|
|
|
|
viewing 1 To 25 of 64 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
ZEDD 046LP
|
Double-LP version features: Synergy, Donnell Pitman, Betty Padgett, Bollyn Thompson, Are & Be, Bramsam, Lord Of Storm, Jonnie Vibes Lambert., The Olympics, The G.T.'s, Mary Gold, and Al "Man" Muntzie and The Embraceables. Housed in a gatefold sleeve. Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. It's now the turn of one of the scenes most prolific but yet unknown collectors, Winston. Outside of the established record collectors Winston is pretty much unknown but those that know of him will tell you that despite his low profile he has one of the best record collections around. Sean P remembers his first trip to Winston's house in the sleeve notes: "When I visited his house for the first time, I felt like a beginner -- my expectations were far exceeded by the neat rows and piles of 12"s and LPs everywhere; and I had brought along a foolscap notebook which after eight hours or so, expanded my wants list considerably. I thumbed through hundreds of weird and mysterious independent and major label releases. Winston played whatever I was interested in hearing, occasionally spinning random 7" ('Space Funk' by Manzel, for example) and various LP cuts of his choice. I had perused around half of the collection by the time I left, but I'll never forget that kid-in-a-toyshop feeling, along with the realization of Winston's buddha-like status as a master of this arcane pastime . . . Winston is still doing the 'rounds weekly; and since the Hammersmith Black Music Record events of the mid-80s, he's missed few record fairs, if any -- trading with dealers & fellow collectors and parting with cash when necessary. Surprisingly, he has no truck with the internet -- somewhat curious to the rest of us who now can't imagine life without it. And as a man with no online presence, knowledge of Winston's existence is restricted to the real world. Some justification, perhaps, for giving this fervent ambassador of all things boogie an opportunity to share some of his favorites beyond those in the know. So for Volume Seven of the Under The Influence series Winston has included tracks taking in soul, funk, disco, and boogie with many of the tracks costing hundreds if you were able to find the originals."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 046CD
|
Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. It's now the turn of one of the scenes most prolific but yet unknown collectors, Winston. Outside of the established record collectors Winston is pretty much unknown but those that know of him will tell you that despite his low profile he has one of the best record collections around. Sean P remembers his first trip to Winston's house in the sleeve notes: "When I visited his house for the first time, I felt like a beginner -- my expectations were far exceeded by the neat rows and piles of 12"s and LPs everywhere; and I had brought along a foolscap notebook which after eight hours or so, expanded my wants list considerably. I thumbed through hundreds of weird and mysterious independent and major label releases. Winston played whatever I was interested in hearing, occasionally spinning random 7" ('Space Funk' by Manzel, for example) and various LP cuts of his choice. I had perused around half of the collection by the time I left, but I'll never forget that kid-in-a-toyshop feeling, along with the realization of Winston's buddha-like status as a master of this arcane pastime . . . Winston is still doing the 'rounds weekly; and since the Hammersmith Black Music Record events of the mid-80s, he's missed few record fairs, if any -- trading with dealers & fellow collectors and parting with cash when necessary. Surprisingly, he has no truck with the internet -- somewhat curious to the rest of us who now can't imagine life without it. And as a man with no online presence, knowledge of Winston's existence is restricted to the real world. Some justification, perhaps, for giving this fervent ambassador of all things boogie an opportunity to share some of his favorites beyond those in the know. So for Volume Seven of the Under The Influence series Winston has included tracks taking in soul, funk, disco, and boogie with many of the tracks costing hundreds if you were able to find the originals." Double-CD version features: Mary Gold, Doug Payne & Polygon, Bollyn Thompson, Betty Padgett, Bilalian Creation, Expose, Lord Of Storm, Jungle Band, RG's All Nite Funk Band, T.T. Sotto, Bramsam, Jonnie Vibes Lambert, Synergy, Donnell Pitman, Al "Man" Muntzie and The Embraceables, Are & Be, Juice, The G.T.'s, Eklips, Ms. Victoria Barnes, The Olympics, Suave, and The Rappers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 018LP
|
Subtitled: A Collection of the UK's Finest Underground Soul Jazz-Funk and Disco. Backstreet Brit Funk, compiled by Dave Lee aka Joey Negro is a double disc album featuring highly-collectable tracks from the late '70s through to the mid-'80s with sleeve notes from soul weekender veteran Mark Webster. This compilation will appeal as much to fans of labels like Soul Jazz as the usual Z Records collectors. Brit Funk tells the story of the underground scene in the UK when punk and disco were giving way to a new blend of jazz, soul and funk, heavily influenced by the American big-hitters of the day but re-worked by the UK pioneers for the British dancefloors. This is a unique selection of high quality music, which will have a shelf-life lasting well beyond the currents trends and fads. All tracks have been Cedared and re-mastered to a very high standard and now sound better than ever before. Joey Negro has also re-edited many of the tracks exclusively for this album, updating them with a fresh new approach. A collection of rare and very sought-after underground British disco, funk and soul tracks avoiding the obvious hits. Many of these tracks never went beyond a very small local release but have since become very collectable. Buying this lot would set you back somewhere in the four figures. When it comes to being at the cutting edge of clubbing culture, the Brits are always right there at the front of the line. Just as revolutionary as the clubber's style was the music they were into -- often provided by American musicians easily twice their British audience's age and what's more, very much from the American jazz establishment. Names such as Roy Ayers, Lonnie Liston Smith, Donald Byrd and George Duke had already been around as dedicated jazzers, while groups such as Earth, Wind & Fire and The Crusaders were also borne out of that tradition. Created by British musicians for the UK audience, Brit funk was raw and up-tempo and what it lacked in the smooth finesse of the polished American jazz funk, it made up for with unbridled enthusiasm and energy. Joey Negro has some of the genuinely "unsung" heroic records of the style; hard-to-find but absolutely right THERE in terms of those soul, jazz, funk and disco influences -- with that Brit funk twist. Features China Burton, Joey Negro, Ed Bentley, Style X, Mirage, Savanna, Ritual, MBT, Ranson, McKenzie & Friends, 52nd Street, The Cool Notes, and Nigel Martinez.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 045CD
|
Classic disco reworked from original multi-track tapes, Joey Negro's Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax. Lee says, "I can clearly remember in the 1980s having fantasies about being a remixer and dreaming of tweaking my favorite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true." Remixed With Love Volume 3 has been a real labor of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn "Champagne" King, Odyssey and many more vying for attention across a stunning three-part gatefold double vinyl/double CD release. As one would expect from an artist of Lee's caliber, he's taken the task extremely seriously. There are few producers with either the confident or ability to take on records of this heritage, but Lee has once again proved that when it comes to sensitive re-workings of disco staples, he's in a league of his own. All the remixes here are new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any disco devotee. Also features: Ashford & Simpson, Gladys Knight & The Pips, Earth, Wind & Fire, Eddie Kendricks, Brenda Russell, L.T.D., Michael Wycoff, Gwen McCrae, Samuel Jonathan Johnson, Mass Production, Lonnie Liston Smith, Mtume, Glenn Jones, Slave, Venus Dodson, Booker T., Patrice Rushen, and Deniece Williams.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 045LP
|
Part one of three double-LP versions; gatefold sleeve. Classic disco reworked from original multi-track tapes, Joey Negro's Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax. Lee says, "I can clearly remember in the 1980s having fantasies about being a remixer and dreaming of tweaking my favorite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true." Remixed With Love Volume 3 has been a real labor of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn "Champagne" King, Odyssey and many more vying for attention across a stunning three-part gatefold double vinyl/double CD release. As one would expect from an artist of Lee's caliber, he's taken the task extremely seriously. There are few producers with either the confident or ability to take on records of this heritage, but Lee has once again proved that when it comes to sensitive re-workings of disco staples, he's in a league of his own. All the remixes here are new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any disco devotee. Also features: Ashford & Simpson, Gladys Knight & The Pips, Earth, Wind & Fire, Eddie Kendricks, Brenda Russell, L.T.D., Michael Wycoff, Gwen McCrae, Samuel Jonathan Johnson, Mass Production, Lonnie Liston Smith, Mtume, Glenn Jones, Slave, Venus Dodson, Booker T., Patrice Rushen, and Deniece Williams.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 045Z-LP
|
Part three of three double-LP versions; gatefold sleeve. Classic disco reworked from original multi-track tapes, Joey Negro's Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax. Lee says, "I can clearly remember in the 1980s having fantasies about being a remixer and dreaming of tweaking my favorite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true." Remixed With Love Volume 3 has been a real labor of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn "Champagne" King, Odyssey and many more vying for attention across a stunning three-part gatefold double vinyl/double CD release. As one would expect from an artist of Lee's caliber, he's taken the task extremely seriously. There are few producers with either the confident or ability to take on records of this heritage, but Lee has once again proved that when it comes to sensitive re-workings of disco staples, he's in a league of his own. All the remixes here are new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any disco devotee. Also features: Ashford & Simpson, Gladys Knight & The Pips, Earth, Wind & Fire, Eddie Kendricks, Brenda Russell, L.T.D., Michael Wycoff, Gwen McCrae, Samuel Jonathan Johnson, Mass Production, Lonnie Liston Smith, Mtume, Glenn Jones, Slave, Venus Dodson, Booker T., Patrice Rushen, and Deniece Williams.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 045X-LP
|
Part two of three double-LP versions; gatefold sleeve. Classic disco reworked from original multi-track tapes, Joey Negro's Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax. Lee says, "I can clearly remember in the 1980s having fantasies about being a remixer and dreaming of tweaking my favorite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true." Remixed With Love Volume 3 has been a real labor of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn "Champagne" King, Odyssey and many more vying for attention across a stunning three-part gatefold double vinyl/double CD release. As one would expect from an artist of Lee's caliber, he's taken the task extremely seriously. There are few producers with either the confident or ability to take on records of this heritage, but Lee has once again proved that when it comes to sensitive re-workings of disco staples, he's in a league of his own. All the remixes here are new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any disco devotee. Also features: Ashford & Simpson, Gladys Knight & The Pips, Earth, Wind & Fire, Eddie Kendricks, Brenda Russell, L.T.D., Michael Wycoff, Gwen McCrae, Samuel Jonathan Johnson, Mass Production, Lonnie Liston Smith, Mtume, Glenn Jones, Slave, Venus Dodson, Booker T., Patrice Rushen, and Deniece Williams.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 044LP
|
Part One of two. Double LP. Gatefold sleeve. Z Records continues its commitment to unearthing the obscure and long-forgotten tracks from the last 40 years with the much-anticipated follow up to Backstreet Brit Funk. Volume 2 has been eight years in the making and continues to showcase the best of the genre from the late '70s to early '80s, compiled once again by Joey Negro. Brit funk is perhaps one of the UK's most under-appreciated genres. Emerging in the late '70s and taking influences from jazz, funk, reggae, and pop, by the early '80s it had spread all over the UK. Brit funk was essentially the UK's answer to underground disco. Like disco, the Brit funk scene was significant in reducing racial boundaries in the clubs and raising the profile of black and white musicians who worked together. Back in 2010 Joey Negro complied the first volume of Backstreet Brit Funk. The fact that it's taken eight years for Volume 2 to see the light of day is a testament to the both the obscurity of the records included, and the logistical challenges involved in digitizing what started life as vinyl-only releases. It's incredible how rare some of the records included on Vol.2 are and how diverse the sounds become. Though well over half the album's material comes from the likes of Touchdown, Rick Clarke, and Savanna, which have the classic slapped bass-driven Brit funk sound that many will be familiar with, it also features acts like Mercy Mercy, AD 2000, and Veira Krew who were releasing a little later in the scene's evolution, employing drum machines and resulting in more synth-based records. Paul Bailey Sound and Eastbound Expressway were earlier acts, experimenting with the disco sound, whilst I.C.Q. is a classic early '80s UK jazz dance cut that's never been released beyond the original white/green label.
Part One (ZEDD 044LP) of two double LPs features Rick Clarke, Savanna, Proton, The Oceans, Kandidate, The Paul Bailey Sound, Janet Kay, Veira Krew, Rare Moods, and Powerline.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 044CD
|
Z Records continues its commitment to unearthing the obscure and long-forgotten tracks from the last 40 years with the much-anticipated follow up to Backstreet Brit Funk. Volume 2 has been eight years in the making and continues to showcase the best of the genre from the late '70s to early '80s, compiled once again by Joey Negro. Brit funk is perhaps one of the UK's most under-appreciated genres. Emerging in the late '70s and taking influences from jazz, funk, reggae, and pop, by the early '80s it had spread all over the UK. Brit funk was essentially the UK's answer to underground disco. Like disco, the Brit funk scene was significant in reducing racial boundaries in the clubs and raising the profile of black and white musicians who worked together. Back in 2010 Joey Negro complied the first volume of Backstreet Brit Funk. The fact that it's taken eight years for Volume 2 to see the light of day is a testament to the both the obscurity of the records included, and the logistical challenges involved in digitizing what started life as vinyl-only releases. It's incredible how rare some of the records included on Vol.2 are and how diverse the sounds become. Though well over half the album's material comes from the likes of Touchdown, Rick Clarke, and Savanna, which have the classic slapped bass-driven Brit funk sound that many will be familiar with, it also features acts like Mercy Mercy, AD 2000, and Veira Krew who were releasing a little later in the scene's evolution, employing drum machines and resulting in more synth-based records. Paul Bailey Sound and Eastbound Expressway were earlier acts, experimenting with the disco sound, whilst I.C.Q. is a classic early '80s UK jazz dance cut that's never been released beyond the original white/green label.
Double CD version (ZEDD 044CD) features Savanna, Rick Clarke, The Antilles, The Hudsons, Paradise, Index, The Oceans, Powerline, Janet Kay, Veira Krew, AD 2000, Mercy Mercy, Touchdown, Caché, Congress, Rare Moods, Kandidate, Paul Bailey Sound, Eastbound Expressway, Proton, Ritual, Cloud, Brazelia, and I.C.Q.. Part One (ZEDD 044LP) of two double LPs features Rick Clarke, Savanna, Proton, The Oceans, Kandidate, The Paul Bailey Sound, Janet Kay, Veira Krew, Rare Moods, and Powerline. Part Two (ZEDD 044X-LP) of two double LPs features Caché, Congress, The Hudsons, The Antilles, Index, Cloud, Touchdown, AD 2000, Paradise, and Ritual.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 044X-LP
|
Part two of two. Double LP. Gatefold sleeve. Z Records continues its commitment to unearthing the obscure and long-forgotten tracks from the last 40 years with the much-anticipated follow up to Backstreet Brit Funk. Volume 2 has been eight years in the making and continues to showcase the best of the genre from the late '70s to early '80s, compiled once again by Joey Negro. Brit funk is perhaps one of the UK's most under-appreciated genres. Emerging in the late '70s and taking influences from jazz, funk, reggae, and pop, by the early '80s it had spread all over the UK. Brit funk was essentially the UK's answer to underground disco. Like disco, the Brit funk scene was significant in reducing racial boundaries in the clubs and raising the profile of black and white musicians who worked together. Back in 2010 Joey Negro complied the first volume of Backstreet Brit Funk. The fact that it's taken eight years for Volume 2 to see the light of day is a testament to the both the obscurity of the records included, and the logistical challenges involved in digitizing what started life as vinyl-only releases. It's incredible how rare some of the records included on Vol.2 are and how diverse the sounds become. Though well over half the album's material comes from the likes of Touchdown, Rick Clarke, and Savanna, which have the classic slapped bass-driven Brit funk sound that many will be familiar with, it also features acts like Mercy Mercy, AD 2000, and Veira Krew who were releasing a little later in the scene's evolution, employing drum machines and resulting in more synth-based records. Paul Bailey Sound and Eastbound Expressway were earlier acts, experimenting with the disco sound, whilst I.C.Q. is a classic early '80s UK jazz dance cut that's never been released beyond the original white/green label.
Part Two (ZEDD 044X-LP) of two double LPs features Caché, Congress, The Hudsons, The Antilles, Index, Cloud, Touchdown, AD 2000, Paradise, and Ritual.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 043LP
|
Double LP version. Gatefold sleeve. Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. Following on from Red Greg, Paul Phillips, James Glass, Nick The Record, and Sean P it's now the turn of one of the scenes most respected live disco acts and renowned DJs, Faze Action. Robin and Simon Lee, aka Faze Action, were championing disco and all its Afro off-shoots back in the mid '90s when it certainly wasn't the latest trend to do so. "By the mid-90s we were heavily into disco. Fueled by radio shows from the likes of Norman Jay as well as conversations with customers in the record store where I worked, who were all super obsessed, we would talk disco for hours," remembers Simon Lee. It was however their Turn The Point (1996) and In The Trees (1996) releases on nuphonic records that shaped the Faze Action sound and played a large part in coining the term nu-disco. Fast forward 20+ years and the brothers are still pushing the modern disco sound with their live sets and studio productions as Faze Action. Alongside their studio work they've always been serious record collectors so their selections for this latest Under The Influence album are reflective of their extensive collecting and digging history. As Simon confirms, "searching for and buying old records helps to keep our musical thirst alive and is a constant source of inspiration for both our DJ sets and our original productions." Here they've included tracks taking in Afro, Italo, soul, funk, disco, with many of the tracks costing hundreds if you were able to find the originals. Included in the booklet are extensive track notes from Faze Action highlighting what they know about these records and, where they are super-rare and obscure, what they don't. As always with Z Records compilations, a lot of time and effort has been spent on creating these masters from the original vinyl, cleaning them up, removing all the clicks and pops resulting in the cleanest sounding copy possible. Features Carol Dionne, Space, Mikki, Starz, Leston Paul, Michele Claire, Galaxy, Midway, Songhoi Band, Stylus, Oscar Perry, and Spats.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 043CD
|
Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. Following on from Red Greg, Paul Phillips, James Glass, Nick The Record, and Sean P it's now the turn of one of the scenes most respected live disco acts and renowned DJs, Faze Action. Robin and Simon Lee, aka Faze Action, were championing disco and all its Afro off-shoots back in the mid '90s when it certainly wasn't the latest trend to do so. "By the mid-90s we were heavily into disco. Fueled by radio shows from the likes of Norman Jay as well as conversations with customers in the record store where I worked, who were all super obsessed, we would talk disco for hours," remembers Simon Lee. It was however their Turn The Point (1996) and In The Trees (1996) releases on nuphonic records that shaped the Faze Action sound and played a large part in coining the term nu-disco. Fast forward 20+ years and the brothers are still pushing the modern disco sound with their live sets and studio productions as Faze Action. Alongside their studio work they've always been serious record collectors so their selections for this latest Under The Influence album are reflective of their extensive collecting and digging history. As Simon confirms, "searching for and buying old records helps to keep our musical thirst alive and is a constant source of inspiration for both our DJ sets and our original productions." Here they've included tracks taking in Afro, Italo, soul, funk, disco, with many of the tracks costing hundreds if you were able to find the originals. Included in the booklet are extensive track notes from Faze Action highlighting what they know about these records and, where they are super-rare and obscure, what they don't. As always with Z Records compilations, a lot of time and effort has been spent on creating these masters from the original vinyl, cleaning them up, removing all the clicks and pops resulting in the cleanest sounding copy possible. Features Carol Dionne, Space, Mikki, Starz, Leston Paul, Michele Claire, Galaxy, Midway, Songhoi Band, Stylus, Oscar Perry, and Spats. Double-CD version features Bebe Manga , Saraba, Courtial, Errol Knowles, Delight, Phenix Horns Esquire, Disco Circus, Pilgrim Fathers Orchestra, Don Lurio, Space, and Tony Antoniou.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 042LP
|
Double LP version. 2017 saw Colin Curtis celebrate his 50th anniversary as a DJ. He is one of the scene's leading figures as a result of his legendary '70s partnership with Ian Levine at the Blackpool Mecca.
This is Colin's own story: "By 1979, the development of Jazz rooms at major soul/funk all-dayers was providing a much-needed outlet for the more discerning collectors and the fanatical jazz dancers. . . . I had started to experiment with the jazzier side of dance tracks at Blackpool Mecca in around 1976 with artists like Patrice Rushen, Bill Summers, Azar Lawrence, Charles Earland, Johnny Hammond, Donald Byrd, etc., all artists I had discovered using the inner sleeves of Blue Note, Fantasy, Prestige, and Mercury labels. . . . [As a collector] I was thriving on searching out more of this amalgamation of jazz styles adding fusion, percussion, vocals and tempo to this burgeoning genre. As the jazz room identity increased within this environment for me Birmingham, Nottingham, Leeds, Manchester all became prominent in their enthusiasm for jazz dance. . . . Baz Fe Jazz, Chris Reed, Shaun Williams, Simon Mansell, Jonathan Woodliffe, Paul Murphy, Eric & Floyd, Hewan Clarke, and many others were willing to push the barriers. This jazz dance explosion spread across the country with DJs like Dr Bob Jones, Colin Parnell, and Boo Sylvester adding to the London connection via clubs like The Electric Ballroom and The Horseshoe. . . . [This] compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and DJ/collectors. All the tracks on here are taken from one of the most prolific and emerging labels for this genre, Muse Records, that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion."
Double-CD version features Michele Hendricks, Richie Cole, Emanuel K. Rahim & The Kahliqs, Dom Um Romao, Dave Pike, Mark Murphy, Viva Brasil, Walt Barr, Ron Eschete, Eric Kloss, Charlie Earland, David Schnitter, Dom Salvador, Dave Matthews' Big Band, Harold Ousley, Michael Carvin, and Bill Hardman.
Further reading in this interview by Greg Wilson: http://blog.gregwilson.co.uk/2017/05/50-years-colin-curtis-uk-mancuso/
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 042CD
|
2017 saw Colin Curtis celebrate his 50th anniversary as a DJ. He is one of the scene's leading figures as a result of his legendary '70s partnership with Ian Levine at the Blackpool Mecca.
This is Colin's own story: "By 1979, the development of Jazz rooms at major soul/funk all-dayers was providing a much-needed outlet for the more discerning collectors and the fanatical jazz dancers. . . . I had started to experiment with the jazzier side of dance tracks at Blackpool Mecca in around 1976 with artists like Patrice Rushen, Bill Summers, Azar Lawrence, Charles Earland, Johnny Hammond, Donald Byrd, etc., all artists I had discovered using the inner sleeves of Blue Note, Fantasy, Prestige, and Mercury labels. . . . [As a collector] I was thriving on searching out more of this amalgamation of jazz styles adding fusion, percussion, vocals and tempo to this burgeoning genre. As the jazz room identity increased within this environment for me Birmingham, Nottingham, Leeds, Manchester all became prominent in their enthusiasm for jazz dance. . . . Baz Fe Jazz, Chris Reed, Shaun Williams, Simon Mansell, Jonathan Woodliffe, Paul Murphy, Eric & Floyd, Hewan Clarke, and many others were willing to push the barriers. This jazz dance explosion spread across the country with DJs like Dr Bob Jones, Colin Parnell, and Boo Sylvester adding to the London connection via clubs like The Electric Ballroom and The Horseshoe. . . . [This] compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and DJ/collectors. All the tracks on here are taken from one of the most prolific and emerging labels for this genre, Muse Records, that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion."
Double-CD version features Michele Hendricks, Richie Cole, Emanuel K. Rahim & The Kahliqs, Dom Um Romao, Dave Pike, Mark Murphy, Viva Brasil, Walt Barr, Ron Eschete, Eric Kloss, Charlie Earland, David Schnitter, Dom Salvador, Dave Matthews' Big Band, Harold Ousley, Michael Carvin, and Bill Hardman.
Further reading in this interview by Greg Wilson: http://blog.gregwilson.co.uk/2017/05/50-years-colin-curtis-uk-mancuso/
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 041CD
|
Produced With Love is an extraordinary album from UK legend Joey Negro: a buoyant, life-affirming, disco-inspired album. It's hard to find enough superlatives to describe just how influential and prolific Dave Lee, aka Joey Negro, has been over the last three decades. One of music's major proponents of soulful, disco-tinged, vocal records, and without question instrumental music, is its development and popularization. No-one treats a loop, groove, or hook with as much care and attention as Joey Negro. Throughout his career, disco has been a key ingredient to his sound, and alongside the likes of Nile Rodgers, Daft Punk, Jamiroquai, and Dimitri From Paris, he's one of the few artists to have been keeping the disco fire burning. Produced With Love is only the second ever Joey Negro album to be released, and the first for more than 20 years. And as the electronic music scene threatens to be overrun with bland and forgettable productions, Produced With Love proves that dance music with character still exists. And rather than rely on sampling older records, the overwhelming majority of music is newly recorded. Album opener "Prove That You're Feeling Me", featuring Diane Charlemagne, is without question one of the catchiest and most urgent disco recordings produced in the last decade. Evoking the great Nile Rogers and Chic at their funkiest, it trips along on an exquisite bassline with orchestral strings and Charlemagne's vocal lending the record a truly timeless quality. Joey Negro explains: "Unfortunately, between starting and finishing the project, the supremely talented Diane Charlemagne, the singer/songwriter who I co-wrote many songs with over last ten years, very sadly passed away. We had a great working relationship, which was both fun and honest. Most of my final collaborations with Diane, 'Overnight Sensation', 'Prove That You're Feeling Me' and the partly re-written remake of 'Must Be The Music' are on this album." R&B and house music mainstay Linda Clifford narrates on "Won't Let Go", a deep house cut that celebrates musical escapism, whilst "It's More Fun To Compute" -- an unlikely cover -- is a fully orchestrated disco rework of Dusseldorf's finest. Further highlights include an utterly transformed "Must Be The Music", whilst things get both dubby and jazzy on the Arthur Russell-evoking "Distorting Space Time". Also features: Sacha Williamson, Lifford, Angela Johnson, Horse Meat Disco, The Fatback Band, Melba Moore, The O'Jays, Alex Mills, Julian Crampton, Peven Everett, and Gwen Guthrie.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
ZEDD 041LP
|
Produced With Love is an extraordinary album from UK legend Joey Negro: a buoyant, life-affirming, disco-inspired album. It's hard to find enough superlatives to describe just how influential and prolific Dave Lee, aka Joey Negro, has been over the last three decades. One of music's major proponents of soulful, disco-tinged, vocal records, and without question instrumental music, is its development and popularization. No-one treats a loop, groove, or hook with as much care and attention as Joey Negro. Throughout his career, disco has been a key ingredient to his sound, and alongside the likes of Nile Rodgers, Daft Punk, Jamiroquai, and Dimitri From Paris, he's one of the few artists to have been keeping the disco fire burning. Produced With Love is only the second ever Joey Negro album to be released, and the first for more than 20 years. And as the electronic music scene threatens to be overrun with faceless, bland, and forgettable productions, Produced With Love proves that dance music with character still exists. And rather than rely on sampling older records, the overwhelming majority of music is newly recorded. Album opener "Prove That You're Feeling Me", featuring Diane Charlemagne, is without question one of the catchiest and most urgent disco recordings produced in the last decade. Evoking the great Nile Rogers and Chic at their funkiest, it trips along on an exquisite bassline with orchestral strings and Charlemagne's vocal lending the record a truly timeless quality. Joey Negro explains: "Unfortunately, between starting and finishing the project, the supremely talented Diane Charlemagne, the singer/songwriter who I co-wrote many songs with over last ten years, very sadly passed away. We had a great working relationship, which was both fun and honest. Most of my final collaborations with Diane, 'Overnight Sensation', 'Prove That You're Feeling Me' and the partly re-written remake of 'Must Be The Music' are on this album." R&B and house music mainstay Linda Clifford narrates on "Won't Let Go", a deep house cut that celebrates musical escapism, whilst "It's More Fun To Compute" -- an unlikely cover -- is a fully orchestrated disco rework of Dusseldorf's finest. Further highlights include an utterly transformed "Must Be The Music" (one of Joey Negro's best-known records), whilst things get both dubby and jazzy on the Arthur Russell-evoking "Distorting Space Time". Also features: Angela Johnson, Lifford, Alex Mills, Melba Moore, The O'Jays, and The Fatback Band.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 040CD
|
Joey Negro presents a snapshot of the edgier, robotic sounds of the emerging early '80s electro scene. From stone-cold classics such as Hashim's "Al Naafiysh (The Soul)", Tyrone Brunson's "The Smurf" and Key-Matic's "Breakin' In Space", to revered party anthem's such as Aleem's "Release Yourself (Dub)", Two Sisters' "High Noon (Part 2)" and Dwayne Omarr's "This Party's Jam Packed", to electro-oddities like Paul Hardcastle's "Rain Forest" and The Packman's "I'm The Packman", Electro is a genuine labor of love and a timely reminder of the raw drum machine sounds that were soon to define the beginning of the house and techno scenes. The album features sleeves notes written by early electro pioneer and DJ Greg Wilson who states: "during the early-mid '80s, electro-funk became the dominant force on the UK's black music scene. With the previous era's jazz-funk movement running out of steam the way was clear for this new technological direction to sweep out the old and announce a new wave of dance music with a distinctive futuristic edge." Dave Lee (Joey Negro) may be associated with disco, funk and boogie more than electro, but the truth is, he is a music fan first and foremost. Back in the early '80s, Dave was fanatical about this futuristic new style of dance music called electro. Although at the time this new sound remained very divisive within the soul and jazz-funk scenes, he liked both Lonnie Liston Smith and Man Parrish. As Dave recalls in his own album sleeve notes: "I can see why the soul boys hated electro as it lacked the soaring vocals, intricate orchestration and polished organic production of jazz funk. Unfortunately for the purists by the mid '80s, all dance music had become more electronic with the likes of Roland introducing powerful drum machines and affordable synthesizers, not to mention the onset of early samplers. Many straight-up soul boogie records got electro-fied." This album presents some of Joey Negro's favorites, plus a few lesser-known and collectable cuts. CD version features the above mentioned and: Dynamix II, Too Tough Tee, Newcleus, The Russell Brothers, Midnight Star, G-Force, Ronnie Gee & Captain Cee, Grandmaster Flash & The Furious Five, Imperial Brothers, Divine Sounds, The Beat Box Boys, Kosmic Light Force, High Fidelity Three, X-Ray Vision.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 040LP
|
Double LP version. Joey Negro presents a snapshot of the edgier, robotic sounds of the emerging early '80s electro scene. From stone-cold classics such as Hashim's "Al Naafiysh (The Soul)", Tyrone Brunson's "The Smurf" and Key-Matic's "Breakin' In Space", to revered party anthem's such as Aleem's "Release Yourself (Dub)", Two Sisters' "High Noon (Part 2)" and Dwayne Omarr's "This Party's Jam Packed", to electro-oddities like Paul Hardcastle's "Rain Forest" and The Packman's "I'm The Packman", Electro is a genuine labor of love and a timely reminder of the raw drum machine sounds that were soon to define the beginning of the house and techno scenes. The album features sleeves notes written by early electro pioneer and DJ Greg Wilson who states: "during the early-mid '80s, electro-funk became the dominant force on the UK's black music scene. With the previous era's jazz-funk movement running out of steam the way was clear for this new technological direction to sweep out the old and announce a new wave of dance music with a distinctive futuristic edge." Dave Lee (Joey Negro) may be associated with disco, funk and boogie more than electro, but the truth is, he is a music fan first and foremost. Back in the early '80s, Dave was fanatical about this futuristic new style of dance music called electro. Although at the time this new sound remained very divisive within the soul and jazz-funk scenes, he liked both Lonnie Liston Smith and Man Parrish. As Dave recalls in his own album sleeve notes: "I can see why the soul boys hated electro as it lacked the soaring vocals, intricate orchestration and polished organic production of jazz funk. Unfortunately for the purists by the mid '80s, all dance music had become more electronic with the likes of Roland introducing powerful drum machines and affordable synthesizers, not to mention the onset of early samplers. Many straight-up soul boogie records got electro-fied." This album presents some of Joey Negro's favorites, plus a few lesser-known and collectable cuts. LP version features: Hashim, Aleem, Kosmic Light Force, Paul Hardcastle, The Russell Brothers, Dwayne Omarr, G-Force, Ronnie Gee & Captain Cee and Tyrone Brunson.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 039CD
|
Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. Following on from Red Greg (ZEDD 024CD), Paul Phillips (ZEDD 027CD), James Glass (ZEDD 029CD) and Nick The Record (ZEDD 032CD), it's now the turn of another of the worlds most respected record collectors to put together their selection. This time it's long time Z Records album co-compiler Sean P. Alongside Joey Negro, Sean P has been responsible for some killer selections for their Soul of Disco (ZEDD 007CD, ZEDD 010CD) and Supafunkanova series (ZEDD 012CD, ZEDD 012LP, ZEDD 034CD, ZEDD 034LP), all of which feature tracks from Sean's vast record collection. He has been collecting records since his early years, producing and releasing his own edits way before they became the norm and is widely recognized as one of the foremost fountains of musical knowledge so to say he is a stalwart of the underground music scene is well deserved. For his Under The Influence album he goes even deeper and much more across the board with tracks taking in afro, soul, funk, disco, Brit-funk, dub and jazz with many of the tracks costing hundreds if you were able to find the originals. Included in the booklet are extensive track notes from Sean highlighting what he knows about these records and, where they are super-rare and obscure, what he doesn't know. As always with Z Records compilations, a lot of time and effort has been spent on creating these masters from the original vinyl, cleaning them up, removing all the clicks and pops resulting in the cleanest sounding copy possible. Features: Crystal Clear, Joanne Ellis, King David, Plunky and Oneness of Ju Ju, BBRA, George & Glen Miller, HE3 Project, Fruitcake, Don & Oli, Ed Watson And The Brass Circle, Jimmy Spencer, Les Femmes, Nostromo, The Coalition, Bobby Cash Redd, Medina & Mensah, Natural Hi, Yeow, The Mark IV, J.P. Robinson, Sandy Mercer, The Love Bite, World Quake Band, The Stars, William C. Brown III, Starship Gilbey and Darlene Davis.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 039LP
|
Double LP version. Z Records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular Under The Influence series. Following on from Red Greg (ZEDD 024CD), Paul Phillips (ZEDD 027CD), James Glass (ZEDD 029CD) and Nick The Record (ZEDD 032CD), it's now the turn of another of the worlds most respected record collectors to put together their selection. This time it's long time Z Records album co-compiler Sean P. Alongside Joey Negro, Sean P has been responsible for some killer selections for their Soul of Disco (ZEDD 007CD, ZEDD 010CD) and Supafunkanova series (ZEDD 012CD, ZEDD 012LP, ZEDD 034CD, ZEDD 034LP), all of which feature tracks from Sean's vast record collection. He has been collecting records since his early years, producing and releasing his own edits way before they became the norm and is widely recognized as one of the foremost fountains of musical knowledge so to say he is a stalwart of the underground music scene is well deserved. For his Under The Influence album he goes even deeper and much more across the board with tracks taking in afro, soul, funk, disco, Brit-funk, dub and jazz with many of the tracks costing hundreds if you were able to find the originals. Included in the booklet are extensive track notes from Sean highlighting what he knows about these records and, where they are super-rare and obscure, what he doesn't know. As always with Z Records compilations, a lot of time and effort has been spent on creating these masters from the original vinyl, cleaning them up, removing all the clicks and pops resulting in the cleanest sounding copy possible. Features: Natural Hi, George & Glen Miller, J.P. Robinson, Ed Watson And The Brass Circle, Medina & Mensah, King David, The Mark IV, Nostromo, Don & Oli, World Quake Band, and The Stars.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 038X-LP
|
Part two of two double LP versions. Includes remixes of tracks by Gwen McCrae, People's Choice, Thelma Houston, Pockets, George Benson, Gladys Knight & The Pips, Grace Jones, and Robert Palmer.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 038LP
|
Part one of two double LP versions. Includes remixes of tracks by Patti LaBelle, The O'Jays, Loose Change, Kleeer, Christopher Cross, Willie Hutch, Cheryl Lynn, and Norman Connors.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ZEDD 038CD
|
Z Records starts 2016 in strong fashion with the follow-up to Dave Lee aka Joey Negro's Remixed with Love (ZEDD 030LP/X-LP, 2013). Twenty more reworkings of classic soul, funk, disco, and boogie tracks from the likes of Grace Jones, Robert Palmer, Cheryl Lynn, The O'Jays, Gwen McCrae, George Benson, and many more. Though remixes and edits of vintage dancefloor anthems aren't exactly hard to come by, and Soundcloud, Beatport, et al. heave under the weight of a gazillion bootleg offerings, many of these tracks taking a dusty, scratched 12" or a dodgy MP3 as their starting points -- Remixed with Love is a little different. Not only is the man with one of the most legendary record collections in the game guaranteed to dig deeper than most, but every track here has also been (re)created using fresh analog transfers of the original multi-track tapes, with the full consent and cooperation of the copyright owners. These tapes also contained elements that were not used in the original mixes, so Lee has incorporated some of these never-before-heard parts, including an aerobic workout instruction by Grace Jones. Putting an album like this together is no easy feat, as Lee himself explains in the extensive liner notes that accompany this package. First, one has to get permission from the copyright owners to undertake the project at all, which can in itself entail hundreds of emails and phone calls. Then one has to track down the original tapes, many of which may have been recorded over, lost, or simply destroyed, and convince the label archivists to get them digitized. And that's before one even starts remixing, which is when it turns out half the parts are missing, or that killer piano lick can't be foregrounded because the original was recorded live in the studio and the piano track has the bassline bleeding all over it. The title of this album is extremely appropriate, because for Dave Lee this definitely has been a labor of love! Also includes remixes of tracks by Patti LaBelle, Pockets, Kleeer, Christopher Cross, Thelma Houston, Gladys Knight & The Pips, Norman Connors, Loose Change, Willie Hutch, and People's Choice, as well as CD-only remixes of tracks by The Trammps, Nicolette Larson, Jean Carn, and Wanda Walden.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZEDD 037LP
|
Gatefold double LP version. The Z Records label, run by Dave Lee aka Joey Negro, is arguably the contemporary go-to disco label, and it was only a matter of time before Lee would delve into his vinyl vaults and pull out a selection of tracks inspired by the late-'70s Chic sound. "Back when I was listening to commercial radio as a music-mad teenager in 1979/80, their records were omnipresent on the airwaves... when one of their own songs just dropped out of the hit parade, it was replaced by a production for another act -- be it Diana Ross, Sheila & B. Devotion, or Sister Sledge -- it was a constant stream of hits. When I heard songs like Norma Jean's 'High Society' (a solo release from one of Chic's singers) blasting out my transistor radio, I knew straight away it was an Edwards & Rogers production... the playing and sound of both the guitar and bass was a giveaway, along with the precise vocal phrasing, rippling piano, and discreet string parts. If it was the 12" mix then the bass breakdown and slow instrumental build up in the second half of the record was also part of the blueprint. Generally, Chic songs eschewed ad-libs or long solos; the style is more defined with each instrument having an exact placing -- including the vocals. Records like 'Good Times' and 'We Are Family' weren't just big club hits -- yes, they were massive on dance floors but they were also pop crossovers all around the world... even the rock guys I was friendly with (who generally despised disco) quietly liked Chic and admired their rock solid playing and grooves. I guess the best music has this universal appeal... The only track on here Edwards and Rogers were behind is Odyssey's 'Together,' which is one of their more obscure productions... The only actual cover is from Charanga 76 who released an album in 1979 which featured several raw, Latin disco-style Chic reworks, of which their 'Good Times' was perhaps the best -- otherwise, the likes of Delegation's, Van Jones's, and Michael Zager's are original songs, not pastiches -- just simply great music inspired by Chic's blueprint. Hope you enjoy" --Dave Lee aka Joey Negro, August 2015.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ZEDD 037CD
|
The Z Records label, run by Dave Lee aka Joey Negro, is arguably the contemporary go-to disco label, and it was only a matter of time before Lee would delve into his vinyl vaults and pull out a selection of tracks inspired by the late-'70s Chic sound. "Back when I was listening to commercial radio as a music-mad teenager in 1979/80, their records were omnipresent on the airwaves... when one of their own songs just dropped out of the hit parade, it was replaced by a production for another act -- be it Diana Ross, Sheila & B. Devotion, or Sister Sledge -- it was a constant stream of hits. When I heard songs like Norma Jean's 'High Society' (a solo release from one of Chic's singers) blasting out my transistor radio, I knew straight away it was an Edwards & Rogers production... the playing and sound of both the guitar and bass was a giveaway, along with the precise vocal phrasing, rippling piano, and discreet string parts. If it was the 12" mix then the bass breakdown and slow instrumental build up in the second half of the record was also part of the blueprint. Generally, Chic songs eschewed ad-libs or long solos; the style is more defined with each instrument having an exact placing -- including the vocals. Records like 'Good Times' and 'We Are Family' weren't just big club hits -- yes, they were massive on dance floors but they were also pop crossovers all around the world... even the rock guys I was friendly with (who generally despised disco) quietly liked Chic and admired their rock solid playing and grooves. I guess the best music has this universal appeal... The only track on here Edwards and Rogers were behind is Odyssey's 'Together,' which is one of their more obscure productions... The only actual cover is from Charanga 76 who released an album in 1979 which featured several raw, Latin disco-style Chic reworks, of which their 'Good Times' was perhaps the best -- otherwise, the likes of Delegation's, Van Jones's, and Michael Zager's are original songs, not pastiches -- just simply great music inspired by Chic's blueprint. Hope you enjoy" --Dave Lee aka Joey Negro, August 2015. Also includes tracks by Ann Margret, Firefly, GQ, Change, Nightlife Unlimited, SheUltra Naté, and Joey Negro & The Sunburst Band remixed by The Reflex.
|
viewing 1 To 25 of 64 items
Next >>
|
|