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CD
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NPLUS 003CD
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Born in 1966 in Gifu, Ryoji Ikeda currently lives and works in Paris and Kyoto. While rooted in electronic music, the internationally active composer and artist also produces art as experimentation. Ikeda's immersive live performances and installations employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and mathematical concepts. He established his online source as codex | edition. In 2022, Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan since 2009. Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
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R-N 150CD
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Supercodex is the final album in Ryoji Ikeda's trilogy on Raster-Noton that began in 2005 with Dataplex (R-N 068CD) and continued with 2008's Test Pattern (R-N 093CD) that has been exploring the potentials between "data of sound" and "sound of data." Ikeda integrated, differentiated and re/de/meta-constructed the music of the previous two albums and that of his other art installations/projects. Supercodex is also inter-related with Ikeda's new long-term project "Superposition," that, since 2012, has focused on quantum information. It consists of performance pieces (two performers on stage) and forthcoming installation works. The new live set of Supercodex will be premiered in Tokyo in November 2013 and will be toured internationally after then.
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2CD
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TO 044CD
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Touch reissues Japanese electronic composer Ryoji Ikeda's 2001 release, Matrix, without postcards. Matrix is the final element in a trilogy of CDs that began with +/- in 1996. When it was first released, +/- came like a bolt out of the white. Nobody had used digital recording processes to produce sound as pure, as intense and as exhilarating. Since releasing 0° in 1998, Ryoji Ikeda has progressively refined and enhanced the distinctive sonic fields and microsounds that have strongly influenced post-digital composition, resisting the transitory cycle suggested by the term "glitches," creating compositions that deeply probe our relationships to time and space, sound and light. That's the only forewarning of what awaits you on putting the first CD into your player. The layers of sound that make up Matrix transform both the listener and the listening environment into another dimension. The dimensions change as you move about the space, or simply turn your head around the sound like surveying the angles of a building. Matrix has much in common with the work of La Monte Young, Tony Conrad, and Alvin Lucier, but, poised closer to the imminent and auto-interactive virtual world we are promised, Ryoji Ikeda's new work pushes the parameters of the drone to ask timely questions concerning our relationship to our own perceptions, and to our existing living spaces. Double CD in gatefold wallet.
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R-N 093CD
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2014 repress; originally released 2008. Following 2005's Dataplex CD on Raster-Noton, Test Pattern is the second audio release in Ryoji Ikeda's multimedia project, Datamatics, an ongoing exploration of the potential to perceive the invisible multi-substance of data that permeates our world. Test Pattern acts as a system that converts any type of data (text, sounds, photos and movies) into barcode patterns and binary patterns of 0s and 1s. Through the conversion of raw data into digital audio files, Ikeda enables us to listen to the flow of data, creating an extraordinary and unexpected soundtrack. These sequences of data reveal a rich variety of microscopic structures which form Ikeda's raw material; working with these micro-structures, they sometimes form the basis of chronological sequences, and sometimes he focuses on their rhythmic qualities. All sounds are the result of Ikeda's manipulation of this raw data. Test Pattern aims to examine the relationship between critical points of device performance and the threshold of human perception, pushing both to their absolute limits. Almost all tracks on this release are unsuitable for conversion into high-quality mp3 files. The velocity of the audio files is ultra-fast, some hundreds of frames per second, so that the album provides a performance test for the audio equipment, as well as a response test for the audience's perceptions. A sticker on the CD jacket warns of high volume listening as this may cause damage to equipment and eardrums.
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R-N 089CD
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1000 Fragments is Ryoji Ikeda's first solo album, originally released in 1995 on Ikeda's own CCI label. As early as 1995, leading Japanese computer-manipulated sound composer Ikeda started his exploratory work with digital sound design, having an inspirational impact on the founders of the Raster-Noton label. 1000 Fragments encapsulates the early parts of Ikeda's career, from the mid-'80s through the early/mid-'90s, in three different subsections: Channel X (1985-95), 5 Zones (1994-95) and Luxus (1993). An early review from www.full-albums.net characterizes 1000 Fragments as such: "The first piece, consisting of several short parts (bursts?), snaps the listener around a jumble of sound fragments from TV, NASA, radio, film, raw electronics and computer-generated tones, and so on. It's rather disorienting stuff... more like something you'd expect out of The Hafler Trio, and actually sort of out of character with the rest of the disc. As for the rest of the disc, it's taken up with two long works, which I assume involve computer-generated sound but which have the lushness one more associates with analog electronics. Both are longish ambient works, but instead of featuring static repetitive structures, these unfold in an intriguing manner, like a long, slow drive across a very sparse landscape. As opposed to the initial work here, these are definitely the 'meat' of this disc, and anyone looking for some fine ambient work with perhaps a bit of an edge would do well to check this out."
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TO 030CD
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2011 repress. This is the third edition of this timeless classic, originally released in 1996. Ryoji Ikeda is Japan's top avant-garde minimalist electronic composer, in the tradition of Alvin Lucier/The Hafler Trio/Bruce Gilbert/CM von Hausswolff/Panasonic, etc. +/- has a particular sonority whose quality is determined by one's listening point in relation to the loudspeakers. Furthermore, the listener can experience a particular difference between speaker playback and headphone listening. The sound signals can be thought of in the same way as spotlights. Lastly, a high frequency sound is used that the listener only becomes aware of upon its disappearance.
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TO 038CD
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2012 repress of the second full-length by Ryoji Ikeda on Touch (originally released 2001), following the highly acclaimed +/- (1996). Recorded and mixed at CCI studio in Tokyo, this release features two works in Ikeda's continually expanding electronic style. "OºC" is an exploration at the edge of one's perception -- an extension of +/- and the next step. "C" adds a velocity axis and a density axis to factors, Oº amalgamated numbers, structures, frequencies and sounds.
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BOOK/DVD
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TO FORMA001
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"Book and DVD contained in clear plastic slip-case in numbered edition of 3000. [Book]: 186mm x 136mm, 96 pages, soft cover, with 62 full color and 34 monochrome illustrations [DVD]: features eight sound pieces from installation works and a 35-minute full video documentation of the formula [prototype] concert filmed in Tokyo. The DVD is an NTSC/PAL hybrid for world-wide use.
This is the first complete monograph about the seminal work of Ryoji Ikeda. With superb attention to detail and layout, the publication documents the artist's latest projects and includes brand-new artwork especially produced for the book. At the same time, formula covers Ikeda's landmark concerts and installations; and his collaborations with, amongst others, celebrated artist/musician Carsten Nicolai, acclaimed performance group Dumb Type and famous architect Toyo Ito. All of the DVD content is only available here, with a 35 minute full video documentation of formula [prototype] concert filmed in Tokyo and 8 sound pieces from installation works.
Not only the most complete Ryoji Ikeda catalogue, formula is an intimately-scaled minimalist artwork in itself, and an object of desire. How the book is held may cause the numbers and text, picked out in clear varnish on white page, to shimmer. Every aspect of look and feel has been considered by the artist's critical eye. His superlative production values are ever-present in the quality of the images and the finish. Only through repeated investigation does the publication begin to reveal its richness. Readers will be able to pore over the photographs, ponder the schematics and technical data, and enjoy the spacious listings of performances, exhibitions and releases. The artist's first-rate assembly of data, diagrams and video stills create moments of graphic intensity that make the white spaces of the pages surprisingly dynamic. The book is pure pleasure to hold.
Formula [Book + DVD] reflects precise design and the artist's flawless selection of surfaces and materials. An exceptional publication, it provides a 'heightened sensory experience' in a similar way to his concerts, installations and sound works." Last copies of this limited item.
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