers, Dead Babies, Wild Justice, Private File, Rotors, Warspike, and Leopard.
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LP
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SHOUT 004LP
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$22.50
PREORDER
RELEASE DATE: 8/1/2025
A pretty rare selection of rare 7" US Punk records comprised from 1978 to 1982. More sought-after than the most obscure singles from KBD series. Basically, it can be considered the second volume of underground punk rock. Featuring Inserts, The Inanimate Objects, Page Croft, The Maids, The Vores, Whiteboys, Active Dog, Wilma & The Wilbers, Phil 'N' The Blanks, The Brainiacs, and The Lepers.
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LP
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SHOUT 005LP
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$22.50
PREORDER
RELEASE DATE: 8/1/2025
Huge selection of Australian punk singles from 1978-1980. Bands like Razar, Suicide Squad, and Fun Things actually never went beyond the 7" format. Here you will find everything they released, four 7" singles in total with notes and graphic reproductions.
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LP
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SRWAX 025LP
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$23.50
PREORDER
RELEASE DATE: 8/1/2025
Kenneth Werner's Midnat alias is already synonymous with the atmospheric sector of the dubtechno genre. His first vinyl LP captures and delivers six lush compositions to further expand on a fantastic discography.
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2CD
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TEC 027CD
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$15.50
PREORDER
RELEASE DATE: 8/1/2025
2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem. Also featuring V.I.V.E.K, FJAAK & J.Manuel, Cocktail Party Effect, Appleblim, Gemmy, Sophia Loizou, J.Sparrow, Cortical, Ipman, Distance, Coki.
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12"
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TECLP 027-1EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 1. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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12"
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TECLP 027-2EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 2. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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12"
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TECLP 027-3EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 3. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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12"
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TECLP 027-4EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 3. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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12"
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TECLP 027-5EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 3. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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12"
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TECLP 027-6EP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
Tectonic Sound Vinyl 3. 2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol's underground originator, DJ Pinch. The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12"s and double CD, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It's an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind -- at the intersection where dubstep and techno meet. Across Tectonic's 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan, and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch's own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch's devotion to pushing underground music ahead of its time, always built to rattle a soundsystem.
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2CD
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WRWTFWW 092CD
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$21.50
PREORDER
RELEASE DATE: 8/1/2025
WRWTFWW Records presents its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist. Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation -- Hirose's voices echo throughout the space, creating a fully immersive sonic experience. The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves. Voices marks Yutaka Hirose's third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989.
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2LP
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WRWTFWW 092LP
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$41.00
PREORDER
RELEASE DATE: 8/1/2025
Double LP version. WRWTFWW Records presents its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist. Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation -- Hirose's voices echo throughout the space, creating a fully immersive sonic experience. The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves. Voices marks Yutaka Hirose's third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989.
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2LP
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AMI 058LP
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$31.00
PREORDER
RELEASE DATE: 8/8/2025
"Amish Records presents an expanded, gatefold 2LP version of P.G. Six's second album, The Well of Memory, originally released in 2004. This 2025 expanded edition has beautiful new artwork, reimagined by Meredyth Sparks and comes with a bonus LP entitled Lost and Live. The LP includes six previously unreleased songs from The Well of Memory sessions and a handful of live versions of songs from the album. Continuing many of the themes introduced on Parlor Tricks and Porch Favorites, PG Six's well-received first record, The Well Of Memory made further nods towards '60s folk artists like Bert Jansch, Pentangle, Incredible String Band, and John Fahey, while also fitting in with contemporary musicians like New York psych folk posterboy Devendra Banhardt, Anglo-folk traditionalist Alasdair Roberts, and West Coast psych guitarist Ben Chasny of Six Organs of Admittance. Pat's lyrics draw on narrative force, spinning mythology in abstract patterns that stretch moments of clarity between dreamlike sequences. His music, composed away from the bustle of the city in upstate New York, breathes as solemn spirituals."
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CD
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BB 485CD
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$16.50
PREORDER
RELEASE DATE: 8/8/2025
In the shadow of the nuclear accident in Fukushima in 2011, Japanese musician Phew, artist Erika Kobayashi, and German electronic music pioneer Dieter Moebius (Cluster, Harmonia) came together for an extraordinary project. Together, they developed the concept album Radium Girls 2011, which they released in 2012 under the project name Project UNDARK -- 114 years after the discovery of radium by Marie and Pierre Curie. The album is dedicated to the so-called Radium Girls, female factory workers in the United States during the 1920s who painted watch dials with radioactive luminous paint and suffered severe health consequences from radium poisoning. On the occasion of the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, the label Bureau B is reissuing Radium Girls -- for the first time also on vinyl. The Radium Girls were female factory workers who unknowingly suffered radiation poisoning while painting watch dials with glow-in-the-dark paint at the United States Radium Factory in Orange, New Jersey, around 1917. A group of five affected women later took their employer to court, setting a legal precedent that granted workers the right to sue companies for illnesses caused by hazardous working conditions. Between 1917 and 1926, the U.S. Radium Corporation -- previously named the Radium Luminous Material Corporation -- specialized in extracting and refining radium from carnotite ore to manufacture glow-in-the-dark paint, marketed as "Undark." As a supplier for the military, the company produced radioluminescent watches and other instruments. The New Jersey factory employed over a hundred workers, primarily women, to apply the radium-based paint, unaware of the serious health dangers associated with it. In total, around 4,000 workers across the United States and Canada were hired to paint watch dials with radium. Many later suffered from severe health problems due to radiation exposure, though the exact number of fatalities remains uncertain.
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LP
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BB 485LP
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$26.00
PREORDER
RELEASE DATE: 8/8/2025
LP version. In the shadow of the nuclear accident in Fukushima in 2011, Japanese musician Phew, artist Erika Kobayashi, and German electronic music pioneer Dieter Moebius (Cluster, Harmonia) came together for an extraordinary project. Together, they developed the concept album Radium Girls 2011, which they released in 2012 under the project name Project UNDARK -- 114 years after the discovery of radium by Marie and Pierre Curie. The album is dedicated to the so-called Radium Girls, female factory workers in the United States during the 1920s who painted watch dials with radioactive luminous paint and suffered severe health consequences from radium poisoning. On the occasion of the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, the label Bureau B is reissuing Radium Girls -- for the first time also on vinyl. The Radium Girls were female factory workers who unknowingly suffered radiation poisoning while painting watch dials with glow-in-the-dark paint at the United States Radium Factory in Orange, New Jersey, around 1917. A group of five affected women later took their employer to court, setting a legal precedent that granted workers the right to sue companies for illnesses caused by hazardous working conditions. Between 1917 and 1926, the U.S. Radium Corporation -- previously named the Radium Luminous Material Corporation -- specialized in extracting and refining radium from carnotite ore to manufacture glow-in-the-dark paint, marketed as "Undark." As a supplier for the military, the company produced radioluminescent watches and other instruments. The New Jersey factory employed over a hundred workers, primarily women, to apply the radium-based paint, unaware of the serious health dangers associated with it. In total, around 4,000 workers across the United States and Canada were hired to paint watch dials with radium. Many later suffered from severe health problems due to radiation exposure, though the exact number of fatalities remains uncertain.
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2LP
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BFR 112LP
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$53.50
PREORDER
RELEASE DATE: 8/8/2025
Introducing Black Waves, a cinematic soul journey rooted in social justice, love, and introspection. From the vibrant streets of Rome, Luca Sapio crafts an evocative musical landscape that echoes the soulful activism of Marvin Gaye's What's Going On, Curtis Mayfield's There's No Place Like America Today, and Eugene Mac Daniels' Headless Heroes of the Apocalypse. Infused with the timeless sounds of Italian vintage soundtracks -- Piero Piccioni, Ennio Morricone, and their cinematic grandeur -- this album is a powerful blend of social awareness and heartfelt emotion. Among the guests legitimizing the sound of the album are the legendary Dennis Coffey (Original Motown Funk Brother) Rob Harris (Jamiroquai) and the veteran Boston rapper Ed O.G. along with the same strings used by Ennio Morricone. Record mastered by grammy winner Mike Bozzi. Hailing from Roma, Italy, Luca Sapio is a celebrated singer-songwriter and record producer, known for his soulful contributions to the music industry. With a career spanning over a decade, in 2012, Luca released his debut solo album, Who Knows, which achieved notable success on the German and French charts and was recognized as the best independent record by SIAE, Italy's copyright collecting agency.
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LP
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BSR 843LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
"Originally issued in 2007 on Secret Records as a companion CD to Lester 'Dillinger' Bullock's spirited deejay album, Ten To One, whose bold, brash braggadocio can still be heard echoing in and out, in and out and in and out of the mix here over a superb selection of dubwise rhythms from Niney The Observer. Pressed on 180 gram vinyl."
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LP
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BT 5005Y-LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
"Originally released In July 1970 Wil Malone, a typically idiosyncratic supper-club/chamber pop take on the singer/songwriter genre that was so in vogue at the time. Featuring such earnest/facetious nuggets as 'I Could Write A Book' and 'At The Silver Slipper', the album has many admirers these days. The original release is considered a rare collector's item, with some original copies fetching high prices. This reissue on Morgan Blue Town is available as a limited edition 180-gram yellow color vinyl pressing."
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LP
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CTLP 198LP
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$18.50
PREORDER
RELEASE DATE: 8/8/2025
2025 repress. Recorded at Channel One. Credits: Aston "Family Man" Barrett, Robbie Shakespeare (bass), Hoss Mouth, Sly Dunbar (drums), Earl "Chinna" Smith (guitar), Ossie (organ), Ansel Collins (piano), Linval Thompson (producer).
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LP
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DBL 036LP
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$28.00
PREORDER
RELEASE DATE: 8/8/2025
DJ Die Soon is the apocalyptic alter-ego Daisuke Imamura, whose performances of masked malice have been a fixture in the Berlin underground for the past decade. His latest record My Brothel The Wind takes inspiration from Sun Ra at his most grotesque, conjuring a distorted phantasmagoria with an eclectic crew of compatriots like Rully Shabara, Sara Persico, and longtime collaborator Kiki Hitomi. Film director Hiroo Tanaka's visual contributions in the album art, poster, and music video complete the album's narrative, telling a story not of villainy but of phantom caprice in a dying world. My Brothel The Wind shows DJ Die Soon as an alchemist of distortion, transmuting the club-forward beats of his 2020 debut Kappa Slap and the seething horrorscapes of DIEMAJIN, his 2022 collaboration with Tokyo vocalist MA. Imamura's obsession with noise stems from his upbringing in Tokyo, where he grew up hearing the deafening roar of trains every day. While most would content themselves with avoiding loudness, DJ Die Soon seeks to unpack its visceral potential. His subterranean productions form a monstrous gestalt with the eclectic contributions of his network of co-conspirators. "Unfinished" and "Directions" are pulsating chimeras that highlight animalistic vocalizations from Hitomi and Shabara; Italian MC Franco Franco's verses snake underneath the noisy onslaught. The tectonic textures of "Dandelion Crackers" are courtesy of multi-instrumentalist Laure Boer's handmade stone synth. Sara Persico's mangled vocables hang as fleshy reminders of human fragility on "SAQ4IME;" in the Hiroo Tanaka-directed music video, the track's sonic uncanniness is made cinematic, with an ambient dread that references Hiroshi Teshigahara's 1964 psychological thriller Woman in the Dunes. While Sun Ra's intergalactic Moog reached for the stars, DJ Die Soon plunges into the depths of hell.
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2LP
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E6 028LP
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$31.00
PREORDER
RELEASE DATE: 8/8/2025
"Warm and calm ambient music from the Olivia Tremor Control. Originally packaged as a bonus disc with the band's debut album, Music from the Unrealized Film Script: Dusk at Cubist Castle, in 1996 and later released on its own. Now available on vinyl for the first time, the label's (nearly) 30th anniversary double LP re-issue featuring custom embossed jackets. Limited to a pressing of 500 copies."
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LP
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FD 160B-LP
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$33.00
PREORDER
RELEASE DATE: 8/8/2025
Blue vinyl version. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late-night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with the kinda moody sickness fever dreams are made of. Ultimately, there's a strong soundtrack-ish angle to EXTNDDNTWRK's instrumentals that almost command cinematic accompaniment, but what strikes Fourth Dimension the most since the last time Andrew graced listeners with a release (and there have been a few over the years since the label released several editions of Sleaford Mods' highly lauded Jolly Fucker 7") is the sheer maturity to each of the nine songs that constitute Albus. Together, they illustrate an artist clearly at the top of his game in a home studio setting as much as when he's working up a sweat on stage and inadvertently proving he's got more energy than most of those half his age. Over these nine cuts, EXTNDDNTWRK has successfully refined an approach to such music to the point it not only sounds entirely his own but shines a light to future paths Andrew could take this on. Released in an edition of 1000, with insert featuring sleeve notes by Andrew.
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LP
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FD 160LP
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$30.50
PREORDER
RELEASE DATE: 8/8/2025
While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late-night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with the kinda moody sickness fever dreams are made of. Ultimately, there's a strong soundtrack-ish angle to EXTNDDNTWRK's instrumentals that almost command cinematic accompaniment, but what strikes Fourth Dimension the most since the last time Andrew graced listeners with a release (and there have been a few over the years since the label released several editions of Sleaford Mods' highly lauded Jolly Fucker 7") is the sheer maturity to each of the nine songs that constitute Albus. Together, they illustrate an artist clearly at the top of his game in a home studio setting as much as when he's working up a sweat on stage and inadvertently proving he's got more energy than most of those half his age. Over these nine cuts, EXTNDDNTWRK has successfully refined an approach to such music to the point it not only sounds entirely his own but shines a light to future paths Andrew could take this on. Released in an edition of 1000, with insert featuring sleeve notes by Andrew.
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2CD
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GG 480CD
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
"The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and more than ten DVDs. Charles Bock was a pseudonym that Hardy Fox, co-founder and primary composer for the group, used from 2012 to 2017. About a dozen albums were released using that name until Fox started using his real name for his solo recordings. GOD O was the opening music for a Homer Flynn art exhibition in Oakland, CA (April-June 2011). This track was originally released in March 2012 as a download MP3 file only and later as a small run CD by The Cryptic Corporation. In addition, three reworked tracks were released as download only. Klanggalerie are now collecting these songs together with a previously unreleased track named 'GDC' that is half an hour long and was most likely created by Hardy in 2017. In addition, the label offers the download versions of the bonus tracks that are slightly differently mixed to the CD versions. This double CD has been carefully remastered and uses previously unseen artwork created by Hardy Fox."
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CD
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GR 008CD
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$11.00
PREORDER
RELEASE DATE: 8/8/2025
Collection of dubs from the Black Ark Studios.
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LP
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GUESS 270LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
Since its discovery in the late '90s, Dave Bixby's legendary $2000 private press album from 1969 is considered by all serious record collectors as the King in the loner/downer folk genre. First reissued by Guerssen back in 2009, the label now presents a new, improved edition with newly sourced/remastered sound and extras. After being involved in '60s Michigan folk and garage-rock bands such as The Shillelaghs and Peter & The Prophets, Bixby started playing acoustic guitar and experimenting with LSD. After a year of drug abuse he felt broken. Starting a soul-searching, spiritual journey, he wrote Ode to Quetzalcoatl and most of the material for his second album, Harbinger's Second Coming in just one month and a half. Assisted by fellow musician Brian MacInness, who played some guitar parts on the album, Dave recorded Quetzalcoatl using an echo-laden four track machine in a flat's living room. The sound is lo-fi and sparse: just acoustic guitars and some occasional harmonica and flute, added to Bixby's haunting, emotional vocals, spiritual lyrics and solid songwriting. The opening cut, the eerie and painful "Drug Song" sets the mood perfectly for the rest of the album which contains more tormented titles like "666," "Lonely faces," "Open Doors," and "Secret Forest." Featuring original artwork in hard cardboard sleeve. Restored and remastered in 24-bit domain at Grammy Award-winning Osiris Studio. Includes insert with detailed liner notes plus rare pictures and lyrics. Also features extra insert with the map/story of Quetzalcoatl by Dave Bixby, as well as download card.
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LP
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HRB 006LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. Cryptopsy's 1994 debut, Blasphemy Made Flesh, is a raw yet lethal foundation for what would later become None So Vile. Even in its early form, the band defines technical death metal, with Flo Mounier's drumming already a relentless force. The guitar work stands out, weaving unexpected melody into the chaos, while the bass, though prominent, doesn't quite match the weight of its successor. And as always, Lord Worm's vocals are a monstrous presence, cementing the album's brutal and unhinged energy.
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LP
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JACK 076CV-LP
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$26.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl version. Dear Boss presents The Ramones As Seen On TV.
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LP
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JACK 076LP
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$22.50
PREORDER
RELEASE DATE: 8/8/2025
Dear Boss presents The Ramones As Seen On TV. Also available in color vinyl (JACK 076CV-LP).
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2LP
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JACK 079CV-LP
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$35.50
PREORDER
RELEASE DATE: 8/8/2025
Red/green color vinyl version. The Cure deliver a powerful live performance at Hollywood Rock Festival in Rio de Janeiro, January 26th, 1996. A captivating set blending gothic atmospheres with timeless hits.
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2LP
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JACK 079LP
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$30.50
PREORDER
RELEASE DATE: 8/8/2025
The Cure deliver a powerful live performance at Hollywood Rock Festival in Rio de Janeiro, January 26th, 1996. A captivating set blending gothic atmospheres with timeless hits.
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LP
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JACK 085LP
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$22.50
PREORDER
RELEASE DATE: 8/8/2025
The Stone Roses live at Kan-i Hoken Hall, Tokyo, October 24th, 1989. A rare and raw performance capturing the band's early energy on their first visit to Japan.
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LP
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JACK 085R-LP
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$26.00
PREORDER
RELEASE DATE: 8/8/2025
Red color vinyl version. The Stone Roses live at Kan-i Hoken Hall, Tokyo, October 24th, 1989. A rare and raw performance capturing the band's early energy on their first visit to Japan.
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LP
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JACK 085Y-LP
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$30.50
PREORDER
RELEASE DATE: 8/8/2025
Marble color vinyl version. The Stone Roses live at Kan-i Hoken Hall, Tokyo, October 24th, 1989. A rare and raw performance capturing the band's early energy on their first visit to Japan.
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LP
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LANR 057LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
Fully licensed, all tracks remastered. Re-issued for the first time on vinyl, this obscure dub masterpiece -- originally available on the small imprint Silver Camel in 1981 -- is still considered one of the best efforts by brilliant singer and producer Al Campbell. More magic at the controls with the key presence of Barnabas and Maxie at Channel One and Scientist tracks mixed at King Tubby's studio. Dig better with dub originators!
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CD
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LM 003CD
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$20.00
PREORDER
RELEASE DATE: 8/8/2025
Newcastle-based electronic artist Bartholomew returns with Subterranea, his most personal and cinematic release to date. Arriving on Lunar Module, a new CD imprint from Castles in Space, the album delves deep into emotional terrain -- fusing generative electronics, orchestral flourishes, and raw sonic textures into a poignant meditation on instability and resilience. Following 2023's Moorbound -- a love letter to the Newcastle Town Moor -- Subterranea marks a turning inward. While Moorbound found grounding in the natural world, this new record confronts internal architecture: the disquiet of mental health struggles, personal upheaval, and the ever-shifting nature of equilibrium. Across nine tracks, Bartholomew -- real name Chris Bartholomew -- draws on his background in theatrical composition (Barbican, National Theatre Studio), marrying cinematic storytelling with a palette that recalls the emotional resonance of Hans Zimmer, the granular textures of Tim Hecker, and the stark minimalism of Ben Frost. The result is a body of work that's as vulnerable as it is technically accomplished. The seeds of Subterranea were planted after a shared bill at Newcastle's Cumberland Arms with Gordon Chapman-Fox (Warrington-Runcorn New Town Development Plan). Impressed by the raw demo material, Chapman-Fox brought the project to Lunar Module, a label whose mission -- charting inner worlds and emotional topographies -- was an ideal fit.
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CD
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MACD 007CD
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$12.00
PREORDER
RELEASE DATE: 8/8/2025
Merzbow, the pioneering Japanese noise project led by Masami Akita since 1979, remains a defining force in experimental electronic music. Celebrating its 20th anniversary, Scene -- originally a limited CD release on Waystyx in 2005 -- was reissued on vinyl in 2024, quickly selling out. Now, it returns as a remastered CD, featuring an exclusive bonus track from the original sessions, housed in premium SACD jewel cases, and accompanied by a new essay by Dr. Jamie Stephenson. A surrealist gem from Merzbow's mid-2000s "laptop era," Scene opens with the chaotic carnival energy of "Part 1," before dissolving into hypnotic layers of rhythmic drums, metallic clangs, distant bird calls, and atonal wind chimes shimmering in an otherworldly haze. A vital piece of Merzbow's ongoing analog and digital sound experiments, this CD reissue of Scene is limited to 300 copies, offering fans and collectors another chance to own this long-unavailable masterpiece. Artwork by Masami Akita. Design by Takashi Makabe.
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2CD
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MIG 3452CD
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$19.00
PREORDER
RELEASE DATE: 8/8/2025
"Founded in 1969 by Düde Dürst, Hardy Hepp, Walty Anselmo, Terry Stevens, and Mojo Weideli, Swiss rock band Krokodil was not only one of the first of its kind, but also influenced numerous subsequent Swiss rock bands with its unique, progressive, and psychedelic-tinged musical style. 'We didn't want to emulate our Anglo-American idols, but play our own music right from the start,' recalls drummer Düde Dürst. 'Everything was possible for us, there were no limits.' After three albums for the international record company Liberty/United Artists, Krokodil changed labels in 1972. On Getting Up For The Morning, they worked with producer Peter Hauke (Nektar and Omega, among others) for the first time. The LP was recorded in Dieter Dierks' studio in Stommeln, Germany. Like its successor Sweat And Swim, the album was released on the Bacillus label of Frankfurt's Bellaphon. Then it was over. After six intense years, the band split up. Düde Dürst said: 'I think we were in top form at that time -- musically and compositionally. And we had turned more towards rhythm & blues again.'"
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LP
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MOV 2615COL-LP
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$39.00
PREORDER
RELEASE DATE: 8/8/2025
"Lee 'Scratch' Perry & The Upsetters' classic Return of Django. Lee Perry had already been making name in the Jamaican music scene for about a decade before Return of Django hit the UK charts in 1969. It was released after Trojan released a hugely popular collection of Perry's biggest instrumentals. This album is a must for everyone that enjoys that good old vintage reggae sounds. Lee 'Scratch' Perry was a pioneer of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. Return of Django is available as a limited edition of 1000 individually numbered copies on white colored vinyl."
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LP
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MOV 3901COL-LP
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$39.00
PREORDER
RELEASE DATE: 8/8/2025
"Bob and Marcia were a Jamaican vocal duo, that consisted of Bob Andy and Marcia Griffiths. Griffiths & Andy achieved international fame with their rendition of Nina Simone's 'Young, Gifted and Black.' The song resonated deeply with audiences in the UK, selling over half a million copies and earning Bob & Marcia a place on Top of the Pops. It reached the number #5 spot in the UK charts. This album is packed with classic tracks and cover versions -- gems like 'It ain't me babe,' 'Keep the customers satisfied' and 'Put a little Love in your heart.' Their popularity soared, and the duo continued with hits like 'Pied Piper,' bringing reggae to European audiences during a time when the genre was still emerging on the global stage. Their success was not just commercial but symbolic, as they inspired pride and cultural appreciation among Jamaican communities worldwide. Young, Gifted And Black is available as a limited edition of 750 individually numbered copies on orange colored vinyl."
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LP
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MOV 3918LP
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$41.00
PREORDER
RELEASE DATE: 8/8/2025
"Released in 1970, Earwax marked the debut album of Dutch Free Jazz ensemble Association P.C., recorded in Wageningen, The Netherlands, and produced by Dtuch Jazz pioneer Wim Wigt. The album fuses Free Jazz with Jazz-rock, showcasing an adventurous sound led by drummer Pierre Courbois. The line-up includes guitarist Toto Blanke, bassists Siggi Busch and Peter Krijnen, and Jasper van 't Hof on electric piano. Members Courbois, Blanke and van 't Hof are considered as the early inspirators of the Jazz-rock and German Krautrock sound. Now, 55 years later, Earwax by Association P.C., finally sees its first-ever reissue since its original release. This long-awaited edition consists of six tracks and is presented in a gatefold sleeve, featuring details about the musicians involved."
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LP
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OSR 115LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
The perfect marriage between psychedelia, pop and experimental sounds. This unique album by Bill Holt, first released in 1974, sounded way ahead of its time and became an international cult classic in the following decades. A perfect example of what was called "Head Music" at the time, Dreamies consists of two large suits full of Lennon-esque vocals, sound collages, early electronics and proto-sampling. Featuring remastered sound and original artwork in hard cardboard sleeve. Includes reproduction of the rare original insert and extra insert with liner notes by Klemen Breznikar (It's Psychedelic Baby) and photos.
"One of the top 50 Out There Albums Of All Time" --Mojo
"The overall effect is something like a primordial Olivia Tremor Control, and easily as wild and unfettered as anything the Residents were doing in the '70s. Dreamies has its obvious and acknowledged influences -- the Beatles and John Cage chief among them -- but it's also clearly the work of an untutored auteur dissecting his own mind in the basement on reel-to-reel." --Joe Tangari, Pitchfork
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LP
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OTLP 002LP
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$15.00
PREORDER
RELEASE DATE: 8/8/2025
Originally released by Jah Thomas's Midnight Rock label from Jamaica, in 1982; now repressed by Clocktower. Ranking Toyan was already a seasoned veteran of Kingston's soundclash scene, having apprenticed with a number of smaller outfits before becoming earning a slot with Henry "Junjo" Lawes's Volcano Sound and winning widespread acclaim for his effortless, patois-laden delivery and his gruff putdowns of rival DJs. Though Toyan had already cut a number of outstanding sides for producer Don Mais, his collaborations with Lawes are undoubtedly his definitive recordings. Ghetto Man Skank stands as the very best of these. It boasts a set of simple, punishingly hard rhythms from the ace studio band The Roots Radics, which Toyan dominates with ease. His ability to spill forth unending streams of wordplay, streetcorner boasts, and infectious slogans is truly remarkable, enlivening every song on this set. Though Toyan didn't receive the same acclaim as fellow Volcano Sound DJs like Yellowman and Eek-A-Mouse, his outstanding performances on Ghetto Man Skank prove he was their equal in every respect.
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LP
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OUTS 045LP
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$23.50
PREORDER
RELEASE DATE: 8/8/2025
Red color vinyl. On a cold day in late 1985, the Housemartins arrived in Carlisle to play a gig at the Stars & Stripes venue, while touring in promotion of their debut single "Flag Day." The release of the full album London 0 Hull 4, and the success that followed, was miles away. With exceptional sound quality and a cracking performance, it features the original four-piece lineup of Paul Heaton, Stan Cullimore, Ted Key and Hugh Whitaker.
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LP
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OUTS 046LP
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$23.50
PREORDER
RELEASE DATE: 8/8/2025
This album is an assortment of songs from several live sessions and chronicles Nico's European tour from January 18 to March 28, 1982. It features songs from The Marble Index, Desertshore, The End, and Drama of Exile, which include covers of the Velvet Underground, David Bowie, and the Doors. The singer was accompanied for the whole slot by famous post-punk band from Manchester The Blue Orchids.
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2CD
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RANDB 102CD
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$14.50
PREORDER
RELEASE DATE: 8/8/2025
The live sessions presented here were recorded on October 13th 1993 at New George's, a nightclub and concert venue located in San Rafael, California. There's an oft-recounted story how the Beatles used Bobby Parker's riff from his "Watch Your Step" for their hit "I Feel Fine" and Led Zeppelin used it on "Moby Dick" without credit on their second album. That song is of course featured here, which also includes several tracks together with Carlos Santana guesting on guitar. Bobby passed on in October 2013 aged 76 following a heart attack. He left a small but impressive body of blues recordings for listeners to enjoy.
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CD
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RANDB 103CD
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$14.50
PREORDER
RELEASE DATE: 8/8/2025
The previous two sets in this series of live broadcast CDs from Georgie Fame covered the years 1964 up to 1967 and this one picks up the story from the start of '68. So, what changes did that year bring in Georgie's music? Impossible to ignore is the release of "The Ballad Of Bonnie And Clyde" in December '67. Was Georgie ignoring his roots? Not so if you examine this album. It starts off with Georgie's BBC TV show accompanied by the Count Basie Band and continues with Swedish and British radio recordings of Georgie with his Band, a tight eight-piece unit featuring jazz and Blue Flames luminaries such as Eddie Thornton, Johnny Marshall, John McLaughlin and Jon Hiseman.
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2CD
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RANDB 104CD
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$14.50
PREORDER
RELEASE DATE: 8/8/2025
The Alan Price Set were among the most frequent visitors to the BBC studios between 1966 and 1968 recording 46 songs over 16 different sessions. Over two hours and thirty minutes playing time, this CD set presents the complete set of BBC recordings along with a further five tracks that Alan recorded as a solo artist after leaving the group. Also included are some revealing interviews he made at that time. The sound quality is excellent throughout.
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CD
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RM 4240CD
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$17.50
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RELEASE DATE: 8/8/2025
A note from Lawrence English: "Time is a strange and elusive companion. Listening to Alan Lamb's Primal Image/Beauty, the traces of time are deep, and forever deepening. Recorded in 1981 and 1983 respectively, and then revised and refined across the coming half decade, each of these pieces traces Lamb's personal history through materiality and harmony. 'Primal Image' was the first composition Alan Lamb completed. Recorded on the Faraway Wind Organ, a long stretch of abandoned telephone line located on his family's farm close by the Fitzgerald National Park in Western Australia, this piece resolved an interest in the sonification of wires which had started many decades before. Lamb recounts pressing his ears to a telephone pole as a child, encouraged by his nanny to 'hear the sound the world made.' 'Primal Image' is a work of intense dynamism, a climatic sonic environment within which a complexity of harmony, timbre and texture intermingle, inviting us to lean in. Similarly, 'Beauty' maintains this offer of harmonic complexity. Recorded across some 20 hours, the piece is a condensation of vibration, a folding of time and listenership that speaks both to Lamb's passion for his instrument and the instrument itself as a source of unbounded, and evolving sonics. Lamb's music is one of both attentiveness and patience. It is a music that comes forth from the world, but is simultaneously hidden from most of us. It is a music of the moment, but also one of recurrence as vibrations travel along the material that is the metal wires. It is also a music which, by its very nature, is eternally in the present. Alan Lamb, as a conduit to this material music invites us to share his listening in these moments. He asks us to cast our ears outward into the world and in doing so unlock an interiority of the mind which remains forever compelling and more so fascinating."
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CD
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ROG 141CD
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$17.00
PREORDER
RELEASE DATE: 8/8/2025
"These four musicians have all played with each other before. Just to name a few: two albums in duo for Joe McPhee and Michael Bisio, in addition of appearing in different other bands; Mat Maneri and Fred Lonberg-Holm, also recorded as a duo; Fred Lonberg-Holm is part of Joe McPhee's Survival Unit III with Michael Zerang and both are also part of Peter Brötzman's Chicago Tentet; Joe McPhee is within Mat Maneri Quintet in the album Sustain; Mat Maneri is within Michael Bisio's quartet on the album MBefore and both are part of Matthew Shipp's trio Chamber Ensemble on The Gospel According to Matthew and Michael. So, no need to say that they were already very familiar to each other. Almost four generations of musicians; four very strong musical personalities, four very rich musical careers and, above all, four musicians who know how much the confrontation of different ideas pushes music forward; and it is exactly what we had hoped from this band, that they find a common language richer than the sum of the individual languages of each of them, a coherent musical material that respect each personality without reducing the great diversity of their individual approaches. If there was no doubt at the outset that Joe McPhee, Mat Maneri, Fred Lonberg-Holm and Michael Bisio would be able to make a great recording, eventually, they have done much more, finding original forms and producing an album on which the diversity of the pieces in no way detracts from the cohesion of the whole -- quite the opposite, in fact."
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LP
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RROO 375LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
This is a superior Jah Thomas record with all the great midnight rock rub-a-rub riddims. A big album that represents Jah Thomas, packed full of early dancehall numbers that let you fully enjoy the wonderful atmosphere of the time, including the big hit title track!
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LP
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RROO 390LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
A gifted guitarist and singer-songwriter, Lascelles Beckford has a long history in reggae. After playing with Harold Butler in the late 1970s, Beckford began fronting Crucial Vibes, based in Old Harbour, west of Spanish Town, the band making waves in Canada in 1983. One of the leading Jamaican backing bands of the mid-1980s, debut album Control Yourself is an excellent blend of hard-hitting roots tunes, protest music and sophisticated love songs, all driven by their excellent musicianship, with the percussionist Skully and saxophonist Dean Fraser adding exquisite touches. Quality from start to finish -- one for all roots connoisseurs.
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LP
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RROO 392LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
During the early 1980s, stylistic dancehall toaster Earlando Neil became Early B chatting on the sound systems Soul Imperial Hi-Fi and King Majesty, consolidating his reputation on the mighty Kilimanjaro. Scoring many hits before his untimely death in 1994, the posthumous compilation Immortal was compiled by Ossie Thomas, the producer of some of B's greatest work; highlights include the smash hit "Gateman Get Fraid," the desultory "Imitator," the sadly prescient "If You A Coward Leave Out Badness" and the salutary "Honourable Nesta Marley." Highlighting Early B's lyrical prowess, Immortal lives up to its title for sure.
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LP
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RRS 270LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. A wild blast from the American underground, The Wacky Hi-Jinks of Adrenalin O.D. is a fast, feral, and sharply witty slab of '80s punk mayhem. Released in 1984, it's packed with razor riffs, relentless drumming, and a grin that never fades. Tracks like "A.O.D. vs. Godzilla," "New Year's Eve," and "Corporate Disneyland" charge ahead with breakneck speed and tongue-in-cheek brilliance. Loud, clever, and totally unhinged, this is punk rock at full tilt -- an underrated gem that still sounds like trouble in all the right ways. Insert included.
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LP
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RRS 271LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. Humungusfungusamoungus is a full-throttle punk assault -- fast, ferocious, and fired up with razor-sharp wit. Released in 1986, it tears through suburban monotony and daily absurdities with breakneck speed and a smirk. Tracks like "Bugs" and "Masterpiece" nail that perfect mix of sarcasm and fury, turning frustration into fuel. Relentless drums, jagged guitars, and vocals that don't let up -- this is punk at its most raw and unfiltered. A.O.D. didn't just play fast -- they meant every second of it. Classic. Insert included.
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LP
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RRS 272LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. Adrenalin O.D.'s Cruising with Elvis in Bigfoot's U.F.O. marks a turning point where the band's rapid-fire hardcore began blending with sharper songwriting and catchier hooks -- still wild, still hilarious, but tighter and more tuneful. Produced by Daniel Rey and restored from the original master tapes, this reissue brings back the album in all its manic, sneering glory. No filler, no extras -- just the original mayhem, loud and clear, the way it was meant to be heard. Insert included.
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2LP +7"
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RRS 280LP
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$43.50
PREORDER
RELEASE DATE: 8/8/2025
By resurrecting a long-forgotten musical idiom (which had only existed for a scant two years to begin with), known as the "Gurus of Garage Grunge" since their inception in 1980, The Fuzztones predated the Seattle grunge scene by ten years! 2025 marks the band's 45 year anniversary. Their fiery brand of garage-psych punk has influenced hundreds of groups, from The Hives to The Horrors. Includes bonus 7".
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LP
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SCR 335LP
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$33.00
PREORDER
RELEASE DATE: 8/8/2025
Subconsciousology is a full reworking of Dot Allison's 2023's Consciousology, by producer Lomond Campbell, who, as the title suggests, has made it deeper, darker and dancier. Whereas the original album was all ornate avant-garde folk and psychedelic explorations, this new take is as hard-hitting as it is heavenly, as beat-driven as it is beautiful, and crucially it finds Dot re-embracing the electronic music with which she first made her name in One Dove. "I love that Lomond has brought a rich musicality and has created wild universes around the elements he has chosen to retain in the various songs," adds Dot. "It reminds me of working with Andrew Weatherall in a way, where the mixes were bold and reinventive departures. The whole concept of the original record is about interconnectivity and the electromagnetic aspects to consciousness, so the remixed version is like a rainbow diffracted from a beam of light." Everything in this pot of gold sounds and feels at once familiar but different -- from the chugg.
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CD
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SKALD 039CD
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$15.50
PREORDER
RELEASE DATE: 8/8/2025
In the weird world of Wevie Stonder, things are never straightforward. The four-piece collective headed up by Al Boorman have returned with their first album in 16 years -- and one reason it took so long is that they couldn't think of a title. The group are renowned for their outlandish electronics and humorous vocal performances, with a series of treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B. Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiraling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels," a spellbinding mix of classical strings and -- is that a malfunctioning Clanger? "Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country and western, hardcore to Miami bass, and the final track, "The Void," is an AutoTune-laced R&B track with a deep, emotional core.
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LP
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SKALD 039LP
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$28.00
PREORDER
RELEASE DATE: 8/8/2025
LP version. In the weird world of Wevie Stonder, things are never straightforward. The four-piece collective headed up by Al Boorman have returned with their first album in 16 years -- and one reason it took so long is that they couldn't think of a title. The group are renowned for their outlandish electronics and humorous vocal performances, with a series of treasured releases on Manchester's eminent Skam Records, and their latest album Sure Beats Living ventures into unknown realms. Introducing a host of new characters, tall tales and bizarre scenarios to a musical backdrop as varied as it is striking, the record darts between ambient tranquility, strange soundtracks, bass-heavy beats and emotive R&B. Opener "That's Magic" features a magician talking us through a convoluted magic trick, to a mysterious synth theme that a celebrity conjurer might use to help the pyramids disappear. It's probably one of the only pieces of music to draw influences from Paul Daniels. "Carpet Squares" is a hefty slab of squirming machine bass, acid squidges and clanking industrial drums, its samples extolling the virtues of fitting comfortable flooring, with a voiceover recorded on a Canadian golf course. "Vanja & Slavcho" tells the odd story of twins who have an extraordinary ability to a bustle of spiraling arpeggios and comedic sound effects, while "Tiktaalik" has a glam rock beat, guitar twangs, wild synth runs and dance music drum rolls that build to nowhere, plus processed dolphin noises and a vocal about evolution. Then there's "Piccolo's Travels," a spellbinding mix of classical strings and -- is that a malfunctioning Clanger? "Album Titles" lists rejected names for the record to hilarious effect, with outlandish blips, accordion riffs and bubbling percussion setting the scene, "The 38th Parallel" is a wonky slab of electronica, while "Push It" has everything from rock guitar interjections to explosions and birdsong. If "Customer Services" imagines the bewildering experience of dealing with a sentient automated phone call, then the following "Nothing To Write Home About" is a waltz-time organ piece with a nostalgic, bittersweet air. "Ready?" lists practically every genre under the sun and gives you a burst of it, from drill to country and western, hardcore to Miami bass, and the final track, "The Void," is an AutoTune-laced R&B track with a deep, emotional core.
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CD
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SOMM 112CD
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$16.50
PREORDER
RELEASE DATE: 8/8/2025
Jodo was a short lived but powerful British hard-rock band from the early '70s with connections to Deep Purple, Green Bullfrog, Jasper, and Killing Floor. Featuring the ace guitar playing of Rod Alexander plus two lead singers -- one white (Bill Kimber) -- one black (Earl Jordan) -- their music blended heavy-rock, blues and proto-metal. In 1971 they released their sole self-titled album, produced in London by Derek Lawrence (Deep Purple, Wishbone Ash) and engineered by Martin Birch (Black Sabbath, B.O.C). For some strange reason, the album never saw a UK release, being available only in the US and New Zealand and housed in a cryptic packaging -- the cover shows a man with a bicycle, without band photos or band details. This is the first band-sanctioned reissue. 24-bit domain remaster including insert with liner notes by Austin Matthews (Shindig!) and rare photos as well as download card.
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LP
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SOMM 112LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
LP version. Jodo was a short lived but powerful British hard-rock band from the early '70s with connections to Deep Purple, Green Bullfrog, Jasper, and Killing Floor. Featuring the ace guitar playing of Rod Alexander plus two lead singers -- one white (Bill Kimber) -- one black (Earl Jordan) -- their music blended heavy-rock, blues and proto-metal. In 1971 they released their sole self-titled album, produced in London by Derek Lawrence (Deep Purple, Wishbone Ash) and engineered by Martin Birch (Black Sabbath, B.O.C). For some strange reason, the album never saw a UK release, being available only in the US and New Zealand and housed in a cryptic packaging -- the cover shows a man with a bicycle, without band photos or band details. This is the first band-sanctioned reissue. 24-bit domain remaster including insert with liner notes by Austin Matthews (Shindig!) and rare photos as well as download card.
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LP
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SOR 007LP
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$23.50
PREORDER
RELEASE DATE: 8/8/2025
Definitely ahead of its time, Black Jade approach was very sophisticated, creating more than a serious cult in downtown London. While their debut Contempo (SOR 004LP) was a "religious" dub affair, their sophomore album showcased a more rootsy direction. Published as a mere private press in the second half of the seventies, the album is finally available in a long overdue re-issue.
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12"
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SPACEY
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$18.00
PREORDER
RELEASE DATE: 8/8/2025
Matthias, head of Superluminal Recordings and parties in Berlin, offers the second Delicate Bloom. Four versatile, forward-thinking acidic analogue mutations to soundtrack to late-night drives. Follows cult EPs for CABARET, Faciendo, Craigie Knowes and Art Of Dark and plays from selectors including Jane Fitz, DJ Masda, and Desyn.
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CD
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STONE 041CD
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$14.50
PREORDER
RELEASE DATE: 8/8/2025
Originally released in 2004, Replay captures one of post-rock's most influential and elusive acts, during their peak years of 1988 to 1994. Bark Psychosis always defied convention -- layering samples and textures to create immersive soundscapes that helped define post-rock when the genre was growing stagnant. One of their key innovations was their use of volume and contrast; dense guitar walls collapse into delicate vocals and synths, revealing the dynamic range at the heart of their sound. This CD repress stays completely true to the original, which features photography from St John's Church, where the five live tracks were recorded in 1991. The setting's natural acoustics perfectly complement the band's expansive, atmospheric approach. This edition also includes rare studio material: re-mastered versions of "Reserve Shotgunman" and "Hex' (first released as B-sides), the cult favorite "Clawhammer" (from a 1988 flexi-disc split with Spacemen 3's Dreamweapon), and a remix of "Big Shot," making it essential for fans and collectors alike.
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LP
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SUBURBIA 052LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. Born in a cold London pub, fueled by beer and bad decisions -- Buster Shuffle crashed the scene with piano-smashing ska and zero apologies. Do Nothing isn't just a record -- it's a riot. Originally released in 2012 on People Like You Records, this record features some cameos such as Mickey Gallagher (The Clash), Roddy Radiation (The Specials), Ian Catskilkin (Art Brut), and Wag (Infadels). This ain't just knees-up ska anymore. Love. Life. Divorce. Squeaky toys. Proper English chaos.
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LP
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SUBURBIA 053LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
Color vinyl. No frills. No filters. Just Buster Shuffle, Naked -- loud, sharp, and stripped back to the bone. Originally out in 2014 on People Like You Records, Jet Baker and the crew kick down the door with a record that's equal parts pub fight and piano ballad. This is the band at their rawest: No fake smiles. No studio gloss. Just chaos, melody, and a wink from across the bar. You'll laugh. You'll cry. You'll spill your pint. And you'll bloody love it.
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LP
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SVVRCH 100LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
Not the British pub rockers! This Doctor Feelgood is a completely different band -- American, obscure, and far more experimental. Their 1971 album Something to Take Up Time is a wild mix of prog rock, free jazz, blues, and psychedelia, packed with flute and sax solos in the spirit of early Jethro Tull, Gravy Train, and Aynsley Dunbar. Formed by ex-members of Teddy and the Pandas and The Sensations, the band only lasted a few years, but left behind this cult gem -- full of complex arrangements and standout performances, especially from sax/flute wizard Dick Winters, who often played two horns at once. Underrated, unique, and highly recommended.
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LP
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SVVRCH 105LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
Originally emerging from the Ohio garage scene as Jerry and the Others, The Elders released their sole album in 1971 -- a surprising mix of soul-infused rock, funk rhythms, wah-wah guitars, and psych flourishes. Despite the ominous skull-and-book cover art, this isn't heavy Sabbath-style riffing, but rather a vibrant, danceable sound closer to Sly & The Family Stone, Rare Earth, and early Hendrix. Rooted more in the late '60s than the early '70s, their groove-heavy, genre-blending approach feels both raw and infectious. A true sleeper gem worth digging up.
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LP
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SVVRCH 108LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
Often dubbed the Jimi Hendrix of the Bosphorus, Erkin Koray was a trailblazer of Anatolian psych -- a mind-bending fusion of traditional Turkish music and electrified Western rock. After experimenting with beat and pop in the '60s, Koray fully embraced the underground, eventually releasing his game-changing self-titled debut in 1973. A landmark release, it seamlessly weaves fuzzed-out guitar work, Anatolian folk melodies, R&B grooves, and raw psychedelia into something entirely unique. A cornerstone of Turkey's countercultural sound.
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LP
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SVVRCH 109LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
Formed in 1969 and closely tied to the Mountain camp, this powerful New York quintet was part of the same hard rock vanguard that defined the early '70s. Sharing stages with heavyweights like Jethro Tull, Black Sabbath, Ten Years After, and the Faces, they built a solid live reputation, yet widespread recognition always seemed just out of reach. Their lone, self-titled album -- released in September 1970 -- is a hidden gem of the era: raw, bluesy, and full of proto-metal fire. Though it never cracked the charts, it stands today as a lost classic of American heavy rock, now rightfully rediscovered by crate diggers and rock historians alike.
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12"
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TOYT 179EP
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$15.50
PREORDER
RELEASE DATE: 8/8/2025
Cody Currie & Kapote together in the studio! Delivering a four-track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way. Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have "the vibe." Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music."
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MAG
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UT 069
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$11.95
PREORDER
RELEASE DATE: 8/8/2025
"A banger of an issue. Lou Reed is a cover story, as David Holzer digs deep into his provocative experimental double-LP Metal Machine Music, fifty years after its release. The Saints are back with the third part of an expansive interview with Ed Kuepper who talks about the band's adventures in the UK in 1977. The story of psychedelic mavericks Plasticland gets even freakier; Cheetah Chrome is interviewed about Rocket from the Tombs and the Dead Boys; Peter Stanfield exalts in the primal R&B sound of Them; and freewheeling Canadian folk-rocker Tom Northcott shares his remarkable story. Plus: the fascinating backstory of Pete Morticelli's 1967 moody garage killer 'Lost'; female Dutch psych rockers Cinderella; Duncan Fallowell on Bowie's Ziggy Stardust; Cyril Jordan on the Lovin' Spoonful; Bob Neuwirth on Janis Joplin; exotic guitar rocker Aris San; a tribute to the Pretty Things' Mark St John, and more. Not to forget, reviews of all the latest and greatest reissues and our esteemed book review section."
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LP
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WHYT 103LP
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$29.50
PREORDER
RELEASE DATE: 8/8/2025
Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP, Kansai Bruises, out via AD 93. The pair crash through Osaka's neonlit streets with abrasive drums and handcrafted Japanese electronics that hit like pavement against skin. This is bliss carved from bruises -- hope and fear tangled in metallic percussion while dreams of pesto float through sake-soaked alleyways.
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DVD
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MVD 18235DVD
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$17.00
PREORDER
RELEASE DATE: 8/12/2025
DVD region code: 0. "Andy Warhol's Factory People, tells the story of the '60s Silver Factory that Andy founded in 1964 in an abandoned hat factory on East 47th Street in New York City. The Silver Factory lasted until 1968 when Andy gave up the lease and moved to the White Factory on Union Square. Shortly after moving in the Spring of '68 Andy was shot by Valerie Solanas and this event bookends the period of time covered in 'Factory People.' The idea of the film is to tell the real story of the culture, who was there with Andy, who participated in the work with Andy, and what really happened during this period -- all without passing judgement on Andy, his work, his friends, and the people who were there at the time. The film takes and in-depth look at the lives and times of the people who hung out with Andy and 'worked' at the Silver Factory during the '60s, making it all click as a new counter-culture arose and began to exert its influence throughout the arts."
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CD
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BB 471CD
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$16.50
PREORDER
RELEASE DATE: 8/15/2025
On their last trip to Silberland, hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to immerse listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the '60s avant-garde, these musicians utilized the sweeping scope of the synthesizer to create expansive meditations. This compilation offers a survey of this singular era, blending pioneering voices with lesser-known artists for an immersive sonic experience. Taken from Cluster & Eno's self-titled 1977 album, "Ho Renomo" opens the set with a profound minimalism. Roedelius' "Veilchenwurzeln" follows, evoking pastoral scenes in a multi-layered and undulating composition, where synths flow gently, conjuring images of open fields and embodying an organic warmth. Der Plan's "Die Wüste" delves into darker territories, translating the visual world of Rainer Kirberg's cult film into a stark soundscape, while Rolf Trostel's "Hope Is The Answer" sees a steady sequence rise and fall beneath the filter. The koto-like plucks and piercing drones of Vono's "Hitze" create a mysterious and hypnotic experience which draws on both ancient and futuristic tones before giving way to "E-Night", a recording from the sessions of You's 1980 LP Electric Days. As the album progresses, Serge Blenner's "Phrase IV" beguiles with minimalist yet celestial synth lines, while Moebius' "Falsche Ruhe" offers a quiet, haunting meditation on solitude. From there, Harald Grosskopf's "Oceanheart," envelops listeners in aquatic ambient textures that suggest serene, moonlit waters -- a perfect surface to reflect the starry sky portrayed by Lapre's acoustic guitar and wistful synths. The glimmering, crystalline, landscape of Riechmann's "Abendlicht" finds a heartbeat amongst the tranquility, leading seamlessly into the unhurried progression of shimmering chords and chiming synths which make up Adalbert von Deyen's "Per Aspera Ad Astra". Unreleased until Bureau B's recent retrospective set, Faust's "Lampe An, Tür Zu, Leute Rein!" channels a darker, introspective, energy, marked by drones and field recordings while Conrad Schnitzler's "Electric Garden" creates an electronic biosphere buzzing with synthetic life. Moebius & Plank's "Nordöstliches Gefühl" pairs calm percussion and rhythm guitar with pastoral, swirling electronics, resulting in a lush, stately piece that captures the spirit of a vast, open landscape. Deutsche Wertabeit delivers hypnotic minimalism, before Asmus Tietchens' "Räuschlinge" pulls the listener into an eerie atmosphere of deep disquiet. Pyrolator's "Minimal Tape 1/8" offers an immersive wall of sound. The wintry "Southland" by Rüdiger Lorenz evokes the isolation of frozen landscapes, a fitting prologue for "Alleewalzer" by Thomas Dinger.
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2LP
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BB 471LP
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$35.00
PREORDER
RELEASE DATE: 8/15/2025
Double LP version. On their last trip to Silberland, hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to immerse listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the '60s avant-garde, these musicians utilized the sweeping scope of the synthesizer to create expansive meditations. This compilation offers a survey of this singular era, blending pioneering voices with lesser-known artists for an immersive sonic experience. Taken from Cluster & Eno's self-titled 1977 album, "Ho Renomo" opens the set with a profound minimalism. Roedelius' "Veilchenwurzeln" follows, evoking pastoral scenes in a multi-layered and undulating composition, where synths flow gently, conjuring images of open fields and embodying an organic warmth. Der Plan's "Die Wüste" delves into darker territories, translating the visual world of Rainer Kirberg's cult film into a stark soundscape, while Rolf Trostel's "Hope Is The Answer" sees a steady sequence rise and fall beneath the filter. The koto-like plucks and piercing drones of Vono's "Hitze" create a mysterious and hypnotic experience which draws on both ancient and futuristic tones before giving way to "E-Night", a recording from the sessions of You's 1980 LP Electric Days. As the album progresses, Serge Blenner's "Phrase IV" beguiles with minimalist yet celestial synth lines, while Moebius' "Falsche Ruhe" offers a quiet, haunting meditation on solitude. From there, Harald Grosskopf's "Oceanheart," envelops listeners in aquatic ambient textures that suggest serene, moonlit waters -- a perfect surface to reflect the starry sky portrayed by Lapre's acoustic guitar and wistful synths. The glimmering, crystalline, landscape of Riechmann's "Abendlicht" finds a heartbeat amongst the tranquility, leading seamlessly into the unhurried progression of shimmering chords and chiming synths which make up Adalbert von Deyen's "Per Aspera Ad Astra". Unreleased until Bureau B's recent retrospective set, Faust's "Lampe An, Tür Zu, Leute Rein!" channels a darker, introspective, energy, marked by drones and field recordings while Conrad Schnitzler's "Electric Garden" creates an electronic biosphere buzzing with synthetic life. Moebius & Plank's "Nordöstliches Gefühl" pairs calm percussion and rhythm guitar with pastoral, swirling electronics, resulting in a lush, stately piece that captures the spirit of a vast, open landscape. Deutsche Wertabeit delivers hypnotic minimalism, before Asmus Tietchens' "Räuschlinge" pulls the listener into an eerie atmosphere of deep disquiet. Pyrolator's "Minimal Tape 1/8" offers an immersive wall of sound. The wintry "Southland" by Rüdiger Lorenz evokes the isolation of frozen landscapes, a fitting prologue for "Alleewalzer" by Thomas Dinger.
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LP
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CREP 107LP
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$28.50
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RELEASE DATE: 8/15/2025
After impressions of Unguja and Borneo islands, Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with Impressões de Várias Ilhas. Literally translated as "impressions from various islands," this third tome dwells on recordings and inspirations from three archipelagos of Macaronésia. Soaking in the sounds and recollections from Azores, Cape Verde and Canary Islands these diaristic endeavors spread throughout a number of real environments, from water caves and black stone beaches and lagoons to small harbors and everyday life scenarios, to project them into this not quite imaginary but not quite real memory haze that goes from a deeply personal impression to a resonating one. Melding raw field recordings with processed ones and synthesized landscapes, Cardoso never falters into sonic tour-ism, conjuring small-ish takes both vivid and dreamy, infused with a sense of wonder that feels both bewildering, com-forting and escapist. The breaking waves of "Bufadeiros de São Vicente" soothing in their irregular pattern, mingling with the lone echoing tones not completely removed from Black Dice's "Beaches & Canyon's" most pensive passages, flow into the underwater ambience and suspended pads of "La Cueva Scuba Livre," as reflections of the same sea crashing in on different lands, nature's psychogeography. Further on, the queasy warm chord and scraping murmurs of "Noite em Rabo de Peixe" mirror their nighttime framing while "Rãs em Xoxo" veers closer to pure musique concréte, crossed by a subdued feeling of unease that lingers in the nostalgia of "Cozido da Caldeira Velha," brimming within the haze of a Boards of Canada vignette. Summoning the past lives and future hauntings of its scenery, "Salinas de Pedra Lume" is like the quiet epic of the album, meandering into the unknown among crackling field recordings, decaying synths and flute-like howls -- or is it howl-like flutes? -- recurring as glimpses from foregone existences, not necessarily Gonçalo's own.
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LP
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CTLP 3116LP
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$18.50
PREORDER
RELEASE DATE: 8/15/2025
Originally released by RAS in 1994. Recorded and mixed at Leggo Recording Studio Kingston, Jamaica. Blood Brothers review by Jo-Ann Greene: "After the success of 1984's Two Bad Superstars Meet, it was inevitable that Gregory Isaacs and Dennis Brown would join forces time and again. On Blood Brothers, the pair duets on four co-written tracks, then go their own way on another four self-composed songs apiece -- the upside is that even if Brown is no longer in perfect voice, his performances are still gloriously rich in emotion and soul. This is particularly notable on 'Ease Up,' the pair's heartfelt plea for 'Mr. Big Shot' to ease up the pressure on the sufferers, and the equally impassioned 'Hard Labor,' a tough look at prison life. The stellar title track is a bouncy and jubilant celebration of fraternal love, while the gorgeous 'Closer Than a Friend' revels in the men's glorious harmonies. Of Brown's own solo numbers, a recut 'Here I Come' is the weakest, his vocals reed-thin, which the backing Roots Radics' militant rhythm and producer Errol 'Flabba' Holt's crisp production emphasize. Far superior is Brown's inspiring, soulful performance on the praise-filled 'Give Thanks to the Father' and his impassioned loverman delivery on 'True Love Is Hard to Find.' Arguably the best of his numbers is the last, 'Lover With Meaning,' and here Brown's voice is thick and rich with emotion. The sparser the sound, the brighter the singer shines, as on his totally laid-back 'Hooked on Your Love,' where the backing is stripped down to tattooed beats, Holt's reverbed bass, and a sprinkling of keyboards. From the sweet 'Goodbye Love,' across the vivacious 'The Love Letter' and on to the sufferer's-themed 'The Feds,' Isaacs struts his best stuff. Of course, as the title makes clear, this set wasn't meant as a clash album, but a showcase for two superb talents."
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12"
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FAUXPAS 038EP
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$21.50
PREORDER
RELEASE DATE: 8/15/2025
Fauxpas Musik presents the upcoming six-track EP by Dutch artist Convolute, based in Groningen. This release continues the label's tradition of showcasing subtle, atmospheric, and deeply immersive electronic music. If you haven't heard of Convolute yet -- even better. This EP offers the perfect entry point into his sonic universe: intricate, textured, and marked by a quiet intensity that unfolds with each listen. A compelling journey through carefully crafted soundscapes, this record is made for discerning listeners and dance floors alike.
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12"
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FIGURE X049EP
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$20.00
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RELEASE DATE: 8/15/2025
Promising label newcomer IGLO returns to Figure with his second EP, building on a distinct sonic identity shaped by a background in classical music and live performance. Across five tracks, he further refines his mix of atmospheric depth, precise rhythms, and melodic nuance. This time, his own voice takes on a more central role, adding a personal and expressive layer to the productions. On opener "Computed Love," restrained, longing vocals blend into squelchy synths and minimal grooves -- hauntingly beautiful, yet gritty with rumbling machine funk. Determined follows with a more menacing tone, its sharp percussion cutting through a bleak, shadowy atmosphere -- perfect for building tension on the floor. On the flip, IGLO switches up the mood: "Enter the State" runs on hypnotic loops and chopped-up piano riffs, peppered with cheeky, spoken-word style vocals that nod to ghetto house traditions. It breaks into an irresistible, swinging groove that hits with full force. Offering a smooth counterpoint, "Enlighten" drifts into dubby terrain. Soft, ricocheting vocal snippets and warm chords conjure a hopeful, human glow -- a bouncy balm for the soul, without losing its forward momentum. With X49, IGLO deepens his connection with Figure and sharpens his unique voice -- equally grounded in introspection and dancefloor impact, continuing to shape a sound that's thoughtful, bold, and marks him as one to watch.
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LP
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GODREC 074LP
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$24.00
PREORDER
RELEASE DATE: 8/15/2025
GOD Records presents its first release from the controversial composer with cult status, Erik Satie. He influenced not only the entire musical language of John Cage but also an entire generation of 20th and 21st century composers, whose influence remains noticeable today. This unique release presents two of his rather obscure and lesser-known, but unique pieces, both composed for visual arts: a movie ("Cinéma") and a ballet ("Uspud"). Renowned Serbian piano player Branka Parlić, famous for her interpretations not only of Satie's works but also of other minimal composers like Philip Glass and Gavin Bryars, shares some of her impressions about the pieces: "'Cinema' is the first example of music scored explicitly for film, frame-by-frame. These facts really interested me, so I started working on it. So far, I have performed 'Cinema' live-to-film Entr'acte many times as part of my concerts. 'Uspud' is a less communicative three-act Christian ballet written for a shadow play back in 1892. This timeless, mystical work drew me in on the first reading, and I was delighted to work on it. Satie offered this piece to the director of the Paris Opera, and after he was rejected, he declared: 'I believe in the appearance of 'Uspud' at the Opera for the winter of 1927, or no later than 1943.' The meaning of the word 'Uspud' is still not fully clarified."
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LP
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GODREC 076LP
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$22.50
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RELEASE DATE: 8/15/2025
Klaus Lang's compositional approach has always been deeply rooted in the music of old Renaissance masters. Never shy of the that fact, he constantly explores the connections between old and new (old to new). This unique release presents Klaus' fascination with the music of Johannes Ockeghem and it contains harmonium (Klaus' trademark instrument) transcriptions of his sacred and secular songs.
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CD
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GODREC 077CD
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$18.00
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RELEASE DATE: 8/15/2025
As he is master of crushing beats/bass, Mick Harris (Scorn, Napalm Death, Pain Killer) remained faithful to his primary love -- DRONES! With brand new LULL, Harris delivers four deep drone pieces. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music.
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2LP
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GODREC 077LP
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$35.00
PREORDER
RELEASE DATE: 8/15/2025
As he is master of crushing beats/bass, Mick Harris (Scorn, Napalm Death, Pain Killer) remained faithful to his primary love -- DRONES! With brand new LULL, Harris delivers four deep drone pieces. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music.
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12"
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H 007EP
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$21.50
PREORDER
RELEASE DATE: 8/15/2025
For the seventh installment of his Hardspace series, Len Faki selects three standout tracks from his personal vault -- polishing them up with signature flair for maximum impact. The A-side features a powerhouse mix of Jimmy Edgar´s "Strike." Len Faki brings extra drive and spatial depth to the mix: sizzling hi-hats pan sharply across a tight stereo field, vocal chops flicker in and out, and the groove is stripped, slick, and forceful. A subtle reverb treatment adds atmosphere without compromising punch. On the B-side, Faki dives into Robert Armani's 1994 album Right to Silence, revisiting two Chicago-style jacking tracks that are nodding to the Dance Mania era. Up rides on a fierce hi-hat shuffle and a pounding stomp, centered around a bold vocal loop that captures the rough, battle-cry attitude of classic Chicago jack tracks. Faki's edit sharpens the angles and tightens the structure, giving the track even more bite. "Road Tour" originally leaned on a harsh, detuned lead synth. Len´s Hardspace version removes the abrasive top line and lets the looping arp take center stage, which subtly shifts in tone and pans across the stereo field. The groove doesn't push forward so much as it sways side to side, creating a warped sense of motion. A pitched-up vocal samplehalf command, half tease-injects just the right dose of jack attitude. HS007 channels the raw, functional energy of vintage Chicago trax through Faki's modern lens -- respectful to its roots, but fully tuned for today's sound systems.
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3LP
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IMPREC 399LP
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$80.00
PREORDER
RELEASE DATE: 8/15/2025
"Grayfolded is literally a hundred or so great nights rolled into one extraordinary extended high. Gorgeous sonic oragami." --Rolling Stone
"An extended time-warped psychedelic jam that is meticulously hallucinatory." --New York Times
This deluxe 2025 vinyl edition of The Grateful Dead's Grayfolded was pressed at Optimal in Germany, known for their high-end audiophile pressings. In 1993 Canadian composer John Oswald was invited by Phil Lesh to transform historical recordings of the Dead into something new, along the lines of what they had attempted in their Anthem of the Sun album. Oswald chose to focus on the Dead's Dark Star, which, over the course of a quarter century, they had expanded and transformed in myriad ways in live performances. Oswald was given access to the Vaults, where over the course of a month, with the guidance of the Dead's resident archivist Dick Latvala, he collected 105 performances, which through the following year he formed, folded, fondled, and finessed into a kaleidoscopic unstuck-in-time documentary of the Grateful Dead in some of their most psychedelic, symphonic, and rocking excursions -- a singular 110-minute fantasy performance. Here it is, Deadheads, the ultimate Dark Star. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy-duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six "time maps" which chart the source concerts of Dark Star. Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishing Inc. Taken from over 100 performances of Dark Star recorded between 1968 and 1993. Built, layered and "folded" to produce one large, new re-composed Dark Star. Original recordings of the Grateful Dead in performance have been processed using Plunderphonic techniques. John Oswald is best known as the creator of the music genre Plunderphonics, an appropriative form of recording studio creation which he began to develop in the late sixties. This has got him in trouble with, and also generated invitations from major record labels and musical icons. Meanwhile, in the '90s he began, with several commissions from the Kronos Quartet, to compose scores for classical musicians and orchestras, the latest of which is an orchestral work, commissioned by the BBC, combining aspects of The Beatles, Gyrgy Ligeti, and Terry Riley. He also improvises on the saxophone in various settings, dances, and is a successful visual artist, best known for the chronophotic series Stillnessence.
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LP
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LTNC 026LP
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$29.50
PREORDER
RELEASE DATE: 8/15/2025
Paris' Latency presents Estradas, an electrifying dance music album by multi-instrumentalist Valentina Magaletti and Afro-Portuguese beat-maker Nídia. The album follows the footsteps of Moritz von Oswald, Laurel Halo, Duval Timothy, Angel Bat Dawid, Mohammad Reza Mortazavi, and more on the French label. Estradas ("roads" in Portuguese), born from the Sicilian heat and refined under English rain, transcends cultural and environmental barriers, showcasing the duo's rhythmic expertise and connection through intricate beats and infectious melodies. The album celebrates the universal language of music, immersing listeners in a world where rhythm reigns supreme and movement is inevitable. Nídia and Valentina continuously meet "on the road," sharing a sonic adaptation to the urgency and context of different environments. Their exchange of vibes and beats resonates with all these diverse places. Produced by Tom Halstead (Raime/Moin), Estradas masterfully blends syncopated drum patterns, pulsating marimba lines, and melodic interludes.
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LP
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MPI 016LP
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$40.00
PREORDER
RELEASE DATE: 8/15/2025
At the end of the '60s, the production of soundtracks for small and big classics of Italian cinema was joined by another business which has proved to be less profitable but more creative and, in best case, free from the constraints imposed by clients on duty: the composition of music libraries. Almost all of the artists for the eighth art have finalized at least one or more music libraries. Names famous and not, old and young composers, real outsiders and meteors, usually hidden behind pseudonyms: this is the case, for example, of Braen and Peymont. The first needs no introduction, it was the one adopted by the former arranger, multi- instrumentalist, singer and composer Alessandro Alessandroni. The second is closely linked to the mysterious American composer, but resident in Italy, David Hoyt Kimball. The two are authors in different measure of an interesting album with an experimental background, Paese Sotto Inchiesta (1971), originally published by Flirt Records. The titles of the tracks appear in connection with the socio-cultural climate of Italy after 1968 and can be relocated as a background for journalistic-like images. The latter is a hypothesis not supported by facts, but some titles seem to be referred to the perception of a subsisting economic backwardness of the southern regions compared to the other ones; to a situation of collective tension, thanks to the global revolutions; in addition to the new concerns with an ecological background. Overall, the seventeen tracks on the album are mostly "dirty," characterized by an even atonal setting, with long repetitions in a noisy key, more fundamental reverbs and echoes for the different keyboard instruments. In a few words, abstract sounds, some guitar notes, echoes of Gruppo Di Improvvisazione Nuova Consonanza, flute melodies and proto- ambient intuitions. Composers like Alessandro Alessandroni and David Hoyt Kimball deserve to be rediscovered. Following the essence of the work, for this press, MPI release a 100% recycled vinyl that reduce waste, minimize environmental impact and support the planet.
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12"
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MTB 020EP
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$18.00
PREORDER
RELEASE DATE: 8/15/2025
Chord-driven and dubbed out uplifting Detroit inspired techno workouts. Mastering and lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin.
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12"
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PP 119EP
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$19.00
PREORDER
RELEASE DATE: 8/15/2025
Public Possession welcomes back Tubbs & Burns, offering yet another highly danceable selection of tunes. The main title on this EP features Paula Tape and has it all: seductive vocals, a mesmerizing acid baseline and the classic hypnotic Tubbs & Burns touch. It comes in three versions incl. an epic Todd Modes remix. Cheeky Bonus and potentially a secret Deejays favorite is Colter Carsons remix of the previously released "Where were you in 92" turning it up a few gears, ready for some festival MainStage plays.
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CD
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R-M 212CD
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$23.50
PREORDER
RELEASE DATE: 8/15/2025
The world became another since the release of Decadent yet Depraved (R-M 178CD, 2017), and so has Belief Defect's reflection of it: now darker, political, honest -- end times in Cinemascope. When the duo reunited in the studio after the two-year fracture COVID inflicted on reality, the album that had been on pause all this time seemed insufficient against whatever life had morphed into, while humanity hid from itself. Finishing an album coherent to the present moment took prolonged studio shut-ins that proved to be as cathartic as the struggle sessions of the cultural revolution must have been. Desire and Discontent unfolds like a parable, structured by subsonic frequencies that give arrangements a solid gravity, dissonant chord progressions resulting in coherent movements, punctuated by human-like voices over slow, suspenseful melodies that come into being without the listener's awareness. Contributing to the album with machine-like precision drumming is Merlin Ettore, vocals from Anna Gartner, and the artwork of Juan Mendez (Silent Servant).
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LP
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SFTS 009LP
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$24.00
PREORDER
RELEASE DATE: 8/15/2025
Welcome back to the world of composer Paolo Ferrara. Cut in 1974 on Italian library label Canopo, Sound is an alchemic mixture of frenzy rhythm, bossa tinged themes and acid funk stompers. Percussive in its own nature, the album has been finally rescued from the dust and given the re-issue treatment for a more enthralling experience. Well known for his psychedelic and electronic journey, Ferrara is in full rare groove mode here.
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LP
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SFTS 009Y-LP
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$28.00
PREORDER
RELEASE DATE: 8/15/2025
Yellow color vinyl version. Welcome back to the world of composer Paolo Ferrara. Cut in 1974 on Italian library label Canopo, Sound is an alchemic mixture of frenzy rhythm, bossa tinged themes and acid funk stompers. Percussive in its own nature, the album has been finally rescued from the dust and given the re-issue treatment for a more enthralling experience. Well known for his psychedelic and electronic journey, Ferrara is in full rare groove mode here.
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LP
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TONTON 002LP
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$33.00
PREORDER
RELEASE DATE: 8/15/2025
Kamino blends deep basslines, melodic textures, and experimental electronics into a personal sonic journey. RH1 crafts immersive tracks that drift between emotion and abstraction, offering a sound that's intimate, cinematic, and infused with a sense of upward-looking hopefulness.
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MAG
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WJMAG 015
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$26.00
PREORDER
RELEASE DATE: 8/15/2025
We Jazz Magazine, Issue 15, Summer 2025: Forfolks for Jeff Parker. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Jeff Parker by Andy Beta, Peter Margasak & Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay and more.
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2LP
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CSR 350COL-LP
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$36.50
PREORDER
RELEASE DATE: 8/22/2025
Red color vinyl version. The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live. Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: "Près Des Ramparts De Séville" and "Jacky." Completely remastered for vinyl by Martin Bowes (The Cage Studios). A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. Also included is a reproduction of the 16-page program printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.
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2LP
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CSR 350LP
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$34.00
PREORDER
RELEASE DATE: 8/22/2025
The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live. Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: "Près Des Ramparts De Séville" and "Jacky." Completely remastered for vinyl by Martin Bowes (The Cage Studios). A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. Also included is a reproduction of the 16-page program printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.
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CD
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INT 34252CD
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$12.50
PREORDER
RELEASE DATE: 8/22/2025
"Blues as nostalgic roots music? No way! A blues avant-garde formed in the US some time ago which sensitively incorporates the achievements of tradition and transforms them into an aggressive music of the future. They need neither computers nor any other electronic means, but can build on the resources and repertoire of classical blues. Before acts like Hazmat Modine, the Black Keys, and Son Of Dave developed their future blues, it was first of all New York guitarist Elliott Sharp who made new audiences aware of electronically amplified blues. With his band Terraplane, he has been opening up new paths for the blues since the mid-1990s. His 1994 debut album Terraplane, which was recorded when the group was still a trio, is probably the most efficient synthesis of blues and punk in recent rock history. Elliott Sharp's guitar salvos on Do The Don't leave no doubt that this album is only going in one direction -- forward. To that end, he surrounds himself with a superb crew. The vocals are provided by the duo of Eric Mingus & Dean Bowman. Mingus lives up to his name; the son of jazz icon Charles Mingus is as nonconformist, powerful and full of energy as his father. Bassist David Hofstra played with the Microscopic Septet and, together with Sharp, in Wayne Horvitz's The President. The unflappable veteran, who crosses the line between avant-garde and tradition, was one of the founding members of Terraplane. Drummer Sim Cain is known particularly for his percussive thunder with the Rollins Band. Jazz musician Sam Furnace, who died shortly after the album was recorded, gave Terraplane's sound an earthiness with his baritone saxophone that makes the music moist and rich for all its urbanity. Hubert Sumlin enhances the CD as a special guest. Sumlin is not only one of the last surviving blues authorities, but to some extent is also Sharp's blues mentor."
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LP
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LTR 029LP
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$28.00
PREORDER
RELEASE DATE: 8/22/2025
Having built an impressive following on the back of live performances and social media, Berlin's Moses Yoofee Trio shared their impatiently awaited debut mini-album Ocean in November 2023. Released by Nils Frahm's LEITER label, it contains five tracks and was praised by the press and audiences alike. The trio -- awarded the German Jazz Prize for Live Act of the Year in 2024 -- responded to constant demand by releasing their acclaimed debut as a limited-edition vinyl. After the first pressing sold out in no time, the three are now following up: Ocean is once again available on vinyl. The trio -- pianist/keyboardist/producer Moses Yoofee, bassist Roman Klobe-Baranga and drummer Noah Fürbringer -- has lit up Europe's clubs and venues over recent years with astonishing, almost obscenely tight live shows. Turning as much to RnB, hip hop and soul as more traditional jazz sources, the tunes on Ocean reflect the spontaneity, inspiration and instinctive refinement of their performances. The deliciously frantic title track and increasingly ecstatic "Minor Issues" stand in stark contrast to "At Ease's" restrained complexity, while "Fragile's" hypnotic rhythm betrays their love of hip-hop and the lush "Richmond" is driven by a deliciously low-strung groove before shifting up a gear for its climax. "Everybody loves fusion," the band agree, "even if they don't admit it," but that's only one element of the trio's sophisticated style, with Moses' exceptional keyboard skills illuminated by Roman's fluid bass lines and Noah's eloquent drum patterns.
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12"
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RS 073EP
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$19.00
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RELEASE DATE: 8/22/2025
Serenda is a London-based DJ and producer of Guyanese and Greek heritage, known for her rich, eclectic sound rooted in house but never confined by it. Her sets fold between soulful depth and experimental edge, always delivered with a bold, contemporary vision. Her sets are grounded in rhythm and instinct, built less around genre than sensation. She blends percussive house, warped club music, and raw, organic textures; crafting dancefloors that feel immersive and visceral and emotionally-charged. There's a physicality to her sound that edges toward the primal. For Serenda, DJing is a form of play -- fluid, responsive, and deeply connected. She deconstructs and distorts house music with intent, letting in pressure, dissonance, and emotional rupture. Her sets draw on the "timeless mindless states" of Mancuso's The Loft, unfolding as rituals that don't smooth over the chaos, they work with it. Following the release of her debut EP The Prophecy on Josh Caffe's Love Child label, she made her mark with a headline show in Fabric's Room 2 and a Rinse FM residency. A regular in London's queer underground, Serenda is also shaped by New York's experimental club scene, where experimental sound and unfiltered expression mirror her own ethos. Afro-diasporic and South American ritual in tension with city life, instinctive rhythm against digital overstimulation. Her fascination with world-building and quantum physics runs through everything she creates, fusing sonic design and sensory experience into one evolving landscape.
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CD
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TR 594CD
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$16.50
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RELEASE DATE: 8/22/2025
Welcome to Bobby's Place, the new split personality album from long time musical mischief maker and cultural provocateur Bobby Conn! Side A finds Bobby living in a tent somewhere on the astral plane surrounded by synthesizers, woodwinds, hand drums and a pulsating psychedelic fog. Planet Earth and the temporal plane are only faintly visible in the distance. Bobby is joined by his partner in crime Monica BouBou on violin, and DJ LeDeuce on unknown electronics making three long form journeys through polyrhythmic soundscapes. Master percussionist Michael Zerang (Peter Brötzmann Tentet, among many others), virtuoso flautist Constance Volk (Ensemble Dal Niente, Twyla Tharp Dance), and bassoonist Airan Wright (Mucca Pazza) come along for the ride. While sonic exploration has always been an aspect of Bobby's music, this is his purest expression to date. Side One finds Bobby starring in an alternative reality workplace sitcom also called "Bobby's Place." In each episode Bobby starts a new small business, like a restaurant or a nail salon, with a team of puppets, but the business inevitably fails and ends in bankruptcy by the end of the show. Bobby sings odes to blind (emphasis on blind) optimism in the face of rising Fascism and the decadent decay of late capitalism, joined once again by Monica BouBou and his band from 2020's Recovery release (TR 450CD): Josh Johannpeter, Jim "Dallas" Cooper, Devin Davis, and Billie Howard. The album was recorded at Bobby's home studio in Chicago over the summer of 2024 and mixed by the brilliant Cooper Crain (Bitchin' Bajas). Bobby Conn is a vocalist, songwriter, and performance artist working in Chicago. He came out of the Chicago "No-Wave" noise and performance scene in the mid-90's but quickly developed a reputation for extravagantly excessive performances, satirically political lyrics, and experimental, electro glam art rock. He collaborates with his partner and violinist Monica BouBou, DJ and sound designer Adam "DJ LeDeuce" Greuel, longtime rhythm section Jim "Dallas" Cooper and Josh Johannpeter, as well as many talented players in the Chicago classical, jazz and improvisational scene. With Monica, he often performs as a minimalist electro duo with sequenced backing tracks, and also performs at larger events with his seven-piece Superband.
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LP
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TR 594LP
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$26.00
PREORDER
RELEASE DATE: 8/22/2025
LP version. Welcome to Bobby's Place, the new split personality album from long time musical mischief maker and cultural provocateur Bobby Conn! Side A finds Bobby living in a tent somewhere on the astral plane surrounded by synthesizers, woodwinds, hand drums and a pulsating psychedelic fog. Planet Earth and the temporal plane are only faintly visible in the distance. Bobby is joined by his partner in crime Monica BouBou on violin, and DJ LeDeuce on unknown electronics making three long form journeys through polyrhythmic soundscapes. Master percussionist Michael Zerang (Peter Brötzmann Tentet, among many others), virtuoso flautist Constance Volk (Ensemble Dal Niente, Twyla Tharp Dance), and bassoonist Airan Wright (Mucca Pazza) come along for the ride. While sonic exploration has always been an aspect of Bobby's music, this is his purest expression to date. Side One finds Bobby starring in an alternative reality workplace sitcom also called "Bobby's Place." In each episode Bobby starts a new small business, like a restaurant or a nail salon, with a team of puppets, but the business inevitably fails and ends in bankruptcy by the end of the show. Bobby sings odes to blind (emphasis on blind) optimism in the face of rising Fascism and the decadent decay of late capitalism, joined once again by Monica BouBou and his band from 2020's Recovery release (TR 450CD): Josh Johannpeter, Jim "Dallas" Cooper, Devin Davis, and Billie Howard. The album was recorded at Bobby's home studio in Chicago over the summer of 2024 and mixed by the brilliant Cooper Crain (Bitchin' Bajas). Bobby Conn is a vocalist, songwriter, and performance artist working in Chicago. He came out of the Chicago "No-Wave" noise and performance scene in the mid-90's but quickly developed a reputation for extravagantly excessive performances, satirically political lyrics, and experimental, electro glam art rock. He collaborates with his partner and violinist Monica BouBou, DJ and sound designer Adam "DJ LeDeuce" Greuel, longtime rhythm section Jim "Dallas" Cooper and Josh Johannpeter, as well as many talented players in the Chicago classical, jazz and improvisational scene. With Monica, he often performs as a minimalist electro duo with sequenced backing tracks, and also performs at larger events with his seven-piece Superband.
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LP
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BEAT 114LP
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$28.00
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RELEASE DATE: 8/29/2025
Remastered recordings of these Northeast Wisconsin underground rock trailblazers, originally released on cassette in 1992. An obscure gem of powerful '90s music with one foot firmly planted in the American Midwest tradition of Twin/Tone Records bands like The Replacements and the other in loud, fiery, high energy rock'n'roll. Includes a fold out insert with the story of the band. Limited edition of 300 copies.
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2LP
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BEWITH 164LP
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$44.50
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RELEASE DATE: 8/29/2025
First time vinyl reissue, expanded and deluxe double gatefold 140g double vinyl, remastered audio with restored artwork. Alan James Eastwood's glorious Seeds is a certified folk-funk lost-classic. By the mid-1970s, Eastwood's musical career was pretty much over and he was almost unknown except among deep heads, amongst whom he would gain cult status. Original copies of the 1971 vinyl release of Seeds exchange hands for high sums. This expanded 2LP contains an extra record, collecting nine rare non-album singles and is presented in a gatefold sleeve complete with freshly commissioned liner notes courtesy of Paul Hillery (Folk Funk & Trippy Troubadours). With the long overdue deluxe reissue of this prized artefact, Be With hope to finally shine a light on the unheralded genius of Alan James Eastwood. Alan James 'Bugsy' Eastwood was a renowned musician and singer who came to prominence in the late 1960s with The Exception, an unsung but excellent band from Birmingham. The Exception released many singles, the first featuring friend Robert Plant on tambourine, before an album, The Exceptional Exception. However, by this time, Bugsy was feeling constrained and restless; he left the band within weeks of the release. Having vanished from the scene, he was honing a deeper, introspective edge to his songwriting. His demos found their way to the sound engineer and producer Mike Cooper at Pan Music Studios in Denmark Street. Loving what he heard, Eastwood soon entered a recording session with Cooper. The session was just Alan, his guitar and harmonica and -- by all accounts -- it was remarkable. With the songs, the voice and such an exceptional talent, it was hard to go wrong. Top-flight session musicians were added to the roster to complete the sound, with Byron Lye Fook (father of musician Omar) on drums, bassist Mike Ward, Brian Pickles on marimba and jazz drummer Chris Karan on tabla and percussion. Recorded in a matter of days in Pan's small 8-track studio, they carefully added overdubs, rhythm sections and four string sessions arranged by Hawkins. Also featuring backing vocals from Marilyn Powell and jazz singer Josephine Stahl. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The original artwork has been lovingly brought back to life at Be With HQ, with the addition of passionately written liner notes specially for this landmark reissue by none other than Paul Hillery. RIYL Nick Drake, Rodriguez, Richie Havens.
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LP
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BEWITH 181LP
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$37.50
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RELEASE DATE: 8/29/2025
Norman Connors' Mr. C is a masterclass in sophisticated modern funk and boogie-infused soul that was way ahead of its time. Originally released in 1981, the album finds the renowned jazz drummer/producer at a creative crossroads, boldly diving deep into street-level boogie-funk without losing his soulful, jazzy touch. What once might have puzzled jazz purists now delights soul/funk aficionados; it has quietly become a cult favorite and now, nearly 45 years later, Mr. C sounds fresher than ever. Brimming with infectious heavy funk, lush arrangements and soul-stirring performances, it's an album that flirts with perfection, ensuring its enduring significance in the boogie/jazz-funk-soul canon. From its opening moments, Mr. C makes one thing clear: this is Norman Connors at his funkiest. The majority of the album is a straight-up party: think dancefloor-ready beats complemented by punchy horn riffs and slick early-'80s boogie vibes. There's heavy use of synths and drum-machines, demonstrating Connors' gleeful embrace of contemporary funk trends. Each track shines in uniquely thrilling fashion, showcasing Connors' versatility and happy knack for blending genres whilst crafting unforgettable melodies. Lush string accents and horn stabs weave through funky basslines, while the vocals (handled by a young Beau Williams) soar with gospel-tinged emotion. Over four decades later, it endures as a masterpiece. The fusion of Caribbean rhythm elements into an R&B context demonstrates Connors' willingness to experiment with global sounds while keeping things soulful and danceable. Bringing a real quiet storm swagger, "Sing a Love Song" slows the tempo ever so slightly into a sexy, swaying jazz-funk gem, featuring a young Glenn Jones on lead vocals. The arrangement is elegant, built on warm keys and an undeniable groove. The celestial "Love's In Your Corner" is all about soulful uplift. Featuring the legendary Jean Carn's powerhouse vocals soaring over a brass-kissed driving funk, it's an R&B burner. On release, Mr. C flew under the radar but time has been exceptionally kind to this record. DJs, collectors and soul connoisseurs alike have since rediscovered its magic. As ever, this crucial reissue has been lovingly remastered by Simon Francis, cut by engineer of the year Cicely Balston at Abbey Road Studios and pressed to perfection by Record Industry in Holland. Norman Connors was something truly extra. He was a visionary. And Mr. C is proof.
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CD
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BR 187CD
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$18.00
PREORDER
RELEASE DATE: 8/29/2025
Buh Records presents the release of Cello in My Life, the new album by the renowned Ecuadorian composer Mesías Maiguashca. This deeply personal work reflects an intimate exploration of the relationship between the cello and the artist's life, realized in collaboration with celebrated cellist Gaby Schumacher. The album features six remarkable compositions spanning Maiguashca's career from 1972 to 2015. Each piece offers a unique perspective on his groundbreaking approach to music, blending acoustic and electronic elements to create an immersive sound experience. Highlights include: "Übungen" (1972-73): A fascinating dialogue between cello and synthesizer, performed by Gaby Schumacher and Maiguashca himself. "Lindgren" (1973): A haunting composition for cello and magnetic tape. "El Oro" (1992): A meditation on cultural collisions between the Old and New Worlds, featuring flute, cello, and spoken word. "The Spirit Catcher" (1993): An evocative piece inspired by the writings of Carlos Castañeda, combining cello and electronics. "unvermindert weiter" (1993): A duet for cello and accordion that highlights the interplay between the two instruments. "por el yasuní" (2015): A poignant commentary on the protests to protect Ecuador's Yasuní National Park, featuring violin, cello, and electronic textures. This release also marks the second collaboration between Maiguashca and Buh Records, following the critically acclaimed 2021 collection Música para cinta magnética (+) instrumentos (1967?1989). Cello in My Life stands as a testament to Maiguashca's enduring legacy as one of the most significant voices in contemporary and experimental music from Latin America. The album's intricate soundscapes and profound themes promise to captivate both long-time admirers and new listeners alike. Set for release on February 28, 2025, the album will be available on digital platforms and as a physical CD edition. This milestone in Maiguashca's discography further cements his reputation as a pivotal figure in the realm of contemporary and experimental music from Latin America.
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LP
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DC 921LP
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$20.00
PREORDER
RELEASE DATE: 8/29/2025
"Eiko Ishibashi and Jim O'Rourke toured Europe for two weeks in 2023, a wonderful passage through France, Switzerland, Italy and Ireland; Pareidolia, the duo's fifth collaborative release, is a remix made up of resonances from those shows. The movement of sound in each performance and the relationships of sound between them; a dynamic medley of color and shape to pulse through earbuds, speaker cones and the air immediately surrounding you. Improvisation is the preferred collaborative mode for Eiko and Jim. They both prepare separately, without discussing anything beforehand. The dialogue in the moment determines the performance; anything that takes place is a possible point of departure, allowing for a unique experience each time they play. These 2023 shows marked the first time Jim and Eiko had played together outside Japan. Perhaps the flow of parts unpacked from their respective computers was inspired by the experiences of the tour: the nature of the assembled audience, the quality of the meal on the day at hand. Additionally, Eiko played flute and they both played a bit of harmonica intermittently throughout the performances. These live acoustic signals were routed back to the hard drives, to provide further material to play with -- and as they traveled, recordings of the previous nights' shows were among the materials for the next performance. With all this to play with, there was much fun to be had every night. Pareidolia's final mix is one further rearrangement of the elements -- comping -- say, a bit of Jim from Paris against Eiko in Dublin for a minute, before bringing them both back into the same room for a spell before another set of interactions comes into play. The choices and edits represented here make yet another unique dialogue, as well as a kind of "best" version of what they were doing on the tour. The sense of inevitability in the parts as they flow together might suggest structure; happily, this occurs without Eiko and Jim really committing to anything of the sort. Their available sound sources could present as a hot-wired noise onslaught, with all faders up full. Endless possible interpretations to be had on either side of the experience! This is one of several ways that the LP title and sequence of song titles come into play. Listeners hearing something more should have a good look in the mirror and perhaps consider the old saying: 'Just because you're paranoid doesn't mean they aren't out to get you.' It could only help."
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LP
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DC 955LP
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$20.00
PREORDER
RELEASE DATE: 8/29/2025
"The third time's the charm! Or perhaps -- the third time's another charming excursion into the seemingly infinite universe of rhythm spontaneously created whenever guitarist Oren Ambarchi, bassist Johan Berthling, and percussionist Andreas Werliin plug in together. However you choose to look at it, several years into their collaborative endeavor, and a little more than a year on from Ghosted II, Ambarchi, Berthling and Werliin are back with a new finding, constituting fresh developments of their sound -- if not their album-titling ambition (in other words, if you can't guess it's called Ghosted III, you're just not paying enough attention!). In actuality, the sound of this trio has been all about new developments since they first started playing together. That's something to be simply expected when dropping the tonearm on any of their records, which is a very nice thing. There's also something to be said for constancy, especially when it produces such stimulating variations of tone and mood within the trio format. So, all good -- since there wasn't anything broke, there was no need to fix it. Instead, just do it again. With that credo, Ambarchi, Berthling and Werliin returned to Stockholm's Studio Rymden to continue the incredible standard of capture that distinguished both Ghosted and Ghosted II. Although they took more studio time than ever before (three whole days!), Ghosted III's new development is an increased immediacy in their performances, something a little looser and wilder than their first two albums -- and something, no doubt, that's been developed by their encounters during the several dozen-plus gigs played since their debut. Thus, their ability to lock in and focus, hanging on to the smallest of details, is here enhanced by an expansive lightness of being. Such potentially polar skill sets could well make for uneven chemistry -- but in the hands of these three, a sparkling variety of new jams occurs. They seem to be available to try anything these days, at times playing with the exuberance of prog-rockers or new-wave popsters, alongside the eternal energies of their established styles: ambient neo-jazz, postkraut, minimal funk. In the end, their shared instinct shapes the varied emissions into structure reaching ever further into the ether -- giving Ghosted III a singular quality belonging only to the trio that is Oren Ambarchi, Johan Berthling and Andreas Werliin."
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CD
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GB 173CD
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$15.50
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RELEASE DATE: 8/29/2025
The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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GB 173LP
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$28.00
PREORDER
RELEASE DATE: 8/29/2025
LP version. The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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OSMO 002LP
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$32.00
PREORDER
RELEASE DATE: 8/29/2025
Embark on a sonic journey through the rich tapestry of Ian Lampel's multicultural heritage with his debut solo album, The Parque Rodó Tapes. From the echoes of his grandparents' wartime exodus from Europe's tumultuous past to the rhythms of daily life in Parque Rodó, Lampel's artistic vision was shaped by a kaleidoscope of influences: Science fiction and fantasy books, graphic design annuals, comics, films, early computers and videogames as well as music; the haunting melodies of Russian and Polish classical composers hummed by his grandmother while cooking, the choir and Hammond music of the synagogue, his early explorations in club music and dub or the syncopated drumming of candombe and carnaval echoing in the streets of Montevideo. The composer, producer and bass player, wrote, sequenced and recorded practically everything that is heard throughout the album. With meticulous attention to detail, he has crafted a sonic landscape that seamlessly blends elements of jazz and Uruguayan music with the innovative spirit of dub, hip-hop and electronica; from the infectious rhythms of candombe and the raw energy of murga, to breakbeats, moog's and samples. Drawing from a treasure trove of samples collected over two decades, The Parque Rodó Tapes weaves together a tapestry of sound that is both nostalgic and forward-thinking, from the haunting voice of Marosa Di Giorgio and the vibrant cacophony of a carnival field recording by Lauro Ayestaran, to the guest contributions from notable musicians including Lampel's wife, singer/songwriter Eco Lopez, multi-instrumentalist Luciana Giovinazzo on flute, and Ferna Nunez on repique drum. Each track is a testament to Lampel's eclectic vision. A debut album with a certain degree of melancholy that works as a soundtrack to the world in which the artist grew up, a world now gone, without cellphones or social networks, in which everything had to be proactively pursued "in the streets."
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LP
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RRS 273LP
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$24.00
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RELEASE DATE: 8/29/2025
Color vinyl. Raw, fast, and gloriously snotty -- A.O.D. The Barbeque Years dives deep into the earliest days of Adrenalin O.D., collecting rare 1982 demos recorded at Second City Rehearsal Studios in Fairlaw, NJ along with the band's legendary Let's Barbeque 7" in one ripping package. Capturing the birth of their hyper-speed hardcore sound and warped sense of humor, this is A.O.D. in their purest, most chaotic form. Newly remastered for maximum punch. A must for fans of old-school hardcore, skate punk, and East Coast punk history. Fast, loud, and totally out of control -- just like it should be. Poster included.
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RRS 277LP
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$22.50
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RELEASE DATE: 8/29/2025
Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
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RRS 277O-LP
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$24.00
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RELEASE DATE: 8/29/2025
Color vinyl version. Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
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RRS 278LP
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$22.50
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RELEASE DATE: 8/29/2025
One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
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RRS 278W-LP
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$24.00
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RELEASE DATE: 8/29/2025
Color vinyl version. One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
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LP
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SOD 140LP
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$28.50
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RELEASE DATE: 8/29/2025
Students of Decay presents The Dip, a new full-length recording by Berlin-based artist and composer Thomas Ankersmit, marking his debut with the label and sixth album to date. Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, it signals a subtle yet significant shift in Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements. Primarily known for a site-responsive approach to sound, often realized in the moment of performance, Ankersmit's turn toward the studio in the last few years has opened up a new dimension within his practice. It is in this quiet rupture that The Dip emerged, a study in internality and suspended states, rich with cinematic undercurrents and ghostly spatial suggestion. Here, electricity itself feels transfigured -- becoming supple, even organic -- within an environment shaped entirely by analog signals. Over the past two decades, Ankersmit has established himself as one of the foremost practitioners of the Serge, the notoriously idiosyncratic and expressive instrument that has remained central to his work. On The Dip, he harnesses its potential not for brute force or disorientation, but for spaciousness, resonance, and lyrical abstraction. Without resorting to additional processing or effects, he draws out tones that feel simultaneously raw and refined, articulated and blurred -- intricate structures that seem to breathe and evolve of their own volition. The result is a kind of auditory hallucination, a "cinema for the ears," wherein impressions, emotional arcs, and imagined topographies unfold. Each side of The Dip plays like a single gesture unfolding in time -- a spatial narrative constructed through vibration, density, and the movement of air. The Dip follows acclaimed works on PAN, Touch, and Shelter Press, and reaffirms Thomas Ankersmit's position as one of the most focused and probing voices in contemporary experimental music. Quietly radical and meticulously constructed, it is less a departure than a deepening -- a descent into a more private sonic world, where the boundaries between perception, memory, and pure signal dissolve.
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SUC 067CS
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$17.50
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RELEASE DATE: 8/29/2025
Originally available as a tour only tape for the bands Asian tour 2024 (Japan, Malaysia & Indonesia). Plátano Tapes is a collage of unreleased studio recordings and free-flowing jams from the band's rehearsal space in a banana plantation. Recorded, mixed and mastered at the band's studio between 2019-2024 in Tenerife, Canary Islands.
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Cassette
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SUC 069CS
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$17.50
PREORDER
RELEASE DATE: 8/29/2025
Limited split tape collaboration between like-minded pranksters Lagoss and Babau. Co-released by Sucata tapes and Artetetra. "The chars were emerging as some chunk of makeshift swamp coolers blasted the soil surrounding our motorbikes. Sunburn vapors floating grey all around, licking our necks with heavy hazy tongues. Just oppressive and gross. Blah. Someone says heat waves are among the most dangerous natural hazards. I guess that the magnetic tides did not help at all. For sure, recreational sleep deprivation aside, it was days of relentlessly documented tipsy headaches, thermometric cicada noises and weird-ass hallucinations. It is what it is. The age of earthquakes. We drink from our black plastic bags with a straw pushing a bit of oxygen thru our reptile brains. Just half a pack of synthetic tobacco for the ride. No internet. Whatever. She looks at me behind the war metal glasses and the silicone frog mask high on desert dust. Sweaty pools on her shoulders. Eyes purple with adrenaline. Map on the scratched screen. 'It says that at this point we should be hearing that fucking flute.' We stop amidst the geysers. We can see the monoliths and stone gods ready to eat up all the solar storms and the thunder. Towards the horizon, second moon is up. Damn. Water rises to our knees, green with bloating sounds. Just what we needed. We're stuck. Turn up the radio. Let's hope it lasts five minutes.' After trashing a bunch of fake subtropical signals, the radio plays a flute. She takes off the mask and explodes in a grin: 'This is it man, we made it! No man's land. The real fucking thing.' I light one up and let the sight get blurred: 'You betcha.'"
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CD
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TR 595CD
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$16.50
PREORDER
RELEASE DATE: 8/29/2025
Prolapse formed in Leicester in the early '90s and are now spread across the UK and Scandinavia. Still pursuing their own path of repetition and twisted melodies, they merge influences from post punk to krautrock and even folk. Their previous releases have included numerous singles and four albums on various labels, including Cherry Red and Radar. They feature vocalists Mick Derrick and Linda Steelyard, whose intense dueling vocals combine with ferocious triple guitar assault and pummeling rhythms. The fifth Prolapse album I Wonder When They're Going to Destroy Your Face is released on Tapete Records and marks the band's first new recordings since their last album, Ghosts of Dead Aeroplanes. From the opening incessant riff of "The Fall of Cashline," Prolapse set their stall out, hammering the message that they're back, over and over (and over and over) again. The album was mainly written in Leicester and recorded at Foel Studio in Wales. Some songs had been evolving for a few years whilst others (three on the album) were improvised and recorded on the spot, just like they've always done. Get ready, turn the microphones on, press record -- and something just happens. Perhaps channeling some of the ghosts that have previously recorded at Foel: Amon Düül II, the Groundhogs, Young Marble Giants, My Bloody Valentine, and inevitably The Fall. The last words of the album are said by Linda Steelyard, recounting a tale of arriving at Leicester Forest East Services, and deciding to stay -- forever.
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LP
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TR 595LP
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$26.00
PREORDER
RELEASE DATE: 8/29/2025
LP version. Prolapse formed in Leicester in the early '90s and are now spread across the UK and Scandinavia. Still pursuing their own path of repetition and twisted melodies, they merge influences from post punk to krautrock and even folk. Their previous releases have included numerous singles and four albums on various labels, including Cherry Red and Radar. They feature vocalists Mick Derrick and Linda Steelyard, whose intense dueling vocals combine with ferocious triple guitar assault and pummeling rhythms. The fifth Prolapse album I Wonder When They're Going to Destroy Your Face is released on Tapete Records and marks the band's first new recordings since their last album, Ghosts of Dead Aeroplanes. From the opening incessant riff of "The Fall of Cashline," Prolapse set their stall out, hammering the message that they're back, over and over (and over and over) again. The album was mainly written in Leicester and recorded at Foel Studio in Wales. Some songs had been evolving for a few years whilst others (three on the album) were improvised and recorded on the spot, just like they've always done. Get ready, turn the microphones on, press record -- and something just happens. Perhaps channeling some of the ghosts that have previously recorded at Foel: Amon Düül II, the Groundhogs, Young Marble Giants, My Bloody Valentine, and inevitably The Fall. The last words of the album are said by Linda Steelyard, recounting a tale of arriving at Leicester Forest East Services, and deciding to stay -- forever.
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7"
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ARBITRARY 022EP
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$11.00
PREORDER
RELEASE DATE: 9/5/2025
The Danish label Arbitrary presents Framework/Zwischen Remixes -- a remix by German artist Jan Jelinek and one by musician and label founder Mads Emil Nielsen originally made for a digital compilation, now published on 7" vinyl. For the CRXSSINGS release, Jan Jelinek remixed Nielsen's "Framework 10," a track from the Framework book/CD based on sequences/recordings of sine waves and noise. Side B features a rework by Mads Emil Nielsen of Jelinek's voice collage and electronic sounds, from Zwischen -- Marcel Duchamp, would you like or expect people to spin the wheel on your kinetic object Roue de Bicyclette. Mastered and cut by Kassian Troyer at D&M, Berlin.
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LP
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BANG 188LP
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$27.00
PREORDER
RELEASE DATE: 9/5/2025
Get ready for the rawest, dirtiest rock NYC has to offer! Taxidermy Girls, a band featuring legendary talents from Jon Spencer Blues Explosion, Television, Mercury Rev, Speedball Baby, and Five Dollar Priest, is back with a new LP that will blow you away. Rte 209 Blues delivers gritty, powerful sound straight from the streets of New York City -- pure, unfiltered, and full of that authentic underground energy. Once known as Taxi Girls, this band has evolved but still carries that rebellious attitude and raw edge that make them stand out. From gritty riffs to catchy melodies, each track is a trip through NYC's underground scene, where dirty, honest rock reigns supreme. Don't miss out on this release -- a record that proves the spirit of NYC's rock scene is alive and kicking stronger than ever.
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CD
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BR 023CD
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$15.50
PREORDER
RELEASE DATE: 9/5/2025
American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams' characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains. Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021's Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Holly-wood's golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives. Adams writes from within. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it's an ambitious and detailed stride forward from what's come before, the scope of album's narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline's Oliver Hamilton (Violin). Musically it's lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it's what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they're bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter.
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LP
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BR 023LP
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$30.50
PREORDER
RELEASE DATE: 9/5/2025
LP version. American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams' characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains. Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021's Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Holly-wood's golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives. Adams writes from within. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it's an ambitious and detailed stride forward from what's come before, the scope of album's narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline's Oliver Hamilton (Violin). Musically it's lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it's what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they're bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter.
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2LP
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GHRLP 001LP
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$37.50
PREORDER
RELEASE DATE: 9/5/2025
With his new album Cruise Control, Satin Jackets presents a perfect musical soundtrack for relaxed moments that take listeners away from the stresses of everyday life. The title of the album is meaningful: Cruise Control stands for the feeling of switching on the autopilot, leaning back and enjoying the journey to the fullest -- an atmosphere that the album unfolds. The album is a collection of singles that have been released over the last few years and are all interwoven at their core. Because no matter where you listen to the songs, they work, images arise in your head and your feet rarely stay still. Satin Jackets remains true to himself with his album sound, as he repeatedly receives feedback from listeners who appreciate the positive mood in his songs and which always puts them in a good mood. The songs are first created in the producer's head and then develop together with the features, who add their own touch. For Satin Jackets, "the most important thing is this immediate feeling that it fits musically and atmospherically." This can also come out of nowhere, as was the case with David Bay and Small Black, who got in touch with the producer and it was an instant fit. "There are always those magical moments when a song comes out of nowhere. Once I had an idea for a chord sequence that I couldn't get out of my head, but somehow that certain something was still missing. I then spontaneously asked a bassist friend of mine if he would like to play something to it -- ten minutes later we had a hook that carried the whole piece. It's these unexpected, spontaneous inspirations that make the process so exciting." Cruise Control is more than just another album from Satin Jackets. It is an invitation to enjoy the moment and surrender to the music -- a soundtrack that creates a good mood and takes you on a relaxing journey. So just switch on the autopilot again, put on your headphones and let yourself go. Featuring Seint Monet and Nazzereene.
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12"
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KWR 040EP
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$20.50
PREORDER
RELEASE DATE: 9/5/2025
Cassy: Kwench 040 is a celebration with tougher house beats embellished with acid lines and lots of classic house "Loving" on the third track. "It's Time" has two versions one with breakdown and one without.
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LP
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MR 486LP
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$30.50
PREORDER
RELEASE DATE: 9/5/2025
Released exclusively in Germany in March 1966, Black Monk Time by The Monks has become a cult classic -- praised as a groundbreaking forerunner to punk and krautrock. From the explosive opener "Monk Time" to the fierce "Complication," Black Monk Time rejected flower power for something more urgent -- anger, humor, and innovation developing a confrontational, rhythm heavy sound. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim. The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men -- Walther Niemann and Karl Remy -- who became their managers and helped reinvent their identity. Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history -- loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the '60s. The band never sparked the revolution they hinted at, but decades later, Black Monk Time still resonates. This is your chance to experience the album that dared to be different -- don't miss it. Remastered sound from the tapes, pressed on 180g vinyl.
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12"
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PF 010EP
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$20.00
PREORDER
RELEASE DATE: 9/5/2025
At the crossroads of tradition and experimentation, Damiano von Erckert's sonic identity is forged in the fertile space between house and techno -- a spectrum he navigates with instinct and intention. On Magnolia, his debut for Polifonic Records, von Erckert distills his musical ethos into a concise, emotionally rich release that bridges soulful euphoria and rhythmic introspection.
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LP
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RAUM 006LP
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$29.50
PREORDER
RELEASE DATE: 9/5/2025
On her fifth album, Ziúr considers not just what home symbolizes from her perspective, but the word's resonance to the diverse community that surrounds her, and how their stories have impacted her over the years. Indeed, it's the first time she's felt it necessary to examine her own nationality. In the past, she's deliberately avoided labelling herself as German, feeling disconnected from her country's politics, culture and even the German language itself. Stepping up to provide a different narrative, Ziúr scours her soul, writing and singing in German for the first time and proposing growth and evolution, not fear and regression. A solemn mood permeates the album's opening track 'Brown is the Color', and Ziúr sings in measured, slow-motion breaths over noisy synth oscillations and doomed piano flourishes. Already, it's a significant departure from her last run of releases, veering away from the frenetic, satirical chaos of 2023's Hakuna Kulala-released Eyeroll or its fantastical, dubby predecessor Antifate. Ziúr pulls on real world insights here, tracing her oldest, dearest musical inspirations to present her origins to anybody who might be listening. It's pop music in its own way, inverted and reconstructed to fit snugly into her well-established sonic landscape. On "No Yawn," brittle, downsampled hi-hats and industrial scrapes ping-pong around distorted riffs, provided by James Ó Ceallaigh aka WIFE. Even the beatless "All Odds No Chants," a collaboration with Elvin Brandhi and Sara Persico, reveals another room in Ziúr's autobiographical suite. An openness carries the whole record, whether she's crying harsh truths over damaged orchestral scrapes on the album's goth-y title track, or duetting with Manchester's Iceboy Violet on "Through the Trees." On the former, Ziúr's voice soars, echoing hypnotically over unsettling analog distortions and gnarled strings. It's one of the eeriest and most beautiful tracks she's penned, camouflaging its broken electronics with ghostly moans and theatrical punctuations. By inviting in her own demons, Ziúr has been able to write her most personal album. Her relationship with home will always be thorny, but through music, she's been able to create a place to exist that's truly comfortable and protective.
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7"
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VAMPI 45114EP
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$17.50
PREORDER
RELEASE DATE: 9/5/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
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LP
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VPALWR 52272LP
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$27.00
PREORDER
RELEASE DATE: 9/5/2025
"Sister Nancy's 'Bam Bam' on the Stallag Riddim is arguably the most licensed dancehall track for advertising and film backgrounds with multiple uses since 2000. The song has also displayed amazing lasting power for club DJs, with its instantly recognizable hooks. This album, originally released in 1982, showcased Sister Nancy for the world on the heels of a hit that has only gotten bigger over the decades. This is the first legitimate re-issue of the album, since the death of producer and techniques label founder, Winston Riley. Demand will be strong for this rare gem."
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CD
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WHYT 083CD
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$20.00
PREORDER
RELEASE DATE: 9/5/2025
New York-based artist James K returns with Friend. This album is full of electric pop anthems that blends ear-worming melodies with peak-time breaks, buzzing powerpunk guitars and a classic rave pulse, with K's signature enchanting vocals playfully spitting emotion. It's a hallucinatory pleasure, tearing through your body and mind. "Play" rushes with a rebellion of friends -- an electro fever daydream waking up everywhere you go. Hot off extensive tours worldwide, playing the likes of Pitchfork Festival, Dekmantel, iii Points, and Mutek, following in the footsteps of her last two critically acclaimed singles Friend comes on AD 93. RIYL: Cocteau Twins, Yves Tumor, Prodigy, Oklou, Grimes. Also available on black (WHYT 083LP) and transparent vinyl (WHYT 083TR-LP).
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2LP
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WHYT 083LP
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$37.50
PREORDER
RELEASE DATE: 9/5/2025
Double LP version. New York-based artist James K returns with Friend. This album is full of electric pop anthems that blends ear-worming melodies with peak-time breaks, buzzing powerpunk guitars and a classic rave pulse, with K's signature enchanting vocals playfully spitting emotion. It's a hallucinatory pleasure, tearing through your body and mind. "Play" rushes with a rebellion of friends -- an electro fever daydream waking up everywhere you go. Hot off extensive tours worldwide, playing the likes of Pitchfork Festival, Dekmantel, iii Points, and Mutek, following in the footsteps of her last two critically acclaimed singles Friend comes on AD 93. RIYL: Cocteau Twins, Yves Tumor, Prodigy, Oklou, Grimes.
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2LP
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WHYT 083TR-LP
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$39.50
PREORDER
RELEASE DATE: 9/5/2025
Double LP version. Transparent vinyl. New York-based artist James K returns with Friend. This album is full of electric pop anthems that blends ear-worming melodies with peak-time breaks, buzzing powerpunk guitars and a classic rave pulse, with K's signature enchanting vocals playfully spitting emotion. It's a hallucinatory pleasure, tearing through your body and mind. "Play" rushes with a rebellion of friends -- an electro fever daydream waking up everywhere you go. Hot off extensive tours worldwide, playing the likes of Pitchfork Festival, Dekmantel, iii Points, and Mutek, following in the footsteps of her last two critically acclaimed singles Friend comes on AD 93. RIYL: Cocteau Twins, Yves Tumor, Prodigy, Oklou, Grimes.
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2LP
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WINTER 001LP
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$45.50
PREORDER
RELEASE DATE: 9/5/2025
Emerging from the shadows of a small apartment in Chicago's South Side Pilsen neighborhood in 1999, Winterlight was produced and mixed by Daniel Thompson over the course of three years, from 1999 to 2002. It's an intimate and evocative album that captures a pivotal chapter in Thompson's life and echoes the spirit of a formative era in the underground music scene. Thompson's journey began in the heat of Houston, Texas, where his love for sound quickly became an obsession. By the late '90s, he was among the first DJs in Houston to champion the sound of Chicago house, often driving long distances from Texas to Chicago in search of records, inspiration, and connection. These trips -- equal parts pilgrimage and education -- eventually led him to relocate to Chicago, where his artistic vision would fully take shape. Winterlight is the direct result of that move. Crafted over several years, the album embodies a raw, hands-on approach to production, built from analog synths, outboard gear, and hours of meticulous layering. Thompson leaned on tools like the Kurzweil K2000, SE-1, Juno-106, and classic processors such as the DP4 and TC Electronic units, shaping each track with care and intention. Blending atmospheric textures with hypnotic rhythm and subtle experimental flourishes, Winterlight captures the sound of an artist deeply engaged with his tools and surroundings. His extensive vinyl collection -- over 3,000 records -- served as both palette and inspiration, with carefully chosen samples lending further depth and narrative to the music. Now set for release, Winterlight invites listeners into a soundscape that is both immersive and personal. More than just an album, it is a sonic document of a moment in time -- rich in tone, memory, and intent. For those willing to listen deeply, Winterlight offers a rare window into the underground spirit of the early 2000s and the inner world of a producer finding his voice.
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LP
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BEARLP 060LP
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$38.00
PREORDER
RELEASE DATE: 9/12/2025
"Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward first came together in 1968 and originally named themselves The Polka Tulk Blues Band, before transitioning to Earth shortly afterwards. In 1969, they recorded a number of demos in Zella Studios in Birmingham that were never released. The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock. All tracks featured have been carefully restored from the original masters, untouched for over 50 years, and presented here for the very first time in all their glory."
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2LP
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BFR 045LP
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$33.00
PREORDER
RELEASE DATE: 9/12/2025
"Commemorating the 25th anniversary of its original release on September 19, 2000, this special edition of the desert rock classic on gorgeous silver/black/white color merge double LP features previously unpublished photos, essays, notes from the band, and magnificently updated silver-infused design to pay homage to one of the founding pillars of desert rock on its milestone silver anniversary."
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LP
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BSR 932R-LP
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$24.00
PREORDER
RELEASE DATE: 9/12/2025
"1999 ska heavy album from Toots & The Maytals. Wicked pacing and inspired playing and singing set this one as a high-water mark in the Maytals' discography."
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LP
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CLASSIC 091LP
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$26.00
PREORDER
RELEASE DATE: 9/12/2025
"Talán is the title of Raphael Rogiński's new solo album. Rogiński -- Polish guitarist, composer and musicologist, received recognition not only as a member of the Shofar trio where he performs with saxophonist Mikołaj Trzaska and percussionist Macio Moretti but also thanks to his astounding takes on John Coltrane's music released in 2015 Plays John Coltrane And Langston Hughes African Mystic Music. 'Talán is a very old (probably Scythian) word that can be translated as 'maybe' and that's where my musical approach comes from -- I take something in order to lose something else,' Rogiński explains. 'It's a constant process of achieving goals by getting rid of others and I'm fixated on this idea. It's also a meditation upon a process, a calm observation,' he adds. Talán is also a result of Rogiński's fascination with the Black Sea. 'All of the tracks are somehow connected to it and some were composed in Odessa -- a city often thought of as a gateway to Asia. This is where my some of my ancestors arrived to Europe,' says Raphael. 'When working on these tunes I came to know the Black Sea both physically and spiritually. What's interesting, it's been once called Inhospitable Sea only to later turn into Hospitable Sea. A myth was tamed and when the mystery disappeared and different civilizations met, a new myth came into life. The album was composed over a couple of years and took many attempts at the recording. My patience is usually very limited so this has been a strange experience for me. But traveling the region of the Black Sea and discovering its nature within myself required time. Our world is full of wonders and awes and traveling (both physically as well as emotionally) remains one of the most important aspects of living,' Rogiński admits."
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LP
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CLASSIC 100LP
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$29.00
PREORDER
RELEASE DATE: 9/12/2025
"Bura is a brand-new album by guitarist Raphael Rogiński and the group Ru?ičniak Tajni (Svetlana Spajić, Marina D?ukljev and Tijana Golubović). It features guest appearances by Piotr Zabrodzki (LXMP, Mitch & Mitch) and Mila Gavrilovič. Ru?ičniak Tajni is a unique meeting of Polish and Serbian musical traditions, the result of cooperation between artists seeking new forms of expression based on the cultural heritage of Central and Eastern Europe. The initiator of the project is Raphael Rogiński -- a Polish guitarist, composer and researcher, known for his experimental approach to traditional music and his love of improvisation. In the project, he is accompanied by three outstanding Serbian artists whose work is a conscious combination of local traditions and modern expression: Svetlana Spajić -- a renowned ethnomusicologist and singer, specializing in old vocal techniques and archaic song forms. Her interpretations combine authenticity of message with sensitivity to the contemporary context. Marina D?ukljev -- a pianist moving in the area of improvised and experimental music, known for deconstructing harmonic and rhythmic structures. Tijana Golubović -- a violinist and vocalist, drawing from folk performance practice, while simultaneously exploring new sonic narratives. Their collaboration resulted in the album Bura, recorded in Serbia in November 2024. The title refers to the characteristic wind from the northern Balkans, symbolizing both the forces of nature and the cultural tensions shaping the identity of the region. The album is a musical encounter of traditional Serbian songs -- reconstructed on the basis of oral traditions and archival materials - with modern means of expression. Another key element is Raphael Rogiński's original compositions, inspired by Sufi poetry, which was translated into Serbian in the 19th century."
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LP
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CLASSIC 101LP
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$29.00
PREORDER
RELEASE DATE: 9/12/2025
"Ita is the third album form Polish trio Hinode Tapes. This time, Piotr Chęcki, Piotr Kaliński, and Jacek Prościński are joined by Japanese double bassist Hiroki Chiba (who has collaborated with Jim O'Rourke, Eiko Ishibashi, and Otomo Yoshihide, among others). Their joint album is titled Ita and features four new compositions at the intersection of ambient and free jazz. This extraordinary collaboration came about thanks to Piotr Kaliński. 'We were connected by a mutual colleague who understands the music of Hinode Tapes and Chiba quite well. He recommended that I go to one of his concerts and it just blew me away, because Hiroki explored the territories between jazz and ambient in a masterful fashion,' explains Kaliński. 'From my perspective, Chiba's presence adds a new color to Hinode Tapes' music. Apart from the fact that objectively he is a great musician, this is our first album to feature a double bass player. This aspect determined the way we made decisions on this album in terms of managing sonic space,' adds Prościński. At the beginning of 2025, Hinode Tapes played a short tour in Japan. 'It was a very strong experience. We saw a genuinely great interest from the audience, and we were watched on stage by such legendary and important people to me as Inoyama Land and Chihei Hatakeyama,' recalls Kaliński. 'During the concerts we tried to compress our approach and musical aesthetics. We also played strongly improvised concerts with Japanese artists -- Hiroki Chiba, Momose Yasunaga (known from our previous album) and Ko Ishikawa, a virtuoso playing the traditional Japanese instrument shō. Ko collaborated with Ryūichi Sakamoto on the album Async. It was an honor and a big challenge for us.' Ita brings another change of aesthetics in the context of the Hinode Tapes discography. 'Our previous album was quite dark, you could even say gloomy. On this one there is more sun, colors in a higher register, like bells, triangles, janissaries,' says the drummer."
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LP
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CS 012B-LP
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$29.50
PREORDER
RELEASE DATE: 9/12/2025
Foil sleeve version. Requiescat Record is the new album by New Brutalism, a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch. The three-track release -- "088," "087" and "089," in keeping with their strict numerical naming convention -- was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston at Chicago Mastering Service in 2025. For the band, "less is more" became a guiding principle -- channeled through an unwaveringly raw, direct, and honest approach to sound. Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because it's lighter than steel, more consistent than wood, and easy to machine. Above all, it's precise -- and thereby, can produce precise music. In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory. The band acknowledges that so much of the aesthetic, interests and sounds they admired are a product of his influence and the circle of artists around him. His death instigated a state of urgency. A desire to act became more pressing, to strike more often, and usher in a new era of productivity. Shattered and kinetic, forged by time and tragedy, with god-given sonic quality, Requiescat Record may acknowledge the dead, but this music feels ever so alive.
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LP
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CS 012LP
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$26.00
PREORDER
RELEASE DATE: 9/12/2025
Requiescat Record is the new album by New Brutalism, a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch. The three-track release -- "088," "087" and "089," in keeping with their strict numerical naming convention -- was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston at Chicago Mastering Service in 2025. For the band, "less is more" became a guiding principle -- channeled through an unwaveringly raw, direct, and honest approach to sound. Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because it's lighter than steel, more consistent than wood, and easy to machine. Above all, it's precise -- and thereby, can produce precise music. In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory. The band acknowledges that so much of the aesthetic, interests and sounds they admired are a product of his influence and the circle of artists around him. His death instigated a state of urgency. A desire to act became more pressing, to strike more often, and usher in a new era of productivity. Shattered and kinetic, forged by time and tragedy, with god-given sonic quality, Requiescat Record may acknowledge the dead, but this music feels ever so alive.
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LP
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DAMGOOD 628LP
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$23.00
PREORDER
RELEASE DATE: 9/12/2025
"The Damned keyboardist Monty Oxymoron plays classical-hued piano versions of the band's most lived tracks! Not many people realize that The Damned have produced a fine array of songs with melodic, harmonic and rhythmic sophistication; with a depth of imagination and atmosphere. They spearheaded British punk, and yet diverse musical influences went into the crucible: UK and US psychedelia, Canterbury prog rock, and even classical and filmic musical influences abound. Now, with the return of drummer Rat Scabies the line-up is the same as that which produced many of these songs, with Monty on keys. Monty Oxymoron has played keyboards with The Damned since 1996, has written songs for the band, and played with Captain Sensible and Dr Space Toad before that. He is a retired psychiatric nurse and trained in art psychotherapy. Monty is keen on 'free improvisation' and plays in and around Brighton where he lives. Monty has an almost impossibly eclectic collation of his music on Bandcamp, his YouTube channel, and shares ideas on various subjects on his Substack page (under his 'real' name: Laurence Burrow.)"
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LP
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DAMGOOD 632LP
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$23.00
PREORDER
RELEASE DATE: 9/12/2025
"Following on from the imaginary international success of their debut album Talking Bout and the 45 It's You c/w Please Don't Tell My Baby, the Milkshakes decided to squander what little money they had left on another long-player. The result was the cleverly-titled, if slightly boastful-sounding, Fourteen Rhythm & Beat Greats. Indeed, if you close your eyes and unplug the record-player, all 14 -- count 'em (next time you open your peepers) -- finely-crafted tunes on this LP could almost qualify as 'great,' depending on where you stand, musically. Featuring such live favorites as 'Black Sails In The Moonlight' and 'Red Monkey,' the general consensus was that this was The Milkshakes' finest work to date (ask them yourselves). That must be partially true, as London's prestigious Big Beat Records figured it was good enough to reissue on their very own prestigious Big Beat record label -- twice."
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LP
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FP 007A-LP
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$20.00
PREORDER
RELEASE DATE: 9/12/2025
"Jennifer Touch presents Aging at Airports on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: 'It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.'"
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LP
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FP 007B-LP
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$22.00
PREORDER
RELEASE DATE: 9/12/2025
Silver color vinyl version. "Jennifer Touch presents Aging at Airports on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: 'It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.'"
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LP
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FP 039A-LP
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$22.00
PREORDER
RELEASE DATE: 9/12/2025
"Nearly five years after the release of Sci-Fi Sky, Lebanon Hanover has produced your favorite soundtrack for a visit in a psychiatry clinic: Asylum Lullabies. This is the evolution of an even colder, more caustic sound by a band that has dominated the post punk landscape for over a decade. Asylum Lullabies is a very heavy album about dealing with mental health struggles, a breakup and ongoing wars and the current horror in the world ultimately leaving one consumed with dread, fear and a constant feeling of being crushed. Everything falls apart at the same time."
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LP
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FP 040-LP
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$22.00
PREORDER
RELEASE DATE: 9/12/2025
"Desinteresse present their first studio produced album, Onschuld, through Fabrika Records. Desinteresse is a Dutch Coldwave act formed in late 2022 as a duo consisting of Bart Vranken (bass) and Sem van den Munckhof (vocals/synth/guitar). Joppe de Swart (drums) joined in 2024 to form the current trio. Onschuld is their first true album after the release of two cassettes on their own label DECADENCE. This is Desinteresse's first studio production and experience in recording things separately; their first tape Voor Altijd was simply recorded live in Sem's attic room. Onschuld was recorded at The Lullabye Factory in Amsterdam, where Desinteresse took control of the completely analog production. Engineers at The Lullabye Factory assisted with the mixing. Recording took place January and March 2025, except for 'Grijze Dromen' which was recorded in June 2024 and released as a 7" single in August 2024. The overall approach was to create something in the same way it was done in the 1970s and '80s, hence the dedicated use of tape and instruments, effects and amplifiers that come from that era. The titles and lyrics are in their native Dutch. Most of the album's lyrics were written by Sem between 2023 and 2025, with the exception of the song 'Fantomen,' which was written by Bart."
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LP
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MET 1416LP
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$30.00
PREORDER
RELEASE DATE: 9/12/2025
"Long cited as a hugely influential act, having inspired the likes of (The) Verve, Oasis, Interpol, The Killers, Editors, and White Lies, Chameleons are renowned for their transformative catalogue and intense, emotionally charged live performances, creating a legacy that extends far beyond their four studio albums to date. Their widely acclaimed debut, Script of the Bridge (1983) has been cited by many as a masterpiece way ahead of its time, and was followed by What Does Anything Mean? Basically! (1984), Strange Times (1986) and Why Call It Anything? (2001). Their unique sound quickly won them an audience with its mix of melancholic yet energetic and powerful tunes, hypnotic, ethereal riffs and a potent, timeless lyrical style. They are considered one of the most influential guitar bands of the '80s and '90s, contributing substantially to the post-punk, shoegaze and indie scenes. 2024 saw the release of two EPs that kicked off a new chapter for the band. Where Are You? consisted of three new songs, while Tomorrow Remember Yesterday featured five re-recorded archive tracks. Arctic Moon sees them propelling forward musically while retaining the essence that originally made them iconic. Arctic Moon is the first full-length album by Chameleons since the release of Why Call It Anything? in 2001."
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LP
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PRO 079LP
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$24.00
PREORDER
RELEASE DATE: 9/12/2025
"Released in 1998, Roach & King's vivid world of desert reveries continues to engage new listeners with a sound that rides trails no electronic artist has travelled before or since. Dust to Dust's guitars, harmonicas and washboard rhythms find their place next to a wagon full of electronics on nine tracks revealing the slow heat of wide-open spaces and barren environments. The ambient-blues grows in the cactus shadow swathes of haunting atmospheres and Morricone-like nylon twang flourishes. It's a bold narrative of bygone eras with haunting melodies drawn from the desertscape told with the instruments of old and new pioneers. This is the music, and even more the soundtrack, to lingering ghosts and lost but not forgotten dreams of restless souls driven to 'Go West by God!' It's a transcendent musical masterpiece, an alluring, provocative legend inspired by the rolling tumbleweeds, barren landscape, and hardscrabble lifestyle of the Old West. Alternative Press: 'After looking toward these desert vistas for visions deep within and far beyond the earth, Roach pays homage to the brave souls who forged the hard road west. Joined by fellow Arizonian and guitarist Roger King. Roach's deep synths and King's Kottke-esque guitars sing and moan, allowing the sound to tell the story of an era when pioneers risked everything in pursuit of new worlds and promised fortunes. Like a ghost train winding through layers of memory and history, Dust to Dust has the mystery and allure of 150-year-old photographs of strangers whose eyes and stoic faces suggest a thousand untold stories.'"
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LP
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RSE 003LP
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$45.00
PREORDER
RELEASE DATE: 9/12/2025
Marble brown vinyl. "This album features a diverse range of artists interpreting Laibach's iconic sound, from industrial and EBM to dark ambient and neofolk, including Prager Handgriff, Kirlian Camera, Staat Und Organisation, DDR, Andrew King, Angels And Agony."
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LP
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SEC 301LP
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$29.00
PREORDER
RELEASE DATE: 9/12/2025
"X-Ray Spex was a British punk rock band that emerged in the late 1970s, known for their distinctive sound, socially conscious lyrics, and the dynamic frontwoman Poly Styrene. The band was active during the first wave of punk rock and played a significant role in the punk movement. Lead vocalist and songwriter Poly Styrene was known for her unique vocal style and often cited as an influential figure in the punk scene. Other band members on Germfree Adolescents are Jak Airport, Paul Dean, Rudi Thompson, and B P Hurding. X-Ray Spex released their debut album, Germfree Adolescents, in 1978, featuring the title track, 'Germfree Adolescents.' The album is considered a classic of the punk era. Poly Styrene's lyrics often addressed social and consumerist issues, and her unconventional fashion sense and energetic stage presence added to the band's overall identity. While X-Ray Spex had a relatively short-lived career, disbanding in 1979, they left a lasting impact on the punk scene, and their music continues to be celebrated for its originality and influence. Poly Styrene sadly passed away in 2011, but her contributions to punk rock remain influential. This limited-edition re-issue of Germfree Adolescents is pressed on black 180-gram vinyl. Incl. 12" insert poster of album cover + sleeve notes by Stephanie Phillips."
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LP
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WWSLP 102LP
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$35.00
PREORDER
RELEASE DATE: 9/12/2025
Wewantsounds reissues Fairuz's classic album Chat Iskandaria released on Relax-in in 1987. The album sees "The Lebanese Diva" going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, the album -- curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes -- has been newly remastered by Colorsound Studio in Paris. Fairuz is a living legend and one of the greatest divas of the Arab world. For more than sixty years, she has been at the heart of Arabic music, releasing landmark albums since the early '50s and performing on stages around the globe. Fairuz rose to prominence through her collaboration with the Rahbani Brothers (Assi and Mansour), a creative partnership that began in the 1950s and flourished through the 1970s, producing a vast repertoire of timeless songs that remain beloved across the Arab world and beyond. In the late 1970s, Fairuz shifted to a more modern sound with albums such as Wahdon (1979) and Maarifti Feek (1986), produced by her son Ziad Rahbani, blending jazz, funk, and other contemporary influences into her music. However, Chat Iskandaria, released in 1987, marks a return to her classic Rahbani sound, offering a more traditional yet captivating approach to Arabic music. The album sees Fairuz interpreting a selection of Rahbani Brothers compositions in their signature theatrical and orchestral style, with themes ranging from nostalgia and love -- including a heartfelt homage to the city of Alexandria -- to the passage of time, central motifs in much of their work the legendary poet Saïd Akl contributes to two songs, "Min Rawabina Al Kamar" and "Fattehhon Alay." Unlike her more experimental collaborations with Ziad Rahbani, Chat Iskandaria stays firmly rooted in traditional Lebanese and Levantine musical aesthetics. Rich in melody and poetic imagery, it showcases Fairuz at her most evocative, supported by the refined orchestral arrangements that defined her golden era with the Rahbanis. Chat Iskandaria is a must-have for lovers of classical Arabic music and a poignant reminder of the enduring artistic bond between Fairuz and the Rahbani Brothers. Wewantsounds releases the album on vinyl for the first time since its original 1987 release, featuring its beautiful gatefold sleeve, remastered audio and a new bilingual introduction by Mario Choueiry (Institut du Monde Arabe).
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LP
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AWOS 001LP
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$26.00
PREORDER
RELEASE DATE: 9/19/2025
Spanish-born, Berlin-based artist JASSS, presents her third LP, Eager Buyers. It's the inaugural release on her own new platform called AWOS, which also encompasses musical, AV and art collaborations, live events, and a radio show. Eager Buyers is an observation of longing, of memory, of attempted connection, of lost innocence, and irreconcilable dreams. It's the sound of broken promises for a bright future, where rose-tinted glasses have lost their clarity, dirtied with disaffection over time. Across this sultry, smoky, cinematic epic, JASSS attempts to process mixed feelings amidst the modern malaise. Alluringly atmospheric and cerebral, but bold and direct, with high-spec sound design, JASSS spaces each element with expert definition. Searing swathes of noise nestle with crisp breakbeats, billowing bass, dark ambience, prepared piano, phosphorescent electronics and calibrated percussion. A sort of anti-nostalgia, the record lives in a contemporary purgatory of oblique moods which hover in the psyche, somewhere between uncertainty, foreboding, and guarded anticipation. The raw metal of bass guitar strings plays a key part too, ranging from ornate melodic phrases, shoegazy drones, and attitude-riven hard twangs. Vocals come from JASSS herself, plus James K and Alias Error on the track "It's A Hole." The heavy, hauntological atmospherics are in part due to the addition of field recordings -- the discreet, but spiritually-loaded incidental sounds of a place which can capture its history, with the acoustics somehow retaining an emotional imprint of lives long gone. If pressed for descriptive reference points, "masterfully-produced-post-punk-post-rockbaroque-gothy-dubby-trip-hop" might be a starting point, but that doesn't do it justice. Equally spectral in their dream-like quality are the musical signposts, where genre elements are familiar, but somehow also unplaceable, untethered from context, and beautifully strange in their new composite. At points there's an air of strangely dazed calm too -- a kind of frazzled cool in the face of desolation, and even tender, lighter moments, which glint through the cracks.
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CD
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BB 482CD
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$16.50
PREORDER
RELEASE DATE: 9/19/2025
Electronic pioneers Propaganda follow up their acclaimed 2024 comeback with Remix Encounters, a broad and brilliant remix album featuring Moby, Tangerine Dream, Rhys Fulber, Schiller, and more. Released on Bureau B, this remix collection reflects the enthusiasm Propaganda's return after three decades of silence has ignited among contemporary artists, who approached the project with fresh energy and creative freedom.
"Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering remix companion Wishful Thinking, Propaganda have thrived on transformation. Yet rather than revisiting the past, Remix Encounters looks forward, building on the vitality of last year's album and celebrating its widespread critical and fan acclaim. What began as a remix request from Finnish electronic maestro Jori Hulkkonen, returning the favor after Ralf Dörper's contribution to his last album, quickly blossomed into an international collaboration, drawing in luminaries such as Moby, Tangerine Dream, Rhys Fulber (Front Line Assembly, Delerium), and Schiller. Embracing openness, Propaganda spent the fourth quarter of 2024 encouraging the wide range of musicians inspired by their triumphant return to offer their own interpretations. Each brought their distinctive voice to the material, resulting in a thrilling journey through electronic subgenres, from EBM and industrial to rave, ambient, house, and beyond. Rhys Fulber opens the album with a brooding, machine-funk reinvention of 'They Call Me Nocebo,' evolving from a sleek, sinuous introduction into a relentless pneumatic stomp. Next, Schiller offers a powerful remix of 'Distant' that balances raw electro-house and techno energy with the emotional depth of EBM, before Moby transforms 'Purveyor of Pleasure' into a furious early-'90s rave anthem, fusing breakbeats and rolling basslines that pulse with nostalgic urgency yet feel unmistakably modern. Elsewhere, Finnish polymath Jimi Tenor infuses 'Vicious Circle' with cosmic jazz and dub textures, while Pyrolator, a key figure in Düsseldorf's avant-garde scene, delivers a shadowy reinterpretation of 'LoveCraft.' Cult With No Name also contribute a brooding electro-ballad version of the same track. Propaganda's own Michael Mertens teams up with longtime collaborator Hans Steingen to re-envision 'Dystopian Waltz,' shifting its time signature to a gripping 4/4 and intensifying its ominous mood for darker dance floors. The range of remixers speaks volumes: from industrial punks Gewalt and synth purists Metroland to ambient pioneers Tangerine Dream, Remix Encounters unites an eclectic group of electronic artists bound by a shared reverence for innovation and Propaganda's distinctive voice." --Patrick Ryder
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2LP
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BB 482LP
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$35.00
PREORDER
RELEASE DATE: 9/19/2025
Double LP version. Electronic pioneers Propaganda follow up their acclaimed 2024 comeback with Remix Encounters, a broad and brilliant remix album featuring Moby, Tangerine Dream, Rhys Fulber, Schiller, and more. Released on Bureau B, this remix collection reflects the enthusiasm Propaganda's return after three decades of silence has ignited among contemporary artists, who approached the project with fresh energy and creative freedom.
"Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering remix companion Wishful Thinking, Propaganda have thrived on transformation. Yet rather than revisiting the past, Remix Encounters looks forward, building on the vitality of last year's album and celebrating its widespread critical and fan acclaim. What began as a remix request from Finnish electronic maestro Jori Hulkkonen, returning the favor after Ralf Dörper's contribution to his last album, quickly blossomed into an international collaboration, drawing in luminaries such as Moby, Tangerine Dream, Rhys Fulber (Front Line Assembly, Delerium), and Schiller. Embracing openness, Propaganda spent the fourth quarter of 2024 encouraging the wide range of musicians inspired by their triumphant return to offer their own interpretations. Each brought their distinctive voice to the material, resulting in a thrilling journey through electronic subgenres, from EBM and industrial to rave, ambient, house, and beyond. Rhys Fulber opens the album with a brooding, machine-funk reinvention of 'They Call Me Nocebo,' evolving from a sleek, sinuous introduction into a relentless pneumatic stomp. Next, Schiller offers a powerful remix of 'Distant' that balances raw electro-house and techno energy with the emotional depth of EBM, before Moby transforms 'Purveyor of Pleasure' into a furious early-'90s rave anthem, fusing breakbeats and rolling basslines that pulse with nostalgic urgency yet feel unmistakably modern. Elsewhere, Finnish polymath Jimi Tenor infuses 'Vicious Circle' with cosmic jazz and dub textures, while Pyrolator, a key figure in Düsseldorf's avant-garde scene, delivers a shadowy reinterpretation of 'LoveCraft.' Cult With No Name also contribute a brooding electro-ballad version of the same track. Propaganda's own Michael Mertens teams up with longtime collaborator Hans Steingen to re-envision 'Dystopian Waltz,' shifting its time signature to a gripping 4/4 and intensifying its ominous mood for darker dance floors. The range of remixers speaks volumes: from industrial punks Gewalt and synth purists Metroland to ambient pioneers Tangerine Dream, Remix Encounters unites an eclectic group of electronic artists bound by a shared reverence for innovation and Propaganda's distinctive voice." --Patrick Ryder
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LP
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BKE 021LP
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$31.50
PREORDER
RELEASE DATE: 9/19/2025
Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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LP
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BKE 021OR-LP
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$33.00
PREORDER
RELEASE DATE: 9/19/2025
Orange color vinyl version. Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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LP
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BKE 021YE-LP
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$33.00
PREORDER
RELEASE DATE: 9/19/2025
Yellow color vinyl version. Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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12"
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LTR 053EP
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$34.00
PREORDER
RELEASE DATE: 9/19/2025
A luminous new chapter in a singular collaboration Handling, Nils Frahm and F.S. Blumm present their fifth collaborative album-an immersive, 40-minute journey across just three tracks that radiate intimacy, invention, and sonic depth. Building on the dub-inflected textures of 2X1=4, the duo now ventures into more delicate, exploratory terrain, where every sound feels intentional and alive. Recorded at Frahm's LEITER studio in Berlin's Funkhaus, Handling is a masterclass in subtlety and sonic storytelling. Each of the three compositions-titled Leuchter-glows with quiet energy, evoking miniature worlds through a rich palette of instruments: pianos, celestas, cristal baschets, glockenspiels, guitars, and a wide array of percussive textures. Blumm and Frahm's long-standing friendship and mutual trust allow for a rare creative freedom. Their contrasting approaches-Blumm's playful chaos and Frahm's structured intuition-merge into a sound that is neither one nor the other, but something entirely new. Handling is not just music-it's a living, breathing sound sculpture, full of warmth, wonder, and the joy of discovery. A must for fans of ambient, experimental, and genre-defying music.
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CD
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MORR 206CD
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$17.50
PREORDER
RELEASE DATE: 9/19/2025
History of Silence is the first full body of work by Icelandic collective múm since 2013's Smilewound (MORR 124CD) and their seventh studio album to date -- recorded, deconstructed, put back together again, refined and finished over the course of two years. Vibrantly oscillating around a carefully curated palette of electronic and analogue sounds, the eight new tracks reflect the group's continuous strive to explore sonic spaces through subtle yet gripping songwriting. For a long time now, múm have been exploring the idea of distance in their music. Founded in Iceland in the late 1990s, the members soon began embarking on journeys across the world. Settling in, moving on, catching up: The concept of distance soon became an integral part of the collective's process. History of Silence leans into this idea, with space and time becoming indispensable pillars of the arrangements. While being coherent and structured, they echo their origins from different seasons, cities, and spaces -- neatly stitched together with unparalleled craftsmanship. On History of Silence time manifests in unexpected, liberating, and mesmerizing ways. It does not move reliably forward; it drifts, takes twists and turns, even disappears completely. Electronic textures blur into acoustic sounds, voices flicker and dissolve, melodies stumble and repeat. The arrangements often feel like they're wandering, gently resisting direction. Work on History of Silence began at Sudestudio in southern Italy. Additional recordings were made in Reykjavík, Berlin, Athens, Helsinki, New York, and Prague. The strings were recorded by Sinfonia Nord at the Hof concert hall, Akureyri, arranged and conducted by Ingi Garðar Erlendsson, who has worked with the band for many years. The orchestral elements don't dominate the record -- instead, they surface gently, adding depth and resonance to the songs without disturbing the songs' fragility. Contrary to what the album title suggests, History of Silence is a collection of bold and colorful songs, no matter how muted they might sound at times. They tickle like a feather drifting through the wind, ending up in unexpected places, stimulating long-forgotten thoughts and feelings, intimate moments of introspection. The songs move through the echoes those moments leave behind: the emotional traces of things unsaid, the weight of stillness. Offering closeness by means of distance and much-needed support. Bless.
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LP
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MORR 206LP
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$33.00
PREORDER
RELEASE DATE: 9/19/2025
LP version. History of Silence is the first full body of work by Icelandic collective múm since 2013's Smilewound (MORR 124CD) and their seventh studio album to date -- recorded, deconstructed, put back together again, refined and finished over the course of two years. Vibrantly oscillating around a carefully curated palette of electronic and analogue sounds, the eight new tracks reflect the group's continuous strive to explore sonic spaces through subtle yet gripping songwriting. For a long time now, múm have been exploring the idea of distance in their music. Founded in Iceland in the late 1990s, the members soon began embarking on journeys across the world. Settling in, moving on, catching up: The concept of distance soon became an integral part of the collective's process. History of Silence leans into this idea, with space and time becoming indispensable pillars of the arrangements. While being coherent and structured, they echo their origins from different seasons, cities, and spaces -- neatly stitched together with unparalleled craftsmanship. On History of Silence time manifests in unexpected, liberating, and mesmerizing ways. It does not move reliably forward; it drifts, takes twists and turns, even disappears completely. Electronic textures blur into acoustic sounds, voices flicker and dissolve, melodies stumble and repeat. The arrangements often feel like they're wandering, gently resisting direction. Work on History of Silence began at Sudestudio in southern Italy. Additional recordings were made in Reykjavík, Berlin, Athens, Helsinki, New York, and Prague. The strings were recorded by Sinfonia Nord at the Hof concert hall, Akureyri, arranged and conducted by Ingi Garðar Erlendsson, who has worked with the band for many years. The orchestral elements don't dominate the record -- instead, they surface gently, adding depth and resonance to the songs without disturbing the songs' fragility. Contrary to what the album title suggests, History of Silence is a collection of bold and colorful songs, no matter how muted they might sound at times. They tickle like a feather drifting through the wind, ending up in unexpected places, stimulating long-forgotten thoughts and feelings, intimate moments of introspection. The songs move through the echoes those moments leave behind: the emotional traces of things unsaid, the weight of stillness. Offering closeness by means of distance and much-needed support. Bless.
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LP
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MR 474LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
Paloma Mensajera (featuring members of New Juggler Sound/Laghonia) shows the shift that was taking place within Peruvian rock away from psych and hard rock which had predominated during the early '70s. The style adopted by Grupo Amigos (and other bands and artists during this period) highlights the influence of soft rock, UK, US and Latin American folk rock and, above all, the desire to keep the melodic greatness of The Beatles alive. The positive reception albums by artists such as We All Together, Telegraph Avenue, and Zulu garnered between 1972 and 1975, marked a change of paradigm and in preferences within the Peruvian rock scene. Eclecticism gained new ground, to the detriment of the sectarian and orthodox, while melody grew more present and visible, moving away from the progressive experimentation that typified underground Peruvian rock up to the beginning of the '70s. For their first single on MAG, included on this reissue, the band adopted a formula in which Beatles harmonies converged symmetrically with folk motifs. "Dirty Girl" was a hit on the radio. A full album followed but only a fairly small number of copies of the album were pressed, which seems to have been the main reason for omitting it from the historical accounts of Peruvian rock music from the late '90s onwards. In Paloma Mensajera all compositions were penned by the group, after several years during which cover versions were a staple. Some of the musical resources that the band had at their disposal in terms of composition and arrangements are striking and even surprising, considering that they were a debut band, whose members were under the age of 20. The arrangements included the clever use of a Moog synthesizer which had just arrived at the MAG studio. The success achieved by the Beatles tribute performances played by the members of Grupo Amigos for decades have eclipsed the songs that Edmundo, Andrés Da Ros, and Simón Ames composed with youthful enthusiasm and energy between 1972 and 1973 to the point where they have almost been forgotten. This re-release of Paloma Mensajera should help rectify this major injustice. It includes bonus tracks and extensive liner notes.
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LP
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MR 485LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it. Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things. When it came to recording Anti Todo, Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and the question is: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song "Tamara" was practically composed on the spot in the studio in less than two recording days, as was much of "Ha llegado el momento." The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. Listeners can once again enjoy the urgency, simplicity, and rage of this refreshed Anti Todo, a true classic in musical history, originally released in 1985 at Eskorbuto's peak of their creativity and energy. This edition of the album includes a large poster and insert with notes.
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LP
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MR 487LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
Welcome to a kaleidoscopic picnic where you can feast on a music scene that was rich, sparkling, multi-colored, ground-breaking and it'll blow your mind. A prodigious soundscape that blends the Caribbean and the Amazon sophistication and flavors; raw yet delicate textures. Joropop: Psych Pop & Folk in Venezuela, 1968-1976 features infectious Latin rock rhythms and timeless folk melodies across 15 ultra-rare tracks -- most of which have never been reissued until now. The golden age of Caracas pop started in 1965. It replaced the wave of cloyingly romantic song writing as fresh talents leant into richer and more complex styles: folk-rock, psychedelia, soul, hard blues, symphonic pop, Latin rock etc. Singer-songwriters, experimental electric guitars and jam sessions all appeared on the scene, creating music that became increasingly refined and free. The industry took a while to catch on to this new trend and leave behind the teen idols and dream lifestyles. By the late '60s, there was a long list of new bands in the capital city. Young people finally found their voice. Featuring El Zigui Y Una Luz, Grupo Espiga, Grupo Syma, La Fe Perdida, Ladies W.C., Los Fabricantes De Muñecas, Los Memphis, La Cuarta Calle, Grupo C.I.M., Grupo Pan, Los Rangers, Los Chicos Malos, Ciruela, The Four Blues, and La Cuarta Calle.
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7"
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MR 7392EP
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$15.50
PREORDER
RELEASE DATE: 9/19/2025
Valencia-based band Wau y Los Arrrghs!!! is made up of five punk rock hooligans as raw and real as chaos itself -- led by one of the wildest frontmen around, Juanito Wau. Yes, there's garage rock here, no doubt -- but you'll also find blasts of punk, rock 'n' roll, pop, and even a splash of surf. This joint release with Slovenly Records brings back two anthemic tracks from Spain's undisputed kings of garage punk! Originally produced by Jorge Explosion over a decade ago, "Copa, raya, paliza" and "Es un buen día" are guaranteed party-starters no garage DJ should be without. Pressed on neon pink vinyl.
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LP
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N 102LP
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$32.00
PREORDER
RELEASE DATE: 9/19/2025
The Alien Dub Orchestra is ragtag collective of Bavarian musicians, featuring members of The Notwist and G.Rag y los hermanos Patchekos. The cohort formed around the idea of performing the standards of the fabled Breadminster Songbook, aka the back-catalogue of lone dubman Elijah Minnelli. Minnelli is known for constructing wheezy, forlorn odes to his hometown, both as highly sought-after self-released 7" singles, and a critically-acclaimed debut album, Perpetual Musket for FatCat Records, lauded by the likes of The Guardian, The Wire, and The Quietus. Plays the Breadminster Songbook finds group covering Minnelli's cumbia-infused dub reggae with full band, playing an eclectic array of instruments including: guiro, accordion, melodica, sousaphone, trumpet and assorted percussion. The seeds of the Alien Dub Orchestra were sown during a support gig for The Notwist, where assorted musicians joined Minnelli for an encore, reinterpreting one of his dub remixes across woodwind, brass and assorted percussion. Despite the non-traditional origins of the source material, the inherent musicality of Minnelli's songwriting shines through across his releases, and this creative kinship is what attracted the Orchestra to reimagining his work. The first live collaboration led to recording sessions and further gigs, with the Orchestra building a full set of Minnelli's music. The resulting album puts forward the strongest case yet of the shared musical throughline between the acts, where cumbia, dub and folk sensibilities coalesce to something altogether unique. The tracks are wrought new, with melodies fleshed out and broader instrumentation expanding the sonic possibilities of the compositions. For these dubs, Minnelli is joined by Raimund Wong, who had caught his ear with his ambitious live sets, a daisy chain of tape machines and FX pedals. Again, despite their differing creative processes, the two bonded over a shared love of dub music.
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CD
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PLEXUS 001CD
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$14.50
PREORDER
RELEASE DATE: 9/19/2025
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records -- this being an expanded version of their first (an eight-track 10" at the time). By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-'80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervor once more. Influences were more likely to be Television and the Television Personalities than MTV. The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album Slippin' Out from 2000 will be the second release on Circuitry). The Scottish five-piece released I've Got a Habit and Underneath the Window, Underneath the Sink as EPs before really finding their feet with Lyceum; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the "What Will We Do Next?" 7" (this collection closes with the frazzled stretch that is "Yawn"). Lyceum was originally released in August 1989. The album opens with "It's Only Obvious" and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you." James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where "Hold On" (sounding suspiciously like an unlikely objective) descends into the intro of "Blue Light," the counted-in "1, 2, 3, 4" whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18-year-old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
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2LP
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PLEXUS 001LP
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$35.00
PREORDER
RELEASE DATE: 9/19/2025
Double LP version. Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records -- this being an expanded version of their first (an eight-track 10" at the time). By the tail end of the 1980s the independent music scene in the UK was turning its back on the polish and over-indulgence of the mid-'80s with its gated drums and wallpaper production. And those who weren't stretching the boundaries of sonic innovation had tuned back to the post-punk ethos of ramshackle charm and zealous melody, even dousing the spirit with some political fervor once more. Influences were more likely to be Television and the Television Personalities than MTV. The Orchids and The Sea Urchins were the first two bands to release 7" singles on the Sarah label having previously begun their recording existence on a shared flexi disc in 1987 (The Sea Urchins went on to become Delta, whose classic album Slippin' Out from 2000 will be the second release on Circuitry). The Scottish five-piece released I've Got a Habit and Underneath the Window, Underneath the Sink as EPs before really finding their feet with Lyceum; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the "What Will We Do Next?" 7" (this collection closes with the frazzled stretch that is "Yawn"). Lyceum was originally released in August 1989. The album opens with "It's Only Obvious" and its gloriously youthful chorus of "who needs tomorrow when all I need, all I needed was you." James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where "Hold On" (sounding suspiciously like an unlikely objective) descends into the intro of "Blue Light," the counted-in "1, 2, 3, 4" whispered like the most hopelessly dejected rally. If that sounds depressing it isn't. This record by The Orchids was a spirited source of comfort for an 18-year-old at the time and still shudders with the best type of melancholy, one that's spirited not indulgent. If you're not familiar with the band's charm, this is where you should begin.
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LP
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RWRR 002LP
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$30.50
PREORDER
RELEASE DATE: 9/19/2025
Just. Life. is FDC's second endeavor after their 2022 debut Some Kind Of Wisdom. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first four tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child and the passing of a friend. Life and death. The cyclicity of it all. Fruit Distro Collective is a project by long-time friends Boris van der Hoff and Tristan Coco. Raised on boombap beats, schooled through jazz composition and inspired by Afro and Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
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LP
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VAMPI 325LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos -- alongside groups like Los Rogers and Los Wemblers -- in the heart of Peru's Amazon capital. The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style -- a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the traditional cumbia styles that developed in other cumbia-producing countries like Colombia. The album includes their psychedelic rock hit "Cuarto Oscuro," a highly sought-after track not only by cumbia collectors but also by garage and psychedelic DJs. This song also marked the beginning of their recording career in 1973. This compilation is a joint release with the Peruvian label Rey Record and comes with an insert featuring never- before-seen photos of the band, as well as liner notes by genre expert Víctor Zela (the mind behind the prestigious project La Cumbia de mis Viejos).
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LP
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VAMPI 328LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's ten LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk -- you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.
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CD
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ANDOTHERS 001CD
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$18.00
PREORDER
RELEASE DATE: 9/26/2025
With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
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LP
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ANDOTHERS 001LP
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$37.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
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LP
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BRD 007LP
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$26.00
PREORDER
RELEASE DATE: 9/26/2025
Spot The Difference invites you to explore the Balcony's Paradise project through a new lens of chiaroscuro. Psychedelia alters perception, and from the first track, listeners journey through a timeless sonic space filled with echoes, mysterious atmospheres, and spherical guitar melodies. Lorenz O'Tool initially returned to Australia to work on some new stuff with his partner on drums and co-founder of the project, Jeremy Tayler. The album also features some covers of Television Personalities, two tracks by M.O.T.O., and one by Jeff Clarke of the Black Lips, three influential bands for O'Tool, who is also the guitarist and co singer of the Berlin post-punk Band Die Verlierer.
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LP
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CRO 003LP
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$28.50
PREORDER
RELEASE DATE: 9/26/2025
Long overdue reissue of the first album by The Hanging Stars. Initial 300 copies come with 12"x12" print. London-based psych-folk outfit The Hanging Stars re-release their much-loved debut album Over the Silvery Lake on Crimson Crow. Blending folk pastoralism with swampy '60s Americana, they sound like the missing link between the California desert sun and the grey skies of London Town. The album was recorded between LA, Nashville and Walthamstow, with each of these vastly different places leaving an indelible mark on the songs. Now signed to the Loose Records label and fronted by London-based songwriter, singer and guitarist Richard Olson (The See See, Eighteenth Day of May), The Hanging Stars are essentially a loose collective of people who weave together a blissed-out psychedelic tapestry. The rest of the core band is made up of Sam Ferman on bass and Paulie Cobra on drums, Horse on pedal steel and Patrick Ralla on banjo, guitar. They jam rather than write and hang out rather than rehearse, harnessing a kind of tipsy euphoria resplendent with luscious arrangements and glorious vocal harmonies. There are a number of allusions to nature and the weather on the album, borne in part out of the contrasting surroundings in which it was produced. The band's fascination with Americana led them to record some of the material Stateside, laying down some of the parts at Battle Tapes Studios in Nashville, as well as at Vision Quest Studios in Los Angeles with Rob Campanella. Following the LA recordings, a trip to the Californian desert provided the core notion of what they wanted to produce -- a shard of light that they clung on to whilst recording the rest of the album in the significantly more rain-soaked atmosphere of Walthamstow, London, under the watchful eye of Brian O'Shaughnessy at Bark Studios. The Hanging Stars place themselves firmly as part of a long folk tradition encompassing European and North American influences -- as a continuation rather than a pastiche of these styles. This is the sound of a band really coming in to their own, fully formed and in no doubt of their vision. With Over the Silvery Lake they succeeded in producing a record, which has the country, blues and folk traditions at its heart.
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CD
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DC 956CD
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$13.50
PREORDER
RELEASE DATE: 9/26/2025
"The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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Cassette
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DC 956CS
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$12.00
PREORDER
RELEASE DATE: 9/26/2025
Cassette version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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LP
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DC 956LP
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$20.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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CD
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HPS 359CD
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$16.00
PREORDER
RELEASE DATE: 9/26/2025
Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records! Also available on black vinyl (HPS 359LP), orange vinyl (HPS 359LTD-LP), and red/yellow/purple color vinyl (HPS 359ULTRA-LP).
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LP
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HPS 359LP
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$28.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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HPS 359LTD-LP
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$31.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. Orange color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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HPS 359ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Red/yellow/purple color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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IOR 771611LP
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$23.00
PREORDER
RELEASE DATE: 9/26/2025
"Ratko Zjaca is back with a very distinctive world music project that finds the Croatian-born guitarist and long-time resident of Rotterdam interacting with musicians from Romania, England and India. The results of his 18th outing as a leader or co-leader are staggeringly beautiful and full of improvisational daring. Joined by Romanian cimbalom player Marius Preda, who is widely regarded as the world's first jazz soloist on that trapezoidal stringed instrument that is the distant cousin of a hammered dulcimer, along with British-born upright bassist Nick McGuire and the innovative, groundbreaking percussionist Trilok Gurtu, Zjaca and his interactive crew strike an uncanny accord on the eight delightful originals presented on Touching Minds. With Zjaca bringing in all the compositions and Preda doing the arranging, they recruited McGuire for his rock-solid fundamental bass work. They next brought in Bombay-born Gurtu, an acclaimed master of the tabla who has also developed an abundance of chops over the decades on a hybrid drumming kit he designed and pioneered through his collaborations with John McLaughlin, Joe Zawinul, Bill Laswell, Jonas Hellborg, Jack Bruce, Terje Rydpal, Oregon, the Arkè String Quartet and many others. Throughout Touching Minds, Gurtu brings the groove while also coloring the proceedings with nuanced shadings. 'I wanted a new sound for this album and the tabla and cimbalom together moved it all to a new spectrum. And when you have two of world's best players on their respective instruments, which Trilok and Marius are, you have some very special ingredients to make some incredible music,' Zjaca says. While he may have soaked up the influences of countless guitarists he has listened to and emulated at different times over the years, from Joe Pass and Jim Hall to John McLaughlin and Pat Metheny, he described his guiding principle throughout Touching Minds as: 'I play what I hear and what the music asks of me at that moment.'"
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LP
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RBL 098LP
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$24.00
PREORDER
RELEASE DATE: 9/26/2025
"Damascus Knives is the latest project from David Christian (Cervello Elettronico), delivering a raw fusion of old-school EBM and dark, minimal industrial atmospheres. Driven by vintage synths, relentless arpeggiators, distorted kick drums, and abrasive noise samples, this release is a relentless dive into the underground dancefloor. For fans of Ministry's Twitch era and the most electronic side of Clock DVA, Damascus Knives brings a stripped-down, mechanical energy that captures the spirit of alternative and minimal dance music. Limited transparent red marble vinyl."
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CD
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HPS 369CD
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$16.00
PREORDER
RELEASE DATE: 10/3/2025
Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions). Also available on black vinyl (HPS 369LP), red vinyl (HPS 369LTD-LP), and purple/black vinyl (HPS 369ULTRA-LP).
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LP
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HPS 369LP
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$28.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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LP
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HPS 369LTD-LP
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$31.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Red color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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LP
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HPS 369ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Purple/black color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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2CD
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IF 1099CD
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$24.00
PREORDER
RELEASE DATE: 10/10/2025
"After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage. The Complete Piano Etudes of Philip Glass is also available for the first time on vinyl, housed in a 4LP Box set (IF 1099LP).
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4LP BOX
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IF 1099LP
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$180.00
PREORDER
RELEASE DATE: 10/10/2025
4LP box set version. "After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage.
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LP
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VIO 084LP
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$36.50
PREORDER
RELEASE DATE: 10/10/2025
Essential Liverpool psychedelic folk collective mapping their territory with a record rooted in place and memory. Professor Yaffle have created their most focused and expansive work yet. Following acclaimed previous releases, Everyone Wants to Dream finds the band at their creative peak. The album turns on Everton Brow -- an unremarkable Liverpool hill offering the city's finest view. Rogers returns to this vantage point throughout eight tracks, using it as both setting and metaphor for looking back on life without nostalgia. From here, you can see the Mersey stretch toward Snowdonia, the city spread below like a living map. "Lost in a Dream (On Everton Brow)" weaves Lee Roger's lyrics as an eighteen-year-old lyrics with newly composed music. "Everyone Wants to Dream" confronts the disorientation when your children grow and your role shifts. "On Top of the World" becomes what Rogers calls "a stoned love letter to Liverpool." This is Professor Yaffle's first release with Violette Records, marking the beginning of a partnership between two Liverpool entities who've circled each other for years before finding their moment. Featuring a 1979 Karl Hughes photograph of a policeman surveying Liverpool from Everton Brow, capturing something essential about the record: that those who maintain order might dream the biggest dreams of all. For fans of: CSNY, Tim Buckley, Talk Talk, The Byrds, Sufjan Stevens, Love, Tame Impala, Nick Drake.
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CD
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WWSCD 106CD
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$18.00
PREORDER
RELEASE DATE: 10/10/2025
Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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2LP
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WWSLP 106LP
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$42.00
PREORDER
RELEASE DATE: 10/10/2025
Double LP version. Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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2LP
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PALAZZO 012LP
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$33.00
PREORDER
RELEASE DATE: 10/24/2025
Elektro Guzzi return with their 11th studio album, Liquid Center -- more focused than ever, yet more sonically open. The album presents the trio on a new level: their sense of precision and structure meets an unexpected depth and warmth. The sound is more restrained, more subtle -- and in this way, it gains even more presence. What stands out: this album sounds different. And it feels different too. Over the course of a year, the band developed a recording technique that translates their analog live energy into a sonic image that captures both the physicality of a band in space and the cool abstraction of techno. The result is a sound that doesn't seek loudness, but detail -- clear, warm, deep, and with an almost artificial precision. Liquid Center is not a loose collection of tracks but a coherent album experience. With every listen, it opens up a little more: a new texture, a shifted perspective, another layer emerging from the space between groove and sound. Maybe it's the music that's changing. Or maybe it's just the way you hear it.
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LP
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MR 479LP
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$28.50
PREORDER
RELEASE DATE: 11/14/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.
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LP
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ACRSLP 1673LP
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$26.00
PREORDER
RELEASE DATE: 12/31/2025
Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."
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Book
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9783907236666
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$65.00
PREORDER
RELEASE DATE: 2/3/2026
Delayed until 2026... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
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