Search Result for Genre ELECTRONIC
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CD
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EB 203CD
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$15.50
PREORDER
RELEASE DATE: 1/3/2025
When dub and dope beats entered into an open relationship in the mid-nineties and created a casual hybrid with trip hop, Jean-Yves Prieur aka Kid Loco was one of the first French people to be there. With singles like "She's My Lover" and "Love Me Sweet" and the album A Grand Love Story, the producer proved himself to be a loverman indeed, with a knack for bedroom moods, charming little melodies and a comforting balance between minimalism and lush arrangements. As a keyboard all-rounder, Guillaume Méténier aka Soul Sugar has been featured on numerous Kid Loco productions for more than twenty years. From the synthesizer to the clavinet, from the Fender Rhodes to the Leslie organ, the "Funky Frenchman" is no stranger to any keyboard instrument. The Hamburg label Echo Beach, which has already issued dub commissions for a number of pop and new wave classics, thought it was time to change that.
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LP
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EB 203LP
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$27.00
PREORDER
RELEASE DATE: 1/3/2025
LP version. When dub and dope beats entered into an open relationship in the mid-nineties and created a casual hybrid with trip hop, Jean-Yves Prieur aka Kid Loco was one of the first French people to be there. With singles like "She's My Lover" and "Love Me Sweet" and the album A Grand Love Story, the producer proved himself to be a loverman indeed, with a knack for bedroom moods, charming little melodies and a comforting balance between minimalism and lush arrangements. As a keyboard all-rounder, Guillaume Méténier aka Soul Sugar has been featured on numerous Kid Loco productions for more than twenty years. From the synthesizer to the clavinet, from the Fender Rhodes to the Leslie organ, the "Funky Frenchman" is no stranger to any keyboard instrument. The Hamburg label Echo Beach, which has already issued dub commissions for a number of pop and new wave classics, thought it was time to change that.
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LP
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PP 092LP
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$27.00
PREORDER
RELEASE DATE: 10/18/2024
DJ City, hailing from Stockholm, is a D.J., a poet, a producer, a chronicler of contemporary urban nightlife, and a romantic. His homes are the clubs of Europe, the streets of cities like Stockholm, Berlin, Milano, Munich, Paris, Rome. Berlin, where he lives a good part of the year, has become a second home, and Cocktail D'Amore, Panorama Bar, or his own party Bad Dad are his playgrounds. Musically, this album is a journey between classic house, Scandinavian disco with a pleasant hint to pop. DJ City is someone you want to know, meet and mingle with. A true creature of metropolis, witty, charming, seductive, mysterious! An entertainer. The record mirrors his personality. Find pleasure and fun, but beware there is always more below the surface.
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2LP
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BB 468BLUE-LP
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$35.00
PREORDER
RELEASE DATE: 10/11/2024
Double LP version. Blue color vinyl. Forty years since their inception, and almost two decades since their last release, art-synth auteurs Propaganda return with a brand-new chapter in their enthralling story. This self-titled set from principal songwriting partnership Ralf Dörper and Michael Mertens embodies the depth and drama of their early work, while exploring fresh sounds and styles, and reflecting the personal and societal changes since their last outing. Conceived and crafted entirely in their native Düsseldorf, a deliberate decision to help them stay true to themselves, and featuring guest appearances from the acclaimed Hauschka and ascendant Thunder Bae, this is Propaganda at their most essential. Though an embryonic incarnation was formed by Ralf Dörper, former synthesist with electro-punks Die Krupps, and Andreas Thein in 1982, it wasn't until the addition of Düsseldorf Symphony Orchestra percussionist Michael Mertens that the outfit emerged as the dark synth-pop powerhouse which would see chart success as part of the ZTT machine. Upon signing with Trevor Horn's irreverent imprint in 1983, Propaganda, now comprised of vocalists Claudia Bruecken and Susanne Freytag alongside Dörper and Mertens, delivered their classic debut LP A Secret Wish and a slew of international hit singles, "Dr Mabuse," "Duel", and "P Machinery," leaving an indelible mark on the alternative scene and securing an enduring place within the pantheon of synth-dance greats. In an era of impermanence, Propaganda wanted to produce something real -- to be played from start to finish, with artwork and packaging which allows a deeper understanding of the theme of the release. Finding the perfect label to match their ambitions in Bureau B, Propaganda have delivered a third album well worth the wait.
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CD
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YSS 001CD
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$17.50
PREORDER
RELEASE DATE: 10/11/2024
Cult French touch duo's seventh album. A unique electronic sound influenced by rock and funk produced by Vincent Leibovitz with Benjamin Diamond, Izzy Lindqwister, Jessie Chaton, and Bnann Watts. Rinôçérôse is still alive, conquering, surprising, bold in its sound. The French band composed of Patou Carrié and Jean-Philippe Freu has teamed up with a new producer -- Vincent Leibovitz -- to record their seventh album, Psychôanalysis. A formidable French touch live machine, Rinôçérôse has been producing albums that have been heard all over the world since the 1990s, from Europe to South America, from Japan to the USA, where the group has played at the biggest festivals and the finest venues, with over 1000 concerts under their belt. With Psychôanalysis, the band embarks on a new high-energy sonic escapade, a mosaic album that revisits all their sonic hallmarks: singular instrumental creativity (guitars and basses are the band's trademark) and eclectic electronic programming in a grand mix of rock, house, electro, funk and other influences. The sonic palette deployed by Vincent Leibovitz, member of the beatmakers' collective La Fine Équipe and co-founder of Nowadays Records, takes Patou Carrié and Jean-Philippe Freu into new horizons, sometimes nostalgic and always innovative. Rinôçérôse features two singers with whom the group has already worked: Jessie Chaton (Fancy, General Elektriks) and Bnann Watts (Infadels). It also opens up to new collaborations with Izzy Lindqwister and Benjamin Diamond (Stardust).
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CD
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BB 468CD
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$16.50
PREORDER
RELEASE DATE: 10/11/2024
Forty years since their inception, and almost two decades since their last release, art-synth auteurs Propaganda return with a brand-new chapter in their enthralling story. This self-titled set from principal songwriting partnership Ralf Dörper and Michael Mertens embodies the depth and drama of their early work, while exploring fresh sounds and styles, and reflecting the personal and societal changes since their last outing. Conceived and crafted entirely in their native Düsseldorf, a deliberate decision to help them stay true to themselves, and featuring guest appearances from the acclaimed Hauschka and ascendant Thunder Bae, this is Propaganda at their most essential. Though an embryonic incarnation was formed by Ralf Dörper, former synthesist with electro-punks Die Krupps, and Andreas Thein in 1982, it wasn't until the addition of Düsseldorf Symphony Orchestra percussionist Michael Mertens that the outfit emerged as the dark synth-pop powerhouse which would see chart success as part of the ZTT machine. Upon signing with Trevor Horn's irreverent imprint in 1983, Propaganda, now comprised of vocalists Claudia Bruecken and Susanne Freytag alongside Dörper and Mertens, delivered their classic debut LP A Secret Wish and a slew of international hit singles, "Dr Mabuse," "Duel", and "P Machinery," leaving an indelible mark on the alternative scene and securing an enduring place within the pantheon of synth-dance greats. In an era of impermanence, Propaganda wanted to produce something real -- to be played from start to finish, with artwork and packaging which allows a deeper understanding of the theme of the release. Finding the perfect label to match their ambitions in Bureau B, Propaganda have delivered a third album well worth the wait.
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LP
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BB 468LP
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$26.00
PREORDER
RELEASE DATE: 10/11/2024
LP version. Forty years since their inception, and almost two decades since their last release, art-synth auteurs Propaganda return with a brand-new chapter in their enthralling story. This self-titled set from principal songwriting partnership Ralf Dörper and Michael Mertens embodies the depth and drama of their early work, while exploring fresh sounds and styles, and reflecting the personal and societal changes since their last outing. Conceived and crafted entirely in their native Düsseldorf, a deliberate decision to help them stay true to themselves, and featuring guest appearances from the acclaimed Hauschka and ascendant Thunder Bae, this is Propaganda at their most essential. Though an embryonic incarnation was formed by Ralf Dörper, former synthesist with electro-punks Die Krupps, and Andreas Thein in 1982, it wasn't until the addition of Düsseldorf Symphony Orchestra percussionist Michael Mertens that the outfit emerged as the dark synth-pop powerhouse which would see chart success as part of the ZTT machine. Upon signing with Trevor Horn's irreverent imprint in 1983, Propaganda, now comprised of vocalists Claudia Bruecken and Susanne Freytag alongside Dörper and Mertens, delivered their classic debut LP A Secret Wish and a slew of international hit singles, "Dr Mabuse," "Duel", and "P Machinery," leaving an indelible mark on the alternative scene and securing an enduring place within the pantheon of synth-dance greats. In an era of impermanence, Propaganda wanted to produce something real -- to be played from start to finish, with artwork and packaging which allows a deeper understanding of the theme of the release. Finding the perfect label to match their ambitions in Bureau B, Propaganda have delivered a third album well worth the wait.
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LP
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YSS 001LP
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$29.50
PREORDER
RELEASE DATE: 10/11/2024
LP version. Cult French touch duo's seventh album. A unique electronic sound influenced by rock and funk produced by Vincent Leibovitz with Benjamin Diamond, Izzy Lindqwister, Jessie Chaton, and Bnann Watts. Rinôçérôse is still alive, conquering, surprising, bold in its sound. The French band composed of Patou Carrié and Jean-Philippe Freu has teamed up with a new producer -- Vincent Leibovitz -- to record their seventh album, Psychôanalysis. A formidable French touch live machine, Rinôçérôse has been producing albums that have been heard all over the world since the 1990s, from Europe to South America, from Japan to the USA, where the group has played at the biggest festivals and the finest venues, with over 1000 concerts under their belt. With Psychôanalysis, the band embarks on a new high-energy sonic escapade, a mosaic album that revisits all their sonic hallmarks: singular instrumental creativity (guitars and basses are the band's trademark) and eclectic electronic programming in a grand mix of rock, house, electro, funk and other influences. The sonic palette deployed by Vincent Leibovitz, member of the beatmakers' collective La Fine Équipe and co-founder of Nowadays Records, takes Patou Carrié and Jean-Philippe Freu into new horizons, sometimes nostalgic and always innovative. Rinôçérôse features two singers with whom the group has already worked: Jessie Chaton (Fancy, General Elektriks) and Bnann Watts (Infadels). It also opens up to new collaborations with Izzy Lindqwister and Benjamin Diamond (Stardust).
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2LP
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BB 468ORG-LP
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$35.00
PREORDER
RELEASE DATE: 10/11/2024
LP version. Orange vinyl version. Forty years since their inception, and almost two decades since their last release, art-synth auteurs Propaganda return with a brand-new chapter in their enthralling story. This self-titled set from principal songwriting partnership Ralf Dörper and Michael Mertens embodies the depth and drama of their early work, while exploring fresh sounds and styles, and reflecting the personal and societal changes since their last outing. Conceived and crafted entirely in their native Düsseldorf, a deliberate decision to help them stay true to themselves, and featuring guest appearances from the acclaimed Hauschka and ascendant Thunder Bae, this is Propaganda at their most essential. Though an embryonic incarnation was formed by Ralf Dörper, former synthesist with electro-punks Die Krupps, and Andreas Thein in 1982, it wasn't until the addition of Düsseldorf Symphony Orchestra percussionist Michael Mertens that the outfit emerged as the dark synth-pop powerhouse which would see chart success as part of the ZTT machine. Upon signing with Trevor Horn's irreverent imprint in 1983, Propaganda, now comprised of vocalists Claudia Bruecken and Susanne Freytag alongside Dörper and Mertens, delivered their classic debut LP A Secret Wish and a slew of international hit singles, "Dr Mabuse," "Duel", and "P Machinery," leaving an indelible mark on the alternative scene and securing an enduring place within the pantheon of synth-dance greats. In an era of impermanence, Propaganda wanted to produce something real -- to be played from start to finish, with artwork and packaging which allows a deeper understanding of the theme of the release. Finding the perfect label to match their ambitions in Bureau B, Propaganda have delivered a third album well worth the wait.
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LP
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R 136LP
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$28.00
PREORDER
RELEASE DATE: 10/4/2024
LP version. Her tracks have been played and recommended by Iggy Pop, Mary Anne Hobbs, and Nine Inch Nails. Zamilska, one of the most original artists on the European electronic scene, presents a new album, United Kingdom Of Anxiety. Combining the rawness of techno and the trance-like nature of world music, industrial sound and a fine blend of trip-hop, the Polish producer created a dystopian, post-apocalyptic, fascinating vision of a collapsing world. United Kingdom Of Anxiety begins with a sonic assault. The breaks and powerful bass in "Phantom" awaken from hypnotic slumber, numbness caused by the daily hustle, serve as a reminder that to survive in an unfriendly world, concentration, willpower and perseverance are essential. The much-needed balance and coolness are brought by huskie vocals -- that is Ola Myszor -- an incredibly talented young artist who appears in several tracks on the album. Besides huskie, there are other guests on "UKOA": Natalia Przybysz, who, with a robotic voice, delivers a manifesto of indomitable, proud solitude in "Persist" and Lukasz Pach, the charismatic frontman of the grindcore band Hostia. His growling is heard in the intense, uncompromising "No Gods," which was presented by Iggy Pop on his BBC6 Music radio show. All the tracks on the album were mixed by Haldor Grunberg from Satanic Audio, known, among other things, for his collaboration with the band Behemoth. The sonic spectrum is also filled with anonymous voices: echoes of quarrels, media messages, sounds of war clamor, monologues -- looped, accelerated, manic, psychotic, but also a wistful singing coming from the depths, from afar. The metaphysical horror of Lovecraft on one hand, and the sober, no less gloomy diagnosis of George Orwell on the other, constantly correspond here. This entire album is a story about society as a whole and the contemporary, dystopian world, which is inevitably heading towards war. The track "1984" clearly defines the inspiration for the artist's post-apocalyptic vision. A distorted radio signal, alarm siren and gabba/techno beats driving into the head like nails serve as an expression of the fear and anger born in a world of impending totalitarianism. Zamilska's original vision captivates with its scope and aura of strangeness and creates a refreshing tension. It also inspires admiration for the producer's craftsmanship -- Zamilska controls every detail of this symphony of horror and, like a true artist, transforms violent emotions into a work of art.
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12"
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SRWAX 023EP
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$15.50
PREORDER
RELEASE DATE: 10/4/2024
Following up on his fantastic full length from a couple years ago, Adriano Mirabile continues to bring forth that down tempo and mid-tempo organic house mood and chillout lounge atmosphere blend with his productions. Side A presents the original Traumfänger tracks showcasing all that listeners loved from the get about what Adriano brings to the imprint. Side B offers up two reinterpretations courtesy of Aus Music recording artist, Lee Jones, and Stasis Recordings mainstay, Sanderson Dear. Both take the chillout and bump up the pulse a bit with their techy flare.
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CD
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R 136CD
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$16.00
PREORDER
RELEASE DATE: 10/4/2024
Her tracks have been played and recommended by Iggy Pop, Mary Anne Hobbs, and Nine Inch Nails. Zamilska, one of the most original artists on the European electronic scene, presents a new album, United Kingdom Of Anxiety. Combining the rawness of techno and the trance-like nature of world music, industrial sound and a fine blend of trip-hop, the Polish producer created a dystopian, post-apocalyptic, fascinating vision of a collapsing world. United Kingdom Of Anxiety begins with a sonic assault. The breaks and powerful bass in "Phantom" awaken from hypnotic slumber, numbness caused by the daily hustle, serve as a reminder that to survive in an unfriendly world, concentration, willpower and perseverance are essential. The much-needed balance and coolness are brought by huskie vocals -- that is Ola Myszor -- an incredibly talented young artist who appears in several tracks on the album. Besides huskie, there are other guests on "UKOA": Natalia Przybysz, who, with a robotic voice, delivers a manifesto of indomitable, proud solitude in "Persist" and Lukasz Pach, the charismatic frontman of the grindcore band Hostia. His growling is heard in the intense, uncompromising "No Gods," which was presented by Iggy Pop on his BBC6 Music radio show. All the tracks on the album were mixed by Haldor Grunberg from Satanic Audio, known, among other things, for his collaboration with the band Behemoth. The sonic spectrum is also filled with anonymous voices: echoes of quarrels, media messages, sounds of war clamor, monologues -- looped, accelerated, manic, psychotic, but also a wistful singing coming from the depths, from afar. The metaphysical horror of Lovecraft on one hand, and the sober, no less gloomy diagnosis of George Orwell on the other, constantly correspond here. This entire album is a story about society as a whole and the contemporary, dystopian world, which is inevitably heading towards war. The track "1984" clearly defines the inspiration for the artist's post-apocalyptic vision. A distorted radio signal, alarm siren and gabba/techno beats driving into the head like nails serve as an expression of the fear and anger born in a world of impending totalitarianism. Zamilska's original vision captivates with its scope and aura of strangeness and creates a refreshing tension. It also inspires admiration for the producer's craftsmanship -- Zamilska controls every detail of this symphony of horror and, like a true artist, transforms violent emotions into a work of art.
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LP
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FAITICHE 037LP
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$28.00
PREORDER
RELEASE DATE: 9/27/2024
Mark Templeton is a Canadian media artist and the founder of Graphical, an audiovisual label dedicated to publishing his own musical and image-based experiments. Mark's audio compositions are constructed from reel-to-reel tape loops and sampled cassettes that are contrasted with contemporary sound techniques. In his published photobooks, he incorporates his own 35mm pictures and found images, focusing on intangible fantasies and realities. During his audiovisual performances, he utilizes digital instruments while projecting his own photographs, VHS footage, Super 8 film, and other sampled video. Mark Templeton's reinterpretation of outdated media as musical instruments makes him a compelling artist for the Faitiche label roster. For his debut on Faitiche, he browsed his old hard drives and invited Andrew Pekler to listen through and co-produce a selection of Mark's unreleased works. The compositions act as a series of snapshots: a look back at a decade of archived sounds, re-envisioned and re-imaged for Faitiche. The album contains nine tracks that follow an AB song structure. Each piece begins with verse A, transitions into verse B, and then ends. This simple formula creates a dichotomy that is also present in Mark's diptych photographs, featured in the artwork. Throughout the album, both juxtaposition and inherent connections are simultaneously at play. One way or another, Two Verses provides a beginner's guide to Mark Templeton's highly idiosyncratic catalog.
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2LP
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CREP 100LP
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$46.50
PREORDER
RELEASE DATE: 9/27/2024
More than two years after the release of Impressões de Outra Ilha, Discrepant's head honcho returns home under his birth name with the appropriately titled Exotic Immensity. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more-rough around the edges collages of previous works under a myriad of aliases, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies. Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau, or '50s pop-science books, the music on Exotic Immensity transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of "Réplica(s)" until the closing moments with the touching chord progression and mangled voices of "Pó Nuno." In-between, the foghorn meets bass clarinet melody of "Ossos" recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of "Desumanização (I & II)" until tape orchestral swells carry listeners into the aether. "Aquário Novo Mundo" brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. The muffled looped rhythmic sequence of "Imagem/Miragem," cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.
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CD
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ML 036CD
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$12.50
PREORDER
RELEASE DATE: 9/20/2024
Monolake: "My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cozy room where ideas emerge, mature, morph, and solidify into their final shape. Studio is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between. Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece. I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavor and history. Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence. Many explorations ended in the trash bin before the results had a chance to be part of Studio. Things did not fall into place, did not feel right. Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again. The closer I got to the final state of Studio the more clarity I found..." Composed, mixed and produced by Robert Henke, 2024.
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2LP
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MOMA 002X-LP
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$36.50
PREORDER
RELEASE DATE: 9/20/2024
2024 repress. First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full-length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is excited to bring this gem to the light. Baroque is remastered and distributed in two 12" to be played in clubs and home sound-systems.
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LP
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BEC 5614225
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$30.50
PREORDER
RELEASE DATE: 9/20/2024
The principles of pleasure radiate a knowing, carnal heat throughout the genre-fluid sound of LSDXOXO. His decade of dedication to the sensibility of underground club culture has brought forth club classics interwoven with pop music hooks and subversive, tongue-in-cheek lyrics. After four years of what LSDXOXO, real name RJ Glasgow, calls a period of "healing and self-discovery," he is consolidating his multiplicitous sound with one compelling masterstroke: the debut album Dogma. Dogma marks a complete paradigmatic shift: it is a poetic and fantastical performance, a route for deep escapism through an expanded musical palette including piano and guitar, and a deeply personal confessional through a fresh approach to song-crafting. Within Dogma, RJ meditates on the interlinked qualities of fame, infamy, lust and submission, as he rediscovers a pure, unadulterated approach to music-making, all the while adopting a futurist approach to pop music appreciation. RJ's unmistakable signatures -- the smutty dancefloor caller, the maker of irresistible bangers, the latter-day electroclash and DnB nostalgist -- take on even more shades and intricacies. The lead single "Ghost" reaches beyond RJ's Philadelphia origins to find itself in the deep south, in a sultry fever dream of coquettish R&B featuring backing vocals from close collaborator Kelela. Elsewhere on the album futuristic love, pensive pop earworms, evocative vintage dance styles and sleazy club tracks intermingle. While the Dogma era will eventually explore remixes and reworks, the album is RJ's purest embrace of himself and his artistry. RJ first garnered attention as LSDXOXO in New York City with his on-the-pulse Soundcloud edits and then as part of the cult GHE20GOTH1K collective. His DJ sets and productions quickly earned him acclaim across globally-linked underground scenes. His decision to shift from sampled vocals to picking up the pen and microphone pushed his reach out to the stratosphere; his association with XL Recordings via the Dedicated 2 Disrespect EP in 2021 was a turning point for the burgeoning superstar. Also featuring Rochelle Jordan.
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2LP
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TOYT 150LP
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$28.50
PREORDER
RELEASE DATE: 9/20/2024
Toy Tonics Italomania Vol. 2 is a compilation dedicated to new Italian disco. 13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals. Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico, and new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi. The Italomania compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It's like a "manifesto." Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music. with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. It's a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names -- even if they are not Italian.
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2LP
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ML 036LP
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$36.50
PREORDER
RELEASE DATE: 9/20/2024
Double LP version.Monolake: "My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cozy room where ideas emerge, mature, morph, and solidify into their final shape. Studio is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between. Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece. I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavor and history. Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence. Many explorations ended in the trash bin before the results had a chance to be part of Studio. Things did not fall into place, did not feel right. Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again. The closer I got to the final state of Studio the more clarity I found..." Composed, mixed and produced by Robert Henke, 2024.
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LP
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BB 466LP
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$26.00
PREORDER
RELEASE DATE: 9/20/2024
LP version. "Parisian-by-choice Detlef Weinrich aka Tolouse Low Trax turns the page again. Always willing for a new episode, notion, impulse, idea, ideal. Searching for some light out there. Now Kiosque Versions, a compilation compiled by himself, featuring seven edits by friends and treasured artists. They renew some rare TLT tunes, as well as hits, that never took the charts by storm. There is French legend and Tigersushi boss Joakim, edging the TLT winner Rushing Into Water from 2016. A guarded stepper, dancy, trippy, with an enchantress on his shoulder, that haunts your body and soul. The 2020 TLT tune "Dawn Is Temporal," taken from his album Jumping Dead Leafs, comes as an old school hip hop leaning track, re-fashioned by New York's Beat Detectives, including Amen-Break and nod-your-head vibes. Producer Ido Plumes from Bristol took "Tristeros Empire" home and worked it club-wise. A nervous beating modification, Detroit machines, motorway funk, cosmic gasps - pure driller killer. Glasgow's Dip Friso stays tense too. Echoes, tribal bounce, manic loops. Another driller in dub heaven. Like Paris based digi-dub explorers Froid Dub, who bring a great wave of warm grooves, making baroque-esk dub friends with "Make Friends," a TLT track from his legendary three-volume strong 2016 Antinote sampler compendium. Their fellow countryman Simo Cell nervously metamorphoses "A Song and a Photo Novella," a TLT soundtrack for a film by artist Nicolàs Guagnini. His version has all that bass, vibrates on an experimental subconsciousness, and aims the dancefloor with a stirring bouquet of rhythmic ideas. The dot on the I comes from TLT himself, remixing his very own music, translating the Gamelan melancholy of "Subghosts," a tune from his 2010 debut album Mask Talk, into today, refined with dubby upsetting notes, a speed lift, and a very playful TLT groove. Let's turn the page." --Michael Leuffen
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CD
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BB 466CD
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$16.50
PREORDER
RELEASE DATE: 9/20/2024
"Parisian-by-choice Detlef Weinrich aka Tolouse Low Trax turns the page again. Always willing for a new episode, notion, impulse, idea, ideal. Searching for some light out there. Now Kiosque Versions, a compilation compiled by himself, featuring seven edits by friends and treasured artists. They renew some rare TLT tunes, as well as hits, that never took the charts by storm. There is French legend and Tigersushi boss Joakim, edging the TLT winner Rushing Into Water from 2016. A guarded stepper, dancy, trippy, with an enchantress on his shoulder, that haunts your body and soul. The 2020 TLT tune "Dawn Is Temporal," taken from his album Jumping Dead Leafs, comes as an old school hip hop leaning track, re-fashioned by New York's Beat Detectives, including Amen-Break and nod-your-head vibes. Producer Ido Plumes from Bristol took "Tristeros Empire" home and worked it club-wise. A nervous beating modification, Detroit machines, motorway funk, cosmic gasps - pure driller killer. Glasgow's Dip Friso stays tense too. Echoes, tribal bounce, manic loops. Another driller in dub heaven. Like Paris based digi-dub explorers Froid Dub, who bring a great wave of warm grooves, making baroque-esk dub friends with "Make Friends," a TLT track from his legendary three-volume strong 2016 Antinote sampler compendium. Their fellow countryman Simo Cell nervously metamorphoses "A Song and a Photo Novella," a TLT soundtrack for a film by artist Nicolàs Guagnini. His version has all that bass, vibrates on an experimental subconsciousness, and aims the dancefloor with a stirring bouquet of rhythmic ideas. The dot on the I comes from TLT himself, remixing his very own music, translating the Gamelan melancholy of "Subghosts," a tune from his 2010 debut album Mask Talk, into today, refined with dubby upsetting notes, a speed lift, and a very playful TLT groove. Let's turn the page." --Michael Leuffen
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LP
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BB 454LP
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$26.00
PREORDER
RELEASE DATE: 9/13/2024
LP version. After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand-new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create the distinct and delirious strand of German music we've come to know as Krautrock. Uncompromising, innovative and experimental, their releases in that period, and the stories accompanying their creation, are nothing short of legendary, and the fact that after a hiatus, the band returned and remained active in a variety of separate and simultaneous incarnations is entirely fitting for these musical revolutionaries. On Blickwinkel, Diermaier's incarnation embrace synchronicity and chance in order to capture the moment in a six-track snapshot of industrial churn, unsettling ambience and psychedelic motorik. Sonically and politically, Blickwinkel is a profoundly Faustian venture, a communal project based on democratic ideals which eschews external influences to create something entirely out on its own. As with the previous LP, Daumenbruch, the journey started with Zappi behind a drum kit at the home studio of his neighbor Dirk Dresselhaus AKA Schneider TM (bass), alongside electronics whizz Elke Drapatz (drum effects). The trio embarked on a session of instant composition, playing wordlessly with a deep empathy to each other as well as the energy in the room. While the Daumenbruch session, which took place in the midst of lockdown, delivered three long-form pieces, this two=hour spell served up six diverse tracks, an audio analogue for the speed of life post-lockdown. Drones, delays, clatter and clang came from all corners -- in fact, only Uwe Bastiansen (Stadtfisch) added melodies, lending long distance support to Dirk Dresselhaus' insistent bass sequences, and channeling the magic of their moment into potent pagan tonalities. The stylistic definitions are constantly disrupted by unexpected guests -- baroque strings, impish horns, found sound breakdowns, or else mind melting phasing and flanging -- each offering a new combination on this radical and forward-facing record.
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CD
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BB 454CD
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$16.50
PREORDER
RELEASE DATE: 9/13/2024
After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand-new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create the distinct and delirious strand of German music we've come to know as Krautrock. Uncompromising, innovative and experimental, their releases in that period, and the stories accompanying their creation, are nothing short of legendary, and the fact that after a hiatus, the band returned and remained active in a variety of separate and simultaneous incarnations is entirely fitting for these musical revolutionaries. On Blickwinkel, Diermaier's incarnation embrace synchronicity and chance in order to capture the moment in a six-track snapshot of industrial churn, unsettling ambience and psychedelic motorik. Sonically and politically, Blickwinkel is a profoundly Faustian venture, a communal project based on democratic ideals which eschews external influences to create something entirely out on its own. As with the previous LP, Daumenbruch, the journey started with Zappi behind a drum kit at the home studio of his neighbor Dirk Dresselhaus AKA Schneider TM (bass), alongside electronics whizz Elke Drapatz (drum effects). The trio embarked on a session of instant composition, playing wordlessly with a deep empathy to each other as well as the energy in the room. While the Daumenbruch session, which took place in the midst of lockdown, delivered three long-form pieces, this two=hour spell served up six diverse tracks, an audio analogue for the speed of life post-lockdown. Drones, delays, clatter and clang came from all corners -- in fact, only Uwe Bastiansen (Stadtfisch) added melodies, lending long distance support to Dirk Dresselhaus' insistent bass sequences, and channeling the magic of their moment into potent pagan tonalities. The stylistic definitions are constantly disrupted by unexpected guests -- baroque strings, impish horns, found sound breakdowns, or else mind melting phasing and flanging -- each offering a new combination on this radical and forward-facing record.
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CD
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RELTIME 009CD
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$13.50
PREORDER
RELEASE DATE: 9/13/2024
The fourth studio album -- Pain Matters -- by Rico Friebe came totally unexpected to him as well as it comes to you now! Deeply affected by personal occurrences within the further realms that already spawned Anthems For A Lost Generation (RELTIME 008CD), Rico fell into an abyss where anything became possible -- anything raw, spell-binding, meditative and bold as Pain Matters.
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CD
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BORNBAD 175CD
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$13.50
PREORDER
RELEASE DATE: 9/13/2024
Among the figureheads of French disco, Bernard Fèvre, better known as Black Devil, probably had the shortest-lived career but was the most brilliant and unique mind of them all. Although his first album Disco Club, released in 1978, went unnoticed at first, it has since become a must-have, a collector's item which has led a lot of listeners to further investigate into his extensive work. From rock music to music hall, sound illustration to disco, pop to reggae, through film music and advertising, Bernard Fèvre has experimented with so many genres that it has been hard not to lose track. One of his best albums even has such an unambivalent title as The Strange World of Bernard Fèvre. Please make your way to a cosmic dimension, verging on the unknown.
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