Tresor (German for safe or vault) is an underground techno nightclub and record label. The club was founded in March 1991 in the vaults of the former old Wertheim department store in Mitte, the central part of the former East Berlin.
Almost 20 years on, Tresor continues to be a popular club to this day, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor.
Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Juan Atkins, Robert Hood, Stewart Walker, Joey Beltram, Pacou, Blake Baxter, Cristian Vogel and many others.
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2LP
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TRESOR 027LP
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$36.00
PREORDER
RELEASE DATE: 2/15/2019
Double LP version. 2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
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CD
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TRESOR 027CD
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$14.00
PREORDER
RELEASE DATE: 2/15/2019
2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
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2LP
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TRESOR 105LP
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2018 reissue, originally released 1998. Juan Atkins's Infiniti project combines raw tactility and puristic elegance on Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. Alongside fellow Detroit legend Terrence Dixon, who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
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2LP
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TRESOR 025LP
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Jeff Mills's Waveform Transmission Vol. 3 initially came out in 1994 on Tresor Records. The eight titles on this album marked a turning point for Mills. It indicates a transition from the straightforward sound he had created through the early 1990s, into the different facets and sound palette he would develop through the remainder of the decade. It is a significant piece within Mills's oeuvre. This repress is a stamped and hand-numbered edition, limited to 1500.
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LP
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TRESOR 306LP
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In 2015, Tresor Records welcomed Shao Yanpeng as the first Chinese artist to contribute to the label's catalogue. Shao is based in Beijing, China, where he has been making electronic music since 2002, and pursues his career as a producer and sound designer. Tresor Records now presents Shao's new long player, Doppler Shift. Meticulously built compositions, feverish synth journeys and suspenseful ascensions make up the signature sound of Shao's work, at times contemplative and expressive at others. 180 gram vinyl; includes download code with bonus material.
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2LP
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TRESOR 303LP
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For its 303rd release, Tresor present a commissioned work by Donato Dozzy, Filo Loves The Acid. Rome-based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious leading light in all techno artforms. Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. It was self-evident to Tresor to enroll Donato Dozzy's talents for this assignment, a nod to the seminal Roland TB-303 bass synthesizer. The result is a relentless collection of radical, propulsive, and bleeding-heart acid tracks. Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.
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12"
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TRESOR 305EP
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Paris based artist Marcelus has continuously provided some of the most intricate productions to come out on Tresor Records in recent years. The Magnet EP offers one long trip in four chapters. The title track, "Magnet", ushers in the ritual and strikes with its Creole flavors, drawing careful listeners back to sound palettes and rhythms of some decisive UR references. "Parenthesis" is the second slow step in this brooding ceremony. "Say It Again" picks up the pace, driving the listener further down into the tunnel. The beads of "Descent" finally brings the mind back to the surface of reality.
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2LP
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TRESOR 304LP
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Tresor present the release of Manni Dee's first album, The Residue. Based in London, Manni Dee is held in high esteem by many for his spotless production and relentless DJ sets. The gleaming rendition of Manni's creative vision stuns. He knows sounds inside-out, making his studio a favorite stop for many to receive Manni's expertise. The production of The Residue was inspired by the city of London and its general living conditions. More particularly, how social cleansing, inequality, and the political situation generally -- and on a holistic scale -- informs internal and external locus of control. The Residue is disconsolate, and with such heart-wrenching tracks as "In Communal Solitude", "Vicarious Living", or "Submit. Breathe." or the mutinous "At Mercy Of The Muse" and "Paroxysm", Manni Dee clearly cuts out his insurgent statement.
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2LP
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TRESOR 302LP
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Tresor Records present a new commission, bringing together two of its most time-honored contributors. Berlin's Thomas Fehlmann and Detroit's Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor's annual Detroit showcase in May 2017. Composed of six titles and exploring a wide range of rhythms and emotions, We Take It From Here is a celebration of resilience, patience, creativity, and devotion.
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LP
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TRESOR 299LP
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XOR Gate is the brainchild of Heinrich Mueller, one half of Drexciya and Dopplereffekt. In linguistic or electronic logic, the XOR Gate designates a device, digital or grammatical, which outputs a value only when two differing inputs are fed into it. This can be summed up with the formula "one or the other but not neither, nor both." A conic section is a shape created as a plane intersects a cone. This can result in different figures such as a circle, an ellipse, a parabola, or a hyperbola. Conic Sections here is composed of eight themes, or shapes, over which waveform and synthesis entirely merge with human emotions. The line is blurred. These eight themes are intertwined, forming one long musical string. The line is forever blurred. Conic Sections was commissioned by ArtCenter South Florida in Miami, for the AN IMAGE exhibit. Comes in silver print sleeve.
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12"
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TRESOR 301EP
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Second Woman is the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv. The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid. Second Woman tweak the perception of time and space within the audio field into something ASMR-inducing and ultimately satisfying to listen to. With Apart/Instant, Second Woman present their signature sound as well as a new, more measured dimension to their work.
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4x12"
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TRESOR 300LP
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On the occasion of the 300th release on Tresor, and the 20th anniversary of the mysterious Scopex imprint, Tresor present the long awaited re-edition of the three essential Scopex records -- Simulant's Simm City (1998) and Out Of Ether (2000), and Pollon's Electratech (2000) -- along with a previously unreleased track from Pollon, recorded during these essential sessions. All tracks are re-mastered from the original DAT tapes. The recently unearthed "Original Flow" was originally recorded in 2000 and previously unreleased. The four records come together in a beautiful gatefold sleeve featuring the original and idiosyncratic Scopex designs, with delicate spot UV print. Essential... Vinyl only.
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12"
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TRESOR 298EP
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Following the last Borderland single (TRESOR 296EP), the focus returns on Transport (TRESOR 285CD/LP, 2016), the last collaborative album by Juan Atkins and Moritz von Oswald. Carl Craig provides a take on "Transport". Extending and stripping the original sequence to its bone, also summoning a stepping drum sequence and a swaying array of moving delays. 12" edit is cut on the A-side -- the full version of Craig's remix clocks just above 20 minutes, available digitally; Includes download card. DJ Deep and Roman Poncet rework Carl Craig's remix, adding their signature grooves and myriad of tough drums, to full effect.
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12"
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TRESOR 297EP
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BNJMN presents Body Reflections Pt.2, the second step in his new, subdued, and intricate sonic direction. The highly textured ambient dance music that characterized the first chapter released earlier in 2017 (TRESOR 290EP), seamlessly continues onto this new reference. Each track on the EP introduces symmetry and rhythm in the form of organic percussion. Whether lethargic and ethereal, blanketed with discordant melodies and arcing synth lines, or more dance-oriented -- with sophisticated interplays of percussive elements looping over soft harmonies. Body Reflections Pt.2 is deeply illustrative of BNJMN's affinity for creating nuanced and delicately balanced layers.
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12"
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TRESOR 296EP
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Juan Atkins and Moritz von Oswald -- the two vital proponents of Detroit-Berlin axis -- return to the mothership following their 2016 full-length effort Transport (TRESOR 285CD/LP). Angles is the result of a new conversation between the founding father of electronic music and his German counterpart. The serene source of captivating musical ideas that is Borderland (TRESOR 262CD, 2013) keeps on flowing and vibrating with subtle energy. Both parts of "Concave" are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their origins.
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CD
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KERN 004CD
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To feel the future is to feel the fall into time. For the fourth instalment in Tresor's Kern mix series, DJ Stingray (Urban Tribe/Drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush. With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps the listener's vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialized cross-section of Detroit's own dancefloor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic. Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems. Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Vol. 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time. Seven more key titles of the covert assault make up this vinyl edition. CD version comes in a digipak sleeve and features: NRSB-11, Dynarec, Professor X, Herva, A-F-X, Gesloten Cirkel, Anna Meredith, LoneLady, Syncom Data, Dopplereffekt, Alex Cortex, Kris Wadsworth, Christopher Joseph, Silent Servant, Adam Jay, Luke Eargoggle, Drexciya, Creepy Autograph, Faceless Mind, Vcs2600, DJ Di'jital, Illektrolab, Morphology, and Kan3da.
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2LP
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KERN 004LP
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Double LP version. To feel the future is to feel the fall into time. For the fourth instalment in Tresor's Kern mix series, DJ Stingray (Urban Tribe/Drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush. With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps the listener's vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialized cross-section of Detroit's own dancefloor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic. Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems. Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Vol. 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time. Seven more key titles of the covert assault make up this vinyl edition. Double LP version comes in a gatefold sleeve and features: NRSB-11, Dynarec, Professor X, Herva, A-F-X, Gesloten Cirkel, Anna Meredith, LoneLady, and Syncom Data.
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CD
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TRESOR 295CD
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First full-length in seventeen years from the Chain Reaction/Force Inc. legends. Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the "soundmarks" of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop, and art-damaged noise all drinking from the same well of inspiration. For proof of Porter Ricks's enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel/Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of Porter Ricks's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique "aquatic" techniques to be applied to a variety of different musical contexts. Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so over-saturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf -- yet it is far more invigorating than relaxing. True to the Porter Ricks's tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
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2LP
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TRESOR 295LP
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Repressed; double LP version. First full-length in seventeen years from the Chain Reaction/Force Inc. legends. Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the "soundmarks" of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop, and art-damaged noise all drinking from the same well of inspiration. For proof of Porter Ricks's enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel/Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of Porter Ricks's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique "aquatic" techniques to be applied to a variety of different musical contexts. Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so over-saturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf -- yet it is far more invigorating than relaxing. True to the Porter Ricks's tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
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12"
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TRESOR 294EP
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Reduction luminary Terrence Dixon's Like A Thief In The Night EP on Tresor Records. Detroit's most puzzling genius debuted on the label in 2000 with his first ever full-length work, From The Far Future (TRES 141LP). It took over a decade for its sequel to follow, From the Far Future Pt.2 released in 2012 to great public acclaim (TRESOR 256CD/LP). Terrence Dixon prepared a matchless four track EP, going ever further in his very own tenor of collided electronics and mesmerizing tones. Words can simply not describe.
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2LP
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TRESOR 293LP
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Jonas Kopp and Tresor have shared a bright and prosperous musical relationship for some years now, propelled further forward with Photon Belt. Following Jonas's debut album Beyond the Hypnosis in 2014 (TRESOR 273D/LP), accompanied by the Red Plented EP (TRESOR 272EP, 2014) and the HHH EP (TRESOR 279EP, 2015), the Argentinian artist delivers a new full-length to the Berlin's legendary imprint. This new opus is dedicated to a cosmic phenomenon our solar system experiences every 11,000 years. The photon belt is a band of intense light energy into which our star and its planets moves into for a duration of about 2,000 years. As part of the Pledian star group, our sun circles around the star named Alcyon, itself located at all times in the photon belt. Other stars, including ours, move in-and-out of it for varying periods of time, depending on their orbit. Our way into the belt has already begun and will continue over the next five years. The result? Mankind in its darkest hour paralleled with consciousness rising to further dimensions. Expect a thoughtful and mature labor from Jonas Kopp's mesmerizing ten-track journey, on which the Argentine's contemporary methods in production meet traditional techno constituents. Throughout the album, different sidereal interludes arch over to his Telluric Lines side project, which he presented at the 2016 edition of the Berlin Atonal festival. Crucial titles such as "Galactic Core", "Aile", the eponymous "Photon Belt" and "5D World" are set to leave a large footprint in the continuous sequence of electronic music.
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12"
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TRESOR 292EP
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This new edition to the everlasting Tresor catalogue marks the return of Pacou, more than five years after the release of his last full EP, Sense EP (TRESOR 246EP). Three recently produced tracks in the true sound that defines the work of the German techno expert, meet a remix of "A Texture". Initially released on his 1998 Symbolic Language album, "A Texture" is a distinctive interlude, so supreme that it remains a Tresor favorite.
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3x12"
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TRESOR 291LP
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3x12" version. Excerpt from the liner notes for Dreamy Harbor, by Rob Sharp: "When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. 'We didn't know what would happen ten months later,' he says. 'We signed a lease for a year. Which eventually got renewed for another three months, and another three months...' As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is worth dwelling on how the cultural conditions that birthed Detroit techno - economic neglect and broken industry - were mirrored by the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression. Today, though the boom and bust of globalized capitalism has filled the void that followed the Berlin Wall, and techno has become a worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that uplifted the spirits of inner city communities for a quarter-century. This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri's youth. From the signature magnetic soundscapes of Vainqueur to the dark textures of upcoming Beijing producer Shao; from Jon Hassell's slow epicurean volutes, to the ritual auras of Marcelus and Claudia Anderson's contributions; from the dub-infused pioneering programming of Juan Atkins and Moritz von Oswald, to Mønic's enthralling cadences, it represents some of the old and new names that continually epitomize Tresor's perennial spirit of ingenuity. 'We were space pioneers,' says Dimitri... Berlin is Europe's economic engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German. That range of influences is felt in all areas of life, not least in the city's music."
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12"
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TRESOR 290EP
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BNJMN's four-track Body Reflections Pt.1 12" captures a uniquely subdued mood of ambient dance music while integrating seamlessly into Tresor's penchant for restrained and dub-inflected techno. Each track introduces symmetry and rhythm in the form of organic percussion. "Overskies" and "Enceladus" are more lethargic and ethereal, both blanketed with discordant melodies and arcing synth lines. "Hadal Zone" is more dance-oriented, with a sophisticated interplay of percussive elements looping over plaintive vocals and soft harmonies. "Syzygy" brings the EP to a techno-focused close with driving kicks, oscillating synths, and repeating minor chords.
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CD
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TRESOR 291CD
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Excerpt from the liner notes for Dreamy Harbor, by Rob Sharp: "When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. 'We didn't know what would happen ten months later,' he says. 'We signed a lease for a year. Which eventually got renewed for another three months, and another three months...' As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is worth dwelling on how the cultural conditions that birthed Detroit techno - economic neglect and broken industry - were mirrored by the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression. Today, though the boom and bust of globalized capitalism has filled the void that followed the Berlin Wall, and techno has become a worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that uplifted the spirits of inner city communities for a quarter-century. This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri's youth. From the signature magnetic soundscapes of Vainqueur to the dark textures of upcoming Beijing producer Shao; from Jon Hassell's slow epicurean volutes, to the ritual auras of Marcelus and Claudia Anderson's contributions; from the dub-infused pioneering programming of Juan Atkins and Moritz von Oswald, to Mønic's enthralling cadences, it represents some of the old and new names that continually epitomize Tresor's perennial spirit of ingenuity. 'We were space pioneers,' says Dimitri... Berlin is Europe's economic engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German. That range of influences is felt in all areas of life, not least in the city's music." CD version features: Shao, Terrence Dixon, Juan Atkins & Moritz von Oswald, Mønic, TV Victor, Donato Dozzy, Claudia Anderson, Jon Hassell, Marcelus, and Daughter Produkt.
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