Hot Casa Records is an Afro soul and tropical funk label created in 2002 in Paris by DJ Julien Lebrun and Djamel Hammadi aka Afrobrazilero. The idea of the label was to produce forgotten artists and rare vinyl gems from the past by licensing directly to the musicians or the labels, and also to record and develop upcoming new talents. Hot Casa Records holds strongly to the traditional way of producing and making music, with a few principles in mind: we always try to press our releases on a vinyl 7? or LP, try to have original artwork, and try to promote classic, soulful sounds with social content and a dope sound quality. We came from a soul and jazz culture and were raised during the hip-hop golden era, always looking for the perfect loop and the ultimate break. We have traveled throughout the years to India, Brazil, Russia, the U.S. and especially the African continent, searching for the lost golden tapes from the past.
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CD
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HC 086CD
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Divine Dances. In plural form. The fourth album from DjeuhDjoah & Lieutenant Nicholson couldn't have a more explicit title. Masters of emotions and feelings, the duo has always known how to express melancholy and nostalgia with precision. Yet this time, all their efforts have concentrated on a single goal: taking listeners by the hand -- no, by the ear, obviously! -- to bring everyone back to the dance floor and explore a variety of atmospheres together. And naturally, a variety of styles. Funk, ndombolo, electro, hip hop or zouk, each new vibration discovered carries away the previous one to form a dancefloor where all eventually come together. Divinely light. The body, surrendered to this call to dance in all its forms, has been so caught up in the whirlwind of groove that the mind has fallen in behind it to continue as one. Words explode into syllables that metamorphose into notes, then perfectly align with those from the score. One second. A bit of attention. Caught by an irrepressible groove, then comes the moment to slalom through melodies to discover, at the turn of a rhyme, a new meaning. Approached head-on, certain overly serious themes would empty the room and bring the atmosphere down to lead levels. The diagonal approach, humor, and apparent nonchalance of the two men are the best weapons at their disposal. Their Trojan horse to put substance into their form(s). To evoke transidentity, consent, economic malaise as well as the spiritual, or to tell little stories of frustrated loves, seemingly insoluble but which will end well. Anthony Hilaire for Creole words, Sarah Solo for hip-swiveling soukous, Patrick Bebey for pygmy flute notes, and Grégoire Mahé to bring electricity to DjeuhDjoah & Lieutenant Nicholson's songs; styles blend in a musicality worked into its smallest interstices. Gathered on this dance floor illuminated with '80s disco brilliance, you observe brassy notes slithering under the electronic veneer, synthesizer keys splashed by furious hip movements. To raise your eyes to connect with the spiritual is to watch the sky become constellated with crystalline Fender Rhodes notes, destined to fall like rain on the heavy bass of afrobeat groove. Smiles attached to faces, no one should think they can get through the ten tracks of Divine Dances while remaining seated: he's doomed to fail.
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LP
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HC 086LP
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LP version. Divine Dances. In plural form. The fourth album from DjeuhDjoah & Lieutenant Nicholson couldn't have a more explicit title. Masters of emotions and feelings, the duo has always known how to express melancholy and nostalgia with precision. Yet this time, all their efforts have concentrated on a single goal: taking listeners by the hand -- no, by the ear, obviously! -- to bring everyone back to the dance floor and explore a variety of atmospheres together. And naturally, a variety of styles. Funk, ndombolo, electro, hip hop or zouk, each new vibration discovered carries away the previous one to form a dancefloor where all eventually come together. Divinely light. The body, surrendered to this call to dance in all its forms, has been so caught up in the whirlwind of groove that the mind has fallen in behind it to continue as one. Words explode into syllables that metamorphose into notes, then perfectly align with those from the score. One second. A bit of attention. Caught by an irrepressible groove, then comes the moment to slalom through melodies to discover, at the turn of a rhyme, a new meaning. Approached head-on, certain overly serious themes would empty the room and bring the atmosphere down to lead levels. The diagonal approach, humor, and apparent nonchalance of the two men are the best weapons at their disposal. Their Trojan horse to put substance into their form(s). To evoke transidentity, consent, economic malaise as well as the spiritual, or to tell little stories of frustrated loves, seemingly insoluble but which will end well. Anthony Hilaire for Creole words, Sarah Solo for hip-swiveling soukous, Patrick Bebey for pygmy flute notes, and Grégoire Mahé to bring electricity to DjeuhDjoah & Lieutenant Nicholson's songs; styles blend in a musicality worked into its smallest interstices. Gathered on this dance floor illuminated with '80s disco brilliance, you observe brassy notes slithering under the electronic veneer, synthesizer keys splashed by furious hip movements. To raise your eyes to connect with the spiritual is to watch the sky become constellated with crystalline Fender Rhodes notes, destined to fall like rain on the heavy bass of afrobeat groove. Smiles attached to faces, no one should think they can get through the ten tracks of Divine Dances while remaining seated: he's doomed to fail.
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HC 085CD
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For their fifth album, Vaudou Game's influences have spread beyond the city and country limits, crossing the Atlantic to reach Colombia. Magnetized, the tropical waves traveled along the equator from Latin America to Togo, knocking on the door of OTODI studio. They too wanted to be part of it and take advantage of its legendary analog equipment. Expected by Peter Solo, they weren't the only ones contributing to forging the group's famous hypnotic groove. The sedans parked in the lot don't lie. From the nearby Lomé market, Nana Benz Du Togo have come to unite the delicacy of their alluring vocal harmonies in call and response with Peter Solo. Lomevio, a young group when Vaudou Game's leader had provided them with instruments during difficult times, now offers to its listeners the strength of its voice-guitar-accordion trident. Still acting under the supreme authority of funk controlled by the esotericism and mystique of the voodoo scale, Vaudou Game unites the hand of highlife with that of cumbia above its head. "Afro Cumbia" is one of the new musical directions taken by the band. They were accompanied by the brilliant voice of the Spanish-english singer Clara Serra López on the track "Râler." Guitars, percussion, brass, and vintage keyboards to activate hips or set the most intriguing atmosphere, Peter delivers his messages hidden behind his unremovable mask. Whether dealing with political or human and ecological subjects, he is always sure to mask them under a thick layer of sarcasm and humor in order to put them into better use via a joyful and dancing trance. With the subliminal motto of repaying Africa, the people, the Earth. Fintou!
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HC 085LP
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LP version. For their fifth album, Vaudou Game's influences have spread beyond the city and country limits, crossing the Atlantic to reach Colombia. Magnetized, the tropical waves traveled along the equator from Latin America to Togo, knocking on the door of OTODI studio. They too wanted to be part of it and take advantage of its legendary analog equipment. Expected by Peter Solo, they weren't the only ones contributing to forging the group's famous hypnotic groove. The sedans parked in the lot don't lie. From the nearby Lomé market, Nana Benz Du Togo have come to unite the delicacy of their alluring vocal harmonies in call and response with Peter Solo. Lomevio, a young group when Vaudou Game's leader had provided them with instruments during difficult times, now offers to its listeners the strength of its voice-guitar-accordion trident. Still acting under the supreme authority of funk controlled by the esotericism and mystique of the voodoo scale, Vaudou Game unites the hand of highlife with that of cumbia above its head. "Afro Cumbia" is one of the new musical directions taken by the band. They were accompanied by the brilliant voice of the Spanish-english singer Clara Serra López on the track "Râler." Guitars, percussion, brass, and vintage keyboards to activate hips or set the most intriguing atmosphere, Peter delivers his messages hidden behind his unremovable mask. Whether dealing with political or human and ecological subjects, he is always sure to mask them under a thick layer of sarcasm and humor in order to put them into better use via a joyful and dancing trance. With the subliminal motto of repaying Africa, the people, the Earth. Fintou!
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7"
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HC 083EP
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Vaudou Game is back with a Funky Afro Cumbia 7" release! First single of their fifth album, the French Afro funk band's influences have spread beyond the city and country limits, crossing the Atlantic to reach Colombia and the Afro-Latin world. "Afro Cumbia" is one of the new musical direction took by the band. On the track "Râler," helped by the brilliant voice of the Spanish-English singer Clara Serra López, you'll hear the funky fusion between high-life guitars and typical cumbia guiro and bass. An original soulful duo sharing Spanish and Mina lyrics. "Koliko" is a tribute of the west African street food and specially the fried yam, you can find in Lomé or Cotonou.
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CD
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HC 079CD
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Hot Casa Records present Togo Soul 2, selected rare Togolese recordings from 1974 to 1989. A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the '70s and '80s. A fusion of traditional voodoo chants, raw soul and even electro funk. Finding these tracks and their rights holders hasn't become any easier even after few trips all over this west African country bordered by Ghana, Benin, and Burkina Faso. After eight years, Hot Casa Records, with the kind help of Roger Damawuzan, decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country's recording history included international stars like Akofa Akoussah, Gregoire Lawani, and Roger Damawuzan. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so with great pleasure Hot Casa present a selection here that evokes a golden boomtime in Togolese music history. Includes biographies and rare photos. Remastered by Frank Merritt. Includes 32-page booklet. Also featuring Ali Bawa, Napo De Mi Amor, Alognon Degbevi & Les Vétérans Jazz, Mamo Lagbema, Koffi Ottytana Bebli, Deg Dos, Tomede Ehue, Mawuli Decker, Palete Wawa, and Agboti.
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2LP
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HC 079LP
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Double LP version. Hot Casa Records present Togo Soul 2, selected rare Togolese recordings from 1974 to 1989. A treasure-trove of rare and unusual recordings mostly recorded in Lomé during the '70s and '80s. A fusion of traditional voodoo chants, raw soul and even electro funk. Finding these tracks and their rights holders hasn't become any easier even after few trips all over this west African country bordered by Ghana, Benin, and Burkina Faso. After eight years, Hot Casa Records, with the kind help of Roger Damawuzan, decided to select thirteen tracks, a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country's recording history included international stars like Akofa Akoussah, Gregoire Lawani, and Roger Damawuzan. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse, the music scene in Togo was at the time even if the political context influenced their creation. Many of the original albums these tracks are taken from high prices online due to their rarity and so with great pleasure Hot Casa present a selection here that evokes a golden boomtime in Togolese music history. Includes biographies and rare photos. Remastered by Frank Merritt. Includes 32-page booklet. Also featuring Ali Bawa, Napo De Mi Amor, Alognon Degbevi & Les Vétérans Jazz, Mamo Lagbema, Koffi Ottytana Bebli, Deg Dos, Tomede Ehue, Mawuli Decker, Palete Wawa, and Agboti.
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7"
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HC 078EP
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Reissue of one of the ultimate Soukous banger! Originally recorded in 1992 in Paris, Eki Bis is a party classic. The chorus became a common expression all over the world helped by the hypnotic guitars of the maestros Diblo Dibala and Rigo Star and a smashing up-tempo electro-acoustic drum beat. Le Cobra de Sundama is a famous singer from Kinshasa (Democratic Republic of Congo) who composed more than 12 albums backed by great band such as Empire Bakuba, and was considered to have a voice like Kofi Olomide or Papa Wemba, mixing Lingala and French street expressions. After many concerts and tours all over the continent, he finally settled in Angola. The B-side features a DJ/radio edit with the addition of few electro synths. Produced in Paris by the great producer Jacky Toto and now officially licensed. Remastered by The Carvery and pressed on limited 500 copies.
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12"
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HC 077EP
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Tribute to the soul brother of Benin with rare Afro-funk and digital soul songs from the Maestro. Following the tremendous Dans le Tchink System reissue album, Hot Casa wanted to celebrate the legacy of one the greatest singers from Cotonou. Owhaaou...! is an original four-track 12 inch vinyl taken from the extremely obscure, futuristic and now expensive record Metamorphose released in 1985 and recorded on 24 analog tracks channel with an incredible backing band such as Hilaire Penda on bass and Daniel Bentho from Poly Rythmo de Cotonou to name a few. The B-side is a DJ-friendly edit of the dance floor burner "Zemidjan" recorded in 1991. A composition to pay tribute to the taxi moto of Cotonou. The last track "Mi Tchinker" is a typical Stanislas Tohon hit with a mix of Tchink rhythm, soul and funky melodies. The famous soul singer from Cotonou started his musical career at this age of 9, played with the greatest such as Gnonnas Pedro and recorded almost 35 albums. Influenced by the traditional "Tchingoume" music, he invented his own rhythm called "Tchink Système", a mix of soul and Beninese traditional rhythm. Sang in Fon, his native language from Benin, this EP is a soulful call for peace, respect, and unity in Africa, a real definition of Afro-soul music! Remastered by The Carvery (UK), officially licensed and strictly limited to 1000 copies.
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CD
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HC 076CD
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Since his introduction in the '60s, he has lit stages on fire, whether it be with The Rickers Orchestra or with The Melo-Togo Orchestra (taking home second place for the first National Festival of Tologese Music). His first seven-inch vinyl, Wait For Me, is a holy grail for diggers all around the world. It was such a hit that Togolese music is and will forever be stamped by Roger Damawuzan. He was principal in introducing Gazo, Akpesse, and Kamou rhythms to modern day soul music. In Avépozo -- a few kilometers from the capital, Lomé. Though Tropicana Hotel has been closed for years, the many European tourists who were lucky enough to visit have not forgotten the nights that Roger Damawuzan set ablaze throughout the years. Indeed, in their collective memory is nostalgic of his flaming spirit and the rawness of his rigorous funk. He is timeless: since 1987, the Tropicana is no longer but Damawuzan roars on. In response to requests from his studio and his label, "Tropicana Sounds", which, during '80s, was responsible for releasing his work, Damawuzan also gave his expertise and was a major influence on the evolution of hip-hop and Tologese electro. Relentless and unstoppable, Roger Damawuzan is now making a comeback with Seda. Afro, soul, funk, Vaudou. This album may be described, but it cannot be explained. Only through listening to this disk at a high volume will one completely understand, at its full scope, Roger Damawuzan's emotions, his complaints, his cries, and all his evisceration when he takes the mic. Such a force of nature, Roger Damawuzan could have been supported by only one group. Led by Peter Solo, the members of the Vaudou Game and Lomé's most talented musicians are at Damawuzan's disposal for this album. The bass thunders in his honor, the brass escorts his arrival through the drums' rhythmatic steps, and the guitars riff so perfectly to serve as the ideal bedrock. Such a force of nature, this album could have been only captured, if not mastered, by one studio. Such mission was accomplished by the legendary studio OTODI (Office Togolese of Disks) by utilizing solely analog equipment to translate and to breath all of Damawuzan's soul into this album. In Mina, Roger Damawuzan's native tongue, Seda means "listen". And this is neither advice nor a suggestion -- it's an order! Seda!
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LP
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HC 076LP
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LP version. Since his introduction in the '60s, he has lit stages on fire, whether it be with The Rickers Orchestra or with The Melo-Togo Orchestra (taking home second place for the first National Festival of Tologese Music). His first seven-inch vinyl, Wait For Me, is a holy grail for diggers all around the world. It was such a hit that Togolese music is and will forever be stamped by Roger Damawuzan. He was principal in introducing Gazo, Akpesse, and Kamou rhythms to modern day soul music. In Avépozo -- a few kilometers from the capital, Lomé. Though Tropicana Hotel has been closed for years, the many European tourists who were lucky enough to visit have not forgotten the nights that Roger Damawuzan set ablaze throughout the years. Indeed, in their collective memory is nostalgic of his flaming spirit and the rawness of his rigorous funk. He is timeless: since 1987, the Tropicana is no longer but Damawuzan roars on. In response to requests from his studio and his label, "Tropicana Sounds", which, during '80s, was responsible for releasing his work, Damawuzan also gave his expertise and was a major influence on the evolution of hip-hop and Tologese electro. Relentless and unstoppable, Roger Damawuzan is now making a comeback with Seda. Afro, soul, funk, Vaudou. This album may be described, but it cannot be explained. Only through listening to this disk at a high volume will one completely understand, at its full scope, Roger Damawuzan's emotions, his complaints, his cries, and all his evisceration when he takes the mic. Such a force of nature, Roger Damawuzan could have been supported by only one group. Led by Peter Solo, the members of the Vaudou Game and Lomé's most talented musicians are at Damawuzan's disposal for this album. The bass thunders in his honor, the brass escorts his arrival through the drums' rhythmatic steps, and the guitars riff so perfectly to serve as the ideal bedrock. Such a force of nature, this album could have been only captured, if not mastered, by one studio. Such mission was accomplished by the legendary studio OTODI (Office Togolese of Disks) by utilizing solely analog equipment to translate and to breath all of Damawuzan's soul into this album. In Mina, Roger Damawuzan's native tongue, Seda means "listen". And this is neither advice nor a suggestion -- it's an order! Seda!
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2LP
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HC 075LP
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Double LP version. 2+ is the third album of DjeuhDjoah & Lieutenant Nicholson. A new sound stopover in their funky trip since their beginning with T'es Qui? album in 2015 (HC 034CD). This new building stone prolong their critically acclaimed album Aimez Ces Airs released in 2019 (HC 061CD/LP). Aimez Ces Airs De Plus loves this theme again, that's exactly what the two sidekicks want to present with their diptych. What's new? 15 tracks, eclectic, soft, deep, and funky, where electro, soul even Afrobeat touches, or bossa nova live together harmoniously. DjeuhDjoah & Lieutenant Nicholson make praise of slowness "Pas si vite"), address environmental issues on ("Coeur béton"), social statements on ("Police", "Raie publiques", "Clic" and the social media addiction), childhood on ("Bola Mba"), the post-colonial relation between Africa and the other continents. Love is also really well presented ("Thé à la menthe", "Ping Pong") and why not sailing to Essaouira in Morocco; During the summer of 2020, when the French National Radio asked them to perform a live cover, the French funky duo chose the famous "Né quelque part" by Maxime Leforestier released in 1987. Their suave interpretaion, haunting beat, and spatial and languid atmosphere give a fantastic tribute to this beautiful melody and strong lyrics. They found a very intimate link with chorus in Zulu, harking back to the strong connection they made with South Africa during their last tour. It became clear that they needed to put this track on their new album, as their now club remix classic "Bwe Dlo" performed with their friend David Walters. After their tour in South Africa, they met Cool Affair the musician and electro house producer in Johannesburg who made a beautiful remix of "Aimé Césaire" which close perfectly this new opus. Recorded at "Le triangle des Bermudes" the home studio of Lieutenant Nicholson, produced and mixed by him with a electro analog sound dear to them. Horns, live drums, percussions, and vocal choir were recorded at Bastille village at the label basement, even during the pandemic. On 2+, you can also hear the swirls of Antoine Berjeaut at the trumpet and bugle, magic keys from Florian Pellissier, two new flagships of the French jazz scene. Once again, DjeuhDjoah & Lieutenant Nicholson push the boundaries of the traditional "French song" to make the world dance. They want to keep their international audience, from Australia, Japan, USA, South Africa to name a few of the dancefloors around the world that will ignite with this new album. The French touch will still shine.
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CD
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HC 075CD
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2+ is the third album of DjeuhDjoah & Lieutenant Nicholson. A new sound stopover in their funky trip since their beginning with T'es Qui? album in 2015 (HC 034CD). This new building stone prolong their critically acclaimed album Aimez Ces Airs released in 2019 (HC 061CD/LP). Aimez Ces Airs De Plus loves this theme again, that's exactly what the two sidekicks want to present with their diptych. What's new? 15 tracks, eclectic, soft, deep, and funky, where electro, soul even Afrobeat touches, or bossa nova live together harmoniously. DjeuhDjoah & Lieutenant Nicholson make praise of slowness "Pas si vite"), address environmental issues on ("Coeur béton"), social statements on ("Police", "Raie publiques", "Clic" and the social media addiction), childhood on ("Bola Mba"), the post-colonial relation between Africa and the other continents. Love is also really well presented ("Thé à la menthe", "Ping Pong") and why not sailing to Essaouira in Morocco; During the summer of 2020, when the French National Radio asked them to perform a live cover, the French funky duo chose the famous "Né quelque part" by Maxime Leforestier released in 1987. Their suave interpretaion, haunting beat, and spatial and languid atmosphere give a fantastic tribute to this beautiful melody and strong lyrics. They found a very intimate link with chorus in Zulu, harking back to the strong connection they made with South Africa during their last tour. It became clear that they needed to put this track on their new album, as their now club remix classic "Bwe Dlo" performed with their friend David Walters. After their tour in South Africa, they met Cool Affair the musician and electro house producer in Johannesburg who made a beautiful remix of "Aimé Césaire" which close perfectly this new opus. Recorded at "Le triangle des Bermudes" the home studio of Lieutenant Nicholson, produced and mixed by him with a electro analog sound dear to them. Horns, live drums, percussions, and vocal choir were recorded at Bastille village at the label basement, even during the pandemic. On 2+, you can also hear the swirls of Antoine Berjeaut at the trumpet and bugle, magic keys from Florian Pellissier, two new flagships of the French jazz scene. Once again, DjeuhDjoah & Lieutenant Nicholson push the boundaries of the traditional "French song" to make the world dance. They want to keep their international audience, from Australia, Japan, USA, South Africa to name a few of the dancefloors around the world that will ignite with this new album. The French touch will still shine.
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7"
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HC 075EP
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The funky French duo is back with a new 7". Once again, DjeuhDjoah & Lieutenant Nicholson push the boundaries of the traditional "French song" to make the world dance. Two funky electronic flow, ready to electrify clubs worldwide. Our two "chansonniers" are the leaders of "Afropeanité" and the Creolity. The song "Pas si vite" champions deceleration and positivity during our complex period. "Caipirinha" is a soft tribute to bossa nova, the dream of hot and sweet destination in a cold winter. Recorded at "Le triangle des Bermudes" the home studio of Lieutenant Nicholson, produced and mixed by him with an electro analog sound dear to them. Horns, live drums, percussions and vocal choir were recorded at Bastille village at the label basement, even during the pandemic. Mastered by Frank Merritt at The Carvery (London).
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7"
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HC 076EP
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Since his introduction in the '60s, he has lit stages on fire, whether it be with The Rickers Orchestra or with The Melo-Togo Orchestra (taking home second place for the first National Festival of Tologese Music). His first seven-inch vinyl, Wait For Me, is a holy grail for diggers all around the world. It was such a hit that Togolese music is and will forever be stamped by Roger Damawuzan. He was principal in introducing Gazo, Akpesse, and Kamou rhythms to modern day soul music. Relentless and unstoppable, Roger Damawuzan is now making a comeback with a heavy funk 7". Afro. Soul. Funk. Vaudou. Such a force of nature, this album could have been only captured, if not mastered, by one studio. Such mission was accomplished by the legendary studio OTODI (Office Togolese of Disks) by utilizing solely analog equipment to translate and to breath all of Damawuzan's soul into this album. Such a force of nature, Roger Damawuzan could have been supported by only one group. Led by Peter Solo, the members of the Vaudou Game and Lomé's most talented musicians are at Damawuzan's disposal for this new soul DJ friendly vinyl.
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LP
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HC 074LP
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2023 restock! A classic and essential highlife and Afro funk album from one of the greatest Ghanaian singer and composer, reissued for the first time. The legendary Alhaji Kwabena Frimpong's fantastic rare album was recorded in 1984 in Germany and originally produced and distributed from Hamburg. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti Akim district, and died Oct 18th, 2005 in Kumasi (Ghana). He entered right into music after elementary school by joining Star de Republic and later Oko's Band after which he left to go to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of highlife and soul. The excellent background is given by the famous Cubanos Fiesta with members of Vis-A-Vis band, such as the famous Sammy Cropper on guitar or Slim Manu on bass. Originally produced by Atakora Mensah in Hamburg, this four song recording is a blend of danceable and spiritual soul and straight highlife. A must have vinyl of percussive Afro funk for all the music connoisseurs. LP is a true masterpiece that's hard-to-find and is nearly impossible to find a decent affordable copy. Remastered by Frank Merritt at The Carvery. Fully licensed by the Alhadji Kwame Frimpong family.
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LP
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HC 072LP
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2023 restock. A classic and essential hi-life and Afro-funk album from one of the greatest Ghanaian singer and composer, reissued for the first time. The legendary K. Fimpong's fantastic rare album was recorded in 1980. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti Akim district and entered right into music after elementary school by joining "Star de Republic" and later Oko's Band after which he left to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of hi-life and soul. The excellent background is given by the famous Cubanos Fiesta with members of Vis-A-Vis band. Originally produced on the major Polydor, this four songs recording is a blend of danceable and spiritual soul and straight hi-life. A must have vinyl of percussive Afro-funk for all the music connoisseurs, Me Da A Onnda a true masterpiece. Remastered by Frank Merritt at The Carvery; Pressed on Replika format; Fully licensed by the Alhadji Kwame Frimpong Family.
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7"
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HC 070EP
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African, funky, sarcastic, bewitching, ecstatic: these words collide to describe Vaudou Game and all of them are true. "Bella" is the first vinyl single derived from the upcoming album called Noussin, due to be released in the summer of 2021. A smashing summer hit, sang in Mina and French. It's an ode to the nature and love in these hard times. "Be My Wife" on the B side, is a trip into a rock/funk universe with an up-tempo twist rhythm, sang into the voodoo harmonies. Composed in Lyon on 100% analog equipment during the lockdown, those two songs might be the funkiest nuggets of any DJ and radio playlists.
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CD
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HC 071CD
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African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the French Afro funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP -- yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today -- they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material -- grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage '70s funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in "The Smoke" where the incantations of British music culture were written within him. "Noussin". Which means "Stay strong" in Mina, a dialect spoken in the south-west of Togo. "Noussin". A message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don't let them grind you down -- Noussin.
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HC 071LP
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LP version. African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the French Afro funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP -- yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today -- they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material -- grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage '70s funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in "The Smoke" where the incantations of British music culture were written within him. "Noussin". Which means "Stay strong" in Mina, a dialect spoken in the south-west of Togo. "Noussin". A message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don't let them grind you down -- Noussin.
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HC 069CD
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A fantastic fifth album of the sensational French jazz band. "In this tropical daze, contemplating the surrounding landscape, the luxuriance of nature, with the ocean and her ballet of gentle waves, caressing the sand -- timidly gaining a few inches with each passing adagio. The temperature, as if perfectly adjusted to the most precise degree by an artful yet mercurial hand knowing full well that it could, with idle ease, sway the fragile quality of this luscious and suave atmosphere... However, just a few months before, the course had been set for New Jersey. More specifically; to Rudy Van Gelder's studio: one of jazz's greatest institutions. This pilgrimage was to both celebrate and crown the twentieth anniversary of the quintet. An unchanging line-up that yielded four albums, with this fifth recording intended to be our artistic culmination before moving onto something else . . . The energy, the dynamics of the group were, at that time, not parallel with those tempestuous qualities so when we pushed, something resisted. We strived to sink into darkness -- yet reality lead us back again and again towards an ever more sensitive space of grace and elegance. We arrived wanting to take out the machete, but finesse, in the end, called out to us. Obviously, the sessions saw new trails emerge, basked in a serendipitous and welcoming light. Rather than battling, we instead turned our compass towards the calmer latitudes of Capricorn and Cancer. It was then the quintet embarked for tropical promenades in the newfound tranquility of this legendary studio. So how did we get there? By not upsetting the creative forces that willed the powers of voodoo against taking our souls, at least this time anyway. From afar, my faithful creative daemons came galloping out, like gazelles, from the groove and gracefully forged a rhythm machine, encased with futuristic vibes that I myself then layered with synthesizers. At once intoxicated by all these sultry elements and fulfilled by our orchestral solstice -- I thought of Rio. And this one's to my Rio." --Florian Pellissier (Transcribed by Franck Cochon). Recorded at Rudy Van Gelder Studio (New Jersey, USA), mixed by Jordan Kouby at Question de son (Paris), and mastered by Frank Merritt at The Carvery (London, UK).
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HC 069LP
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LP version. A fantastic fifth album of the sensational French jazz band. "In this tropical daze, contemplating the surrounding landscape, the luxuriance of nature, with the ocean and her ballet of gentle waves, caressing the sand -- timidly gaining a few inches with each passing adagio. The temperature, as if perfectly adjusted to the most precise degree by an artful yet mercurial hand knowing full well that it could, with idle ease, sway the fragile quality of this luscious and suave atmosphere... However, just a few months before, the course had been set for New Jersey. More specifically; to Rudy Van Gelder's studio: one of jazz's greatest institutions. This pilgrimage was to both celebrate and crown the twentieth anniversary of the quintet. An unchanging line-up that yielded four albums, with this fifth recording intended to be our artistic culmination before moving onto something else . . . The energy, the dynamics of the group were, at that time, not parallel with those tempestuous qualities so when we pushed, something resisted. We strived to sink into darkness -- yet reality lead us back again and again towards an ever more sensitive space of grace and elegance. We arrived wanting to take out the machete, but finesse, in the end, called out to us. Obviously, the sessions saw new trails emerge, basked in a serendipitous and welcoming light. Rather than battling, we instead turned our compass towards the calmer latitudes of Capricorn and Cancer. It was then the quintet embarked for tropical promenades in the newfound tranquility of this legendary studio. So how did we get there? By not upsetting the creative forces that willed the powers of voodoo against taking our souls, at least this time anyway. From afar, my faithful creative daemons came galloping out, like gazelles, from the groove and gracefully forged a rhythm machine, encased with futuristic vibes that I myself then layered with synthesizers. At once intoxicated by all these sultry elements and fulfilled by our orchestral solstice -- I thought of Rio. And this one's to my Rio." --Florian Pellissier (Transcribed by Franck Cochon). Recorded at Rudy Van Gelder Studio (New Jersey, USA), mixed by Jordan Kouby at Question de son (Paris), and mastered by Frank Merritt at The Carvery (London, UK).
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HC 068LP
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A spectacular hi-life album with funky digital touches from the great Ghanaian producer, Frimpong Manso. Recorded in 1987 at Ghana Films Studio in Accra, the album Boafo Ne Nyame (translates as "Helper is god") is led by the great and sweet voice of K. Adusei. Five long tracks filled with hypnotic hi-life grooves and many funk inflections that go way beyond lots of standard riffing of modern Afro funk. The track "Asem De Ye So" is a dancefloor friendly song, already known by the connoisseurs and may be a future anthem when the clubs. Frimpong Manso was born Feb 21st in Nkawkaw and sadly died Nov 23, 2016 in Kumasi. This reissue is officially licensed by his son Kwaku Frimpong. Remastered by Frank Merritt at The Carvery. Replica vinyl; 180 gram vinyl.
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HC 066LP
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Restocked. A classic and essential hi-life and Afro-funk album from one of the greatest Ghanaian singer and composer, reissued for the first time. The legendary K. Frimpong's fantastic rare album was recorded in 1978 at Ghana Films Studio in Accra. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti-Akim district and entered right into music after elementary school by joining Star de Republic and later Oko's Band after which he left to go to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, this Frimpong reissue is an amazing album, a modern fusion of hi-life and soul. The excellent background is given by the famous Vis à Vis band, composed with the help of the great Collins Obiba Marfo. Originally produced on Ofo Bros, the label of the Ofori brothers in Kumasi, this four songs recording is a blend of danceable and spiritual soul and straight hi-life. A must have album of percussive Afro-funk. Remastered by Frank Merritt at The Carvery. Pressed on replika format.
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12"
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HC 064EP
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A fantastic Afro-Brazilian futuristic funk anthem! After a few other successful projects, Franck Biyong, the French-Cameroonian Afrobeat composer, guitar player, and singer, is back on Hot Casa with a futuristic Afro-Brazilian club anthem. The similarities and filiations between traditional West African drumming and Afro-Brazilian religious musical rites such as the Candomblé are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So, Biyong aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada with the poignant beauty of Carioca. He then got in touch Cristina Violle, the first lady of "Samba de Roda" in Paris, who graced the release with a startling inspired and heartfelt melody to address the same issues of hope, resilience, courage, and humility; the people who live in Africa's shanty towns of Brazil's favelas again have in common a shared living experience. The first completed version of the song then briefly went on alternative radio. They went back to the studio in the summer of 2019 and started ironing the song again from scratch. That same initial spirit and energy caught hold of the, again from the day they started and, like for Francis Bebey's New Track in 1982 or King Sunny Ade's Syncro System in 1983 who were recorded in Paris over 35 years ago, they worked relentlessly to create a balanced but experimental track showcasing roots-y sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacy synthesizers, choral-like vocal harmonies with call and response figurative vocals. 45RPM.
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