|
Search Result for Genre ELECTRONIC
viewing 1 To 25 of 35820 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP + 10"
|
|
FRVR 001LTD-LP
|
$51.50
PREORDER
RELEASE DATE: 5/29/2026
Double LP version. Incldues bonus 10". Dancing on the wildest edge of the '90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek, and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown. Forever Records presents an extensive reissue edition of the first "fully released" Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves is pressed on vinyl. The original LP and CD artwork from the various editions released in the early '90s has been combined and designed by the band, and the audio has been remastered with their full approval. Also available as limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks (FRVR 001LTD-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
FRVR 001LP
|
$42.00
PREORDER
RELEASE DATE: 5/29/2026
Double LP version. Dancing on the wildest edge of the '90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek, and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown. Forever Records presents an extensive reissue edition of the first "fully released" Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves is pressed on vinyl. The original LP and CD artwork from the various editions released in the early '90s has been combined and designed by the band, and the audio has been remastered with their full approval. Also available as limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks (FRVR 001LTD-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
FRVR 001CD
|
$20.00
PREORDER
RELEASE DATE: 5/29/2026
Dancing on the wildest edge of the '90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek, and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown. Forever Records presents an extensive reissue edition of the first "fully released" Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves is pressed on vinyl. The original LP and CD artwork from the various editions released in the early '90s has been combined and designed by the band, and the audio has been remastered with their full approval. Also available as limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks (FRVR 001LTD-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LY 009LP
|
$29.50
PREORDER
RELEASE DATE: 5/8/2026
LP version. Caterina Barbieri and Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point. At Source is a document of the world of sound to be conjured when two artists strive for something together, discovering the expansions and limitations of performance by bodies and machines. It is not an exercise in assimilation, but in productive exchange and creative confrontation. It does not draw on outside energies or influences, but grapples with what there is to find in their respective playing. Barbieri and Giske first met and were enthralled by one another's performances at Kunsthaus Glarus in 2019, a meeting that spurred conversations on the power of transitions as a compositional force. Giske later contributed a rework of Fantas for Fantas Variations (Editions Mego, 2021), an ambitious undertaking to rescore Barbieri's work for his saxophone and voice, a challenge Giske had started undertaking two years prior as an ongoing practice of transcription. Giske, who was on the brink of releasing his sophomore album, Cracks, then joined Barbieri's light-years tour, which functioned as an inaugural incarnation of her newborn label and platform. Through the tour, they continued to develop material live, and this release, laid down in the studio, is true to that ever-evolving process of creation, where live feedback stays essential to the vitality of this collaborative effort. The tracks are each named with two evocative words that contain the two poles of their sound. Theirs is both abstract and cosmic, in the synth as machine undermined by Barbieri's naturalistic playing, and in Giske's continuous exploration of the symbiosis between his instrument, voice, and body. These binaries, of body and machine, posed various challenges, notably in how the stepped patterns Barbieri uses were near-impossible to translate for Giske's body to perform, and other times where mathematical resolutions were needed to sync their playing.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
LY 009CD
|
$16.00
PREORDER
RELEASE DATE: 5/8/2026
Caterina Barbieri and Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the expansive possibilities of their sonic meeting point. At Source is a document of the world of sound to be conjured when two artists strive for something together, discovering the expansions and limitations of performance by bodies and machines. It is not an exercise in assimilation, but in productive exchange and creative confrontation. It does not draw on outside energies or influences, but grapples with what there is to find in their respective playing. Barbieri and Giske first met and were enthralled by one another's performances at Kunsthaus Glarus in 2019, a meeting that spurred conversations on the power of transitions as a compositional force. Giske later contributed a rework of Fantas for Fantas Variations (Editions Mego, 2021), an ambitious undertaking to rescore Barbieri's work for his saxophone and voice, a challenge Giske had started undertaking two years prior as an ongoing practice of transcription. Giske, who was on the brink of releasing his sophomore album, Cracks, then joined Barbieri's light-years tour, which functioned as an inaugural incarnation of her newborn label and platform. Through the tour, they continued to develop material live, and this release, laid down in the studio, is true to that ever-evolving process of creation, where live feedback stays essential to the vitality of this collaborative effort. The tracks are each named with two evocative words that contain the two poles of their sound. Theirs is both abstract and cosmic, in the synth as machine undermined by Barbieri's naturalistic playing, and in Giske's continuous exploration of the symbiosis between his instrument, voice, and body. These binaries, of body and machine, posed various challenges, notably in how the stepped patterns Barbieri uses were near-impossible to translate for Giske's body to perform, and other times where mathematical resolutions were needed to sync their playing.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TENA 128EP
|
$23.50
PREORDER
RELEASE DATE: 4/24/2026
Known under several aliases including Freestyle Man or Sasse, Klas Lindblad uses the latter for this special outing on the Mexican imprint. Under his Sasse moniker, Lindblad delivers a refined selection of dubby house cuts, infused with warm, spring/summer energy. Effortlessly groovy with a subtle, hypnotic flow, this is music designed for the dancefloor yet built to stand the test of time, showcasing the depth and sonic excellence that define his work.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACOLOUR 049LP
|
$31.50
PREORDER
RELEASE DATE: 4/24/2026
Wondrous ethereal folk songs by a reclusive pen pal of Maxine Funke, first introduced to A Colourful Storm by Funke while sharing music and ideas during her Australian tour.
"Ghost faced pansies. A moth-colored cat. Cauliflowers, cabbages undying. I hear the spine of the dictionary crack. Is what they call a creature who only wakes at dusk. And turning backs. My afternoon has turned pitch black. For a trace. For a shape. I wipe the steam from the window like the bloom on a grape. Ghost faced pansies. A moth-colored cat. Light of stars long since died." --Avital Rolnick
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NEXUS 001LP
|
$43.50
PREORDER
RELEASE DATE: 4/17/2026
Double LP is presented on 140gm black vinyl in a transparent gloss foil sleeve, artwork and design by Ian Anderson for Designers Republic. Circuitry Electronic launches with a release that stands as a statement of intent -- an artist with few true peers within English electronic music, with an album that jumps out of the speakers and slaps you around the chops. G-Man is Gez Varley -- one half of Sheffield pioneers LFO, and thirty years into his solo career, with his first vinyl album release since Avanti on Force Inc way back in 2002. Their eponymous track "LFO" -- a classic of the bleep and bass techno movement -- was one of the first releases on the Warp label, gate- crashing the UK's Top 20. Having worked with the likes of Richie Hawtin, Karl Bartos, Laurent Garnier, Art of Noise, Radiohead, YMO, and Alan Wilder, in addition to the LFO output, you'd expect Gez to know his way around a techno dancefloor rhythm and drum pattern, and this is an inventive funk-filled journey that never veers too far into experimental territory yet avoids the cliches and generic tropes that too often lose the listener when techno manifests in album form. As the inaugural release on the Circuitry Electronic label this album plugs all the right sockets; stay close for further electronic expansions on the theme on the label in the coming months.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ITS 017LP
|
$42.00
PREORDER
RELEASE DATE: 4/17/2026
"During a job in Cologne, I stayed in a room with a loft bed that had no electrical outlets at the top. Every night, I would listen to my TB303, which runs on batteries, through headphones to help me fall asleep. I loved the sequences, it was like meditation. The TB-303 bassline is iconic in acid music, so I created the Acid Lullabies to bring these two elements together. In 2017, the label Doom Chakra Tapes released ten of the Acid Lullabies on tape. Last year, I felt the urge to rework the tracks, so I mixed them again and created some new ones. I also asked friends to contribute their own versions. I'm very glad that the following artists contributed the Acid Lullabies: 47IN4 (Pudel Produkte, Doom Chakra Tapes), Museum of No Art (Séance Center, Cosima Pitz), N:in, and Philipp Otterbach (Music from Memory, Offen Music). Two violinists from Ensemble Resonanz performed my piece 'Afternoon Lights' for Acid Lullaby 6. Alex Solman designed the cover, which captures the essence of the project perfectly. Have fun with the Acid Lullabies!" --RVDS
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LFR 032LP
|
$33.00
PREORDER
RELEASE DATE: 4/17/2026
Following his acclaimed debut album Whateverism, Italian producer Turbojazz returns with Memorabilia, a heartfelt tribute to the roots of dance music culture and a personal journey through memory, community, and sound. The album delivers a rich and diverse palette of house and soulful grooves, music to dance with both your feet and your ears, and features a heavyweight lineup of collaborators including Robert Owens, Rona Ray, Javonntte, Cor.Ece, Bad Colours, Doni Nicole, alongside longtime allies Veezo and Broke One. Crafted with reverence and a forward-thinking spirit, Memorabilia is more than an album. It is a message to the dance music world that culture lives on through those who carry it forward.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FAITICHE 041LP
|
$36.50
PREORDER
RELEASE DATE: 4/17/2026
Faitiche welcomes a new artist to the label. Christina Kubisch belongs to the first generation of sound artists. Her practice ranges from performances, concerts, to works with video and visual art, but she is best known for her sound installations and electro-acoustic compositions. TUNING brings together three pieces by Christina Kubisch from different periods of her oeuvre. What they have in common is the way they transform sound phenomena originally considered "non-music" into compositions.
From Christina Kubisch: "I alter my source material as little as possible, layering and overlapping until a distinctive sound space emerges. In recent pieces, I sometimes combine magnetic waves with field recordings or live instruments. In 'Gaming' it's my recording of a Chinese song about silence... With ['Two persons walking through a street in Madrid'], I wanted to understand what is heard by people participating in an Electrical Walk in the same place but moving in different ways. The Spanish composer Miguel Alvarez-Fernàndez and I set off from opposite ends of a major shopping street in Madrid, met briefly in the middle, and then continued to the end. We both recorded our walks and I then layered them over one another. You might call it a work of electromagnetic conceptualism... 'Diapason' is part of a series of three pieces that deal with 'non-instruments' or instruments that no longer exist: electrical mine bells used to send signals to the workers underground; a historical glass harmonica originally used for medicinal purposes; and tuning forks that were used by doctors to test people's hearing. All of these methods are no longer in use. The sound of the tuning forks, audible only if held close to the ear, was recorded at the electronic studio at Berlin's Technical University in such a way that even their decay remained audible. The frequencies range between 64 and 2048 Hertz and they can be adjusted at micro-intervals using small movable weights. The sequence and the duration of the pauses are dictated by chance and were not defined in advance. The 2009 version was created for an installation in the historic Holy Cross Church (Korskirken) in Bergen. Visitors could enter and leave the space at any time, deciding for themselves where and for how long they wished to listen to the sounds played back over an array of small loudspeakers placed on the floor of the apse."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SOUK 016LP
|
$28.50
PREORDER
RELEASE DATE: 4/17/2026
Bruno Silva, operating here under his restless Serpente alias, returns with Visita do Fogo -- a sharp, stripped-back and incendiary counterpoint to the drifting, dream-jazz abstractions of Dias da Aranha (SOUK 009LP). If that record floated like smoke, this one crackles and snaps like dry wood. Visita do Fogo finds Silva stepping back into the heat of his beat-driven origins, embracing a raw, forward-leaning approach that feels closer to his live detonation than a studio construction. The record is built on stark materials -- drum fragments, percussive jolts, scorched-earth loops -- all manipulated with his unmistakable "screw" instincts: micro-cuts, sudden pivots, rhythmic false floors and the sense that the track might turn itself inside-out at any moment. Rather than smoothing edges or leaning into atmospherics, Serpente doubles down on urgency. Each piece moves through the record with a chop-and-go physicality, a kind of ritual propulsion that never settles into comfort. Silva's rhythmic language remains entirely his own: crooked but precise, feral yet meticulous, rooted in dance structures but constantly mutating away from them. Visita do Fogo is less a sequel to Dias da Aranha than a flare shot into the same night sky -- brighter, hotter, and designed to leave afterimages. It captures an artist burning forward, shedding everything unnecessary, trusting the flame.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
COR 182EP
|
$19.00
PREORDER
RELEASE DATE: 4/17/2026
¡NO PASARAN! is the extension to Extrawelt's DYSTORTION, from brooding tension to playful relief, the album took listeners on a six-year-crafted exploration. Their next EP picks up where this epic chapter left off and is clearly related. It's a hypnotic dive into shadow and dream, darkness and melancholy with subtle flashes of light. Between tension and release, shadows and melody, it moves like a living entity. A focused and uncompromising continuation of Extrawelt's sonic language: Dense grooves, acid pressure, and dreamlike relief collide in a release built for deep listening and late-night floors.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BLKRTZ 008LP
|
$41.00
PREORDER
RELEASE DATE: 4/10/2026
2026 repress. With Dub Techno firmly back on the menu in clubs the world over, Deadbeat, at long last, resissues what is perhaps his greatest collaborative work with Paul St Hilaire aka Tikiman. A true genre masterclass, as the name suggests, the album infinitely showcases two titans of the form at their very best, and 10 years on, remains a stone-cold classic. Re-cut by their old friend Stefan Betke aka Pole at Scape Mastering who first cut it to wax so many years ago, this 10-year anniversary edition is a crucial showcase of two masters at work.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NOTON 066CD
|
$20.00
PREORDER
RELEASE DATE: 4/10/2026
Xerrox Vol. 2 is the sixth studio album, released in 2009 by German electronic artist Alva Noto. It is the second installment of the Xerrox penthalogy, based on the concept of digital replication of source material. As with the first Xerrox album, the starting point is a set of samples culled from external sources. This time, snippets and recordings from Sunn O))) collaborator Stephen O'Malley and composer Michael Nyman are featured, as is an excerpt from the 2004 Insen tour with Ryuichi Sakamoto. While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, the Xerrox series holds more intimate gestures and emotional sensibility. This volume moves further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NOTON 065LP
|
$38.50
PREORDER
RELEASE DATE: 4/10/2026
Double LP version. Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material. Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a result, entirely new sounds are created: copies of originals become originals themselves. Together with Christoph Brünggel, Nicolai designed a "sample transformer" that takes audio fragments and manipulates them beyond recognition. In this process of taking something familiar and defamiliarizing it, samples from obvious sources-advertising jingles, airport tones, telephone hold music, and film soundtracks-were used and altered, resulting in sounds totally unlike their original source. The result is a series of haunting, intricately realized pieces that recontextualize Nicolai's "glitches and bass" sound into extended, cinematic, organic, and almost orchestral works. Xerrox Vol. 1 was followed by Xerrox Vol. 2 (2009), Xerrox Vol. 3 (2015), Xerrox Vol. 4 (2020), Xerrox Vol. 5 (2024).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NOTON 067LP
|
$38.50
PREORDER
RELEASE DATE: 4/10/2026
Double LP version. Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009). Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series. In line with the series' focus on "using the process of copying as a basis," the eleven compositions of this volume can be heard as copies of memories, exploring emotional data patterns that are reflected as melodic vectors and noise.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NOTON 066LP
|
$38.50
PREORDER
RELEASE DATE: 4/10/2026
Double LP version. Xerrox Vol. 2 is the sixth studio album, released in 2009 by German electronic artist Alva Noto. It is the second installment of the Xerrox penthalogy, based on the concept of digital replication of source material. As with the first Xerrox album, the starting point is a set of samples culled from external sources. This time, snippets and recordings from Sunn O))) collaborator Stephen O'Malley and composer Michael Nyman are featured, as is an excerpt from the 2004 Insen tour with Ryuichi Sakamoto. While Alva Noto's oeuvre is predominantly affiliated with pristine sound design, the Xerrox series holds more intimate gestures and emotional sensibility. This volume moves further from the conceptualism and orderliness of prior musical outputs, ranging from heart-warming elegies to mind-bending sci-fi projections in extrasolar territories.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
DEF 2602EP
|
$21.50
PREORDER
RELEASE DATE: 4/10/2026
Dompe delivers peak-time house energy on new Reload EP. Definitive Recordings welcomes a brand-new three-track EP from Dompe, showcasing his unmistakable blend of classic house foundations, driving grooves, and modern club attitude. Dompe aka Dominic Wagner is a DJ and producer driven by relentless passion and an instinctive feel for the dancefloor. Known for pairing distinctive vocals with finely crafted basslines and arrangements, his sound is always moving forward while staying rooted in house tradition. This three-track EP is Dompe at his most focused: groove-heavy, vocal-driven, and made for the dancefloor from start to finish.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WRWTFWW 111LP
|
$38.50
PREORDER
RELEASE DATE: 4/10/2026
WRWTFWW Records presents the release of Nighthawks, the new collaborative album from composer Azumi Okamura and musician/sound designer Andrea Esperti, available on limited edition LP (300 copies worldwide) cut at 45rpm, and housed in a heavyweight sleeve with inside-out print. A sublime convergence of Japanese piano poetry and Swiss sonic craftsmanship, Nighthawks brings together Azumi Okamura's intimate, emotionally resonant compositions with Andrea Esperti's refined approach to sound design. Esperti is known for his work alongside ambient legend Takashi Kokubo, and here he extends that sensibility into an intimate and immersive space. Echoes of dreams from an imaginary world drift through the album: forgotten memories rising gently, only to fade again. The music unfolds like a series of inner scenes -- reflective, rich with atmosphere -- where minimal piano motifs meet organic textures and subtle electronic detail. Rooted in the emotional solitude of Edward Hopper's urban landscapes, Nighthawks balances stillness and warmth. Gentle, simple melodies glow softly, wrapped in environmental music that evokes autumn air and walks by the beach. Resisting excess and spectacle, the record embraces poetic minimalism and emotional clarity. Each piece feels suspended in time, offering quiet moments that linger long after the sound has faded -- a drifting, cinematic journey shaped by sensitivity and restraint.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WRWTFWW 130LP
|
$35.00
PREORDER
RELEASE DATE: 4/10/2026
WRWTFWW Records presents its fifth collaboration with NY-LA ambient/jazz/downtempo musician Danny Scott Lane with the first ever vinyl release of his 2022 full-length album Holy Goodnight, available on limited edition LP (500 copies worldwide) housed in a heavyweight sleeve. After Home Decor, Shower, Caput, and Songs For Sex, here's another Danny Scott Lane classic. On Holy Goodnight, he handles synths, keyboards, bass, guitar, percussion, and field recordings for a smooth nightride through city pop, contemplative jazz, vaporwave, slow funk, cozy ambient, library music vibes, and relaxed moods. Holy Goodnight feels like cruising through a half-asleep city with the windows down and the radio low -- lush harmonies and soft grooves guiding the way. It's warm and hazy music for late hours and early mornings, introspective, comforting, cinematic, and intimate. Following the release of chillout staples on WRWTFWW, Danny Scott Lane further cements his unmistakable sonic universe. Complete the collection and sink deeper into the night. For fans of ambient jazz, city pop, downtempo, smooth funk, vaporwave, library music, night drives, neon lights, quiet introspection, cozy late hours, and peaceful goodnights.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 183CD
|
$16.50
PREORDER
RELEASE DATE: 4/10/2026
Taiga Trans, the debut album from Fauna, is a hypnotic collision of krautrock propulsion, psychedelic ritual, and subterranean rave energy. The eight-piece Swedish outernational collective channels a multicultural, multidimensional sound that feels both deeply rooted and otherworldly. Think Goat's feral mysticism, Can's motorik drive, and a dancefloor at its most transcendental. Electronic textures whoosh like solar winds. Quiet percussion sighs and chatters. A jaw harp sets up a twanging bounce. An ancient saz introduces a taut riff. Suddenly a high-strung electric guitar scorches and a deep, booming bass groove drops with a four-to-the-floor kick drum thud. Welcome to the mysterious world of Fauna. Since forming around three years ago, the Gothenburg-based group have forged a singular sound, proposing an imaginary world somehow outside of history. It's a sound of cultures and philosophies entwining, creating a liminal space where traditional acoustic instrumentation meets electronic innovation. The group's origins go back to informal, intimate jam sessions held by guitarist Tommie Ek and bassist Ibrahim Shabo -- two experienced musicians who had been playing together in the local rock scene for over a decade. During the recording of these demos the core duo attracted a cohort of likeminded sonic adventurers, leading to the current live line-up as a nine-piece ensemble with Ek and Shabo joined by core members Caroline Kabat (drums), Cuneyd Kocalp (percussion), Jennie Magnusson (guitar), Ibrahim's sister, Alexandra Shahbo (vocals) and French flautist Fauna Buvat. Now, their debut album, Taiga Trans, offers eight concise snapshots of that transporting experience, harnessing the band's primordial live energy while making the most of 21st century studio technology. You'll hear echoes of heroic 1960s/'70s Swedish psychedelic bands like Träd, Gras & Stenar in the hypnotic, repetitive grooves. You'll hear the mind-melting squelch of vintage acid house. If the human voice can be seen as the original and oldest musical instrument, it's followed closely by the drum and the flute, as played with sly and alluring delicacy by Fauna Buvat. And it's these ancient sounds -- slotted into the buzz of Fauna's hypermodern rituals that make their music so overpoweringly seductive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GB 183LP
|
$32.00
PREORDER
RELEASE DATE: 4/10/2026
LP version. Taiga Trans, the debut album from Fauna, is a hypnotic collision of krautrock propulsion, psychedelic ritual, and subterranean rave energy. The eight-piece Swedish outernational collective channels a multicultural, multidimensional sound that feels both deeply rooted and otherworldly. Think Goat's feral mysticism, Can's motorik drive, and a dancefloor at its most transcendental. Electronic textures whoosh like solar winds. Quiet percussion sighs and chatters. A jaw harp sets up a twanging bounce. An ancient saz introduces a taut riff. Suddenly a high-strung electric guitar scorches and a deep, booming bass groove drops with a four-to-the-floor kick drum thud. Welcome to the mysterious world of Fauna. Since forming around three years ago, the Gothenburg-based group have forged a singular sound, proposing an imaginary world somehow outside of history. It's a sound of cultures and philosophies entwining, creating a liminal space where traditional acoustic instrumentation meets electronic innovation. The group's origins go back to informal, intimate jam sessions held by guitarist Tommie Ek and bassist Ibrahim Shabo -- two experienced musicians who had been playing together in the local rock scene for over a decade. During the recording of these demos the core duo attracted a cohort of likeminded sonic adventurers, leading to the current live line-up as a nine-piece ensemble with Ek and Shabo joined by core members Caroline Kabat (drums), Cuneyd Kocalp (percussion), Jennie Magnusson (guitar), Ibrahim's sister, Alexandra Shahbo (vocals) and French flautist Fauna Buvat. Now, their debut album, Taiga Trans, offers eight concise snapshots of that transporting experience, harnessing the band's primordial live energy while making the most of 21st century studio technology. You'll hear echoes of heroic 1960s/'70s Swedish psychedelic bands like Träd, Gras & Stenar in the hypnotic, repetitive grooves. You'll hear the mind-melting squelch of vintage acid house. If the human voice can be seen as the original and oldest musical instrument, it's followed closely by the drum and the flute, as played with sly and alluring delicacy by Fauna Buvat. And it's these ancient sounds -- slotted into the buzz of Fauna's hypermodern rituals that make their music so overpoweringly seductive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NOTON 065CD
|
$20.00
PREORDER
RELEASE DATE: 4/10/2026
Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material. Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a result, entirely new sounds are created: copies of originals become originals themselves. Together with Christoph Brünggel, Nicolai designed a "sample transformer" that takes audio fragments and manipulates them beyond recognition. In this process of taking something familiar and defamiliarizing it, samples from obvious sources-advertising jingles, airport tones, telephone hold music, and film soundtracks-were used and altered, resulting in sounds totally unlike their original source. The result is a series of haunting, intricately realized pieces that recontextualize Nicolai's "glitches and bass" sound into extended, cinematic, organic, and almost orchestral works. Xerrox Vol. 1 was followed by Xerrox Vol. 2 (2009), Xerrox Vol. 3 (2015), Xerrox Vol. 4 (2020), Xerrox Vol. 5 (2024).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NOTON 067CD
|
$20.00
PREORDER
RELEASE DATE: 4/10/2026
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009). Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series. In line with the series' focus on "using the process of copying as a basis," the eleven compositions of this volume can be heard as copies of memories, exploring emotional data patterns that are reflected as melodic vectors and noise.
|
viewing 1 To 25 of 35820 items
Next >>
|
|