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LP
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TA 176LP
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$28.00
PREORDER
RELEASE DATE: 2/13/2026
"El Llamado" is a performative work for solo or multiple voices, produced using whistles of varying sizes, materials, shapes, and cultural origins. It was commissioned by Maison des Arts Georges & Claude Pompidou, 2020. Its duration, format, and number of performers are adapted to the specific context of presentation. El Llamado (Der Aufruf) is a fixed arrangement of this work, composed and realized for this publication. It includes a studio recording employing whistles sourced from Austria, Germany, Italy, China, Spain, Greece, Hong Kong, Portugal, France, India, Mexico, the United States, Poland, the Czech Republic, Russia, Japan, and Nepal, alongside a public-space activation performed by Yann Leguay at Saint-Cirq-Lapopie, France, in 2020. Mario de Vega (1979) is a Mexican conceptual artist working in Berlin and Mexico City. His work overlaps relations between stability, failure, simulation and ambiguity with site-specific interventions, sound events, electronic devices, process-oriented projects and sculpture. Since 2020 he is professor for Sound-Art at the Kunsthochschule Kassel.
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LP
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SECOND 085LP
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"An immersion into classics. That kind of classics which holds in his pantheon Pierre Henri and Pierre Schaeffer, even though I should maybe refer to Michel Chion, given the powerful dramatic intensity displayed by these two compositions. Mario De Vega has once again proved himself a master at mixing in his works all of the elements that make me love electro-acoustic music so much. The unpredictability of the sound sources, some sort of spectral musicality, and the sudden moves; those compositional jumps that drag you from one space to another, from a world which you've just settled into, to another one, totally unknown, sometimes frightening, sometimes simply disorientating. There are also many moments of delicacy in these 27 minutes, and I find the punk aura that lingers over every turning point so fascinating, reminding of the early works of Valerio Tricoli, so volcanic and unpredictable, and yet so controlled. Mario De Vega's sure is a very personal work that displays enormous respect for the history and the classic narrations of experimental and concrete music, without losing anchor with the present." --Claudio Rocchetti Edition of 200.
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CD
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TA 148CD
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Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan toolset, and produced a discordant document of him repurposing the complete archive. Reducing the material to a collection of detritus for exhibition, the sound object is presented as both a conceptual remainder of the site-specific process, and an agitated extension to the label. Six-panel digipak; Edition of 300.
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