Tresor (German for safe or vault) is an underground techno nightclub and record label. The club was founded in March 1991 in the vaults of the former old Wertheim department store in Mitte, the central part of the former East Berlin.
Almost 20 years on, Tresor continues to be a popular club to this day, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor.
Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Juan Atkins, Robert Hood, Stewart Walker, Joey Beltram, Pacou, Blake Baxter, Cristian Vogel and many others.
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3LP
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TRESOR 196XB-LP
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$42.00
PREORDER
RELEASE DATE: 10/27/2023
Triple LP version. Green color vinyl. 180 gram vinyl; silver pantone artwork; includes download card. Tresor Records presents a reissue of the sole output from Shifted Phases entitled The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope. Initially released in 2002, soon after James Stinson passed away, this LP plays a mysterious and compelling role in the Drexciya journey. While other records of Drexciya and related projects have received numerous reprints and editions, The Cosmic Memoirs... has remained out of print since its release. This rarity leaves it more open to interpretation with its place in the Drexciyan storm series, as it became increasingly hard to find and underexplored. This reissue does not merely close the loop on Tresor's reissue series of the Drexciya catalog but brings Shifted Phases to fresh ears more than other records. Accompanied by newly commissioned artwork from Matthew Angelo Harrison, the reissue also features the tracks "Crossing Of The Sun-Ra Nebula" and "Alien Vessel Distress Call", which were previously only on the original CD release. Track titles "Solar Wind", "White Dwarf", and "Lonely Journey of the Comet Bopp" reveal a focus on cosmic realms, suggesting a link with the Drexciya LP Grava 4 that moves from the underwater to the galactic. As it launches with mechanical blows on a precise orbit, each repetition entrenches the gravitational pull in the galaxy of Shifted Phases. In many places, it sounds like the readout of frequencies harvested from outer space, pockmarked with packet loss from the millions of kilometers distance travelled. The music is hard to contain, intuitively restless in motion through its unfolding universe and achingly resonant. It shapeshifts across affectedly melodic sequences such as in "Lonely Journey...", to the sparse, hard-hitting timbres found in "Alien Vessel Distress Call" and the mangled reverse vocals in "The Freak Show", somewhat reminiscent of another Drexciya side-project, Glass Domain. The mythology of Drexciya is evident in how keenly James Stinson and Gerald Donald created their imaginary worlds. In "Crossing Of The Sun-Ra Nebula", there is an indisputable reference to another Afro-futurist who delved deep into a galaxy of their own making.
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12"
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TRESOR 032EP
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$17.50
PREORDER
RELEASE DATE: 10/13/2023
2023 repress. Twenty-five years after its initial release, and accompanying the re-release of Internal Empire (TRESOR 027CD/LP), Tresor present a 180 gram pressing of Robert Hood's Master Builder. "25 years ago, I was faced with the challenge of following up on Minimal Nation. I cancelled all my tour dates for that summer, setup my studio in the living room and began to work on Internal Empire. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself." --Robert Hood
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12"
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TRESOR 356EP
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Tresor presents the debut split 12" from Chloe Lula and Ireen Amnes. Meeting in the darker, harder-edged side of the Berlin techno scene in 2019, the pair have regularly collaborated and performed together, but Synergy marks the first time they've shared a record sleeve. Amnes describes Synergy as "the world we built while thinking about our journey as friends and the connection we share as people and artists," and while the record highlights their relationship and shared influences, it also showcases how each has grown into their respective lane. Amnes's tracks lean into significantly more distorted territory, characterized by a dense fog of grainy pads punctured by sharp, expertly-programmed percussion. On "Our Bodies," these fragments are sculpted into driving hardware gear, replete with distant vocals and acidic squelches, where "Fragments of Desire" makes space for a more somber attitude, descending into murky, psychedelic electro. In counterpoint to Amnes's deep atmospherics, Lula's contributions are driven by intricate sound design and a focus on dancefloor impact. Taking cues from Regis and the Birmingham techno sound, she reins in the distortion of 2021's Errant Bodies for aufnahme + wiedergabe in favor of rolling techno and breakbeat-inspired rhythms that nod to her EBM influences. Making use of the extra space, she builds tension through heaving, textured basslines and crescendos of noise, and on EP closer "Event Horizon," she carves through the beat with her own metallic vocals. Synergy includes a digital bonus track from each artist.
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3x12"
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TRESOR 361LP
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Transparent Sound are the original dons of UK electro, not exactly household names yet an act with so many under-repped classics that once you dive into their catalog you might end up emptying your bank account on Discogs. To save you going down this calamitous path as well as to finally, raise TS to the level of notoriety they deserve, Tresor Records announce the release of Accidents 1994-2023. Formed by Orson Bramley and Martin Brown in Bognor Regis in 1994, Transparent Sound have managed to create 30 years' worth of some of the best electro from the British Isles, despite claiming to not know what they were doing nor how their instruments work. It's likely that it's this lack of knowledge that led to the quality and longevity of their output - the pair experiment and tinker with the machines until something pleasing appears then follow that sound down whatever path seems fruitful: "the confidence of ignorance" as a slightly more-famous Orson, Orson Welles, once put it. This tactic has paid off well and found them stumbling into many notable adventures, from remixing The Cure to performing during an intermission between two halves of a lecture -- none of which they understood as it was in Spanish. The compilation collects a lucky-for-you 13 of their most glorious electrical accidents on a three-disc set including the dancefloor hits "Punk Mother Fucker" (a mainstay of Villalobos sets at the time of release), and "No Call From New York" (as heard on Helena Hauff's perfect 2017, Essential Mix). The package also comes with "Windows To Your Sole" from the unreleased white label Transparent Sound 007, other unreleased tracks, and special 2023 edits, as well as six digital bonus tracks. 180 gram vinyl; full printed sleeve; download card.
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2x12"
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TRESOR 017LP
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The reissue of classic and seminal releases from the Tresor catalog comes round to Waveform Transmission Vol. 2 by The Vision aka Robert Hood which celebrates its 30th anniversary this year. Released in the same year he left UR and his hometown of Detroit in 1993, Waveform Transmission Vol. 2 represents a pivotal moment in Hood's career as his move to New York with fellow UR co-founder Jeff Mills led to Hood experimenting with a new work ethos through which he settled on his trademark sound. Fast, aurally assaulting, yet funky -- the release is techno as effective as it can possibly be; in this version, remastered by Thomas P. Heckmann, you see the first results of his transmutation as Hood manipulates the raw sounds he would soon distill into seminal works like Internal Empire and Minimal Nation. Ever philosophical and spiritual, in the sleeve notes for the release Hood dedicated the release "to the form of simplicity[,] the reasoning of vision[,] the understanding of where we came from and how we got here and to the perspective we use to construct over destiny" -- words which from our early 2020s vantage point almost foresee the influence this intuitive work would have on artists working from Birmingham to Berlin and beyond over the next three decades. 180 gram vinyl; full printed sleeve; download card.
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12"
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TRESOR 355EP
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LNS and DJ Sotofett return to Tresor Records with The Reformer EP. This new record moves forward with a crystal clear, direct and controlled output, leaving their debut album Sputters as an end-mark of a sonic era. Here they evolve into a topography full of contrasts, where harsh digital artifacts, scanner sounds, and vocoder voices cast melodic colors across cold landscapes of club-ready electro. "Reform" plunges deep into an electro sound splintered by binary bits and submerged pads that beckon a serene melody, which echoes and loops to entangle with mutant voices, noises and buzzes. "Plexistorm" leads with synthesized strings and arpeggiated acidic bleeps until a thick bass emerges, sounding almost like a long-lost Analord record. Heavily shapeshifting with effects processing, it proves primitive movements in dubbing are the perfect counterpart to this precise electro sound. With "Electric Terraforming", the duo uncover charged energy sources required for life on another planet, as broad synth pads and memorable vocoder harmonies draw this earworm to a close. Mighty washes of dub rule on "909 The Controller" as a skipping beat invites a slow, rippling melody and percolating reverberated synths.
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3LP
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TRESOR 350LP
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yet is a slippery word in English. Amorphous, these three letters in different contexts can define contrast or emphasis, set a place in time, show an expectation that something will occur or, paradoxically, that it is likely to stop. It is this mercurial nature that makes yet the perfect title for Tresor's latest compilation: the label follows on from the more explorative sections of 2021's landmark Tresor 30 boxed set with a compilation, featuring 13 artists making music that resist easy definition. Every track hints at and borrows from the familiar yet none follow the expected path: halfway through Deserto, Nandele & A-Tweed dramatically reveal a very different sonic landscape that was initially suggested; DJ Sotofett collaborates with Sri Lankan artist Kavadi with results that are unlike anything in the Norwegian producer's catalog as yet. Further invention can be found as Jean Redondo's "Hypersonic" moves across spaces inhabited by digital hardcore and hyperpop before swerving off-road and into a futuristic hip-hop section; on "No Longer Human", Ireen Amnes takes a different path at the crossroads melding hyperpop, trance, and sci-fi soundtrack atmospherics, Significant Other heads towards UK bass and dubstep, and France's Willis Anne skims by the outskirts of footwork with a piece that is almost completely uncategorisable. Yet more sonic experimentation comes from E-Saggila, Nadia Struiwigh, NVST, Solid Blake, and Viikatory who offer unique takes on the well-established electro blueprint, while Ryan James Ford, and Nit. both find ways to blend elements normally found in ambient pieces with those heard on a dancefloor. The feel of the compilation is yet again reflected in the enigmatic artwork by Malik Arbab, where shapes and colors suggest animals and plants but in a world that appears to be transient and constantly evolving. 180 gram vinyl; full printed sleeve; includes download.
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12"
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TRESOR 353EP
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After several years of performing as INIT with Benedikt Frey, she had her solo live debut in Berlin in 2022. This record follows releases on labels such as ESP Institute and Warning. GUM showcases DALO's expert mastery of rising tension through analog sound sources, as it swings in and remains with minimal changes and accentuation. "Woodpecker" enters a tunnel of reverberant claps, moving in a potent exercise of deftly manipulated acid. "Wavehall" draws vocal smears across expansive, droning basses and 140bpm techno rhythms. In "Bachlash", she takes inspiration from events of Iranian and Afghan women revolting for their rights, expressing hope for the rebound of control after long political oppression. Electro beats are introduced underneath the full-frontal melodic acid, while processed spoken word samples bring a new focus. DALO takes the rebounding control and strives forward into the unknown with "GUM", its segmented vocal samples playing a captivating partnership with acidic slides.
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12"
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TRESOR 352EP
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The phrase "concept album" brings to mind long and complicated works by '60s rock bands or rap magna opera destined to be pored over by Dissect podcast. But what if the concept is based on a simple conceit? With Refreshing Part 1, their third EP and first vinyl release on Tresor, Fireground soundtrack an imaginary night spent at the Kraftwerk building on Köpenicker Straße, moving between the smoke-filled basement of Tresor and the bass-heavy loft of Globus. Opening piece, "Never Sleep", has long been a feature of the Fireground live set and evolved over many months before reaching its final form in something of a "eureka" moment during a performance in Tresor. The track kicks off the EP with a hint to techno classic "Knights of the Jaguar" before quickly carving its own path through the foliage. The tribal leitmotif continues on second track, "Gaze", which again has subtle nods to classics whilst showcasing the duo's ability to bring new life to '90s house and techno tropes. "Obsession" dispenses with any pretense and gets right down to business from the opening second: Inspired by the Tresor dancefloor "when it reaches its peak; the strobe lights together with the smoke become so intense that for a few moments you can't see anything and completely abandon yourself to your sense of hearing." A counterpoint to the finessed "Never Sleep", "Obsession" was recorded live with minimal post-production this track finds Fireground at their rawest and most uncompromising. As if needing a spot of fresh air after the ferocity of "Obsession", the second half of the EP leaves the dense and smoky atmosphere behind and ascends towards the sky beginning with "Driving Stars"; lighter though this may be there's no loss of drive. Penultimate track "Into A Diamond" finds Fireground floating ever-upwards propelled by elements of jazz including a gorgeous electric piano solo that recall the airy mid-90s UK house of labels like Nuphonic, Heavenly, Faze Action, and Soma.
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2LP
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TRESOR 351LP
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Tresor Records release Crash Recoil, a new album by Surgeon. It marks Anthony Child's first techno LP in five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies. Crash Recoil originates from Surgeon's recent live sets, where he experimented with constraints in performing and embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and hardware reconfigured tracks into different constellations, creating an inspiring vortex of unpredicted events where ideas could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their effectiveness during my live performances before creating a studio version." The result is eight tracks that emphasize a new techno sound for Surgeon, drawing in references from across the musical spectrum. "I can hear Coil, King Tubby, Detroit techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm, and percolating arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing with a free spirit, untethered by a studio-based perspective. You can hear manifestations of the same raw material across the album, like a textural motif, carving new variants and creating a cohesive work full of recollection. 180 gram vinyl; full printed sleeve; includes download card.
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3LP
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TRESOR 196LP
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Triple LP version. 180 gram vinyl; silver pantone artwork; includes download card. In early 2023, Tresor Records will reissue the sole output from Shifted Phases entitled The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope. Initially released in 2002, soon after James Stinson passed away, this LP plays a mysterious and compelling role in the Drexciya journey. While other records of Drexciya and related projects have received numerous reprints and editions, The Cosmic Memoirs... has remained out of print since its release. This rarity leaves it more open to interpretation with its place in the Drexciyan storm series, as it became increasingly hard to find and underexplored. This reissue does not merely close the loop on Tresor's reissue series of the Drexciya catalog but brings Shifted Phases to fresh ears more than other records. Accompanied by newly commissioned artwork from Matthew Angelo Harrison, the reissue also features the tracks "Crossing Of The Sun-Ra Nebula" and "Alien Vessel Distress Call", which were previously only on the original CD release. Track titles "Solar Wind", "White Dwarf", and "Lonely Journey of the Comet Bopp" reveal a focus on cosmic realms, suggesting a link with the Drexciya LP Grava 4 that moves from the underwater to the galactic. As it launches with mechanical blows on a precise orbit, each repetition entrenches the gravitational pull in the galaxy of Shifted Phases. In many places, it sounds like the readout of frequencies harvested from outer space, pockmarked with packet loss from the millions of kilometers distance travelled. The music is hard to contain, intuitively restless in motion through its unfolding universe and achingly resonant. It shapeshifts across affectedly melodic sequences such as in "Lonely Journey...", to the sparse, hard-hitting timbres found in "Alien Vessel Distress Call" and the mangled reverse vocals in "The Freak Show", somewhat reminiscent of another Drexciya side-project, Glass Domain. The mythology of Drexciya is evident in how keenly James Stinson and Gerald Donald created their imaginary worlds. In "Crossing Of The Sun-Ra Nebula", there is an indisputable reference to another Afro-futurist who delved deep into a galaxy of their own making.
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CD
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TRESOR 196CD
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In early 2023, Tresor Records will reissue the sole output from Shifted Phases entitled The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope. Initially released in 2002, soon after James Stinson passed away, this LP plays a mysterious and compelling role in the Drexciya journey. While other records of Drexciya and related projects have received numerous reprints and editions, The Cosmic Memoirs... has remained out of print since its release. This rarity leaves it more open to interpretation with its place in the Drexciyan storm series, as it became increasingly hard to find and underexplored. This reissue does not merely close the loop on Tresor's reissue series of the Drexciya catalog but brings Shifted Phases to fresh ears more than other records. Accompanied by newly commissioned artwork from Matthew Angelo Harrison, the reissue also features the tracks "Crossing Of The Sun-Ra Nebula" and "Alien Vessel Distress Call", which were previously only on the original CD release. Track titles "Solar Wind", "White Dwarf", and "Lonely Journey of the Comet Bopp" reveal a focus on cosmic realms, suggesting a link with the Drexciya LP Grava 4 that moves from the underwater to the galactic. As it launches with mechanical blows on a precise orbit, each repetition entrenches the gravitational pull in the galaxy of Shifted Phases. In many places, it sounds like the readout of frequencies harvested from outer space, pockmarked with packet loss from the millions of kilometers distance travelled. The music is hard to contain, intuitively restless in motion through its unfolding universe and achingly resonant. It shapeshifts across affectedly melodic sequences such as in "Lonely Journey...", to the sparse, hard-hitting timbres found in "Alien Vessel Distress Call" and the mangled reverse vocals in "The Freak Show", somewhat reminiscent of another Drexciya side-project, Glass Domain. The mythology of Drexciya is evident in how keenly James Stinson and Gerald Donald created their imaginary worlds. In "Crossing Of The Sun-Ra Nebula", there is an indisputable reference to another Afro-futurist who delved deep into a galaxy of their own making.
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12"
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TRESOR 327EP
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Vibrant acid tracks knead muscular electronic dance structures on Gerald Brunson's debut EP. A member of the Model 500 extended family and running Dance Sacred Records, Brunson presents a restless world that beckons forth from the underground of the Midwest, full of bouncing flair and techno passion. "Hoffman's S.O.S. (Scully, Owsley, Sand)" is more than a mere nod to the alchemists participating in the League for Spiritual Discovery and The Brotherhood of Eternal Love. It induces a pristine acid trip that twists neurons about agitated filtered effects and effective rhythmic structures. Finally, it emerges into wondrous vistas of ever-expanding horizons. "Blue Striped Felix" worms deep into the groove with the same brawn, its components lean and unceasing. Over on the flip side, "2way" struts a mean dance, stripping out the previous track's acid melodies into something far more focused on repetition with an electro influence shining through. This electro sound beams forward even more into a mutant funk on "Morf". The synths move squeakily as if the machine got jammed into enlightenment. Unexpected beat changes flick over to a four to the floor briefly, before out of nowhere chords invite the closing moments in with an eventual melodic response to the dancing synths. Brunson's tracks represent a unique sound. Techno is as real as the person who experiences it, and these tracks come from an enigmatic messenger who is firmly out on a limb.
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3LP
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TRESOR 270X-LP
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Triple LP version. 180 gram vinyl. Following the re-release of Drexciya's essentials Neptune's Lair, Hydro Doorways, Harnessed The Storm, and Digital Tsunami, the reissue series continues with Transllusion's Opening Of The Cerebral Gate and the Mind Over Positive And Negative Dimensional Matter 12". Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, Opening Of The Cerebral Gate was conceived as the second part of the so-called "Drexciyan Storms" -- a whopping stack of seven albums by the Detroit pair released under different monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album.
2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog. These editions will be released sequentially, bimonthly, and started in early-September 2022.
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12"
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TRESOR 271X-EP
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Following the re-release of Drexciya's essentials Neptune's Lair, Hydro Doorways, Harnessed The Storm, and Digital Tsunami, the reissue series continues with Transllusion's Opening Of The Cerebral Gate and the Mind Over Positive And Negative Dimensional Matter 12". Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, Opening Of The Cerebral Gate was conceived as the second part of the so-called "Drexciyan Storms" -- a whopping stack of seven albums by the Detroit pair released under different monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album.
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CD
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TRESOR 270X-CD
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Following the re-release of Drexciya's essentials Neptune's Lair, Hydro Doorways, Harnessed The Storm, and Digital Tsunami, the reissue series continues with Transllusion's Opening Of The Cerebral Gate and the Mind Over Positive And Negative Dimensional Matter 12". Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, Opening Of The Cerebral Gate was conceived as the second part of the so-called "Drexciyan Storms" -- a whopping stack of seven albums by the Detroit pair released under different monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion's first album.
2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog. These editions will be released sequentially, bimonthly, and started in early-September 2022.
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3LP
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TRESOR 167LP
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Reissue of DJ Shufflemaster's album EXP, first released by Tresor in 2001. This expanded reissue comes as a triple-LP with new artwork by Japanese designer Sk8thing and combines the original CD release tracks with three tracks from the Angel Gate 12" from the same year, including a remix by Surgeon. Also present is a previously unreleased version of "Innervisions", which replaces the assonant synths of the original with a looped vocal sample upfront. Tatsuya Kanamori remains a critical component of the Tokyo techno underground scene, initially coming to the fore through the Subvoice label before releases with Tresor, Theory Recordings, and Japanese record labels such as Disq and Reel Musiq. At the moment of the original release, DJ Shufflemaster considered the record to draw in disparate and latent ideas into a fully encompassing mesh. "I would like to show my thoughts and everything that I am through the album. If it doesn't reflect my ideas and the reasons that I live for, there is no meaning for me to create an album. Therefore, EXP doesn't contain just one theme or concept." EXP represents an uncompromising and psychedelic slant on techno, with a purist's focus on the dancefloor. It bridges many avenues within the techno genre, from the minimalist, dubby terrains of tracks like "P.F.L.P." and "Opaqueness", to more fierce percussive works that share a kinship with the sonic movements in Berlin, Detroit, and the UK. Beyond the technical, pared-down techno found in tracks such as "EXP" and "Onto The Body", the album leaps into unpredictable territories frequently. "Angel Exit" carries mystical UK steppers moods as if it were a long-lost dubplate of The Rootsman. Kanamori delves deep into looping digital grunge in "Flowers Of Cantarella" and "Dawn Purple", these synthetic worlds enveloping and deforming at will. Bold and as fresh as ever, EXP is an unearthed jewel from Tresor's past for new ears. Full printed sleeve.
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12"
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TRESOR 182X-EP
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Tresor Records announce forthcoming special editions of its entire catalog of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rights holders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog.
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2LP
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TRESOR 181X-LP
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Double LP version. 180 gram vinyl; silver pantone, UV spot varnish. Reissue, originally released in 2002. Tresor Records announce forthcoming special editions of its entire catalog of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rights holders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog. These editions will be released sequentially, bimonthly, starting early-September 2022. Harnessed The Storm and Digital Tsunami (TRESOR 182X-EP) come in November. The series will be completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope. These records, individually and as a catalog, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
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CD
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TRESOR 181X-CD
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Reissue, originally released in 2002. Tresor Records announce forthcoming special editions of its entire catalog of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rights holders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog. These editions will be released sequentially, bimonthly, starting early-September 2022. Harnessed The Storm and Digital Tsunami (TRESOR 182X-EP) come in November. The series will be completed by the long-awaited re-release of Shifted Phases - The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope. These records, individually and as a catalog, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.
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12"
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TRESOR 137X-EP
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2023 repress. Just a month after the album release of Neptune's Lair in September 2022 (TRESOR 129X-CD/LP), its companion 12" Hydro Doorways will be second in the series. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalog. 180 gram vinyl.
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12"
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TRESOR 345EP
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Yazzus follows up her appearance on the Tresor 30 compilation with a new EP named Black Metropolis. Within its, at times, rough-hewn textures lies a core that explores joy and energy within the roots of black techno. In her words: "I want this release to be black and beautiful, to be queer, and playful, a nostalgic nod to the '90s but also reimagining it in the current times." The Ghana-born, London-bred, now Berlin-based producer's research into Afro-futurism, envisaging a path forward for science, technology and culture through the black experience, has impressed a deep vision on this EP. Yazzus sets like a cartographer, using her tracks to explore a technologically advanced world, each representing different regions and environments. "Human Error Processor" introduces an ear-worming percussion pattern nearly swamped by distorted bass drums and a vocal sample screwed just beyond recognition. "Perforated" leads with a 150bpm four to the floor stomp, infectious and supercharged. Gluey synth motions soak in an otherworldliness, where industrious, mechanical rhythms map out futurist structures in all directions. "Metro City Bay Area" exhibits a ghetto tech soul, lean and bouncy -- this part of the galaxy is an infinite source of fun, with the heart of groove at its core. "Three Deities" brings adventurers of its region towards higher powers, its rave-y synths and an engulfing bass provoke a complete NRG release, ascending into a spiritual trance where dense melodies bubble and fizz. 180 gram vinyl; full printed sleeve.
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TRESOR 349EP
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Ignore expectations and Free Your Body. Travel a new path and Free Your Body. Accept the limitations and Free Your Body. Free your mind then Free Your Body. Move to the beat and Free Your Body. 180 gram vinyl; obi strip; full printed sleeve; includes download code.
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12"
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TRESOR 343EP
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Oscean comes out firing from the outset on their new 12" entitled Multirays. The Argentinian duo of Andrés Zacco and Sebastián Galante are following up on the first release of their collaboration, Ideoma (TRESOR 329EP), also released on Tresor Records. With Multirays, this burgeoning collaboration reveals a promising evolution, moving into more rhythmically diverse environments and playful structures. The opening track, "Multidimensional", strikes with confronting beats and a searching, woolly bass sound. Constantly growing, it moves confidently with its skittering percussion work, ebbing and flowing through filter movements and expansive synths. "Invisible Rays" draws in breathing techno pulses, as Zacco and Galante cast drenches of feedback across the spectrum. A deceptively mellow melody, recalling "Spiral" from their debut EP, teases at a deeper melodic progression, but the focus stays locked on the animated rhythms, tempting towards divergent grooves but expertly keeping feet on the floor. In "Drivion", Oscean investigates electro territories, simultaneously bubbling and driving. Echoed arpeggiations and upfront beats funnel impulses between neurons. Broad synth gestures offer gateways into abstraction before, without barely a hint, the rhythms beat once more. On the closing track, "Horizonsz", the duo drives forth through skipping rhythms and soul-searching bass murmurs. Synth pads beckon with Fresnel lens reflections and rising warmth, motioning towards a stunning moment of euphoria, where futurist mirages coexist with distant memories. 180 gram vinyl, full printed sleeve.
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2x12"
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TRESOR 341EP
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Tresor Records reveal the outcome of a new collaboration between two of techno music's most remarkable artists, Maedon and Adam X. The Lion & The Ram is a unique and exciting hybrid of industrial, rave, and hypnotic techno sounds. This release marks the full debut for both artists on Tresor Records, with Adam X having appeared for a remix of Neil Landstrumm in 1997. Both Berlin-based, Maedon and Adam X have worked tirelessly over the forced lockdowns, finding a kindred spirit in locating and sculpting the most badass kick. This album is undoubtedly an impressive representation of the range of kick drum synthesis, from thunderous impacts to carefully tuned pulses. The duo's competitiveness over kick drums has led to a masterpiece of mesmerizing techno. Across the thumping drums and sparse, mechanical soundscapes, every track on the album follows a journey into the dark and unknown. Tracks grow with increasing power sourced from dystopian samples, such as "Human Replacements", "people are being duplicated, there is something missing". It reflects the stifled time we all spent, haunted by uncertainty, cooped up and seeking expression. "Corrupt Pigs" emphasizes this with the refrain, "welcome to the land of fuck". Crunching bass and rusty percussions gather as a herd, like a rallying call to signify that, at last, we may let loose. With its unrepentant rhythms and ruthlessly brutal sound design, The Lion & The Ram discharges Maedon and Adam X into daring new terrain. 180 gram vinyl; full printed sleeve.
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