Tresor (German for safe or vault) is an underground techno nightclub and record label. The club was founded in March 1991 in the vaults of the former old Wertheim department store in Mitte, the central part of the former East Berlin.
Almost 20 years on, Tresor continues to be a popular club to this day, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor.
Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Juan Atkins, Robert Hood, Stewart Walker, Joey Beltram, Pacou, Blake Baxter, Cristian Vogel and many others.
|
|
|
viewing 1 To 25 of 159 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
12"
|
|
TRESOR 322EP
|
$14.00
PREORDER
RELEASE DATE: 3/5/2021
Minimal Violence return to Tresor Records with Phase Two of their DESTROY ---> [physical] REALITY [psychic] <--- TRUST series. This five-track 12" kicks off straight into the dust storm of "Dreams for Sale", a Lynchian trip through explosive breakbeat manipulation, sirens and cries deep into the abyss. True to form, Ashlee Luk and Lika P harness raw tensions and lock into the flow on "Mankind". An EBM monster, its bass sequences lay writhing non-stop, over a beat in full propulsion. Drawing to a close, the kick drum falls out leaving a suspended room full of action. The Canadian duo then follows up with the sensational Hard Delivery, a 175bpm hi-NRG gabber barrage. Smeared synths hint at a melody, like a pair of pitched-up foghorns beaten down in a harsh rhythm world, as disfigured barks amp up the pressure. "Prey Drive" is the straightest techno track, its industrial bassline a cornerstone to grip onto, as its elements pile in on top. Closing track "1992" wears its identity on its sleeve, a pure rave track inspired by the early '90s sound. Distorted drums and synthesized strings coat a gnarled breakbeat with paranoid malice. Sounding like nothing else right now, its influences are chewed-up and spat-out. There is no sound capable of sitting still, just a mutant sonic environment of destructive movement. 180 gram vinyl; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 319EP
|
$14.00
PREORDER
RELEASE DATE: 12/18/2020
DJ Deep returns to Tresor with his new Fosph EP, his first release on the label since 2015. In the time between then and now, the deeply rooted boss has been particularly active, from b2b DJ sets with Jeff Mills, his work as part of the duo Sergie Rezza, to his newly released jazz-house remixes of Cotonete. Listening to his mixes, which regularly spin from essential Chicago and Detroit house sounds, through blends of Afro-percussion and dub reveals an ear sensitively tuned to the ground searching stories through music. Fosph proves an EP of real mastery that exudes techno, its drive, phasing patterns and melodic minimalism. "Swamps" opens the record with a jungle cacophony, its rhythms dipping and diving on a ritualistic sequence -- judiciously lean, biting and expressive. "Tommy" is an exercise in solo TR-909, the less-is-more machine repetitions that journey unceasingly -- sure to be a crucial drum tool. "Utrecht" hints at an expansive '90s ambient sound, imbuing analog static with synthetic cries and meanderings. "Escape" takes these sonic outposts, and goes even further. Its resonant drums propelling into action a pendulum of organic expressionism, rising into flight from its dusty origins. EP closer "Demonstration" is a clear example of DJ Deep's love for machine funk. An old-school banger doing just enough, its playful off-beat excursions and effective one-word sample recall a certain Midwestern directness.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
TRESOR 321LP
|
$37.50
PREORDER
RELEASE DATE: 12/18/2020
Triple LP version. Tresor Records announces From The Far Future Pt. 3, a new album from Terrence Dixon. Continuing the story of his previous two iterations on this title, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work. A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. "Lost Communication Procedure", "Found In Space", and "Remarkable Wanderer" etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of "Unconditional Love" and unearths in "I'm Away In Detroit" monologuing moodscapes recalling our GPS voice assistants. "Out of Darkness" initially recalls Kraftwerk's "Geiger Counter", as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in "We Can Rebuild Him", into the raw vibe of "Framework" and the rude stabs of "Spectrum of Light". The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of "Earth Station" is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational. The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of Afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day. Includes one vinyl-only track.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 321CD
|
$14.00
PREORDER
RELEASE DATE: 12/18/2020
Tresor Records announces From The Far Future Pt. 3, a new album from Terrence Dixon. Continuing the story of his previous two iterations on this title, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work. A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. "Lost Communication Procedure", "Found In Space", and "Remarkable Wanderer" etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of "Unconditional Love" and unearths in "I'm Away In Detroit" monologuing moodscapes recalling our GPS voice assistants. "Out of Darkness" initially recalls Kraftwerk's "Geiger Counter", as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in "We Can Rebuild Him", into the raw vibe of "Framework" and the rude stabs of "Spectrum of Light". The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of "Earth Station" is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational. The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of Afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
KERN 005LP
|
Repressed. 3x12" release. Full color gatefold sleeve featuring exclusive photography; includes download code. Switching within digital binaries, analog flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music. Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100-meter high aluminum pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The eect is no less thrilling than crucial, as it presents an essential DJ of our times. Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem "Intellectual Killer". Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions. Helena Hauff and Morah, Umwelt, Machino, Galaxian, and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop's "Mayhem" under the name Esoterik, "City Of Boom" by DJ Godfather & DJ Starski, Nasenbluten's "Intellectual Killer" and "After Dark" produced collaboratively by Andrea Parker and David Morley.
3x12" features: Esoterik, Galaxian, Morah & Hauff, DJ Godfather & DJ Starski, Q.D.T., Machino, Umwelt, Shinra Nasenbluten, L.F.T., Dirty Hospital, and Andrea Parker & David Morley.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
KERN 005CD
|
Switching within digital binaries, analog flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music. Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100-meter high aluminum pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The eect is no less thrilling than crucial, as it presents an essential DJ of our times. Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem "Intellectual Killer". Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions. Helena Hauff and Morah, Umwelt, Machino, Galaxian, and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop's "Mayhem" under the name Esoterik, "City Of Boom" by DJ Godfather & DJ Starski, Nasenbluten's "Intellectual Killer" and "After Dark" produced collaboratively by Andrea Parker and David Morley.
2CD features: Esoterik, Mononom, Jaquarius, Slaves Of Sinus, Galaxian, Blackmass Plastics, Volruptus, Animistic Beliefs, Paul Blackford, DJ Godfather & DJ Starski, Dirty Hospital, SolarX, The Advent, O-Wells, Privacy, Morah & Hauff, Somatic Responses, Nasenbluten, Subtopia, Umwelt, L.F.T., Q.D.T., Machino, SC-164, Shedbug, Exzakt, Shinra, Maarten van der Vleuten, and Andrea Parker & David Morley.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 316LP
|
Throughout his career, Roger Semsroth has followed a deep intuition for experimentation in sound, wrapping club music around eerie microtonal motifs and industrial sensibilities. This new work for Tresor takes a step forward, as the first true techno album from Sleeparchive, where his previous LPs have exhibited themselves more conceptually, or under different names and his Nord Vest label. Semsroth has been active in electronic music since the late '90s. He received initial attention first for his electro productions under the alias Skanfrom and the '80s minimal synth inspired Television Set. These projects echoed his love for these sounds, which the East Berliner had steadily immersed himself with after the end of the GDR. Upon hearing the bleeps of Mika Vainio and Plastikman, he began to engage with his strain of techno. Over the last decade, he has focused on his Sleeparchive alias, which dates back to 2004. Alongside close friend DJ Pete, he performs live techno as TR-101. His relationship with Tresor began in 2011, first releasing the Ronan Point EP (TRESOR 243EP) and following up with the crucial A Man Dies In The Street series in 2013 (TRESOR 260EP, TRESOR 264EP). With this new album, Sleeparchive's impact on the techno sound is ever more relevant. Awaking in constant locomotion, locked-in, unrelenting, and dry. Sleeparchive's churning loops etch visions of tight minimalism at times densely frenetic and others serenely galactic. This predilection continues throughout the four sides on the album, eschewing conventional arrangement styles with gradual probabilistic change. Tracks such as "Needle" and "Peccant" offer up precise, sinewy techno. "Leave" recalls the Detroit sound of Terrence Dixon, with its cascading synth tones and droning atmospheres. The album closes with a different version of "Trust" to that found on 2019's Revised Recordings EP released on Tresor (TRESOR 309EP), with its now-familiar nerve-inducing pizzicato strings even more at the fore with its mechanic delivery. 180 gram vinyl; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 317EP
|
Tresor welcome Minimal Violence to the label, starting with the first chapter in a series of three records entitled DESTROY ---> [physical] REALITY [psychic] <--- TRUST. At the furthest edges of their idiosyncratic brand of ferocious hardware techno, this first EP, Phase One, reveals the Vancouver duo to be expertly out on a limb. Mirroring the explosive cut and thrust of their live sets, their recorded output extends a metaphysical rave. Throughout, Ash Luk and Lida P cut their cinematic melodies into a clattering rave hole, unceasingly revising the gravitational pull in each direction. "Ravebomb" finds a route of no-nonsense with its unhinged endorphin rush of surging EBM style bass and rough-handed rhythms. It is followed up by an alternate version of "Ravebomb", the "Fire Mix", which casts its elements into a heady psychoactive cloud on a collision course with its kick drum. Glimpses of a rhythmic waywardness coat "Perfect Rendition", full of tape tics and wobble, with a push to '90s UK, beat experimentations and the pull of arching hookworms. Closing out the EP is "The Next Screen Is Death", with a dystopian '80s wave sound, where short snippets of sampled mush imbue disturbed synth stabs, while arpeggiated basses drive with momentum a feverous descent in tandem with trance-echoing melodies.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
TRESOR 318BK
|
Tresor announce the Drexciyan journey's continuation with the release of The Book Of Drexciya Volume 1, a graphic novel which covers the first five vivid chapters of this powerful mythology, a crucial Afrofuturist work. African pregnant women thrown off the slave ships gave birth underwater to amphibious creatures. They could breathe as they did in their mothers' wombs, they had webbed hands and feet and became the Drexciyan wave jumpers: great warriors of the abyss. Revealed in the inner sleeve notes of The Quest (1997), through a map of the diasporic black culture, Drexciya illustrated four phases: The Slave Trade, Migration Route of Rural Blacks to Northern Cities, Techno Leaves Detroit, Spreads Worldwide, and The Journey Home (Future). It introduces the very creatures and warriors found in these pages, such as Wavejumpers and Deep Sea Dwellers. The return home is of destination future, where lays the population of their abyss. Follow the story of the first Drexciyan, his subaquatic birth, growing up in the caves of Ociya Syndor, later to become Drexaha, the empire's first king. Get introduced to Dr. Blowfin, Master of Alchemy and Quantum Genetics, who masterminded Drexciyan computer systems and network, based on Genetic Intelligence and DNA matrix systems. Hear the story of the birth of the wavejumpers, the mightest warriors of Drexciya. Enter Bubble Metropolis, thriving with its central command, aquabahns and aqua wormhole gateways to the cephalopod-like oceanic Cruisers. Authored by Abdul Qadim Haqq and Dai Sato, it features the art of Haqq, Leo Rodrigues, Alan Oldham, Hector Rubilar, Leonardo Gondim, Daniel Oliviera, and Milton Estevam. Haqq's legendary concept imagery associated with the Detroit techno community and beyond for almost 30 years and his contributions to the mythology at the time of conception makes him uniquely positioned to lead this endeavor. Dai Sato is most known for his screenwriting for animes Cowboy Bebop and Ghost in the Shell. This project comes with the full support of living Drexciya member Gerald Donald and Helen Stinson, the surviving mother of James Stinson. Graphic novel; hardcover; 76 pages.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
TRESOR 315CD
|
Function's long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild, alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave, and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the '90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma, and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid-2019, Existenz takes the form of a creative outburst in reaction to a number of traumas. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing, and featuring vocal contributions. Cosmic synths soar and swoop in "Pleasure Discipline" through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. "Zahlensender" reflects a spatial Tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. "The Approach" recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. "Golden Dawn", featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria. His ode to the effortless short-trip urban navigation "Kurzstrecke" finds Function in motion, upfront, and bold, snapshots of conversation and flickers of light. "Ertrinken" finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on "Growth Cycle" and "Be", entrenching a celebratory atmosphere over Function's clubwise leanings. "Downtown 161" reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals -- a sound for the curious, dreamers and dancers. With Existenz, Function reveals an essential body of work -- thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Double-CD version includes a 12-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4LP
|
|
TRESOR 315LP
|
Four LP version. Gatefold sleeve; includes six-page insert, an engraved side, and download code. Function's long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild, alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave, and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the '90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma, and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid-2019, Existenz takes the form of a creative outburst in reaction to a number of traumas. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing, and featuring vocal contributions. Cosmic synths soar and swoop in "Pleasure Discipline" through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. "Zahlensender" reflects a spatial Tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. "The Approach" recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. "Golden Dawn", featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria. His ode to the effortless short-trip urban navigation "Kurzstrecke" finds Function in motion, upfront, and bold, snapshots of conversation and flickers of light. "Ertrinken" finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on "Growth Cycle" and "Be", entrenching a celebratory atmosphere over Function's clubwise leanings. "Downtown 161" reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals -- a sound for the curious, dreamers and dancers. With Existenz, Function reveals an essential body of work -- thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 145LP
|
Tresor present a reissue of James Ruskin's seminal Point 2 album. First released in 2000, it marked a fine debut that entrenches the minimal sequences, utilitarian funk and eerie hypnosis found within Ruskin's body of work. As Tresor's relationship with the UK sound grew stronger across the course of the '00s, it was Ruskin, the label owner of Blueprint Records, who played a critical part in this. Throughout the trio of LPs released over that decade, inspirations of the sci-fi minimal Detroit sound lie abundant, rendered through corporeal slammers typical of the UK vein. Point 2 was the first of Ruskin's trilogy for Tresor, and brought a direct and uncompromising vibrancy to the fore, from the aquatic symphony featured on "From Over The Edge" to the pinpoint gaze of "Subject". Gurning loops beat against alien samples, drained into refined abstractions of pure techno. Newly remastered and featuring two tracks previously not cut onto vinyl, this upfront and bold classic is set to span dancefloors once again. New mastering, new cut, two tracks previously uncut on vinyl, new artwork. 180 gram; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 314EP
|
Hot on the heels of the recent reissue of the Point 2 LP, James Ruskin follows up for Tresor Records with the bold new Siklikal EP. Right from the outset, "Nepte" draws in by vast sonics and laser focus, unruly synths distort over a skipping beat that hits hard in the right places. As the beat takes a backstep but no less rhythmic, "Kn Te3" is one for adventurous DJs, recalling the minimal loops that Ruskin is known for, seeped in industrial melancholy that fizzes a granular decay. On the B-side, "Nocke" brings the beat back to the forefront with a muscular UK techno sound, highly effective and pounding. Closing the EP is "Kn Am3" which retains the industrial sinew of its near-namesake "Kn Te3", exposing raw synth excursions over brutalist machinations. This EP symbolizes Ruskin's dynamic approach, pushing at boundaries yet never without a strong grip over the dancefloor. First Ruskin material on Tresor since 2008. 180 gram vinyl; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 311EP
|
Pittsburgh resident Shawn Rudiman releases his debut EP on Tresor Records. On "KNSR" saturated acid manipulates the cinematic intent of the brassy synth strokes. "Too Far Gone" goes for the interstellar, featuring insistent, playful percussion amidst widescreen resonances. "Erotique Feedback" is a 303-oriented electro trip. The mind magic of "Past The Edge" shifts outside, bringing a new sunrise. "Eyes Forward" is a techno banger, forcefully pointing in the direction of travel and shutting the door behind. "Backwards Tomarrows" brings an industrial feel, almost obscuring melodies and cadences that recalls the galactic innovations of the Detroit sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 312CD
|
Tresor Records welcomes Rod Modell to its catalog with the release of his new album Captagon. Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell re-sculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artifacts slam against percussion, rusty delays filter observation -- the resulting web is a complex, radiating ambience that etches a natural ebb-and-flow. Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions. Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business -- the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism. Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best -- an ethereal colossus of sub-bass weight and morphing geometry. CD version includes three bonus tracks; includes DAL remix.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 312LP
|
Tresor Records welcomes Rod Modell to its catalog with the release of his new album Captagon. Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell re-sculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artifacts slam against percussion, rusty delays filter observation -- the resulting web is a complex, radiating ambience that etches a natural ebb-and-flow. Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions. Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business -- the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism. Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best -- an ethereal colossus of sub-bass weight and morphing geometry.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 310LP
|
Thirty years after its original release in West Berlin, Tresor Records is glad to present a re-mastered and re-cut edition of TV Victor's legendary debut album, Moondance, originally released in 1989. TV Victor, one of Tresor's spearhead artists since the label's very first hour, is an alias of Udo Heitfeld. In 1989, TV Victor launched his first solo project under the form of Moondance. He then went on to compose legendary ambient and trance productions including Trance Garden 1-3 (1994), Trancecology Chapter 1 (1996), Timeless Deccelaration (2000), and The Ways Of The Bodies (2002). TV Victor collaborated with other artists such as Moritz von Oswald, Thomas Fehlmann, Max Loderbauer, Paul Browse, or Tobias Freund, amongst many others. From the liner notes: "These songs are an invitation to your consciousness. Moondance is the sound of your aware body. The moon is the place where your body realizes consciousness. Floating and dancing is the way people come together. A different kind of gravity, a different state of mind and electricity between man and woman makes it alive. Find your own moon." 180 gram vinyl; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 309EP
|
Six years have passed since Sleeparchive, aka Roger Semsroth, produced the phenomenal A Man Dies In The Street EP series for Tresor (2013). Semsroth then went on to produce under this and other aliases (Nordvest, Civil Defence Programme) on his own eponymous imprint. With the Revised Recordings EP, Sleeparchive continues to research and master the dense constructed rhythmic textures that have become his signature sound. The three titles are magistral demonstration of Semsroth's high-hand at designing such labyrinthine structures, ever so strongly rooted in an exalted past, yet always thrusting forward. Includes six tightly locked grooves cut on the A-side.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 032EP
|
Twenty-five years after its initial release, and accompanying the re-release of Internal Empire (TRESOR 027CD/LP), Tresor present a 180 gram pressing of Robert Hood's Master Builder. "25 years ago, I was faced with the challenge of following up on Minimal Nation. I cancelled all my tour dates for that summer, setup my studio in the living room and began to work on Internal Empire. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself." --Robert Hood
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 308LP
|
Tresor Records celebrates the return of Psyk on its catalog, with his new album A Moment Before. This is Psyk's first long player since his debut Time Foundation (MOTE 002CD/LP, 2014) on Luke Slater's Mote Evolver imprint. The Spanish producer released his first single for Tresor, Works (TRESOR 282EP), in 2015. Four years later, the production of A Moment Before comes as natural progression, within the cosmos of the Berlin techno mothership for Psyk. The album is undoubtedly Psyk's most advanced piece of work to date. It dialogs with practices in reduced forms of techno, as originated by artists like Robert Hood, through the recently re-released Internal Empire on Tresor (TRESOR 027CD/LP). Double-LP; 180 gram vinyl; Includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 307EP
|
Tresor Records present club resident Claudia Anderson's new work Synthesis. Claudia Anderson lives in Vienna where she gained experience at local raves and underground clubs, before becoming a Tresor resident in 2017. In a new step, and through the five tracks that build Synthesis, Claudia Anderson shows a sense of aplomb that stands in balance with her natural and subtle sense of restraint.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 027CD
|
2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 027LP
|
Double LP version. 2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 105LP
|
2018 reissue, originally released 1998. Juan Atkins's Infiniti project combines raw tactility and puristic elegance on Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. Alongside fellow Detroit legend Terrence Dixon, who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 025LP
|
Jeff Mills's Waveform Transmission Vol. 3 initially came out in 1994 on Tresor Records. The eight titles on this album marked a turning point for Mills. It indicates a transition from the straightforward sound he had created through the early 1990s, into the different facets and sound palette he would develop through the remainder of the decade. It is a significant piece within Mills's oeuvre. This repress is a stamped and hand-numbered edition, limited to 1500.
|
viewing 1 To 25 of 159 items
Next >>
|
|