Tresor (German for safe or vault) is an underground techno nightclub and record label. The club was founded in March 1991 in the vaults of the former old Wertheim department store in Mitte, the central part of the former East Berlin.
Almost 20 years on, Tresor continues to be a popular club to this day, having expanded and reconstructed continuously several times to include an outdoor garden area, and a second "Globus" floor.
Tresor Records was founded soon after the club first opened, in October 1991. Featured artists on the label include Jeff Mills, Juan Atkins, Robert Hood, Stewart Walker, Joey Beltram, Pacou, Blake Baxter, Cristian Vogel and many others.
|
|
|
viewing 1 To 25 of 145 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
TRESOR 312LP
|
$30.50
PREORDER
RELEASE DATE: 6/21/2019
Tresor Records welcomes Rod Modell to its catalog with the release of his new album Captagon. Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell re-sculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artifacts slam against percussion, rusty delays filter observation -- the resulting web is a complex, radiating ambience that etches a natural ebb-and-flow. Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions. Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business -- the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism. Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best -- an ethereal colossus of sub-bass weight and morphing geometry.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 310LP
|
$29.00
PREORDER
RELEASE DATE: 6/7/2019
Thirty years after its original release in West Berlin, Tresor Records is glad to present a re-mastered and re-cut edition of TV Victor's legendary debut album, Moondance, originally released in 1989. TV Victor, one of Tresor's spearhead artists since the label's very first hour, is an alias of Udo Heitfeld. In 1989, TV Victor launched his first solo project under the form of Moondance. He then went on to compose legendary ambient and trance productions including Trance Garden 1-3 (1994), Trancecology Chapter 1 (1996), Timeless Deccelaration (2000), and The Ways Of The Bodies (2002). TV Victor collaborated with other artists such as Moritz von Oswald, Thomas Fehlmann, Max Loderbauer, Paul Browse, or Tobias Freund, amongst many others. From the liner notes: "These songs are an invitation to your consciousness. Moondance is the sound of your aware body. The moon is the place where your body realizes consciousness. Floating and dancing is the way people come together. A different kind of gravity, a different state of mind and electricity between man and woman makes it alive. Find your own moon." 180 gram vinyl; includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 309EP
|
Six years have passed since Sleeparchive, aka Roger Semsroth, produced the phenomenal A Man Dies In The Street EP series for Tresor (2013). Semsroth then went on to produce under this and other aliases (Nordvest, Civil Defence Programme) on his own eponymous imprint. With the Revised Recordings EP, Sleeparchive continues to research and master the dense constructed rhythmic textures that have become his signature sound. The three titles are magistral demonstration of Semsroth's high-hand at designing such labyrinthine structures, ever so strongly rooted in an exalted past, yet always thrusting forward. Includes six tightly locked grooves cut on the A-side.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 032EP
|
$12.50
PREORDER
RELEASE DATE: 4/26/2019
Twenty-five years after its initial release, and accompanying the re-release of Internal Empire (TRESOR 027CD/LP), Tresor present a 180 gram pressing of Robert Hood's Master Builder. "25 years ago, I was faced with the challenge of following up on Minimal Nation. I cancelled all my tour dates for that summer, setup my studio in the living room and began to work on Internal Empire. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself." --Robert Hood
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 308LP
|
Tresor Records celebrates the return of Psyk on its catalog, with his new album A Moment Before. This is Psyk's first long player since his debut Time Foundation (MOTE 002CD/LP, 2014) on Luke Slater's Mote Evolver imprint. The Spanish producer released his first single for Tresor, Works (TRESOR 282EP), in 2015. Four years later, the production of A Moment Before comes as natural progression, within the cosmos of the Berlin techno mothership for Psyk. The album is undoubtedly Psyk's most advanced piece of work to date. It dialogs with practices in reduced forms of techno, as originated by artists like Robert Hood, through the recently re-released Internal Empire on Tresor (TRESOR 027CD/LP). Double-LP; 180 gram vinyl; Includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 307EP
|
Tresor Records present club resident Claudia Anderson's new work Synthesis. Claudia Anderson lives in Vienna where she gained experience at local raves and underground clubs, before becoming a Tresor resident in 2017. In a new step, and through the five tracks that build Synthesis, Claudia Anderson shows a sense of aplomb that stands in balance with her natural and subtle sense of restraint.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 027LP
|
Double LP version. 2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 027CD
|
2019 remaster. Twenty-five years after its initial release, Tresor Records present a remastered reissue of Robert Hood's Internal Empire album, originally released in 1994. A master work, then and now, the ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, Internal Empire marked a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come. Remastered and re-cut.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 105LP
|
2018 reissue, originally released 1998. Juan Atkins's Infiniti project combines raw tactility and puristic elegance on Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. Alongside fellow Detroit legend Terrence Dixon, who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 025LP
|
Jeff Mills's Waveform Transmission Vol. 3 initially came out in 1994 on Tresor Records. The eight titles on this album marked a turning point for Mills. It indicates a transition from the straightforward sound he had created through the early 1990s, into the different facets and sound palette he would develop through the remainder of the decade. It is a significant piece within Mills's oeuvre. This repress is a stamped and hand-numbered edition, limited to 1500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TRESOR 306LP
|
In 2015, Tresor Records welcomed Shao Yanpeng as the first Chinese artist to contribute to the label's catalogue. Shao is based in Beijing, China, where he has been making electronic music since 2002, and pursues his career as a producer and sound designer. Tresor Records now presents Shao's new long player, Doppler Shift. Meticulously built compositions, feverish synth journeys and suspenseful ascensions make up the signature sound of Shao's work, at times contemplative and expressive at others. 180 gram vinyl; includes download code with bonus material.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 303LP
|
For its 303rd release, Tresor present a commissioned work by Donato Dozzy, Filo Loves The Acid. Rome-based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious leading light in all techno artforms. Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. It was self-evident to Tresor to enroll Donato Dozzy's talents for this assignment, a nod to the seminal Roland TB-303 bass synthesizer. The result is a relentless collection of radical, propulsive, and bleeding-heart acid tracks. Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 305EP
|
Paris based artist Marcelus has continuously provided some of the most intricate productions to come out on Tresor Records in recent years. The Magnet EP offers one long trip in four chapters. The title track, "Magnet", ushers in the ritual and strikes with its Creole flavors, drawing careful listeners back to sound palettes and rhythms of some decisive UR references. "Parenthesis" is the second slow step in this brooding ceremony. "Say It Again" picks up the pace, driving the listener further down into the tunnel. The beads of "Descent" finally brings the mind back to the surface of reality.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 304LP
|
Tresor present the release of Manni Dee's first album, The Residue. Based in London, Manni Dee is held in high esteem by many for his spotless production and relentless DJ sets. The gleaming rendition of Manni's creative vision stuns. He knows sounds inside-out, making his studio a favorite stop for many to receive Manni's expertise. The production of The Residue was inspired by the city of London and its general living conditions. More particularly, how social cleansing, inequality, and the political situation generally -- and on a holistic scale -- informs internal and external locus of control. The Residue is disconsolate, and with such heart-wrenching tracks as "In Communal Solitude", "Vicarious Living", or "Submit. Breathe." or the mutinous "At Mercy Of The Muse" and "Paroxysm", Manni Dee clearly cuts out his insurgent statement.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 302LP
|
Tresor Records present a new commission, bringing together two of its most time-honored contributors. Berlin's Thomas Fehlmann and Detroit's Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor's annual Detroit showcase in May 2017. Composed of six titles and exploring a wide range of rhythms and emotions, We Take It From Here is a celebration of resilience, patience, creativity, and devotion.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TRESOR 299LP
|
XOR Gate is the brainchild of Heinrich Mueller, one half of Drexciya and Dopplereffekt. In linguistic or electronic logic, the XOR Gate designates a device, digital or grammatical, which outputs a value only when two differing inputs are fed into it. This can be summed up with the formula "one or the other but not neither, nor both." A conic section is a shape created as a plane intersects a cone. This can result in different figures such as a circle, an ellipse, a parabola, or a hyperbola. Conic Sections here is composed of eight themes, or shapes, over which waveform and synthesis entirely merge with human emotions. The line is blurred. These eight themes are intertwined, forming one long musical string. The line is forever blurred. Conic Sections was commissioned by ArtCenter South Florida in Miami, for the AN IMAGE exhibit. Comes in silver print sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 301EP
|
Second Woman is the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv. The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid. Second Woman tweak the perception of time and space within the audio field into something ASMR-inducing and ultimately satisfying to listen to. With Apart/Instant, Second Woman present their signature sound as well as a new, more measured dimension to their work.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4x12"
|
|
TRESOR 300LP
|
On the occasion of the 300th release on Tresor, and the 20th anniversary of the mysterious Scopex imprint, Tresor present the long awaited re-edition of the three essential Scopex records -- Simulant's Simm City (1998) and Out Of Ether (2000), and Pollon's Electratech (2000) -- along with a previously unreleased track from Pollon, recorded during these essential sessions. All tracks are re-mastered from the original DAT tapes. The recently unearthed "Original Flow" was originally recorded in 2000 and previously unreleased. The four records come together in a beautiful gatefold sleeve featuring the original and idiosyncratic Scopex designs, with delicate spot UV print. Essential... Vinyl only.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 298EP
|
Following the last Borderland single (TRESOR 296EP), the focus returns on Transport (TRESOR 285CD/LP, 2016), the last collaborative album by Juan Atkins and Moritz von Oswald. Carl Craig provides a take on "Transport". Extending and stripping the original sequence to its bone, also summoning a stepping drum sequence and a swaying array of moving delays. 12" edit is cut on the A-side -- the full version of Craig's remix clocks just above 20 minutes, available digitally; Includes download card. DJ Deep and Roman Poncet rework Carl Craig's remix, adding their signature grooves and myriad of tough drums, to full effect.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 297EP
|
BNJMN presents Body Reflections Pt.2, the second step in his new, subdued, and intricate sonic direction. The highly textured ambient dance music that characterized the first chapter released earlier in 2017 (TRESOR 290EP), seamlessly continues onto this new reference. Each track on the EP introduces symmetry and rhythm in the form of organic percussion. Whether lethargic and ethereal, blanketed with discordant melodies and arcing synth lines, or more dance-oriented -- with sophisticated interplays of percussive elements looping over soft harmonies. Body Reflections Pt.2 is deeply illustrative of BNJMN's affinity for creating nuanced and delicately balanced layers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 296EP
|
Juan Atkins and Moritz von Oswald -- the two vital proponents of Detroit-Berlin axis -- return to the mothership following their 2016 full-length effort Transport (TRESOR 285CD/LP). Angles is the result of a new conversation between the founding father of electronic music and his German counterpart. The serene source of captivating musical ideas that is Borderland (TRESOR 262CD, 2013) keeps on flowing and vibrating with subtle energy. Both parts of "Concave" are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their origins.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KERN 004CD
|
To feel the future is to feel the fall into time. For the fourth instalment in Tresor's Kern mix series, DJ Stingray (Urban Tribe/Drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush. With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps the listener's vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialized cross-section of Detroit's own dancefloor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic. Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems. Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Vol. 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time. Seven more key titles of the covert assault make up this vinyl edition. CD version comes in a digipak sleeve and features: NRSB-11, Dynarec, Professor X, Herva, A-F-X, Gesloten Cirkel, Anna Meredith, LoneLady, Syncom Data, Dopplereffekt, Alex Cortex, Kris Wadsworth, Christopher Joseph, Silent Servant, Adam Jay, Luke Eargoggle, Drexciya, Creepy Autograph, Faceless Mind, Vcs2600, DJ Di'jital, Illektrolab, Morphology, and Kan3da.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
KERN 004LP
|
Double LP version. To feel the future is to feel the fall into time. For the fourth instalment in Tresor's Kern mix series, DJ Stingray (Urban Tribe/Drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush. With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps the listener's vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialized cross-section of Detroit's own dancefloor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic. Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems. Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Vol. 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time. Seven more key titles of the covert assault make up this vinyl edition. Double LP version comes in a gatefold sleeve and features: NRSB-11, Dynarec, Professor X, Herva, A-F-X, Gesloten Cirkel, Anna Meredith, LoneLady, and Syncom Data.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 295CD
|
First full-length in seventeen years from the Chain Reaction/Force Inc. legends. Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the "soundmarks" of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop, and art-damaged noise all drinking from the same well of inspiration. For proof of Porter Ricks's enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel/Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of Porter Ricks's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique "aquatic" techniques to be applied to a variety of different musical contexts. Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so over-saturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf -- yet it is far more invigorating than relaxing. True to the Porter Ricks's tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 295LP
|
Repressed; double LP version. First full-length in seventeen years from the Chain Reaction/Force Inc. legends. Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the "soundmarks" of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop, and art-damaged noise all drinking from the same well of inspiration. For proof of Porter Ricks's enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel/Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of Porter Ricks's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique "aquatic" techniques to be applied to a variety of different musical contexts. Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so over-saturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf -- yet it is far more invigorating than relaxing. True to the Porter Ricks's tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.
|
viewing 1 To 25 of 145 items
Next >>
|
|