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CD
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CPT 653CD
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Web Web present their sixth album with a new touch. More psychedelic, sometimes more krauty than before. This time, Web Web, with their original line-up (without Max Herre) have (again) chosen a special guest: JJ Whitefield (The Poets Of Rhythm/Karl Hector & The Malcouns/Syrup), who contributes the fantastic guitar sound. His riffs are sometimes funky as with the Poets Of Rhythm or Syrup, or more psychedelic as with Karl Hector & The Malcouns or his many live and studio recordings with Embryo. The sound color of his guitar gives the album a thrust into the wonderful atmosphere of spacey jazz-kraut bands of the seventies. The concept of the album is the exact opposite of the previous Web Max album, with spontaneous, improvised pieces, fragments, ideas that mean the greatest possible liberty and live spirit. The idea of bringing JJ Whitefield on board was just as unpredictable and improvised. Roberto Di Gioia spontaneously called JJ and asked him if he could imagine playing on one or two songs. JJ immediately said yes, and a day later he was in the studio. They actually only played two songs: One lasted 25 minutes, the other 45 minutes. The tracks for Plexus Plexus were created over two days, recorded by Jan Krause (Beanfield) in Munich. The energetic live session lasted twice 10 hours, and everyone -- Roberto Di Gioia (Rhodes, Fender Precision Bass, Moog, Mellotron, percussion), Christian von Kaphengst (Fender Precision Bass, Rhodes), Peter Gall (drums, percussion, Fender Rhodes), Tony Lakatos (tenor saxophone, flute) -- was "on fire" to the core. The musicians switched instruments to create a completely different overall sound: Kaphengst on Fender Rhodes sounds different to Roberto, his playing has a different harmonic structure, and Roberto on bass is familiar from numerous Max Herre recordings, or from Till Brönner's album Till Brönner.
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LP
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CPT 653LP
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LP version. Web Web present their sixth album with a new touch. More psychedelic, sometimes more krauty than before. This time, Web Web, with their original line-up (without Max Herre) have (again) chosen a special guest: JJ Whitefield (The Poets Of Rhythm/Karl Hector & The Malcouns/Syrup), who contributes the fantastic guitar sound. His riffs are sometimes funky as with the Poets Of Rhythm or Syrup, or more psychedelic as with Karl Hector & The Malcouns or his many live and studio recordings with Embryo. The sound color of his guitar gives the album a thrust into the wonderful atmosphere of spacey jazz-kraut bands of the seventies. The concept of the album is the exact opposite of the previous Web Max album, with spontaneous, improvised pieces, fragments, ideas that mean the greatest possible liberty and live spirit. The idea of bringing JJ Whitefield on board was just as unpredictable and improvised. Roberto Di Gioia spontaneously called JJ and asked him if he could imagine playing on one or two songs. JJ immediately said yes, and a day later he was in the studio. They actually only played two songs: One lasted 25 minutes, the other 45 minutes. The tracks for Plexus Plexus were created over two days, recorded by Jan Krause (Beanfield) in Munich. The energetic live session lasted twice 10 hours, and everyone -- Roberto Di Gioia (Rhodes, Fender Precision Bass, Moog, Mellotron, percussion), Christian von Kaphengst (Fender Precision Bass, Rhodes), Peter Gall (drums, percussion, Fender Rhodes), Tony Lakatos (tenor saxophone, flute) -- was "on fire" to the core. The musicians switched instruments to create a completely different overall sound: Kaphengst on Fender Rhodes sounds different to Roberto, his playing has a different harmonic structure, and Roberto on bass is familiar from numerous Max Herre recordings, or from Till Brönner's album Till Brönner.
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12"
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CPT 648EP
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Six track EP full of warm deep house music, spacy jazz not jazz, African and Brasil rhythms, plus a portion of psychedelic funk poetry. Children Of Zu Zu is Charles Petersohn's restart after his previous label release from 18 years ago. On this EP, sound merges into each other, producing an organic flow. Smooth deep house, different kinds of jazz and jazz-not-jazz, African rhythms, Brasil batucada, psychedelic funk poetry, inspired by Dr. John and most of all the space music and Afrofuturist philosophy of Sun Ra and his Arkestra. Soundscapes and atmos in the background of each song give the music a deeper feel. It took its time to get the music ready. There was the desire of having Web Web pianist Roberto di Gioia in the music. Roberto planted some magic moments in to it. On other hand Charles is hyper critic with his own sound. Children Of Zu Zu became a collage of thick, warm and smooth house music, spacy ambient jazz and two dancefloor tools with a deep Afro and Brasil feel.
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CPT 646LP
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Captivating, hypnotic, and highly energetic! Prepared -- a free-spirited Munich-based trio in a chamber music line-up that instinctively awakens dance impulses and guides the listener into a trance-like sound space. A pianist who hammers, taps and plucks incessantly on the grand piano. A clarinetist who plays more bass than clarinet in the depths of his bass clarinet. And a drummer who, like a good record, goes on and on, constantly spinning the grooves in circles. Three Munich jazz musicians, united in their contrasts. Where one plays Argentinian tango with Quadro Nuevo, the other plays "folklore-free folk music" with Dreiviertelblut and the third plays German hip-hop with Moop Mama, in their new project Prepared they merge cyclical motifs and cleverly layered patterns in minimalist yet highly virtuoso compositions creating a mesmerizing Gesamtkunstwerk. It's as if Steve Reich, Jonny Greenwood, Nik Bärtsch, and Dawn of Midi had been thrown into a pot. For a "state-of-the-art" immersive music production, the music was tracked "live" in one room without any overdubs. This album has been recorded using high-class 3D recording and miking techniques for Dolby Atmos and was mixed and mastered by highly acclaimed sound engineers. Recorded by Kseniya Kawko at Kyberg Studio, Munich, mixed by Kseniya Kawko at MSM Studio, Munich and mastered by Christoph Stickel at csmastering, Vienna.
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2LP
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CPT 645LP
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Chapter three of the successful compilation series. 14 modern kraut-electronic tracks (three of them exclusive and previously unreleased) inspired by Kraftwerk, Can, Neu!, Cluster, Klaus Schulze and many more. Curated and compiled by Compost artist Fred und Luna. As on Vol. 1 and 2, the collage on the cover was designed exclusively by the fantastic artist Norika Nienstedt from the Kraut metropolis of Düsseldorf. Rainer Buchmüller aka Fred und Luna sadly passed away in January 2024 after a long illness. He was a kind-hearted person, gifted artist, friend and companion. Compost mourns him deeply. A few days before his death, Rainer Buchmüller had along the track listing for Volume 3 (and already ideas for Volume 4), with the request to publish this posthumously, he would be very happy if his fans and all those who will be would receive a "sign of life' from him. It's not at all easy or basically impossible to describe the term "Kraut" stylistically. Nevertheless, Compost Records and Fred und Luna embark on a journey through time to discover the different elements of German electronic music from the 1970s and 1980s and their impact on the more recent German and global music scene. After the great success of Volumes 1 and 2, Volume 3 follows on stylistically from its predecessor and -- as this is one of the basic ideas of the series -- gradually expands the musical spectrum with new krauty elements. Black 2LP with black inner sleeves. Includes three exclusive and unreleased tracks. Featuring Fred und Luna, Philipp Johann Thimm, Niklas Wandt, Christian Nainggolan, Von Spar, Harmonious Thelonious, Benoit B, Salvage Art, Die Orangen, Puma & The Dolphin, Twoonky, Sula Bassana, and Organza Ray.
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CD
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CPT 635CD
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Peter Gall, drummer of Web Web, one of the most accomplished and sought-after German jazz drummers, releases his second solo album. An intense work full of passion for modal jazz, fusion and improvisation. Full support from Gilles Peterson. With highly virtuoso, prominent guests: Wanja Slavin, Rainer Böhm, Reinier Baas, Matthias Pichler, and a live tour in winter and spring 2025. In 2018, Peter Gall's sensational debut album Paradox Dreambox saw the light of day. What began as an experiment became a strong musical statement that met with an enthusiastic response in the jazz world and led to successful tours with a fantastic band. Now finally comes the long-awaited second album: on Love Avatar, the Berliner-by-choice, who was born in Bad Aibling in Southern Bavaria, continues his search for new musical galaxies and paradoxes, emotional eruptions, irresistible grooves and the unreal, the supernatural and the love in music. Love Avatar by Peter Gall and his colleagues is richer, more complex, but also more focused and consistent than its predecessor. Mystical, hotblooded and biting, multidimensional and, above all, with a great focus on rousing grooves. It is somehow not a pure jazz album, there are too many parallel worlds for that. Nevertheless, jazz, the unpredictable, blind interaction and the courage to take risks play the most important role in this conglomerate of post-bop, fusion, baião, anthemic indie rock, melancholy synth spheres and hypnotizing beats.
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CPT 635LP
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LP version. Peter Gall, drummer of Web Web, one of the most accomplished and sought-after German jazz drummers, releases his second solo album. An intense work full of passion for modal jazz, fusion and improvisation. Full support from Gilles Peterson. With highly virtuoso, prominent guests: Wanja Slavin, Rainer Böhm, Reinier Baas, Matthias Pichler, and a live tour in winter and spring 2025. In 2018, Peter Gall's sensational debut album Paradox Dreambox saw the light of day. What began as an experiment became a strong musical statement that met with an enthusiastic response in the jazz world and led to successful tours with a fantastic band. Now finally comes the long-awaited second album: on Love Avatar, the Berliner-by-choice, who was born in Bad Aibling in Southern Bavaria, continues his search for new musical galaxies and paradoxes, emotional eruptions, irresistible grooves and the unreal, the supernatural and the love in music. Love Avatar by Peter Gall and his colleagues is richer, more complex, but also more focused and consistent than its predecessor. Mystical, hotblooded and biting, multidimensional and, above all, with a great focus on rousing grooves. It is somehow not a pure jazz album, there are too many parallel worlds for that. Nevertheless, jazz, the unpredictable, blind interaction and the courage to take risks play the most important role in this conglomerate of post-bop, fusion, baião, anthemic indie rock, melancholy synth spheres and hypnotizing beats.
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12"
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CPT 634EP
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Limited four-track EP in transparent-orange vinyl. An ultrarare in demand DJ Linus EP from 2001 with four crunchy cool jacking tech traxx. The old vinyl release was strictly limited and was released under the mysterious artist name The Underground, but it was DJ Linus himself who produced it. Worth the wait for this rarity re-release, which fits perfectly to the currently happening house sound.
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12"
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CPT 631EP
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Michael Reinboth's first ever release under his real name. After early Beanfield productions, circa 20 remixes (some old ones labelled simply Compost Remixes), more than 30 compilations and 30+ years of running Compost, a few 12"s under alter egos, the Compost boss decides to liberate the alias and mystic. "Let The Spirit" is a kinetic cover version of a house classic, released way back in time on Ron Trent's legendary Prescription imprint. It has no samples, everything is self-programmed and produced in team play with Jan Krause (Beanfield). The flipside brings the trippy "RS6 Avant" which comes in two versions. The "Cosmic Version" is an invite to float over the "Landstraße" (or the dancefloor with eyes closed in the late night hours). And as Michael loves to drive fast too, he decided to add the Club Version -- a much more energetic take with which works a treat on peak time dancefloors (and the Autobahn of course).
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12"
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CPT 629EP
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Precursor EP to Mr. Raoul K's newest album. The Afro-house pioneer has returned to his home country Côte d'Ivoire. Raoul K: "Since I know how good and easy it is to live in my home country of Côte d'Ivoire, I drew a line in Germany and set off." So, he's back in full effect with spiritual Afro-tinged gems, catching the vibe and easier living there, and discovered new voices from Kenia, South Africa and India. Sinkere got mixing skills from Rancido, while Compost head honcho Michael Reinboth delivered a tempered stripped-down remix of "Loni ké." Also featuring Sidney Simila, Lady Parul, and Abou C.
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2LP
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CPT 625LP
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After Future Sounds Of Kraut Vol. 1 (CPT 621LP), Compost presents Vol. 2: 17 modern krauty electronic tracks (nine of them exclusive) inspired by Kraftwerk, Can, Neu!, Cluster, Harmonia, Klaus Schulze, and many others. Curated and compiled by Compost artist Fred und Luna. The collage on the cover -- like on Vol.1 -- was exclusively made by the fantastic artist Norika Nienstedt from Kraut metropolis Düsseldorf. Future sounds of Kraut, what's it all about? Maybe Vol. 2 will bring it to light for you. It's not easy at all or even impossible to define the musical genre "Kraut." Nevertheless, Compost Records and Fred und Luna strike out on the path to find the diverse elements of German electronic music of the 1970s and 1980s and their effects on the new German and international music scene. After the immense success of Vol. 1, a follow-up volume was soon started, tying in stylistically with its predecessor and furthermore -- as this is one basic principle of the series -- expanding the musical spectrum by adding new krauty elements step by step. So now, besides stylistic followings to Vol. 1, you will hear some more club oriented and experimental tracks. Feel free to listen and get krautified! Featuring Sankt Otten, Ghost Power, formAnt B, Thomas Fehlmann, Roman Flügel, Sordid Sound System, I:Cube, Lucas Croon, Minami Deutsch, Gilgamesh Mata Hari Duo, Kosmischer Läufer, Young Solo, Schlammpeitziger, and Halwa.
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12"
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CPT 630EP
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The visionary electronic music producer team Arnau Obiols and KAYYAK, known for blending cultural influences into captivating soundscapes, present two new tracks seamlessly fusing afro-inspired rhythms with groovy organic beats. Splendid remix works by the masterminds Prins Thomas, Medlar & Dele Sosimi, and Rahaan are the icing on the cake. Arnau Obiols and KAYYAK return to Compost Records with their third release for the esteemed German label. Following their debut EP, Chang'an, and the single "Tunacheza," which was also featured in the compilation Future Sounds of Jazz Vol. 15, the duo presents their latest offerings: "Faith" and "San Diago." Recorded between Zurich and Barcelona, these tracks embody a fusion of disco, funk, and jazz infused with a strong West African influence drawn from genres such as highlife, afrobeat, and juju. Their passion for psychedelia and krautrock is evident in the recordings, characterized by raw tape echoes, primitive drum machines, heavily processed analog synthesizers and dream-like atmospheres. While the original tracks maintain an organic vibe, the remixes offer club-ready versions tailored for the dance floor. Featuring outstanding remixes by the Norwegian space disco pioneer Prins Thomas, the Chicago legend Rahaan, and the British house producer Medlar, along with Nigerian musician Dele Sosimi, renowned for his work as a keyboard player for Fela Kuti in the late '70s and early '80s.
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12"
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CPT 627EP
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A wonderful song with a heartwarming hook. Jimi Tenor and Tomasz Guiddo at their best. With three delightful feel-good remixes by the shining light, Erobique, Freestyle Man, and Ale Castro. Erobique, who recently had chart hits in middle Europe and was a member of International Pony with DJ Koze back in the days. He also wrote fantastic musical scores for the Tatortreiniger TV series (with Bjarne Mädel) and celebrated sold-out live shows all over Germany and Austria. Freestyle Man, perhaps better known as Sasse from Moodmusic, is recognized for delivering many excellent deep house gems. Ale Castro from Argentina also contributes to the top-notch remixes with a DJ-friendly house version. Last but not least, the legendary Austrian crooner Louie Austen works his magic with his voice on "Smile."
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CD
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CPT 623CD
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German jazz supergroup Web Web continue their collaboration with songwriter and producer Max Herre on their fifth album WEB MAX II, issued on Compost Records. First joining forces with Herre for 2021 offering WEB MAX (CPT 584CD), on this new long player the band has achieved much more than just the pure continuation of a series. Roaming far from its spiritual jazz roots, WEB MAX II is, musically and emotionally, probably the most diverse distillation of what Web Web has created in its seven years of existence. Featuring Marja Burchard and Carlos Niño.
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CPT 623LP
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LP version. German jazz supergroup Web Web continue their collaboration with songwriter and producer Max Herre on their fifth album WEB MAX II, issued on Compost Records. First joining forces with Herre for 2021 offering WEB MAX (CPT 584CD), on this new long player the band has achieved much more than just the pure continuation of a series. Roaming far from its spiritual jazz roots, WEB MAX II is, musically and emotionally, probably the most diverse distillation of what Web Web has created in its seven years of existence. Featuring Marja Burchard and Carlos Niño.
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2LP
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CPT 608LP
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Balearic heaven: massive remix package of ten remixes by Joe Claussell, Mark E, I:Cube, Beanfield, Gilb'R, Gigi Testa, Arno E. Mathieu, Julien Jabre, Next Evidence, and Max Essa. There are not many records circulating around, which are embracing and implicate the beauteousness of "the Balearic" sound on a full-length artist album. It is a unique gleam of Mediterranean light, a sense in a modern sound environment, which Arno E. Mathieu captured and created here on "Contemplation." It is not by accident that DJ Harvey is playing Arno E. Mathieu tunes. Other great names, too, have fallen in love with that sound and produced a remix: Franck Roger, Joe Claussell, I:Cube, Beanfield, Julien Jabre, Mark E, Simoncino, Woolfy, DJ Deep, Gigi Testa, Next Evidence, Max Essa. So nearly every single track on this album will have a remix. Sit back, relax and watch out.
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2LP
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CPT 620LP
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Carribean, jazz, Afro, reggae, the full spectrum of world music sophisticated and ingenious fused with electronica. A08 is the brainchild of the two Berliners Dirk Leyers and DJ Nomad. Formerly known as AFRICAINE 808, the studio/live music project with an album and various EPs on NYC's Golf Channel Recordings and Vulcandance. A08 started as an experiment where the two succeeded in the amalgamation of rhythmic world music heritage with the zeitgeist and aesthetics of electronic dance music. After ten successful years touring the globe as a live music project, a praised double album, five EPs and remix work for legends like Tony Allen and Amadou & Mariam among many others, the two decided to re-invent their sound for a new album, exploring jazz and Caribbean music among their "classic" working genres of electronic world dance music. For the production, A08 included an illustrious crowd of guests into the band line-up, featuring artists from Colombia, Ghana, Kenya, Trinidad and Germany. The outcome is Waiting for Zion.
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CPT 624LP
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The stunning debut ambient album from Fred Everything's new project All Is Well. A Break In Time is an ambient album written during the lockdown as a sort of calming therapy/meditation exercise. The project quickly took form with a unique sonic identity and message inspired by this feeling of isolation felt during that time. The album is about fragility, naivety, contemplating our vulnerability but also of resilience and the feeling of alone/together. This album might have taken less than a year to make, but it's a culmination of influences drawing back to his early '90s growing up in Québec City. He was then known simply as Everything, performing live in Raves and Chill Out Room, armed with nothing but a 909, an SH-101 an Ensoniq EPS and a Quadraverb. His love for ambient music never faded. With early influences such as Carl Craig's seminal Landcruising, Warp's Artificial Intelligence, and Black Dog Production Bytes, this album bridges the gap between here and there, now and then: where time stands still. This is a collaborative release from Compost Records and Drumpoet Community.
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2LP
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CPT 619LP
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The fifth album by the Berlin band Automat pours oil on the fire. Heat is more homogeneous, warmer and rounder than its predecessors. Intimate dub, rich bass, scrambled delays, deep blue trip hop, deep violet downtempo ballads, reggae/rap sparks fly here and there, all of which makes Heat a beautiful album. Heat stands for a process of change: both in the line-up and for the energy and passion of the new line-up. After a longer break due to Corona, the leave of guitarist Jochen Arbeit, the entry of keyboardist Max Loderbauer and producer Ingo Krauss as well as the ingenious reinforcement by Scott Montieth (Deadbeat), singer Barbie Williams and the guests on the microphone Gemma Ray and both reggae legends Prince Alla and R Zee Jackson, the new Automat is running like a machine. Automat are: Achim Färber (Phillip Boa & The Voodooclub, Skip McDonald), Georg Zeitblom (wittmann/zeitblom), Max Loderbauer (Ricardo Villalobos/Sun Electric/Moritz Von Oswald Trio), and Scott Montieth (Deadbeat). Black double LP with black inner sleeves. Includes download card.
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2LP
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CPT 621LP
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16 modern Kraut-ish electronic tracks inspired by Kraftwerk, CAN, Neu, Rother, Klaus Schulze etc. Curated and compiled by Compost artist Fred und Luna. Their selection (with six exclusive tracks!) shows how well younger artists are revitalizing the Kraut scene. The better known ones, like Pyrolator, Sankt Otten, I:Cube, anyway. Watch out for Vol. 2 at the end of the year. The collage on the cover was exclusively made by the fantastic artist Norika Nienstedt from Kraut-metropole Düsseldorf. It's not at all easy or even impossible to define "Krautrock" or "Kraut." Nevertheless, Compost Records and Fred und Luna strike out on the path to find the diverse elements of German electronic music of the 1970s and 1980s and their effects on the newer German and international music scene. So, as a first approach, this volume of Future Sounds Of Kraut includes the music of up-to date artists primarily influenced by bands representing the repetitive character of German Electronica: Kraftwerk, CAN, Neu!, Harmonia and Cluster, just to name a few. Feel free to listen and get krautified! Featuring Fred und Luna, Baikonour, Musiccargo, Abrão, Listening Center, Higamos Hogamos, Gilgamesh Mata Hari Duo, Kosmischer Läufer, Sankt Otten, Pyrolator, I:Cube, Organza Ray, Sula Bassana, Halwa, and Lionel, Julien, Marceau et Rainer.
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2LP
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CPT 617LP
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Double LP version. Trustworthy sequel of Compost's classic and mega-selling series. After 20 years a new Glücklich! Rainer Trüby fished deep in Brazilian- and Latin-tinged music and makes us more than glücklich. It only took a little over 20 years since the last installment but a classic and much-loved compilation series is "de volta" in a very big way. And a two-decade break means that when you come back, you'd better come back strong, but of course this is Rainer Truby we're talking about here and he's got a serious bag of Brazilian and Brazilian-flavored goodies for all good boys and girls! Some of them were buried on obscure CDs ignored by vinyl collectors, several have escaped being compiled until now and all of them will make your summers very pleasant and happy indeed. By the way: the car is a VW Volkswagen SP2 manufactured in Brazil between 1972 and 1976. Includes extensive liner notes. Features: Jon Lucien, Debbie Cameron & Richard Boone, Marcia Maria, Midnight Gigolos, Sonzeira, Rainer Trüby, Corrado Bucci, A Bossa Elétrica, The Matheus Combo, Grupo Ébano , Guillermo Reuter, Jean-Marc Jafet, Wütrio, and Christian Knobel.
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CD
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CPT 617CD
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Trustworthy sequel of Compost's classic and mega-selling series. After 20 years a new Glücklich! Rainer Trüby fished deep in Brazilian- and Latin-tinged music and makes us more than glücklich. It only took a little over 20 years since the last installment but a classic and much-loved compilation series is "de volta" in a very big way. And a two-decade break means that when you come back, you'd better come back strong, but of course this is Rainer Truby we're talking about here and he's got a serious bag of Brazilian and Brazilian-flavored goodies for all good boys and girls! Some of them were buried on obscure CDs ignored by vinyl collectors, several have escaped being compiled until now and all of them will make your summers very pleasant and happy indeed. By the way: the car is a VW Volkswagen SP2 manufactured in Brazil between 1972 and 1976. Includes extensive liner notes. Features: Jon Lucien, Debbie Cameron & Richard Boone, Marcia Maria, Midnight Gigolos, Sonzeira, Rainer Trüby, Corrado Bucci, A Bossa Elétrica, The Matheus Combo, Grupo Ébano , Guillermo Reuter, Jean-Marc Jafet, Wütrio, and Christian Knobel.
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12"
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CPT 615EP
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Super bitter-sweet ballad. Like 70% cacao chocolate. Tomasz Guiddo teams up with legendary Vienna crooner Louie Austen (remember all his hits on Cheap, KittyYo, Tirk, G-Stone, Klein Records, Etage Noir). On the flip side of this 7" the Columbian superdons Meridian Brothers turn this into real mambo madness, which gives the ballad a joyful twist.
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LP
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CPT 613LP
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Fred und Luna have always had a preference for symmetry. Reflected in their cover motifs and, on the current album, in the length of the musical pieces, which are all around the five-minute zone. Im Fünfminutentakt, accordingly the name of their latest creation, is Fred und Luna's fourth long player, an exquisite selection of contemporary instrumental and vocal pieces with a sensitive feel for repetitive rhythms, enchanting melodies, and mesmerizing sounds. Particularly noteworthy are "Es ist so schön" ("It's wunderschön"/"C'est wunderbar"), a piece sung in three languages (with its sensitive feeling for the joy of seeing your loved ones again after months of loneliness caused by the pandemic) and the dancefloor-oriented "Tanz mit mir" ("Dance With Me"), that gives an idea of how much even computer-like voices can awaken desires and dreams. Who are Fred und Luna? Fred und Luna are two mannequins living in a fashion boutique in Karlsruhe, Germany. They serve as muse for musician, poet and photo/video maker, Rainer Buchmüller. Inspired by his doll friends and his love for German electronic music of the past decades, Rainer Buchmüller under the name Fred und Luna produces his self-created genres elektrokraut and krautelektro: both a modern adventurous journey with a combination of motorik beats, electronic soundscapes, and elements of the krautrock era.
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2LP
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CPT 603LP
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Double LP version. Gatefold sleeve; includes download. After excursions into hip-hop, rap, and film music Austrian producer and musician Urbs has returned to the downtempo and trip-hop styles that were the cornerstones of his most successful work. Using obscure samples as well as traditional instrumentation for his impressionistic instrumental pieces he takes you to Geheimland. Born as Paul Nawrata in Lower Austria, Urbs is a veteran electronic producer and musician living in Vienna. A music fanatic from a very young age, he started writing and photographing for various fanzines in his teenage years, interviewing artists as diverse as Kurt Cobain, Nick Cave, and the Wu Tang Clan. He soon felt attracted to the blossoming hip-hop scene of Vienna, contributing to the radio program of legendary impressario Werner Geier aka Demon Flowers. Best described as the Austrian version of Tony Wilson, he took him under his wing and soon released his first steps in music production on his Uptight label. In 1998, two EPs were released as Urbs & Chaoz, spawning a first success with "Closer To God", which was not only a radio favorite, but was also used by famed director Ulrich Seidl in his early work Models and remixed by Thievery Corporation. Heavily influenced by Kenny Dope, Todd Terry, and Armand Van Helden's hip-hop releases, the musical style of Urbs & Chaoz was dubbed "Dope Beat" in central Europe and can be seen as one of the precursors of trip-hop. His next musical partner was Cutex with whom he released Breaks Of Dawn and Peace Talks!, two LPs of timeless instrumental hip-hop, both of which are seen as classics of the genre. His first solo album was released on G-Stone Recordings in 2005 and was co-produced by Peter Kruder (Kruder & Dorfmeister). On Toujours Le Meme Film, Urbs channeled his love for film music and French chanson. Songs from the album were used for TV shows Grey's Anatomy and Nip:Tuck. Together with award winning composer Karwan Marouf, he worked on film music for directors like Arash and Arman Riahi as well as Werner Boote. While the world was in the grip of the pandemic in 2020, Urbs, who had just become a father, felt inspired by the fantasy and perception of his son. He reconnected with his roots and produced Geheimland in one go, trying to find the essence of his work and musical passion and creating his very own musical language along the way.
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