Hot Casa Records is an Afro soul and tropical funk label created in 2002 in Paris by DJ Julien Lebrun and Djamel Hammadi aka Afrobrazilero. The idea of the label was to produce forgotten artists and rare vinyl gems from the past by licensing directly to the musicians or the labels, and also to record and develop upcoming new talents. Hot Casa Records holds strongly to the traditional way of producing and making music, with a few principles in mind: we always try to press our releases on a vinyl 7? or LP, try to have original artwork, and try to promote classic, soulful sounds with social content and a dope sound quality. We came from a soul and jazz culture and were raised during the hip-hop golden era, always looking for the perfect loop and the ultimate break. We have traveled throughout the years to India, Brazil, Russia, the U.S. and especially the African continent, searching for the lost golden tapes from the past.
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LP
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HC 072LP
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$28.50
PREORDER
RELEASE DATE: 11/26/2021
A classic and essential hi-life and Afro-funk album from one of the greatest Ghanaian singer and composer, reissued for the first time. The legendary K. Fimpong's fantastic rare album was recorded in 1980. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti Akim district and entered right into music after elementary school by joining "Star de Republic" and later Oko's Band after which he left to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of hi-life and soul. The excellent background is given by the famous Cubanos Fiesta with members of Vis-A-Vis band. Originally produced on the major Polydor, this four songs recording is a blend of danceable and spiritual soul and straight hi-life. A must have vinyl of percussive Afro-funk for all the music connoisseurs, Me Da A Onnda a true masterpiece. Remastered by Frank Merritt at The Carvery; Pressed on Replika format; Fully licensed by the Alhadji Kwame Frimpong Family.
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CD
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HC 071CD
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African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the French Afro funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP -- yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today -- they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material -- grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage '70s funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in "The Smoke" where the incantations of British music culture were written within him. "Noussin". Which means "Stay strong" in Mina, a dialect spoken in the south-west of Togo. "Noussin". A message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don't let them grind you down -- Noussin.
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HC 071LP
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LP version. African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Noussin is the fourth album of the French Afro funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP -- yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today -- they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material -- grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix. Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage '70s funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in "The Smoke" where the incantations of British music culture were written within him. "Noussin". Which means "Stay strong" in Mina, a dialect spoken in the south-west of Togo. "Noussin". A message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don't let them grind you down -- Noussin.
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CD
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HC 069CD
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A fantastic fifth album of the sensational French jazz band. "In this tropical daze, contemplating the surrounding landscape, the luxuriance of nature, with the ocean and her ballet of gentle waves, caressing the sand -- timidly gaining a few inches with each passing adagio. The temperature, as if perfectly adjusted to the most precise degree by an artful yet mercurial hand knowing full well that it could, with idle ease, sway the fragile quality of this luscious and suave atmosphere... However, just a few months before, the course had been set for New Jersey. More specifically; to Rudy Van Gelder's studio: one of jazz's greatest institutions. This pilgrimage was to both celebrate and crown the twentieth anniversary of the quintet. An unchanging line-up that yielded four albums, with this fifth recording intended to be our artistic culmination before moving onto something else . . . The energy, the dynamics of the group were, at that time, not parallel with those tempestuous qualities so when we pushed, something resisted. We strived to sink into darkness -- yet reality lead us back again and again towards an ever more sensitive space of grace and elegance. We arrived wanting to take out the machete, but finesse, in the end, called out to us. Obviously, the sessions saw new trails emerge, basked in a serendipitous and welcoming light. Rather than battling, we instead turned our compass towards the calmer latitudes of Capricorn and Cancer. It was then the quintet embarked for tropical promenades in the newfound tranquility of this legendary studio. So how did we get there? By not upsetting the creative forces that willed the powers of voodoo against taking our souls, at least this time anyway. From afar, my faithful creative daemons came galloping out, like gazelles, from the groove and gracefully forged a rhythm machine, encased with futuristic vibes that I myself then layered with synthesizers. At once intoxicated by all these sultry elements and fulfilled by our orchestral solstice -- I thought of Rio. And this one's to my Rio." --Florian Pellissier (Transcribed by Franck Cochon). Recorded at Rudy Van Gelder Studio (New Jersey, USA), mixed by Jordan Kouby at Question de son (Paris), and mastered by Frank Merritt at The Carvery (London, UK).
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7"
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HC 070EP
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African, funky, sarcastic, bewitching, ecstatic: these words collide to describe Vaudou Game and all of them are true. "Bella" is the first vinyl single derived from the upcoming album called Noussin, due to be released in the summer of 2021. A smashing summer hit, sang in Mina and French. It's an ode to the nature and love in these hard times. "Be My Wife" on the B side, is a trip into a rock/funk universe with an up-tempo twist rhythm, sang into the voodoo harmonies. Composed in Lyon on 100% analog equipment during the lockdown, those two songs might be the funkiest nuggets of any DJ and radio playlists.
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HC 069LP
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LP version. A fantastic fifth album of the sensational French jazz band. "In this tropical daze, contemplating the surrounding landscape, the luxuriance of nature, with the ocean and her ballet of gentle waves, caressing the sand -- timidly gaining a few inches with each passing adagio. The temperature, as if perfectly adjusted to the most precise degree by an artful yet mercurial hand knowing full well that it could, with idle ease, sway the fragile quality of this luscious and suave atmosphere... However, just a few months before, the course had been set for New Jersey. More specifically; to Rudy Van Gelder's studio: one of jazz's greatest institutions. This pilgrimage was to both celebrate and crown the twentieth anniversary of the quintet. An unchanging line-up that yielded four albums, with this fifth recording intended to be our artistic culmination before moving onto something else . . . The energy, the dynamics of the group were, at that time, not parallel with those tempestuous qualities so when we pushed, something resisted. We strived to sink into darkness -- yet reality lead us back again and again towards an ever more sensitive space of grace and elegance. We arrived wanting to take out the machete, but finesse, in the end, called out to us. Obviously, the sessions saw new trails emerge, basked in a serendipitous and welcoming light. Rather than battling, we instead turned our compass towards the calmer latitudes of Capricorn and Cancer. It was then the quintet embarked for tropical promenades in the newfound tranquility of this legendary studio. So how did we get there? By not upsetting the creative forces that willed the powers of voodoo against taking our souls, at least this time anyway. From afar, my faithful creative daemons came galloping out, like gazelles, from the groove and gracefully forged a rhythm machine, encased with futuristic vibes that I myself then layered with synthesizers. At once intoxicated by all these sultry elements and fulfilled by our orchestral solstice -- I thought of Rio. And this one's to my Rio." --Florian Pellissier (Transcribed by Franck Cochon). Recorded at Rudy Van Gelder Studio (New Jersey, USA), mixed by Jordan Kouby at Question de son (Paris), and mastered by Frank Merritt at The Carvery (London, UK).
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LP
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HC 068LP
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A spectacular hi-life album with funky digital touches from the great Ghanaian producer, Frimpong Manso. Recorded in 1987 at Ghana Films Studio in Accra, the album Boafo Ne Nyame (translates as "Helper is god") is led by the great and sweet voice of K. Adusei. Five long tracks filled with hypnotic hi-life grooves and many funk inflections that go way beyond lots of standard riffing of modern Afro funk. The track "Asem De Ye So" is a dancefloor friendly song, already known by the connoisseurs and may be a future anthem when the clubs. Frimpong Manso was born Feb 21st in Nkawkaw and sadly died Nov 23, 2016 in Kumasi. This reissue is officially licensed by his son Kwaku Frimpong. Remastered by Frank Merritt at The Carvery. Replica vinyl; 180 gram vinyl.
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LP
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HC 066LP
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Restocked. A classic and essential hi-life and Afro-funk album from one of the greatest Ghanaian singer and composer, reissued for the first time. The legendary K. Frimpong's fantastic rare album was recorded in 1978 at Ghana Films Studio in Accra. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti-Akim district and entered right into music after elementary school by joining Star de Republic and later Oko's Band after which he left to go to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, this Frimpong reissue is an amazing album, a modern fusion of hi-life and soul. The excellent background is given by the famous Vis à Vis band, composed with the help of the great Collins Obiba Marfo. Originally produced on Ofo Bros, the label of the Ofori brothers in Kumasi, this four songs recording is a blend of danceable and spiritual soul and straight hi-life. A must have album of percussive Afro-funk. Remastered by Frank Merritt at The Carvery. Pressed on replika format.
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12"
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HC 064EP
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A fantastic Afro-Brazilian futuristic funk anthem! After a few other successful projects, Franck Biyong, the French-Cameroonian Afrobeat composer, guitar player, and singer, is back on Hot Casa with a futuristic Afro-Brazilian club anthem. The similarities and filiations between traditional West African drumming and Afro-Brazilian religious musical rites such as the Candomblé are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So, Biyong aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada with the poignant beauty of Carioca. He then got in touch Cristina Violle, the first lady of "Samba de Roda" in Paris, who graced the release with a startling inspired and heartfelt melody to address the same issues of hope, resilience, courage, and humility; the people who live in Africa's shanty towns of Brazil's favelas again have in common a shared living experience. The first completed version of the song then briefly went on alternative radio. They went back to the studio in the summer of 2019 and started ironing the song again from scratch. That same initial spirit and energy caught hold of the, again from the day they started and, like for Francis Bebey's New Track in 1982 or King Sunny Ade's Syncro System in 1983 who were recorded in Paris over 35 years ago, they worked relentlessly to create a balanced but experimental track showcasing roots-y sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacy synthesizers, choral-like vocal harmonies with call and response figurative vocals. 45RPM.
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LP
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HC 065LP
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Limited restock. Hot Casa present a reissue of K. Fimpong & Super Complex Sounds' Ahyewa Special, originally released in 1975. Essential highlife and Afro funk from Ghana! The legendary K. Fimpong's fantastic rare second album recorded in 1975 at Ghana Films Studios. K. Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti-Akim district and entered music right after elementary school by joining Star de Republic. Later he was in Oko's band after which he went to K. Gyasy's band where he worked for more than six years. As a prolific songwriter and singer, here's the reissue of his second album, a modern fusion of highlife and the traditional beat called "Ahyewa". The excellent background is given by the Super Complex Sounds band which makes the Ahyewa beat abundantly, danceable, and colorful. Originally produced on the Ofo Bros label led by the Ofori brothers in Kumasi, these two side-long recordings were divided into six themes per side on the original release, each delivering a deep, 16-minute long hi-life trance. A must have vinyl of percussive Afro funk and modern highlife for all the music connoisseurs. Fully licensed by the Alhadji Kwame Frimpong Family.Remastered by Frank Merritt at The Carvery Pressed on Replika format.
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LP
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HC 063LP
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2021 restock. Hot Casa present a reissue of Manu Dibango's African Voodoo, originally released in 1972. A fantastic and rare album by the Afro soul maestro. These files were recorded in 1971 at Pathé-Marconi studio (Boulogne-Billancourt) for professional sound illustration intended for the cinema, television, and advertising. At the time, jazz musicians were interested in and experimented with all genres, and started to convert solely to what soon to be called "rare groove", somewhere between soul, jazz, and Afro funk with a hint of Latin clave. These tunes have not aged and the sound will be considered as "huge" by many cratediggers. These recording were not supposed to reach the club or radio audience, they were freer sessions, a moment for the musicians to open their imagination and test their "Afro something", like Manu Dibango liked to say. These recording sessions included the best of the French soul scene at the time: Yvan Julien (trumpet), Slim Pezin (guitar), Jacques Bolognesi (trombone), Lucien Dobat (drums), Emile Boza (percussion), Manfred (bass), and the conductor himself at the vibraphone, marimba, saxophone, organ. This album is a wonderful return to the future and should satisfy the need of the Afro soul aficionados. Mastering by The Carvery. Replica; vinyl-only; 180 gram vinyl; includes interview by Jacques Denis; limited press.
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2LP
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HC 061LP
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Double LP version. The French-Afropean duo is back with a new funky masterpiece album, Aimez Ces Airs. DjeuhDjoah & Lieutenant Nicholson are French composers and Afro-soul singers. The duo is creating a new vibe with French sounds and mixing it with jazz, Afrobeat, electronic, and soul. T'es Qui? (HC 034CD, 2015) was their first album released in 2015 and re-released a year later under the name Remets T'es Qui? (HC 044CD/LP, 2016). It was result of an intense collaboration that has lasted many years, on stage and in the studio. They call their music "Afropean songs", a collection of jazzy-pop melodies, Afro-soul, and funk arrangements. This album has 15 songs and features a tribute to the famous poet Aimé Césaire on the title. The Antilles are also honored with creole lyrics, and if you listen carefully -- you'll hear them distilled within the album. La Montagne Pelée's eruption in 1902 is evoked under the prism of August Cyparis, one of the three survivors. The rhythms are tight and focused, with some Antilles, but also Detroit elements thrown in, accompanied with a strong horns section, vibraphone, and analog drums. There are lots of echoes from the era of jazz funk and the lyrical French mode, mixed with some slightly warmer currents that show their wider love of modern funk and eclectic tastes. It is a unique sound, an original recipe, using French wordplay with a universal message. In the summer of 2018, they presented the now critically acclaimed first single "El Nino" (HC 057EP), an Afro-funk gem about climate change, and "Fontaine", an Afro hit with a great combination of analog take and electronic dancefloor ingredients. With massive support from national radios and prestigious international DJs such as Gilles Peterson, Aimez Ces Airs could be one of the top funky albums of 2019. Cover designed by the artist Felix. Mastered by DJ Vas.
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CD
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HC 061CD
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The French-Afropean duo is back with a new funky masterpiece album, Aimez Ces Airs. DjeuhDjoah & Lieutenant Nicholson are French composers and Afro-soul singers. The duo is creating a new vibe with French sounds and mixing it with jazz, Afrobeat, electronic, and soul. T'es Qui? (HC 034CD, 2015) was their first album released in 2015 and re-released a year later under the name Remets T'es Qui? (HC 044CD/LP, 2016). It was result of an intense collaboration that has lasted many years, on stage and in the studio. They call their music "Afropean songs", a collection of jazzy-pop melodies, Afro-soul, and funk arrangements. This album has 15 songs and features a tribute to the famous poet Aimé Césaire on the title. The Antilles are also honored with creole lyrics, and if you listen carefully -- you'll hear them distilled within the album. La Montagne Pelée's eruption in 1902 is evoked under the prism of August Cyparis, one of the three survivors. The rhythms are tight and focused, with some Antilles, but also Detroit elements thrown in, accompanied with a strong horns section, vibraphone, and analog drums. There are lots of echoes from the era of jazz funk and the lyrical French mode, mixed with some slightly warmer currents that show their wider love of modern funk and eclectic tastes. It is a unique sound, an original recipe, using French wordplay with a universal message. In the summer of 2018, they presented the now critically acclaimed first single "El Nino" (HC 057EP), an Afro-funk gem about climate change, and "Fontaine", an Afro hit with a great combination of analog take and electronic dancefloor ingredients. With massive support from national radios and prestigious international DJs such as Gilles Peterson, Aimez Ces Airs could be one of the top funky albums of 2019. Cover designed by the artist Felix. Mastered by DJ Vas.
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HC 062LP
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Hot Casa present a reissue of Katakata by Kings Aigbologa Bucknor, originally released in 1978. Amazing Afro-beat album from a disciple of Fela Anikulapo Kuti. A sublime spiritual and political session recorded at Phonogram studio (Lagos, Nigeria) in 1979, on a 16-track. After the critically acclaimed second album released in 1979 and reissued in 2017, African Woman (HC 050LP), Hot Casa present the first and really hard-to-find vinyl reissue of Kingsley Bucknor. Also known as "King Bucknor", the famous Nigerian producer, arranger, and singer delivered two brilliant, hypnotic and long traditional Afro-beat tracks. All the ingredients of the "Afro-beat" definition are here: killer drums, straight riff guitars, hypnotic bass, heavy horns chorus, strong political lyrics with beautiful melodies. Ultra-rare, unique, and essential.
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12"
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HC 060EP
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Following acclaimed compilation Togo Soul 70 (HC 047CD/LP, 2016), here comes a 12" of edits and revisited versions of original funky tracks by Yta Jourias and Roger Damawuzan and rare and unreleased Togolese soul tracks from Napo De Mi Amor and Sewavi Jacintho. Bosq and DJ Pushin Wood deliver hot, funky, and soulful versions oriented for the dance floors and the disco fans. On the B side are two tremendous soul tracks by Amor and the tremendous Jacintho.
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2LP
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HC 059LP
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Double LP version. Vaudou Game return to Hot Casa with Otodi, their first album in two years. No one had been through those doors in years. Unchanged, seemingly untouched, just a guard watching over it -- one wondered whether the place would ever see the light of day again. Built in the 1970s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 1980s, but not this one. Situated in Lome, Togo this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out. The original vibrations of Lome's sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, the entire atmosphere. A presence at once electrical and mystical, sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio' s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day. For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can' t learn in any school. This was also a way to put Otodi on the path of a more heavily-hued funk sound the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan's James Brown-type screams, and softens when making the way for soulful strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lome at Otodi with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities.
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HC 059CD
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Vaudou Game return to Hot Casa with Otodi, their first album in two years. No one had been through those doors in years. Unchanged, seemingly untouched, just a guard watching over it -- one wondered whether the place would ever see the light of day again. Built in the 1970s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 1980s, but not this one. Situated in Lome, Togo this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out. The original vibrations of Lome's sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, the entire atmosphere. A presence at once electrical and mystical, sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio' s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day. For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can' t learn in any school. This was also a way to put Otodi on the path of a more heavily-hued funk sound the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan's James Brown-type screams, and softens when making the way for soulful strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lome at Otodi with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities.
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7"
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HC 058EP
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The French Afro funk band is back from Togo with a forthcoming album called Otodi. Otodi was the name of the recording studio in Lomé, closed in 1987, that band leader Peter Solo and his crew reopened during the spring 2018 to record the 13 brilliant all analog songs featured on the album. Here comes a 7" single. Pure Afro funk with Togolese soul.
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LP
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HC 056LP
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Hot Casa present a reissue of The Soul Kids' Toute L'Afrique Danse Vol. 10. This is a rare gem of a record from the fantastic soul band The Soul Kids, stemming from the Democratic Republic of Congo, which includes covers of James Brown & The Mighty Flames' hit singles "Licking Stick" (1968) and "Papa's Got A Brand New Bag" (1965), Wilson Pickett's "Hey Jude", and a French vocal version of Otis Redding's soul hit, "Respect". This amazing young band, which released only four 7" singles and one album, is a great example of the influence of soul music and French pop bridging to the new Afro soul scene that the musicians of Kinshasa were involved in during the time of post-independence. Ngoma was one of the first record labels intent on providing local artists' recordings from both sides of the Congo river to the people of the DRC and West Africa. Created in 1948 by a Greek man by the name of Nicolas Jeronimidis, the Ngoma label was active through 1968 and pressing in France until 1971, leaving a tremendous catalog, including this historical and essential soul masterpiece.
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7"
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HC 057EP
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DjeuhDjoah & Lieutenant Nicholson is a French composers and Afro-soul singer's duo. T'es Qui? (HC 034CD, 2015), their first album, fruit of an intense collaboration during many years, on stage and in studio. They call their music "Afropean songs", a collection of jazzy-pop melodies, Afro-soul, and funk arrangements. First of all, they present "El Nino", an Afro funk gem about climate change. "Fontaine" is an Afro hit with a great combination of analog and electronic dancefloor ingredients. Sleeve designed by the artist Felix.
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12"
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HC 055EP
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A rare and highly-desirable Afro digital soul EP, recorded in Abidjan (Ivory Coast) in 1981. Originally from Martinique, Clemmarise Voltine, aka Mac Gregor, moved to Abidjan in 1979 searching for, what she called, her "negritude quest". She sang about her love for her adoptive city until her death in April 2004. A visionary composer, poet, and singer, mixing Creole, French, and Nouchi, she made a brilliant musical bridge between the West Indies and Ivory Coast backed by a soulful group of top Ivorian musicians, such as the great Houon Pierre. Fully Licensed in Abidjan. Remastered at Carvery Studio. 45RPM.
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LP
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HC 054LP
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Mind-blowing Afro soul music from Ivory Coast, served up by Deke Tom Dollard, an obscure artist who only recorded two albums in 1979 and 1981, but also created an original funky fusion with the Bété language. A selection of four amazing tracks recorded in Abidjan on two different records label called War Records and As Records. The music here is a mixture of funk with heavy basslines, traditional percussions, funky guitar riffs, nice horns section, and lyrics in Beté. The song "Demonde" is inspired by harmonies of the famous "Dance To The Drummer Beat" by Herman Kelly. Those two rare records were found by Afrobrazilero, aka Djamel Hammadi, and never appeared on the vinyl market. It's almost impossible to get information about this singer and composer, or the musicians involved in the recording sessions. Most of the recording sessions were lost by the labels Hot Casa licensed the tracks with here. Unique! A must have for all the Afro funk lovers. Remastered by The Carvery.
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12"
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HC 053EP
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The Afro funk side of the Latin soul maestro. Born in Gao (Mali), Boncana Maïga is one of the most talented and popular producers of West African. During a recording session in New York City at the beginning of the '80s with a lot of musicians from Puerto Rico, Venezuela, or Colombia, Maïga recorded few rare funky tracks with heavy breaks. Hot Casa reissue four rare tracks dedicated to dancefloor, recorded between 1978-1982. Includes a rare soundtrack for the oil company of Ivory Coast called "Petroci". Fully licensed; Includes interview; 45 rpm; Remastered by The Carvery.
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LP
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HC 052LP
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Hot Casa present a reissue of Itadi's album Inye. Afro funk and political soul from Togo. Recorded in the beginning of the '80s and self-produced by Itadi in 1983, this obscure album contained deep soul and controversial rare grooves backed by the five band members called the Afrofunk Band de Lomé. Itadi's music is unique, in his second album, he kept the same recipe: a mixture of soul, reggae, hi-life, and funk with heavy lyrics that sound like slogans -- this caused him big trouble after his release. He was obliged to escape the country to the USA. A real definition of a revolutionary musician! This deluxe LP contains two unreleased tracks. Also includes an interview and photos -- fully licensed by Itadi's family. Remastered by Frank Merritt at Carvery Studio.
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12"
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HC 051EP
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A 12" single from the incredible French Afro funk band, including remixes by Osunlade, under the collective name of Yoruba Soul. Since their first acclaimed album Apiafo (HC 032CD/LP, 2014), these Lyon (France) natives never turned down the heat. When it came time for them to harness their Afro soul sound for a second time, they turned their attention to their analog strengths. Kidayu (HC 046CD/LP, 2016) is the name of the second opus which means "sharing": it's exactly what those versions of "On Se Pousse" are about, a great meeting of two ardent defenders of Afro soul sounds.
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