Search Result for Genre WORLD
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2LP
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VP 4256LP
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$43.00
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RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter One of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. Kicking off with the joyful ska of Lord Creators' Independent anthem, Chapter One runs the true course of Jamaican music in the 1960s with a virtual who's who of reggae music including Bob Marley, Peter Tosh, Toots & The Maytals, Rico, Skatalites, John Holt & Alton Ellis. Beautifully packaged with inner sleeves featuring rare photos and liner notes by Blood & Fire's Steve Barrow."
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2LP
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VP 4257LP
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$43.00
PREORDER
RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter Two, the second part of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum,' Chapter Two showcase classic after classic from an all-star line-up of the '70s reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz."
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LP
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VAMPI 328LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like LĂmber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's ten LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk -- you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.
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2LP
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FLEE 007LP
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$45.50
PREORDER
RELEASE DATE: 9/19/2025
The songs of Louisiana's Francophone and Creole heritage have flowed through the bayous for centuries, shaped by African, Native American, French, and Caribbean influences. This double vinyl compilation and its OBI strip features a staggering 34 songs, ranging from French ballads and Creole renditions to zydeco hooks and reinterpretations by a wide array of contemporary artists such as Madteo, Tanz Mein Herz, Radio Hito, Cyril Cyril, and Deafkids, among others. With archival recordings and contemporary creations side by side, it serves as a bridge across the vast bayou of Louisiana music. Also featuring Elby "Bee" Deshotels, Alma Barthélémy, Caesar Vincent, Raywood Morvant, Chalvin Godar, Burton LeMaire, Clifton Chenier, Isome J. Fontenot, Gabriel Broussard, Emeline Broussard, Chimère FM, Yama Warashi, Herandu, _thesmoothcat, Juu, and NAPPYNAPPA.
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LP
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N 102LP
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$32.00
PREORDER
RELEASE DATE: 9/19/2025
The Alien Dub Orchestra is ragtag collective of Bavarian musicians, featuring members of The Notwist and G.Rag y los hermanos Patchekos. The cohort formed around the idea of performing the standards of the fabled Breadminster Songbook, aka the back-catalogue of lone dubman Elijah Minnelli. Minnelli is known for constructing wheezy, forlorn odes to his hometown, both as highly sought-after self-released 7" singles, and a critically-acclaimed debut album, Perpetual Musket for FatCat Records, lauded by the likes of The Guardian, The Wire, and The Quietus. Plays the Breadminster Songbook finds group covering Minnelli's cumbia-infused dub reggae with full band, playing an eclectic array of instruments including: guiro, accordion, melodica, sousaphone, trumpet and assorted percussion. The seeds of the Alien Dub Orchestra were sown during a support gig for The Notwist, where assorted musicians joined Minnelli for an encore, reinterpreting one of his dub remixes across woodwind, brass and assorted percussion. Despite the non-traditional origins of the source material, the inherent musicality of Minnelli's songwriting shines through across his releases, and this creative kinship is what attracted the Orchestra to reimagining his work. The first live collaboration led to recording sessions and further gigs, with the Orchestra building a full set of Minnelli's music. The resulting album puts forward the strongest case yet of the shared musical throughline between the acts, where cumbia, dub and folk sensibilities coalesce to something altogether unique. The tracks are wrought new, with melodies fleshed out and broader instrumentation expanding the sonic possibilities of the compositions. For these dubs, Minnelli is joined by Raimund Wong, who had caught his ear with his ambitious live sets, a daisy chain of tape machines and FX pedals. Again, despite their differing creative processes, the two bonded over a shared love of dub music.
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CD
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BORNBAD 183CD
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$12.50
PREORDER
RELEASE DATE: 9/12/2025
Here are fourteen tracks of untimely yet unprecedented cross-fertilization from the French West Indies: all types of music rooted in the Creole archipelago have found their way, whatsoever, to the tracklisting. Whether originating from the city or being more rural, they all go back to what Edouard Glissant, in an interview about the place of West Indian music in the Afro-American scope, called "the trace of singing, the one which got erased by slavery." The opening track features one of the emblematic orchestras of this aesthetic identity, criscrossing many music types from the archipelago. The 1974 Ray Barretto guajira is magnificently performed by Malavoi, a legendary Fayolais group. Additionally, the compilation ends on a piece by Los Martiniqueños de Francisco. Practicing the danmyé rounds (a kind of capoeiria) to the rhythm of the bèlè drum, it delivers a terrific Caterete, a kind of champeta of Afro- Colombian obedience which was originally composed by Colombian Fabián Ramón Veloz Fernández for the group Wgenda Kenya. The icing on the cake is Brazilian Marku Ribas, who found refuge in Martinique in the early 1970s, bringing his singing to the last trance-inducing track. The Los Caraïbes cover of "Dónde," a famous Cuban theme composed by producer Ernesto Duarte Brito, has a typical violin and features renowned Martinique singer Joby Valente and his piquant voice. The meaningful "Amor en chachachá" by L'Ensemble Tropicana, a band which included Haitian musicians among whom was composer and leader Michel Desgrotte, also recalls how Latin music was pervasive in the tropics in the mid-1960s. They were the ones keeping people dancing at Le Cocoteraie in Guadelupe and La Bananeraie in Martinique. Around the same time, another "foreign" band, Congolese Freddy Mars N'Kounkou's Ryco Jazz, achieved some success on both islands by covering Latin jazz classics. In a more typically salsa vein, the Super Combo, a famous Guadelupean orchestra from Pointe-Noire that was formed around the Desplan family and had Roger Plonquitte and Elie Bianay on board, adapt "Serana," a theme by Roberto Angleró Pepín. Léon Bertide's Martinican ensemble excelled at the boogaloo which had been composed by Puerto Rican saxophonist Hector Santos for the legendary El Gran Combo. Three years later, in 1972, Henri Guédon, with the help of Paul Rosine on the vibraphone, tackled the Bilongo made famous by Eddie Palmieri. On the high-value collectible single -- the first one released by Les Aiglons under the Duli Disc label -- there is a sticker classifying the track under the generic name "Afro." Digipack CD includes 20-page booklet, and liners notes in French, Spanish, English. LP version includes 6-page booklet.
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LP
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WWSLP 102LP
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$35.00
PREORDER
RELEASE DATE: 9/12/2025
Wewantsounds reissues Fairuz's classic album Chat Iskandaria released on Relax-in in 1987. The album sees "The Lebanese Diva" going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, the album -- curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes -- has been newly remastered by Colorsound Studio in Paris. Fairuz is a living legend and one of the greatest divas of the Arab world. For more than sixty years, she has been at the heart of Arabic music, releasing landmark albums since the early '50s and performing on stages around the globe. Fairuz rose to prominence through her collaboration with the Rahbani Brothers (Assi and Mansour), a creative partnership that began in the 1950s and flourished through the 1970s, producing a vast repertoire of timeless songs that remain beloved across the Arab world and beyond. In the late 1970s, Fairuz shifted to a more modern sound with albums such as Wahdon (1979) and Maarifti Feek (1986), produced by her son Ziad Rahbani, blending jazz, funk, and other contemporary influences into her music. However, Chat Iskandaria, released in 1987, marks a return to her classic Rahbani sound, offering a more traditional yet captivating approach to Arabic music. The album sees Fairuz interpreting a selection of Rahbani Brothers compositions in their signature theatrical and orchestral style, with themes ranging from nostalgia and love -- including a heartfelt homage to the city of Alexandria -- to the passage of time, central motifs in much of their work the legendary poet SaĂ¯d Akl contributes to two songs, "Min Rawabina Al Kamar" and "Fattehhon Alay." Unlike her more experimental collaborations with Ziad Rahbani, Chat Iskandaria stays firmly rooted in traditional Lebanese and Levantine musical aesthetics. Rich in melody and poetic imagery, it showcases Fairuz at her most evocative, supported by the refined orchestral arrangements that defined her golden era with the Rahbanis. Chat Iskandaria is a must-have for lovers of classical Arabic music and a poignant reminder of the enduring artistic bond between Fairuz and the Rahbani Brothers. Wewantsounds releases the album on vinyl for the first time since its original 1987 release, featuring its beautiful gatefold sleeve, remastered audio and a new bilingual introduction by Mario Choueiry (Institut du Monde Arabe).
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LP
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BORNBAD 183LP
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$22.50
PREORDER
RELEASE DATE: 9/12/2025
LP version. Here are fourteen tracks of untimely yet unprecedented cross-fertilization from the French West Indies: all types of music rooted in the Creole archipelago have found their way, whatsoever, to the tracklisting. Whether originating from the city or being more rural, they all go back to what Edouard Glissant, in an interview about the place of West Indian music in the Afro-American scope, called "the trace of singing, the one which got erased by slavery." The opening track features one of the emblematic orchestras of this aesthetic identity, criscrossing many music types from the archipelago. The 1974 Ray Barretto guajira is magnificently performed by Malavoi, a legendary Fayolais group. Additionally, the compilation ends on a piece by Los Martiniqueños de Francisco. Practicing the danmyé rounds (a kind of capoeiria) to the rhythm of the bèlè drum, it delivers a terrific Caterete, a kind of champeta of Afro- Colombian obedience which was originally composed by Colombian Fabián Ramón Veloz Fernández for the group Wgenda Kenya. The icing on the cake is Brazilian Marku Ribas, who found refuge in Martinique in the early 1970s, bringing his singing to the last trance-inducing track. The Los Caraïbes cover of "Dónde," a famous Cuban theme composed by producer Ernesto Duarte Brito, has a typical violin and features renowned Martinique singer Joby Valente and his piquant voice. The meaningful "Amor en chachachá" by L'Ensemble Tropicana, a band which included Haitian musicians among whom was composer and leader Michel Desgrotte, also recalls how Latin music was pervasive in the tropics in the mid-1960s. They were the ones keeping people dancing at Le Cocoteraie in Guadelupe and La Bananeraie in Martinique. Around the same time, another "foreign" band, Congolese Freddy Mars N'Kounkou's Ryco Jazz, achieved some success on both islands by covering Latin jazz classics. In a more typically salsa vein, the Super Combo, a famous Guadelupean orchestra from Pointe-Noire that was formed around the Desplan family and had Roger Plonquitte and Elie Bianay on board, adapt "Serana," a theme by Roberto Angleró Pepín. Léon Bertide's Martinican ensemble excelled at the boogaloo which had been composed by Puerto Rican saxophonist Hector Santos for the legendary El Gran Combo. Three years later, in 1972, Henri Guédon, with the help of Paul Rosine on the vibraphone, tackled the Bilongo made famous by Eddie Palmieri. On the high-value collectible single -- the first one released by Les Aiglons under the Duli Disc label -- there is a sticker classifying the track under the generic name "Afro." Digipack CD includes 20-page booklet, and liners notes in French, Spanish, English. LP version includes 6-page booklet.
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LP
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CLASSIC 091LP
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"TalĂ¡n is the title of Raphael Rogiński's new solo album. Rogiński -- Polish guitarist, composer and musicologist, received recognition not only as a member of the Shofar trio where he performs with saxophonist Mikołaj Trzaska and percussionist Macio Moretti but also thanks to his astounding takes on John Coltrane's music released in 2015 Plays John Coltrane And Langston Hughes African Mystic Music. 'TalĂ¡n is a very old (probably Scythian) word that can be translated as 'maybe' and that's where my musical approach comes from -- I take something in order to lose something else,' Rogiński explains. 'It's a constant process of achieving goals by getting rid of others and I'm fixated on this idea. It's also a meditation upon a process, a calm observation,' he adds. TalĂ¡n is also a result of Rogiński's fascination with the Black Sea. 'All of the tracks are somehow connected to it and some were composed in Odessa -- a city often thought of as a gateway to Asia. This is where my some of my ancestors arrived to Europe,' says Raphael. 'When working on these tunes I came to know the Black Sea both physically and spiritually. What's interesting, it's been once called Inhospitable Sea only to later turn into Hospitable Sea. A myth was tamed and when the mystery disappeared and different civilizations met, a new myth came into life. The album was composed over a couple of years and took many attempts at the recording. My patience is usually very limited so this has been a strange experience for me. But traveling the region of the Black Sea and discovering its nature within myself required time. Our world is full of wonders and awes and traveling (both physically as well as emotionally) remains one of the most important aspects of living,' Rogiński admits."
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LP
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CLASSIC 100LP
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$29.00
PREORDER
RELEASE DATE: 9/12/2025
"Bura is a brand-new album by guitarist Raphael Rogiński and the group Ru?ičniak Tajni (Svetlana Spajić, Marina D?ukljev and Tijana Golubović). It features guest appearances by Piotr Zabrodzki (LXMP, Mitch & Mitch) and Mila Gavrilovič. Ru?ičniak Tajni is a unique meeting of Polish and Serbian musical traditions, the result of cooperation between artists seeking new forms of expression based on the cultural heritage of Central and Eastern Europe. The initiator of the project is Raphael Rogiński -- a Polish guitarist, composer and researcher, known for his experimental approach to traditional music and his love of improvisation. In the project, he is accompanied by three outstanding Serbian artists whose work is a conscious combination of local traditions and modern expression: Svetlana Spajić -- a renowned ethnomusicologist and singer, specializing in old vocal techniques and archaic song forms. Her interpretations combine authenticity of message with sensitivity to the contemporary context. Marina D?ukljev -- a pianist moving in the area of improvised and experimental music, known for deconstructing harmonic and rhythmic structures. Tijana Golubović -- a violinist and vocalist, drawing from folk performance practice, while simultaneously exploring new sonic narratives. Their collaboration resulted in the album Bura, recorded in Serbia in November 2024. The title refers to the characteristic wind from the northern Balkans, symbolizing both the forces of nature and the cultural tensions shaping the identity of the region. The album is a musical encounter of traditional Serbian songs -- reconstructed on the basis of oral traditions and archival materials - with modern means of expression. Another key element is Raphael Rogiński's original compositions, inspired by Sufi poetry, which was translated into Serbian in the 19th century."
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LP
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BSR 932R-LP
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$24.00
PREORDER
RELEASE DATE: 9/12/2025
"1999 ska heavy album from Toots & The Maytals. Wicked pacing and inspired playing and singing set this one as a high-water mark in the Maytals' discography."
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7"
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VAMPI 45114EP
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$17.50
PREORDER
RELEASE DATE: 9/5/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
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LP
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VPALWR 52272LP
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$27.00
PREORDER
RELEASE DATE: 9/5/2025
"Sister Nancy's 'Bam Bam' on the Stallag Riddim is arguably the most licensed dancehall track for advertising and film backgrounds with multiple uses since 2000. The song has also displayed amazing lasting power for club DJs, with its instantly recognizable hooks. This album, originally released in 1982, showcased Sister Nancy for the world on the heels of a hit that has only gotten bigger over the decades. This is the first legitimate re-issue of the album, since the death of producer and techniques label founder, Winston Riley. Demand will be strong for this rare gem."
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LP
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GB 173LP
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$28.00
PREORDER
RELEASE DATE: 8/29/2025
LP version. The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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DLC 019LP
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$27.00
PREORDER
RELEASE DATE: 8/29/2025
De la Catessen Records presents Cut Out the Day, the third album by Adelaide world music/cabaret outfit, Golonka. Cut Out the Day is a wild and original mix of gypsy vibes, European blues and gritty klezmer: a mixture of originals and covers from the fringes of Eastern Europe. This theatrical collection of original numbers and poetic arrangements of a wide range of eastern European folk tunes boasts moments of sublimely atmospheric melancholy, and the laughter of dark whimsy. Whatever trouble and sadness might be the seed of a song, Golonka's cure is furious rhythm and wild dancing. Golonka's five musicians from diverse backgrounds have performed all around the world, each having carved out their own career with a distinct musical voice that makes Golonka more than the sum of its considerable parts. The group formed almost 20 years ago and have been gigging constantly since then, with highlights including Womad and a tour of Japan. Featuring Dylan Woolcock on vocals, guitar and domra, Quincy Grant on clarinet and guitar, Gareth Chin on accordion, Belinda Gehlert on violin, and Harley Gray on double bass.
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CD
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GB 173CD
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$15.50
PREORDER
RELEASE DATE: 8/29/2025
The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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CTLP 3116LP
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$18.50
PREORDER
RELEASE DATE: 8/15/2025
Originally released by RAS in 1994. Recorded and mixed at Leggo Recording Studio Kingston, Jamaica. Blood Brothers review by Jo-Ann Greene: "After the success of 1984's Two Bad Superstars Meet, it was inevitable that Gregory Isaacs and Dennis Brown would join forces time and again. On Blood Brothers, the pair duets on four co-written tracks, then go their own way on another four self-composed songs apiece -- the upside is that even if Brown is no longer in perfect voice, his performances are still gloriously rich in emotion and soul. This is particularly notable on 'Ease Up,' the pair's heartfelt plea for 'Mr. Big Shot' to ease up the pressure on the sufferers, and the equally impassioned 'Hard Labor,' a tough look at prison life. The stellar title track is a bouncy and jubilant celebration of fraternal love, while the gorgeous 'Closer Than a Friend' revels in the men's glorious harmonies. Of Brown's own solo numbers, a recut 'Here I Come' is the weakest, his vocals reed-thin, which the backing Roots Radics' militant rhythm and producer Errol 'Flabba' Holt's crisp production emphasize. Far superior is Brown's inspiring, soulful performance on the praise-filled 'Give Thanks to the Father' and his impassioned loverman delivery on 'True Love Is Hard to Find.' Arguably the best of his numbers is the last, 'Lover With Meaning,' and here Brown's voice is thick and rich with emotion. The sparser the sound, the brighter the singer shines, as on his totally laid-back 'Hooked on Your Love,' where the backing is stripped down to tattooed beats, Holt's reverbed bass, and a sprinkling of keyboards. From the sweet 'Goodbye Love,' across the vivacious 'The Love Letter' and on to the sufferer's-themed 'The Feds,' Isaacs struts his best stuff. Of course, as the title makes clear, this set wasn't meant as a clash album, but a showcase for two superb talents."
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LP
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TB 016LP
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$26.00
PREORDER
RELEASE DATE: 8/15/2025
Multi-instrumentalist producer and songwriter Barney Keen makes music for the long drive and nature's embrace; influenced by a dynamic range of styles including Brazilian MPB (having spent time in northwest Brazil, stayed with the great Milton Nascimento, learned Portuguese and written songs on classical guitar), experimental electronic music, folk and soul. Harbinger -- his 10-track debut album -- is a cinematic journey exploring imagination, revelations of the day-to-day and life itself; landing via London's Touching Bass.
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LP
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BTR 123LP
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$28.00
PREORDER
RELEASE DATE: 8/15/2025
Sababa 5 explore a darker and more sophisticated and cinematic blend of psychedelic soul and Middle Eastern rock on Nadir, their first full length album of new music since 2023's Aspan (BTR 086LP). Following three acclaimed albums, a string of sought-after 45s, and collaborations with vocalists including Yurika and Sophia Solompon, championed by esteemed tastemakers such as Gilles Peterson, Cerys Matthews, and Jeremy Sole, Nadir finds Sababa 5 at their enigmatic and irresistible. The title is an astronomical term referring to the point on the celestial sphere directly beneath an observer, diametrically opposite the zenith. Metaphorically, it signifies the lowest point or a moment of adversity. This duality resonates with the band's exploration of contrasting musical themes -- melding the cosmic and the terrestrial, the ethereal and the grounded. The name encapsulates the album's essence, reflecting a journey through deep, introspective soundscapes that are both otherworldly and rooted in raw, earthly grooves. Nadir opens with "VU" -- close to four minutes of mysterious, darkly seductive, rhythm-driven funk. Swirling guitars, an Arabesque electric organ, and raga-like drones evoke the haze of a smoky Cairo bar, while the track nods to their close musical kin, vuvuvu, whose raw, noisy, and playful energy has rubbed off on the band. The title track itself conjures the sultry ambiance of a Mediterranean night, plunging listeners into a realm of intrigue and intensity. A brooding bassline sets a suspenseful tone before a synth-led melody, laced with Italian motifs and Middle Eastern tonalities, unfolds -- recalling the cinematic flair of soundtrack legends like Piero Umiliani and Stelvio Cipriani. Subtle wah-wah guitar accents add a psychedelic touch, echoing the acid rock elements of classic Poliziotteschi scores. However, not all tracks dwell in darkness; "Tell" sports a brighter tone reminiscent of Aspan. Leaning into Turkish ballad territory -- except with synths taking the lead part -- it is both melodic and melancholic, buoyed by an irresistible groove that offers a refreshing counterpoint to the album's shadowy moods. A must list album for fans of The Heliocentrics, Khruangbin, The Dap Kings, and Moğollar. Nadir stands as Sababa 5's most compelling and listenable offering yet -- a transcontinental journey where hypnotic grooves, cinematic arrangements, and evocative Middle Eastern scales create vivid imagery, compel movement, and touch the soul.
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LP
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BSR 843LP
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$24.00
PREORDER
RELEASE DATE: 8/8/2025
"Originally issued in 2007 on Secret Records as a companion CD to Lester 'Dillinger' Bullock's spirited deejay album, Ten To One, whose bold, brash braggadocio can still be heard echoing in and out, in and out and in and out of the mix here over a superb selection of dubwise rhythms from Niney The Observer. Pressed on 180 gram vinyl."
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LP
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RROO 392LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
During the early 1980s, stylistic dancehall toaster Earlando Neil became Early B chatting on the sound systems Soul Imperial Hi-Fi and King Majesty, consolidating his reputation on the mighty Kilimanjaro. Scoring many hits before his untimely death in 1994, the posthumous compilation Immortal was compiled by Ossie Thomas, the producer of some of B's greatest work; highlights include the smash hit "Gateman Get Fraid," the desultory "Imitator," the sadly prescient "If You A Coward Leave Out Badness" and the salutary "Honourable Nesta Marley." Highlighting Early B's lyrical prowess, Immortal lives up to its title for sure.
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CD
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GR 008CD
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$11.00
PREORDER
RELEASE DATE: 8/8/2025
Collection of dubs from the Black Ark Studios.
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LP
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RROO 390LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
A gifted guitarist and singer-songwriter, Lascelles Beckford has a long history in reggae. After playing with Harold Butler in the late 1970s, Beckford began fronting Crucial Vibes, based in Old Harbour, west of Spanish Town, the band making waves in Canada in 1983. One of the leading Jamaican backing bands of the mid-1980s, debut album Control Yourself is an excellent blend of hard-hitting roots tunes, protest music and sophisticated love songs, all driven by their excellent musicianship, with the percussionist Skully and saxophonist Dean Fraser adding exquisite touches. Quality from start to finish -- one for all roots connoisseurs.
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LP
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LANR 057LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
Fully licensed, all tracks remastered. Re-issued for the first time on vinyl, this obscure dub masterpiece -- originally available on the small imprint Silver Camel in 1981 -- is still considered one of the best efforts by brilliant singer and producer Al Campbell. More magic at the controls with the key presence of Barnabas and Maxie at Channel One and Scientist tracks mixed at King Tubby's studio. Dig better with dub originators!
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LP
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OTLP 002LP
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$15.00
PREORDER
RELEASE DATE: 8/8/2025
Originally released by Jah Thomas's Midnight Rock label from Jamaica, in 1982; now repressed by Clocktower. Ranking Toyan was already a seasoned veteran of Kingston's soundclash scene, having apprenticed with a number of smaller outfits before becoming earning a slot with Henry "Junjo" Lawes's Volcano Sound and winning widespread acclaim for his effortless, patois-laden delivery and his gruff putdowns of rival DJs. Though Toyan had already cut a number of outstanding sides for producer Don Mais, his collaborations with Lawes are undoubtedly his definitive recordings. Ghetto Man Skank stands as the very best of these. It boasts a set of simple, punishingly hard rhythms from the ace studio band The Roots Radics, which Toyan dominates with ease. His ability to spill forth unending streams of wordplay, streetcorner boasts, and infectious slogans is truly remarkable, enlivening every song on this set. Though Toyan didn't receive the same acclaim as fellow Volcano Sound DJs like Yellowman and Eek-A-Mouse, his outstanding performances on Ghetto Man Skank prove he was their equal in every respect.
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