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viewing 1 To 25 of 57 items
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SENDER 087EP
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Nausicaä, the female hero, fights for survival through ecological disaster. The Japanese manga-art movie inspired Benno Blome on his new release for Sender. "Nausicaä" opens with an instrumental amplitude that creates a soulful width. Swinging bass weaves a well-constructed atmosphere. Circulating, flexible sequences combined with sensible vocals taken from A Guy Called Gerald create an impulsive, drifting sound aesthetic. "Calamaris Street" travels with greater acceleration, spinning strings of sound and voice into a hypnotic bustle.
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SENDER 085.1EP
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"Since establishing the Sender station, tons of sweat ran down the walls of international techno clubs. Not few numbers out of the Sender catalogue have been involved with this sportive society phenomenon. Artists like Misc. have reached some of their top levels with blood-pressure-raising techno compounds on Sender. High calibres like T.Raumschmiere and Jake Fairley have set cesuras in style and dirt. British legends like A Guy Called Gerald and Baby Ford have built robust techno-bridges to the continent. In the spotlight of Sender085.1, we have Baby Ford, Daniel Dreier, Pan/Tone, and label holder and founder Benno Blome himself. For Baby Ford´s legendary 'Messenger,' ambitious young producer Matt Star left his incisive remix- signature. The whole stylistic bandwidth of the Sender program is to be performed for our audience once again, over and above we would like to put you in the mood for further decades of potent rhythm-broadcasts."
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SENDER 085.2EP
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"Since establishing the Sender station, tons of sweat ran down the walls of international techno clubs. Not few numbers out of the Sender catalogue have been involved with this sportive society phenomenon. Artists like Misc. have reached some of their top levels with blood-pressure-raising techno compounds on Sender. High calibers like T.Raumschmiere and Jake Fairley have set caesuras in style and dirt. British legends like A Guy Called Gerald and Baby Ford have built robust techno-bridges to the continent. In the spotlight of Sender085.2, we have Misc. and Matt John with two outstanding new tracks. Besides, label holder and founder Benno Blome can be heard with Tigerskin once again, who also had several appearances on Sender. Also, we are very happy to introduce a young fresh talent to the audience: Welcome to Sender Records, Shap. Please put your remote control aside now and immerse in the following music program."
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SENDER 085CD
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"Antennas up! The Sender station brings you an exclusive special broadcast covering the big label anniversary. On the occasion of the tenth birthday, contributions by various label-associated representatives of the electronic music-production community will follow here, appearing in black gold and a modern digital garment. In the first part, brand new productions are set to be hawked separately. The second part succeeds in mixed shape and recapitulates the Sender era in a DJ-set format. In the spotlight, we have acquaintances such as Misc., Baby Ford, Matt John, Pan/Tone, Someone Else and label holder and founder Benno Blome himself. Beyond that, fresh talents like Ronald Christoph and Shap introduce themselves to the audience and ambitious producers like Matt Star leave their incisive remix-signature. The whole stylistic bandwidth of the Sender program is to be performed for our audience once again, over and above we would like to put you in the mood for further decades of potent rhythm-broadcasts. Since establishing the Sender station, tons of sweat ran down the walls of international Techno clubs. Not few numbers out of the Sender catalogue have been involved with this sportive society phenomenon. Artists like Misc. have reached some of their top levels with blood-pressure-raising techno compounds on Sender. High caliber acts like T..Raumschmiere and Jake Fairley have set the standard in style and dirt. British legends like A Guy Called Gerald and Baby Ford have built robust techno-bridges to the continent. Despite the intricate maintenance of the sending, station conductor Benno Blome holds most of the program spots with 28 contributions, of which many were generated in joint ventures. Thus in this anniversary issue he can be heard with Tigerskin once again, who also had several appearances on Sender. Please put your remote control aside now and immerse in the following music program."
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SENDER 084EP
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"For Sender 084, Benno Blome and Jens Bond return to remind us of that old expression, 'possession is nine-tenths of the law.' In this case, though, we're not talking about object and ownership but spirits taking over your mind, your body and your soul. The law, of course, is the command to dance, and you betray it at your peril. Rumor has it that Blome and Bond disappeared into the studio after a lost weekend not long ago. No other witnesses can confirm, but we've heard whispers of strange behavior: a door that locked behind them, flickering lights, a whiff of ozone. It's said that as their hands floated over the buttons of their sequencers, a pattern emerged all of its own accord, tapping drums and pattering congas that knocked about like the clacking of letters on an Ouija board. As the groove assembled itself out of thin air, a faraway howling ensued. Shaken, a little frantic, they began to look for the source of the sound, only to imagine that it was coming from inside the sampler itself. Ask them more and they clam up. But paranormal experts have long told stories of exactly this behavior: techno poltergeists, demonic syncopation, haunted house. The result is 'Ghost Story,' a song they swear composed itself, and we believe it: creepy bleeps and dubby clang make wraithlike melodies, while cymbals hiss with barely disguised menace. A chorus of whispers and murmurs draws you deeper and the funk takes over all your faculties. The result is a spellbinding journey into the darkness, a seductive techno succubus you'll be happy to call your master. On the B-side, 'This Way We Play' doesn't let up on the spine-tingling thrills, with a warm, enveloping bass line and an icy-high end blowing like Arctic breeze. The track is rolling and percussive, with eerie, detuned synths and pitched-down fox lurking deep in the mix, a masterpiece of blood-quickening syncopations and goosebump-inducing sonic details. Don't be afraid of things that go bump in the night."
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SENDER 082EP
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"It's been one hell of a cold winter, but Sender offers a well-deserved respite with a new single that sounds warm, welcoming and wonderfully different. Beaming back this message from some future August are Pelle Buys (Error Error) and A Different Jimi (Egoexpress). They cooked it up in their Hamburg studio, but you'd never know from the sound of it. Built around a horn sample from the former Yugoslavia, 'You Go' conjures the feel of an open-air festival at dawn, sand between your toes, the dawn balmy and a hint of sage in the air. The track opens with a rollicking, rattling drum loop suggesting marching bands at Carnaval, and then the horns enter: distant, nervous bursts, tethered like great bobbing balloons to a time-keeping drum machine. It builds and builds, and then: Boom! It's upon you, with a cannonball kick drum and a swirl of filters. This isn't your average trombone-house track: it comes across like a heat mirage off hot asphalt, morphing and twisting. The mood is just a little bit schizophrenic: offsetting the track's sprightly bounce, an eerie and undulating reed line sketches a darker line. And then once they've drawn you in, Pelle and Jimi switch it up again, dusting off dub-accented chords and dashing down the rabbit hole. 'You Go' takes you far beyond where you expected you'd go. On the remix, France's David K -- known for his work on Freak n' Chic, Supplement Facts and Tsuba -- takes like a carpenter to the original, sanding down its knots and rough edges. All trace of the horns has disappeared, as he buffs dark chords to a dull shine, pulsing atop driving drums. Once again, David K's drum programming stands out, fusing tech-house's full-on chug with the subtlest hint of vintage electro. And his evolving, unpredictable arrangement is a fitting tribute to the twists and turns of the original."
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SENDER 083EP
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"Here in the Northern Hemisphere the nights are getting shorter, but you'd never know that from Benno Blome and Pan/Tone's brand new Thank You Ma'am EP, a midnight missive suggestive of a state of mind that's never seen the light of day. Pan/Tone (aka Sheldon Thompson, Sid LeRock, and Shelbono 'Barracuda' del Monte, a shadowy Canadian operative lurking in the darkest corners of Berlin's techno scene, where he masterminds the Cereal/Killers label) is no stranger to Sender, having delivered two massive slabs with his Smoke Signals and Under The Influence EPs; after Sender founder Benno Blome's 2007 appearance on Cereal/Killers, it was only natural that the two would end up collaborating. The results are three powerful tracks combining force and restraint with a wicked imagination. 'Amaaazing' sets the record's tone with an aura of mystery, creeping like a secret agent on muted, methodical beats, as buzzing synths and foggy atmospheres round out the film noir effect. The track pushes forward with huffing breath and the whispered refrain, 'All the time' -- a cameo appearance by the inimitable Big Bully. You'll surely be echoing the track's title in your mind as it reaches its climax with a high-tension build-up of bent tones and haywire harmonics, before sneaking out the back door."
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SENDER 080EP
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"Wow, are we already at the 80th release for Sender? Well, time passes by quickly -- but not quietly -- when we're having fun. In celebration of our senior status, we would like to induct a new name to the list of potential alumnus. Ahmet Sendil, with his new release Are Your Kisses Dynamite?. Ahmet Sendil (also known as Tactics) has been DJing since the late '90s, holding residencies at major clubs within his native land, Turkey. He has since spread into continental Europe with his turntable talents earning respect from other like-minded fellow producers. He's a promising artist indeed, one who we here at Sender are proud to cultivate! On the A-side, cue the chunky bass kick, accompanied by rhythmic loops and there you have it. Instant success! We will have you sold on this in the first 5 seconds of listening. This track is carefully fashioned to be played out at any given moment of the night. The vocals come mid-way through the song, suggesting the track's title -- it will rightfully answer its own question. On to the B-side, this remix from Delete aka Sergio Munoz (another fresh artist) comes out swingin' with a funky bass line adding a whole new appeal to the original."
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SENDER 079EP
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"Sender once again draws its circle wider, welcoming two artists making their first appearances on the label. Argentina's Barem and Berlin's Matt John each tackle tracks by Benno Blome, putting their own unmistakable stamps on Benno's dark, slightly sinister brand of techno. Having moved to Berlin recently, Barem (Mauricio Barenbuem) has risen fast since he began releasing on the Unfoundsound netlabel in 2005, developing a slinky, percussive style on releases for labels like Foundsound and Minus. On his remix of Benno's 'Rumburak,' he goes deeper than usual, twisting the original into a weirdly funky low-end monster, as gnarled as the branches of a haunted tree. The LA singer Big Bully is the star of the show: what were merely whispers in Benno's track have become a full-fledged assault of soulful growls and croons. A huge, heaving bass line pushes the track forward as the soundfield fills with dry, staccato drums and dubbed-out drones. Talk about a powerful slab of funk. Benno, Barem and Bully, we like the way you move. On the flip, Matt John takes on Benno's 'Sarahtov Airlines.' Remaining faithful to the contours of the original, Matt keeps the track's signature bleeps, folding them into a long, spiraling groove. Clanging cymbals and crisp handclaps reference an old-school vibe, but everything else comes straight out of Matt's alternate universe: swirling voices, weird whoops and squeals, warped percussion."
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SENDER 078EP
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"In addition to showcasing the individual work of a tight family of musicians, Sender has long proved a platform for label founder Benno Blome to pursue an extended array of collaborations with artists like Baby Ford, Jens Bond and Peter Grummich. For his latest joint operation, he teams up with Berlin's Tigerskin (Alex Krüger, aka Dub Taylor). Krüger boasts dozens of releases, under various aliases. He excels at tight, percussive grooves with sparkling, memorable synth work-qualities he fuses here with Blome's dark and twisted approach. 'Jubeliane' is nothing less than pure jubilance, a launching pad for dance-floor hijinks that's driven by explosions of crowd noise and a bass-and-drum track with more bounce to the ounce than a jarful of superballs. It opens with rippling Afro-Latin percussion and quickly bursts into full gear as the two pile loop upon percussive loop-cowbells, claves, congas and more. The track unfolds with the unpredictability of a jam session played live, as stubby, shuffling bass and relaxed chords push and pull back and forth, creating a dynamic that pulls you in and won't let go."
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SENDER 076EP
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"First came 'Tentacular,' then 'Control Your Soul.' Now Jens Bond and Benno Blome put their heads together once again to bring you two more dark, delicious dabs of high-calorie techno, as bitter as baking chocolate and as tangy as a fine Cabernet. A powerful sense of bounce animates 'Sniffer Dog,' beginning with a rubbery bass line and extending to clattery percussion that never lets up. Appropriate for the title, a vague sense of menace lurks at every turn, but rich analog frequencies and gruff vocal snippets offer a reassuring sense of warmth. Straddling the line between house and techno, it's a kinetic, versatile tune with boundless spring in its step. 'Magyar Viszla' sounds as exotic as its name. Again, the palette of sounds is dark and warm, like a humid night in a foreign city, complete with honking horns and hissing neon. A low voice beckons from the shadows, drawing you into the mystery. Balancing Jens Bond's percussive signature with Benno Blome's unmistakable atmospherics, this is a true meeting of the minds, making for a tough-as-nails fusion guaranteed to ignite dancefloors of all stripes, at any hour."
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SENDER 074EP
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"Misc. have come home from their stay in the Sinus Hotel, and you might say they've returned with a vengeance: the Sabotage EP marks the Cologne duo's 13th release for their longtime home, and it's every bit as intense as the occasion calls for. But don't be afraid: Misc. have backed off the brutalism on this one, continuing to explore precision-engineered sound design while locking into what might just be the most infectious tracks of their career. Kicking it all off is 'Sabotage,' with clattering percussion that sounds like hail on a corrugated tin roof, and an eerie, chromatic chord progression that falls like a summer rain on the day after the Apocalypse. Animated by echoes of acid house, the track positively screams 'Rave strikes back!' 'Schichtdienst' eases off the throttle to settle into a low-slung groove. Sonar pings map a position squarely at the center of European minimal-techno traditions, while a generous sense of swing keeps the invitation to dance wide open. 'Parfumdisco' is at once one of Misc.'s subtlest tracks yet, and also one of their most immediate. Expect to be hearing a lot of this one in strobe-lit main rooms and darkened basements. If the makers of bungee cords ever hear this song, they may well ask for their elastic back: its bass line is the rubberiest thing you'll hear all year."
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SENDER 075EP
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"Sometimes, the two sides of a single feel almost destined to be together, bound as if by some kind of magnetic pull. That's the case with this masterful new record from Sender founder Benno Blome, marking his fourth solo release for the label after recent collaborations with Jens Bond and Baby Ford. (He's assisted by the vocal talents of Los Angeles' Big Bully, a familiar presence from recordings by Jay Haze, Mikael Stavöstrand and Samim.) It's not so much a question of opposites attracting: with both cuts here suffused in shadow, you could hardly say that this is all about the interplay of light and dark. But the way that A-side and B-side play off each other, this is one of those perfect packages, a match made in club heaven. 'Rumburak' is full to bursting with ideas, but it never loses a laser-guided sense of focus. It opens simply enough with a skuzzy low-end rumble and lots of dainty bleeps and pings, paving the way for sheets of white noise and Big Bully's dark, seductive spoken-word vocals. As the groove builds steam, sci-fi squiggles and a breathy R&B purr tug in opposite directions, stretching the track tight across the vast expanse between man and machine and leaving listeners dangling deliriously in the lurch. All that in under eight minutes -- and then, with a swift decrescendo and a few last, plaintive beeps, it's gone."
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SENDER 072EP
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"With a resolute dancing step, Dr. Andre Crom leads us into his ICU. Here only patients of the THI (Techno Health Insurance) are taken care of. Which therapy would you prefer? In treatment room A1., the endorphin flow is stimulated by a grooving acid bass line, while next door in room A2., a relentless metallic synth line cares for dilated pupils and raised adrenalin blowout. If the nutcase nurses send themselves on a trip again with their medications and don't keep an eye on their patients during therapy, their temperature curve is rising (B1)! So it's about time for rehab in station B2., with a Kardio therapy approved by all health insurances: dancing!"
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SENDER 070CD
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"Not many labels established in the '90s have managed to achieve a consistent advancement without alienating from their roots. Even fewer labels have created a true brand thanks to their very own aesthetic of sound and artwork that are loved and respected by DJs and producers around the globe. Sender Records is one of these labels. Being brought on the air by Benno Blome in Cologne in 1999, it has 69 catalog numbers so far, presenting old school legends like A Guy Called Gerald and Baby Ford, rave pros like Misc. and Jake Fairley and young, talented artists like Bloody Mary and Andre Crom. Thanks to hits like Bond & Blome's 'Tentacular,' the past year has been a very good one for the Berlin-based imprint, so that there is always a place for Sender Records in the charts and cases of countless DJs, also, hardly one issue of Groove magazine can make it without a Sender release in its top 50 charts. So it is time for a topical work feature around the label! Wearing the fitting title From Antenna to Antenna 1, it contains a 17-track CD mixed and compiled by label-head Benno Blome with a best-of from recent releases that have been released only on vinyl previously. Additionally, it brings four previously unreleased tracks. The mix starts with elegant spheric sounds and deep grooves and slowly escalates with Misc.'s 'Tanz der Polymere' in the Hemmann and Kaden remix, before And Again aka Someone Else has his turn with his unmistakable beats, followed by the frisky sequences of Bond & Blome's 'Tentacular,' fierce synthie excesses by Error Error, skew hooks on 'Corbera,' the bass orgy 'Boita Musiq' and loads more Sender highlights. The end is built on the timeless layers of Baby Ford's 'Messenger Vox' and 'Radaar Menue' by WeltZwei. With From Antenna to Antenna 1 Benno Blome presents the status quo of the label and its full bandwidth in a narrative way." Artist list: Bloody Mary, Yapacc, Misc., And Again, Bond & Blome, Error Error, Phage, Benno Blome, Andre Crom, Frank Martiniq, Franklin De Costa, Baby Ford & Benno Blome, Vincent Radar & Weltzwei.
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SENDER 070EP
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"Four new tracks by Misc., Phage, Franklin De Costa and Andre Crom."
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SENDER 071EP
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"In Sinus Hotel the grout is falling off the walls in big pieces. The chalk-white chunks are piling up on the ground for weeks and leave grey stains in the oppressed brickwork. Bass tremors and synthie millings are torturing the old rave masonry. Since Hannes Wenner and Christopher Bleckmann aka Misc have moved into their room and crammed it full with drum machines, synthesizers and computers, the air is trembling every day in here. The rest of the hotel guests has coped with this. Or moved out. The first floor has been converted to an after hour snake pit, in which every new kick drum, every metallic clicking and every bass frequency the two tease out of their equipment can be tested at living objects. Four huge tracks are already finished. Deepness and pressure. 'Fassade Noir' cost the wall lots of grout pieces, so relentlessly does the synthie line drive on the pulsing bass ground. Last exit: dance floor madness. But also 'Dance Your Name' with its awkward percussion sounds and the wobbling bass line has driven the guests in Sinus Hotel over the edge several times. Get ready, Misc are back!"
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SENDER 069EP
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"Italic's combo Error Error (Denis Karimani + Pelle Buys) are walking on the surprisingly new paths with their first release on Sender. This vinyl is a real techno tip!"
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SENDER 068EP
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"After Tentacular, the first 12" from Jens Bond and Benno Blome, we are starting round two with Control Your Soul. Again, they tightened the psycho-active thumbscrews with pleasure and evoked the techno-Twilight-Zone in Blome's Switch Air Studio in endless jams. The directive vocal of the title track by itself, which sounds as if the Borg shoots its last warning through the ether before the assimilation of a new species, will lead party people to rapture. Minimal voodoo deluxe. 'Control your body, control my mind. Control my mind, control your soul.' This brings us to our knees at once. And the dancefloor surrenders with salacious gestures. In 'Submariner' you feel like soaring through the widths of the seven seas in the autopilot mode. Give us nano-tubes! Resistance is aimless, without a doubt!"
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SENDER 065EP
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"After collaborations with A Guy Called Gerald and Baby Ford label mastermind and chef de cuisine Benno Blome sets not only a mark with a voguish pasta hairstyle, but also with three tracks that call up everything that gives the needed force to contemporary minimal entertainment: buzzing and bouncing basses, lively bleeping sequences, a touch of abyss deepness, a harmonious sound-design and a perfectly portioned slice of humor for a little beam of joy on your face when you are on the dancefloor. And so a bouncing, twinkle-toed wink sneaks into the 'Braitbendnoodel' tracks, gives us funky flipping percussions and flies from one wacky vocal sample to another until the floor is burning. We are sending intensely again, in fact in 'Braitbendformat.'"
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SENDER 060EP
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"Flow is everything, that's no news to us. To keep the dancefloor drifting and dancing besides all difficulties with gravity, you should be able to rely on the perfectly timed groove. No matter if it is a ditsy abyss-sound or plain and straight. On the new Split, we gathered two new studies of our flow and groove research. And with the duo Phage and Daniel Dreier and the Frankfurt-based Franklin De Costa we do not only welcome three new artists at Sender, but also three versed experts for elegant minimal, sometimes loopy sound sculptures with ass and depth. You will get stuck on the dancefloor and after some hours be spit out a little dizzy but yet happy into rest reality, while the groove of the kickdrum, the bassline and the percussion sounds still leave something inside you. Tracks like an endless party. Draw the curtain!"
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SENDER 062EP
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"Who ever has been to Aix en Provence at the Mediterranean in France, will find it hard to stop rhapsodizing about it. For towns like Aix they invented the word picturesque. This colorful and quaint beauty makes us sulky-grey metro-Berlin people's eyes bleed. Nevertheless Mary Jane aka Bloody Mary swapped the Cours Mirabeau with the Berlin TVTower and shows the big city where it's at with her dusky-deep minimal techno. This could not remain undiscovered very long, because Bloody Mary is mixing her ingredients of deep basses, profoundly buzzing sound-effects and bleeps with such a precision, that you get pitchforked onto the dancefloor right away, where standing ovations take turns with tumultuous dance-scenes. The record has been co-produced by Tassilo Ippenberger, also known from his Pan-Pot project on Mobilee Records. Three tracks, that don't leave any question unanswered and match with Sender perfectly."
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SENDER 058EP
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"One concept: two sides. In the late summer A Guy Called Gerald and Benno Blome meet by the spree. A mutual project is born: to reanimate the classic Chicago track 'Time To Jack.' Around nine months later the time has come. Benno Blome's version suffuses 'Time To Jak' with an electrifying build up. The track is tightly knit and with an urban feel to it. Digitalised moments, melodic elegance, dynamic, tangible, hypnotic -- unmistakably Benno Blome's signature Sender sound. A Guy Called Gerald, himself a producer since the 1980s, develops a dark sound illusion that fills every last corner of space. The revamped vocal brings the track up to date and its rhythmical integrity casts a spell over the world's clubs and the cities of the night."
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SENDER 056EP
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"It was time for another mega split EP from the depths of the Sender studios. After appearing on the label's latest compilation, Receiving Data ... Ah, It's Coming Frankfurt's die-hard techno fiends, 2 Dollar Egg, are now the most recent addition to the Sender records family. And 'Turnout' whips along with cool precision and lush bass, all padded with dusky, 3D effects that almost take on a metallic shimmer thanks to the deftly differentiated sound design. On the B-side is Tekel, another newcomer to Sender. The French duo, which normally appears on the Parisian label 'Initial Cuts,' takes the menacing pulse of Metope's 'Second Skin' and gives it a good thrashing between ripped-up synthesizers and tight-as-you-like bassline sounds."
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SENDER 055EP
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"Weltzwei is back with a vengeance! Nearly three years after the release of the mongo Expander EP, Sender records whiz-kids Benno Blome and Matthias Klein (Konfekt/Konkord) emerge from the depths of the recording studio at last. This time, they've milked their equipment for all it was worth to bring you the full force of Sender's crystalline energy. The title track, 'Radarius,' transforms sound into a 100% visceral experience. Those saw-tooth bass lines work their way under your skin and enslave you in euphoria. At the same time, metallic bleeps and singing interference zap your knees and send you diving into an ocean of rave."
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