|
viewing 1 To 25 of 5021 items
Next >>
|
|
|
|
|
|
|
|
|
|
6x12" BOX
|
|
COR 049LP
|
$125.00
PREORDER
RELEASE DATE: 3/19/2021
To celebrate 20 since inception, Sven Väth's Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. A suitably spectacular collection that pays homage to one of techno's finest operations. 20 years is a long time in any facet of life, but in techno it is eons. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late '80s that he has steered into much broader realms ever since. Väth has ensured Cocoon has always covered all points of the spectrum. Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of "2000" and Emanuel Satie keeps the melodic vibes alive with his wistful "Departure" and then Diynamic label boss Solomun serves up a rare new production "We Will Never Have Today Again" which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with "Nostalgia (is The Enemy)" and Joseph Ashworth's "Eavesdrop" reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offers an intense cosmic workout with "Trauma", while US legend Josh Wink keeps it deep and heads down with his gritty roller "Nuclei". After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga and Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his mind-melting cosmic melodies and pounding drum rhythms. There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi and Daniel Stefanik link on "The Regulator" and high-grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to "Overtone" and things come to a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's "Kikaqu". Limited edition 6x12" vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert; edition of 700.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HONEY 025LP
|
$19.50
PREORDER
RELEASE DATE: 3/19/2021
Talking about the foundation of Jamaican music, the Alpha Boys School in Kingston can be considered as one of the places where it all began. Back in the day, under the direction of Sister Mary Ignatius, the school was the place where young boys from the poor neighborhoods in Kingston could embrace an instrument (mostly brass and drums). Then history tells us that some of these kids became among the most influential musicians in the history of Jamaican jazz, ska, and reggae. Joe Harriott, Dizzy Reece, Tommy McCook, Don Drummond, Cedric Brooks, Rico Rodriguez, Johnny Osbourne, Leroy Smart, and Yellowman are just some of the fruits of such a great community art project. Now this compilation contains some rare gems produced between 1959 and 1962 by Jamaican jazz heavyweights such as Tommy McCook, Don Drummond, Ernest Ranglin, Lennie Hiibert, Cecil Lloyd, and others. This is highly swinging music inspired by the Black American tradition with a unique and inevitable Caribbean flavor. Also features Wilton Gaynair, Lance Hayward, Totlyn Jackson, The Eric Grant Orchestra, Cecil Lloyd Group, The Workshop.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ATON 012LP
|
$31.00
PREORDER
RELEASE DATE: 3/19/2021
Double LP version. First released by Cazzo Film in 2001, ebo hill's Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill's vision was both ahead of its time and a playful distillation of '90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-TON. The music follows a group of squatters, punks, and drag queens as they fuck, party, and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film's narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city's former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise/industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub, and electro. It's a sonic spectrum that connects Berlin's queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film's cast and crew) to the more industrial, breakcore and noise-oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk. CNM / Rouage (Kathinka): Born in 1975 and raised in East Berlin. Co-organization of subcultural events since 1998 in Berlin, Potsdam, Leipzig and Barcelona. Experimental music, collaborations, exhibitions and audiovisual shows since 2000. AeoX: Active between 2001 and 2007. Originally a quartet, then a trio, the group eventually shrank to two permanent members: Alex.E and Hanno Hinkelbein. The latter founded Null Records, where AeoX released two album and numerous EPs. They also released on Mental.Ind.Records founded by former OstGut resident Cora S. Musically, the group experimented with combining improvisational hardware techno, breaks, traditional instruments (guitar, clarinet, piano) industrial and metal. Remix by Stellwerk.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ATON 012CD
|
$15.50
PREORDER
RELEASE DATE: 3/19/2021
First released by Cazzo Film in 2001, ebo hill's Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill's vision was both ahead of its time and a playful distillation of '90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-TON. The music follows a group of squatters, punks, and drag queens as they fuck, party, and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film's narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city's former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise/industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub, and electro. It's a sonic spectrum that connects Berlin's queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film's cast and crew) to the more industrial, breakcore and noise-oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk. CNM / Rouage (Kathinka): Born in 1975 and raised in East Berlin. Co-organization of subcultural events since 1998 in Berlin, Potsdam, Leipzig and Barcelona. Experimental music, collaborations, exhibitions and audiovisual shows since 2000. AeoX: Active between 2001 and 2007. Originally a quartet, then a trio, the group eventually shrank to two permanent members: Alex.E and Hanno Hinkelbein. The latter founded Null Records, where AeoX released two album and numerous EPs. They also released on Mental.Ind.Records founded by former OstGut resident Cora S. Musically, the group experimented with combining improvisational hardware techno, breaks, traditional instruments (guitar, clarinet, piano) industrial and metal. Remix by Stellwerk.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
RMLP 007LP
|
$36.00
PREORDER
RELEASE DATE: 3/19/2021
Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the '60s and early '70s that sets every dancefloor on fire. These 20 carefully selected songs serve as an introduction to this mind-blowing music for the non-aficionado, as it is the first album of its kind to be released outside of Greece or the Greek migrant communities. The extended and illustrated liner notes take you back to the heyday of Greek pop music and put this cultural movement into an historical perspective. Features Vassilis Vassiliadis, Stelios Kazantzidis, Litsa Diamandi, Stratos Dionisiou, Dimitris Xanthakis, Michalis Menidiatis, Panagiotis Michalopoulos, Podromos Tsaousakis, Katy Grey, Vangelis Perpiniadis, Ria Norma, Manos Papadakis, Babis Tsetinis, Charoula Lambraki, Vassilis Tsitsanis, Panos Gavalas, Sofia Kollitiri, Theodoros Sinaidis, and Giota Lydia. Includes a 16-page booklet with illustrated liner notes. Gatefold sleeve.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
STAGO 179LP
|
$31.00
PREORDER
RELEASE DATE: 2/19/2021
Double LP version. Stag-O-Lee continue the DJ Set series with a compilation by cult DJ and master of many compilations, Keb Darge. Liner notes from Keb Darge (London October 2020): "Rockabilly didn't cross my world until the early nineteen eighties at a Dirtbox weekender in Bournemouth, until then I was a pure northern soul boy. I didn't really get stuck into collecting the stuff until a decade later, but when I did what a wonderful world of tunes opened up to me, and I went wild on it. I was very lucky to be doing a record stall in Camden market at the time just across from Boz Boorer and Neil Scott's stall. They along with other serious collectors Dave Vickers, Barney Koumis, Cosmic Keith, Jim Fox, Dave Crozier, and many others taught me all I needed to know. I only ever made one great rockabilly discovery which none of them knew, 'Little Bit Lonesome' by Charles Ross, but I was happy enough buying all their recommendations as they were all new and exciting for me. I have done several rockabilly comps before, but sadly the Philippines typhoon in 2013 destroyed my village and forced me to sell the bulk of my collection. Here are some of my favorites that I never got round to putting out before that happened. Two of the aforementioned collectors are no longer with us. I therefore dedicate this comp to Dave Vickers and Cosmic Keith who both had a huge influence on my life and my musical taste." Features Fender IV, The Sonics, James Mask, John Worthan, Vince Maloy, Don Wade, Billy Wayne, Wally Willette and his Globe Rockers, Darrell Rhodes And The Falcons, Arlie Miller And The Bullets, Cruisers, Joe D. Johnson, Bobby McDowell, Jerry Arnold And The Rhythm Captains, Gene Terry, Glen Glenn, Red Moore, Maylon Humphries And His Tri-Seniors, Van Brothers, Sonny Fisher, Benny Cliff Trio, Gene Norman, Tommy Nelson, Lloyd McCollough, Don Ellis And Royal Dukes, Sonny Wallace, Floyd Mack, Rod Morris, Carl Trantham And The Rhythm Allstars, Jim Oertling, Hodges Brothers, and Lonesome Drifter.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5x12" BOX
|
|
ATONAL 013LP
|
$93.00
PREORDER
RELEASE DATE: 2/19/2021
In a year which made impossible the now highly anticipated annual unveiling of new projects and collaborations that usually accompanies Berlin Atonal, the festival has compiled a major selection of new works by a range of artists from across the advanced musical landscape. Entitled More Light, the compilation traverses the vast spectrum of musical experience. French producer Aho Ssan -- who made his debut at Berlin Atonal's 2019 edition -- has smelted the vocals of Exzald S into a multi-layered track that gestures towards a future language for computer-produced music. New York's Hiro Kone pairs with group A's Tot Onyx to debut their collaboration with an outstanding showpiece of groaning power-surge electronics, while legendary futurist Gerald Donald's XOR Gate alias. Speculative widescreen-electronics protagonists Roly Porter and Paul Jebanasam unveil the first recorded track of their collaborative Altar project, conjuring up an entire ecology composed of both positively and negatively charged emotional-electronic particles. Enchanted Belgian magicians Pablo's Eye offer a new track that grows out of the melancholic ambient-pop that the collective has been making since the '90s, while Nkisi hones in on a section of her premiere Atonal '19 set "Initiation" and reworks it into a brawling, bleak, hard-edged trampler. These tracks sit beside a transformational collab between Abdullah Miniawy and Carl Gari, evocative synthesized works from Caterina Barbieri and Laurel Halo, unclassifiable post-ambient from exael, and Kazakh-British violinist Galya Bisengalieva, and more. The festival's legendary revived imprint which has previously hosted contributions from Cabaret Voltaire, Psychic TV, Marshstepper, and others now has a monumental new chapter. Also features Tunes Of Negation, Lafawndah, Galya Bisengalieva, Alessandro Adriani, Vladislav Delay, Lee Gamble, LABOUR, Peder Mannerfelt, and dBridge.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
STAGO 179CD
|
$15.50
PREORDER
RELEASE DATE: 2/19/2021
Stag-O-Lee continue the DJ Set series with a compilation by cult DJ and master of many compilations, Keb Darge. Liner notes from Keb Darge (London October 2020): "Rockabilly didn't cross my world until the early nineteen eighties at a Dirtbox weekender in Bournemouth, until then I was a pure northern soul boy. I didn't really get stuck into collecting the stuff until a decade later, but when I did what a wonderful world of tunes opened up to me, and I went wild on it. I was very lucky to be doing a record stall in Camden market at the time just across from Boz Boorer and Neil Scott's stall. They along with other serious collectors Dave Vickers, Barney Koumis, Cosmic Keith, Jim Fox, Dave Crozier, and many others taught me all I needed to know. I only ever made one great rockabilly discovery which none of them knew, 'Little Bit Lonesome' by Charles Ross, but I was happy enough buying all their recommendations as they were all new and exciting for me. I have done several rockabilly comps before, but sadly the Philippines typhoon in 2013 destroyed my village and forced me to sell the bulk of my collection. Here are some of my favorites that I never got round to putting out before that happened. Two of the aforementioned collectors are no longer with us. I therefore dedicate this comp to Dave Vickers and Cosmic Keith who both had a huge influence on my life and my musical taste." Features Fender IV, The Sonics, James Mask, John Worthan, Vince Maloy, Don Wade, Billy Wayne, Wally Willette and his Globe Rockers, Darrell Rhodes And The Falcons, Arlie Miller And The Bullets, Cruisers, Joe D. Johnson, Bobby McDowell, Jerry Arnold And The Rhythm Captains, Gene Terry, Glen Glenn, Red Moore, Maylon Humphries And His Tri-Seniors, Van Brothers, Sonny Fisher, Benny Cliff Trio, Gene Norman, Tommy Nelson, Lloyd McCollough, Don Ellis And Royal Dukes, Sonny Wallace, Floyd Mack, Rod Morris, Carl Trantham And The Rhythm Allstars, Jim Oertling, Hodges Brothers, and Lonesome Drifter.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MPD 028LP
|
$23.50
PREORDER
RELEASE DATE: 2/19/2021
After Brussels 89 on Erotiques New Beat (MPD 026LP), Musique Pour La Danse stays in the 89-90 season but this time takes you to Sheffield with this Ozone Recordings mini-compilation shedding light on an iconic label whose bleeps, basses, and breaks helped shape the sound of British electronic music, from acid house, to bleeps, to rave and beyond. Conceived as a one-way ticket to the early days of the UK bleep scene, where US and European influences coalesced to give birth to a distinctive genre, this collection was remastered by Rob Gordon (original Forgemasters member and Warp co-founder) and it comes with extensive liner notes by Matt Anniss, author of the celebrated Join The Future book (2019) which tells the fascinating story of UK bleep and the rise of a distinctively British electronic sound. Comes on limited trioxygen blue vinyl, featuring the notorious logo from The Designers Republic. Also notable, a few tracks on this record were produced with the help of Cabaret Voltaire's Richard H. Kirk. Features Count Zero, Zone, Success, New Age Technology, and Trak 1. The label did their best to reach the best sound possible with the archival sources provided without excessively denaturing their original character.
"It would be fair to say that this snapshot of Ozone Recordings' excitement-packed back catalogue is well overdue. The Sheffield-based imprint's contribution to British dance music's creative boom of the late 1980s and early '90s has long been overlooked, with much more focus naturally falling on the Steel City's other key imprint of the period, Warp Records . . . Looking back, they offer a good snapshot of the time, just as this tighter, more stripped-down compilation of highlights does." --Matt Anniss
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
PART 4111CD
|
$17.00
PREORDER
RELEASE DATE: 2/12/2021
Dustin E's alter ego as a partial purveyor of bad taste surfaces in despicable fashion for the 24th succulent instalment. A prickly combination of irony, fuzz pedals, little green men, reckless drivers, elephants, and an overall dubious fashion sense culminate in a car crash compilation like no other. A bit like chewing on a sizable chunk of lysergic acid diethylamide or plasticine, the pleasure is yours, but the toilet's over there. Beautifully remastered selection of high jinx with 16-page color booklet with comprehensive liner notes and rare color photographs to guide you to the end safely. 23 tracks recorded between 1966-1969. Features The Beatniks, The Cool Cats, New Inspiration, The HiFis, Kenny, Darwin's Theory, The (St. Thomas) Pepper Smelter, Ronnie & The Ronnies, The Magics, Sylvester's Team, Sir Henry, The Sauterelles, Les Maledictus Sound, The Hunters, The Gonks, The Bootjacks, The Beathovens, The Mega's, The Jay Five, Pop & Sylvester's Team, and Antoine.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OZ 001LP
|
$20.00
PREORDER
RELEASE DATE: 2/12/2021
Sharpies were the terror teen cast of a Richard Allen novel that never was. Although largely synonymous with the early-to-mid 1970s, reports of their violent clashes with rival gangs of Mods are documented as early as 1966. Bored, working-class, suburban kids, their teenage rampage began in Melbourne, Australia, but soon there were Sharpie gangs forming in Sydney, Perth and beyond. For a while they were the untouchables, ruling dances, discos and public transport with their fists. Sharpies were fiercely territorial and divided into different chapters according to location. They would often wage aggressive wars within their tightly delineated sub-gangs, although Mods always remained their arch-enemy. Sharpies were the scourge of the railways. Although they would seldom attack members of the general public, if you gave them a second look you'd be lucky to escape with your wallet intact. Violence was their world, but always with a strict moral code. Sharpie boys and girls wore similar uniforms: a slim-fitting, ribbed and collared cardigan called a Conny, T-shirts, tight jeans (Lee or Levis) and big platform shoes. Girls' shoes had 100% cork heels. Boys' shoes were often two-colored. Hair was worn short or shaved with long wisps at the back, influenced by the British ska, mod and skinhead subcultures. Sharpie girls had their hair slightly longer and often with colored streaks -- Bowie-red was their color of choice. Boys often bleached their hair. Tattoos were popular, although many were homemade and poorly executed. Their diet was anthemic glam-rock (Slade, Sweet, T.Rex, Bowie, Gary Glitter) kung-fu movies, and A Clockwork Orange. The music of local heroes like Lobby Loyde and The Coloured Balls, AC/DC, Skyhooks, and Hush provided their daily soundtrack. They even had their own tribal dance, a rhythmic sway with knees bent and fists clenched and pumping upwards across their chests. As the 1970s drew to a close, and new styles like punk and disco began to emerge, Sharpies started to fade. By 1979 they were all-but gone. Features Marcus Hook Roll Band, Coloured Balls, Stevie Wright, Fat Daddy, Rabbit, Jackie Christian & Target, Skyhooks, Johnny Dick, Ted Mulry, John Paul Young, Hush, La Femme, Supernaut, and Taste.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
RRS 079C-LP
|
Influential independent label, Posh Boy, helped the southern California punk scene to gain traction in the late '70s and early '80s through a series of releases by then-unknown bands. The legendary 1979 compilation Beach Blvd referenced Route 39, a highway that connected the label's various artists, located in suburbs from Huntingdon Beach up to the San Gabriel Valley. Rosemead's Simpletones were one of the first melodic punk acts; Huntingdon Beach's The Crowd drew from surf rock and hardcore in equal measure, while the material credited to Rik L Rik are actually remixes of demos he cut with Negative Trend, now with bass overdubs by Simpletones guitarist Jay Lansford, who also cut lead guitar on "Atomic Lawn". This ultra-expanded, double vinyl reissue features 17 bonus tracks of Simpletones and The Crowd material, as well as live material from Rik L Rik's first group, the legendary F-Word!, and the two only known tracks recorded by The Klan, the short-lived quartet fronted by Simpletones vocalist, Richard "Snickers" Scott. Includes updated liner notes. Yellow and turquoise vinyl; gatefold sleeve; edition of 700.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MEGAIMP 119CD
|
$15.50
PREORDER
RELEASE DATE: 2/5/2021
About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognized throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a "studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe. Recordings by Bernard Mondet (1978) and Vincent Zanetti (2019). Digipack, notes and booklet in French and English.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DDCT 003LP
|
$33.00
PREORDER
RELEASE DATE: 2/5/2021
It is the year 2020, a year that addresses our awareness of diversity, tolerance and sustainability in an assorted, socio-cultural way. Dedicate translate this demand into music. Nuthin' But A She Thang focuses on a marginalized view of instrumental beat music. This sampler, reflects a cross-section of the international female producer scene: 14 female artists, eight countries, four continents, one language -- music! The 14 instrumentals take the listener on a musical journey, which creates a tension between classic sample sound and modern current productions. The many facets of female beat producing are presented by exclusive contributions by Ainie (DE), Aygyul (AT), Courtney Hawkins (US), Da Chick (PT), Georgia Anne Muldrow (US), Gnarly (UK), Jillesque (US), Josi Miller (DE), Julie Schatz (US), Lisa Vazquez (US), Sadiva (AUS), Saltyyyy V (DE), SOWALL (KOR), and Usagi (JP). Together with Stylefile as a cooperation-partner, Dedicate were able to persuade none other than HERA (DE). She implanted an even more artistic approach and added an exclusive art print to this piece of music. Nuthin' But A She Thang is, in the end, not only a musical project, it is a statement, it is an attitude.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
COS 031CD
|
$16.00
PREORDER
RELEASE DATE: 2/5/2021
"The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country's apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco Pop Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early '80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all -- from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics -- and with sounds as intoxicating as these, you will sure want to listen closely. And often!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 126LP
|
$29.00
PREORDER
RELEASE DATE: 2/5/2021
Double LP version. Gatefold sleeve; includes download card. Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features Benjamin Herman, Idris Ackamoor & The Pyramids, Nat Birchall, Chip Wickham, Jimi Tenor And Kabukabu, Black Flower, Darryl Yokley, Damon Locks Black Monument Ensemble, Oiro Pena, Cat Toren, Shabaka & The Ancestors, and Makaya McCraven.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 127CD
|
$14.50
PREORDER
RELEASE DATE: 2/5/2021
Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features The Cosmic Range, Vibration Black Finger, Abeeku, Wildflower, The Pyramids, Steve Reid, Carla Marciano, Angel Bat Dawid, Menagerie, Teemu Akerblom, The Jamie Saft Quartet, and Jonas Kullhammar.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DGR 011LP
|
$25.00
PREORDER
RELEASE DATE: 2/5/2021
Number nine of the series La Noire started in 2014, Greyhound is a step back into '50s rhythm n' blues, with some obscure sides and never re pressed singles or 78s. The gatefold sleeve is fully documented with pictures and liner notes, for a complete immersion into the best of the genre. Features Amos Milburn, The Wheels, Bob Gaddy And His Keys, Walter Spriggs, Nappy Brown, Big Boy Groves And Band, Mattie Jackson And The Blues Nighthawk, Velma Cross And Her High Steppers, B.B. "Blue Boy" King & His Orchestra, Walter Spriggs With Jesse Stone O, The Travelers Bumps Blackwell Orch, Frankie Marshall, Jesse Thomas, and Earl Gaines Louis Brooks And His Hi-Toppers.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RELGO 5873CD
|
$16.50
PREORDER
RELEASE DATE: 2/5/2021
Years in the making, finally the story of San Diego's early music scene can be told -- and heard! From Rockabilly, R&B, and instrumentals, to garage rock, psychedelia, and beyond. 33 tracks from this Southern California coastal border town, spanning those embryonic, heady, sun-kissed, and fab fueled times from 1958-1973. Never in the shadows of Los Angeles or San Francisco, the San Diego scene was doing its own thing. Painstakingly compiled by musician and local music historian Andy Rasmussen, who worked closely with many of the musicians and artists of the era to make this a definitive and truly one-of-a-kind listening experience. Includes early recordings by future members of Moby Grape, Canned Heat, the Flying Burrito Brothers. Includes 36 jam-packed pages of band bios, photos, extensive track-by-track liner notes by Mike Stax, and a foreword by Andy Rasmussen. Bonuses include radio spots, local ads, and live segments. Sourced from mega-rare 45 releases and a handful of previously unreleased recordings. Features Gene Lamarr & His Blue Flames, The Strangers, Ervin Groves, Billy Keen & The King's Men, The Ray-Nears, The Nomads, The Imperialites, Larry Green & The Rhythmaires, The Misfits, Sandi & The Accents, Joel Scott Hill & The Invaders, The Lyrics, The Orfuns, Steve & The Holidays, Ervin Rucker, The Inmates, The Survivors, The Cascades, The Outcasts, The Mod, The Sons, The Contrasts, Five # Grin, The Brain Police, Mixed Grill (Gnarly Beast), Anita May & Interstate 5, Jamul, Brat, and Glory. Edition of 1000.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DGR 013LP
|
$23.00
PREORDER
RELEASE DATE: 2/5/2021
16 Songs to beat jet lag... for intercontinental sugar daddies. A new step into exotica, finely collected from the original 45s by DJ Bayourod. Rare and crazy sides for cocktail parties and afternoons of drinkin' by the pool... but remember, drink without moderation! Features The Stereos, Cozy Cole, Linda Hall, Leo Quica With The Earl Hagen Orch, Red Top Trio, The Chiefs, Big Al Sears And His Orch, The Chordettes, Quitman Dennis And The Escorts, Eddie Harris, Googie Rene, Symphonie Ochestra, The George Garabedian Players, Boots Brown And His Blockbusters, and Johnny Beeman.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DGR 012LP
|
$25.00
PREORDER
RELEASE DATE: 2/5/2021
The tenth volume in the very successful La Noire series. From 2014 on, the La Noire series has spread the good words of rhythm 'n blues, gospel, and soul around the world. Vol. 10 ends up on a naughty early funk mood. Features Tony Mason, Otis Clay, Big Mama Thornton, Bob And Earl, Andre Williams, Good Time Charlie, Billy Sha-Rae, Junior Parker, Ko Ko Taylor, Israel "Popper Stopper" Tolbert, Billie Young, Good Time Charlie, Mickey And His Mice, and Groundhog.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 126CD
|
$14.50
PREORDER
RELEASE DATE: 2/5/2021
Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features Benjamin Herman, Idris Ackamoor & The Pyramids, Nat Birchall, Chip Wickham, Jimi Tenor And Kabukabu, Black Flower, Darryl Yokley, Damon Locks Black Monument Ensemble, Oiro Pena, Cat Toren, Shabaka & The Ancestors, and Makaya McCraven.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 127LP
|
$29.00
PREORDER
RELEASE DATE: 2/5/2021
Double LP version. Gatefold sleeve; includes download card. Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features The Cosmic Range, Vibration Black Finger, Abeeku, Wildflower, The Pyramids, Steve Reid, Carla Marciano, Angel Bat Dawid, Menagerie, Teemu Akerblom, The Jamie Saft Quartet, and Jonas Kullhammar.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COS 031LP
|
$26.00
PREORDER
RELEASE DATE: 2/5/2021
LP version. "The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country's apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco Pop Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early '80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all -- from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics -- and with sounds as intoxicating as these, you will sure want to listen closely. And often!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ELPALMAS 009LP
|
Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country's democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a "modern" identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavor). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. "El Despertar" ("The Awakening") kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context -- a blueprint for tasty miscegenation -- with the use of electric guitar, arriving in waves of chords, signaling the onset of modernity. "Guajira con Arpa" by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. With "Zambo" the party is on. Here we have an all-star line-up comparable to master Cortijo's brief project with his Time Machine in Puerto Rico. "Gaita Universal" by El Combo Los Capri, gives you a moment of solace, recalling the cultural, rhythmic, and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America, and neighboring Colombia. Nelson Y Sus Estrellas is reminiscent of the Caribbean wave but here under his "urban" outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on "Fantasía Latina". The cosmic "Tu y Yo" from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. The album closes with Tulio Enrique León y Su Organ playing "Bimbom", a European pop-styled track from 1975. Also features La Retreta Mayor, Germán Fernando.
|
viewing 1 To 25 of 5021 items
Next >>
|
|