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NA 5227CD
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"At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting's ultimate finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin's discography, a wonderful and weird fusion of avant-classical, jazz, funk, rock and electronic music. The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 -- and it so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its creator's blessing and guidance. You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard Feather called, 'the most versatile young pianist to come to prominence in the early sixties,' and who took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion, intellect, and humor in turn. The Name Of This Terrain found its way out of the depths -- wonderful and having aged well, like well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood, redolent of the tastes and textures of a different time, one we pine for and that we won't often see again, but can happily, momentarily, indulge."
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LP
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NA 5227LP
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LP version. "At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting's ultimate finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin's discography, a wonderful and weird fusion of avant-classical, jazz, funk, rock and electronic music. The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 -- and it so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its creator's blessing and guidance. You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard Feather called, 'the most versatile young pianist to come to prominence in the early sixties,' and who took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion, intellect, and humor in turn. The Name Of This Terrain found its way out of the depths -- wonderful and having aged well, like well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood, redolent of the tastes and textures of a different time, one we pine for and that we won't often see again, but can happily, momentarily, indulge."
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LP
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NA 5210LP
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"The Tribe co-founder's debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the defi¬nitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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LP
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NA 5223LP
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"Soul, funk and rock recorded by US Army Servicemen during the height of the Vietnam War and released as a recruitment tool by the US Army as a recruitment tool. United States Army soldiers made the music contained on this album during the politically turbulent early 70s, towards the end of the Vietnam War. East of Underground was comprised of soldiers stationed in bases across Western Germany. While little is known about the band, the players, and the milieu they came from -- other than what can be pieced together from a handful of photos and documents found in a box in the New York Public Library, and the vague recollections of some of those involved -- we at Now-Again Records have worked diligently with the United States Army and researchers the country over to present this important document -- and some damn good soul and funk music."
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NA 5215LP
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"The Tribe co-founder's masterpiece, lacquered directly from his master tapes in an all-analog transfer by Bernie Grundman. The defi¬nitive reissue of this spiritual jazz album, one of the most sought-after artifacts of the 1970s jazz underground. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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NA 5224LP
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LP version. "A masterful mix of timeless American soul with vintage 1970s African samples in a most rewarding way -- musical traveler Eamon teams with production duo Likeminds for No Matter The Season, his second album for Now-Again. 'I've been singing since I was a tike, promoters used to call me 'the boy wonder', but with this record it felt new, almost like I was singing every note as if my life depended on it,' says Eamon from his home in Southern California, a far cry from his native Staten Island, New York City. But you wouldn't know his birthplace from the way he sings, especially on No Matter The Season, where Eamon put a new spin on vintage samples from the Now-Again catalog, crafting beats from various African rhythms such as Amanaz's Zamrock, the Hygrades Nigerian funk, and Ayalew Mesfin's Ethiopian tezetas. Shortly after the release of his last Now-Again project, Captive Thoughts, he began working with the production duo on two original compositions that appear on No Matter The Season. But as time went on, he came upon the idea of completing the album by sending the duo samples from the Now-Again catalog to work with. Which were expanded upon with a multitude of live instruments . . . Likeminds, helmed by Chris Soper and Jesse Singer, two East Coast transplants to LA who are as comfortable chopping up samples on an MPC as they are playing classic instruments, using vintage microphones, or recording to tape, offer up what could be described as a West Coast spin on the revivalist soul sound championed by Daptone Records. 'For sure, the album is soaked in an old school feel, but to still tap into the depths of my soul today is always the end goal,' Eamon states. All but two tracks are based on Now-Again samples, using the classic rhythms as accompaniment to showcase Eamon's emotional singing style that is still as honest and raw as when he was a 16, singing about heartbreak. The end result, No Matter the Season, is a celebration of the musical relationship between Africa and America and the thrilling soul music that relationship has spawned since the '60s and '70s."
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NA 5213LP
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"The first ever issue of this spiritual jazz album. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday. The Tribe Records co-founder's lost album, rumored to exist no more. Mastered from the original tapes and lacquered by Bernie Grundman."
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CD
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NA 5224CD
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"A masterful mix of timeless American soul with vintage 1970s African samples in a most rewarding way -- musical traveler Eamon teams with production duo Likeminds for No Matter The Season, his second album for Now-Again. 'I've been singing since I was a tike, promoters used to call me 'the boy wonder', but with this record it felt new, almost like I was singing every note as if my life depended on it,' says Eamon from his home in Southern California, a far cry from his native Staten Island, New York City. But you wouldn't know his birthplace from the way he sings, especially on No Matter The Season, where Eamon put a new spin on vintage samples from the Now-Again catalog, crafting beats from various African rhythms such as Amanaz's Zamrock, the Hygrades Nigerian funk, and Ayalew Mesfin's Ethiopian tezetas. Shortly after the release of his last Now-Again project, Captive Thoughts, he began working with the production duo on two original compositions that appear on No Matter The Season. But as time went on, he came upon the idea of completing the album by sending the duo samples from the Now-Again catalog to work with. Which were expanded upon with a multitude of live instruments . . . Likeminds, helmed by Chris Soper and Jesse Singer, two East Coast transplants to LA who are as comfortable chopping up samples on an MPC as they are playing classic instruments, using vintage microphones, or recording to tape, offer up what could be described as a West Coast spin on the revivalist soul sound championed by Daptone Records. 'For sure, the album is soaked in an old school feel, but to still tap into the depths of my soul today is always the end goal,' Eamon states. All but two tracks are based on Now-Again samples, using the classic rhythms as accompaniment to showcase Eamon's emotional singing style that is still as honest and raw as when he was a 16, singing about heartbreak. The end result, No Matter the Season, is a celebration of the musical relationship between Africa and America and the thrilling soul music that relationship has spawned since the '60s and '70s."
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2LP
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NA 5225LP
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LP version. Includes download card. "The Effect Of Heavy Music: Rock Music And Revolution In 70s Zimbabwe. Eye Q's music has never been collated and issued outside of its country of origin. Now, as part of the Now-Again Reserve series, their rare singles and even rarer album are presented in full. Just as the hippie era came to an end in America, a second 60s was beginning: in what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music 'heavy,' because they could feel its impact, and it resonated from Zambia to Nigeria. At its peak in the mid-70s, the heavy rock scene united tens of thousands of young progressives of all racial and social backgrounds. The country was called Rhodesia then, one of the last bastions of White rule in Africa, and heavy rockers defied segregation laws and secret police to make a stand for democratic change. Eye Q is one of the greatest bands of the scene: their rock stands on par with the early Zamrock of WITCH and Ngozi Family. Please The Nation encapsulated Eye Q's desire to forge forth, in a new, free country, and this set collates their 7" singles, ultra-rare album and songs from master tape and presents their music for the first time outside of Zimbabwe."
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CD
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NA 5225CD
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"The Effect Of Heavy Music: Rock Music And Revolution In 70s Zimbabwe. Eye Q's music has never been collated and issued outside of its country of origin. Now, as part of the Now-Again Reserve series, their rare singles and even rarer album are presented in full. Just as the hippie era came to an end in America, a second 60s was beginning: in what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music 'heavy,' because they could feel its impact, and it resonated from Zambia to Nigeria. At its peak in the mid-70s, the heavy rock scene united tens of thousands of young progressives of all racial and social backgrounds. The country was called Rhodesia then, one of the last bastions of White rule in Africa, and heavy rockers defied segregation laws and secret police to make a stand for democratic change. Eye Q is one of the greatest bands of the scene: their rock stands on par with the early Zamrock of WITCH and Ngozi Family. Please The Nation encapsulated Eye Q's desire to forge forth, in a new, free country, and this set collates their 7" singles, ultra-rare album and songs from master tape and presents their music for the first time outside of Zimbabwe."
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LP
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NA 5214LP
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"Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the defi¬nitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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LP
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NA 5209LP
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"The Tribe founders' collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin's side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison's side contains extended, full versions of two songs. The definitive reissue of this SPIRITUAL JAZZ masterpiece. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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LP
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NA 5212LP
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"The influential Detroit pianist's sole 1970s album. Remastered and lacquered by Bernie Grundman. Now-Again presents the defi¬nitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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LP
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NA 5211LP
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"The Tribe co-founder's debut, lacquered directly from his master tapes in an all-analog transfer by Bernie Grundman. The definitive reissue of this spiritual jazz album which set the stage for his Vibes from the Tribe. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, 'Music is the healing force of the universe.' Included in an extensive, oversized booklet, Larry Gabriel and Jeff 'Chairman' Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe's mid-1970s heyday."
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LP
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NA 5226LP
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"Now-Again Records' follow up to one of its most well-loved compilations, Forge Your Own Chains, with another batch of rare, largely uncompiled -- and sometimes barely heard -- heavy psych-rock and funk. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. Tickets For Doomsday, as the title hints, is and rumination on what might befall the human race -- made especially salient by the past year's trials and tribulations -- as performed by prison funk ensembles, Indonesian hippies, Krautrock legends, Icelandic prog-rock bands and even Bay Area rap catalyst E-40's uncle, the man to ¬first distribute Master P's No Limit Records, and the creator of this album's title track, St. Charles 'Chucky' Thurman. A unique and compelling listen, and surely a worthy companion for these times." Features Golden Wing, Misty, Icecross, Paternoster, Chucky Thurmon, Upheaval, Water Color, Stephen David Heitkotter, Christopher, Kourosh, and J.B Green and Band.
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LP
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NA 5203LP
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Single LP reissue of the original album (does not include the "Reverb Mix" version found on previous 2LP editions). "Issued in 1975, this is the articulation of Zambia's Zamrock ethos. Its' musicians were anti-colonial freedom fighters, it envelops Zambian folk music traditions, and it rocks -- hard. Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, 'because of how it was shared and how its inhabitants were butchered and enslaved, its resources stolen... all the atrocities slave drivers committed.' Thus, their 'Kale,' a blues sung in Nyanja, that traced the continent's arc from slavery to Zambia's independence closes the album. Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader/lead guitarist Isaac Mpofu. Africa's vibe ranges from anxious ('Amanaz') to escapist ('Easy Street') to straight-up pissed-off. On the 'History of Man,' his voice whiskey-burned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species. There's a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu's more restrained 'Khala My Friend,' which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have had relatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised. Then there's the clear Velvet Underground-influence on the nostalgic 'Sunday Morning,' which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Underground and Nico was a new release -- and the underground funk of 'Making The Scene.' The album also tackles traditional Zambian music and early-'60s rock -- punctuated, of course by Kanyepa's wah-wah and Mpofu's fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. 'Green Apple' is a civil song, featuring Kanyepa's sighing guitar."
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NA 5226CD
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"Now-Again Records' follow up to one of its most well-loved compilations, Forge Your Own Chains, with another batch of rare, largely uncompiled -- and sometimes barely heard -- heavy psych-rock and funk. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer. Tickets For Doomsday, as the title hints, is and rumination on what might befall the human race -- made especially salient by the past year's trials and tribulations -- as performed by prison funk ensembles, Indonesian hippies, Krautrock legends, Icelandic prog-rock bands and even Bay Area rap catalyst E-40's uncle, the man to ¬first distribute Master P's No Limit Records, and the creator of this album's title track, St. Charles 'Chucky' Thurman. A unique and compelling listen, and surely a worthy companion for these times."
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7"
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NA 7042EP
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"For her second release on Now-Again, Eastside LA soul stirrer Trish Toledo stretches out, with help from Los Yesterdays and Tommy Brenneck (Budos Band/Menahan Street Band). 'Sin Control' is a song as redolent of late 1960s Italian library experimentation (think Morricone/Alessandroni/Nicolai, et al.) as the Latino soul of the great Los Angeles Negros. Recorded at Hollywood's Sound Factory and produced by Brenneck and Los Yesterdays' Gabe Rowland, Trish sings in Spanish, delving into the timeless themes of lost love and endless longing. The B-side's instrumental features the greatest whistler recording today, Molly Lewis. You really couldn't imagine a better combination, and it's as predictably great as a pancho-wearing stranger taking down all of the baddies in a border town and riding off towards a dusty sunset."
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CD
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NA 5221CD
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"JJ Whitefield, who in the early '90s revived the gritty, analogue Funk sounds of the '60s and '70s with his Poets Of Rhythm, has been working with Now-Again Records for over decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the Original Raw Soul anthology. He first started exploring African rhythms with the Whitefield Brothers in the late '90s, continuing in the '00s with Karl Hector & The Malcouns. He's been instrumental in launching Ghanaian Afro beat/funk legend Ebo Taylor's international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor's son Henry and percussionist/singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana's hypnotic grooves, but also the full-frontal fuzz guitar assault heard on the legion of '70s Zambian Zamrock albums reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH's Jagari Chanda as instrumental in creating the Johnny's sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi-instrumentalist Tomi Simatupang (Whitefield Brothers). This is what was oft-called 'Afro Rock' at the core, with the possibilities to stretch out into swinging highlife, sweet soul or psychedelia. The results, point at a new direction for the music inspired by the Great Continent. One that takes a direction once mocked as derivative and asserts its importance on the globe's current musical stage."
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LP
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NA 5221LP
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LP version. "JJ Whitefield, who in the early '90s revived the gritty, analogue Funk sounds of the '60s and '70s with his Poets Of Rhythm, has been working with Now-Again Records for over decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the Original Raw Soul anthology. He first started exploring African rhythms with the Whitefield Brothers in the late '90s, continuing in the '00s with Karl Hector & The Malcouns. He's been instrumental in launching Ghanaian Afro beat/funk legend Ebo Taylor's international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor's son Henry and percussionist/singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana's hypnotic grooves, but also the full-frontal fuzz guitar assault heard on the legion of '70s Zambian Zamrock albums reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH's Jagari Chanda as instrumental in creating the Johnny's sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi-instrumentalist Tomi Simatupang (Whitefield Brothers). This is what was oft-called 'Afro Rock' at the core, with the possibilities to stretch out into swinging highlife, sweet soul or psychedelia. The results, point at a new direction for the music inspired by the Great Continent. One that takes a direction once mocked as derivative and asserts its importance on the globe's current musical stage."
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2LP
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NA 5222LP
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Restocked; double LP version. "Morgen's self-titled 1969 album is the sole release by the NYC band led by songwriter/vocalist Steve Morgen. Now-Again's Reserve edition of the release pairs the album with previously-unreleased songs, alternate takes and instrumentals for a de¬finitive triple CD reissue. That casual listeners have never heard of this late 60s masterpiece is by any measure a musical injustice. Morgen offers a portal to a dream space where the expansive, artful touches never prevent the band members from pummeling their instruments like their lives depended on it. Paul Major, perhaps the first Morgen evangelist, likens the album's immediacy to that of Hendrix, stating 'Morgen was one of the records that came closest to giving me that same kind of thrill on that level. It blew my mind!' Geoffrey Weiss, Now-Again's nomination for World's Greatest Record Collector, states '...unlike 95% of the rare psychedelic records that people celebrate it sounds like they were good musicians who were well rehearsed and had worked out this sound very intentionally. Morgen has a kind of power -- you really can't compare it to anything.' The band, and Morgen's arc were -- cribbing Kurt Vonnegut -- unstuck in time. It took 50 years for Steve Morgen's belief, for instance, that an alternate, superior version of his stellar 'Purple' was recorded in 1968. It sees release here, alongside other takes of songs from the album, including a version of 'Beggin' Your Pardon (Ms. Joan)' on which Morgen's fiery guitarist Murray Shiffrin sings lead and songs the band recorded as possibilities for the album, before settling on their dense, hazy vision and etching an indelible entry into the psychedelic canon."
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3CD
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NA 5222CD
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"Morgen's self-titled 1969 album is the sole release by the NYC band led by songwriter/vocalist Steve Morgen. Now-Again's Reserve edition of the release pairs the album with previously-unreleased songs, alternate takes and instrumentals for a de¬finitive triple CD reissue. That casual listeners have never heard of this late 60s masterpiece is by any measure a musical injustice. Morgen offers a portal to a dream space where the expansive, artful touches never prevent the band members from pummeling their instruments like their lives depended on it. Paul Major, perhaps the first Morgen evangelist, likens the album's immediacy to that of Hendrix, stating 'Morgen was one of the records that came closest to giving me that same kind of thrill on that level. It blew my mind!' Geoffrey Weiss, Now-Again's nomination for World's Greatest Record Collector, states '...unlike 95% of the rare psychedelic records that people celebrate it sounds like they were good musicians who were well rehearsed and had worked out this sound very intentionally. Morgen has a kind of power -- you really can't compare it to anything.' The band, and Morgen's arc were -- cribbing Kurt Vonnegut -- unstuck in time. It took 50 years for Steve Morgen's belief, for instance, that an alternate, superior version of his stellar 'Purple' was recorded in 1968. It sees release here, alongside other takes of songs from the album, including a version of 'Beggin' Your Pardon (Ms. Joan)' on which Morgen's fiery guitarist Murray Shiffrin sings lead and songs the band recorded as possibilities for the album, before settling on their dense, hazy vision and etching an indelible entry into the psychedelic canon."
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CD
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NA 5220CD
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"Ykytu is Brasilian guitarist Fabiano do Nascimento's fourth album for Now-Again Records. Produced by Nascimento's longtime engineer Jason Hiller, this album is do Nascimento's first solo guitar album and, like his previous album, Preludio, is reliant on do Nascimento's own compositions, with a little help from like-minded musical travelers. In keeping with the trajectory of his previous albums, including Dança dos Tempos and Tempo dos Mestres, Ykytu follows folkloric Brasilian music, Brasilian jazz, bossa-nova and samba as experienced through the mind and able fingers of an expansive musician, this time in a minimalist, meditative manner. 'Even though this album is a bit experimental and even abstract at times, It is meant to be a calming and easy listening experience,' do Nascimento offers. 'I choose to keep the songs and arrangements intentionally very bare and stripped down. Just adding few layers and colors here and there.' The album came together during the Covid-19 pandemic, but one hears anything but isolation in Ykytu's grooves. Do Nascimento performed the album almost entirely with a Strimon Timeline pedal, with a few loops and overdubs, and the result is a full-fledged, if quiet and subtle, conversation Do Nascimento has with himself, as he ruminates about this stage in his life, in his musical journey, and his music's place in the world. Ykytu means 'wind' in the indigenous Brazilian Guarani language. In his own way, as he was quarantined in Los Angeles, Do Nascimento has succeeded in journeying outwards, in heeding the call of the open world. At the same time, he has remained true to the spirit and calling of his forebears, hearing their whispers, amplifying them, augmenting them, and allowing them to flow outwards."
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LP
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NA 5220LP
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LP version. "Ykytu is Brasilian guitarist Fabiano do Nascimento's fourth album for Now-Again Records. Produced by Nascimento's longtime engineer Jason Hiller, this album is do Nascimento's first solo guitar album and, like his previous album, Preludio, is reliant on do Nascimento's own compositions, with a little help from like-minded musical travelers. In keeping with the trajectory of his previous albums, including Dança dos Tempos and Tempo dos Mestres, Ykytu follows folkloric Brasilian music, Brasilian jazz, bossa-nova and samba as experienced through the mind and able fingers of an expansive musician, this time in a minimalist, meditative manner. 'Even though this album is a bit experimental and even abstract at times, It is meant to be a calming and easy listening experience,' do Nascimento offers. 'I choose to keep the songs and arrangements intentionally very bare and stripped down. Just adding few layers and colors here and there.' The album came together during the Covid-19 pandemic, but one hears anything but isolation in Ykytu's grooves. Do Nascimento performed the album almost entirely with a Strimon Timeline pedal, with a few loops and overdubs, and the result is a full-fledged, if quiet and subtle, conversation Do Nascimento has with himself, as he ruminates about this stage in his life, in his musical journey, and his music's place in the world. Ykytu means 'wind' in the indigenous Brazilian Guarani language. In his own way, as he was quarantined in Los Angeles, Do Nascimento has succeeded in journeying outwards, in heeding the call of the open world. At the same time, he has remained true to the spirit and calling of his forebears, hearing their whispers, amplifying them, augmenting them, and allowing them to flow outwards."
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CD
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NA 5208CD
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"The definitive reissue of one of rock's rarest and most sought-after albums -- 'acid-folk' -- equal parts pastoral folk and contemplative psychedelic. The fi¬rst time since 1971 that this album has been run from the original master tapes, recently discovered in Italy. Mark Fry was 19 -- recently graduated from high school and in Italy studying painting -- when he walked barefooted into RCA's Italian subsidiary, played some songs he'd written on his guitar and was signed to record the album that would become legend. The first recordings he made proved stuff, so he was paired with members of the Scottish band Middle of the Road, who were in Rome while under contract to RCA Italiana. Convening in a basement home studio with two 4-track reel-to-reel recorders, Mark's visions coalesced in a dreamy, airy manner -- 'Nick Drake meets Dr. Strangely Strange with a touch of Lewis Carroll' The Word Magazine would later write. Pressed in small amounts for Vincenzo Micocci's RCA sub-label It, Alice remained an out of reach masterpiece for many but its creator, who returned to England in 1971 and subsequently traveled the world, playing music, sometimes recording and painting. By the time of its rediscovery, its master tapes were assumed lost. The pristine source material reveals nuances not heard on anything but original It pressings and pairs Alice with previously-unreleased recordings from the mid-70s."
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