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viewing 1 To 25 of 79 items
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CTLP 1045LP
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LP version. "Once again Clocktower bring you the massive and powerful tracks, such as 'Cloak & Dagger' DJ style led by King Tubby and Lee Perry. And they've also included the slow style of 'Cloak & Dagger' which you will never stop listening for generations to come, young and old. Then the following tracks of 'Blackboard Jungle' with two incomparable versions that will open up your ears to the greatest musicians on bass and drums, etc. We from Clocktower say listen, enjoy, party, and dance to all the fine production. We have compiled this for all who loves reggae music production beyond compare. Music of life." --Alfred Newman Not a reissue, a new compilation of early Lee Scratch Perry material, not previously issued in this form. With tracks recorded from the early '70s with material from Clocktower 7" only releases, etc.
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CTCD 1035CD
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"Once again Clocktower bring you the massive and powerful tracks, such as 'Cloak & Dagger' DJ style led by King Tubby and Lee Perry. And they've also included the slow style of 'Cloak & Dagger' which you will never stop listening for generations to come, young and old. Then the following tracks of 'Blackboard Jungle' with two incomparable versions that will open up your ears to the greatest musicians on bass and drums, etc. We from Clocktower say listen, enjoy, party, and dance to all the fine production. We have compiled this for all who loves reggae music production beyond compare. Music of life." --Alfred Newman Not a reissue, a new compilation of early Lee Scratch Perry material, not previously issued in this form. With tracks recorded from the early '70s with material from Clocktower 7" only releases, etc.
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AA 28867CD
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Kill Me With Love is a collection of dancehall reggae by Junior Moore. Moore was a member of The Tamlins, who had a string of hits in the late 1970s and 1980s. This compilation contains fourteen tracks, including "I Need High Grade" and "Too Much Confrontation."
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CTCD 111CD
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2018 repress of 1979 release. Linval Thompson was the quintessential roots vocalist who also scored hits in the lover's rock mode; as a quick-witted producer, he helped germinate the contemporary dancehall style. Six Babylon shows him in fine form, in the company of musicians like Sly & Robbie, Earl "Chinna" Smith, and more.
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CTCD 190CD
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2018 repress. King Tubby's African Love Dub 1974-1979 complies rhythms played by The Aggrovators (featuring Sly Dunbar, Robbie Shakespeare, Aston Barrett, etc.). Mixed by King Tubby, and produced by Bunny Lee.
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CP 44601CD
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Clocktower Records presents a reissue of Toyan's Ghetto Man Skank, originally issued in 1983. Toyan had a string of hits in the late 1970s and 1980s, and worked with the likes of Freddie McGregor, The Mighty Diamonds, and more.
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CTCD 106CD
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Clocktower presents Golden Rockers, a compilation of roots reggae and rocksteady featuring Delroy Wilson, The Uniques, and more. Also features Val Bennett, Lloyd & Devon, Horace Andy, Dennis Brown, Ken Parker, Alton Ellis, Dave Parker, Pat Kelly, The Wailers, and Cornell Campbell.
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AACD 28953CD
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Clocktower Records presents Culture Uprising, Volume 1, a compilation of dancehall reggae featuring Sizzla, Luciano, and more. Features: Jah Cure, Natural Black, Capleton, Richie Spice, Daweh, Norris Man, Morgan, Fantan, Buju Banton, Turbulance, Chuck Fenda, Anthony B, and I-Wayne.
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CTCD 3022X-CD
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2018 digipak edition of 1975's Explosive Dub. There are very few people who define a genre the way King Tubby defines dub. From the early days of dub in the 1960s, King Tubby (born Osbourne Rodduck) influenced a generation of producers across a variety of genres and continued to do so until his death in the late 1980s. While King Tubby was known for experimenting with different sounds, he was also truly never one to settle for mediocrity. Flexing his signature dub muscle on 1975's Explosive Dub, a compilation of various Tubby gems 19 tracks long, the true beauty of his ability is brought to light. It's obvious to the listener that King Tubby spent hours perfecting each track and remix before releasing it to the public. Explosive Dub, a previously hard to find collector's item is a shining example of King Tubby's work.
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LPCD 103CD
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2018 repress of 1976 release. Produced by Lee Perry, Prince Jazzbo's Ital Corner is the full-on "Black Ark" sound from the Super Ape (1976) era. Riddims include Max Romeo's "One Step Forward."
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AACD 193CD
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Johnny Osbourne joins forces with Roots Radics to record a heavy set of jams, with dub versions of several tracks included. As the title suggests, 1980-1981 Vintage was recorded in 1980-81, and features production by Linval Thompson and contributions from a huge cast of Studio One session musicians, including Errol Carter, Eric Lamont, and more.
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CTCD 1027CD
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African Princess is a set of Linval Thompson's Channel One recordings from 1974-6. Musicians include Robbie Shakespeare, Earl "Chinna" Smith, Tony Chin, Ossie Hibbert, Augustus Pablo, Tommy McCook, and more. "Bunny Lee's 'flying cymbal' production dominates the session and consequently the listener might recognize several of these cuts from dub compilations on Blood & Fire. Generally speaking, though, this is not a dub record. Only the last song on each side is followed by a dub version. These are straight-ahead rockers with no frills and, depending on the pressing, rather muddy production. It is also worth mentioning that 'Money Money' and 'Blood Gonna Run,' among others, find Robbie Shakespeare at his slippery and infectious best. Serious basslines throughout." --AllMusic Guide.
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LPCT 124CD
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Recorded at Channel One Studio in 1982. Tracks include "Having Fun With The Klingons," "Rocking Time Warp Dub," "Jah Love All Aliens," "Conversation With Kahn," and "Smerf Wak Head Beat."
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LTCD 220CD
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2017 digipak edition. "A reissue of two excellent and long-unavailable Lee 'Scratch' Perry LPs, The Upsetters: Chapter 1 (1981) and Blackboard Jungle Dub (1981). The material is weirdly wonderful and represents some of Perry's earliest and most unrestrained efforts at dub madness. Issued on one disc, they ebb and flow seamlessly (set your CD player or playlist on 'shuffle' for proof), with tracks like 'Scratch The Dub Organizer' and 'Dub From Africa' especially delicious. This is a great way to dig deep into Perry's unique mindset without spending a ton of money." --John Dougan, AllMusic
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LPCT 119CD
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2017 digipak edition. Originally released in 1981. A virtual wizard of the mixing desk, Overton H Brown has been one of the key figures in dub since the late 1970s. Getting his start as a teenager at King Tubby's legendary studio in Waterhouse, Brown was known as The Scientist because his imaginative approach to the mixing desk and electronic gadgetry seemed to derive from magical powers that linked him to some intangible, futuristic realm.
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CTCD 8888CD
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2017 cardboard sleeve edition. There are very few individuals who command the respect of dub aficionados greater than "The Dubmaster" himself, King Tubby. On Tubby's venerable 1974 release Dub From The Roots, he introduces the "Shalom Dub", a method of mixing flying cymbals with horns in what he describes as "going in and out in a dub way". Borrowing from the 45s of Johnny Clarke, Jackie Edwards, Cornell Campbell, John Holt, and Horace Andy, King Tubby takes the listener on a journey through a vast array of different emotions, rhythms, and soundscapes. One of the standout cuts, "Iyahta" explores Tubby's use of deep electric basslines to evoke a melodic calmness in the listener, while "Mine Field" and "Hijack The Barber" bring the listener back with the cavernous echoes of stabbing guitars, horns, and cymbals.
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CTCD 101CD
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2017 digipak edition. All rhythm tracks by Bunny Lee at Studio One. "This form of music started in the dance halls in the early '60s by some of the pioneer record producers. Mainly Lee 'Scratch' Perry and Bunny 'Striker' Lee, by both of whom I've been tremendously influenced... As a youth, from Jones and Trench Town, I've learned you must have an adequate power amplifier, right preamp and speakers... For the right sound and effect, King Tubby's 'the dubmaster' is a must, knowing when to bring in the rhythm and leggo the bass and drum. This album, it's clean, heavy and right effects; we digged into the rhythm vault and came up with ten of the hardest rhythm tracks. You'll be convinced that this is the King Of Dub." --Brad Osborne
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CD
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LPCT 114CD
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2017 digipak edition of a landmark dub record from legendary reggae producer Lee 'Scratch' Perry, using a combination of established collaborators and new musicians (The Upsetters, Ricky and Bunny). Originally released in 1981. Also features: Johnny Lover, The Towerchanters, The Blue Bell, Val Bennett, Brad Osborne, Devion Iron, and The Black Arks. "... an assemblage of pulsating organs, distorted guitar scratches, and deep bass. Vocals come in the form of the standard dub production fragments ('Curly Dub') and occasional Rasta philosophizing ('Who You Gonna Run To,' 'When Jah Come'). The most striking moment is 'Tighten Up.' Here, an infectious tune with banal lyrics and fine groove is transformed through Perry's absurd production methods. Warped beyond belief (and anything resembling conventional logic), it's as if Perry placed the entire track underwater just to see what it sounded like, then sat back, satisfied with his creation. Only the saxophone escapes. The vocalists sound like alien versions of Alvin & the Chipmunks have landed on the island of Jamaica. Nothing else on Scratch & Company quite matches it. . . . fine music for those looking deeper into the producer's catalog." --Nathan Bush, AllMusic
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CTCD 186CD
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A reissue of Slim Smith's Just A Dream, originally released in 1972. "Slim Smith's high, plaintive vocals and his haunting, almost fragile delivery made him one of Jamaica's finest singers in the late 1960s and early '70s, both during his tenure with the Uniques and the Techniques and his subsequent solo career. The Bunny Lee-produced tracks collected here were originally released as an LP on Brad Osborne's New York-based Clocktower Records in 1972. . . . Osborne was famous for subtly remixing material he received from Jamaican producers, and that is probably the case here, although the star in any Smith mix is always going to be that incredible voice, and these mixes are no exception. Smith shines on covers of Curtis Mayfield's 'Gypsy Woman,' Sam Cooke's 'Send Me Some' and Jimmy Cliff's 'Keep Walking,' and the whole set is quite haunting." --Steve Leggett, AllMusic
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CD
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CT 805CD
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2017 cardboard sleeve edition of Augustus Pablo's Ital Dub, originally released in 1975. This is Augustus Pablo's first collaboration with King Tubby. "Navigating Pablo's back catalogue is a difficult task, since he got his start as an un-credited session player in the late 1960s, mostly working as a keyboardist. Several early singles credited to Augustus Pablo actually featured the work of other players, as the name was randomly assigned by producer Herman Chin-Loy, who first recorded Pablo's melodica tracks. There are also albums bearing his name that feature less-talented imposters. But have no fear when you pick up Ital Dub, a 1974 album produced by Tommy Cowan; it is the real deal, featuring Pablo's cool melodica over some of the best works Cowan ever issued. . . . Nicely straddling the divide between straight instrumental and manipulated dub, Ital Dub is ultimately a snapshot of Augustus Pablo finding his way, on the cusp of greater glory as a bonafide producer of his own works." --David Katz, BBC
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LPCT 125CD
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2017 cardboard sleeve edition. Some of Barrington Levy's most significant (and enduring) recordings from Channel One Studio, mixed by Scientist. Originally released in 1982. "It's difficult to overstate the transformative effect that Barrington Levy's earliest recordings had on the sound of Jamaican music. In late 1979, Levy's spare, hauntingly arranged early singles such as 'Shine Eye Gal,' 'Collie Weed,' and 'Shaolin Temple' completely overtook Jamaican dancehalls and streetside sound clashes. . . . By the time Levy released Poorman Style in 1982, he was arguably Jamaica's preeminent vocalist. Poorman Style features a set of punishing rhythms from the crack studio outfit The Roots Radics, with production work from singer-turned-label owner Linval Thompson and former King Tubby protégé Scientist. The title track -- a crisply observed sufferers' tale full of tragic notes and indelible details from everyday life -- hits particularly hard." --iTunes
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CT 085CD
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2017 digipak edition of King Tubbys Meets Rockers Uptown, the historic 1976 collaboration between producer and instrumentalist Augustus Pablo and dub engineer King Tubby. "If you had to pick one album that best represents the pinnacle of the art of dub, you'd cull the candidates down pretty quickly to ten or 12, and it would get very difficult after that. Few would fault you for ending up with this one, though, which stands as perhaps the finest collaboration between two of instrumental reggae's leading lights: producer and melodica player Augustus Pablo and legendary dub pioneer King Tubby. Among other gems, this album offers its title track -- a dub version of Jacob Miller's 'Baby I Love You So' -- which is widely regarded as the finest example of dub ever recorded. But the rest of the album is hardly less impressive. 'Each One Dub,' another cut on a Jacob Miller rhythm, possesses the same dark and mystical ambience, if not quite the same emotional energy, as 'King Tubby Meets Rockers Uptown,' and the version of the epochal 'Satta Massaganna' that closes the album is another solid winner. Pablo's trademark 'Far East' sound (characterized by minor keys and prominent melodica lines) is predominant throughout, and is treated with care and grace by King Tubby, who has rarely sounded more inspired in his studio manipulations than he does here. Absolutely essential." --Rick Anderson, AllMusic
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CTCD 3022CD
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2017 cardboard sleeve edition of 1975's Explosive Dub. There are very few people who define a genre the way King Tubby defines dub. From the early days of dub in the 1960s, King Tubby (born Osbourne Rodduck) influenced a generation of producers across a variety of genres and continued to do so until his death in the late 1980s. While King Tubby was known for experimenting with different sounds, he was also truly never one to settle for mediocrity. Flexing his signature dub muscle on 1975's Explosive Dub, a compilation of various Tubby gems 19 tracks long, the true beauty of his ability is brought to light. It's obvious to the listener that King Tubby spent hours perfecting each track and remix before releasing it to the public. Explosive Dub, a previously hard to find collector's item is a shining example of King Tubby's work.
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CTCD 3995CD
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2017 cardboard sleeve edition of The Sound of Macka Dub Vol. 1, originally released in 1980. Featuring Glenn Adams (piano/organ), Mr. Wire (piano/organ), Rick Trater (guitar), Bobby Chung (guitar), Carlton Barrett (drums), Tad Dawkins (drums), Sparrow Martin (drums), Maurice (bass), Family Man Barrett (bass). Produced and arranged by Brad Osbourne. Mixing engineer: Phillip Smart.
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LPCT 115CD
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2017 cardboard sleeve edition. Originally issued in 1973, Blackboard Jungle Dub is considered a milestone in the history of dub. Tracks include "African Skank" -- based on Junior Byles's "A Place Called Africa" -- and "Dreamland Skank", "Moving Skank", and "Kaya Skank" which are dub versions of the Wailers' "Dreamland", "Keep On Moving", and "Kaya". "On Blackboard Jungle Dub, Lee Perry and the Upsetters produce another fine example of their subversive brand of dub with a unique blend of murky rhythm tracks, warbling guitar effects and distant-sounding horns. . . . Living up to the 'Upsetter' moniker, Perry wreaks his inimitable brand of mayhem during 'Fever Grass Dub' with a half-baked MC intro, lion roars and air raid siren imitations; effects which blend in well with other eccentric features like the spastic trombone solo on 'BlackBoard Ver. 2' and reverb-heavy percussion on 'Cloak A Dagger.' Just standard technique for Perry really, and part of the sound which made his productions instantly recognizable amongst many '70s and '80s dub releases. Blackboard Jungle contains classic dub taken to the outer limits and is one of the highlights of the Lee Perry catalog." --Stephen Cook, AllMusic
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