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viewing 1 To 22 of 22 items
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LP
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BSR 999P-LP
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$24.00
PREORDER
RELEASE DATE: 8/1/2025
"1978's Slum in Dub album re-issued on purple vinyl. Coupled with the succinct Revolutionaries band and Isaacs quality songwriting, the deconstructed cuts, weave and flow like any good quality dub album should. with some of the track names giving more than a hint of the original song title such as 'Public Eyes,' which was one of the major hits off The Cool Ruler as John Public. The dense Slum originated as 'Party In The Slum,' while the brighter 'Reform Institution' began life as 'Uncle Joe.' 'Word Of The Farmer' becomes 'Croft' and 'Tam Tam' began life as 'One More Time.' One of Gregory Isaacs's early hits, 'Black A Kill Black' is translated into 'Leaving' while 'Leggo Beast' using an updated old Studio One rhythm, 'Swing Easy,' probably refers to Trevor 'Leggo' Douglas who ran the Cash & Carry label with Isaacs. The track 'N****r' also uses an old Studio One rhythm track updated and this time it's The Heptones breezy 'Party Time' which gets the Jammy treatment as too 'Embarrassment' which again revitalizes a Studio One gem; 'Frozen Soul' by The Soul Vendors band."
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2CD
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VP 1586CD
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$29.00
PREORDER
RELEASE DATE: 7/4/2025
"A classic release from one of Jamaica's greats, Night Nurse shows the Cool Ruler at his best --performing melodic, chilled reggae such as the title track and 'Hot Stepper.' The title track was a hit for Simply Red when they covered it in 1997. The Roots Radics provide excellent backing for Isaacs' smooth vocals. Perhaps a bit too mellow for fans of more militant reggae such as that purveyed by the Revolutionaries, time has nevertheless proved this to be a classic reggae album. With Dub version extra tracks."
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CD
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KSCD 090CD
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Gregory Isaacs, the Cool Ruler as he became known, grew up in the ghetto district of Kingston Jamaica. His influences lay not only in the American singers he heard on the radio such as Sam Cooke, Otis Redding, but also local singers such as Alton Ellis, Delroy Wilson, and John Holt. His debut release Another Heartache was recorded for producer Winston Sinclair and was released under Winstons' name in the U.K. This saw Gregory move on to work with producer Rupie Edwards forming a vocal group called The Concords alongside two local singers Bramwell and Penros. Isaacs always had his sights on forming his own label, which he did in 1972 alongside Errol Dunkley, called African Museum. Gregory carried on working with various other producers throughout his career, work that helped fund his own label. One of these producers was Tappa Zukie. Tappa Zukie was also raised in the rough and tough areas of Kingston Jamaica, and very much like Gregory Isaacs found music as a way out of the tough environment in which he was surrounded. Music seemed like the only way out of a life of crime and gang culture. A path that Tappa Zukie found and by the mid 1970's was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release his own productions, like Gregory Isaacs, he formed his own label called Tappa Records. These two artists working together was a match made in heaven and resulted in this set of songs. Nine of these songs originally saw the light of day in 1988, released on Tappa Zukie's Tappa Records initially called Red. Kingston Sounds has added some additional material also produced by Mr. Zukie around the same time to expand that release and make their work together more of a complete story.
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LP
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KSLP 090LP
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LP version. Gregory Isaacs, the Cool Ruler as he became known, grew up in the ghetto district of Kingston Jamaica. His influences lay not only in the American singers he heard on the radio such as Sam Cooke, Otis Redding, but also local singers such as Alton Ellis, Delroy Wilson, and John Holt. His debut release Another Heartache was recorded for producer Winston Sinclair and was released under Winstons' name in the U.K. This saw Gregory move on to work with producer Rupie Edwards forming a vocal group called The Concords alongside two local singers Bramwell and Penros. Isaacs always had his sights on forming his own label, which he did in 1972 alongside Errol Dunkley, called African Museum. Gregory carried on working with various other producers throughout his career, work that helped fund his own label. One of these producers was Tappa Zukie. Tappa Zukie was also raised in the rough and tough areas of Kingston Jamaica, and very much like Gregory Isaacs found music as a way out of the tough environment in which he was surrounded. Music seemed like the only way out of a life of crime and gang culture. A path that Tappa Zukie found and by the mid 1970's was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release his own productions, like Gregory Isaacs, he formed his own label called Tappa Records. These two artists working together was a match made in heaven and resulted in this set of songs. Nine of these songs originally saw the light of day in 1988, released on Tappa Zukie's Tappa Records initially called Red. Kingston Sounds has added some additional material also produced by Mr. Zukie around the same time to expand that release and make their work together more of a complete story.
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LP
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RR 394LP
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A bona fide legend from the ghettos of western Kingston, Gregory Isaacs was a true reggae original whose voice is one of the greatest of the idiom. His ballads made him a favorite with the ladies, but Gregory addressed social issues with equal conviction, and tales of rude boy life were sung firsthand. Maximum Respect is a digital killer from the early 1990s, cut for the pioneering sound system owner Count Shelley, the durable rhythms provided by Steelie and Clevie and the Firehouse Crew. With love ballads, reality tunes and songs praising the dancehall, Gregory covers all the bases and more. This is a must for all true Gregory fans!
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LP
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RR 389LP
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One of the most popular and high profile of Jamaican reggae vocalists, Gregory Isaacs was a rough diamond who clawed his way out of the harsh western Kingston ghetto with an instantly recognizable voice that was wonderfully emotive, expressing both his toughness and determination for betterment, as well as the bleeding heart of a vulnerable lover. New Dance is one of the excellent mid-1990s dancehall albums expertly produced by Anthony Dehaney, alias Bunny Gemini, working as usual with the Firehouse Crew, this time with Fatman Thompson of King Tubby's studio at the mixing desk and guitarist Lascelles Beckford of the Gifted Roots band as special guest. As usual, Gregory rides the rhythms with considerable aplomb, feeling completely natural atop the hard-edged rhythms and tackling a range of topics along the way. Much of the album deals with love lost, love gained, and love deferred; "Say A Special Prayer" revamps the evergreen "Send Me The Pillow That You Dream On" and "New Dance" salutes the allure of dancehall music in the open air. This is one of Mr. Isaacs' better offerings from the mid-1990s, worth getting to know if you're not already familiar with it, and a must-have if you've worn out your original copy.
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CD
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VPGS 7064CD
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"King Jammy breathes new life into a top draw selection of Cool Ruler Classics on this highest upgrade to Gregory Isaacs' Kingston 11 catalog. Making the journey down to Jammy's warehouse HQ to lock down the safest combinations is an A-list selection of Jamaica's finest including Sean Paul, Shaggy, Alborosie, Jesse Royal, Bounty Killer, Jr. Reid, and Ras Shiloh."
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LP
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VPGS 7064LP
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LP version. "King Jammy breathes new life into a top draw selection of Cool Ruler Classics on this highest upgrade to Gregory Isaacs' Kingston 11 catalog. Making the journey down to Jammy's warehouse HQ to lock down the safest combinations is an A-list selection of Jamaica's finest including Sean Paul, Shaggy, Alborosie, Jesse Royal, Bounty Killer, Jr. Reid, and Ras Shiloh."
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LP
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RAS 3052LP
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1989 release. "Tough personal choices, romantic frustrations, and 'Jealousy' are all explored, the latter with the able assistance of Jimmy Cliff. Gussie Clarke again takes the production honors, with the dancehall fired rhythms laid down by Steely & Clevie, abetted by the fabulous Ras Brass and Robbie Lyn's exceptional synth work." --All Music Guide
Also featuring Mutabaruka.
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LP
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BSR 999R-LP
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"1978's Slum in Dub album re-issued on 180 gram red vinyl in its original cover. Coupled with the succinct Revolutionaries band and Isaacs quality songwriting, the deconstructed cuts, weave and flow like any good quality dub album should. with some of the track names giving more than a hint of the original song title such as Public Eyes, which was one of the major hits off The Cool Ruler as John Public. The dense Slum originated as Party In The Slum, while the brighter Reform Institution began life as Uncle Joe. Word Of The Farmer becomes Croft and Tam Tam began life as One More Time. One of Gregory Isaacs's early hits, 'Black A Kill Black' is translated into 'Leaving' while Leggo Beast using an updated old Studio One rhythm, 'Swing Easy', probably refers to Trevor 'Leggo' Douglas who ran the Cash & Carry label with Isaacs. The track 'N*gger' also uses an old Studio One rhythm track updated and this time it's The Heptones breezy 'Party Time' which gets the Jammy treatment as too Embarrassment which again revitalizes a Studio One gem; 'Frozen Soul' by The Soul Vendors band."
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LP
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RR 382LP
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Reissue. Legendary Jamaican songsmith Gregory Isaacs's 1995 album Private Lesson on Radiation Roots. The set includes laidback cuts "Preacher Boy," "Feeling Sad Tonight," "Diplomatic Fool," "She Doesn't Want Me," "Slave Master," and many more.
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LP
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VP 4201LP
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2019 reissue. Originally released in 1977. "Among the most important full-length album works from one of reggae's greatest singers, Mr. Isaacs shows the great Gregory Isaacs in the prime of his career in 1976. Better known for his love songs, Isaacs was equally adept at cultural themes. The tracks 'Set The Captives Free' and 'Slave Master' are among the most popular in his catalog, the latter immortalized on film in the movie Rockers. The track 'Storm' became an early dancehall favorite, its rhythm track reimagined no fewer than 75 times over the last 40 years. Isaacs' love of rocksteady shines in his cover of the Silvertones' 'Smile,' and his soulful side comes through on a cover of The Temptations' 'Get Ready.' The breadth of material on Mr. Isaacs is the hallmark of a reggae classic."
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LP
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VPRL 4186LP
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2021 repress. Reggae anthology. Tracks includes: "All I Have Is Love (Side A)", "Do You Ever", "Never Be Ungrateful", "The Sun Shines For Me", "Let's Dance", "Sister Love (Extra Special)", "Lonely Soldier", "My Native Woman (Side B)", "Top Ten", "Set The Captives Free", "Victim", "Permanent Lover", "Let Off Sup'm", and "Too Good To Be True"
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2LP
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RR 326LP
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Reggae legend Gregory Isaacs blows the roof off of Hollywood's Roxy Theatre with the help of superstar backing band, The Roots Radics. Recorded in 1982, to an adoring crowd of rastas, punks, freaks, and second wave ska kids, Isaacs in in top form during one of his earliest USA live performances. One of the heroes of roots reggae, Isaacs plays many of his classics including "Slave Master", "My Number One", "Soon Forward", "Top Ten", and more. The Cool Ruler of reggae lays it down here. Limited edition of 500.
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LP
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RAS 3040LP
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"Red Rose for Gregory is an 11-track album by reggae artist, Gregory Isaacs released in 1988 by RAS Records. The album combines the style and sound of lovers rock with roots reggae and it features the hit, 'Rumours'."
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7"
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DO BG001-EP
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Just like cream-of-the-crop digi-Tubbys. From Gregory Isaacs's New Dance album sessions in 1988, with the Firehouse Crew. Mixed by Leroy 'Fatman' Thompson - formerly apprenticed to the King, en route to Jammys - and produced by Bunny Gemini and Tristan Palma. Gregory is desolate and compelling... and the dub is murder.
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12"
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DO GC002-EP
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Masterful Gregory Isaacs from 1997, sounding spooked and hunted over a juddering, propulsive Music Works rhythm, fulgent and full-on, with deep, pounding bass, clattering percussion, parping horns, classy backing vocals and harp starbursts... top-notch Gussies. Two extended vocal versions, and two dubs, all quite different. Bimmety bim bim.
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CD
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BSR 999CD
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"1978's Slum in Dub album re-issued on CD in its original cover. A brilliant mix of Isaacs' soulful vocals and Prince Jammy's dubbed out production."
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LP
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BSR 999LP
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"1978's Slum in Dub album re-issued on 180 gram vinyl in its original cover. A brilliant mix of Isaacs' soulful vocals and Prince Jammy's dubbed out production."
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12"
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TABOU 001EP
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"Gregory Isaacs is one of Jamaica's top 5 artists, with his unmistakable crooning voice. Over a career spanning 4 decades, he has never stopped singing about love, and poverty. In 2006, he recorded 'Poor Man In Love' at Harry J studios in Kingston, where Sly & Robbie were producing an all acoustic session the old school way: one take, no overdubs, all live playing in the studio.He did his song in one take, with no lyric sheet or anything. Pure inspiration, a genius still at the top of his game, enjoying the moment with his old pals with whom he had recorded numerous hits. Musicians played on and on, clearly savoring each other and grooving on the rhythm as if onstage. The lineup reads like a who's who of Reggae music: in addition to Sly & Robbie, Ansel Collins, Robbie Lyn and Wally Badarou handle keyboard and synthesizer duties, while Dougie Bryan adds an African-like touch on lead guitar. Sticky Thompson and Skully Simms add percussions to the mix. Godwin Logie, who had mixed Gregory's masterpiece album 'Night Nurse' way back in '82, was picked to mix this absolute jewel of a song."
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LP
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SUNSP 015LP
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"Classic 1975 Gregory Isaacs reggae album re-issued on 180 gram vinyl, issued in the original cover. Comes with a double sided insert featuring track by track breakdown and biography."
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CD
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NECMAY 007CD
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Curtis Lynch, the legendary record producer and driving force of Necessary Mayhem, has reworked 10 of the very best tracks from the Gregory Isaacs and Gussie Clarke era, from 1984 to 1999. Curtis was inspired by the works of Clarke & Isaacs during his school days, and his selection of tracks may surprise many fans, as they are not the obvious choices. The attention to detail made Lynch fall in love with Isaacs, and he has selected his personal favorites, saying that "the clear unmixed vocals and instruments were bliss for me to work on." These masterpieces have been remixed and reworked by some of the planet's finest musicians and audio engineers. Featuring contributions from artists such as Dennis Brown & Macka B, Shabba Ranks & Josey Wales, and Da Grynch.
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viewing 1 To 22 of 22 items
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