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viewing 1 To 17 of 17 items
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CD
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STR 079CD
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$15.50
PREORDER
RELEASE DATE: 5/15/2026
Holding the world record for the longest ever EP title the first EP -Llanfairpwllgwyngyllgogerychwyndrobwllantysiliogogogochynygofod (In Space), was released in 1995, followed in the same year by Moog Droog, with both EPs making up the eight-song track listing of the vinyl version of Precreation Percolation. Later that year, with a record deal on the table and future classics such as "God! Show Me Magic" and "Hangin' With Howard Marks" already making up the SFA's set list, the band's path following "two years of chaos" was set. In the album's liner notes, singer, Gruff Rhys writes: "It would have been the best gig ever, had we not daisy chained so many synthesizers together, that it resulted in a terminal systems failure." By summer they'd joined Oasis, Primal Scream, and The Jesus and Mary Chain in the Creation Records family, leading to a huge London signing party that saw members of the band famously thrown out of. The term of intriguing genre experimentation, spanning long-form electro, blissed out instrumentals and expansive prog-influenced rock, heard across much of Precreation Percolation was subsequently refined and channeled into their thrilling, 1996 debut album, Fuzzy Logic and their untamed live performances. The vinyl version of this release (STR 079LP) compiles the tracks from their two earliest EPs originally released by Ankst, whilst the 22 track CD features further unreleased and unheard bonus tracks from this early era. The vinyl release comes with a copy of the CD in a slim card wallet. CD includes booklet.
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LP
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STR 079LP
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$37.50
PREORDER
RELEASE DATE: 5/15/2026
LP version. Holding the world record for the longest ever EP title the first EP -Llanfairpwllgwyngyllgogerychwyndrobwllantysiliogogogochynygofod (In Space), was released in 1995, followed in the same year by Moog Droog, with both EPs making up the eight-song track listing of the vinyl version of Precreation Percolation. Later that year, with a record deal on the table and future classics such as "God! Show Me Magic" and "Hangin' With Howard Marks" already making up the SFA's set list, the band's path following "two years of chaos" was set. In the album's liner notes, singer, Gruff Rhys writes: "It would have been the best gig ever, had we not daisy chained so many synthesizers together, that it resulted in a terminal systems failure." By summer they'd joined Oasis, Primal Scream, and The Jesus and Mary Chain in the Creation Records family, leading to a huge London signing party that saw members of the band famously thrown out of. The term of intriguing genre experimentation, spanning long-form electro, blissed out instrumentals and expansive prog-influenced rock, heard across much of Precreation Percolation was subsequently refined and channeled into their thrilling, 1996 debut album, Fuzzy Logic and their untamed live performances. The vinyl version of this release compiles the tracks from their two earliest EPs originally released by Ankst, whilst the 22 track CD (STR 079CD) features further unreleased and unheard bonus tracks from this early era. The vinyl release comes with a copy of the CD in a slim card wallet. CD includes booklet.
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2CD
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STR 075CD
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Originally released in 2005, the Furries' third and final album to be recorded by Epic Records, Love Kraft, is now reissued. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led "Rock 'N' Roll Flu," plus the distorted space-jam of Cae Marw, the band's deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian. The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other '90s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, "The International Language of Screaming." Love Kraft's sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band's stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies. While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft's story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album's songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first "best of" package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce). Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. "Zoom"'s opening splash into the recording studio's swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album. Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve's depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft's woozy songs. The final sleeve design again comes courtesy of Mark James.
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2LP
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STR 075LP
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Double LP version. Originally released in 2005, the Furries' third and final album to be recorded by Epic Records, Love Kraft, is now reissued. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led "Rock 'N' Roll Flu," plus the distorted space-jam of Cae Marw, the band's deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian. The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other '90s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, "The International Language of Screaming." Love Kraft's sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band's stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies. While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft's story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album's songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first "best of" package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce). Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. "Zoom"'s opening splash into the recording studio's swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album. Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve's depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft's woozy songs. The final sleeve design again comes courtesy of Mark James.
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LP
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STR 071LP
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Vinyl limited to 300 copies. White with red streaks. Golden-era of kinked, acid-hued, analogue, harmonic song writing sits at the heart of The Eggmen Whoooooo!'s first, mind-bending, full-length album. Two-decades of meandering musicality fans the embers of cult Welsh legends, El Goodo, glowing beneath Benedict Frye's latest bakeries of sound. Whisking effervescence and color into the flat glass of soda of mundane middle age, the former El Goodo pace-setter has gathered a band of five other, talented souls and asks the jittery cut of sparking psych to lead the charge for the band's debut album, Fuzzy Eggs, Please. Almost a full two decades since El Goodo rose to an elevated position amongst discerning music-lovers as consorts to, support act beneath and studio collaborators with Super Furry Animals, and a full four years since the final act of the departed band (their last, acclaimed studio album, Zombie) a tapestry of distinctly and brilliantly odd songs scrambles from the heart of the Welsh hills. Transplanted into the chest cavity of a new, stage-ready six-headed creature, what awakes is a new beast of valve amp and feedback-fueled splendor. All ten songs, recorded in mountainous seclusion in Carmarthenshire with producer, Thighpaulsandra (Spiritualized, Tim Burgess), have clustered in strange harmony on The Eggmen Whoooooo!'s very first, perfectly imperfect album. Formed in a lightning strike of inspiration by prolific, remote South Wales-based keeper of various musical flames, Benedict E Frye, The Eggmen Whoooooo! finds members of kindred, Welsh musical spirits, El Goodo, Los Blancos, and Trecco Beis, joining hands and overloading studio plug sockets in a display of unchallenged creative hubris. With nobody to please but themselves, the six-piece's indulgence in sounds straddles sun-licked Californian harmonies and the torn-sneakered snottiness of New York punk making for thrilling sonic schizophrenia with only their own record collections occasionally poached.
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LP
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STR 057LP
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El Goodo guitarist and songwriter Pixy Jones releases his debut album entitled Bits n Bobs via Strangetown Records. After four albums with El Goodo, Welsh psych scene stalwart Pixy Jones has himself compiled a truly remarkable collection of tracks that fluctuate from '60s harmony-rich psych pop, to alt-country with ringing tremelo guitar. The swaggering "I'm Not There" is the first single to be taken from Bits n Bobs. Pixy had this to say about the release: "The album was originally intended as a solo project under the pseudonym of Wallace Russell. I recorded it alongside the recording of Zombie (STR 048CD/LP, 2020) whenever I could get in the studio. There are some really old songs that have always been overlooked for El Goodo albums for one reason or another, a few new ones which I wrote specifically for this, and a couple that would have probably ended up on the intended double album version of Zombie if we'd kept going with the double album idea. I've since ditched the Wallace Russell name and gone back to Pixy Jones as I figured there's no need to have a pseudonym if nobody knows who you are in the first place. Even though I dropped the name I've kept the walrus mask for now as it is more photogenic than my actual face. I had no recording budget so I had to fund it by quitting smoking and saving the money up to pay for studio time. It took, I think, two and a half years to record, which is by far the quickest I've ever recorded an album. Originally, I wanted it to just be a quickly recorded slap dash and get it out sort of thing but I had a year and a half during Covid to think about it a bit more and ended up taking more care to get it done properly. It was just me there so I played most of it myself apart from Stephen Black (Sweet Baboo) who played brass and woodwind on one song and Rhodri Brooks (AhGeeBe) plays some pedal steel on a couple. Elliott and Canny from El Goodo played drums and bass on 'Wind Street' during the Zombie recording sessions. The album was recorded and mixed in Aerial Studios with Tim Lewis (Thighpaulsandra), a couple of songs were finished in the house during the lockdowns."
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STR 052LP
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Reissued and remastered, originally released in 2010. Coyote begins with El Goodo's most famous song "Feel So Fine" and includes the radio smash hits "I Saw Her Today" and "Information Overload". As The Sunday Times wrote back when: "This album mixed by the Super Furries' Cian Ciaran has an incredibly sure touch in romping through 1960s (and occasionally later) pop sounds, whether early Beatles, Joe Meek meets Morricone, the Monkees or The Velvet Undeground. As the album progresses, El Goodo calmly assimilate these influences and make the sounds their own on a superb set of songs." SFA's young-buck buddies El Goodo are here to prove you know of at least two Welsh bands who can kick ass, and in the hearts of some of our worlds, save rock-n-roll. "The Welsh five piece release an album filled with summery psychedelic harmonies and spaghetti western rhythms: a match made in vintage heaven" --PopMatters. "Coyote is the sound of a band that has perfected its sense of style, while at the same time spreading its wings." --Under the Radar
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CD
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STR 048CD
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An incomparable world of bug-eyed, harmony-rich folk-pop-psych-alt-country-rock lies in wait for intrepid listeners as the best Welsh band the world nearly forgot, El Goodo, return with only their fourth album in a 20-year career, Zombie. The first single to be revealed, "The Grey Tower", is an expansive, five-minute trip through the '60s heat of Lauren Canyon and Haight-Ashbury via the picturesque Vale of Neath. The result of a rapid-fire period of easy-come recording at the legendary Rockfield Studios in the company of experimental producer, Tim Lewis (aka Thighpaulsandra, a Julian Cope collaborator and former member of Spiritualized), El Goodo's 13-track long player gathers loose ends from the band's stop-start lifespan, as well as brand new songs exploring parenthood, losing parents and -- tangentially -- Spanish surrealist film. Featuring over 20 musicians -- including core members Pixy Jones (lead vocals/guitars/keys), Elliott Jones (drums), Jason Jones (vocals/guitars), and Andrew Cann (bass) -- the album welcomes contributions from Sweet Baboo/Stephen Black (clarinet/bass clarinet/flute) and Welsh Music Prize-nominee, Eugene Capper (violin/slide guitar). The Grey Tower itself is assembled of 17 players, finessing the ride between bright, sun-dappled hippy pop and intense, squally fuzz with saxophone, harmonica, heavy strings and a Baldwin Electric Harpsichord. As well as recording Zombie direct to tape, El Goodo dug around in Lewis' rich archive of analogue equipment at his Aeriel studio in Carmarthenshire, including a rare Univox early synth used by Joe Meek in the recording of his 1962 game-changer "Telstar" (now used by the band on "I Can't Leave"). The result of their journey is a rich tapestry of valve-powered sound, recalling the White Album (1968), Scott Walker, The Troggs, Gene Clark, the Beach Boys and numerous other "golden-age" sonic explorers. The album is named after Lewis's sadly-departed dog -- etched in the band's memories and nasal passages as a vegetable-loving creature, with noxious after effects. Forming in the late '90s, El Goodo (named after the Big Star song, "Ballad Of El Goodo") emerged with intent as not only a support band for Super Furry Animals on their 2006 UK tour, but also as label mates as the Furries released the band's self-titled debut on their Placid Casual label in 2005. The next 15 years saw El Goodo blip contentedly on the radar as a gently persistent musical jewel cherished by knowing audiophiles.
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STR 048LP
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2021 restock; LP version. An incomparable world of bug-eyed, harmony-rich folk-pop-psych-alt-country-rock lies in wait for intrepid listeners as the best Welsh band the world nearly forgot, El Goodo, return with only their fourth album in a 20-year career, Zombie. The first single to be revealed, "The Grey Tower", is an expansive, five-minute trip through the '60s heat of Lauren Canyon and Haight-Ashbury via the picturesque Vale of Neath. The result of a rapid-fire period of easy-come recording at the legendary Rockfield Studios in the company of experimental producer, Tim Lewis (aka Thighpaulsandra, a Julian Cope collaborator and former member of Spiritualized), El Goodo's 13-track long player gathers loose ends from the band's stop-start lifespan, as well as brand new songs exploring parenthood, losing parents and -- tangentially -- Spanish surrealist film. Featuring over 20 musicians -- including core members Pixy Jones (lead vocals/guitars/keys), Elliott Jones (drums), Jason Jones (vocals/guitars), and Andrew Cann (bass) -- the album welcomes contributions from Sweet Baboo/Stephen Black (clarinet/bass clarinet/flute) and Welsh Music Prize-nominee, Eugene Capper (violin/slide guitar). The Grey Tower itself is assembled of 17 players, finessing the ride between bright, sun-dappled hippy pop and intense, squally fuzz with saxophone, harmonica, heavy strings and a Baldwin Electric Harpsichord. As well as recording Zombie direct to tape, El Goodo dug around in Lewis' rich archive of analogue equipment at his Aeriel studio in Carmarthenshire, including a rare Univox early synth used by Joe Meek in the recording of his 1962 game-changer "Telstar" (now used by the band on "I Can't Leave"). The result of their journey is a rich tapestry of valve-powered sound, recalling the White Album (1968), Scott Walker, The Troggs, Gene Clark, the Beach Boys and numerous other "golden-age" sonic explorers. The album is named after Lewis's sadly-departed dog -- etched in the band's memories and nasal passages as a vegetable-loving creature, with noxious after effects. Forming in the late '90s, El Goodo (named after the Big Star song, "Ballad Of El Goodo") emerged with intent as not only a support band for Super Furry Animals on their 2006 UK tour, but also as label mates as the Furries released the band's self-titled debut on their Placid Casual label in 2005. The next 15 years saw El Goodo blip contentedly on the radar as a gently persistent musical jewel cherished by knowing audiophiles.
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STR 043CD
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After a break of two years, Zefur Wolves return with Truth Is In The Stars, beating a path to the promised 2019 follow-up to their acclaimed debut. The three-piece's distinct brand of languid, emotive, alt-rock takes the commanding role with Truth Is In The Stars, released on Strangetown Records. Beautiful and intricate sleeve artwork and lovingly presented by Mark James Works. Studio sessions helmed by producer and former live band member, Super Furry Animal's Cian Ciarán, have driven the band to greater intricacy and an audible sense of playfulness, toying with compositional and recording technique. Having crafted their debut album in California, evocative of their cited inspirations including Spiritualized and Beach House, the upbeat trailblazing first single "Flying High", recorded at Strangetown Studios in Cardiff, suggests new and fertile creative ground has been found to "one up" an already glinting reputation.
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LP
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STR 043LP
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LP version. After a break of two years, Zefur Wolves return with Truth Is In The Stars, beating a path to the promised 2019 follow-up to their acclaimed debut. The three-piece's distinct brand of languid, emotive, alt-rock takes the commanding role with Truth Is In The Stars, released on Strangetown Records. Beautiful and intricate sleeve artwork and lovingly presented by Mark James Works. Studio sessions helmed by producer and former live band member, Super Furry Animal's Cian Ciarán, have driven the band to greater intricacy and an audible sense of playfulness, toying with compositional and recording technique. Having crafted their debut album in California, evocative of their cited inspirations including Spiritualized and Beach House, the upbeat trailblazing first single "Flying High", recorded at Strangetown Studios in Cardiff, suggests new and fertile creative ground has been found to "one up" an already glinting reputation.
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STR 044CD
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Super Furry Animals release Super Furry Animals At The BBC, a compilation of their radio sessions for the BBC, via Strangetown. This includes the eight sessions recorded for the BBC including those for John Peel and Mark Radcliffe. This follows the remastered re-issues of their top twenty albums, Mwng (1999), Fuzzy Logic (1996), and Radiator (1997). In a press release the band had this to say about Super Furry Animals at the BBC: "The five, excitable kids of the Super Furry Animals saw many wonders of the modern world through our innocent eyes, but finding ourselves playing songs in John Peel's home, or in the carpeted muffle of Maida Vale, elevated the experience to new levels. Our thanks go to those rescuing the recordings from our dusty lofts -- Kliph Scurlock and Donal Whelan -- and the surgical attention to detail by the great artistic minds of Mark James and Pete Fowler. Also, long live public broadcasting." Features Mark James' "yeti" artwork throughout plus two new illustrations by Pete Fowler.
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4LP
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STR 044LP
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4LP version, 180 gram vinyl. Super Furry Animals release Super Furry Animals At The BBC, a compilation of their radio sessions for the BBC, via Strangetown. This includes the eight sessions recorded for the BBC including those for John Peel and Mark Radcliffe. This follows the remastered re-issues of their top twenty albums, Mwng (1999), Fuzzy Logic (1996), and Radiator (1997). In a press release the band had this to say about Super Furry Animals at the BBC: "The five, excitable kids of the Super Furry Animals saw many wonders of the modern world through our innocent eyes, but finding ourselves playing songs in John Peel's home, or in the carpeted muffle of Maida Vale, elevated the experience to new levels. Our thanks go to those rescuing the recordings from our dusty lofts -- Kliph Scurlock and Donal Whelan -- and the surgical attention to detail by the great artistic minds of Mark James and Pete Fowler. Also, long live public broadcasting." Features Mark James' "yeti" artwork throughout plus two new illustrations by Pete Fowler. Last copies...
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CD
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STR 035CD
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Welsh psych-pop band El Goodo return with their long awaited third album By Order Of The Moose, on Cian Ciaran's (Super Furry Animals) Strangetown Records. Recorded over the course of eight years in an old derelict cinema in their home village of Resolven, the album is a continuation of where the band left off in 2009 with their previous effort Coyote (2010). Wielding the wide open spaces of spaghetti westerns with the close melodic harmonies of girl groups and the good humor of Nuggets inspired garage rock n' roll, El Goodo takes you on a trip through their fascination with '60s music. Comprised of brothers Elliott (drums, percussion) and Jason Jones (guitar, vocals), Pixy Jones (guitar, vocals, keyboards), Lewie Sewers (guitar), Matthew Young (keyboards), and Andrew Cann (bass), El Goodo (named after a Big Star song) are a band enthralled by the past. They recorded the album on a 16-track with a small collection of faulty equipment, creating a collection of melodic pop songs, embellished with strings, brass, sitars, harmonicas, xylophones, and vocal harmonies (and then seemingly covered it all with dust), that you'd expect to find on some forgotten '60s record that someone has stumbled upon in their attic. Jason, who made the intricate cover illustration, seems to have interpreted the title to be more of a circus, depicting a wild west ringmaster, wild animals, and acrobats. From the first recording in November 2008 with the track "When", the album took eight years to complete. Initially thinking it would only take them a few months, they set out to record at The Music Box in Cardiff. Two years later they decamped back to their village, to the Resolven Miners' Welfare Hall. The first single "It Makes Me Wonder" is their interpretation of a '60s girl group song. The similarly titled opening track "Sit & Wonder" was an attempt to do something like Zager & Evans's "In The Year 2525", but it didn't turn out like that. The lyrics were based on war films like Come And See (1985), Ivan's Childhood (1962), and Red Dawn (1984). "So It Goes" was meant to be like a Marty Robbins cowboy song but ended up being more like a Nuggets track. "Susan And Bill" is a touching tribute to his parents.
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STR 035LP
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LP version. Welsh psych-pop band El Goodo return with their long awaited third album By Order Of The Moose, on Cian Ciaran's (Super Furry Animals) Strangetown Records. Recorded over the course of eight years in an old derelict cinema in their home village of Resolven, the album is a continuation of where the band left off in 2009 with their previous effort Coyote (2010). Wielding the wide open spaces of spaghetti westerns with the close melodic harmonies of girl groups and the good humor of Nuggets inspired garage rock n' roll, El Goodo takes you on a trip through their fascination with '60s music. Comprised of brothers Elliott (drums, percussion) and Jason Jones (guitar, vocals), Pixy Jones (guitar, vocals, keyboards), Lewie Sewers (guitar), Matthew Young (keyboards), and Andrew Cann (bass), El Goodo (named after a Big Star song) are a band enthralled by the past. They recorded the album on a 16-track with a small collection of faulty equipment, creating a collection of melodic pop songs, embellished with strings, brass, sitars, harmonicas, xylophones, and vocal harmonies (and then seemingly covered it all with dust), that you'd expect to find on some forgotten '60s record that someone has stumbled upon in their attic. Jason, who made the intricate cover illustration, seems to have interpreted the title to be more of a circus, depicting a wild west ringmaster, wild animals, and acrobats. From the first recording in November 2008 with the track "When", the album took eight years to complete. Initially thinking it would only take them a few months, they set out to record at The Music Box in Cardiff. Two years later they decamped back to their village, to the Resolven Miners' Welfare Hall. The first single "It Makes Me Wonder" is their interpretation of a '60s girl group song. The similarly titled opening track "Sit & Wonder" was an attempt to do something like Zager & Evans's "In The Year 2525", but it didn't turn out like that. The lyrics were based on war films like Come And See (1985), Ivan's Childhood (1962), and Red Dawn (1984). "So It Goes" was meant to be like a Marty Robbins cowboy song but ended up being more like a Nuggets track. "Susan And Bill" is a touching tribute to his parents.
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STR 031CD
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Ffug is the first full length album by the teenaged group FFUG. From Crymych in Pembrokeshire, FFUG consist of Iolo Selyf on vocals, Billy Morley on guitar, Henry Jones on bass, and Joey Robbins on drums. They play crunching punk with melodic, lyrical interludes and pointed, thoughtful lyrics in both English and Welsh. At a time when rock appears to be moribund, they invest the form with a new wit, energy, and excitement. If you thought rock was dead, FFUG shout that it isn't and never will be. Produced by Dafydd Ieuan (Super Furry Animals), Ffug contains ten songs that mix hardcore power with sly vocal harmonies and sudden interludes of openness and reflection. Iolo Selyf sings about adolescent problems - both observed and autobiographical - with strong opinions about what is going on in Wales and Britain in general. Here is the teenage news, in all its confusion, anger, energy, and a strong sense of what is wrong with the world. Isn't that, in part, what rock music in general and punk in particular is there for? As Iolo says, "it should be being pissed off about the government; being pissed off about how you're treated day to day; being pissed off about all the injustice in the world. And I don't feel like it's a common feeling in rock music currently. Which I think is a definite shame."
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STR 032CD
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Baby Queens - Cara, Estelle, Monique, Ruth and Vanity - are five girls from Cardiff. Two sisters, two cousins and their adopted sister - each equal parts songwriter, musician and music lover. As distinct in their fashion as they are their music, each band member's individual personality and style can be heard in their music. In 2013, they released their first single "Red Light". It was a viral hit, and soon won the attention of BBC Radio 1, who made them "Artist of the Week", with repeated plays across the station from the likes of Fern Cotton and Greg James. They've also had support from the likes of Huw Stephens, DJ Target, DJ Semtex and Mista Jam. They've also had continuous support from BBC Wales, where they've been "Artist of the Week", three times. Since "Red Light", the girls have been releasing tracks, readying their debut album and cutting their teeth on the live circuit. They've played festivals like The Great Escape, Boomtown, T in the Park, X Fest, and Swn festival and toured with Welsh super band The Earth. And now the album is finally ready to be heard. Produced by Super Furry Animal's Cian Ciaran, the self-titled album crisscrosses the narrow divide between rock, hip hop, soul and reggae - it's a blissed out, musical odyssey written by all five members of the band. The sickly sweet overtures one might expect from an all-girl band are ditched in favor of beats that force the melodic content to the fore, with the principles of classic soul and R'n'B song-writing, catching up with the present day sounds of British street genres. Lavishly layered vocals are wrapped up in slick production that marks out Baby Queens's intentions to push boundaries and reintroduce to the masses what a vocal group with melody and beats in their hearts is all about. "Our love of street poetry, spoken word and rap has influenced many of the songs, but also rock n roll bands, soul/Motown, trippy '60s and '70s bands, the roots reggae and roots hip hop artists, basically anything that is heartfelt and soulful and stands for something positive," says Cara.
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