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LP
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RRS 262LP
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$22.50
PREORDER
RELEASE DATE: 3/13/2026
Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm and blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in 1979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. This essential slab of garage revival magic remains a timeless reminder of when rock and roll was wild, loud, and gloriously untamed. Also available on color vinyl (RRS 262W-LP).
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LP
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RRS 262W-LP
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$24.00
PREORDER
RELEASE DATE: 3/13/2026
Color vinyl version. Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm and blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in 1979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. This essential slab of garage revival magic remains a timeless reminder of when rock and roll was wild, loud, and gloriously untamed.
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LP
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RRS 286LP
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$24.00
PREORDER
RELEASE DATE: 3/13/2026
The earliest and rawest recordings from UK anarcho-punk/crust pioneers Sacrilege. Formed in the mid-1980s, Sacrilege emerged from the British DIY underground with a sound that fused the political urgency of the anarcho scene with the heaviness of Discharge and the creeping darkness that would later define their crossover into thrash and doom. This LP features their 1984 and 1985 demos, capturing the band at their most direct and uncompromising -- raging, unpolished, and driven by conviction -- as well as a previously unreleased live set recorded at the Ambulance Station squat in London in 1985, a raw document of their power in the chaotic, squat-based scene of the time. Limited remastered edition with poster and printed inner sleeve. Also available on color vinyl (RRS 286R-LP).
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LP
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RRS 286R-LP
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$28.00
PREORDER
RELEASE DATE: 3/13/2026
Color vinyl version. The earliest and rawest recordings from UK anarcho-punk/crust pioneers Sacrilege. Formed in the mid-1980s, Sacrilege emerged from the British DIY underground with a sound that fused the political urgency of the anarcho scene with the heaviness of Discharge and the creeping darkness that would later define their crossover into thrash and doom. This LP features their 1984 and 1985 demos, capturing the band at their most direct and uncompromising -- raging, unpolished, and driven by conviction -- as well as a previously unreleased live set recorded at the Ambulance Station squat in London in 1985, a raw document of their power in the chaotic, squat-based scene of the time. Limited remastered edition with poster and printed inner sleeve.
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Cassette
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RADK 7040CS
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$12.50
PREORDER
RELEASE DATE: 2/13/2026
First time on cassette to celebrate BOMP! Records 50th anniversary. A legendary late-'70s Detroit trash outfit, fueled by the raw energy of The Stooges and New York Dolls. A definitive piece of garage-punk history.
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Cassette
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RADK 7039CS
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$12.50
PREORDER
RELEASE DATE: 1/30/2026
Four decades since its initial release, this influential '80s garage punk classic is back on a tape edition as a special part of Bomp!'s 50th anniversary series. The Pandoras' debut album, It's About Time, is recognized as one of the pioneering and most genuine examples of 1960s-style garage punk to arise from the revival movement.
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LP
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RRS 277O-LP
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$24.00
PREORDER
RELEASE DATE: 9/26/2025
Color vinyl version. Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
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LP
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RRS 278W-LP
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$24.00
PREORDER
RELEASE DATE: 9/26/2025
Color vinyl version. One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
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LP
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RRS 277LP
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$22.50
PREORDER
RELEASE DATE: 9/26/2025
Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
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LP
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RRS 278LP
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$22.50
PREORDER
RELEASE DATE: 9/26/2025
One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
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Cassette
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RRS 110CS
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The early days of the undisputed godfathers of New York City Hardcore! Recorded in New York City, 1983.
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LP
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RRS 231LP
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Includes replica of all inserts. Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his program. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who'd met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan's 1977 punk band SOS! Pleasure, the sole album, reached number two in the Indie Chart. It was an album so different from the rest of the post-punk indie pack that you can still play it now and completely baffle new listeners. As John Peel said about Roxy Music, it just doesn't seem to relate to anything else.
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2LP +7"
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RRS 280LP
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By resurrecting a long-forgotten musical idiom (which had only existed for a scant two years to begin with), known as the "Gurus of Garage Grunge" since their inception in 1980, The Fuzztones predated the Seattle grunge scene by ten years! 2025 marks the band's 45 year anniversary. Their fiery brand of garage-psych punk has influenced hundreds of groups, from The Hives to The Horrors. Includes bonus 7".
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7"
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RRS 71013EP
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This high-energy 7" single by Nikki and the Corvettes features two bubblegum-punk anthems: the infectious "Honey Bop!" on the A-side and the raw, rockin' "Shake It Up" on the flip. Originally released by the legendary Bomp! Records, this release captures the band's signature blend of Ramones-style punk, girl-group harmonies, and '60s garage pop swagger. Now reissued to celebrate the 50th anniversary of Bomp! Records, this edition pays tribute to the label's pivotal role in shaping garage rock, power pop, and punk over five decades. Essential for collectors and fans of proto-punk and underground pop.
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Cassette
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RADK 7045CS
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Released on June 29, 1988, Dimension Hatröss is Voivod's fourth studio album and a concept record following the adventures of their cyborg mascot, Korgull. Designed by drummer Michel Langevin, the artwork complements the album's futuristic themes. Selling over 70,000 copies worldwide, it was later ranked No. 78 on Rolling Stone's Top 100 Metal Albums of All Time.
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RADK 7044CS
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Voivod formed in Jonquière, Quebec, in 1982 and soon caught the attention of Metal Blade Records, leading to their 1984 debut, War and Pain. Living on welfare in Montreal, they rehearsed daily, shaping their raw sound for RRRÖÖÖAAARRR. After their gear was stolen, they funded the album through the legendary World War III festival, where they signed with Noise Records. Their next release, Killing Technology (1987), marked a major evolution, blending thrash, prog, and hardcore under producer Harris Johns in West Berlin.
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LP
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RSS 255LP
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The first British punk band to appear on vinyl, The Damned enjoyed unprecedented early chart success and influenced the hardcore punk and goth movements. 1996's I'm Alright Jack And The Bean Stalk (aka Not Of This Earth) was a real departure for the re-vamped band that defied easy classification; moving away from the punk and goth of the past, it found Dave Vanian, Rat Scabies, and guitarist Alan Lee Shaw channeling psychedelia, new wave and traditional rock, bolstered by pedigree supporters including organist James Taylor and bassist Glen Matlock of the original Pistols. A killer set of non-standard Damned jams -- get it now!
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LP
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RRS 110S-LP
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Splatter vinyl version. The early days of the undisputed godfathers of New York City Hardcore! Controversial East Coast punk band Agnostic Front were lynchpins of the New York hardcore scene. Formed in 1982 by former Eliminators guitarist Vinnie Stigma along with vocalist John Watson, drummer Rob CribCrash, and bassist Diego, the band went through several other early members to settle on Vinnie Stigma, bassist Adam Mucci, drummer Raybeez, and Cuban-born singer Roger Miret for these recordings. Often misunderstood in their early days due largely to their majority skinhead following and the shock imagery of their record covers, the group carved out its reputation in the dilapidated Lower East Side of Manhattan, then blighty by poverty, drugs, violence, and high levels of urban decay. The recordings featured on this incendiary compilation date from the very start of their recording career, beginning with the demos that led to their debut seven-inch release, the self-issued United Blood EP (1983), bolstered by other recordings from the period that were left unissued at the time; some of the material included here later appeared on the Raw And Unleased CD (1995), but several songs are appearing on vinyl here for the very first time. Agnostic Front went on to reign supreme on the New York hardcore scene throughout the 1980s and although later recordings once again saw membership changes that brought a shift in style to include thrash-metal crossover elements, their longevity and high standing is such that they were featured on Showtime's The Godfathers of Hardcore documentary (2017), ultimately leading to Roger Miret's recently released autobiography, My Riot (2017).
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RADK 7043CS
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Voivod's second studio album, RRRÖÖÖAAARRR was released in 1986 on Noise Records. Blending thrash with industrial and electronic elements, it helped define their evolving sound. This album marked the band's early rise, including their first live shows in the U.S.
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LP
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RRS 183BL-LP
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All the way from Kreuzberg, Berlin, 1987, this is a fully remastered reissue of the Jingo De Lunch debut album, one of the undisputed classics of European '80s hardcore punk. Originally released on the We Bite label from Germany, this relentless 11-tracker of the punk inspired metal/hardcore crossover five-piece band, still sounds as tight and aggressive as it did 35 years ago. Released in full cooperation with the band's original members, it includes poster and double-sided original insert replica. 2023 remaster by Danilo SIlvestri at Green Mountain Audio studios, in Rome Italy.
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LP
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RRS 227LP
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The Slits' Live at the Gibus Club is pure, unfiltered chaos. Recorded in Paris on 26 January 1978, it captures the band at their wildest -- raw, untamed, and ready to explode. Just 14 years old, Ari-Up howls through "So Tough," "Love and Romance," and "Shoplifting" like she's starting a riot. Palmolive (drums), Viv Albertine (guitar), and Tessa Pollitt (bass) slash and pound through a jagged, off-the-rails set that feels like it could collapse at any moment. The crowd is tense, the banter is sharp, and the energy is electric. This isn't just a live album -- it's a time capsule of pure punk fury. Essential.
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LP
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RRS 227PU-LP
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Color vinyl version. The Slits' Live at the Gibus Club is pure, unfiltered chaos. Recorded in Paris on 26 January 1978, it captures the band at their wildest -- raw, untamed, and ready to explode. Just 14 years old, Ari-Up howls through "So Tough," "Love and Romance," and "Shoplifting" like she's starting a riot. Palmolive (drums), Viv Albertine (guitar), and Tessa Pollitt (bass) slash and pound through a jagged, off-the-rails set that feels like it could collapse at any moment. The crowd is tense, the banter is sharp, and the energy is electric. This isn't just a live album -- it's a time capsule of pure punk fury. Essential.
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LP
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RRS 032CVS-LP
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Splatter vinyl version. Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. This new version of the long out of print classic includes three bonus tracks (two from the Carry On Oi! comp and one from the Total Noise comp).
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LP
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RRS 231R-LP
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Color vinyl version. Includes replica of all inserts. Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his program. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who'd met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan's 1977 punk band SOS! Pleasure, the sole album, reached number two in the Indie Chart. It was an album so different from the rest of the post-punk indie pack that you can still play it now and completely baffle new listeners. As John Peel said about Roxy Music, it just doesn't seem to relate to anything else.
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