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viewing 1 To 8 of 8 items
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2LP
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BE 009LP
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Black Editions presents the deluxe, first-ever vinyl edition of Acid Mothers Temple's classic self-titled first album. Over the last 25 years no group has been more prolific or dedicated to pushing psychedelic rock to its limits than Japan's Acid Mothers Temple. Their maximalist technicolor vision was first revealed on this, their now legendary self-titled 1997 debut released by P.S.F. Records. Led by Makoto Kawabata, the album contains some of the group's most cosmic, hypnotic and over-the-top material; it kick-started and set the tone for a journey that has included countless releases and performances around the world -- a freaked-out trip that continues to this day. Acid Mothers Temple & The Melting Paraiso U.F.O. is one of the essential albums of the world's psychedelic underground. Deluxe Edition housed in ten-color heavy tip-on gatefold jackets, featuring soft touch and spot gloss finishes and full color interior pockets. Includes full-color, spot glossed inner sleeves and a 24"x24", full-color poster. Remastered and pressed to high quality vinyl at RTI; Digital download included.
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LP
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BE 1003LP
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Psychedelic Speed Freaks is a new power trio led by Munehiro Narita, founding member of Japan's legendary High Rise and easily one of the wildest, most original guitarists in rock history. Blazing in total hyper-saturated glory, Psychedelic Speed Freaks centers on the raw, unrelenting attack of Narita's "motorcycle fuzztone guitar" and a rhythm section driven by a pair of untamed LA acid punks. Recorded deep in-the-red and punched into overdrive, Psychedelic Speed Freaks is a full-throttle adrenaline shot into the 21st Century. Deluxe Edition housed in heavy tip-on jacket featuring silver foil printing and embossed paper. Includes metallic printed insert. Pressed to high quality vinyl at RTI; Digital download included.
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4LP
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BE 1001LP
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Black Editions present a monumental collection of 22 exclusive tracks by 22 of the most important artists to emerge from the Japanese underground over the last 40 years. Directed by Ghost's Masaki Batoh and produced in tribute to the late Hideo Ikeezumi, founder of P.S.F. Records, the Modern Music record store and G-Modern Magazine. Few label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. Over three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success. This four-LP compilation, selected by Ghost's Masaki Batoh, is a primer of Ikeezumi's curation: a kaleidoscopic collection of previously unreleased gems from the Japanese underground. Running the full stylistic gamut from the hushed tones of Kim Doo Soo and Go Hirano to the psychedelic rock splendor of Overhang Party and High Rise this set connects the dots between generations and movements, all linked by the common thread of Ikeezumi's panoramic musical vision. The most original voices in the avant garde, psychedelia, folk, free jazz, and rock all found a home with P.S.F. Records. Directed by Masaki Batoh. Edited by Yoshiaki Kondo (GOK Sound). Mastered by Kazuo Ogino; Vinyl Mastering by John Golden. Designed by Takuya Kitamura. Also features Acid Mothers Temple & The Melting Paraiso U.F.O., Kazuo Imai, Maher Shalal Hash Baz, .es, Keiji Haino, á qui avec Gabriel, Shizuka, Masayoshi Urabe, Ché-SHIZU, Fushitsusha, White Heaven, Keiko Higuchi, Reizen, Makoto Kawashima, Niseaporia, Ghost, Hasegawa-Shizuo, and Hideaki Kondo. Includes essays by Masaki Batoh and Alan Cummings along with artist profiles, all in English and Japanese. Deluxe triple gatefold, heavy tip-on edition with metallic inks and spot finishes. Includes printed inner sleeves. Pressed to high quality vinyl at RTI; Digital download included.
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LP
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BE 006LP
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Makoto Kawashima was born in Saitama, a prefecture of the Greater Tokyo Area, in 1981. He picked up the alto sax in 2008, and started playing solo in 2010. He is the founder of the Homosacer (Sacredhuman) label. Homo Sacer was originally released in 2015. It was Kawashima's second solo release and his first full-length album. It was also the final release by P.S.F. Records. The album was recorded live during a heavy rainstorm at the gallery and café Yamanekoken in Iruma, Saitama. Facing up towards the ceiling, his sound arcing up to meet the raindrops beyond the roof. Kawashima played with a reed he had been given by the mother of the late Japanese saxophone giant Kaoru Abe. Housed in a heavy tip-on jacket featuring metallic printing and gloss film-laminate finish. Pressed to high quality vinyl at RTI; Digital download included.
"Homo sacer -- sacred human. Kawashima's sax is ripe with the spirit of Japanese free jazz, dwelling as it does between the violent and the beautiful. Kaoru Abe, Masayoshi Urabe, Takayuki Hashimoto, Harutaka Mochizuki... all of these altoists live in an area of personal expression rare in the world, one that feels like the body itself is being whittled away at. It feels like we have a new genius to add to that list." --Hideako Kondo, from the Japanese liner notes
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2LP
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BE 004LP
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Black Editions present the first ever vinyl release of Ché-SHIZU's signature album A Journey, originally issued in 1994 by Tokyo's legendary P.S.F. Records. Ché-SHIZU is one of the most original and mystifying groups to ever emerge from the Tokyo underground. Founded by master improviser Chie Mukai in 1981 the group has been guided by her singular vision for nearly 40 years. Throughout its history Ché-SHIZU has challenged traditional notions of song structure and improvisation. Mukai's signature instrument, the Chinese er-hu, is an ancient two stringed bowed instrument rarely found outside of traditional music. Even within the wildly diverse roster of artists on P.S.F. Records, Ché-SHIZU is a playful and confounding outlier. Early on Mukai became active within the avant-garde movement flowering in Tokyo during the mid-1970s. She studied with renowned Fluxus composer and violinist Takehisa Kosugi, recalling, "that encounter was so huge for me, much more than any one technique. Even in terms of the er-hu, I only started playing it because Kosugi gave it to me." In 1975 she joined his East Bionic Symphonia, a large improvising ensemble featuring students from Tokyo's Bigakko art school. From there she contributed to improvising avant-garde groups including an early version of Marginal Consort and later the Vedda Music Workshop. Her work with Ché-SHIZU however is where her vision most clearly emerged. Ché-SHIZU released its first album I Can't Promise in 1984 on Zero Records, in time the album would become a revered classic. It would be another ten years before another full-length would be released. During that time the group performed extensively with various rotating line ups. In the summer of 1994, Mukai led the group to Studio J in Tokyo to record an album for the P.S.F. label. Released later that year, the album was titled A Journey. Fittingly, it is a sprawling excursion through ethereal dreamscapes, the group confident in its own resplendent joy. Over the album, the group creates a spontaneous, loose form of chamber pop that weaves folk and a light psychedelia into something entirely unique. Pop songs like "Juso Station" intersect with instrumentals such as the title track to create a varied yet coherent improvisational language. Remastered; deluxe double-LP edition cut at Dubplates & Mastering, Berlin and pressed at Pallas Germany. Includes new expansive artwork and lyric translations, housed in a spot gloss heavy gatefold jacket; Includes high resolution digital download.
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LP
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BE 002LP
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Repressed! Pitchfork Best New Reissue: 8.4: Black Editions present a reissue of High Rise's II, originally released in 1986. High Rise exploded onto Tokyo's underground music scene with the roar and reckless abandon of a motorcycle accelerating headlong into a dead man's curve. Born from the explosive chemistry of bassist/vocalist Asahito Nanjo and frenetic guitarist Munehiro Narita, the band blazed a wild new stream of psychedelic guitar music. Their second album is a defining document of the band and unquestionably one of the greatest albums to emerge from 20th century underground Japan and beyond. With Nanjo's distorted thunder bass and Narita's wildly narrative lead guitar playing, II is a non-stop tour de force of improvised rock music. Combining elements of garage rock, punk, and no wave, the band pushed all levels fully in-the-red and transcended the limits of rock and psychedelia to create a raw, unique expansion of the music. Black Editions present High Rise's II, newly mixed and mastered by Asahito Nanjo in what the band states is the definitive version of their most quintessential recording. This new edition restores the original vinyl version's textured black and silver artwork. Housed in heavy Stoughton tip-on jacket. Pressed onto high quality vinyl by RTI.
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2LP
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BE 001LP
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Repressed! Black Editions present the first ever vinyl edition of Tokyo Flashback, the legendary 1991 compilation that defined the Tokyo psychedelic movement and first brought it to the outside world. Tokyo Flashback is one of the most iconic compilations in the history of underground music. Originally released by Japan's P.S.F. Records, Tokyo Flashback defined the breathtakingly unique and previously obscured musical movement that had been developing in Japan since the late 1970s. The compilation features some of the earliest released recordings by Keiji Haino, High Rise, Masaki Batoh's Ghost, White Heaven, Fushitsusha, Kousokuya, and Marble Sheep. It captures the excitement and energy of a Tokyo awash in Technicolor and deep blacks; the music echoing krautrock, psychedelic freak-outs, garage, and no wave. At the same time it reveals astonishing, totally idiosyncratic expansions of rock music. In time, Tokyo Flashback expanded to a synonymous nine volume series that, over the following two decades, unveiled Japan's ever evolving soundscapes to the rest of the world. Tokyo Flashback is a defining statement of late 20th century Japanese psychedelic music and an essential primer to the world of P.S.F. All tracks are exclusive, this edition features the first time translation of the original liner notes. Black Editions' deluxe edition is entirely re-mastered and marks the first release of Tokyo Flashback outside of Japan and it's first ever vinyl issue. Also features Verzerk. Newly created artwork and design expanding on the original by Rob Carmichael at SEEN Sudio; Housed in custom printed deluxe Stoughton gatefold jacket and slipcase, including full color printed inner sleeves and inserts with soft touch and spot UV gloss finishes; Remastered and cut by Pete Lyman at Infrasonic Sound; Pressed to high quality vinyl at RTI.
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LP
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BE 000LP
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Repressed; Black Editions present the first vinyl reissue of Keiji Haino's stunning debut album Watashi Dake?, originally released in 1981. This first ever edition released outside of Japan features the artist's originally intended metallic gold and silver jacket artwork. Over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of Keiji Haino. Through a vast number of recordings and performances, Haino has staked out a ground all his own, creating a language of unparalleled intensity that defies any simple classification. For all this, his 1981 debut album Watashi Dake? has remained enigmatic. Originally released in a small edition by the legendary Pinakotheca label, the album was heard by only a select few in Japan and far fewer overseas. Original vinyl copies became impossibly rare and highly sought after the world over. Watashi Dake? presents a haunting vision -- stark vocals, whispered and screamed, punctuate dark silences. Intricate and sharp guitar figures interweave, repeat, and stretch, trance-like, emerging from dark recesses. Written and composed on the spot -- Haino's vision is one of deep spiritual depths that distantly evokes 1920s blues and medieval music -- yet is unlike anything ever committed to record before or since. Produced in close cooperation with Keiji Haino and legendary photographer Gin Satoh. Coupled with starkly minimal packaging, featuring the now iconic cover photographs by Gin Satoh, the album is a startling and fully realized artistic statement. Housed in custom printed deluxe Stoughton tip-on jackets, including black on black inserts, extras, and hand-colored finishes; Remastered by Elysian Masters and cut by Bernie Grundman Mastering; Pressed to high quality vinyl at RTI; Includes download code.
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