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LP
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BRED 923LP
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$38.00
PREORDER
RELEASE DATE: 7/25/2025
"Originally released in 2006, this recording of J Mascis' debut solo acoustic performance has since become a cult classic and a fan favorite. Featuring understated presentations of Dinosaur Jr staples such as 'What Else Is New', 'Get Me' and 'Repulsion', and captured in front of an enthusiastic audience, this is a warts 'n all, almost voyeuristic, experience. Long out of print, and now issued on highly collectable red vinyl, this is a chance for the uninitiated and younger fans to discover a classic, and for familiar fans to revisit and own a fantastic presentation of an album which remains an essential part of J's body of work."
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LP
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PBREDD 758X-LP
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$38.00
PREORDER
RELEASE DATE: 7/18/2025
"Originally released in the summer of 1994 at the height of interest in the US underground rock scene, Without A Sound was Dinosaur Jr's sixth album, and their third major label offering. Recorded by the then two-piece band (Mike Johnson on bass and vocals, J Mascis performing everything else himself, including drums), the album saw Dinosaur Jr continue to deliver on their distinct formula, J's soulsearching songs being performed with his trademark effortlessly cool heavy style. Including classics such as 'Feel The Pain' and 'Grab It', the album remains a firm fan favorite. Released on highly collectable splatter green vinyl, this is a chance for the uninitiated and younger fans to discover a classic, and for familiar fans to revisit an album which sounds as vibrant and essential today as it did thirty years ago."
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LP
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BRED 914LP
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"This is the first time this album has been released on vinyl in this original intended running order, as the original 2003 pressing was pressed with the wrong running order and was never corrected -- until NOW! Released on red yellow vinyl. The subtitle is explained by the fact that the tracks were originally scheduled for release in April 2003 under the title Country on the Click. Promotional copies were sent out and three of the new songs were previewed in the bands 23rd Peel Session, but Mark E Smith was unhappy with the mix and decided it needed further work. Pitchfork called it 'as valuable an album as anything The Fall ever released in the 1990s' and stated that 'Smith's lyrics are at a near career-best of insolence and nonsense.'"
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2LP
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PBREDD 728X-LP
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Black on white splatter color vinyl. "First issued in 2002 only in the States and Australia, Ear Bleeding Country is the only career-spanning compilation of Dinosaur Jr. Dinosaur Jr. are one of the most successful and influential alternative guitar bands from America, and fronted by laconic singer/guitarist J. Mascis, they've enjoyed global success and inspired generations, from Grunge onwards. The first six tracks are drawn from the band's early career in the 1980s, when they recorded for independent labels like Homestead and SST. Among them are the classic single 'Freak Scene' and the follow-up cover of The Cure's 'Just Like Heaven.' Most of the compilation samples the best of Dinosaur Jr.'s output after signing with Warner Bros in 1990, including hit singles such as 'The Wagon', 'Whatever's Cool With Me', 'Out There', 'Start Choppin' and 'Feel The Pain'. Ear Bleeding Country ends with 'Where'd You Go', a track by J. Mascis' post-Dinosaur Jr. band The Fog."
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LP
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BRED 897LP
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"Never before released! Recorded in Paris -- nine urgent Dinosaur Jr classics performed at arguably the band's '90s peak as a live outfit. Produced in conjunction with the band and INA, France. A companion piece to 2022's best-selling Seventytwohundredseconds MTV EP."
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LP
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QMECLEC 2858LP
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"An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI's Progressive imprint Harvest and recorded his debut album in the summer of 1969 at Abbey Road studios. Joy Of A Toy is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as 'The Lady Rachel,' 'Stop This Train (Again Doing It),' 'Girl on a Swing,' and 'All This Crazy Gift of Time.' This official gatefold LP vinyl edition fully restores the original LP artwork, has been remastered from the original Harvest master tapes and has been cut at Abbey Road."
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LP
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ECLECLP 2858LP
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"An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI's Progressive imprint Harvest and recorded his debut album in the summer of 1969 at Abbey Road studios. Joy Of A Toy is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford, and such wonderful songs as 'The Lady Rachel,' 'Stop This Train (Again Doing It),' 'Girl on a Swing,' and 'All This Crazy Gift of Time.' This official gatefold LP vinyl edition fully restores the original LP artwork, has been remastered from the original Harvest master tapes and has been cut at Abbey Road."
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LP
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PKBRED 757LP
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"Pressed on pink splatter vinyl! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. Where You Been, their fifth record, emerged in 1993, at the height of enthusiasm for grunge and the alternative American rock scene the band had long been part of. Produced by a new line-up of the group (longtime drummer Murph and new bassist Mike Johnson completing the three-piece), the album became the band's most successful up to that point, reaching #50 in the US (where it sold over a quarter of a million copies) and #10 in the UK album charts, and spawning the hit single 'Start Choppin'. Released to unanimously positive reviews, and containing many tracks that would become staples and fan favorites, Where You Been continued Dinosaur Jr's global ascent, being issued simultaneously across the US, Europe, Australasia, Asia and South America."
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CD
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CDBRED 882CD
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"Pere Ubu unveil their new album, Trouble On Big Beat Street, nearly four years after their previous record for Cherry Red, The Long Goodbye. The Modern Dance (1978) marked the end of rock 'n' roll. Trouble On Big Beat Street marks the end of the song. Pere Ubu ended with The Long Goodbye (their last album, also on Cherry Red, from 2019). Pere Ubu begins again with Trouble On Big Beat Street. If you missed the last 48 years then imagine a bad attitude. Imagine Electric Light Orchestra -- the version with Roy Wood -- then add Muddy Waters playing guitar and Nina Simone singing. Trouble On Big Beat Street, the 19th Pere Ubu studio album. David Thomas produced, mixed, and engineered it. The vinyl release is ten tracks. The CD release includes all 17 tracks recorded during the sessions. Those extra seven tracks were too good to lose but took up too much time to fit on a vinyl release. Pere Ubu is David Thomas, Keith Moliné, Gagarin, Alex Ward, Andy Diagram, Michele Temple and Jack Jones. Keith Moliné and Andy Diagram are the two pale boys. They have played with David more than 28 years. Electronica artist Gagarin was soundman for the two pale boys. Michele Temple has been in Pere Ubu 30 years. Improviser and life-long fan Alex Ward submitted a cover version of a David Thomas song to the band's live-streaming show. David invited him to join the band. David met Jack Jones in the pub."
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LP
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BRED 882LP
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LP version. "Pere Ubu unveil their new album, Trouble On Big Beat Street, nearly four years after their previous record for Cherry Red, The Long Goodbye. The Modern Dance (1978) marked the end of rock 'n' roll. Trouble On Big Beat Street marks the end of the song. Pere Ubu ended with The Long Goodbye (their last album, also on Cherry Red, from 2019). Pere Ubu begins again with Trouble On Big Beat Street. If you missed the last 48 years then imagine a bad attitude. Imagine Electric Light Orchestra -- the version with Roy Wood -- then add Muddy Waters playing guitar and Nina Simone singing. Trouble On Big Beat Street, the 19th Pere Ubu studio album. David Thomas produced, mixed, and engineered it. The vinyl release is ten tracks. The CD release includes all 17 tracks recorded during the sessions. Those extra seven tracks were too good to lose but took up too much time to fit on a vinyl release. Pere Ubu is David Thomas, Keith Moliné, Gagarin, Alex Ward, Andy Diagram, Michele Temple and Jack Jones. Keith Moliné and Andy Diagram are the two pale boys. They have played with David more than 28 years. Electronica artist Gagarin was soundman for the two pale boys. Michele Temple has been in Pere Ubu 30 years. Improviser and life-long fan Alex Ward submitted a cover version of a David Thomas song to the band's live-streaming show. David invited him to join the band. David met Jack Jones in the pub."
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LP
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BRED 878LP
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"First album in four years from the band who helped invent alt-country and Americana. Produced by Ed Stasium, best known for his long relationship as producer and engineer for the Ramones. Ed has also produced two previous Long Ryders' records and worked with Smithereens, Soul Asylum, Motörhead, Marshall Crenshaw, Living Colour, the Hoodoo Gurus, and Julian Cope. Long Ryder guitarist/mandolinist Sid Griffin states, 'September/November is two-thirds the distilled alt-country genre we helped found back in the 1980s, one third Paisley Underground adventurism yet seasoned with a dash of our own crazed soulfulness thrown in.' Due to the unexpected passing of bassist Tom Stevens, bass duties on the new album were shared by Murry Hammond of Americana stalwarts the Old 97s and the Long Ryders' own Stephen McCarthy. Guests appearing on the album include D. J. Bonebrake of Los Angeles's punk legends X and Royal Academy of Music violinist Kerenza Peacock of the Coal Porters (now a popular LA session player for Disney and the Los Angeles Philharmonic)."
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4CD BOX
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PCRCDBOX 138CD
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"Four-CD box set featuring all four albums recorded by J Mascis and Dinosaur Jr for Sire Records. Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued a run of four excellent albums as the alternative American rock scene the band had long been part of exploded, dominate and then retreated during the 1990s. Critically lauded on release, 1991's Green Mind took Dinosaur Jr's reputation to a new level, aided by the singles 'The Wagon' and 'Whatever's Cool With Me', and remains one of the band's best collections, and a firm fan favorite. Next, 1992's Where You Been continued that global ascent, becoming Dinosaur Jr's most successful album up to that point, reaching #50 in the US (where it sold over a quarter of a million copies), hitting #10 in the UK album charts, and spawning the hit single 'Start Choppin'. 1994's Without A Sound, the band's 6th album, continued that growth in popularity and commercial achievement, reaching #44 in the US (their highest ever album placing there) and featuring the hit singles 'Feel The Pain' and 'I Don't Think So'. Such was their appeal that the they also reached the mainstream during this period, contributing 'Blah' to the hit US TV show Melrose Place before 1997's Hand It Over appeared at a time of declining international interest in American alternative rock. Nevertheless, the album received the widespread approval and appreciation amongst critics and reviewers, and was followed, unusually, by an EP of non-album songs recorded for the Matt Dillon movie Grace Of My Heart, which became the band's last significant released before a lengthy hiatus. Collecting together all of these recordings, alongside B-sides, alternates and session tracks, 'Yeah Right' is a perfect accompaniment to the band's original independent period, and captures Dinosaur Jr as best heard -- loud, heavy and ready to explode."
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LP
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BRED 859LP
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"Originally conceived as a simple label sampler by Cherry Red A&R man Mike Alway, Pillows & Prayers quickly became both an iconic compilation and a must-have artifact of early '80s Thatcherite Britain."
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CD
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CDMRED 189CD
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"Two albums on one CD from iconic cult trio The Marine Girls repressed especially for National Album Day. Including their debut album Beach Party which was originally released on Dan Treacy's (Television Personalities) Whaam! Records in 1981. Plus, their follow up for Cherry Red in 1983, Lazy Ways."
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12CD BOX
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CRCDBOX 121CD
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"The Fall's 12 CD '70s box set combines all of the band's work in that decade. Featuring the albums Live At The Witch Trials and Dragnet plus all of the singles from the time and eight live shows -- many have been unreleased. Including a recording of what is thought to be the band's first ever gig -- these shows showcase the very earliest version of the Fall in full effect, raw and uncompromising." Clamshell box.
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12"
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BRED 848EP
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"Recorded live on MTV's 120 minutes, March 7th, 1993. The classic, fan-favorite session, re-mastered from the original tapes. Featuring tracks from across their catalog. Never before released! Vinyl only! Captured at the height of their powers during the heyday of the grunge movement that they inspired, J Mascis and Dinosaur Jr perform tracks from their back catalog live on MTV's 120 Minutes."
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CD
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RETRO 977CD
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"20 tracks from Grapefruit, the first proteges of the Beatles pre-dating their debut album of 1969 including 'Lullaby' which was committed to tape at Advision Studios and produced by John Lennon and Paul McCartney. The sped up stereo version is included here, released for the first time."
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3CD
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CRCDBOX 122CD
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"Extensive set exploring the space rock and free festival scene, 1978-1998. Compiled with the legendary Dave Brock, frontman of Hawkwind, figurehead of the scene and inspiration for countless like-minded heads. Featuring key names -- Hawkwind (and their many offshoots), Ozric Tentacles, Here And Now, Magic Mushroom Band, Poisoned Electrick Head, Michael Moorcock, Robert Calvert, Tim Blake, etc. - plus, many lesser-known but vital players in a movement that was as much a way of life and a political philosophy as it was a music scene. 40 tracks, each of them exploring the outer limits of mind, body and spirit."
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3CD BOX
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RPMBX 523CD
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"Keep Lookin' is the critically acclaimed follow up to RPM's Lookin' Back Mod box set. This popular sequel features 80 more mod, soul and freakbeat nuggets across 3CDs set in a clamshell box. A wild mix of rock, soul, up-tempo blues, mod and ska gathering together club favorites from Laurel Aitken, John Lee Hooker, The Artwoods, The Spencer Davis Group, John's Children, Arthur Brown, The Mood Mosaic, Gene Latter, The Alan Bown and a whole lot more."
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CD
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TUNEIN 010CD
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"The Strawberry Alarm Clock's first two albums, the inevitably-titled debut set Incense And Peppermints featuring the chart topping single, a defining record of the psychedelic Summer of Love with the US, plus their sophomore release Wake Up It's... Tomorrow. With a trio of bonus tracks culled from contemporaneous singles."
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2CD
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CDBRED 674CD
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"Curated with the full co-operation of The Telescopes' frontman Stephen Lawrie, Splashdown is the first-ever compilation to properly document the band's three-year tenure with Creation Records. Featuring their four EPs for the label, with the added bonus of some tracks planned as the B-sides for an abandoned final EP. Plus the band's second album, which is joined by bonus material including some cover versions originally donated to compilations and a previously unissued session for John Peel's show on BBC Radio 1."
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4CD BOX
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CRCDMBOX 014CD
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"Produced with the approval and involvement of the band, and spread across four CDs presented in a hard clamshell case, this set captures Eyeless In Gaza's first four albums, along with a band-compiled set of non-album essentials and oddities and sleeve notes by Martyn Bates."
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4CD BOX
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CRTREEBOX 025CD
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"First-ever box set documenting all of Ian A. Anderson's seminal early albums -- including lots of rare material. First issued in 1969, Stereo Death Breakdown was credited to Ian Anderson's Country Blues Band, a moniker which hinted at the music therein. Eleven bonus tracks are drawn from Saydisc EPs (Anderson Jones Jackson, from 1967 and Almost The Country Blues, 1968) and Saydisc Matchbox albums (Blues Like Showers Of Rain, from 1968 and The Inverted World, 1969). The self-produced Royal York Crescent (1970) album was Ian's first on his new Village Thing label. Here it's joined by three extra recordings from 1969, live at Farnham Folk And Blues Festival and from sessions at Chapel Studios, London. Recorded at Rockfield Studios, A Vulture Is Not A Bird You Can Trust (1971) is now swelled with a quartet of additional sides, again from a studio tenure in Chapel Studios back in 1969. The fourth and final disc is devoted to Ian's final Village Thing album, Singer Sleeps On As Blaze Rages (1972) which is joined by four extra songs, including three previously unreleased -- the Hot Vultures' demos recorded at Village Thing, Bristol, 1973. Curated and supported by the artist, Please Re-adjust Your Time captures an exciting time in British roots music. From gutsy acoustic blues to ground-breaking acid folk, the music sounds as vital today as it did half a century ago."
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6CD BOX
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CRCDBOX 117CD
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"Six CD box set containing the complete recordings released between 1981 and 1986 by Edward Ball's indie mod band The Times including their albums Go! With The Times (recorded 1980 but released in 1985), Pop Goes Art! (1982), This Is London (1983), Hello Europe (1984), Up Against It (1986) and Enjoy (1986). Also includes The Times' rare 1981 debut single Red With Purple Flashes / Biff! Bang! Pow! which has sold for over £300."
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LP
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FLT 182LP
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"An essential part of the Felt re-issue series, a classic album released on vinyl. Remastered and revisited by Lawrence. During the '80s Felt made ten albums and ten singles for the Cherry Red and Creation labels. This beautifully produced series examines the work of one of the greatest underground groups of modern times. Before the Stone Roses and after Be-Bop Deluxe and Plastic Ono Band, John Leckie worked with Felt. Booked into a metal/reggae studio in Birmingham's industrial wasteland he sculpted a Michelangelo slice of new rock -- exquisite and beautiful guitar odysseys -- quite unlike anything the city had experienced before. Merging pop with a classical nuance Felt stood alone as the forerunners of a brand new style."
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