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viewing 1 To 25 of 69 items
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LP
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RANDB 062LP
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This LP helps answer one of rock's great what ifs. What if Gram Parsons had stayed with the Byrds? Given how few gigs this line-up played, it is lucky that Dutch and Italian radio recorded this May 1968 show live in Rome. Founder Roger McGuinn and newbie Parsons both sing lead, and the result is a fascinating set of "Cosmic American Music". As an added bonus included here are two further Bob Dylan covers from TV program Playboy After Dark, recorded in September 1968 after Gram had left the band but still true to his vision.
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4M 7001LP
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"Police & Thieves is a roots reggae classic by Junior Murvin originally released in 1977 which was produced by Lee 'Scratch' Perry (who also wrote or co-wrote many of the songs) at his legendary Black Ark Studios with The Upsetters. The title song was memorably covered by The Clash in a very different arrangement than Murvin's. Perry's imaginative and groundbreaking production surrounded Junior's falsetto vocals and the musicians in a dense, echo heavy, spaced out sound to create one of the great songs, and albums, of the roots era. Limited edition of 500 now available on gold vinyl!"
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LPCT 100LP
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Originally released in 1979. Edited by Brad Osbourne at Bullwackie Studio. A collection of tunes recorded between 1976-78 and somewhat of a US issue of Delroy Wilson's True Believer In Love LP released on Carib Gems in the UK in 1978 and on Micron in Canada the following year. Brad's collection features just one number from the former and the complete B side from the ladder. On the back sleeve: "Delroy Wilson has a lot of very special things going for him, things that made him the 'big soulful vocal star' that he is and the most consistent vocalists today in Jamaica. Perhaps the foremost of these qualities is an elusive commodity called soul, which is feelings, emotions, expression. Well to me, Delroy doesn't just sing -- he feels the song from within. Some might say he is one of the finest of one of the best reggae singers, but I think a little different, because I know Delroy can sing anything and sing it well. Soul, funk, reggae, shot music anything he's got the power, the know-how, the soul to mash it up..." Personnel: Robert Shakespeare - bass; Carlton "Santa" Davis, Sly Dunbar - drums; Chinna, Tony Chin - guitar (lead); Bobby Ellis, Dirty Harry, Tommy McCook - horns; Burnard "Touter" Harvey, Ossie Hibbert - organ; Ansel Collins - piano. Producer: Bunny Lee.
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LPCT 106LP
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Clocktower presents Golden Rockers, a compilation of roots reggae and rocksteady featuring Delroy Wilson, The Uniques, and more. Also features Val Bennett, Lloyd & Devon, Horace Andy, Dennis Brown, Ken Parker, Alton Ellis, Dave Parker, Pat Kelly, The Wailers, and Cornell Campbell.
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2LP
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ABST 018LP
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Abstrakce Records present a reissue of Erik Wøllo's Silver Beach, originally released in 1987. Minimalistic electronic instrumental music from Scandinavia. Erik Wøllo is a unique Norwegian musician that has been active since 1980, covering a wide range of styles but mostly known for his very personal take on electronic ambient music. Silver Beach is his fourth album, and it meant a new direction in his compositions. Gentle rhythms hold center for lush beautiful melodies to unfold, manifesting a restrained elegance in the way the chords hover around this percolating heartbeat. The result is synthetic walkabout music, an album of simple yet vibrant sophistication, perfect for wandering around, or sitting contemplating imaginary beautiful vistas with eyes closed. These fifteen stunning tracks create a sense of ceaseless motion without arrival, the pleasure of travelling without destination: walking on an outer limits beach. An early electronic music masterpiece, it was made using the latest MIDI technology at that time. Everything was composed and recorded on the now vintage Roland MSQ700, and all the diverse synths and rack modules were mixed directly down to 2-track analog tape (no multitrack tape was used). The original Silver Beach album was released on vinyl on the Norwegian label Cicada Records in 1986. In 1988 the album was released on CD (also Cicada) and included the additional and very rhythmical tracks "Little Big Tune" and "Mountain Train." The album was also re-released on CD on the Spanish label Margen Records in 2005, remastered and fine-tuned with five additional previously unreleased tracks from the same era. This tunes just refuse to be forgotten, their glittering beauty having both an air of nostalgia, but also of validity, as they continue to haunt new ears. There's no doubt that this is a classic of European eighties electronic music composition, a polished artwork with the best aesthetic and emotional signifiers of its era.
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ADR 12036LP
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"DC hardcore punk legends Assault & Battery featured members of the original lineup of Government Issue, Artificial Peace, Marginal Man and Savage Beliefs. This first ever official release of their only studio recording -- expertly transferred from the original 4-track master in Chicago at Electrical Audio and subsequently mastered by Tom Withers a.k.a. Tommy Stupid -- documents a vital group in the first flourishing of the DC Hardcore scene. It contains the band's previously bootlegged songs, plus never before heard takes! Limited Edition 160 gram metallic gold vinyl (500 pressed) in a 20pt board jacket with printed inner sleeve with liner notes by the band."
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ADR 12037LP
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"First ever official release of 1983 suburban hardcore masterpiece! This record perfectly captures the spirit of the first wave of hardcore punk -- cutting vocals, tight rhythm, shredded guitar and a take no prisoners attitude make for a timeless hardcore document. These songs were recorded in west suburban Chicago in 1983 by Lombard, Illinois based Evil l. Originally distributed by the band at shows, it remained largely unheard outside the Chicago scene until now. Mastered from the original tape and pressed into 160 gram green vinyl (500 pressed) in a 20pt board jacket with printed inner sleeve, lyric insert and liner notes by the band."
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BFE 057LP
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Six new songs by industrial tribalism/minimal wave duo Dame Area. Inspired by Coil, Suicide, Franco Battiato, Gary Numan, and Dino Buzzati. Dame Area surges from Barcelona's fertile underground scene and revisits the post-industrial aesthetic with a dissident and a free spirit approach through tribal rhythms, hypnotic keyboards, oneiric sounds, and eerie vocals. When 20 year old Silvia Konstance came back from a year living in Turkey and integrated on Barcelona's label and collective, Magia Roja, she didn't expect that her bedroom project Dame Area would be joined by the collective honcho Viktor L. Crux (aka Futuro de Hierro, ex-Qaa, ex-Ordre Etern, collaborator of Nurse With Wound, Jochen Arbeit and various Gnod-heads) and together would be releasing records not much later. Now, Dame Area has released several records and found its way into sets from some of the current bravest DJs, like Vladimir Ivkovic, Lena Willikens, Yamatsuka Eye (Boredoms), Identified Patient, Rivet, or Mr TC, between many others. Edition of 300.
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BT 046LP
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2021 restock. Patience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O'Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015. Known to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017's well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities. Presented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew's vocal asides, set against a backdrop of Ambarchi's shimmering Leslie-cabinet guitar tones and O'Rourke's synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves organically from ecstatic crescendos powered by Phew's processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O'Rourke's chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory. Presented in a deluxe sleeve with stunning images by Traianos Pakioufakis and an inner sleeve with live pics from Mike Kubeck. Design by Stephen O'Malley. Mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin.
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BRD 034LP
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Here's a document of a Paris now gone. The city was yours and ours. Strolling down the streets in your tired jeans and bright red polo shirt, a gentle breeze rustles a girl's long hair or maybe it was a boy, passing by in the aluminum sun. Sitting at your neighborhood café, talking with your friends, one of them a traitor, about the last football match, you are French and also maybe support Chelsea, a good move will enchant the evening. Now you work, now you don't, measly government money spent on instruments and chemicals. Drinking a can of beer outside the noise gig Are you 15 years old? Or are you 35? Maybe you're 62 all of a sudden. Laughing out loud in the street, at some joke that, at some point, was on you. Maybe start a fight, too much of this and too much of that under a bright white moon. You move along and there's no reason for concern, everything is wrong anyway. It's Paris and it's the suburbs, a seamless grey landscape that is your past and present, it's a reverie, might as well kill yourself again tonight. The city's now locked down and maybe it's best to leave it to die. The law can't erase the memories of what will come back anyway, against it. Paris still jingling in our heads, it's a stretch from Françoise Hardy's timid voice to the best French indie pop band you've never heard of, Freluquets. It's a stretch, still fighting in the streets over the capitalist laws or over a girl, or was it a boy? Gentle strumming, lonely notes for lonely garçons, now men. Going nowhere in your head, still hearing The Go-Betweens, a bit of quirk and crunch à la Monochrome set. How that makes for an imaginary Paris of 2020 going head on at a very slow speed, very slowly and maybe a bit numb but never limping, stumbling over, head over heels at a backwards pace. There is one smile, the dissolving smile of the future, neither here nor there. The City is always yours and ours for the taking, in a slow punch, our raison d'être.
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BRD 036LP
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Kariu Kenji, the leader of the Tokyo-based band OWKMJ, has released his third solo album in nine years. It is a masterpiece/problematic piece of work that took its time and was produced almost entirely by one person in the midst of the corona crisis, and is a significant leap forward in terms of sound design, composition, and vocals. If OWKMJ is a "dynamic" sound that crosses various genres, then this album is a "quiet", an expression of the various performances/listening experiences internalized in the memory of its creator. It is not a spontaneous attempt to integrate any kind of genres, but rather a work in which a variety of genres sprout up intrinsically, and you can feel a sense of awesomeness as if you were catching a glimpse of the songwriter's own musical history in the group of songs recorded on this album. The album's sound has a modern sound texture that evokes pop, rock, folk, electro, soul and other genres of recent years' hip-hop/r n' b and beyond, but there is a gradual deviation from all of them, and the album is packed full of musical intricacies, gaps and discrepancies. The "vocals" in this album are just as, if not more, appealing than the sound. According to him, "I took advantage of the fact that it's not a singer's voice and recorded it to make the most of the potential of my humble voice", but when you listen to this singing with its flat, almost calm intonation, and not trying to sound like a pretender, it gives you a strange, foreign feeling. The lyrics, which expand the song's imagery in multiple layers, are also wonderful, and have a universal power, as if the song (or words) grow in the listener's mind as they follow the words. The introspective moods of the Covid-19 ravages and the quiet landscape of the city under the declaration of the state of emergency overlap, and at the same time, the towering figure of a musician who never stops creating/imagining his own music comes to the fore in this raw, contemporaneous music.
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BYG 026LP
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2021 restock. LP reissue, in gatefold sleeve. "L'Incendie is the first collaboration between Areski and Brigitte Fontaine. It's an exceptional album for BYG records. In a perfect symbiosis with Brigitte Fontaine's magnificent voice and surrealist texts, Areski creates a minimalist 'ethno-folk acoustic universe.' In the uniquely French 'dark chanteuse' genre, this is a classic. Originally released in 1974."
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BYG 337LP
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2021 restock. 37th volume in the BYG Actuel series; gatefold sleeve, 180 gram vinyl. The quintessentail Actuel album and your basic cornerstone of Free Music 101. "An album recorded in Paris (on June 22nd, 1969) with his wife Linda plus Ben Guerin (bass) and Jacques Thollot (drums). Sonny Sharrock was one of the top avant-garde guitarists and his playing was intense and ferocious. He mixed together Jimi Hendrix and Pharoah Sanders." "Sharrock was the first guitarist to really embrace fire music. He wanted his playing to mirror the emotional scream of the tenor saxophone." --Thurston Moore and Byron Coley.
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CACK 022LP
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2021 restock. Cacophonic present an abridged reissue of Experiences Musicales De Jean Dubuffet, originally released by Jean Dubuffet in 1961. If ever a phonographic accomplishment could encapsulate the precise modus operandi of the Cacophonic label, then the Expériences Musicales sessions made by French born painter, sculptor, music maker, wine merchant, and founder of the Art Brut movement, Jean Dubuffet would be a prime candidate. Originally released as an impossibly rare six record box set containing Dubuffet's first long anticipated forays into sound sculpture and spontaneous artistic noise, these intimate early 1960s recordings show a lesser-known side of this important artist's personality and stand up as a vital document in both fields of contemporary art and experimental music. Finally released to a wider audience and presented complete with Dubuffet's signature style artwork, this abridged vinyl edition includes specific selections curated by the artist himself, in conjunction with experimental music pioneer Ilhan Mimaroglu, and showcase what the two leading lights of modern art consider to be the best moments of this historic session. On this limited vinyl pressing Dubuffet succeeds in translating his unique spontaneous creativity and active support of Low Art into musical forms, a process with which he would also collaborate in his dual compositions with Danish avant-gardener Asger Jorn (for a separate series called Musique Phénoménale). Utilizing a wide range of orthodox acoustic instruments ranging from violin and open piano to duck whistles and not musical apparatus this set of eight pieces (culled from a potential twenty tracks made under the Expériences Musicales banner) sees the work of the artist approaching music from the perspective of "a man of 50000 years ago". Recorded at Galleria del Cavallino in Venice Italy during the first months of 1961, these primary experiments with music followed over twenty years of Dubuffet developing his own unconventional artistic persona as an instantly recognizable pioneer of post-war artistic abstraction. The recordings you will find within the grooves of this LP were created without any reference and in the artist own words "without any discipline, without anything that would present the artist from expressing himself freely and for his own good pleasure". Almost sixty years have passed since this sonic objet d'art was first realized, and with all the technology and the advanced science-of-sound, decades of so-called experimental musicians are still struggling to find that Brut energy within their creative endevors making this early example one of vital existence.
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CNLP 058LP
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Cinedelic Records present a reissue of Maria Teresa Luciani's Situazioni del Terzo Mondo, originally released in 1972. The world of Italian library music surprises again with an extremely evocative record. Released with the name of Maria Teresa Luciani but really produced and composed by her brother, maestro Antonino Riccardo, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track. Recorded in 1972 it is reissued in a limited edition by Cinedelic Records.
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CSR 274LP
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2021 restock; LP version. 180 gram vinyl; 350gsm gatefold sleeve; includes download with "The Doctrine Of Eternal Ice". Originally released by Side Effects in 1986, Zamia Lehmanni was the third (and final) core SPK album and was Graeme Revell's first truly solo project. He was in a period of transition, somewhere between the industrial noise of the early years and his later award-winning soundtrack work. On the day before this was first released, this style of music, now ubiquitous (especially in soundtracks), did not exist. After Information Overload Unit (1981) cleared a space for subsequent explorations, and the environmental percussion and anchored mutilated sound collages of Leichenschrei (1982), the "body without organs" was fully eviscerated. Graeme felt "industrial music" was becoming ossified and needed to be taken into radically new territories: "post-industrial". The track "In Flagrante Delicto" (mastered as originally intended here) was later used by Revell for his work on the soundtrack for the 1989 film Dead Calm, which won him Best Original Score from the Australian Film Institute. Unavailable in any format since Mute's 1992 CD edition, Cold Spring Records now present this landmark album on newly remastered CD, and on vinyl for the first time since 1986. Approved by Graham Revell, this release comes with new artwork by Abby Helasdottir and is remastered by Martin Bowes (The Cage). New liner notes from Graeme Revell, 2019.
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2LP
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CSR 276LP
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2021 restock, limited; double LP version. 180 gram vinyl; glossy, 350gsm gatefold sleeve. Cold Spring Records announce the long-awaited reissue of Stolen & Contaminated Songs, Coil's 1992 album. Stolen & Contaminated Songs was recorded and produced by Coil in 1992. It is comprised of over 60 minutes of outtakes and unreleased songs, evolved during the recording sessions for their prior album, Love's Secret Domain (1991). A wealth of superb material showcasing the diversity of Coil: dark, violent, vivid, and fractured, yet cohesive and beautiful. Combined with the latest studio technology and Coil's ever-evolving production skills, S&C Songs walks a fine line between tradition and innovation, continually creating semi-abstract soundscapes with a cinematic quality.
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OME 1023LP
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2021 restock. Fantôme Phonographique present a reissue of Daphne Oram and Vera Gray's Listen Move & Dance, originally released in 1962. The British composer, musician, and audio engineer Daphne Oram was a pioneering figure in the use of electronic music. Coming to prominence through her work with the BBC Radiophonic Workshop, which she co-founded, Oram was one of the first British composers to feature electronic instruments in her work and has been rightly hailed as helping musique concrete to become accepted in Britain. Oram's composition "Still Point", involving two orchestras, two turntables and five microphones, was deemed too radical by the BBC, though she was promoted to studio manager in 1950, leading to the gradual introduction of electronic music and musique concrete techniques on BBC soundtracks. In 1957, she composed the music for the play Amphitryon 38, using a sine wave oscillator and homemade filters, and this and other subsequent works led to the establishment of the BBC Radiophonic Workshop the following year, but Oram soon tired of the conservative constraints of the BBC, leading to her resignation in 1959 to pursue her own vision at the Oramics Studios for Electronic Composition, located in Tower Folly, a former hop kiln located at Fairseat, near the village of Wrotham in rural Kent. "Oramics" was a radical sound composition technique that sought to transform images to music, enacted by drawing onto 35mm film, which would then be read by photo-electric cells; in addition to its use in Radiophonic Workshop material, "Oramics" was also employed for sound installations, theater productions, and feature films, such as The Innocents, though financial pressures forced Oram to seek a range of commercial engagements in addition to creating her own artistic works. The Listen Move & Dance series of BBC programs were devised as a radical new technique to help British schoolchildren learn how to dance; on the LP releases, Vera Gray arranged short adaptations of classical pieces by Bartok, Stravinsky, Shostakovich, and others, designed for "stamping, punching, kicking and jumping" movements, as well as "running lightly", "dancing on toes" and "shaking all about", which contrasted sharply with Oram's electronic abstractions, which seemed to have been beamed in from outer space. 180 gram vinyl.
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HPS 153C-LP
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Red and blue vinyl. Heavy Psych Sounds release Acid Mammoth's 2017 self-titled debut album, previously released digitally. Acid Mammoth was recorded late 2016-early 2017 at Descent Studio while drums were recorded at Wudsound Studio. The album was initially released digitally in October 2017 via Bandcamp and introduced us to the beloved doom scene. More raw and more monolithic in its essence than the albums that followed, Acid Mammoth is a doom metal album with lots of heart and tremendous excitement. Killer new artwork by Branca Studio.
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HPS 153LP
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LP version. Heavy Psych Sounds release Acid Mammoth's 2017 self-titled debut album, previously released digitally. Acid Mammoth was recorded late 2016-early 2017 at Descent Studio while drums were recorded at Wudsound Studio. The album was initially released digitally in October 2017 via Bandcamp and introduced us to the beloved doom scene. More raw and more monolithic in its essence than the albums that followed, Acid Mammoth is a doom metal album with lots of heart and tremendous excitement. Killer new artwork by Branca Studio.
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HPS 158S-LP
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LP version. Half green fluo/half black vinyl. North Carolina's Cosmic Reaper comes crashing through the speakers with their self-titled debut album. Dripping with a classic '70s attitude, mixing sci-fi oriented lyrics, brief but satisfying moments of prog exploration, all while keeping one foot firmly planted in modern doom, you start to get an idea of the interstellar journey that awaits. The heaviest elements are there and are guaranteed to move planets. The stars align and engines ignite as Cosmic Reaper claws at the soul of the genre.
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HPS 159S-LP
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LP version. Gold/black vinyl. From The Graveyard is the second full-length of the occult doom band 1782. In this album there is a leap in quality as the production is much better than the previous releases. Eight tracks and 43 minutes of pure dark doom, with slow and powerful riffs, and heavy and massive drumming. After the recording of Doom Sessions Vol. 2 (HPS 142CD/LP/LTD-LP/S-LP, 2020), the band immediately enters the studio and records the heaviest tracks they have done so far, and they have done it while maintaining that catchy state they have always had. Also features: Nico Sechi on organ (Hammond) and Alfredo Carboni's synth. From The Graveyard was recorded, mixed, and mastered in November 2020 by Alfredo Carboni at RKS Studios in Ossi, Sardinia (Italy).
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HPS 167LP
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LP version. Acid's Trip has done it again -- high energy rock'n'roll with string-bending licks, a touch of soul and a blazing organic beat. This best describes the Gothenburg-based quartet that has taken the timeless sound of past decades to a whole new level. The album Strings of Soul was recorded during the late summer of 2020 by the band themselves for that hard rock feel and the production was mixed and mastered by genius sound engineer Ola Ersfjord (Honeymoon Disease, Tribulation, Dead Lord, etc.) With past releases like the 12" maxi vinyl Rock n' Roll Speedball the band has generated shell shock while delivering top speed live action on any occasion and the debut album Strings of Soul is no exception. 11 exploding tracks filled with emotion, rawness and melodies to bring you on a sonically unforgettable journey that really puts this album on the race track and up the charts. This album is like an explosive mixture of Thin Lizzy, Lynyrd Skynyrd, and the Hellacopters that delivers instant hits like "Get It Right", "No More Fucks", and dubbed favorite by fans "Faster Chopper Boogie" that will hit you right in the face and straight in the heart.
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HPS 167LTD-LP
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LP version. Yellow splatter on red/black vinyl. Acid's Trip has done it again -- high energy rock'n'roll with string-bending licks, a touch of soul and a blazing organic beat. This best describes the Gothenburg-based quartet that has taken the timeless sound of past decades to a whole new level. The album Strings of Soul was recorded during the late summer of 2020 by the band themselves for that hard rock feel and the production was mixed and mastered by genius sound engineer Ola Ersfjord (Honeymoon Disease, Tribulation, Dead Lord, etc.) With past releases like the 12" maxi vinyl Rock n' Roll Speedball the band has generated shell shock while delivering top speed live action on any occasion and the debut album Strings of Soul is no exception. 11 exploding tracks filled with emotion, rawness and melodies to bring you on a sonically unforgettable journey that really puts this album on the race track and up the charts. This album is like an explosive mixture of Thin Lizzy, Lynyrd Skynyrd, and the Hellacopters that delivers instant hits like "Get It Right", "No More Fucks", and dubbed favorite by fans "Faster Chopper Boogie" that will hit you right in the face and straight in the heart.
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HPS 167S-LP
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LP version. Half gold/half brown vinyl. Acid's Trip has done it again -- high energy rock'n'roll with string-bending licks, a touch of soul and a blazing organic beat. This best describes the Gothenburg-based quartet that has taken the timeless sound of past decades to a whole new level. The album Strings of Soul was recorded during the late summer of 2020 by the band themselves for that hard rock feel and the production was mixed and mastered by genius sound engineer Ola Ersfjord (Honeymoon Disease, Tribulation, Dead Lord, etc.) With past releases like the 12" maxi vinyl Rock n' Roll Speedball the band has generated shell shock while delivering top speed live action on any occasion and the debut album Strings of Soul is no exception. 11 exploding tracks filled with emotion, rawness and melodies to bring you on a sonically unforgettable journey that really puts this album on the race track and up the charts. This album is like an explosive mixture of Thin Lizzy, Lynyrd Skynyrd, and the Hellacopters that delivers instant hits like "Get It Right", "No More Fucks", and dubbed favorite by fans "Faster Chopper Boogie" that will hit you right in the face and straight in the heart.
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