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viewing 1 To 25 of 69 items
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4CD BOX
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CRCDMBOX 014CD
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$19.00
PREORDER
RELEASE DATE: 1/21/2022
"Produced with the approval and involvement of the band, and spread across four CDs presented in a hard clamshell case, this set captures Eyeless In Gaza's first four albums, along with a band-compiled set of non-album essentials and oddities and sleeve notes by Martyn Bates."
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4CD BOX
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CRTREEBOX 025CD
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$38.00
PREORDER
RELEASE DATE: 1/21/2022
"First-ever box set documenting all of Ian A. Anderson's seminal early albums -- including lots of rare material. Curated and supported by the artist, Please Re-adjust Your Time captures an exciting time in British roots music. From gutsy acoustic blues to ground-breaking acid folk, the music sounds as vital today as it did half a century ago."
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6CD BOX
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CRCDBOX 117CD
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$50.00
PREORDER
RELEASE DATE: 1/21/2022
"Six CD box set containing the complete recordings released between 1981 and 1986 by Edward Ball's indie mod band The Times including their albums Go! With The Times (recorded 1980 but released in 1985), Pop Goes Art! (1982), This Is London (1983), Hello Europe (1984), Up Against It (1986) and Enjoy (1986). Also includes The Times' rare 1981 debut single Red With Purple Flashes / Biff! Bang! Pow! which has sold for over £300."
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LP
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FLT 182LP
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$33.00
PREORDER
RELEASE DATE: 1/14/2022
"An essential part of the Felt re-issue series, a classic album released on vinyl. Remastered and revisited by Lawrence. During the '80s Felt made ten albums and ten singles for the Cherry Red and Creation labels. This beautifully produced series examines the work of one of the greatest underground groups of modern times. Before the Stone Roses and after Be-Bop Deluxe and Plastic Ono Band, John Leckie worked with Felt. Booked into a metal/reggae studio in Birmingham's industrial wasteland he sculpted a Michelangelo slice of new rock -- exquisite and beautiful guitar odysseys -- quite unlike anything the city had experienced before. Merging pop with a classical nuance Felt stood alone as the forerunners of a brand new style."
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4CD BOX
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CRCDBOX 111CD
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"Extensive 4CD set documenting the final years of The Stooges. A companion set to 2020's well-received You Think Your Bad, Man?. Featuring studio sessions and rehearsal recordings made in London, New York, Detroit, L.A. and Michigan as the band prepared to record and tour their Raw Power masterpiece. Includes seminal Stooges classics -- 'Search And Destroy', 'Raw Power', 'Gimme Danger' -- alongside countless lesser known tracks and material which was never recorded professionally. Sleevenotes from Iggy aficionado, the legendary Kris Needs and produced in association with MainMan. An intimate study of a band on the edge, captured as The Stooges began their final descent into rock 'n roll immortality. Following a two-year hiatus, and by fair means or foul, The Stooges reunited in 1972 for their final assault on the heart of American rock 'n roll. Born In A Trailer compiles legendary recordings made by the band at London's Olympic Studios and in assorted rehearsal spaces across the US as they wrote and rehearsed for the studio dates that would result in 'Raw Power', and their famously intense live shows of 1973 and 1974. Filled with focused recordings showcasing a band still determined to make it, and produced in conjunction with Tony Defries' MainMan organisation, who famously steered the careers of Bowie, Iggy and Lou Reed during that period, Born In A Trailer is a must-hear document of one of the great bands of the age accelerating into the final lap of a career which inspired a new generation of anti-establishment rock 'n rollers in the years immediately following their demise."
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4CD BOX
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CRCDMBOX 015CD
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"This four disc set comprises the bands three albums (originally recorded between 1987 and 1990), related singles and B-sides, and a sixteen track BBC sessions collection, most of which is previously unreleased."
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LP
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PBREDD 828LP
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"Having established Dinosaur Jr as a mainstay of, and influence over, the alternative scene by the mid-1990s, J Mascis began to venture out alone, performing acoustic sets of his band's material. Martin + Me documents a late 1995 US tour, and includes Dinosaur Jr classics such as 'Repulsion', 'Get Me' and 'Keeblin' alongside of covers of The Smiths' 'The Boy With The Thorn In His Side', Carly Simon's 'Anticipation' and Lynyrd Skynyrds 'Every Mothers Son'. Originally released in 1996 and long out of print, this luxurious yellow vinyl edition is a long overdue opportunity to revisit another side of J Mascis and Dinosaur Jr."
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4CD
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CDEXRED 834CD
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"The Fall were an English post-punk band, formed in Manchester in 1976. The band existed until 2018 and was essentially built around its founder and only constant member Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music went through several stylistic changes over the years, but is often characterized by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics. The band is noted for its prolific output and released over 25 studio albums (more than triple that counting live albums and other releases). They never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but maintained a strong cult following. The band were long associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favorite band, famously explaining, 'They are always different; they are always the same.' Are You Are Missing Winner is the twenty-second album by British post-punk band the Fall, released in November 2001. Since the bands last record Mark E Smith had replaced the entire line up. The album was recorded very quickly and very much on the cheap and band member Ben Pritchard described it as a very miserable experience. The influence of Rockabilly is very much seen throughout the album and saw them covering Lead Belly's 'The Bourgeois Blues'. This re-issue of the 2001 album comes with three bonus discs, live sets recorded at The Knitting Factory, The Garage and the ATP Festival. As with the other Fall reissues these have notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce."
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5CD
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CRCDBOX 109CD
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"Formed in Buffalo, New York, in 1989, Mercury Rev quickly grew to become leading figures in left field alternative rock. Earlier albums veered towards experimental, off-kilter psychedelia but by the end of the decade, the band had developed their own brand of serene, piano-based Americana with the acclaimed, best-selling LP Deserter's Songs (1998). Originally issued in September 2008, Snowflake Midnight was the seventh album by Mercury Rev and followed The Secret Migration (2005) and All Is Dream (2001) -- both of which have already been treated to deluxe editions by Cherry Red. Although the album wasn't fanfared by any singles, the tracks 'Senses On Fire', 'Butterfly's Wing' and 'Snowflake In A Hot World' all enjoyed exposure on radio. Meanwhile, the vinyl edition of Snowflake Midnight was issued as a double LP with a bonus disc of remixes, entitled Strange Attractor. And V2 also released a 12" EP featuring further remixes. Cherry Red Records are proud to unveil a deluxe five-CD edition of this relatively recent highlight in the continuing musical story of Mercury Rev, compiled and coordinated by the band's Jonathan Donaghue and Sean 'Grasshopper' Mackowiak. Joining the original album are a second disc of previously unissued outtakes, entitled Hymn Of The Heavenly Snowflake, a third disc cryptically entitled Snowflakes From A Train (again, hitherto unheard) and a fourth disc of live material (again, unreleased until now). Disc five offers the first commercial CD outing for Strange Attractor, with the added bonus of those four 12" remix tracks. This expanded edition of Snowflake Midnight is presented as a plush, hardbook book containing original album lyrics, lots of visuals and new sleeve-notes by acclaimed author and journalist Martin Aston."
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2CD
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CDBRED 839CD
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"Among the first crop of Creation Records bands in the mid-1980s, The Loft seemed the most likely to break through. Following the success of The Smiths, guitar-based independent pop was in vogue, Alan McGee's Creation label was turning heads -- its bands blending 60s psychedelia, the melodic end of punk and a new sound which would soon be immortalized on NME's C86 cassette. And in this London quartet, Creation had their answer to bands like Television, The Only Ones or early Modern Lovers, offering taut, off-kilter songs with an irresistibly deadpan cool. Sadly, after just two singles, 1984's downbeat debut Why Does The Rain and the punchier sequel, Up The Hill And Down The Slope -- an indie hit which the band performed live on TV show The Oxford Road Show, The Loft dissolved, with various members founding new bands The Weather Prophets, The Caretaker Race and The Wishing Stones. They left behind seven studio tracks, a BBC Radio 1 session for Janice Long and one track from a Creation LP documenting the scene's roots in small club The Living Room. However, The Loft's legend endured, eventually prompting a reunion in the early 2000s with all four original members -- singer/songwriter/guitarist Pete Astor, guitarist Andy Strickland, bassist Bill Price and drummer Dave Morgan. Alongside various well-received live shows, that led to a new single, 'Model Village' (2006) and more recently a session for Gideon Coe on BBC 6 Music (2015). The Loft's reputation as founding fathers of a new breed of mid-80s indie pop continues to grow to this day, with the band often cited as an influence. Compiled and coordinated by the band, Ghost Trains & Country Lanes expands on previous retrospectives of The Loft, adding those reunion recordings (including three previously unissued tracks), the Gideon Coe session and several live recordings from that historic performance at The Living Room back in 1984. (including many exclusive songs which were never recorded in the studio)."
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5CD
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CRCDBOX 110CD
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"Formed whilst still at school in late 1974, The Outsiders charted their own unlikely path through the tumultuous punk era, releasing one of the very first independent 'punk' albums in the process and dividing opinion with their contribution to the new musical revolution. Aided and backed by front man Adrian Borland's father, the band produced material in an adventurous range of styles (somehow becoming 'post-punk' during the original wave), recorded in their own private studio and released material on their own Raw Edge label. Borland and co-founder Adrian Janes, whilst tapping into punk's energy, explored songwriting which dug deeper than much of whatever else was happening at the time, simultaneously youthful, reflective and knowing. Produced in association with founder and co-writer Adrian Janes, Count For Something charts a recording career lasting less than two years and which segued into Adrian Borland's next project, The Sound. Janes' remembrances, song-by-song recollections and in-depth recording information make for a unique insider's view of The Outsiders' experience, accompanied by a plethora of recently unearthed songs, demos and live material. Long overdue reappraisal and acknowledgement, The Outsiders approached the punk boom with gusto. Adventurous, unrestrained and somewhat eccentric, this was a young band feeding off of the atmosphere around them and transforming it into their own suburban take on that place and time. A must for punk and alternative rock collectors, fans of Adrian Borland and those with an interest in home-recording and the independent spirit."
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4CD
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CRCDMBOX 032CD
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"An integral part of the UK's post punk explosion, Red Lorry Yellow Lorry emerged from Leeds with their unique, demanding sound during the early 1980s. Guided by the singular vision of iconic bandleader and figurehead Chris Reed and sideman David Wolfenden, the band took onboard elements of the burgeoning gothic outlook of the post punk era, fused it with relentlessly rigid drum machine rhythms and an impenetrable wall of distorted guitars and won a strong following, both in the UK and abroad. Their first two albums -- Talk About The Weather and Paint Your Wagon -- emerged on Red Rhino Records before a jump to Situation Two inspired a development in the band's sound and a broadening of their outlook for the albums Nothing Wrong and Blow. All four vital albums are included here, along with singles, B-sides and remixes, and chart a fascinating history through the 1980s as seen through the eyes of Chris Reed and co. A must for the serious post punk and goth rock enthusiast, and a key part of the incredible musical explosion that took place in the UK during the 1980s."
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CD
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ACMEM 312CD
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"Orson Welles, Alfred Hitchcock, François Truffaut and Martin Scorsese are four giants who would be on most film-lovers list of top ten directors of all time. These four, very different, men had one thing in common; all their landmark films, from Welles' Citizen Kane, to Hitchcock's Vertigo, to Scorsese's Taxi Driver shared the same composer, Bernard Herrmann. Many of the most famous musical moments in film history came from the pen of this exceptional man."
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3CD
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PCDTRED 829CD
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"Having established Dinosaur Jr as a mainstay of, and influence over, the alternative scene by the mid-1990s, J Mascis began to venture out alone, performing acoustic sets of his band's material, alongside occasional cover versions. Fed Up And Feeling Strange captures three shows recorded across the decade, shedding a fascinating, low wattage light on J and his songs. Live At CBGB captures J's first solo show, performed at the legendary New York club in December 1993, whilst Martin + Me, which now includes a previously unreleased bonus track, was recorded during a 1995 tour of the USA. Completing the set, a previously unreleased third show, recorded in Copenhagen in 1998, showcases songs from across Mascis' career, including material from Hand It Over, which would prove Dinosaur Jr's last album for almost twenty years."
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2LP
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BREDD 827LP
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$42.00
PREORDER
RELEASE DATE: 1/22/2021
"Recorded in December 2006, and never before released on vinyl, 30 captures the band on excellent form, performing twenty-eight songs from across their back catalogue, including the seminal late '70s hits and highlights from the rest of their career. Still wired, still buzzing with punk energy and still playing loud, fast and unapologetically, this is the sound of a band on unstoppable form, led, as ever, by the inimitable combination of Pete Shelley and Steve Diggle. This red vinyl edition promises to be a must-have for die-hards and collectors, and a brilliant primer for those not yet in the know."
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6CD BOX
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CRCDBOX 103CD
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"Buzzcocks require no introduction. Pivotal to the punk and DIY movements, the group, led by frontman Pete Shelley and co-conspirator Steve Diggle, brought an essential pop sensibility and sartorial style to the late 1970s and early 1980s. Having disbanded in 1981, the band regrouped in 1989 and began to tour the world and record new music, becoming legends in their own lifetime in the process. Late For The Train explores the group's live career, and their ongoing relationship with the BBC, for whom they recorded multiple excellent sessions and live performances over the years. Crammed with previously unreleased recordings, long-forgotten shows and brilliant renditions of seminal tracks from their growing back catalogue, this companion piece to this year's critically acclaimed Sell You Everything studio box set is produced in association with Buzzcocks, and includes notes from Steve Diggle alongside fan reminiscences, live photographs and recording information."
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LP
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BRED 819LP
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"Debut on vinyl LP for Mercury Rev's 2006 soundtrack album, Hello Blackbird. At the time, V2 planned to release this on vinyl but the project never got beyond test pressings. Strictly limited edition of 1,000 copies on marbled blue vinyl, with a printed inner sleeve. Musically, Hello Blackbird allowed Mercury Rev to further expand the sonic soundscapes they were exploring with The Secret Migration, with classical and ambient styles ('The Last Of The White Birds' reinterpreted Chopin's Piano Sonata No. 2 in Bb minor, Opus 35 (Marche Funebre)). The album was recorded at Six Hour Studios in Kingston, New York, in mid-2004 and the music was intended as the soundtrack for the 2005 feature film Bye Bye Blackbird, by French director and photographer Robinson Savary. Bye Bye Blackbird was a tragic, compelling love story set in a turn-of-the-century travelling circus, with a stellar cast, including Derek Jacobi and James Thierre."
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2LP
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BREDD 816LP
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"All Is Dream, the sequel to Deserter's Songs", was originally released on V2 in 2001 in August (Europe) and September (North America) and boasted a more expansive, cinematic production than its predecessor (again courtesy of ex-member Dave Fridmann, by this time arguably the most in-demand producer in alternative US rock). The record was warmly received by critics and fans alike, enjoying higher chart positions than its predecessor (No. 11 UK, No. 17 US, Top 40 in Australia and in various European countries, etc.). With all previous vinyl editions of All Is Dream now hard to find, this new version not only satiates demand for one of the band's most important records but adds a bonus disc featuring various B-sides and out-takes which were unveiled on last year's 4-CD book set."
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2LP
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BREDD 800LP
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Double LP verison. Color vinyl. "Reformation! Post-TLC was released in February 2007 and features Mark E Smith and his wife, Elena, with newcomers Tim Presley and Rob Barbato, Orpheo McCord and Dave Spurr. Presley, Barbato and McCord, all Americans, joined the band as emergency replacements for Ben Pritchard, Spencer Birtwistle and Steve Trafford, all of whom quit the band during an American tour in April 2006. This re-issue of the 2007 album Reformation! Post-TLC comes with two bonus discs of demos, early rough mixes and alternate versions, as well as a fourth disc; the Live at Hammersmith Palais album -- as with the other Fall reissues these have notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce This is the latest release in Cherry Red's series of deluxe Fall reissues -- Fall Sound Archive."
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4CD
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CDEXRED 800CD
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"Reformation! Post-TLC was released in February 2007 and features Mark E Smith and his wife, Elena, with newcomers Tim Presley and Rob Barbato, Orpheo McCord and Dave Spurr. Presley, Barbato and McCord, all Americans, joined the band as emergency replacements for Ben Pritchard, Spencer Birtwistle and Steve Trafford, all of whom quit the band during an American tour in April 2006. This re-issue of the 2007 album Reformation! Post-TLC comes with two bonus discs of demos, early rough mixes and alternate versions, as well as a fourth disc; the Live at Hammersmith Palais album -- as with the other Fall reissues these have notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce This is the latest release in Cherry Red's series of deluxe Fall reissues -- Fall Sound Archive."
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6CD BOX
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CRCDBOX 082CD
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"1982 was a decisive year for The Fall. Their critically acclaimed album Hex Enduction Hour was released in March on Kamera Records, closely followed by Room To Live in September. This six-disc boxset brings together those two classic albums alongside a host of John Peel sessions, Kamera singles, live performances and the group's live album In A Hole, recorded during their tour of New Zealand and originally released on Flying Nun Records. Also included in the box is a replica poster from the August 1982 show at the University of Canterbury in Christchurch, New Zealand and a replica press-release for Hex Enduction Hour."
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3LP/7"
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BREDT 780LP
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"1982 was a decisive year for The Fall. Their critically acclaimed album Hex Enduction Hour was released in March on Kamera Records, closely followed by Room To Live in September of that year. This triple LP includes the full classic album plus John Peel Sessions and live recordings in Manchester and New Zealand. The bonus 7" single is a replica of their 1982 Kamera single 'Look, Know', b/w 'I'm Into C.B.' This release is a triple gatefold on green & white splatter vinyl -- the 7" is black vinyl."
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2LP
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BREDD 781LP
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"1982 was a decisive year for The Fall. Their critically acclaimed album Hex Enduction Hour was released in March on Kamera Records, closely followed by Room To Live in September. This double LP includes the classic album (Room To Live) plus live recordings in Manchester, London, New Zealand, Netherlands and Canada. This release is a double vinyl on coloured marble effect vinyl."
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2CD
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PCDBRED 756CD
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"Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued Green Mind in 1991 as the alternative American rock scene the band had long been part of exploded globally. Produced by a stripped down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire's international reach took Dinosaur Jr's reputation to a new level, aided by the singles 'The Wagon' and 'Whatever's Cool With Me', a non-album EP of new material and live recordings, all of which are included here. Critically lauded on release, Green Mind remains one of the band's strongest collections, and a firm fan favorite."
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2LP
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PBREDD 756LP
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Gatefold; green vinyl. "Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued Green Mind in 1991 as the alternative American rock scene the band had long been part of exploded globally. Produced by a stripped down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire's international reach took Dinosaur Jr's reputation to a new level, aided by the singles 'The Wagon' and 'Whatever's Cool With Me', a non-album EP of new material and live recordings, all of which are included here. Critically lauded on release, Green Mind remains one of the band's strongest collections, and a firm fan favorite. Collected together here for the first time with related singles, B-sides and live recordings, and accompanied by in-depth sleevenotes from Mojo's Keith Cameron (based on recent and exclusive interviews with J Mascis), this edition provides a thorough snapshot of the band at a period when all eyes were on American guitar groups, many of whom owed their existence to Dinosaur Jr."
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