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CD
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BS 064CD
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Al Doum and the Faryds continue their journey toward a new direction. Now, they live in a futuristic garden of delights, inhabited by strange bright bubbles, golden wheels, water secrets and mysterious plants. From their home of love and nature, they set out to travel the universe to forge a new being together. Their typical blend of spiritual-jazz, psychedelia and Afro-Latin rock remains on the same wave, accentuating the collective rite of liberation and expansion of the spirit. There's certainly a greater lightness and airiness, especially in the most immediate and direct arrangements to convey the message of brotherhood; because the absolute weapon lies in female voices and choirs. These chants are incisive gospel and soul sermons and their narration magically permeates throughout the album. Everything is always supported by the balance between robust and biting guitar riffs, raga-rock incursions, tribal rhythm sections and impregnable and captivating sax drifts; and echoes of the soft lysergic sound of the '60s cannot be missing. This is music of multiple forces, a sacred harmony to overcome barriers, which sees no enemies and breaks down egos. It's the playfulness and the power in making music together, the true magic recipe of these Freaky People: we are what the universe wants!
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LP
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BS 064LP
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LP version. Al Doum and the Faryds continue their journey toward a new direction. Now, they live in a futuristic garden of delights, inhabited by strange bright bubbles, golden wheels, water secrets and mysterious plants. From their home of love and nature, they set out to travel the universe to forge a new being together. Their typical blend of spiritual-jazz, psychedelia and Afro-Latin rock remains on the same wave, accentuating the collective rite of liberation and expansion of the spirit. There's certainly a greater lightness and airiness, especially in the most immediate and direct arrangements to convey the message of brotherhood; because the absolute weapon lies in female voices and choirs. These chants are incisive gospel and soul sermons and their narration magically permeates throughout the album. Everything is always supported by the balance between robust and biting guitar riffs, raga-rock incursions, tribal rhythm sections and impregnable and captivating sax drifts; and echoes of the soft lysergic sound of the '60s cannot be missing. This is music of multiple forces, a sacred harmony to overcome barriers, which sees no enemies and breaks down egos. It's the playfulness and the power in making music together, the true magic recipe of these Freaky People: we are what the universe wants!
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CD
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BS 002CD
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2019 repress of the second album by Italian band Al Doum And The Faryds. The Positive Force LP is a collaboration between Black Sweat Records and Julia Dream Recordings. The music is the result of combining psychedelic music (first of all, Krautrock) and ethnic sounds; also using ethnic instruments such as darbuka, mbira, Tibetan bells, rhaita, and sitar to create a good ear-trip. This is what has been written about them by Julian Cope: "This fucking righteously Out There declaration comes on like a lobotomized Xhol Caravan meets Shiva's Tongue meets one of those low, low-grade reggae recording bands like Ras Michael & The Sons Of Negus, all jamming-ah on the 100° Fahrenheit obsidian-strewn plains of Southern Sardinia. Yes, it's hot. Throughout these proceedings, therefore, mucho Arabian percussion is shaken and kicked, much soul-clapping is embarked upon, and several times repeated Middle Eastern flute'n'sax themes of extreme unmemorability perk up then dwindle with an almightily stoned purposelessness. All quite exquisite. And although arid M. Karoli EBow occasionally flames up to provide a vast horizon of cosmick beauty, the Faryds' main themes always remain so VU-crunchy and agricultural down at their 'What bottom end?,' that even the off-kilter lipping of their sub-sub-Madness/Faust-style sax warbler appears sumptuous by disc's end. A fuck of a journey, kiddies, you gots to hear these cosmic jokers on repeat in order best to witness the dissolving of your immediate world."
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LP
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BS 002LP
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LP version. 2019 repress of the second album by Italian band Al Doum And The Faryds. The Positive Force LP is a collaboration between Black Sweat Records and Julia Dream Recordings. The music is the result of combining psychedelic music (first of all, Krautrock) and ethnic sounds; also using ethnic instruments such as darbuka, mbira, Tibetan bells, rhaita, and sitar to create a good ear-trip. This is what has been written about them by Julian Cope: "This fucking righteously Out There declaration comes on like a lobotomized Xhol Caravan meets Shiva's Tongue meets one of those low, low-grade reggae recording bands like Ras Michael & The Sons Of Negus, all jamming-ah on the 100° Fahrenheit obsidian-strewn plains of Southern Sardinia. Yes, it's hot. Throughout these proceedings, therefore, mucho Arabian percussion is shaken and kicked, much soul-clapping is embarked upon, and several times repeated Middle Eastern flute'n'sax themes of extreme unmemorability perk up then dwindle with an almightily stoned purposelessness. All quite exquisite. And although arid M. Karoli EBow occasionally flames up to provide a vast horizon of cosmick beauty, the Faryds' main themes always remain so VU-crunchy and agricultural down at their 'What bottom end?,' that even the off-kilter lipping of their sub-sub-Madness/Faust-style sax warbler appears sumptuous by disc's end. A fuck of a journey, kiddies, you gots to hear these cosmic jokers on repeat in order best to witness the dissolving of your immediate world."
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BS 048CD
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Listening to the music of Al Doum & The Faryds is always like staying in the pristine nature of an exotic island, in the sacred harmony of a new organic society; imaging all brothers and sisters singing and dancing in the unity of the brotherhood. This is the message of love and joy that pervade this fourth album, Spirit Rejoin. Moving towards accents of jazz ancestry, the Faryds absorb and re-elaborate -- with remarkable insights -- disparate elements and influences of electric jazz of the '70s (Miles Davis, Dr. John) and spiritual jazz (Sun Ra, Pharoah Sanders, Don Cherry), marrying them with the forceful instances of Afro-free (Pyramids, Alkebu-Lan). The music celebrates a new collective soul, a dancing cathartic ritual with birds, plants, and all the animals, together in the circle of devotion. A journey in the total pranic breath.
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LP
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BS 048LP
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LP version. Listening to the music of Al Doum & The Faryds is always like staying in the pristine nature of an exotic island, in the sacred harmony of a new organic society; imaging all brothers and sisters singing and dancing in the unity of the brotherhood. This is the message of love and joy that pervade this fourth album, Spirit Rejoin. Moving towards accents of jazz ancestry, the Faryds absorb and re-elaborate -- with remarkable insights -- disparate elements and influences of electric jazz of the '70s (Miles Davis, Dr. John) and spiritual jazz (Sun Ra, Pharoah Sanders, Don Cherry), marrying them with the forceful instances of Afro-free (Pyramids, Alkebu-Lan). The music celebrates a new collective soul, a dancing cathartic ritual with birds, plants, and all the animals, together in the circle of devotion. A journey in the total pranic breath.
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LP
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MVD 7588LP
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"Re-release of their sold-out debut album, in gatefold tobacco's paper cover and in transparent/black vinyl 180 grams. One of the most cosmically spaced band in the European scene, they play traditional African instruments and invoke desert landscapes with melodic and intense atmospheres. Post-psych and post-Afrobeat sounds, simple structures; guitar and sax, percussion and woodwind groans. The result is a fusion of Krautrock and psychedelic rock with African influences and the cosmic sounds of Sun Ra or Ash Ra Tempel."
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LP
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BS 014LP
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Black Sweat Records presents an album from Milan-based psychedelic band Al Doum & The Faryds. Good vibrations and resonances are distributed along nine tracks, which explores worlds of peace. Jungles, abysses, distant stars -- every place can be the location for the expression of Cosmic Love, thanks to the usual blend of traditional and exotic instruments (sitar, balafon, rabab, djembe, conga, quena), including space effects and loving choirs. Recorded at El Guscio studio in Milan at the end of 2013. Limited edition of 400 vinyl copies.
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