Search Result for Genre ELECTRONIC
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LP
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LUV 044LP
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$27.00
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RELEASE DATE: 12/1/2023
The sonic movement once known as downbeat continues to cast a long and intimidating shadow over the Austrian electronic music scene, with influential figures like Kruder & Dorfmeister reigning atop a metaphorical mountain of venerable dubplates, resembling ancient gods. Now, emerging from the depths of this mountain, comes Triangle, poised to rejuvenate the genre with Amor Fati, brimming with the purest liquid downbeat gold. Featuring an abundance of dusty breaks, reggae vocals, atmospheric keys and strings, dub stabs, wonky acid sequences, and deep basslines, these tunes check all the right boxes without ever feeling like mere imitations. The overall vibe remains warm, mellow, and hazy, while each track seamlessly weaves in an array of peculiar soundbites. Dive into the depths of Amor Fati, an album that bridges eras of timeless electronic soundscapes.
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LP
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BUS 010LP
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$29.50
PREORDER
RELEASE DATE: 11/27/2023
Originally released as a picture disc in 1986, this is D-Day's first LP, presenting a beautiful mix of minimal synth, new wave, and bossa nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-DAY was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, and swirling guitars. A unique album!
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2LP
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GLOSSY 017LP
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$39.50
PREORDER
RELEASE DATE: 11/27/2023
Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects musical contrasts and contradictions as our existence so often does. It's about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and unusual production with a strong DIY flavor are a conscious choice to keep the spontaneity vibing. A pure and direct self, exploring a realm of sound with sharp curiosity, emotion, and humor. Where simplicity and complexity marry. soFa leaves all boundaries behind and lets many of his influences confluence to find his very own sound. One can feel it is a very personal exploration which shines in its authenticity. Unconsciously or not, traces of IDM, disco, new beat, dub, and Krautrock cross heavenly paths and get augmented with ironic vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel. A man shaping and finding his authentic sound and take you to this journey of his very own "style-no-style". All tunes were improvised, recorded, and arranged within ten days in a wooden cabin, isolated in the middle of nature in Alentejo/Portugal in spring 2022. This album was not meant to happen. No overdubs.
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2LP
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SMALL 016LP
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$32.00
PREORDER
RELEASE DATE: 11/24/2023
DJ Assam delivers his inaugural project under his own name Joe Davies. Entitled Shields In Full Sunlight and comprising eight original cuts, his debut album is full of beautiful shades, unexpected twists and twirling melodies. The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Record sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond. Through the project, Davies offers up textural ethereal numbers like opener "Hi Life" (featuring his brother Daniel aka Ossia, "Smile and Wave" and closing track "Nefyn." Also on offer is the more signature deep and dubby Smallville house sound with tracks like "Two Hours Earth Room," "Cygnus" (featuring Space Drum Meditation), and "AMY" (featuring Johan Kaseta), while the likes of "Echo Form" sees Davies deviate into Bruk with broken rhythms and jazzy melodies or "Movement Into The Breach," which embraces a more mystical, Balearic-tinged aesthetic. Once again Smallville delivers raw deep and understated music for the heads with Joe Davies' Shields In Full Sunlight LP. Full cover artwork by Stefan Marx.
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CD
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BB 441CD
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$16.50
PREORDER
RELEASE DATE: 11/24/2023
With Ein Bündel Fäulnis in der Grube, Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
"In 1983, during the completion of this album, some ideas and views of the future changed for me. While everyone's mind was still haunted by the admonishingly gloomy vision of George Orwell's 1984, the release of the motion picture Blade Runner had a lasting effect. It depicted a world that can no longer be saved: Acid rain is pouring down derelict buildings and humanity has to confront fugitive cyborgs as a result of artificial intelligence gone wrong. The future however was not quite so clear-cut as those pictures: dystopian imaginings were also being layered with mosaic pieces of a pop history that saw itself as a source of hope, a supposed counterculture. Could this promise be fulfilled or was it simply a 'productive misunderstanding?' With the onset of digitalization, the new musical tools -- first and foremost the techniques of 'sampling' and computerized sequencing -- were enthusiastically met by me and many others, a generation of William Burroughs readers whose sensibility had been nurtured by 'cut-up' and 'automatic writing.' And so everything flowed together on this album: the esoteric heritage of various hippie and alternative movements and their expressions in 'pop,' the underlying currents of 'Modernism' and the influences of European 'neue musik.' The resulting musical pieces on the album celebrate this moment in its simultaneity, its confusion and its new confidence." --Holger Hiller
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LP
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BB 441LP
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$26.00
PREORDER
RELEASE DATE: 11/24/2023
LP version. With Ein Bündel Fäulnis in der Grube, Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
"In 1983, during the completion of this album, some ideas and views of the future changed for me. While everyone's mind was still haunted by the admonishingly gloomy vision of George Orwell's 1984, the release of the motion picture Blade Runner had a lasting effect. It depicted a world that can no longer be saved: Acid rain is pouring down derelict buildings and humanity has to confront fugitive cyborgs as a result of artificial intelligence gone wrong. The future however was not quite so clear-cut as those pictures: dystopian imaginings were also being layered with mosaic pieces of a pop history that saw itself as a source of hope, a supposed counterculture. Could this promise be fulfilled or was it simply a 'productive misunderstanding?' With the onset of digitalization, the new musical tools -- first and foremost the techniques of 'sampling' and computerized sequencing -- were enthusiastically met by me and many others, a generation of William Burroughs readers whose sensibility had been nurtured by 'cut-up' and 'automatic writing.' And so everything flowed together on this album: the esoteric heritage of various hippie and alternative movements and their expressions in 'pop,' the underlying currents of 'Modernism' and the influences of European 'neue musik.' The resulting musical pieces on the album celebrate this moment in its simultaneity, its confusion and its new confidence." --Holger Hiller
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LP
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OP 073LP
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$30.00
PREORDER
RELEASE DATE: 11/17/2023
Singer, songwriter and author Ali Sethi had been entranced by Jaar's music long before they began collaborating. He'd absorbed the sounds over a number of years, listening casually and taking in their subtleties in bars and rooftop parties across Lahore and London. So when the two were finally introduced by Indian visual artist Somnath Bhatt, a regular Jaar collaborator who also handled the album's artwork, Sethi was well prepared. He began to sketch out voice notes using loops snipped from Jaar's acclaimed 2020 album Telas, improvising vocalizations and seductive Urdu poems over Jaar's weightless, time-bending productions. Improvisation has been important to the Chilean artist for many years. Before he had even started making electronic music, Jaar jammed on accordion with friends on the street in New York City. It's at the core of his practice, "a moment in time," in his own words. Sethi is best known globally for his attempts to revive the ghazal, an ancient poetic form that was taken by Sufi mystics from the Arab world to Persia and throughout the Indian subcontinent, where it captivated the royal court. It's been unfashionable in the last few decades, a mannered style associated with decadence, and Sethi offers it a new lease of life through his playfully revisionist covers and renditions. Sethi updates the ghazal form by using his years of training in raga music, lifting metaphors that reflect his journey as an out-of- place queer kid in Pakistan who became a US citizen and now lives in New York City.
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CD
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MACROM 074CD
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$14.50
PREORDER
RELEASE DATE: 11/17/2023
Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental and chamber performances form emergent orchestral opulence -- just to spill over into actual orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple recordings of Igor Stravinsky's "Le Sacre du Printemps." However, this mix traverses the disparities and convergences of seven decades of score-based music with impressively results. A metalevel polystylistic work that explores vast potentials of integration, interaction and interference. An antidote to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing concepts of music are channeled into one continuous flow, with a coherent DJ performance as the vehicle.
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12"
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XBITXS 002EP
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$17.50
PREORDER
RELEASE DATE: 11/10/2023
"Stop Violence Against Women" has been the life-long credo from Rico Puestel and Make A Way (For Women) is a stomping protest of 11 minutes and 11 seconds that proclaims the fortitude of women! What Rico himself has to say about it: "With my 2022 Friebe-projects Jenni and Jenni II, I started to make a public appearance on this topic of violence against women musically. Back in childhood days, I already felt an intensely unjust manner and imbalance regarding women in society and an almost predetermined non-equality. The violence always seemed so ever-present, even in the smallest details of behavior and the associated self-understanding of men within their deeper planted attitude towards. I always felt an honorable glory and profound importance in women that seems impeccable and unreachable for men. It's clear that men would just be memories and ghosts without women... Musically speaking, while growing up with Gabba and Trance in the 1990s, I simply feel no charm to nowadays reflection on these times with productions and releases that somehow just sound insincere and scheming. I'm missing the real attitude, feel and groove that doesn't even care if it's techno, house or whatever and I'm also missing some of the stylistic approaches as well as the spirit from the Minimal-era. Based on all those thoughts, Make A Way (For Women) became this clenched fist - raised for good!"
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LP
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MONKEY 128B-LP
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$23.50
PREORDER
RELEASE DATE: 11/10/2023
Kabeaushé once described their music as "the complete opposite" of the hardcore leftfield electronic sounds of their then labelmates on Nyege Nyege Tapes. And at the time that was true: the Kenyan polymath's sound on their debut album The Coming of Gaze was fiercely and single-mindedly focused towards giddy pop rush, old school party hip hop upfulness, clean sounds, gentleness, bounciness, positivity and joy. Now, though, the lines are not quite so clear. On their new material for Monkeytown, a little more rawness, weirdness and rave energy seems to have soaked in. On Hold On To Deer Life, There's A Blcak Boy Behind You, you can hear the drive and energy in every atom of the sound and lyrics of the record. This is music forged through fearless opposition to adversity, negativity and hate, and it is electric with determination to shine ever brighter and brighter, in performance as in life. This is a talent of global proportions coming to maturity, and you'd better be ready for it to explode out into the world.
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12"
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MONKEY 130EP
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$14.50
PREORDER
RELEASE DATE: 11/10/2023
Serpentine grooves, chest-rattling bass and dextrous melodies -- Parisian producer Sylvere's productions capture the magnetic power of soundsystem music. As a producer, his heavy-hitting, mesmeric tracks have established him as one of the most exciting new voices in bass music. Through his radical arts collective LA CREOLE, Sylvere has been an essential figure in championing marginalized sounds and communities, creating an inclusive space on the dancefloor for consciousness-raising, "partying as a form of campaigning" as they put it. Sylvere's EP3 combines that same uncompromising, global outlook with the raucous energy of his earlier releases to create his most daring and sophisticated work to date. The third and final installment of a three-part EP series for Monkeytown, EP3 refines the incendiary sound palette and boisterous rhythms of its predecessors into something even more potent. His sound design in particular has been sharpened to a razor-edge, Sylvere paradoxically amping up the intensity through stripping back his productions to introduce more space. Each swaggering kick and percussive snap lands harder, humid bass rising like heat from the concrete to mingle with arcing melodies. Raised in Paris with roots in the French West Indies, Sylvere combines an immersion in the history of soundsystem music with a keen eye on the future of the music. Through both his own shapeshifting productions and his work with LA CREOLE, Sylvere celebrates Caribbean culture and identity through highlighting its indelible influence on modern dance music. With the producer already starting work on a new full-length, EP3 is the perfect closing chapter to a series that has demonstrated Sylvere's versatility and skill as a producer, standing as a bold statement that plays to the full strength of his powers. Also featuring Le Diouck.
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2CD
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ZKR 1101CD
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$20.50
PREORDER
RELEASE DATE: 11/10/2023
An astonishing meeting of two instrumentalists: Kasper T. Toeplitz (electric bass) and Reinhold Friedl (piano), but even more undoubtedly a musical union between two composers: the music is clearly built on a double thought of the architecture of time, of the creation, disappearance and mutation of textures much more than on classical virtuosity, an adequacy to the organological principles of the instruments. Piano and electric bass. Both musicians have left the familiar paths of their instruments to make them the tools of their compositional principles. This opens up new possibilities -- which here extend to the finest level of sound textures. As Laurent Nerzic turned it in the renowned French music journal Revue&corrigée #136: "This piano/electric bass duo offers us two hours of menacing music. I invite you to listen carefully to the roundness of Kasper's bass, particularly at the end of the first piece, which suddenly takes a less abstract and unexpected turn, while Reinhold's piano regularly strikes up a sustained funeral march. Two hours of organic music that never ceases to grow and diminish in perpetual motion. In any case, this disc is overflowing with finesse, richness and subtlety."
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12"
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PP 095EP
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$18.00
PREORDER
RELEASE DATE: 11/10/2023
Wolfram and Josh Ludlow take you to the disco on Yo Yo Disco.
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12"
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GPM 733EP
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$17.50
PREORDER
RELEASE DATE: 11/10/2023
Two accomplished house mainstays come together on Get Physical Music as James Curd joins forces with the legendary Osunlade for superb new single Chocolate Puddin' while FNX Omar and Kai Alcé step up with their own remixes. Curd came up as a DJ in Chicago and has gone on to become a mainstay of the scene. He is also credited with inventing GSwing, a house sound infused with swing. He has run various labels over the years while releasing on some of the world's finest imprints and serving up his magical sets everywhere from fabric in London to The Avalon in Los Angeles and The Arches in Glasgow. American Osunlade meanwhile has deep spiritual roots in Yoruba traditions that are also reflected in the name of his record label. He makes music with a rare spirituality as proven once again here. The superb Chocolate Puddin' is silky smooth deep and Afro-tinged house with gorgeous percussive melodies and soft shakers. It's full of soul and warmth with meaningful leads that bring plenty of uplifting emotions next to a bluesy vocal. Atlanta's house mainstay and a long-time underground favorite Kai Alcé then remixes. His version is more pacey but no less deep -- the jazzy chords are seductively draped over the cuddly deep drums and the vocal has a more soulful edge. Osunlade also offers his own Yoruba soul mix which is a hi-tech sound with futuristic synth chords and uplifting house drums. Last to remix is Moroccan mainstay and label regular FNX Omar. He flips the track into something that is richly layered with percussion and nimble bass, organic hand claps and hypnotic drum lines that all sink you in deep. This package is as delicious as its name suggests.
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LP
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BEWITH 135LP
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$31.50
PREORDER
RELEASE DATE: 11/3/2023
Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super slow and super heavy library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's varied throughout, but all absolutely fantastic. Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in two of his best-loved guises -- Sammy Burdson and Norman Candler -- as well as a couple of fine offerings from Antonio Campo. The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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2LP
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WHP 1465LP
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$32.00
PREORDER
RELEASE DATE: 11/3/2023
This is the one and only Sade caught live for Veronica's Rock Night TV broadcast on September 21, 1984 in the Netherlands, just a few months after the release of her first single "Your Love Is King." Sade is backed here by her original group, an elegant, super tight line- up featuring all four members appearing on her outstanding debut album Diamond Life plus a two-piece brass section and percussion. Needless to add that 1984 was a crucial year in Sade's career. That was when the world suddenly discovered her highly sophisticated, soulful sound world. Now, if you want to catch the whole energy of such discovery, these high-quality live recordings are the right stuff to start with. Line-up: Sade Adu (vocals); Paul S. Denman (bass); Andrew Hale (keyboards); Stuart Matthewman (guitar, saxophone); Dave Early (drums); Martin Ditcham (percussion); Terry Bailey (trumpet); Gordon Matthewman (trombone).
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12"
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SAT 060EP
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$16.00
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RELEASE DATE: 11/3/2023
Sean La'Brooy is an Australian producer and composer currently based in New York, who's work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La'Brooy has hooked up with the Scissor and Thread label to put out Merchant -- five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. "Snow Storm" starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. "Cargo" is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. "Pilot" is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. "Storage" too features a guest -- New York based drummer Leo Yucht -- who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is "Helipad," a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.
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LP
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AMEL 728LP
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$25.00
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RELEASE DATE: 11/3/2023
Producer Tom Thiel has worked in the medium of electronic music since the 1980s and has been active in the musical epicenter of Berlin since 1987. With the Sun Electric Duo, he was already at the forefront of live/"real-time." Though not everyone becomes exceptional on the basis of "veteran" status alone, Thiel's latest work shows that he has made good on one of the main promises held out by electronic music and sound synthesis: namely, that it would also provide unexpected, novel, highly individualized syntheses of different attitudes, atmospheres, and affects. This is happily the case with Thiel's new Arjunamusic release, his first full solo outing since his eponymous 2011 album (STRIKE 125CD, 2011): it's a series of colorful, self-contained vignettes that are perceptibly drawn from an eclectic pool of personal experiences and insights. Like similarly successful musical projects, Thiel's Album utilizes all of the above strengths to craft a rewarding listen in its own right, but also to spark curiosity about what other as-of-yet unrealized fusions may be waiting ahead.
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LP
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KINDER 016LP
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$23.50
PREORDER
RELEASE DATE: 11/3/2023
New York-based label Kindergarten Records presents Ayesha's debut album, Rhythm is Memory -- ten boundary-pushing tracks, a shape-shifting percussive journey with electric moments. While intended for maximum dancefloor impact, Ayesha's first LP is also conceptually thought-provoking and playful, exploring how bodies store and channel creative knowledge. This debut LP represents a significant step-up for both the artist and the imprint, as they strive harmoniously towards a shared goal: delivering a sonic experience full of colorful, otherworldly bass-fueled expansion. Rhythm is Memory captures Ayesha's signature love for driving techno and organic percussion, while at moments veering into newer electro territory while keeping it psychedelic, spacious, dubby, and always playful. This feels intuitively right for a producer at a crossroads in her career. All tracks intricately weave together pulsing drum grooves, slinky synths, nuanced melodies, and delightfully unexpected twists. No single genre can do justice to describing this project as Ayesha delicately nods to many, reveling in the spaces between. Undoubtedly, across A and B sides, Rhythm is Memory imparts the joy of sonic experimentation to listeners and dancers. Ayesha invites us into her creative process and its steady evolution -- rooted in many days and nights of exploration, reflection, and repetition. To mark this impressive milestone in their catalog, Kindergarten Records is proud to return to pressing vinyl after a hiatus since 2020, recognizing the significance of putting out a physical release to behold such a moment in both the label's and the artist's trajectory.
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2LP
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PILOTTON 020LP
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$31.50
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RELEASE DATE: 11/3/2023
Boozoo Bajou celebrate their 25th anniversary with new album! 25 years after their first 12" Release Night over Manaus, Boozoo Bajou present us their fifth full length studio album. The Nuremberg downbeat funkster have 12 new tracks and they chose Finistère as the title for this masterpiece on their own label Pilotton. The double vinyl album alongside the digital release shows the return of Boozoo Bajou to their roots manifested in 2001 with their timeless debut album Satta (PILOTTON 005LP, 2022). Again, the musical ingredients include soul, dub, jazz, Latin, and blues vibes played and arranged in classic Boozoo Bajou style. Being strictly downtempo Finistère manages to melt all these elements and influences into one warm sounding listening experience based on excellent mixing and mastering by Boozoo Bajou member Peter Heider. Vocals are delivered by Steve Spacek and Jules while Fürsattl and MODALiST participate as co-producers.
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LP
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BALMAT 008LP
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$26.00
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RELEASE DATE: 11/3/2023
Together, JD Walsh and Jeff Crompton are Anagrams, and their debut album Blue Voices might initially seem like a departure from Balmat's habitually electronic terrain. It's not ambient music, but it's also not not ambient music, at least to listeners in the right frame of mind. On Blue Voices, Crompton plays alto and tenor saxophone, clarinet, electric piano, and organ; Walsh lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color. Across the album's 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois' pedal steel; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue.
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LP
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LY 004LP
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$26.00
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RELEASE DATE: 11/3/2023
If there's one specific component that grounds Sky Flesh, it's focus. Italian musician and sound designer Marta De Pascalis flexed her technical muscle on 2020's Sonus Ruinae, layering various sounds and processes in an attempt to touch the sublime. In contrast, Sky Flesh is a single thought, composed using just one instrument: the Yamaha CS-60. A slimmed-down sibling to the gargantuan CS-80 -- the analog synthesizer used by Vangelis to create his iconic Blade Runner score -- the CS-60 was released in 1977, a few years before the MIDI protocol was introduced to help standardize production methods. MIDI would change the electronic music landscape completely, offering a level of control that De Pascalis consciously relinquishes, preferring to highlight expressiveness and timbre, elements more readily associated with acoustic instruments. The album arrives as much of the wider experimental scene busies itself with algorithmic composition and AI-assisted modeling; De Pascalis chooses to work instead like an organologist, harnessing the CS-60's mercurial magic to suggest deeper truths about our evolving relationship with machines. Using timbres that recall a time when electronic music still waved towards the future, De Pascalis' melodic content is rooted in early and Renaissance music, almost cleaving it from history entirely. Fittingly, Sky Flesh is released on acclaimed Italian composer Caterina Barbieri's burgeoning Light-Years label, the ideal platform for her labyrinthine, cosmic vignettes.
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LP
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BEWITH 136LP
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$31.50
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RELEASE DATE: 11/3/2023
Sven Torstenson's notorious Drugs is a loopdigga's fever dream, bursting with breaks for days and featuring possibly the most iconic cover of all library music's cult classics. First released in 1980, it's now a hyper-rare and seriously sought-after electronic album full of experimental soundscapes and samples just waiting to be flipped. It's both terrifying and terrifyingly good. So much so, it's been brilliantly sampled by Kendrick Lamar and Chance The Rapper. The audio for Drugs has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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12"
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SMFV 001EP
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$17.50
PREORDER
RELEASE DATE: 10/27/2023
Summit Fever is a pair of industry veterans who opt to stay out of the spotlight and prefer to let the music speak for itself. Here they emerge from the shadows with a four-tracker entitled Something Forever that includes a mesmerizing remix by Larse (Defected, Glitterbox, DFA, Eskimo). Prepare to be taken on an exhilarating journey back in time as they showcase their love for classic '90s house that is set to captivate the hearts and ears of house music enthusiasts and reignite the flame of nostalgia. DJ support: Wolfram, Jimpster, Marcel Vogel, Graeme Park, Souldynamic, Hifi Sean, Androosh, Johannes Albert, Willie Graff, Dave Jarvis, Pastaboys, DJ Harri, Lisa Loud, Jerry Bouthier, Kiko Navarro, Kelvin Andrews, Neil, Diablo, Lex Athens, Rocksteady Disco, Flash Atkins, FSQ, Mr Shiver, Ravanelli Disco Club, Ed Mahon.
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