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STUDIOMUL 036LP
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Studio Mule present a reissue of Eitetsu Hayashi's Kaze No Shisha, originally released in 1983. Spiritual leaning rhythms come from none other than Eitetsu Hayashi, one of Japan's most renown taiko drummers, a percussive instrument that is deeply rooted in the mythology of Japanese folklore. Kaze No Shisha is a crucial album in his long-spanning career, that started in 1971 when Hayashi joined the famed Ondekoza Group. The so-called "demon drum group" established the taiko drumming to a global audience and intensively toured around the globe between 1975 and 1981. Shortly after, Hayashi and some like-minded spirits formed Kodo, a new drum troupe with Hayashi as the lead drummer. After their first live performances he left the ensemble again in order to launch his solo career, an output first marked by Kaze No Shisha, released in 1983 on the Japanese subsidiary of the US record company Victor. The album's six compositions feature Hayashi on taiko drum and other percussion by famed Japanese composer Midori Takada on marimba, cymbal, and bells, Shuichi Chino on synthesizer, Chi Soungja on the traditional Korean zither gayageum and the Korean janggu drum, as well as the singers Kamur and Tenko, also known as The Honeymoons. The record's A side starts rough and traditional with "Kintonun", a tune in which Hayashi bangs the taiko stormy while charmingly dancing with Chi Soungja's Korean janggu drum performance. A propulsive start that slides into "cosmos" -- a slow glooming melancholic trance-folk-spiritual tranquilizer, featuring Hayashi playing the piano and koto, while Chi Soungja ghostly weeps on his gayageum zither. A perfectly built folk drama, deeply charged with a musical infinity. Its followed by "kalavinka", an industrial leaning composition that lifts off with metal tones and meditative chanting, only to melt into a mesmerizing melodic marimba crescendo, played by Midori Takada. B side opener "Kaze No Shisha" presents a slow growing performance by Hayashi on the Japanese zither koto. His nervous play transforms into a synth drone played by Shuichi Chino, that slowly makes space for Hayashi's tribal taiko drumming that again disappears in another wave of koto string notes. The follow-up "Bakuon" launches with a supersonic transport sound and operatic singing by The Honeymoons, which amalgamate with Hayashi's feverish performance on his main instrument, the taiko. On "Seiten", Hayashi creates a conversation between the taiko and mokugyo, also known as the Buddhist wooden fish. A captivating, experimental album, full of Japanese music mysticism, surprising non-linear shock-waves, repetitive minimal structures, and frenziedly drumming.
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STUDIOMUL 035LP
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Studio Mule open the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. This time, the label welcomes Japanese artist Ya-Sukazu Sato, aka Yas-Kaz, a university-trained percussionist, that gained global success as a composer for the internationally known Butoh dance troupe Sankai Juku which has toured the world since 1975. His infrequent musical amalgamation of ancient Eastern genres, airy soundscapes, and ritualistic dance percussions perfectly accompanied the modern dance movements of an avant-garde dance group that is known for slow, mesmerizing dance passages, whose repetitive body movements sometimes focusing only on the feet or fingers. Besides his theater work, Yas-Kaz composed scores for Japanese movies, performed live along stars like US-American jazz saxophonist Wayne Shorter or legendary Japanese new-age musical group Himekami, and recorded a number of collaborative and solo albums. Studio Mule reissues his third solo album, Virgo Indigo, originally published on the Japanese label canyon in 1986. The album opens with "Djidanda", a composition whose melodic drive and percussive groove is reminiscent of Moondog's spirit. Melancholic strings, loose guitar riffs, spiritual cowbells and wild, yet mild rhythms form a repetitive maelstrom that is made for all sorts of acrobatic body movements. Its followed by the album's title track "Virgo Indigo", a spiritual jazz leaning arrangement featuring Wayne Shorter on the soprano saxophone, delivering a crystal-clear performance above tribal rhythms and traces of Gamelan. The story-arc of the ten-minute long composition also brings minimalistic percussive moments, oriental ambient zones, and some electronic drones. "Kara-Kira ~Windscape III~" is an airy spiritual illusion that melds joyful flute notes with gentle chime melodies. "WADJI" starts with an industrial feel, just to break down into a manic, again Moondog-ish, atmosphere full of darkish sounds and nebulous ambient music. Yas-Kaz enters the oriental zones with "Notarinotari", seducing with a jazz-laden romantic soundtrack mood. The final tune, "Jasmin", is yet another surprise, a percussive-driven neon cocktail bar pop that features a humming female voice and mesmerizing synth and guitar melodies. Six tracks that introduce six different locations of Yas-Kaz's ramified artistic work, combining sweetish melodies, dynamic percussions, statuesque minimalism, and world music traditions in spacious compositions.
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STUDIOMUL 034LP
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The second album of mysterious Japanese singer Nadja haunts immediately and marks one of the most exquisite reissues in the ever-growing catalog of Studio Mule. Originally released in 1989 as promo-only CD on the Japanese label Polystar, the album features some of the finest '80s pop funk fusion arrangements of the era. A deeply enchanting lost gem, that gets listeners instantly into heavy repeat addiction. All ten songs are arranged by a group of grandmasters of their art. Japanese saxophonist, composer, and music producer Yasuaki Shimizu, man behind the electronic ambient fusion classic Kakashi, was in charge for tunes like "Wac-Wack", a neon light funk pop song, full of soft big city eroticism, ultra-slick synth lines and real funkateer explosions. It's followed by "夢のとりこ", the most stirring pop tune on the album, that originally was written by French composer Areski Belkacem, known for his and long-time collaborations with French avant-garde singer Brigitte Fontaine. Shimizu transformed the song into a low-hanging funk jewel, with a cool rolling bassline, dub depth, and synths that cry for cosmic help. Above all Nadja signs with a sexy chill, that somehow could only emerge in the '80s, when the cold war even made pop music real cool. The follow up is named "真珠のように", features again music by Belkacem, this time transformed by Shimizu into electronic erotic pop -- dreamy, witchy and precisely musical composed. The B-side opens with "Velvet Rain", a funky urban boogie composition by Japanese keyboard player, composer, and producer Akira Inoue, enlarged with glimmer camp kitsch, that immediately puts a smile on the listeners faces. It gets followed by "Paradise Catcher", a soft pop tune with longing string and horn sections, arranged by legendary Jamaican rhythm and production duo Sly & Robbie. It somehow marks one of the strangest songs in their longstanding career, as it is largely minimal orchestral but yet super tight when it comes down to the rhythmic magnitudes. The next tune, "Private Tripper", also stays soulful, funky and horn driven. Always pleasing the super tight, yet feathery voice of Nadja, that is dancing about boogie grooves and illuminating melodies with a seducing tragical coolness. Finally, the album ends with a stylistic break in the overall musical atmosphere. It comes from Japanese musician Hiroaki Goto, it's called "地図をずっと南へ"and features Afro-Brazilian voodoo rhythms, pan flutes, cosmic piano notes.
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STUDIOMUL 033EP
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Studio Mule the label announces a killer remix package. Superpitcher (aka Pachanga Boys) made three versions of remix. Studio Mule's original version which is produced by Kuniyuki Takahashi and sung by Miyako Koda (aka Dip In The Pool) is a cover version of a Japanese '80s dance classic by Taeko Onuki. Superpitcher's main mix is for peaktime in DJ sets. It's much more groovy and dancefloor friendly than original version. The "Dub Mix" is a more stripped-down version and for the more disco-oriented DJ. The "Ambient Mix" sounds like a Japanese Kankyo Ongaku, it's simply beautiful meditative music. Beautiful cover design by New York artist Lily Fei.
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STUDIOMUL 032LP
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Studio Mule drops Anthologia, the final chapter of a close look on the work of the Tokyo born DJ and producer Takayuki Shiraishi, a jack of all trades, that sways through Tokyo's vast music scene since the late '70s. As part of the band BGM he released in 1980 the album Back Ground Music on Osaka based label, Vanity. In 2019, Studio Mule reissued BGM's no wave, free funk minimal treasure (STUDIOMUL 024LP). A few months earlier, Studio Mule already published Missing Link (STUDIOMUL 022LP), a thrilling retrospect on Takayuki Shiraishi's unreleased material from the late 1980s. And now Anthologia, a record that is dedicated to his work during the years 1990 to 1996, a time span, in which Shiraishi moved on to produce house, downbeat, and playful electronica. Shiraishi was also a prominent figure of Tokyo's club nightlife, DJing alongside Jeff Mills as well as krautrock icons like Holger Czukay. Anthologia features three unreleased tunes of this lapse of time, as well as highlights some work Shiraishi produced together with his friend Jun Sonohara as Musica Nova and a hidden gem he tuned in for the Isolated Audio Players 1 compilation, published by the Tokyo based Pickin' Mushroom Recordings label in 2000. The three unreleased tracks display his love for diversification. "Distant Thunder" is a drone driven ambient voyage, that slowly melds into a gentle rhythmic sensation driven by loose hi-hat patterns and a soft chord crescendo. "Lapis Lazuli" comes around as a mellow melodic downbeat trip enlarged with twisted rhythms and cosmic infiniteness. "A Voyage" shows his love for house music with a grooving arrangement that comes close to the kinky house gems of contemporary producers, like Lowtec. Also, the already known Isolated Audio Players 1 compilation tune, "Flicker" is located in the house spheres, delivering nervous jacking minimal vibes emerging from a precise produced dance of melodies, grooves, and sound effects. In comparison, the four Musica Nova tracks show again another side of Takayuki Shiraishi's many musical talents. "Birds In Paradise" is an elegant triphop tranquilizer, while tunes like "Nocturnal Tribes" and "Green On Green" express his passion for electronic arrangements that think out of the box with airy melodies, slow-motion big beat rhythms, and jazz particles. The tune "Shifting Sand" goes the same direction, while adding esoteric reverberations and a touch of drum and bass.
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STUDIOMUL 031EP
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Second reissue of Japanese house music legend Yukihiro Fukutomi on Studio Mule. Title track on A side, "It's About Time", was included in the compilation Remix Trax Vol.6 - Japanese New Vibes. "It's Gonna Be Alright" is an E2-E4 influenced deep house and "Facing Up" is reminiscent of Danny Tenaglia's harmonica track. Both tracks on B side are taken from his second album which was released on CD only in 1993.
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STUDIOMUL 030EP
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One of most popular jazz singers in Japan, Yasuko Agawa's late '80s release was originally released as a promo only. It's finally reissued here on 12" with remastering by Kuniyuki Takahashi. "Lowdown" is a house cover of Boz Scaggz. It's a Japanese house classic. "You Bring The Sun Out" is a super mellow electric lovers rock.
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STUDIOMUL 029EP
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Teibou is the second reissue of Japanese singer-songwriter Nina Atsuko on Studio Mule. "Teibou" on side A is a favorite song by Nina Atsuko. The album Fluorescent Lamp (1987) which "Teibou" was included on is very hard to find. "Teibou" is not only rare; it's one of the most beautiful city pop songs. "Wonderland Yuuyami City" is also a beautiful city pop song.
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STUDIOMUL 028EP
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Japanese three-piece electronic band D.A.N.'s worldwide debut single on Mule Musiq's sister label, Studio Mule. D.A.N. is probably the most successful Japanese band in the electronic music scene at the moment; They've performed with James Blake, The xx, Bonobo, and name a few in Japan. "Sundance" is a first single cut from their second album (only released in japan). It's an electric boogie track which some people bring the xx to mind. Kuniyuki's remix is a melancholic, slow, ambient house vocal-and-instrument version.
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STUDIOMUL 025EP
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A reissue of legendary Japanese jazz guitarist Ryo Kawasaki. Some of his famous works are mellow jazz fusion masterpiece Tarika Blue (1977), dance jazz classic Trinkets And Things (1978), cosmic new wave jazz Lucky Lady (1983), Balearic jazz album Little Tree (1980), and many more. Electric World was released on Kawasaki's own label, Satellites Records, in 1987. It seems the release was in very small production -- it's hard to find an original copy. The original version of "Electric World" and "727" are electric, jazzy, fusion disco. The main track on the EP is an extended version of "Electric World" -- a very playful, '80s freestyle boogie track.
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STUDIOMUL 027LP
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A reissue of Little Tree by legendary Japanese jazz guitarist Ryo Kawasaki with his band The Golden Dragon, originally released in 1980. Some of his famous works are mellow jazz fusion masterpiece Tarika Blue (1977), dance jazz classic Trinkets And Things (1978), and cosmic new wave jazz Lucky Lady (1983). Little Tree, with his band The Golden Dragon, is probably the best album for fans of wired jazz, Brazilian, Balearic music. Japanese crate digger "Chee" picked this album as his favorite album from Japan on Resident Advisor. Little Tree is the first album that Ryo Kawasaki used a self-made guitar synthesizer. Rich in variety, Little Tree includes the Japanese Brazilian jazz fusion classic "Looking Around You", experimental guitar ambient piece "Capricho Arabe", the cosmic fusion of "Quasar Infection", Balearic jazz masterpiece "You Are The Sunlight", club jazz classic "Little Tree", folky jazz vocal "Jamiko" -- there's a lot of great songs on this album.
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STUDIOMUL 024LP
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Studio Mule present a reissue of BGM's Back Ground Music, originally released in 1980. The debut album from Japanese living legend, electronic music producer Takayuki Shiraishi. Released on legendary experimental music label in Osaka, Vanity Records, run by Yuzuru Agi when Shiraishi was high school student. Shiraishi was influenced by the music of post punk, new wave, kraut rock -- this album is his unique mixture of that kind music style. One of the most in-demand alternative music albums from japan finally reissued. Remastered from original tape and mastering by Kuniyuki Takahashi.
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STUDIOMUL 026LP
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A reissue of Japanese singer-songwriter Nina Atsuko's debut album, Play Room, originally released in 1983. This album is one of the most-wanted Japanese city pop albums, but it's quite hard to find the original vinyl. Nina covered her favorite bossa nova, Latin, and American pops tunes in Japanese with the sound of '80s urban jazz fusion. All tracks match the big Japanese city pop revival trend perfectly.
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STUDIOMUL 023EP
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The first remixed release from Studio Mule/BGM. Portland based Visible Cloaks offers two mixes of. The original songs of both tracks are his all-time favorite Japanese tracks. Simply beautiful ambient music.
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STUDIOMUL 022LP
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Studio Mule presents Missing Link, a collection by Japanese living legend electronic producer Takayuki Shiraishi. Missing Link is a collection of unreleased material recorded in the late '80s. Shiraishi started his career in working with BGM, who released material on the Japanese experimental label Vanity Records. Their one and only album Back Ground Music (1980) has been one of the most in-demand Japanese new wave albums. The present album is unique mixture of dark new wave, post punk, kraut rock, and experimental electronic music.
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STUDIOMUL 019EP
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One of the most wanted Japanese early '90s house music 12-inches is finally reissued. The original was limited to 300 promo copies. Four unique very club friendly tracks.
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STUDIOMUL 020LP
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Studio Mule present their third reissue of Fumio Itabashi with Rise And Shine: Live At The Aketa's, originally released in 1977. Rise And Shine Live At The Aketa's was his second release of 1977, and it was recorded at legendary Jazz Club in Tokyo. This album was actually recorded before his first release Toh. "Jumping Board" on side A is a Japanese hard bop classic. Itabashi's cover version of "My Funny Valentine" is very sweet and elegant while the main track, "Rise And Shine", is one of his best work. At times the album is reminiscent of Pharaoh Sanders if he played piano. Limited initial press.
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STUDIOMUL 018CD
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Mule Musiq's sub-label Studio Mule has formed a group of shifting members and are now releasing a debut album with eight tracks of reworked, obscure Japanese gems. BGM contains the three singles the group released so far, featuring Miyako Koda of the experimental pop band Dip In The Pool -- whose On Retinae was reissued by Music From Memory to great acclaim (MFM 010EP, 2017) -- on vocals and Mule Musiq staple Kuniyuki on production with direction by label head Toshiya Kawasaki. One of them, "Carnaval", is a cover of the Japanese dance classic by Taeko Ohnuki, produced by Yellow Magic Orchestra. "Shinzo No Tobira" is a remake of the track by Mariah, a band led by sax player Yasuaki Shimizu, from their album Utakata No Hibi (2015) -- which was one of the reissues that sparked the global interest in obscure Japanese music in the last few years. Studio Mule's version features Japanese lyrics rewritten by Miyako Koda. "Face To Face" is a cover of the ambient pop gem from the ultra-rare album by Yumi Murata of Mariah. Also included is a rework of "Kagami No Naka No Jugatsu", a song by Tamao Koike produced by YMO, turned into a dubby Balearic pop track -- dubbier than the version included on the Yen label compilation -- sang by Nanako Sato, one of the artists enjoying some newfound success following a string of reissues stemming from the "city pop" revival craze. The oriental ambient pop "Yugao" by singer songwriter Mioko Yamaguchi is covered by vocalist Saho Terao, who some describe as this generation's Taeko Ohnuki. "The April Fools" is a rework of Yukihiro Takahashi's track, which itself was also a cover of the original song by Burt Bacharach. This new version boasts a more experimental arrangement with Nanako Sato handling the vocals. YMO's "Ballet", originally with vocals by Yukihiro Takahashi, was reconstructed into a dancefloor-ready instrumental by Kuniyuki. Many say Yoshiyuki Ohsawa's "Soshite Bokuwa Toho Ni Kureru" is one of the greatest songs of the '80s. The 12" dance version is reshaped here into a melancholic Balearic house track. The album cover is by the increasingly popular hotshot photographer Kota Shouji.
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STUDIOMUL 018LP
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LP version. Mule Musiq's sub-label Studio Mule has formed a group of shifting members and are now releasing a debut album with eight tracks of reworked, obscure Japanese gems. BGM contains the three singles the group released so far, featuring Miyako Koda of the experimental pop band Dip In The Pool -- whose On Retinae was reissued by Music From Memory to great acclaim (MFM 010EP, 2017) -- on vocals and Mule Musiq staple Kuniyuki on production with direction by label head Toshiya Kawasaki. One of them, "Carnaval", is a cover of the Japanese dance classic by Taeko Ohnuki, produced by Yellow Magic Orchestra. "Shinzo No Tobira" is a remake of the track by Mariah, a band led by sax player Yasuaki Shimizu, from their album Utakata No Hibi (2015) -- which was one of the reissues that sparked the global interest in obscure Japanese music in the last few years. Studio Mule's version features Japanese lyrics rewritten by Miyako Koda. "Face To Face" is a cover of the ambient pop gem from the ultra-rare album by Yumi Murata of Mariah. Also included is a rework of "Kagami No Naka No Jugatsu", a song by Tamao Koike produced by YMO, turned into a dubby Balearic pop track -- dubbier than the version included on the Yen label compilation -- sang by Nanako Sato, one of the artists enjoying some newfound success following a string of reissues stemming from the "city pop" revival craze. The oriental ambient pop "Yugao" by singer songwriter Mioko Yamaguchi is covered by vocalist Saho Terao, who some describe as this generation's Taeko Ohnuki. "The April Fools" is a rework of Yukihiro Takahashi's track, which itself was also a cover of the original song by Burt Bacharach. This new version boasts a more experimental arrangement with Nanako Sato handling the vocals. YMO's "Ballet", originally with vocals by Yukihiro Takahashi, was reconstructed into a dancefloor-ready instrumental by Kuniyuki. Many say Yoshiyuki Ohsawa's "Soshite Bokuwa Toho Ni Kureru" is one of the greatest songs of the '80s. The 12" dance version is reshaped here into a melancholic Balearic house track. The album cover is by the increasingly popular hotshot photographer Kota Shouji.
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STUDIOMUL 017LP
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Studio Mule present a reissue of Doctor Umezu Diva's Diva, originally released in 1988. Doctor Umezu Diva is Japanese sax player Kazutoki Umezu's one-off project which he invited two female artists: legendary marimba player Midori Takada and vocalist, pianist, and half of Japanese new wave band Colored Music, Ichiko Hashimoto. This album was one of the best kept, secret jazz albums from Japan; it's really hard-to-find and very limited. Dubby from Ondas Tokyo -- who compiled Midnight In Tokyo Vol. 2 (STUDIOMUL 006CD/LP, 2018) on Studio Mule -- brought this record to Studio Mule's attention. This album is a unique mixture of modern classical sound and avant-garde jazz, which is kind of similar with Strata East or Nimbus.
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STUDIOMUL 016LP
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Studio Mule presents a reissue of King Kong Paradise's Atsusa Mo Samusamo..., originally released in 1984 on Johnny's Disk. Johnny's Disk was an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata City in Iwate Prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning modern jazz, avant-garde jazz, and left-field pop. Albums such as Teru Sakamoto's Farewell My Johnny/Left Alone and Eiji Nakayama's Aya's Samba (STUDIOMUL 013LP, 2019) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. Following a cult classic jazz fusion album on Bourbon Records, King Kong Paradise delivered Atsusa Mo Samusamo... an album of alternative, left-field Balearic rock that was way ahead of its time. An anomaly that sticks out in the Johnny's Disk's catalog, this rare record may appeal more to new wave, reggae and rock fans than jazz heads; in fact, one might not be surprised if people like DJ Harvey or Theo Parrish dropped this oddity in their sets. If one digs the kind of weirdness that's being reissued by Music From Memory, one might find this record intriguing.
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STUDIOMUL 015LP
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Studio Mule present a reissue of Mayumi Sonoda with Kichiro Sugino Trio's Gogo Sanji No Aki, originally released on Johnny's Disk Record in 1982. Johnny's Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata City in Iwate Prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz, to left-field pop. Albums such as 1980's Farewell My Johnny / Left Alone and 1978's Aya's Samba (STUDIOMUL 013LP) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. Gogo Sanji No Aki is an album by vocalist Mayumi Sonoda -- a jazz vocalist who looked up to Chris Connor and made her debut at a US Army camp at the age of 16 -- that was recorded with the help of Kichiro Sugino's Trio. Opening with the bilingual ballad "It's over", in which she sings in both English and Japanese, the album sees her covering standards that giants like Helen Merrill, Frank Sinatra, and Billie Holiday have popularized, while showcasing her vocal abilities that set her apart from her peers. A hidden, Japanese female vocal jazz gem.
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STUDIOMUL 013LP
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2020 repress. Johnny's Disk record is an independent jazz label, run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata City in Iwate Prefecture, Japan. The legendary label released a string of albums of high-quality, but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as Farewell My Johnny / Left Alone (1980) and Aya's Samba (1978) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. The Japanese jazz classic, Aya's Samba, was a debut effort by bassist Eiji Nakayama, who played as part of Elvin Jones' Jazz Machine and toured with Don Friedman. This album is an important release in the Johnny's Disk catalog, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be. Aya's Samba is a mellow jazz samba in minor key that's considered a Japanese jazz classic. Slow ballad "Yellow Living" is drenched in melancholy with emotive keys and sax notes.
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STUDIOMUL 011LP
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Studio Mule present a reissue of Mitsuaki Katayama Trio's First Flight, originally issued in 1979 on Johnny's Disk Record. Johnny's Disk Record is an independent jazz label run by the owner of jazz cafe Kaiunbashi No Johnny, located in Rikuzentakata City in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz and avant-garde jazz to left-field pop. Albums such as Farewell My Johnny/Left Alone (1980) and Aya's Samba (1978) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. This debut album by drummer and actor Mitsuaki Katayama is a Japanese jazz masterpiece consisting of five original compositions. The no-filler album includes the tracks "Unknown Point", a danceable jazz samba with tight and powerful drumming and the melancholic "Arizona High Way", a tune that perfectly epitomizes what Japanese jazz is about. "It's Over" features beautiful piano work by Kichiro Sugino, a promising pianist who tragically succumbed to a chronic illness and couldn't fully realize his potential. Edition of 500.
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2LP
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STUDIOMUL 012LP
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Repressed; Double LP version. Midnight In Tokyo is a compilation series that aims to be the perfect companion to nights in Tokyo, collecting tracks by Japanese artists that sound best at night. Vol. 2 (STUDIOMUL 006CD/LP, 2018) focused more on '80s jazz fusion, but the latest installment, Vol. 3, picks up where Vol. 1 (STUDIOMUL 001CD/LP, 2018) left off, bringing together forgotten soul, disco, and new wave gems. The compilation opens with Japanese rare groove classic "More Sexy," a provocative song by Yoko Hatanaka. "Kimi No Yume," from the album Yume No Yonbai (1984) by Masumi Hara, is one of the best Balearic acid folk songs to come from Japan. "Silhouette Call" is an electric bossanova track in the vein of Antena, from a rare album called Octopussy (1982) by Yuki Nakayamate, a singer-songwriter who worked with Motoharu Sano. "Theme Of High School Student" is a dubby cut featured in the Japanese film Kougen Ni Ressha Ga Hashitta (1984), written by Atsuo Fujimoto (Colored Music), one of the key artists in the recent wave of global interest in Japanese music. "Get To Paradise" is a stone-cold funk jam by Mari Kaneko, who was known as the Janis Joplin of Shimokitazawa. Following that is one of Japan's greatest new wave disco tracks, "Hannya", taken from Tomoko Aran's popular third album Fuyu-Kukan (1983) produced by Masatoshi Nishimura, who was part of Friends Of Earth with Haruomi Hosono. Masako Miyazaki, whose rendition of Seawind's "He Loves You" is a fan favorite, puts her own spin on Earth, Wind & Fire's "Fantasy," singing in her accent-heavy English, giving the song an undeniable character. "Watashi No Koukoku" is a certified disco-boogie classic by Junko Sakurada. The Brazilian-esque jazz fusion, "Sunshine Bright On Me" is by fusion group Kangaroo, who were often billed as "the japanese Shakatak". "Stranger's Night" is a synth-pop number by Maiko Okamoto, which bears a suspicious resemblance to Rah Band's "The Shadow Of Your Love". Electro-pop disco "Singing Lady", off the sole album by The Fad sounds like something Giorgio Moroder could've cooked up. "Magic Eyes" is a disco anthem recorded by Tetsuji Hayashi's disco project, The Eastern Gang. Following that is Japanese soul gem "Crazy Baby," found on a rare 7" entitled Minato No Soul by Rinda Yamamoto also composed and arranged by Tetsuji Hayashi. Closing out this collection of 14 Japanese rare groove goodies is "I'm In Love", a bittersweet mellow dance number by Tomoko Aran.
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