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viewing 1 To 25 of 132 items
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LP
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TROST 204LP
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$22.00
PREORDER
RELEASE DATE: 8/14/2020
Full Blast, live at the Tonic Club, New York, April 11, 2007. The recording of the last show ever in the legendary NYC club by Peter Brötzmann's Full Blast powerhouse was previously only available in a limited run of semi-official CD bootlegs. Now remastered for vinyl by Martin Siewert. Screenprinted cover with a design by Brötzmann. Edition of 500 (hand-numbered). Personnel: Peter Brötzmann - reeds; Marino Pliakas - e-bass; Michael Wertmüller - drums.
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LP
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TROST 198LP
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A fresh new studio album by the powerful Russian free jazz band, now with a fourth player (guitar and electronics). Personnel: Anton Ponomarev - alto sax; Dmitry Lapshin - bass guitar; Felix Mikensky - guitar, electronics; Yaroslav Kurilo - drums.
Press about their last album, Sunstroke, (TROST 176CD/LP, 2018): Jazz and Blues Blogspot: "It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion." Jazzwise: "Moscow based power jazz trio Brom are a group that push against musical boundaries and allow such diverse genres as rock, noise, free jazz and improvisation to leak into their ever evolving sound." Jazzword: "The antithesis of polite chamber jazz, this fiery Sunstroke should provide pleasure for those who prefer their jazz (rock) blistering without succor, no matter the temperature."
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2LP
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TROST 197LP
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Double LP version. Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. Their second release combines contemporary avantgarde and free jazz in a beautiful way. Personnel: Akira Sakata - sax, clarinet, voice; Jim O'Rourke - double bass; Giovanni Di Domenico - piano, Hohner pianet; Tatsuhisa Yamamoto - drums. Recorded at Hoshi to Niji studio June 30th, 2018; Recorded by Jim O'Rourke.
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TROST 197CD
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Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. Their second release combines contemporary avantgarde and free jazz in a beautiful way. Personnel: Akira Sakata - sax, clarinet, voice; Jim O'Rourke - double bass; Giovanni Di Domenico - piano, Hohner pianet; Tatsuhisa Yamamoto - drums. Recorded at Hoshi to Niji studio June 30th, 2018; Recorded by Jim O'Rourke.
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TROST 186LP
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Baritone saxophonist Luca T. Mai is best known for his membership in the mighty Italian avant rock trio ZU. On his solo debut album, Heavenly Guide, he shifts his probing and powerful saxophone artistry from energetic soundscapes to celestial, layered sax drones. Immersive and deep. Recorded in September, 2018 at ZK squatt Riot Studio by David C. And Luca T. Mai.
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TROST 195LP
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Tashi Dorji (electric guitar) and Tyler Damon (drums/percussion) have developed a musical language that is not only shaped by original forms as free jazz, metal, rock, and Buddhist monastic music. Their sound merges passion and emotions of literature, art, cultural movements, politics -- flashes of ecstatic intensity, blurred timbral lines, fractal repetition, noir-ish, cinematic mystery and inclinations toward free play hint that the two are pleased to follow a winding path to destinations yet unknown. Recorded by Dave Zuchowski on March 25th, 2018, as part of Elastic Arts' 2018, Chicago. Artwork by Aaron Turner. Mixed by John Dawson; Mastered by Martin Siewert. In 2017 the duo released an album for Trost with Danish saxophone player Mette Rasmussen (TROST 167CD).
"Together, the combination of Dorji's high-end metallic power-tool skree and Damon's manic-but-earthy hippie clomping are a perfect pairing. Each has a musical spoon in the other guy's soup to begin with, resulting in a collaboration that seems almost brotherly. [...] I'd say expect great things, but they're already happening." --The Free Jazz Collective
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LP
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TROST 193LP
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Massive industrial noise and free jazz blasts... 16-17 returning with new material after 25 years. Founded 1983 in Basel by saxophonist Alex Buess and former drummer Knut Remond, they have been shaping the forefront of a new sound area. Playing an abrasive distorted mix of dub, hardcore and free jazz that lead to a meeting of likeminded heavy heads that temporally took part in the band e.g. Kevin Martin (The Bug, Techno Animal) or G.C. Green (Godflesh). After marking their presence and extensive European tours, the band officially split up in 2000. The basis of the new LP Phantom Limb was recorded in 1995 by a new line-up with Alex Buess, Damian Bennett (Techno Animal), and Michael Wertmüller (Full Blast, Nohome, Alboth) additionally expanded by vocalist and writer Eugene S. Robinson (Oxbow) and Kasia Meow.
Personnel: Alex Buess - saxes, bass clarinet, electronics, voice; Damian Bennett- bass; Michael Wertmüller - drums; Eugene S. Robinson - voice, lyrics; Roger Graf - E-guitar, dobro, voice; Kasia Meow - voice; Daniel Buess - drums.
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CD
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TROST 196CD
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Last Dream Of The Morning is the new band from three UK masters of contemporary improvised music -- they released a trio CD under this title in 2017 (Relative Pitch), now choosing it for their band name for continuing activities. Crucial Anatomy is their follow-up album which was recorded live at Cafe Oto in 2018. Personnel: John Butcher - tenor and soprano saxophones; John Edwards - double bass; Mark Sanders - percussion. Recorded by Shaun Crook, live at Cafe Oto, London on August 8, 2018. Mixed and Mastered by John Butcher. "With players of this calibre -- all working at the very pinnacle of European improv -- it hardly matters: the level of rapport and collective virtuosity is astonishing." --Jazzwise
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TROST 187CD
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An exciting new international trio initiated by Scandinavian saxophonist Torben Snekkestad, accompanied by two esteemed international players in the field of improvised music: the Spanish pianist, Agustí Fernández, and the British double bass player, Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and it's executed with lightning fast interaction and explorative, innovative sounds and textures. Personnel: Torben Snekkestad - tenor and soprano sax, trumpet, clarinet; Agusti Fernández - piano; Barry Guy - double bass. Cover design by Lasse Marhaug. Recorded at "LOFT" in Cologne, June 2018 by Stefan Deistler. Mixed and mastered by John Fomsgaard at Karmacrew.
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TROST 187LP
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LP version. An exciting new international trio initiated by Scandinavian saxophonist Torben Snekkestad, accompanied by two esteemed international players in the field of improvised music: the Spanish pianist, Agustí Fernández, and the British double bass player, Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and it's executed with lightning fast interaction and explorative, innovative sounds and textures. Personnel: Torben Snekkestad - tenor and soprano sax, trumpet, clarinet; Agusti Fernández - piano; Barry Guy - double bass. Cover design by Lasse Marhaug. Recorded at "LOFT" in Cologne, June 2018 by Stefan Deistler. Mixed and mastered by John Fomsgaard at Karmacrew.
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LP
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TROST 194LP
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For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new jazz and improvised music. The LP was repressed on Cien Fuegos in 2018 (CF 020LP). Personnel: Peter Brötzmann - tenor saxophone, b-flat clarinet, tarogato; Alexander von Schlippenbach - piano; Han Bennink - drums.
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TROST 190LP
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LP version. A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris/Gordon Clifford, Sigmund Romberg/Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie, George Gershwin/Ira Gershwin, and Sonny Rollins. Personnel: Peter Brötzmann - tenor saxophone. Recorded, mixed, and mastered by Martin Siewert. Liner notes and artwork by Peter Brötzmann.
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CD
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TROST 190CD
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A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris/Gordon Clifford, Sigmund Romberg/Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie, George Gershwin/Ira Gershwin, and Sonny Rollins. Personnel: Peter Brötzmann - tenor saxophone. Recorded, mixed, and mastered by Martin Siewert. Liner notes and artwork by Peter Brötzmann.
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TROST 189CD
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This is for sure no fake news! F4 Fake is the exciting new album by Made To Break, the gripping quartet of Ken Vandermark, mixing jazz, funky patterns, and electronics in groovy improvisations -- interrupted by abstract insertions. Recorded by Daniel Schatz, November 29 2017 at Primitive Studios, Vienna. Mastering by Alex Inglizian at Experimental Sound Studio, Chicago. Mixing by Alex Inglizian and Ken Vandermark. Artwork by Federico Peñalva. Personnel: Ken Vandermark - reeds; Christof Kurzmann - pooll/electronics; Jasper Stadhouders - electric bass; Tim Daisy - drums.
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LP
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TROST 189LP
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LP version. This is for sure no fake news! F4 Fake is the exciting new album by Made To Break, the gripping quartet of Ken Vandermark, mixing jazz, funky patterns, and electronics in groovy improvisations -- interrupted by abstract insertions. Recorded by Daniel Schatz, November 29 2017 at Primitive Studios, Vienna. Mastering by Alex Inglizian at Experimental Sound Studio, Chicago. Mixing by Alex Inglizian and Ken Vandermark. Artwork by Federico Peñalva. Personnel: Ken Vandermark - reeds; Christof Kurzmann - pooll/electronics; Jasper Stadhouders - electric bass; Tim Daisy - drums.
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CD
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TROST 194CD
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For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new jazz and improvised music. The LP was repressed on Cien Fuegos in 2018 (CF 020LP). Personnel: Peter Brötzmann - tenor saxophone, b-flat clarinet, tarogato; Alexander von Schlippenbach - piano; Han Bennink - drums.
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TROST 191CD
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Threnody is the unmissable force from three prominent improvising musicians: Martin Küchen (saxophone), Johan Bertling (bass), and Steve Noble (drums). Previously established as a trio formation under their full names, the trio has released their first album Threnody, At The Gates on Trost in 2017 (TROST 156CD/LP) and now call themselves Threnody. Personnel: Johan Berthling - double bass; Martin Küchen - retardophone, sopranino-, alto-, and tenor saxophone; Steve Noble - drums. Recording by Daniel Bengtsson at Studio Rymden Stockholm in January 2018. Mixed by Andreas Werliin. Mastering by Martin Siewert.
Free Jazz Blog on Threnody, At The Gates: "The album shows the trio in an explosive, highly rhythmic mode. The tight, massive rhythm section of Berthling and Noble keeps spiraling around Küchen imaginative attacks, never letting the heated tension to subside even for a second. The second and longest piece, is a brilliant highly intuitive improvisation, shifting fast between dynamics, from loose, free-associative ones, stressing the distinct vocabularies of all three musicians, to faster, muscular ones. All with deep intensity and great focus on the details. Surprisingly, this intensity still lets Küchen articulate a strong, clear theme even within the segments where he investigates his horn's timbral distortion."
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TROST 188CD
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Kodian Trio's third studio album -- apply titled III -- and their second for Trost Records, was recorded in one intense live session at the White Noise studio in The Netherlands during a day-off on a European tour. The shared experiences of the road, studio, and travel evinces a group sound which is constantly shifting, solidifying, and disappearing completely -- true to the essence of free improvisation. On this album the trio shows the core strength as a unit gained from their live experiences, and a band in top shape. Yet within the turmoil there is also a sense of joy, and most importantly a perfect dialogue. Kodian Trio combine free jazz aesthetics with modern experimentation. Personnel: Andrew Lisle - drums; Dirk Serries - electric guitar; Colin Webster - alto sax. Recording at White Noise Studio, Winterswijk, NL 2018. Mixing and mastering by Marlon Wolterink. Artwork by Lasse Marhaug.
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2LP
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TROST 183LP
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Post-metal power force Sumac based around Aaron Turner (Isis, Old Man Gloom) follow up their collaboration with Keiji Haino on Thrill Jockey, American Dollar Bill -- Keep Facing Sideways, You are too Hideous to Look at Face on (2018), with another monolith -- heavy and experimental at the same time. Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass. Recorded at Soh Ki Moon at Fever, Tokyo on July 3rd, 2017. Mixed by Randall Dunn at Avast, Seattle, December 2018. Mastered by James Plotkin, Bethlehem, December 2018.
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2CD
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TROST 192CD
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Hermann Nitsch's String Quartet No. 2 in six movements for two violins, viola, and violoncello, was performed by the Viennese Koehne Quartet. Recorded during the exhibition NITSCH. Spaces of Color at the Albertina Museum, Vienna on the May 29th, 2019. The Koehne Quartett: Joanna Lewis - 1. Violine; Anne Harvey-Nagl - 2. Violine; Lena Fankhauser - Viola; Mara Achleitner - Violoncello. Recording and Mastering by Christoph Amann.
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TROST 183CD
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Post-metal power force Sumac based around Aaron Turner (Isis, Old Man Gloom) follow up their collaboration with Keiji Haino on Thrill Jockey, American Dollar Bill -- Keep Facing Sideways, You are too Hideous to Look at Face on (2018), with another monolith -- heavy and experimental at the same time. Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass.
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TROST 181CD
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New York based producer and engineer Marc Urselli had the idea to bring people together who had never met before and let that meeting of minds create beautiful soundscapes. Film director and musician Jim Jarmusch, Sonic Youth co-founder and guitarist Lee Ranaldo shared space with versatile drummer Balázs Pándi (projects with Keiji Haino, Venetian Snares, Merzbow) for a night session at Urselli's EastSide Sound studio in downtown New York. These are the unfiltered results. Absorbing instrumental patterns of cinematic sounds and improvised rhythms. No overdubs, no editing. All was recorded live and analog, produced and mixed by Marc Urselli. The front/back cover photos were taken by photographer William Semeraro in Norway. That is why Marc Urselli gave all the songs titles inspired by Norwegian mythology. CD version includes two extra tracks.
Personnel: Lee Ranaldo - guitar, pedals, bells; Jim Jarmusch - guitar, pedals, mini-synthesizer; Marc Urselli - bass, laptop; Balázs Pándi - drums.
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LP
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TROST 181LP
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LP version. New York based producer and engineer Marc Urselli had the idea to bring people together who had never met before and let that meeting of minds create beautiful soundscapes. Film director and musician Jim Jarmusch, Sonic Youth co-founder and guitarist Lee Ranaldo shared space with versatile drummer Balázs Pándi (projects with Keiji Haino, Venetian Snares, Merzbow) for a night session at Urselli's EastSide Sound studio in downtown New York. These are the unfiltered results. Absorbing instrumental patterns of cinematic sounds and improvised rhythms. No overdubs, no editing. All was recorded live and analog, produced and mixed by Marc Urselli. The front/back cover photos were taken by photographer William Semeraro in Norway. That is why Marc Urselli gave all the songs titles inspired by Norwegian mythology.
Personnel: Lee Ranaldo - guitar, pedals, bells; Jim Jarmusch - guitar, pedals, mini-synthesizer; Marc Urselli - bass, laptop; Balázs Pándi - drums.
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TROST 179LP
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Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation. Pupillo and Buck are well known for their work with their long-running bands, as well as for their collaborations with musicians of the current international avantgarde scene; Pupillo released for instance with Cindytalk, FM Einheit, Oren Ambarchi, Chris Corsano; Buck with Fennesz, Branford Marsalis, and Magda Mayas. On Time Being/Unseen, you'll experience floating uncanny percussion sounds underlined with heaving subs, sealed in deep and noisy atmospheres. Personnel: Tony Buck - drums, percussion, vibraphone; Massimo Pupillo - bass, electronics.
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TROST 178CD
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Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation. Pupillo and Buck are well known for their work with their long-running bands, as well as for their collaborations with musicians of the current international avantgarde scene; Pupillo released for instance with Cindytalk, FM Einheit, Oren Ambarchi, Chris Corsano; Buck with Fennesz, Branford Marsalis, and Magda Mayas. On Time Being/Unseen, you'll experience floating uncanny percussion sounds underlined with heaving subs, sealed in deep and noisy atmospheres. Personnel: Tony Buck - drums, percussion, vibraphone; Massimo Pupillo - bass, electronics.
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viewing 1 To 25 of 132 items
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