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LP
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BV 277172LP
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Tasty collection of Nick Cave performing some heavy-hitting cover versions of "Sunday Morning", "There Is A Light", "Mack The Knife", "Here Comes The Sun", "Disco 2000", "Goodbye Marilou", "Free To Walk", "The Big Hurt", "The Sweetest Embrace", "Suzanne ", and "All The Pretty Horses".
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2LP
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BING 167LP
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2022 repress; double LP version. "epic represents a crossroads for me as an artist. Going from intern to artist at Ba Da Bing, from solo folk singer to playing with a band for the first time and beginning to play shows on tour where people showed up. I am in awe of the artists who wanted to participate in celebrating my anniversary and reissue, from young inspiring musicians, to artists who took me under their wing, who I met on tour, and to artists I've looked up to since I was a teenager. Each one of these artists continue to influence my writing and provide a sense of camaraderie during this new era of sharing music." --Sharon Van Etten "Sharon Van Etten's career since the release of her second album, 2010's epic, is well-known; critically lauded albums, films, and television shows have continually displayed her expanding artistry. Upon its release, epic laid a romantic melancholy over the gravel and dirt of heartbreak without one honest thought or feeling spared. Her songs covered betrayal, obsession, egotism, and all the other emotions disliked in others and recognize in oneself. Van Etten's grounded and clenched vocals conveyed a sense of hope -- the notion that beauty can arise from the worst of circumstances. To celebrate the 10th anniversary of this special album's release, and to acknowledge the convergence of Van Etten's present and past work, she asked fellow artists she admired to participate in an expanded reissue, where each artist would cover one different song from epic in their own style. Some are musicians Van Etten herself admired in her early days (Fiona Apple, Lucinda Williams, and Aaron Dessner and Justin Vernon of Big Red Machine), some are peers (Courtney Barnett, IDLES), and others are part of a younger generation of innovators (Shamir, St. Panther). What they all share is embodied by epic -- a musician frankly communicating the power of music. The resulting epic Ten is a double album featuring the original plus the new album of epic covers and reimagined artwork."
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BEAT 044LP
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2022 repress. Unheard Rejects 1979-1981 is a collection of demo tracks recorded between 1979 and 1981 by the mighty Cockney Rejects. Twelve songs from the first era, their first steps inside the '77 punk movement that they and others bands like UK Subs or Sham 69 helped to build. Here you can find the rudest Cockney Rejects songs with some of The Clash's influences audible in the reggae riffs. This record was originally released under the Wonderful World label and now Beat Generation is more than proud to offer it again to the new punk movement and also to the people who never paid it the attention it deserved. First repress on vinyl. Features an original cover replica.
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BEAT 072LP
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2022 repress; originally released in 1989, Standard Issue 82-87 presents British anarcho punks Conflict at their most fierce and confrontational, with a complete overview of the band´s classic early stages. Their extremely pissed off yet melodic trademark sound is here in all its angry splendor: three full 7"s are included, plus tracks from another 7", 3 LPs and a re-recording of their eponymous anthem. 13 blasts total of raging, original and strongly political UK hardcore, the ideal soundtrack to a world falling again into a pit of nationalism and fascist stupidity. Now more than ever, Conflict´s powerful protest noise needs to be listened to, and loud!
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CD
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BCM 9600CD
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Beat Records release on CD the original soundtrack composed by Ennio Morricone for the 1971 giallo movie Gli Occhi Freddi Della Paura (aka The Cold Eyes of Fear), directed by Enzo G. Castellari with a screenplay by Enzo G. Castellari, Leo Anchóriz and Tito Carpi. Photography by Antonio L. Ballesteros, editing by Vincenzo Tomassi, and starring Giovanna Ralli, Gianni Garko, Fernando Rey, Julián Mateos, Karin Schubert, Frank Wolff, Franco Marletta, Leonardo Scavino. The plot -- Peter Badel, the young son of a judge, arrives back home with his girlfriend Anna and is held captive by two criminals who'd been lying in wait after killing the servant. The older of the two criminals, who'd been sentenced by Peter's father to fifteen years in jail, plans to kill the judge when he returns home by blowing up the house with an explosive device. Peter and his girlfriend try everything in their power to communicate with the outside world, but their efforts are in vain. Desperate, the young man causes a short circuit that leaves the house in complete darkness. In the ensuing climactic fight scene, the two criminals and the girlfriend are killed, and Peter, the only survivor, battered and bleeding, awaits his father's return. The music -- Ennio Morricone composed a score of the experimental kind, conducted by Bruno Nicolai and performed by Gruppo di improvvisazione Nuova Consonanza. With just a few instruments performing a sort of conversation, the maestro effectively creates an avant-garde atmosphere, suspended and rarefied, alternating with other violent clashes of sound that provide the ideal background to the situation of pure terror in which the protagonists find themselves. For the making of this CD, the stereo master tapes of the original session were used, providing another discographic tribute to the musical art of Ennio Morricone and the cinematic art of director Enzo G. Castellari. Liner notes by Fabio Babini, mastering by Claudio Fuiano, and graphic layout by Daniele De Gemini.
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CD
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CDCR 147CD
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Beat Records release the first absolute edition of the soundtrack composed by Vasco Vassil Kojucharov for the movie Byleth Il Demone Dell'incesto (1972). From Nomus foundation archive, from which Beat Records have taken a number of scores composed by the maestro, the label make available this nice soundtrack that features the presence of melodic cues and sonic masses close to experimentation, both genres in which the artist makes a display of his usual talent, this time scoring a gothic horror with some red lights. Liner notes by Alessandro Bratus, mastering by Enrico De Gemini, and graphic layout by Daniele De Gemini.
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2CD
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DDJ 025DLX-CD
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A catalog such as Beat Records, with its roots in the '60s may have a difficult logistic. Beat Records changed many times head quarter up to moving to Via Filippo Nicolai 16 from the late '80s up to nowadays. Such a company catalog, sensibly grown during 55 years of life, was always needing more space and so, recently, the label decided to find a new place where to agglomerate various storages spread through Rome. What does all the above things have to do with They Call Him Trinity? A lot, while archiving some tapes in order to prepare our forthcoming transfer, the label found them. Six 24-track master tapes belonging to the original recording session. Priceless material stored in crates in a corner, still there to be archived since a preceding moving. A brief e-mail exchange with our co-publishers of Carosello, a meeting in Milan with Adriana Branchini and Dario Giovannini, to get their support and they proceeded with this recovery project. The first release of this score is dated January 1971, this 2021 December the 50th year will expire. With all due precautions Beat Records transferred the tapes and organized a remastering session in Trafalgar studios, Enrico De Gemini experience, responsible of West catalog, guided the recovery and restoration. Surprises weren't late, the recording was perfect, the crisp sound could be remastered in a brilliant stereo. One of the most beloved Western soundtracks of all time is going to live a second youth with a great dynamic, not saturated, the various ingredients and still tasting the mixed amazing resulting effect. And there is a lot of unreleased material, an amazing deguello version featuring a trumpet instead of the flugelhorn, a beautiful alternate version of "Di Fronte Ai Killers", of "Un Cowboy e Due Ragazze", and a lot of unreleased takes of "Trinity's Valley" in which Franco De Gemini harmonica is prominent. Mastering by Enrico De Gemini; graphic layout by Daniele De Gemini.
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LP+CD
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BEC 5156050
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2022 restock. Zbigniew Preisner is a self-educated Polish film score composer who first won renown for his collaborations with influential Polish director and screenwriter Krzysztof Kieslowski. As part of its reissue series focusing on Preisner's work with Kieslowski, Because Music presents a reissue of Preisner's score for Kieslowski's Three Colors: Red (1994), the third film in Kieslowski's Three Colors Trilogy (BEC 5156047), following Blue (BEC 5156048) and White (BEC 5156049). The trilogy is themed on the French Revolutionary ideals of liberty, equality, and fraternity; Red is about fraternity, which it examines by showing characters whose lives gradually become closely interconnected. Red stars Jean-Louis Trintignant and Irène Jacob, and received universal acclaim upon its release; Preisner's score, performed by the Sinfonia Varsovia and the Silesian Philharmonic choir, won the 1995 César Award for Best Music. The score opens with a performance by Zbigniew Zamachowski. Zbigniew Preisner has also worked with Jean Becker (on Élisa (1995), winner of the 1996 César Award for Best Music), Thomas Vinterberg (It's All About Love (2003)), and Claude Miller (Un secret (2007)). LP includes CD.
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LP
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BONF 006LP
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Exclusive liner notes by Dr. John. Published in 1970 on the small imprint Tiffany Records, the self-titled debut album by Brethren still deliver the goods half a century upon its original release. Way long before the genre Americana was certified, even before the "blue eyed soul mania" arose, this talented combo pave the way for an intense songwriting. Girl group The Blossoms was on board for several tracks on backing vocals, while the almighty Dr. John played keyboards as a guest and wrote some intense liner notes. Folk rock mixed with some country and a dash of gospel, that was the original essence of the album, a serious runner up in the Little Feat/Allman Bros category. But if you look further this band could have been easily described as the US answer to Steve Winwood's Traffic. "Midnight Train" has a southern rock feel while the vocals and composition on "Don't Talk Now" could pass as a tune from The Band. "I've Been Provided For" would fit in at a church revival while bluesy numbers such as "Outside Love" and "Success Brand Oil" have an uncanny jazz rocking instrumental feel. Fully remastered and licensed. 180 gram vinyl; edition of 500.
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LP
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BB 030LP
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2022 restock of Bureau B's 2009 reissue. LP version. Originally released in 1978 on Sky Records, After The Heat was the second collaborative release by Brian Eno with Dieter Moebius and Hans-Joachim Roedelius (Cluster). Produced once again by Conny Plank, After The Heat is a suite of micro-managed organic and electronic instrumentation that features recited and sung vocals by Eno on 3 tracks. As Asmus Tietchens writes in the liner notes: "Cluster & Eno can, with the benefit of hindsight and without overstating its case, be seen as the first ambient album to have been produced in Germany. The second LP, After The Heat, is, however, a completely different story. Whilst Cluster & Eno bears the hallmark of a Cluster composition guided by Eno's ambient concept, After The Heat is more of an Eno album bearing stylistic characteristics of Cluster music." Sweet, slow-moving and airy, with a modern classical/prog appeal.
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6CD BOX
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CRCDBOX 117CD
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"Six CD box set containing the complete recordings released between 1981 and 1986 by Edward Ball's indie mod band The Times including their albums Go! With The Times (recorded 1980 but released in 1985), Pop Goes Art! (1982), This Is London (1983), Hello Europe (1984), Up Against It (1986) and Enjoy (1986). Also includes The Times' rare 1981 debut single Red With Purple Flashes / Biff! Bang! Pow! which has sold for over £300."
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LP
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CNPL 808LP
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Finally, the LP reissue of one of the most loved albums by Italian progressive rock connoisseurs in a limited edition with gatefold cover like the 1972 original released for Kansas (the same label that produced Capricorn College Orfeo 2000 and EA Poe Generazioni). The Flashmen, a quartet from Cremona formed in 1967, have a wide and interesting discography but Pensando is at an absolutely superior level as regards creativity and maturity. A remarkable record worthy of the best groups of their contemporaries and aligned with that "thirst for new" that pervaded the period in which it was made. With the superb organ of Silver Scivoli in the foreground, the distorted guitar of Luciano Spotti, and the powerful drumming of Roberto Caroli which in the record demonstrates all its caliber the Flashmen (whose name derives from the Italian film Flashman of 1966) give their best blending rock prog, hard blues, psych, and gothic. A limpid and vigorous execution, an over-the-top recording, scratchy and modern lyrics as well as solid and original in its song structure enclosed between an "Ingresso (Entrance)" and a "Sortita (Sortie)" just like in the best concept albums make Pensando an essential album in the genre.
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LP
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CNPL 809LP
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Capricorn College was a sextet created by composer/musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000, originally released in 1972, is the first of the two LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.
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LP
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DKR 188LP
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Limited restock. Black Friday RSD 2015 release. "First ever reissue of this classic Channel 1 material. Housed in a two color silk screened jacket with an 18" x 24" poster of the iconic cover art. Revolutionaries Sounds Vol. 2 is the stellar 1979 follow up to the groundbreaking 1976 self-titled first volume. The Revolutionaries were the house band of Channel 1 studios, and their style defined the sound of reggae in the second half of the 1970's. The band was a who's who of the top players of the decade, featuring the core unit of Sly Dunbar, Robbie Shakespeare, Ranchie McLean and Rad Bryan. Augmented by a revolving cast of the top hornsmen, keyboard/organ players and percussionists, The Revolutionaries not only backed the in-house production output of their 'home base' studio of Channel 1, but countless other productions done by producers renting the studio. The 1976 first volume released in Jamaica was an instrumental affair, with the iconic Che Guevara image by Ras Daniel Heartman on the cover complimenting the militant sounds contained on the album. For this 1979 follow-up originally released in the UK, Che again adorns the album, with the tracks being a mixture of classic instrumentals recorded at various points in the few preceding years, and then previously unreleased dubs to some of the studio's hardest original rhythms, such as Alton Ellis' 'Tell Me' and the Enforcer's 'Ride on Marcus.' Previous to this album, some of these tracks had been coveted dubplates on the sound system scene of the day. Reissued for the first time ever, this is a fantastic touchstone for fans of '70s roots reggae, and with a terrific selection of tunes that should satisfy the hardcore roots fans, serious dub heads and across-the-board reggae fans just the same."
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LP
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LPNUY 007LP
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Disasters By Choice release Voltaje Raizal, the first album of the tropical futurist music project Rizomagic. Rizomagic is an electronic music duo, that consists of Diego Manrique, director of the avant-garde cumbia orchestra Niño Pueblo, and Edgar Marun, director of the ethno-Afrobeat ensemble, Dorado Kandua. Two outstanding projects from Bogota's new thriving alternative psychedelic scene. The sounds of the album are rooted in the Afro-Caribbean musical tradition, in the mixed ancestry that defines Colombian culture, and IDM. The melodic construction of the album takes inspiration from various cultures, including indigenous chants from Colombia's Embera people, the traditional scales from Mali's Bambara ethnic group, and the Ghanian palm wine guitar interpreted by a Caribbean millo flute. The mix and master were carried out by Eblis Alvarez (Meridian Brothers, Pirañas, Chupame el Dedo) and Camilo Manchego offered the final touches that make Voltaje Raizal a fresh proposal to Colombia's futurist tropical scene. "Rizomagic set out to recontextualize their sources. It's no coincidence that their name comes from rhizomatic, the botanically derived term for a subterranean, horizontal network of roots." Rizomagic remixes of both La Palabra and Truequeo. Edition of 350.
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LP
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ENCH 048LP
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Jaffna, the melodic deep-house duo formed by Bravin and Stan, is finally releasing its first album after four years of existence. Their debut EP Ripples in 2017 surprised everyone with over nine-million plays on Spotify and they opened for Thylacine for two years. Jaffna was created on a trip to Oslo ("Oslo"). Odyssey is a sonic travel diary, going from Sri Lanka ("Roots", "Bhairavi"), to Germany ("Sturm und Drang") through London ("Hackney Boy", "You Got Together", "Rival", "Manifest") in the footsteps of the childhood of Bravin, classical pianist and keyboard player of Thylacine. "Headlines" or "Outro" retrace their Parisian life more. Stan has been a DJ and house music producer for several years in Paris. Their subtle and airy mix of melodic deep-house tinged with a few forays into Indian vocal harmonies is a gentle immersion in their very singular universe ("Oslo", "Hollow Fields"). On stage, they add a touch of power propelling their melodic techno or UK house/future garage tracks. Jaffna is to be classified between Rone, Bicep, Ross from Friends, French 79 or N'To. Rediscovering the minimalism of their early career, Jaffna surprises again with aerial melodies in duality with a melodic future garage/house rhythm. Mastered by Alex Gopher. 180 gram vinyl.
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CD
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FPE 035CD
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"Tatsu Aoki has done a lot. The MIYUMI Project mastermind has composed jazz orchestral suites about the Asian immigrant experience in the US; performed and recorded with legendary Chicago AACM musicians -- Fred Anderson, Malachi Favors, Roscoe Mitchell on the short list; been commissioned by Yoko Ono to bless her SKYLANDING installation with music; worked for decades to help make the Asian American jazz and improv scene a Thing. Now he's ready to let the Ass flow. Bass Dreams minus B (get it?) is a group helmed by Aoki on Asuka Bass (it's the Asuka bass because it's autographed by reigning WWE champ Asuka), with Charles Rumback on drums, Coco Elysses on percussion, and the brain-boggling duo of Rami Atassi and Terry Tanaka on electric guitars, whose mission is to melt yr face bro till yr skull is plain white and there's a facepool on the ground, don't slip in the face. Where did it come from? 'Bass Dreams minus B was inspired by all my favorite bassists and wrestlers,' Aoki, master of understatement, explains. Specifically: 'My top five Dee Murray, Kenny Gradney, Tiran Porter, John Paul Jones, and Malachi Favors !!!!' It's the dream of the bass player -- dial up the groove, lock it in, and then have two master shredders fill every pocket. Not just the hip pockets and the breast pockets -- pockets you can't see -- inside pockets, surprise back pockets, lapel pockets. Every gap spied and excavated for maximum satisfaction. We're talking jamz, with a z. I was on it being like a 70s private press thing, fusion with a psychedelic hand drawn cover and lots of ringwear, but Tatsu set me straight. I had to head down to the local vinyl hole (shout out to Val's Halla!) and pick up Little Feat's live album, Waiting for Columbus (Tatsu said it's 'notorious'). Now I get it. Steal yr freakin face man. Tatsu's been chasing this flow for decades, a swirly dream come true, not a B to be found but the boogie in your butt."
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GEOG 003LP
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Good Morning TV started in 2016 with a first self-titled EP, released by pop diggers Requiem pour un Twister, that managed to echo until miles away from their homeland, France. At the time a solo adventure of Bérénice Deloire, the project progressively became a band as Barth Bouveret (producer for both the EP and the album), Thibault Picot (Brace! Brace!) and Hugo Dupuis joined their forces, guided by mutual harmony. After two years of writing together, the quartet isolated itself in a peaceful home of the south of France in order to achieve their first album Small Talk to be released on Géographie. Small Talk is born in this rough temporary studio, that rather resembled a weird laboratory. Its singular material, along with a contemporary production that both enhance a bold songwriting are casually passed by familiar choruses. With this record, Good Morning TV paints a melancholic portrait of daily disillusions and claims its own vision of pop, somewhere between Broadcast, Deerhoof or The Olivia Tremor Control.
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CD
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GET 56050CD
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"Legendary artist MF DOOM (aka Zev Love X of KMD) opened up a lyrical wormhole with Vaudeville Villain, one of the most unique releases in a career packed with nothing but uniqueness. It is a concept album with plenty of high comedy, street technology, and hijinks, splashed artfully over next-school beats, which move freely in the spaces between electronica and hip hop, by King Honey, Heat Sensor, and Max Bill. Take a trip back to the origin of the Super Villain -- an unanticipated time travel-machine breakdown left him stuck in the early '90s where he has no choice but to battle sucka MCs and carry out side-hustles so he can repair the time machine and go back to the future. All tracks feature original lyrics by DOOM, and guest appearances include: M. Sayyid (Anti-Pop Consortium), Lord Sear, Apani B Fly MC, RJD2 and more."
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CD
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HAB 017CD
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"Habibi Funk presents a selection of works by Algerian-born, Amazigh artist Majid Soula. Majid's music blends the best of Arab-disco, highlife and groovy funk into something wholly unique. Born in Kabylie, Algeria -- a place that remains fundamental to his career -- Majid Soula is a self-made musician, artist and producer. With no formal music education, Majid's tenacity has led to a career that is still blossoming. His synths, driving drums, guitar & strong lyrics make a unique sound. A strong proponent for the rights of the Amazigh, he has a band that to this day plays shows, most linked to cultural events of the Amazigh diaspora in France, as well as in Belgium, Russia the UK and Sweden. He was part of a new wave of widely popular and successful Kabyle artists in the 1980s, such as Ait Menguellet, Lounès Matoub, Takfarinas, Idir and many more. Habibi Funk as a label is dedicated to re-releasing music from 'The Arab World', but this release shows how reductive this term can be, as the countries from North Africa and West Asia being summarized under this term include a vast number of languages and identities. Obviously, headlines sometimes come with limited space, and one can't avoid using terms that paint a half-finished picture. That being the case, however, we are even happier that Majid Soula liked our idea to work on a release of a selection of his music with us. The tracks here are incredible and need to be introduced to a new generation of listeners. For Majid Soula music is more than just entertainment. He considers himself an activist through music, and foremost a 'chanteur engagé', as he says of himself: 'I take my inspiration from the daily life of my people and I share all their aspirations, mainly the official recognition of Tamazight as a language, culture and identity.' He still works on new music in his small home studio in Belleville and occasionally plays concerts for the Amazigh community of the city. We sincerely hope that for you reading this and listening to Majid's album, his music will have the same revelatory feeling it had on us, and that this will be part of a momentum that will allow Majid to keep on working, playing, and sharing his message for many years to come."
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LP
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HAB 017LP
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LP version. "Habibi Funk presents a selection of works by Algerian-born, Amazigh artist Majid Soula. Majid's music blends the best of Arab-disco, highlife and groovy funk into something wholly unique. Born in Kabylie, Algeria -- a place that remains fundamental to his career -- Majid Soula is a self-made musician, artist and producer. With no formal music education, Majid's tenacity has led to a career that is still blossoming. His synths, driving drums, guitar & strong lyrics make a unique sound. A strong proponent for the rights of the Amazigh, he has a band that to this day plays shows, most linked to cultural events of the Amazigh diaspora in France, as well as in Belgium, Russia the UK and Sweden. He was part of a new wave of widely popular and successful Kabyle artists in the 1980s, such as Ait Menguellet, Lounès Matoub, Takfarinas, Idir and many more. Habibi Funk as a label is dedicated to re-releasing music from 'The Arab World', but this release shows how reductive this term can be, as the countries from North Africa and West Asia being summarized under this term include a vast number of languages and identities. Obviously, headlines sometimes come with limited space, and one can't avoid using terms that paint a half-finished picture. That being the case, however, we are even happier that Majid Soula liked our idea to work on a release of a selection of his music with us. The tracks here are incredible and need to be introduced to a new generation of listeners. For Majid Soula music is more than just entertainment. He considers himself an activist through music, and foremost a 'chanteur engagé', as he says of himself: 'I take my inspiration from the daily life of my people and I share all their aspirations, mainly the official recognition of Tamazight as a language, culture and identity.' He still works on new music in his small home studio in Belleville and occasionally plays concerts for the Amazigh community of the city. We sincerely hope that for you reading this and listening to Majid's album, his music will have the same revelatory feeling it had on us, and that this will be part of a momentum that will allow Majid to keep on working, playing, and sharing his message for many years to come."
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7"
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HSRSS 002EP
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"'Popcorn' is presented on 7" vinyl for the first time ever. Originally released on The Upsetters' 1970 full-length Eastwood Rides Again this Jamaican funk instrumental by Lee 'Scratch' Perry and the Upsetters is an incredible up-tempo breakbeat instrumental, predating everybody else by years, a dancefloor bomb full of syncopated beats, bass and drums. Awesome and absolutely unstoppable! On the B Side, The Upsetters very rare 'Tight Spot' with Dave Barker on the microphone. Another deadly dance floor gem up-tempo proto dub, full of hypnotic organ, sharp guitars, with several layers of sounds completed by Barkers' manic laughs and screams. Do not miss the exotic clarinet somewhere in the background... A truly unique and magical Scratch dance floor creation!!!"
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CD
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HPS 009CD
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Heavy Psych Sounds repress the legendary Ape Skull debut album. Ape Skull formed in 2008. Giuliano Padroni (drums) and Fulvio Cartacci (guitar) decided to start a new project after several years touring Europe and US with their past bands: Victorians and Sciacalli. The band is closer to the compositions inspired by rock funk and psych rock American and European groups such as Alamo, Jerusalem, Damnation Of Adam Blessing, Cream, etc. The desire to reproduce the sounds that characterized 1969 to 1972, about a golden age for rock music, are the basic inputs of the band. Ape Skull, after a single recording session of songs, recorded a full-length album composed by eight unreleased hard rock gems and a cover of "I Got No Time" from Orange Peel (Germany) for Heavy Psych Sounds Records.
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HPS 009LP
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LP version. Heavy Psych Sounds repress the legendary Ape Skull debut album. Ape Skull formed in 2008. Giuliano Padroni (drums) and Fulvio Cartacci (guitar) decided to start a new project after several years touring Europe and US with their past bands: Victorians and Sciacalli. The band is closer to the compositions inspired by rock funk and psych rock American and European groups such as Alamo, Jerusalem, Damnation Of Adam Blessing, Cream, etc. The desire to reproduce the sounds that characterized 1969 to 1972, about a golden age for rock music, are the basic inputs of the band. Ape Skull, after a single recording session of songs, recorded a full-length album composed by eight unreleased hard rock gems and a cover of "I Got No Time" from Orange Peel (Germany) for Heavy Psych Sounds Records.
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HPS 009LTD-LP
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LP version. Green vinyl. Heavy Psych Sounds repress the legendary Ape Skull debut album. Ape Skull formed in 2008. Giuliano Padroni (drums) and Fulvio Cartacci (guitar) decided to start a new project after several years touring Europe and US with their past bands: Victorians and Sciacalli. The band is closer to the compositions inspired by rock funk and psych rock American and European groups such as Alamo, Jerusalem, Damnation Of Adam Blessing, Cream, etc. The desire to reproduce the sounds that characterized 1969 to 1972, about a golden age for rock music, are the basic inputs of the band. Ape Skull, after a single recording session of songs, recorded a full-length album composed by eight unreleased hard rock gems and a cover of "I Got No Time" from Orange Peel (Germany) for Heavy Psych Sounds Records.
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