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viewing 1 To 19 of 19 items
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12"
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NOTON 057EP
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Alva Noto with Martin L. Gore and Willian Basinski offer two versions of David Bowie's "Subterraneans".
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CD
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NPLUS 003CD
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Born in 1966 in Gifu, Ryoji Ikeda currently lives and works in Paris and Kyoto. While rooted in electronic music, the internationally active composer and artist also produces art as experimentation. Ikeda's immersive live performances and installations employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and mathematical concepts. He established his online source as codex | edition. In 2022, Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan since 2009. Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
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2LP
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NOTON 055LP
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Double LP version. Released for the first time in 2011, Summvs is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title Summvs refers to the Latin word "summa" (sum) and "versus" (towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano -- Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977. In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Carsten Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled "Monomom" (released digitally in December 2021) and "Kizuna." Like "Monomom," "Kizuna" is the studio version of the homonymous composition recorded during Alva Noto and Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House (2019). The work "Kizuna" means "human bond" in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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NOTON 055CD
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Released for the first time in 2011, Summvs is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title Summvs refers to the Latin word "summa" (sum) and "versus" (towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano -- Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977. In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Carsten Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled "Monomom" (released digitally in December 2021) and "Kizuna." Like "Monomom," "Kizuna" is the studio version of the homonymous composition recorded during Alva Noto and Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House (2019). The work "Kizuna" means "human bond" in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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2LP
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NOTON 054LP
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Double LP version. Released for the first time in 2009, utp_ is the third installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing ten-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work's debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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CD
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NOTON 054CD
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Released for the first time in 2009, utp_ is the third installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing ten-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work's debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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CD
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NOTON 053CD
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Initially released in 2006, Revep is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by three new compositions titled "City Radieuse", "Veru 1", and "Veru 2". "City Radieuse" was composed for the 2012 short cinematic essay titled "Cité Radieuse" and part of Carsten Nicolai's "future past perfect" series. The video shot at le Corbusier's Unité D'Habitation in Nantes (called "cité radieuse") takes the viewer through the modular system and design applied to the residential buildings. The film's narrative unfolds through a sequence of images tracking the apartments' indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants. The album's original recordings resulted from musical exchanges that began with Vrioon (NOTON 051CD/LP) and revolved around a collaborative arrangement of Sakamoto's classic Merry Christmas Mr. Lawrence, the theme music to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself. In Revep, the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery, this album is considered another indispensable record from the duo's ongoing collaboration.
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LP
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NOTON 053LP
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Double LP version. Initially released in 2006, Revep is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by three new compositions titled "City Radieuse", "Veru 1", and "Veru 2". "City Radieuse" was composed for the 2012 short cinematic essay titled "Cité Radieuse" and part of Carsten Nicolai's "future past perfect" series. The video shot at le Corbusier's Unité D'Habitation in Nantes (called "cité radieuse") takes the viewer through the modular system and design applied to the residential buildings. The film's narrative unfolds through a sequence of images tracking the apartments' indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants. The album's original recordings resulted from musical exchanges that began with Vrioon (NOTON 051CD/LP) and revolved around a collaborative arrangement of Sakamoto's classic Merry Christmas Mr. Lawrence, the theme music to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself. In Revep, the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery, this album is considered another indispensable record from the duo's ongoing collaboration.
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2LP
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NOTON 052LP
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Repressed; double LP version. Originally released in 2005, Insen is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled "Barco." Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 Insen tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. In Insen, Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of "Aurora," you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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CD
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NOTON 052CD
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Originally released in 2005, Insen is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled "Barco." Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 Insen tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. In Insen, Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of "Aurora," you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx.
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2LP
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NOTON 051LP
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Limited repress; double LP version. Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with summvs in 2011, NOTON reissues all the five albums between June and October 2022. With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo has explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered. Remastered in collaboration with Calyx Mastering, the recordings are made available under the title Remaster, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai. In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S.
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CD
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NOTON 051CD
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Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with summvs in 2011, NOTON reissues all the five albums between June and October 2022. With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo has explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered. Remastered in collaboration with Calyx Mastering, the recordings are made available under the title Remaster, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai. In November 2022, a dedicated, limited edition cardboard slipcase will be available as a separate item from the V.I.R.U.S.
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CD
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NPLUS 002CD
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NOTON announce the release of COH's album WYGG [While Your Guitar Gently]. Throughout his career, Stockholm-based sound artist and musician Ivan Pavlov has shown a relentless desire to map musical landscapes and sound qualities. A reference to The Beatles' "While My Guitar Gently Weeps", WYGG takes back the ambitions of COH's previous album MUSIC VO (2020) to the electronic and digital domains. With prominent acoustic tones, WYGG ruminates on the tonal qualities of the guitar, resulting in a balanced combination of sonic, textural, and melodic explorations between acoustic and programmed sounds. The album opens with a sharp play of timbres and electronics, gradually taking the listener into an atmosphere that veers between jaunty, playful glitchy electronics and noise. Over nine compositions, COH's sonic detailing emerges as a form of pointillism made of infinitesimal variations and subtle rhythmic structures. There is a warm fragility throughout the album as the waves of acoustic harmony blend cunningly with the drifting plucks and shivery electronics. The two closing tracks conceived by COH as an extension of the album's sonic narrative flit between minimalism and abstract pop with vocal work from Pavlov and vocalist Ola. "Bolero With Ola" offers an expressive dynamic with the female voice enacting a poem written by Pavlov. Conceived as a cover of Soft Cell's 1983 homonymous song, "Heat" features COH's alias Frankie Gothard singing voice and carries the track into a soothing soundscape as he gently tones down Marc Almond's lyrics.
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CD
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NOTON 056CD
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HYbr:ID Vol. 1 is the first installment of a new series of Alva Noto's works bringing together heterogeneous composition methods. HYbr:ID Vol. 1 captures the music commissioned for the score of "Oval", the choreographic piece directed by Richard Siegal and performed by the Staatsballett Berlin at the Berlin State Opera in 2019. The process of creating HYbr:ID Vol. 1 was defined by the search for a form to bind astrophysics phenomena, fiction, and performance movements. Its narrative is inspired by cinematic visual techniques and static images portraying scientific events which also inspired the titles of the nine compositions. The music possesses a dilated rhythmic base contributing to the images of gravity and spatiality. At points static is used with an ornate, delicate intricacy. The album's sonic spectrum builds with deep sub-bass, gloomy sonics, spacious sound design, and inorganic ambiance that is gently coerced with artistic finesse. The nine compositions are accompanied by graphic notations informed by the album's sonic and acoustic codes. Album art designed by Carsten Nicolai. Nibo mastering by Bo @ Calyx.
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LP
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NOTON 056LP
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2022 repress. LP version. HYbr:ID Vol. 1 is the first installment of a new series of Alva Noto's works bringing together heterogeneous composition methods. HYbr:ID Vol. 1 captures the music commissioned for the score of "Oval", the choreographic piece directed by Richard Siegal and performed by the Staatsballett Berlin at the Berlin State Opera in 2019. The process of creating HYbr:ID Vol. 1 was defined by the search for a form to bind astrophysics phenomena, fiction, and performance movements. Its narrative is inspired by cinematic visual techniques and static images portraying scientific events which also inspired the titles of the nine compositions. The music possesses a dilated rhythmic base contributing to the images of gravity and spatiality. At points static is used with an ornate, delicate intricacy. The album's sonic spectrum builds with deep sub-bass, gloomy sonics, spacious sound design, and inorganic ambiance that is gently coerced with artistic finesse. The nine compositions are accompanied by graphic notations informed by the album's sonic and acoustic codes. Album art designed by Carsten Nicolai. Nibo mastering by Bo @ Calyx.
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2LP
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NPLUS 001LP
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Double LP version. NOTON signs Italian-born, Berlin-based sound-artist and producer Saele Valese. In IVIC, his debut album, Saele Valese, distills hauntological noise, droning tonal experiments, and minimalist rhythms into a series of electro-acoustic-wave ventures written over five years in Berlin, Saas-Fee, and Thun. Drawing influences from the psychoacoustic properties of the live album format, IVIC's 11 tracks were mixed and recorded live on DAT cassettes and through DAW experimentation, without the possibility to revise the final recordings. Valese adopted this approach to conceptually propose reconciliations between the irreversibility of the past, and acceptance of its residuals in the present. The track titles themselves follow this pathos, citing the works of the American photographer Francesca Woodman and the poet Sylvia Plath. The inclusion of passages incorporating live sonics and throes of industrialisms, contributes to the images of gravity, intimacy, and spatiality that the music presented here invokes. In keeping with this imagery, the music possesses a dilated, shuffling rhythmic base, much like the firm traversal of a tanker against a storm of jangling components, and still moments of gloomy sonics alternating with more ravenous upheavals of power electronics. If the track divisions do not pass by unheeded, they are consistently assembled to sonically accompany the emotional charges and momentum of an imaginary cinematic experience; the beats caves in for instants of relief, only to recoil in a cognate tempo but rearranged structurally. In another gesture of cogitated stride, the portentous waves of the record progressively rage into a turmoil in its third quarter during "Horse The Color Of Rust". The album reaches its closure fluctuating through microtonal oscillations to slowly eclipse into silence.
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CD
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NPLUS 001CD
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NOTON signs Italian-born, Berlin-based sound-artist and producer Saele Valese. In IVIC, his debut album, Saele Valese, distills hauntological noise, droning tonal experiments, and minimalist rhythms into a series of electro-acoustic-wave ventures written over five years in Berlin, Saas-Fee, and Thun. Drawing influences from the psychoacoustic properties of the live album format, IVIC's 11 tracks were mixed and recorded live on DAT cassettes and through DAW experimentation, without the possibility to revise the final recordings. Valese adopted this approach to conceptually propose reconciliations between the irreversibility of the past, and acceptance of its residuals in the present. The track titles themselves follow this pathos, citing the works of the American photographer Francesca Woodman and the poet Sylvia Plath. The inclusion of passages incorporating live sonics and throes of industrialisms, contributes to the images of gravity, intimacy, and spatiality that the music presented here invokes. In keeping with this imagery, the music possesses a dilated, shuffling rhythmic base, much like the firm traversal of a tanker against a storm of jangling components, and still moments of gloomy sonics alternating with more ravenous upheavals of power electronics. If the track divisions do not pass by unheeded, they are consistently assembled to sonically accompany the emotional charges and momentum of an imaginary cinematic experience; the beats caves in for instants of relief, only to recoil in a cognate tempo but rearranged structurally. In another gesture of cogitated stride, the portentous waves of the record progressively rage into a turmoil in its third quarter during "Horse The Color Of Rust". The album reaches its closure fluctuating through microtonal oscillations to slowly eclipse into silence.
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2LP
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NOTON 049LP
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2022 limited repress; double LP version. Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material. Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from other copies, everyday sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves. Following Xerrox Vol. 1 (R-N 078CD/LP, 2007), Vol. 2 (R-N 103LP, 2009), Vol. 3 (R-N 159CD/LP, 2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he's renowned, and turning to a more harmony-driven composition technique. Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broad tones into distant roars and electronic cascade of sounds. While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
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NOTON 049CD
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Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material. Using the process of copying as a basis, the Xerrox series deals with the manipulation of data by means of endless reproduction. Due to the inherent fallacy of the procedure involving the making of copies made from other copies, everyday sounds become so altered that they can be hardly associated with the source material. As a result, entirely new sounds are created: copies of originals become originals themselves. Following Xerrox Vol. 1 (R-N 078CD/LP, 2007), Vol. 2 (R-N 103LP, 2009), Vol. 3 (R-N 159CD/LP, 2015), Carsten Nicolai continues the pentalogy eluding the accuracy and precise sound design for which he's renowned, and turning to a more harmony-driven composition technique. Unlike the previous Xerrox albums, whose starting point is a set of samples extracted from external sources and fragments of recordings, Vol. 4 compounds under a unified cinematic soundscape, warm chords, thrumming digital ambiences, liquified electronics, drones, and noise sustained by floods of strings. The tension between the organic warmth and static curves, broad tones into distant roars and electronic cascade of sounds. While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, Xerrox holds more intimate gestures and emotional sensibility. This fourth volume shuns further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
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