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LP
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STR 052LP
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Reissued and remastered, originally released in 2010. Coyote begins with El Goodo's most famous song "Feel So Fine" and includes the radio smash hits "I Saw Her Today" and "Information Overload". As The Sunday Times wrote back when: "This album mixed by the Super Furries' Cian Ciaran has an incredibly sure touch in romping through 1960s (and occasionally later) pop sounds, whether early Beatles, Joe Meek meets Morricone, the Monkees or The Velvet Undeground. As the album progresses, El Goodo calmly assimilate these influences and make the sounds their own on a superb set of songs." SFA's young-buck buddies El Goodo are here to prove you know of at least two Welsh bands who can kick ass, and in the hearts of some of our worlds, save rock-n-roll. "The Welsh five piece release an album filled with summery psychedelic harmonies and spaghetti western rhythms: a match made in vintage heaven" --PopMatters. "Coyote is the sound of a band that has perfected its sense of style, while at the same time spreading its wings." --Under the Radar
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CD
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STR 048CD
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An incomparable world of bug-eyed, harmony-rich folk-pop-psych-alt-country-rock lies in wait for intrepid listeners as the best Welsh band the world nearly forgot, El Goodo, return with only their fourth album in a 20-year career, Zombie. The first single to be revealed, "The Grey Tower", is an expansive, five-minute trip through the '60s heat of Lauren Canyon and Haight-Ashbury via the picturesque Vale of Neath. The result of a rapid-fire period of easy-come recording at the legendary Rockfield Studios in the company of experimental producer, Tim Lewis (aka Thighpaulsandra, a Julian Cope collaborator and former member of Spiritualized), El Goodo's 13-track long player gathers loose ends from the band's stop-start lifespan, as well as brand new songs exploring parenthood, losing parents and -- tangentially -- Spanish surrealist film. Featuring over 20 musicians -- including core members Pixy Jones (lead vocals/guitars/keys), Elliott Jones (drums), Jason Jones (vocals/guitars), and Andrew Cann (bass) -- the album welcomes contributions from Sweet Baboo/Stephen Black (clarinet/bass clarinet/flute) and Welsh Music Prize-nominee, Eugene Capper (violin/slide guitar). The Grey Tower itself is assembled of 17 players, finessing the ride between bright, sun-dappled hippy pop and intense, squally fuzz with saxophone, harmonica, heavy strings and a Baldwin Electric Harpsichord. As well as recording Zombie direct to tape, El Goodo dug around in Lewis' rich archive of analogue equipment at his Aeriel studio in Carmarthenshire, including a rare Univox early synth used by Joe Meek in the recording of his 1962 game-changer "Telstar" (now used by the band on "I Can't Leave"). The result of their journey is a rich tapestry of valve-powered sound, recalling the White Album (1968), Scott Walker, The Troggs, Gene Clark, the Beach Boys and numerous other "golden-age" sonic explorers. The album is named after Lewis's sadly-departed dog -- etched in the band's memories and nasal passages as a vegetable-loving creature, with noxious after effects. Forming in the late '90s, El Goodo (named after the Big Star song, "Ballad Of El Goodo") emerged with intent as not only a support band for Super Furry Animals on their 2006 UK tour, but also as label mates as the Furries released the band's self-titled debut on their Placid Casual label in 2005. The next 15 years saw El Goodo blip contentedly on the radar as a gently persistent musical jewel cherished by knowing audiophiles.
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LP
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STR 048LP
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2021 restock; LP version. An incomparable world of bug-eyed, harmony-rich folk-pop-psych-alt-country-rock lies in wait for intrepid listeners as the best Welsh band the world nearly forgot, El Goodo, return with only their fourth album in a 20-year career, Zombie. The first single to be revealed, "The Grey Tower", is an expansive, five-minute trip through the '60s heat of Lauren Canyon and Haight-Ashbury via the picturesque Vale of Neath. The result of a rapid-fire period of easy-come recording at the legendary Rockfield Studios in the company of experimental producer, Tim Lewis (aka Thighpaulsandra, a Julian Cope collaborator and former member of Spiritualized), El Goodo's 13-track long player gathers loose ends from the band's stop-start lifespan, as well as brand new songs exploring parenthood, losing parents and -- tangentially -- Spanish surrealist film. Featuring over 20 musicians -- including core members Pixy Jones (lead vocals/guitars/keys), Elliott Jones (drums), Jason Jones (vocals/guitars), and Andrew Cann (bass) -- the album welcomes contributions from Sweet Baboo/Stephen Black (clarinet/bass clarinet/flute) and Welsh Music Prize-nominee, Eugene Capper (violin/slide guitar). The Grey Tower itself is assembled of 17 players, finessing the ride between bright, sun-dappled hippy pop and intense, squally fuzz with saxophone, harmonica, heavy strings and a Baldwin Electric Harpsichord. As well as recording Zombie direct to tape, El Goodo dug around in Lewis' rich archive of analogue equipment at his Aeriel studio in Carmarthenshire, including a rare Univox early synth used by Joe Meek in the recording of his 1962 game-changer "Telstar" (now used by the band on "I Can't Leave"). The result of their journey is a rich tapestry of valve-powered sound, recalling the White Album (1968), Scott Walker, The Troggs, Gene Clark, the Beach Boys and numerous other "golden-age" sonic explorers. The album is named after Lewis's sadly-departed dog -- etched in the band's memories and nasal passages as a vegetable-loving creature, with noxious after effects. Forming in the late '90s, El Goodo (named after the Big Star song, "Ballad Of El Goodo") emerged with intent as not only a support band for Super Furry Animals on their 2006 UK tour, but also as label mates as the Furries released the band's self-titled debut on their Placid Casual label in 2005. The next 15 years saw El Goodo blip contentedly on the radar as a gently persistent musical jewel cherished by knowing audiophiles.
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CD
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STR 035CD
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Welsh psych-pop band El Goodo return with their long awaited third album By Order Of The Moose, on Cian Ciaran's (Super Furry Animals) Strangetown Records. Recorded over the course of eight years in an old derelict cinema in their home village of Resolven, the album is a continuation of where the band left off in 2009 with their previous effort Coyote (2010). Wielding the wide open spaces of spaghetti westerns with the close melodic harmonies of girl groups and the good humor of Nuggets inspired garage rock n' roll, El Goodo takes you on a trip through their fascination with '60s music. Comprised of brothers Elliott (drums, percussion) and Jason Jones (guitar, vocals), Pixy Jones (guitar, vocals, keyboards), Lewie Sewers (guitar), Matthew Young (keyboards), and Andrew Cann (bass), El Goodo (named after a Big Star song) are a band enthralled by the past. They recorded the album on a 16-track with a small collection of faulty equipment, creating a collection of melodic pop songs, embellished with strings, brass, sitars, harmonicas, xylophones, and vocal harmonies (and then seemingly covered it all with dust), that you'd expect to find on some forgotten '60s record that someone has stumbled upon in their attic. Jason, who made the intricate cover illustration, seems to have interpreted the title to be more of a circus, depicting a wild west ringmaster, wild animals, and acrobats. From the first recording in November 2008 with the track "When", the album took eight years to complete. Initially thinking it would only take them a few months, they set out to record at The Music Box in Cardiff. Two years later they decamped back to their village, to the Resolven Miners' Welfare Hall. The first single "It Makes Me Wonder" is their interpretation of a '60s girl group song. The similarly titled opening track "Sit & Wonder" was an attempt to do something like Zager & Evans's "In The Year 2525", but it didn't turn out like that. The lyrics were based on war films like Come And See (1985), Ivan's Childhood (1962), and Red Dawn (1984). "So It Goes" was meant to be like a Marty Robbins cowboy song but ended up being more like a Nuggets track. "Susan And Bill" is a touching tribute to his parents.
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LP
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STR 035LP
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LP version. Welsh psych-pop band El Goodo return with their long awaited third album By Order Of The Moose, on Cian Ciaran's (Super Furry Animals) Strangetown Records. Recorded over the course of eight years in an old derelict cinema in their home village of Resolven, the album is a continuation of where the band left off in 2009 with their previous effort Coyote (2010). Wielding the wide open spaces of spaghetti westerns with the close melodic harmonies of girl groups and the good humor of Nuggets inspired garage rock n' roll, El Goodo takes you on a trip through their fascination with '60s music. Comprised of brothers Elliott (drums, percussion) and Jason Jones (guitar, vocals), Pixy Jones (guitar, vocals, keyboards), Lewie Sewers (guitar), Matthew Young (keyboards), and Andrew Cann (bass), El Goodo (named after a Big Star song) are a band enthralled by the past. They recorded the album on a 16-track with a small collection of faulty equipment, creating a collection of melodic pop songs, embellished with strings, brass, sitars, harmonicas, xylophones, and vocal harmonies (and then seemingly covered it all with dust), that you'd expect to find on some forgotten '60s record that someone has stumbled upon in their attic. Jason, who made the intricate cover illustration, seems to have interpreted the title to be more of a circus, depicting a wild west ringmaster, wild animals, and acrobats. From the first recording in November 2008 with the track "When", the album took eight years to complete. Initially thinking it would only take them a few months, they set out to record at The Music Box in Cardiff. Two years later they decamped back to their village, to the Resolven Miners' Welfare Hall. The first single "It Makes Me Wonder" is their interpretation of a '60s girl group song. The similarly titled opening track "Sit & Wonder" was an attempt to do something like Zager & Evans's "In The Year 2525", but it didn't turn out like that. The lyrics were based on war films like Come And See (1985), Ivan's Childhood (1962), and Red Dawn (1984). "So It Goes" was meant to be like a Marty Robbins cowboy song but ended up being more like a Nuggets track. "Susan And Bill" is a touching tribute to his parents.
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