The Guerssen label is based in Catalonia, Spain, and has been in business since 1996. Their growing catalog is filled with reissues of some of the best psychedelic, folk and progressive titles from the late '60s to early '80s, combining well-known titles with some of the most unknown, obscure records in the worldwide scene. Baris Manço, Factory, Merrell Fankhauser (Fapardokly, HMS Bounty), Barry Dransfield, Tree People, and Dave Bixby are some of the artists represented, and there's both vinyl LP and CD versions of most of their titles.
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GUESS 191LP
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Late '60s UK underground psychedelia full of dreamy vocals and organ by this group led by Peter Dunton and with connections to Bulldog Breed, T2, Gun, and The Flies. Featuring the original demo of the classic "No More White Horses", later recorded by T2 for their Boomland album (1970) and tracks like "Folder Man", sampled by Dangermouse for the famous "Going On" by Gnarls Barkley. Please were formed in late 1967 when singer/songwriter/drummer Peter Dunton and bass player Bernie Jinks had just returned to Britain after a period in Germany where they played as Neon Pearl. The first line-up of Please also included organist Jurgen Ermisch (of Neon Pearl) and guitar player Adrian Gurvitz (of Gun fame) but they left no recordings. In 1968 they disbanded and Dunton joined freakbeat-psych band The Flies, writing their killer "Magic Train / Gently As You Feel" 45. That same year the Flies split up so Dunton reformed Please along with Bernie Jinks, Rob Hunt (The Flies), and Rod Harrison (Neon Pearl). After the demise of Please, Dunton was in Gun for a short time and the rest of the band formed Bulldog Breed. In 1970, Peter and Bernie Jinks teamed up with Keith Cross and formed psychedelic hard-rock trio T2, releasing the classic It'll All Work Out In Boomland. During 1968-69, Please recorded a bunch of demos which were never released until 1996 when the Acme label first issued them on vinyl and CD as 1968/69. That was a major, exciting discovery for fans of late '60s UK psych and tracks like "We Aim To Please", "The Story", "Break The Spell", or "Folder Man" are now considered classics of the genre. Out-of-print for many years, Guerssen Records present a new vinyl edition. Hard cardboard sleeve; includes liner notes and insert with lyrics.
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GUESS 178LP
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Guerssen Records present a reissue of Màquina!'s Why?, originally released in 1970. Along with Smash, Cerebrum, or Pan & Regaliz, Catalan band Màquina! were one the truly pioneers when talking about the underground Spanish psych-prog scene from the late '60s. Why? was their debut album, originally released in 1970 on the Diábolo label and housed in a striking surreal sleeve designed by band member Jordi Batiste. English vocals, wicked acid fuzz-wah guitars, Hammond organ, flute -- including the legendary self-titled track, 24 minutes (split in two parts) of wild psychedelic improvisation. Featuring Josep Maria "Tapi" Vilaseca (later of Tapiman) on drums, Josep Maria París on fuzz guitar, Luigi Cabanach on wah guitar, Enric Herrera on organ, and Jordi Batiste on bass/flute/vocals. Highly sought-after by psych collectors worldwide, this is a long overdue vinyl reissue of this cult album featuring. Newly remastered sound. Original artwork and eight-page color insert with detailed liner notes by Àlex Gómez-Font and cool photos; heavy cardboard sleeve + OBI.
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GUESS 189LP
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Lost-in-time, dreamy, mysterious sounding British psychedelia from the magical year of 1967, never released at the time. Demos were first recovered by the Acme label in 2001 and subsequently released as 1967 Recordings. Neon Pearl was created in 1967 by supreme drummer/songwriter Peter Dunton (The Flies, The Gun, Please, T2) with the intention of playing in Germany. Once there, they played a lot of gigs and were offered a residency at the Top Ten Club in Siegen. Their particular sound, mix of covers, original material (written by Dunton) and psychedelic improvisation, earned them local cult status. After some line-up changes, the band regrouped in London as a trio: Peter Dunton on drums/keyboards/vocals plus Bernie Jinks (Bulldog Breed, T2) on bass and Nick Spenser on guitar. This line-up recorded some studio demos, featuring tracks like "Dream Scream", which was usually their final number in their live sets, where they extended it to ten minutes or more. With no interest from record companies, Neon Pearl split, giving birth to Please, another cult band led by Peter Dunton. Out of print for many years, this new vinyl edition comes with newly designed artwork. Taken from the original masters. Insert with liner notes and photos.
"The music of Neon Pearl is not about complication or extraordinary guitar playing ... Neon Pearl is about the steady redemption of warm fog, ethereal jangling guitars, dream laden lyrics and the altered state of consciousness it's able to bring on through an elegant deep and pervasive sedative drone." --Jenell Kesler
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GUESS 183LP
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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the Magic Lantern album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed-out/wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster. New repress in hard cardboard sleeve; OBI; resealable outer sleeve.
"Magic Lantern is as fine a display of American psychedelia as late-60s albums by It's a Beautiful Day and Jefferson Airplane. This will appeal to fans of the fuzzed-out guitar antics of Cream and Blue Cheer." --Dean McFarlane (AllMusic)
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CD
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GUESS 038CD
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2021 repress. From 1975, this is Baris Manço's masterpiece -- a stunning, cosmic, psychedelic, groovy conceptual album with fantastic electronics and a strong Turkish folk flavor, as usual. This is the first official, proper CD reissue, and it comes with a booklet with liner notes and photos.
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GUESS 067CD
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Lost and found studio recordings (1971-79) by US singer-songwriter Sid Bradley including some of the sought-after 45 sides released with his band Erik in the early '70s plus fabulous previously unreleased tracks. Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the '60s and by the early '70s he was part of Erik, a group responsible for a couple of self-produced 45s, Child Of The Sea/Nothing Is Easy and Sometime In Your Life/Rebel Woman. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid's music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. You may be familiar with the hard-psych sounding "Child Of The Sea" as it has been included on several psych comps and it was also part of the Lodge 49 soundtrack. The flip, "Nothing Is Easy" wouldn't sound out of place on any Rubbles volume. "Rebel Woman" is now considered a proto-metal cult classic and it was recently included on the Brown Acid series. After the demise of Erik, Sid continued recording his songs using different musicians. Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several digital only albums that caught the attention of mags like Shindig! Guerssen Records now present a selection of those tracks. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!); also includes download code."... a gifted singer-songwriter with a love for late '60s songcraft and the more muscular powerpop of '70s contemporaries like The Raspberries" --Paul Osborne (Shindig!)
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GUESS 177LP
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LP version. Lost and found studio recordings (1971-79) by US singer-songwriter Sid Bradley including some of the sought-after 45 sides released with his band Erik in the early '70s plus fabulous previously unreleased tracks. Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the '60s and by the early '70s he was part of Erik, a group responsible for a couple of self-produced 45s, Child Of The Sea/Nothing Is Easy and Sometime In Your Life/Rebel Woman. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid's music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. You may be familiar with the hard-psych sounding "Child Of The Sea" as it has been included on several psych comps and it was also part of the Lodge 49 soundtrack. The flip, "Nothing Is Easy" wouldn't sound out of place on any Rubbles volume. "Rebel Woman" is now considered a proto-metal cult classic and it was recently included on the Brown Acid series. After the demise of Erik, Sid continued recording his songs using different musicians. Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several digital only albums that caught the attention of mags like Shindig! Guerssen Records now present a selection of those tracks. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!); also includes download code."... a gifted singer-songwriter with a love for late '60s songcraft and the more muscular powerpop of '70s contemporaries like The Raspberries" --Paul Osborne (Shindig!)
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GUESS 064CD
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Fabulous US hard-psychedelic album by Noah, recorded in 1972 but never released at the time. Expanded to a double set including the Sound Barrier (pre-Noah) sought-after garage-psych 45s plus unreleased demos, '67-71. Formed in the late '60s in Salem, Ohio, out of the ashes of two garage bands, the Markees and the Sound Barrier (of the legendary "Hey, Hey" 45 on Zounds), Noah consisted of Mark Scheuring (guitar, lead vocals), Larry Davis (drums), Paul Hess (bass, backup vocals), and Danny Hall (keyboards, backup vocals). In 1972, the band recorded in just two days a concept album titled Brain Suck at Cleveland Recording studios with engineer/producer Ken Hamann (Grand Funk Railroad, James Gang). Noah's music was dark and heavy, dominated by killer Hammond organ, hard guitar and powerful vocals. This is truly a major find for anyone into hard psychedelia. The LP sessions were never released properly (in fact a truncated vinyl edition with some songs missing and late Sound Barrier demos added was released in 1995 by Al Simones on his Head Records label, without the band's knowledge) so this is the first time that the Brain Suck album is released as originally intended by the band. Features the original Brain Suck album by Noah, as originally recorded in 1972. Also features late Sound Barrier (pre-Noah) demos from 1968 (which are killer, prime cut garage-psych with ripping fuzz and organ) plus the two Sound Barrier 45s from 1967/68 on Zounds/United Audio and a couple of cool previously unreleased Noah home demos from 1971. Master tape sound and insert with rare photos and liner notes by Plastic Crimewave.
In the words of Steve Krakow (Plastic Crimewave): "... it conjures the heavy, doomy vibe of Blue Cheer's 'Fruit and Icebergs' suite; the bluster of Sir Lord Baltimore (but maybe with Keith Emerson on keys); and a biker ferocity found on the Fraction Moon Blood LP. I'm also imagining Steppenwolf, Iron Butterfly, or Vanilla Fudge on some bad drugs with a Mothers-like malignance."
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GUESS 172LP
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Double LP version. Gatefold sleeve; color insert with rare photos and liner notes; includes download card. Fabulous US hard-psychedelic album by Noah, recorded in 1972 but never released at the time. Expanded to a double set including the Sound Barrier (pre-Noah) sought-after garage-psych 45s plus unreleased demos, '67-71. Formed in the late '60s in Salem, Ohio, out of the ashes of two garage bands, the Markees and the Sound Barrier (of the legendary "Hey, Hey" 45 on Zounds), Noah consisted of Mark Scheuring (guitar, lead vocals), Larry Davis (drums), Paul Hess (bass, backup vocals), and Danny Hall (keyboards, backup vocals). In 1972, the band recorded in just two days a concept album titled Brain Suck at Cleveland Recording studios with engineer/producer Ken Hamann (Grand Funk Railroad, James Gang). Noah's music was dark and heavy, dominated by killer Hammond organ, hard guitar and powerful vocals. This is truly a major find for anyone into hard psychedelia. The LP sessions were never released properly (in fact a truncated vinyl edition with some songs missing and late Sound Barrier demos added was released in 1995 by Al Simones on his Head Records label, without the band's knowledge) so this is the first time that the Brain Suck album is released as originally intended by the band. Features the original Brain Suck album by Noah, as originally recorded in 1972. Also features late Sound Barrier (pre-Noah) demos from 1968 (which are killer, prime cut garage-psych with ripping fuzz and organ) plus the two Sound Barrier 45s from 1967/68 on Zounds/United Audio and a couple of cool previously unreleased Noah home demos from 1971. Master tape sound and insert with rare photos and liner notes by Plastic Crimewave.
In the words of Steve Krakow (Plastic Crimewave): "... it conjures the heavy, doomy vibe of Blue Cheer's 'Fruit and Icebergs' suite; the bluster of Sir Lord Baltimore (but maybe with Keith Emerson on keys); and a biker ferocity found on the Fraction Moon Blood LP. I'm also imagining Steppenwolf, Iron Butterfly, or Vanilla Fudge on some bad drugs with a Mothers-like malignance."
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GUESS 171LP
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A Place In The Sun is a vinyl anthology of Rubble/British Psychedelic Trip cult heroes Jason Crest, including a selection of their classic '68-69 psychedelic singles for Philips ("Turquoise Tandem Cycle", Black Mass", "A Place In The Sun", etc...) plus their unissued at the time studio recordings/demos. The result is a great British late '60s psych album, recommended if you like Tomorrow, Procol Harum, Moody Blues, Small Faces, The Move, The Who, et al. The origins of Jason Crest are in beat band The Good Thing Brigade. Originally from Kent, they made quite a stir in the London club circuit, supporting established groups like The Who and The Moody Blues. No wonder they caught the eye of en vogue producer Fritz Fryer (Open Mind, etc...) who got them a contract with Philips, changing their name to Jason Crest after one of their songs, "The Collected Works of Justin Crest". Between 1968 and 1969, the band released five singles and left behind a bunch of unissued demo recordings/acetates. Jason Crest's music run the gamut from brilliant psych-pop full of wah-wah organ to Mellotron/phasing fueled introspective numbers and even heavy acid-psych/proto-metal on the freaky "Black Mass". Sadly, due to lack of success and problems with the label and between the band members, the band split after releasing their last 45 in 1969. Vocalist Terry Clark joined hard-rock band Orang-Utan, whilst the remaining members formed High Broom (featuring ex-Mike Stuart Span/Leviathan guitarist Brian Bennett). In 1971, Clark, along with fellow Jason Crest members Derek Smallcombe and Roger Siggery, formed Holy Mackerel. Remastered sound. Includes color insert with liner notes by David Wells and rare photos.
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PIC. DISC
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GUESS 174LP
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Guerssen Records present a picture disc reissue of Baris Manço's 2023, originally released in 1975. Baris Manço's masterpiece. Stunning cosmic, psychedelic, groovy conceptual album with fantastic electronics and a strong Turkish folk flavor, as usual. First ever picture disc reissue; edition of 500 (hand-numbered).
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PIC. DISC
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GUESS 173LP
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Guerssen Records present a picture disc reissue of Baris Manço's Dünden Bügune, originally released in 1971. One of the leading Turkish rock musicians ever and one of the most influential, along with Erkin Koray, Edip Akbayram, and Cem Karaca. This is his first long-player, released in 1971 by Sayan Productions. It's a compilation of tracks taken from previously released 45s, plus the track "Lory" that only appeared on this album. Killer psych rock with strong Turkish flavor, this features Baris's all-time classics like "Derule" or "Daglar Daglar", as well as the brutal wah-wah flooded "Küçük Bir Gece Müzigi" with its infectious drumming that drives mad anyone searching for sampling stuff. Not to be confused with two different releases with the same name that actually have different tracklist and artwork, this is the real album as it was originally released. First ever picture disc reissue; edition of 500 (hand-numbered).
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GUESS 168LP
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Guerssen Records present a reissue of Salem Mass's Witch Burning, originally released in 1971. The only fully-authorized vinyl reissue of Salem Mass in the current market. Ultimate US hard-psychedelic/proto-prog burner. Obscure Sabbath-esque hard-rock band Salem Mass self-released their only album in 1971. Recorded at a beer bar converted studio, Witch Burning consists of seven tracks full of ripping guitar, crazy Moog attacks, heavy keyboards, demented vocals and satanic/occult related lyrics, especially in the mind-blowing, ten-minute long title track. Original artwork. Remastered sound from the original masters. Includes insert with liner notes and rare photos/memorabilia. Hard cardboard sleeve; obi.
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GUESS 170LP
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Martin Weaver, Wicked Lady's main man and proto-doom/psychedelic hard rock pioneer, has chosen his favorite tracks from the two Wicked Lady albums, Axeman Cometh (1969-1972) and Psychotic Overkill (1972), presented here on a picture disc. Including the classics "Run The Night" (pure fuzz-wah hell, sounding like a mix between Black Sabbath and The Stooges) and "I'm A Freak" (a proto-Motörhead hard-rock bomb!) plus the cool "Out Of The Dark" and the 21-minute epic suite "Ship Of Fools", where Martin pushes his guitar to the limit. File under: hard-rock, psychedelic, proto-doom, proto-metal. RIYL: Black Sabbath, Stooges, Motörhead, Dark. Edition of 500 (hand-numbered); not to be repressed!
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GUESS 169LP
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50th anniversary deluxe edition of this Spanish psychedelic/progressive masterpiece from 1970. First ever vinyl reissue featuring the intended but never used at the time nude gatefold cover design by painter Claudio Bravo. Double set including the Spanish version of the album plus, for the first time on vinyl, the alternate English version that Fernando Arbex (Brincos main man) considered to be the definitive one and that he couldn't release at the time, including different track list/mixes than the released at the time English one, resulting in a fabulous psych album with a strong late '60s British feel. In 1969, Los Brincos, probably the most famous Spanish '60s pop band -- often dubbed "the Spanish Beatles" -- added a new member to their line-up: Colombian born, accomplished keyboard/guitar player Oscar Lasprilla (Time Machine, The Speakers). Influenced by psychedelia, prog-rock and underground sounds, Los Brincos (now simply named "Brincos"), led by drummer/main songwriter Fernando Arbex, decided that their new album would be a conceptual work -- something never seen in Spain until then. The concept behind the album was supposedly to be based on the three enemies of the soul: the world, the flesh, and the devil, hence the final title: World Devil Body. This ambitious work was recorded by the new Brincos line-up, with famous Spanish musician Augusto Algueró as arranger -- at the same place where King Crimson recorded their legendary debut, Wessex Studios in London, using the same sound engineer, Robin Thompson. Some songs were sung in Spanish, some in English, being the central piece an outstanding 12-minute long conceptual psych suite, sung in English and titled "Mundo Demonio y Carne" ("World Devil & Body"). There was nothing similar in Spain at that time and this track stands today as one of the earliest, if not the first, progressive pieces ever recorded by a Spanish band. Regarding the other tracks, you find many surprises: a long eastern sounding instrumental ("Kama-Sutra"); the eerie "Esa Mujer" featuring members of the London Symphony Orchestra; British influenced psych-pop "Jenny La Genio", "Promises and Dreams" or "Butterfly" (with vocals sung through a megaphone!); hard-psych with plenty of guitar and Hammond ("Emancipation", "Misery & Pain"). Includes 12-page color insert with detailed notes; includes poster.
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GUESS 167LP
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LP version. Pigmy is the solo project of Vicente Maciá, founding member of '90s Spanish psych band Carrots. Highly influenced by late '60s/early '70s UK psych, folk-rock, and baroque pop (think Magna Carta, Fairfield Parlour, Pete Dello, Duncan Browne, Cat Stevens, Amazing Blondel) as well as Spanish '70s folk-pop/SSW (Solera, José y Manuel, Vainica Doble), Pigmy surprised everyone with his previous two albums, Miniaturas (2006) and Hamsterdam (2014), which are now cult items between psych-folk fans. After a long period of songwriting and recording, Pigmy returns with Manifestación, his long-awaited third album. And the result is stunning. Magical, out-of-time psychedelic folk-pop, in the same vein of Hamsterdam but this time incorporating medieval/Renaissance instruments (lute, recorder), giving Manifestación a very unique feel. A Latin poem opens the album, followed by the medieval sounding "Almendros en Flor" with great use of flute. "Manifestación", inspired by the "Rosarium Philosophorum" alchemy book from 1550, features the two main ingredients from the new Pigmy sound: psychedelia and renaissance music. You hear echoes of the first Duncan Browne on "El Hombre Menguante". Medieval atmosphere a la Magna Carta on "Incienso y Bengala", featuring trumpets and flugelhorn: "White magic from your lute, it sounds a strange equation." "Ana" is delicious folk-pop. Things get quite proggy on "Lo Sagrado en lo Profano", bringing to mind those obscure British bands from the early '70s on labels like Dawn or Neon. On "Mi Canción", Pigmy sings about crickets and grasshoppers to the rhythm of progressive, pastoral folk-rock. "Lachrimae Pavan" is an instrumental piece played only with lute. "It's me, let me in, I want to show you a garden", sings Pigmy on "Déjame Entrar", a melancholic folk song featuring violin, acoustic guitar, percussion, and recorder. "Septiembre" closes the album in a stellar way, folk-pop with female backing vocals, organ, vibraphone. RIYL: Magna Carta, Pink Floyd, Kaleidoscope, Fairfield Parlour, Strawbs.
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GUESS 063CD
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Pigmy is the solo project of Vicente Maciá, founding member of '90s Spanish psych band Carrots. Highly influenced by late '60s/early '70s UK psych, folk-rock, and baroque pop (think Magna Carta, Fairfield Parlour, Pete Dello, Duncan Browne, Cat Stevens, Amazing Blondel) as well as Spanish '70s folk-pop/SSW (Solera, José y Manuel, Vainica Doble), Pigmy surprised everyone with his previous two albums, Miniaturas (2006) and Hamsterdam (2014), which are now cult items between psych-folk fans. After a long period of songwriting and recording, Pigmy returns with Manifestación, his long-awaited third album. And the result is stunning. Magical, out-of-time psychedelic folk-pop, in the same vein of Hamsterdam but this time incorporating medieval/Renaissance instruments (lute, recorder), giving Manifestación a very unique feel. A Latin poem opens the album, followed by the medieval sounding "Almendros en Flor" with great use of flute. "Manifestación", inspired by the "Rosarium Philosophorum" alchemy book from 1550, features the two main ingredients from the new Pigmy sound: psychedelia and renaissance music. You hear echoes of the first Duncan Browne on "El Hombre Menguante". Medieval atmosphere a la Magna Carta on "Incienso y Bengala", featuring trumpets and flugelhorn: "White magic from your lute, it sounds a strange equation." "Ana" is delicious folk-pop. Things get quite proggy on "Lo Sagrado en lo Profano", bringing to mind those obscure British bands from the early '70s on labels like Dawn or Neon. On "Mi Canción", Pigmy sings about crickets and grasshoppers to the rhythm of progressive, pastoral folk-rock. "Lachrimae Pavan" is an instrumental piece played only with lute. "It's me, let me in, I want to show you a garden", sings Pigmy on "Déjame Entrar", a melancholic folk song featuring violin, acoustic guitar, percussion, and recorder. "Septiembre" closes the album in a stellar way, folk-pop with female backing vocals, organ, vibraphone. RIYL: Magna Carta, Pink Floyd, Kaleidoscope, Fairfield Parlour, Strawbs.
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GUESS 166LP
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Guerssen Records present a reissue of Eden Rose's On The Way To Eden, originally released in 1970. Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen, and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out-of-print for many years, here's a repress. Hard cardboard sleeve with obi.
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GUESS 164LP
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2021 restock. Guerssen Records present a reissue of Forever Amber's The Love Cycle, originally released in 1969. A holy grail item for psychedelic pop aficionados, Forever Amber's The Love Cycle is, along with Dark and the first Complex album, one of a triumvirate of must-have private pressings from the UK. Sounding like a blend of Pet Sounds (1966) and Odessey & Oracle (1968) but with a charming, homemade, lo-fi vibe, The Love Cycle was a concept album masterminded by talented songwriter/arranger John M. Hudson (a kind of Brian Wilson figure), who found in Cambridge band Forever Amber the perfect vehicle for his songwriting ideas. The Love Cycle was recorded in the summer of 1968 at a makeshift studio, located in the basement of a music shop. Consisting of a song-suite revolving around the meeting, courtship, and break-up of a young couple, the result was a stunning album filled with heavenly vocal harmonies, electric harpsichord and memorable hooks, including some intense psychedelic moments (the heavy phasing of "The Dreamer Flies Back" and more). Released in 1969 as a private edition of 99 copies, The Love Cycle remained buried until its discovery in the late '80s by psychedelic collectors. Bootlegged several times, the first official reissue came in 2007 thanks to David Wells/Tenth Planet. Out of print for several years, Guerssen Records a new vinyl reissue of this essential psych album. Original artwork in backflaps sleeve; includes color insert with rare photos and detailed liner notes by David Wells. RIYL: Zombies, Beatles, Beach Boys, Left Banke, Honeybus, Bee Gees.
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GUESS 165LP
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With one foot in the harmony beat-pop of the Hollies and other in the early psychedelic pop experimentation of Revolver-era Beatles (1966) and Syd Barrett's Pink Floyd, The Mirage left behind a string of 45s and unreleased studio recordings, a selection of which is presented here for the first time on LP. Featuring UK psych classics like "The Wedding Of Ramona Blair", "Hold On", "Ebanazeer Beaver", "Mrs Busby", and many more. The Mirage were a quintet from Hertfordshire, England, formed in 1965. Fueled by two gifted songwriters (Ray Glynn and David Hynes), they were soon recruited by Dick James (music publisher of the Beatles and the Hollies) as session musicians. Allan Clarke and Graham Nash from the Hollies were so impressed with them, that they took them under their wings, helping them to get a deal with CBS. Between 1965 and 1968, the Mirage released and self-produced seven singles for different labels including titles like "The Wedding of Ramona Blair" (pure psych-pop perfection, included on Rubble in the '80s), "Hold On" (a mod-psych classic), "Tomorrow Never Knows"(a surprising cover released at the same time as Revolver), "You Can't Be Serious", and more. But they also recorded lot of stuff that never saw the light of day at the time. These unissued songs run the gamut from magical Hollies inspired harmony pop to pure psychedelic pop, highly influenced by early Pink Floyd and Revolver era Beatles -- some of these tracks were included in the 90s on famous bootlegs like Artifacts From The Psychedelic Dungeon but now it's the first time they're all collected on a legit vinyl compilation, making You Can't Be Serious: 1966-1968, the missing album The Mirage could have released at the time and a must for any UK psych aficionado. Includes four-page insert with rare photos/memorabilia and detailed liner notes by Stefan Granados (author of The Beatles and Apple Records: Those Were The Days 2.0 book).
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GUESS 159LP
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Sixteen roller coaster rides of authentic neo-psychedelic pop! The Psychedelic Yesterdays of Tomorrow is the first ever vinyl retrospective of pioneering '80s psych band United States of Existence. Includes their fab Introducing: the United States of Existence LP from 1986 (originally on Bam Caruso), plus essential single/compilation-only tracks and fantastic previously unreleased ones. United Sates of Existence were one of earliest neo-psychedelic groups from the US. Born in Baltimore in 1978 out of the ashes of prog-rock outfit Klangfarb, their goal was to reproduce the sound of their favorite '60s psych bands: Strawberry Alarm Clock, Electric Prunes, Blues Magoos, Nazz, The Association... They consisted of Paul Rieger (guitar, bass, electric sitar), Bob Tiefenwerth (organ, electric harpsichord. piano), Dennis Davison of Jigsaw Seen fame (lead vocals, acoustic guitar, Theremin), and Gary Schwartz on drums and harmony vocals. The group used vintage instruments and antiquated recording techniques to fully embrace the sounds of the first psychedelic era (1967-68). They never got to play live, preferring to spend their time recording in their basement studio or going on record-buying binges at all the discount stores, searching for obscure psychedelic albums with weird names like Harumi, Phulph, Bohemian Vendetta... They were championed by Greg Shaw (Bomp!) who chose one of their first recordings, the killer Return To The Psychedelic, as the opening track for the seminal Battle Of The Garages LP compilation (1981). They also appeared in another famous compilation, The Rebel Kind (1983). "Anything Goes!", their first 45, saw the light in 1984, self-released on the band's own label, U.S. Fidelity Sounds, and featuring members of the Association on backing vocals. In 1986, they caught the attention of the Bam Caruso label from the UK, where they released their only album, Introducing: the United States of Existence, in 1986. The Psychedelic Yesterdays of Tomorrow compiles all the material released by United States of Existence, including their Bam Caruso album along with various single / compilation tracks, as well as a few previously unreleased tracks and alternate mixes. Includes color insert with detailed liner notes and rare photos. RIYL: Blues Magoos, Electric Prunes, Strawberry Alarm Clock, The Association, The Seeds, Dukes Of Stratosphear...
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GUESS 161LP
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Limited 2021 resstock. First vinyl reissue of Shakers For You, the second LP by legendary beat/pop band from Uruguay, Los Shakers, originally released in 1966. An album clearly influenced by Help! (1965), Rubber Soul (1965), and Revolver (1966), but showing a band that were more than mere copycats, offering some revolutionary compositions and influences, such as bossa nova. The songs on Shakers For You take you through incredible musical mixtures that, while keeping a strong early/mid-Beatles feel, give you clues of what would come later in pop music with psychedelia just around the corner. One of the greatest beat LPs from the 1960s. Remastered sound in original mono sound. Original artwork in heavy cardboard sleeve and obi; Four-panel color insert with liner notes in English/Spanish by Miguel Navarro and rare photos.
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GUESS 163LP
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First ever vinyl reissue of Shaker's In The Studio Again, originally released in 1971 (only in Brazil and Argentine). Released under the Shaker's name, (an idea/imposition of the record label/producer), In The Studio Again was in fact recorded by The Innocents, an Uruguayan band featuring Roberto "Pelin" Capobianco and Carlos "Caio" Vila from Los Shakers, plus Héctor and Carlos Capobianco (Pelin's twin brothers) and Rubén "Lorenzo" Viela. These top musicians recorded in Brazil a wonderful album full of catchy songs, vocal harmonies, superb arrangements, and Beatlesque/baroque-pop/proto power-pop vibes. Featuring a collection of English-sung self-penned songs, some of them could have been easily included on Shakers For You (GUESS 161LP) or La Conferencia Secreta del Toto's Bar (GUESS 162LP), and amazing cover versions of Carole King and McCartney. Track list and artwork faithful to the original Brazilian edition. Heavy cardboard sleeve and obi. Four-panel color insert with English/Spanish liner notes by Alex Carretero and rare photos. Includes one bonus track, a cover version of "See The Light", originally by South African band The Flame (related to the Beach Boys), which was only included on the Argentinian edition.
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2LP
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GUESS 160LP
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Limited 2021 restock. Guerssen presents the first long playing record by the fabulous Los Shakers, the legendary band formed in Uruguay in the mid-1960s, in the wake of the Beatlemania phenomenon. Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions, and rhythms boiled in a magic, infectious sound. The double-LP set collects both the original Los Shakers album from 1965 (in its original mono mix) plus Break It All, originally released in 1966 for the US market, featuring new stereo re-recordings of most of the songs from the first Los Shakers album and 45-only tracks. Get ready to enjoy the songs of Hugo, Osvaldo, Caio, and Pelin. Remastered sound. Gatefold cover with obi; insert with liner notes in English/Spanish by Miguel Navarro and rare photos. Repro of the mega-rare promotional "Noti-Shakers" newspaper.
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GUESS 162LP
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First vinyl reissue of La Conferencia Secreta del Toto's Bar, Los Shaker's psychedelic masterpiece, originally released in late 1968. Inspired by Sgt. Pepper's Lonely Hearts Club Band -- a milestone that would change the face of pop music forever back in 1967 -- Los Shakers created a fundamental album in the history of South American rock music, a seminal record for many artists to come, full of pleasant surprises, magic sounds, and sense of humor. It offers a complex fusion of styles, with elements from both rock and jazz, plus the use of exotic instruments like the bandoneon -- widely used in tango music but unprecedented until then in pop/rock adventures. It all makes the last album by Los Shakers an essential, innovative record for any collector and aficionado. Sounding as fresh and original today as it did back in the late '60s. Remastered sound. Heavy cardboard sleeve and obi. Four-panel color Insert with liner notes in English/Spanish by Miguel Navarro, plus rare photos.
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