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Search Result for Genre WORLD
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LP
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LLO 261LP
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$35.50
PREORDER
RELEASE DATE: 1/23/2026
Cerrero steps into his lab like the alchemists of 1970s Kingston: cutting, repeating, filtering, letting the bass breathe, and allowing echo and reverb to give a new dimension to a unique selection of songs from the catalogs of Llorona Records and Discos Pacífico. Cerrero Dubs is a tribute to classic dub, crafted with the soul of cumbia, juga, and bambuco, from Palenque, San Jacinto, Guapi, and Tumaco: live manipulation, sonic experimentation, bass as backbone, delay as tool. Los Gaiteros de San Jacinto, Son Palenque, Sexteto Tabalá, Bejuco, Agrupación Changó, and Semblanzas del Río Guapi, transported into a universe where the sounds of Colombia 's jungles and coasts are not remixed -- they are deconstructed, twisted, and dubbed. Cerrero -- sound alchemist and founder of Llorona Records and Discos Pacífico -- offers a selection of versions in which the Caribbean and Afro-Pacific sounds of Colombia are transformed into hypnotic, ethereal, psychedelic, and minimalist soundscapes. A reinterpretation of the legacy of iconic groups, shaped through the console and sensitivity of a producer exploring the possible futures of the local sounds.
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7"
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VAMPI 45117EP
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$15.50
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RELEASE DATE: 1/23/2026
Iquitos, one of Peru's most remote cities and the capital of its Amazon region, was the epicenter of the psychedelic cumbia movement. Groups like Los Playboys belong to that mysterious category of almost-forgotten bands. On Ranil's label, Producciones Llerena, they released a superb single -- now reissued here with their track "Play Boy," an instrumental bursting with all the essential ingredients of psychedelic cumbia. Vampisoul complete this single with another great band from Iquitos: Los Roger's. Their magnificent "Descarga Rogers," never before available on 45, is the opening track of their only album and dives deep into Cuban-influenced sounds, where the guitar shares the spotlight with powerful percussion and vocals.
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LP
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VAMPI 340LP
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$28.50
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RELEASE DATE: 1/23/2026
During the sixties, especially the second half, Bobby Marín was an up-and-coming young Nuyorican who was responsible, along with his brother Richard, for producing, writing, or coordinating recordings by Louie Ramírez, Machito, The Nitty Gritty, Willie Rosario, Joe Cuba, Johnny Zamot, Kako, and Azuquita, Charlie Palmieri, and others. Many of these artists were caught up in the ongoing boogaloo movement. So, it was not a surprise when Ismael Maisonave -- an unsung hero of Latin music and owner of Mary Lou Records -- approached Bobby with the idea of reissuing a Raphie Martínez album as a budget LP under a different name, resulting in La Cucaracha Brass. The songs selected for this compilation represent a point in time when the world was getting ready for an incipient monster called salsa, which would take over for years to come. The LP includes descargas, guaguancós, guarachas, as well as the declining boogaloo. It is a collection of recordings by different artists and was named Cucaracha Brass because at that time the group Tijuana Brass was very popular. Most of the songs were taken (six out of eight, presumably) from the Raphie Martínez and the National Combo LP Cool Man (Mary Lou 1002). However, there are noticeable differences between the two albums. "Latin Power" is an explosive instrumental guaracha and descarga, where the trumpet, congas, and timbales deliver powerful solos. "Takin' Over" -- an instrumental boogaloo -- appears as "We Are Taking Over" on Raphie Martínez's album (with a faster tempo and featuring a background voice). "Hey Mama," a boogaloo sung by Bobby Marín, is titled "Do It All Over" on Martínez's recording, featuring a different singer, different lyrics, and a different tempo. As well as the edited versions of tracks taken from Martínez's album, this album comprises songs taken from other Mary Lou Records releases such as Quique Rosa y La Sabrosa Orchestra (Mary Lou 1020).
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2LP
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VAMPI 341LP
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$37.50
PREORDER
RELEASE DATE: 1/23/2026
The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. After digging deep into the overwhelming archives of Discos Fuentes, Codiscos and Discos MAG in previous volumes, this fourth instalment in the series Cumbia Cumbia Cumbia!!! comprises 28 Colombian cumbia bangers for the dance floor from the deep vaults of Discos Tropical, all of them originally released between 1960 and 1984. Discos Tropical was a Barranquilla-based label founded in the mid-1940s by Luis Emilio Fortou Pereira, a visionary who helped define Colombian dancing habits and tastes from the previous century. Until the late '50s, most cumbias were orchestral-based. However, even though formats and styles diversified from the following decade onward, these highly popular big bands spectacularly defined the sound of Discos Tropical and livened up the most cosmopolitan dances in the major coastal cities. After the mid-'60s, the big bands gradually fell into decline, but the popular demand for tropical music did not. Facing this situation, the major record companies created smaller-format groups with one particular feature: they mixed accordion music with brass bands. This new volume of Cumbia Cumbia Cumbia!!! combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. Featuring Carlos Haayen Y Su Combo, Bovea Y Sus Vallenatos, Álvaro Cárdenas Y Su Conjunto, Carlos Román Y Sus Estrellas, Luis Enrique Martínez Y Su Conjunto, Pello Torres Y Sus Diablos Del Ritmo, Banda 20 De Julio De Repelón, Andrés Landero Y Su Conjunto, Cumbia Mochila, Combo Maravilla, A.M. Camacho Y Cano, Eliceo García Y El Conjunto Palma Africana, Wasamaye African Rock, Conjunto Maravilla De Palo Alto, Manuel Villanueva Y Su Orquesta, Manuel Caraballo Y Su Conjunto, Pedro Salcedo Y Su Combo, Los Tiburones, Cumbia Bolivariana, Los Curramberos De Guayabal, Juan Polo Valencia, Lucho Better Y Su Orquesta, Florentino Montero Y Su Conjunto, Joe Montes Y Su Orquesta, Tere García Con Ramón Ropaín Y El Trío Fantasía, Los Indios Selectos Con Alberto Pacheco Y Su Acordeón, Rufo Garrido Y Su Orquesta, and Mincho Anaya Y Su Combo Moderno.
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CD
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GB 181CD
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$16.00
PREORDER
RELEASE DATE: 1/23/2026
On their fourth album Yatta!, the celebrated Dutch quartet YĪN YĪN extends, bends, and ignites a joyous mix of disco, funk, surf, psychedelia, and Southeast Asian motifs. As Yatta! proves, the band's sonic footprint is an ever-evolving kaleidoscope of sounds, textures and beats. As with their breakthrough album Mount Matsu (GB 147CD, 2024), their devotion to getting the dance floor moving remains front and center. That impulse, already strong, has intensified -- Yatta! lifting it to an ecstatic next level. The result? An album that reveals a band whose groove just keeps getting deeper. Certainly, the quartet from Maastricht in the south of the Netherlands has built a reputation for balancing an eclectic range of influences and using them to forge something that is affectionately retro and, at the same time, fresh and forward-facing. From the beginning, YĪN YĪN have been devoted to exploring global sounds with an emphasis on getting the dance floor moving -- an impulse that reaches its peak on Yatta! One major influence is the sound of Italo Disco -- the spacey brand of disco music that arose in Italy in the late 1970s. "It has something of a mystique," says Berkers. "All the producers were using new recording techniques and effects, but there are not many pictures or videos of how they were creating things in the studio. You have to use your own fantasy and create your own story about how that music is created." Across the album, YĪN YĪN specialize in creating the soundtracks to dream journeys, opportunities for the listener to visit places that exist in realms of the imagination. If there's a general direction of travel in YĪN YĪN's expeditions, it's towards the east, with Asian influences coming through loud and clear. It's a fascination that has suffused YĪN YĪN's sound since, in the early days, they stumbled upon a couple of compilation albums of psychedelic '60s and '70s guitar music from Southeast Asia. Adopting Eastern tunings has imparted an unusual feel to YĪN YĪN's music and challenged them as songwriters, and Yatta! is the sound of four musicians finding their own globe-trotting groove, and having the time of their lives exploring it.
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LP
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GB 181LP
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$31.50
PREORDER
RELEASE DATE: 1/23/2026
LP version. On their fourth album Yatta!, the celebrated Dutch quartet YĪN YĪN extends, bends, and ignites a joyous mix of disco, funk, surf, psychedelia, and Southeast Asian motifs. As Yatta! proves, the band's sonic footprint is an ever-evolving kaleidoscope of sounds, textures and beats. As with their breakthrough album Mount Matsu (GB 147CD, 2024), their devotion to getting the dance floor moving remains front and center. That impulse, already strong, has intensified -- Yatta! lifting it to an ecstatic next level. The result? An album that reveals a band whose groove just keeps getting deeper. Certainly, the quartet from Maastricht in the south of the Netherlands has built a reputation for balancing an eclectic range of influences and using them to forge something that is affectionately retro and, at the same time, fresh and forward-facing. From the beginning, YĪN YĪN have been devoted to exploring global sounds with an emphasis on getting the dance floor moving -- an impulse that reaches its peak on Yatta! One major influence is the sound of Italo Disco -- the spacey brand of disco music that arose in Italy in the late 1970s. "It has something of a mystique," says Berkers. "All the producers were using new recording techniques and effects, but there are not many pictures or videos of how they were creating things in the studio. You have to use your own fantasy and create your own story about how that music is created." Across the album, YĪN YĪN specialize in creating the soundtracks to dream journeys, opportunities for the listener to visit places that exist in realms of the imagination. If there's a general direction of travel in YĪN YĪN's expeditions, it's towards the east, with Asian influences coming through loud and clear. It's a fascination that has suffused YĪN YĪN's sound since, in the early days, they stumbled upon a couple of compilation albums of psychedelic '60s and '70s guitar music from Southeast Asia. Adopting Eastern tunings has imparted an unusual feel to YĪN YĪN's music and challenged them as songwriters, and Yatta! is the sound of four musicians finding their own globe-trotting groove, and having the time of their lives exploring it.
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MOV 2898GOLD-LP
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$39.00
PREORDER
RELEASE DATE: 1/16/2026
"Roast Fish Collie Weed & Corn Bread is a studio album by Jamaican reggae legend Lee ''Scratch'' Perry, released in 1978. Although Perry had been in the Jamaican music business for a long time by 1978, this album was the first he released to only include songs sung by himself. It was produced at his legendary Black Ark Studio. The album went on to become a reggae classic. Roast Fish Collie Weed & Corn Bread is now available as a limited individual numbered edition of 750 copies on gold colored vinyl."
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ASVN 044LP
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$24.00
PREORDER
RELEASE DATE: 1/16/2026
"Return To The Mothers' Garden (More Funky Sounds Of Female Africa 1971-1982) is a vibrant compilation celebrating the women of African funk, soul, and disco. Spanning a golden era, it showcases ten powerful tracks of infectious grooves, soaring vocals, and raw energy, offering a rare glimpse into the artistry of female voices who shaped modern Africa. In 2018 came first Mothers' Garden compilation on International Womens' Day. This compilation looked to shine a light on the often-under-acknowledged musical contribution from female African artists. In 2019 Volume 2 was released and yet again with some of Africa's most recognized female artists alongside some lesser-known artists. Whilst the roster might have changed slightly, the quality of music is as funky as before and the message stays the same."
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GR 022-2LP
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$28.50
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RELEASE DATE: 1/16/2026
Zombie Club presents a reedition of Mambo Calypso another volume of sonic Caribbean Cruise. Following the approach of the first volume and understanding the Caribbean as a region is not limited to a strictly geographical demarcation but rather a demographic and cultural space where countries, islands and coastal areas may fall into a common Mare Nostrum even arrives in New Orleans. The influence of African drum and the "Cuban clave" makes different music beyond its specific components be they Latinos, Anglos or Frenchie's -- look at themselves and recognize a certain family. This is not a coincidence, since the slave trade brought African music from the port of Havana to Cartagena de Indias, Nassau, Port-au-Prince, Salvador de Bahía and the southern United States. The same Blackness, the same rhythm, the same festive mood, spirit of resistance and struggle. And so, Arsenio Rodriguez can be heard without jumps next to a Calypso of Blind Blake, or a tasty Pacho Galán's coastal Cumbia crossover with Dave Bartholomew's Mambo or a Latin Swing of Lalo Guerrero, where the Dominican Merengue sounds Joseíto Mateo in line with that of its Haitian neighbor Nemour Jean Baptiste. A very spicy musical "melting pot," a gumbo of percussion and languages, to enjoy and dance. Re-board the Zombie Club Cruise, will not be disappointed. Also featuring Tito Rodríguez & His Orchestra, Benny Moré, The Duke of Iron, Trío Serenata, Mongo Santamaría, Lord Power & Trentos Spence, Celia Cruz y Sonora Matancera, Alvin "Red" Tyler, and Cortijo y su Combo.
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GR 039LP
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$28.50
PREORDER
RELEASE DATE: 1/16/2026
Pablo Yglesias -- AKA DJ Bongohea -- compiles for Grosso Recordings an amazing series with classic tunes from Caribbean music that became great successes of "Salsa." Featuring Arsenio Rodríguez Y Su Conjunto, Orquesta Cosmopolita, Tito Puente Y Su Conjunto, Orquesta América del '55, Conjunto Jóvenes Del Cayo, Tito Rodríguez and His Orchestra, Cheo Marquetti Y Su Conjunto, Arsenio Rodríguez Y Su Conjunto, Silvestre Méndez, Conjunto Casino, La Gloria Matancera, Beny Moré Y Su Orquesta, Estrellas De Chocolate, and Chappottín Y Sus Estrellas.
"This is the fourth volume in our series on the Roots of Salsa. The main criterion was to pick tracks that sounded adequate for today's DJs to play at a gig or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion. The other measuring stick was that they needed to come from the old-school, before the more modern era (from 1962 on) and all of its recording innovations and marketing strategies. For now, listen to these dozen gems and then go back to their more familiar cousins from recent times and compare and contrast, and we're sure you'll be enlightened and entertained." --Pablo E. Yglesias, aka DJBongohead
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LP
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VAMPI 339LP
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$30.50
PREORDER
RELEASE DATE: 1/16/2026
Originally released in 1972, Toni Tornado's self-titled debut is a landmark in Brazilian soul and funk -- a gritty, groovy record that helped define the sound of the Black Rio movement. Blending deep soul, psychedelic funk, and bold orchestration, this album channels the revolutionary energy of James Brown with the tropical swagger of Rio's streets. From the urgent rhythms of "Torniente" to the undeniable strut of "Mané Beleza" and "Tornado," Toni's music pulses with a fierce sense of pride and liberation. It's the sound of a new cultural identity taking shape -- where African-American soul met Afro-Brazilian reality. Often compared to the legendary Tim Maia, Tornado brought his own explosive edge to Brazil's growing soul scene. By the 1970s, other Brazilian musicians, such as Banda Black Rio, Cassiano, Gerson King Combo, Jorge Ben, and Gilberto Gil, began making soul records. DJs started throwing soul-only parties. Toni Tornado's voice carries grit and passion, his grooves hit hard, and his message is crystal clear -- Black is beautiful, and the funk is real. Back on vinyl for a new generation, this reissue is more than a collector's gem -- it's a time capsule from an era when music moved bodies and minds. Essential listening for fans of vintage soul, global funk, and revolutionary sounds. Reissue on 180g vinyl.
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LP
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OSMO 003LP
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$35.00
PREORDER
RELEASE DATE: 1/16/2026
In August of 2023, after a couple of years of not playing reggae, Iván Lee felt the urge to go back to it. Undusting some old recordings and starting to listen to Lee "Scratch" Perry´s voice again opened the gate for inspiration to flow. Laying down basic piano rhythms over drum tracks played by Winston "Horseman" Williams, new songs started to emerge. August seemed to be a fertile month and riding that wave Chimurenga Renaissance came into the studio to collaborate on several tracks of the album, adding mbira, percussion, and guitars plus Tendai "Baba" Maraire´s sharp raps. Just some days later the dancehall legend Lady Ann laid down the vocals for the great "First Lady of Dancehall" track, making the album gain strength and purpose. Recorded between London, New York and Buenos Aires this album has a start studded lineup of musicians and collaborators. Upsetter Kids Forever is the title of Iván Lee´s debut album and it comes from a studio session during which Lee scribbled these words on to Ivan´s jacket. "Years later while working on the album I realized that we were all Lee fans, everyone involved in making this music has been touched and inspired by him."
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LP
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VAMPI 338LP
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$30.50
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RELEASE DATE: 1/16/2026
Before he turned 20, Lô Borges released one of the most captivating albums to come out of Brazil's rich musical landscape -- a record that somehow flew under the radar at the time but has since become a cult favorite for listeners around the world. Recorded in the same whirlwind year as the legendary Clube da Esquina -- the groundbreaking collaboration with Milton Nascimento and Beto Guedes -- this self-titled solo debut finds Lô Borges in full creative flight. Pressured by Odeon Records to deliver a solo project, Borges responded with a burst of youthful brilliance, sometimes writing a song in the morning and laying it down in the studio that very night. The result? An album that's spontaneous, heartfelt, and sonically stunning. From the shimmering guitars of "Você Fica Melhor Assim" to the dreamy melodies of "Canção Postal" and the jazz-infused groove of "Calibre," the album blends Brazilian popular music with rock, soul, and subtle psychedelic touches. It's got the intimate spirit of a bedroom recording, but with the musical sophistication of legends -- with collaborators like Toninho Horta, Tenorio Jr., Nelson Angelo, and of course, Beto Guedes helping bring Borges' vision to life. Fans of Caetano Veloso, Gilberto Gil, or early Nascimento will feel right at home here -- but Lô Borges brings his own voice, at once tender and electrifying, to every track. The guitars are fuzzy, the harmonies rich, and the songwriting nothing short of magical. Though it didn't make a splash in 1972, Lô Borges has only grown in stature over the years. It's the kind of album you discover once, then return to again and again -- a timeless treasure from a young artist who helped redefine Brazilian music from the ground up. If you're into warm, soulful songwriting with a touch of experimental edge, this record is waiting for you. Give it a listen -- and see why Lô Borges is considered one of Brazil's most underrated masterpieces. Reissue on 180g vinyl.
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OUTS 048LP
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$23.50
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RELEASE DATE: 12/12/2025
This is the one and only Jorge Ben singing and strumming extended versions of some of his most memorable songs, "Fio Maravilha," "Mas Que Nada," "País Tropical," and "Domingas," among others. Recorded live on TV while Brazil was under heavy dictatorship, here is a wonderful set from a 1972 broadcast with Ben perfectly backed by a highly sensitive trio consisting of bass, percussion and drums. This was a performance of sheer wonder and now a treat for your ears!
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LANR 058LP
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$28.50
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RELEASE DATE: 12/12/2025
Fully licensed, all tracks restored and remastered for the first time! Lots of Loving was the third album, originally released in 1980 by Freedom Sound Record, by legendary and controversial Jamaican deejay and singer Ranking Dread. Recorded at Channel One studio, with Barnabas as engineer and produced by Sugar Minott, the album featured musicians from the Black Roots Players, Sly & Robbie, Steeely (Steely & Clevie) and many others. Voiced and mixed at King Tubby's Studio! One of the most dangerous rub-a-dub deejay LP's!
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AKENAT 006LP
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$25.00
PREORDER
RELEASE DATE: 12/12/2025
Volume 2 of this series focused on the amazing sonic treasures Bollywood music has to offer. This second volume is centered on the incredible instrumental gems that populate Hindi cinema soundtracks. 14 tracks of pure Bollywood instrumental genius to continue the dive into the mind-blowing world of Hindi cinema music. Covering a time span of three decades, this compilation mixes well-known names with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes. Featuring Charanjit Singh, R.D. Burman, Sapan & Jagmohan, Raghunath Seth, Chic Chocolate, S. D. Burman, Van Shipley, Kalyanji Anandji, O.P. Nayyar, Govind Naresh, Usha Khanna, S. Hazarasingh, Babla & His Orchestra, and Laxmikant-Pyarelal.
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7"
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VAMPI 45102EP
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$15.50
PREORDER
RELEASE DATE: 12/12/2025
From the heights of the Andes come two incredible recordings that show how local folklore has embraced international hits -- resulting in fun, unexpected fusions with a distinct Andean twist. "Do You Think I'm Sexy?," Rod Stewart's 1978 classic, is transformed into a powerful huayno anthem -- complete with driving percussion and bold brass that almost echo the sound of a New Orleans street parade. On the flip side comes a playful nod to "Saturday Night Fever" -- retitled "El Travoltoso" -- infused with infectious rhythms of huayno and cumbia. Once again, wind instruments take center stage in this track, just like in the flip-side cut. Reissued for the first time ever.
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JRALLSTAR 001EP
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$13.50
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RELEASE DATE: 12/12/2025
The Jamaican Recordings Allstars have gone back to the Reggae heydays of 1968/1969 as a strong influence on their snappy instrumental track. The flash points of Harry J Allstars "The Liquidator" and Dave and Ansell Collins "Double Barrel" come to mind. No reggae 7" single would be the same without its version B-side, so please flip the single over for part two where the beat is pulled up to the fore. Hope you enjoy rocking to this future classic.
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VAMPI 335LP
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$30.50
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RELEASE DATE: 12/12/2025
Originally released in 1972 on the Odeon label, Quarteto Em Cy stands as a high-water mark in the group's prolific discography -- and a hidden gem for collectors of Brazilian vinyl. Known for their intricate vocal harmonies and deep roots in the bossa nova movement, the quartet ventures into post-bossa territory here, where sophistication meets groove in all the right ways. Arrangements by Edu Lobo and Luiz Eça (of Tamba Trio) lend the album a richly layered sound -- elegant, jazzy, and emotionally resonant -- while the group's harmonies remain as mesmerizing as ever. It's a masterclass in vocal interplay and tasteful orchestration, with an unmistakable Brazilian soul running through every track. Highlights include their stunning interpretation of Milton Nascimento's "Tudo Que Você Podia Ser," along with deep cuts like "Quando o Carnaval Chegar," "Canto de Obá," and "Cantoria." These recordings capture a moment when the group, already respected collaborators of Vinícius de Moraes, Jobim, and Chico Buarque, hit a new creative stride. Long out of print and often cited as their finest work, this self-titled LP has become a sought-after piece among collectors of MPB, bossa, and '70s harmony pop. For those drawn to groups like The Free Design or The Mamas & The Papas -- but with a distinctly Brazilian elegance -- this album offers a rare and rewarding listen. Reissue on 180g vinyl.
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7"
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VAMPI 45114EP
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$17.50
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RELEASE DATE: 12/12/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
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VAMPI 336LP
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$28.50
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RELEASE DATE: 12/12/2025
Money Chicha, the Austin-based collective featuring members of the Grammy-winning Latin orchestras Grupo Fantasma and Brownout, unveils their third full-length album, Onda Esotérica. Recorded at New Orleans' Marigny Studios, the album deepens their signature psychedelic cumbia amazónica sound with exotic textures, vintage organ swells, and inventive reinterpretations of classics such as "Cumbia Arabe." As KUTX puts it, "Listening to Money Chicha feels a bit like taking a hit of acid, downing a couple shots of Tequila, and hopping a plane to 1960s Peru -- it's the kind of music that rewires your brain, awakens your spirit animal, and takes you places you've never been." Add in some South Texas swagger and bruising Latin funk, and Onda Esotérica emerges as the band's most adventurous and transportive work to date -- a kaleidoscopic journey equal parts ritual and revelation.
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LP
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OUTS 047LP
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$23.50
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RELEASE DATE: 12/12/2025
Milton Nascimento's immaculate melodies and harmonies resound in full tone and color throughout this magnificent 1980 TV performance. A marvelous set of songs performed with masterful sensitivity by Nascimento on vocals and acoustic guitar along with one of his historical partners, the great pianist, arranger Wagner Tiso on piano and organ.
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BR 192LP
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$33.00
PREORDER
RELEASE DATE: 12/5/2025
Buh Records presents Selva Selva, the debut album by Wayku, a project led by guitarist and researcher Percy A. Flores Navarro, originally from Tarapoto, in the Peruvian Amazon. The album centers the electric guitar, blending traditional jungle sounds with contemporary approaches to explore new textures, rhythms, and expressions. Wayku emerged in late 2022 after Flores's previous project Motilones de Tarapoto. It reflects a dialogue among Amazonian music, rock, and jazz, while also drawing on Brazilian music, tropical rhythms, and other popular expressions from the jungle. The sound feels organic and evolving, rooted in tradition yet open to modern languages. According to its creator, the album seeks to renew the Amazon's repertoire by adapting it to contemporary sonic languages. Selva Selva weaves three strands of Amazonian popular music: sounds and instruments recorded in ethnographic archives, traditional folk ensembles, and tropical jungle bands. Flores Navarro's ethnographic research in Indigenous communities of San Martín and Loreto has profoundly informed Wayku's vision. His compositions interlace narratives of Indigenous resistance with traditional aesthetics, modern harmony, electric instrumentation, and symphonic elements, balancing formal exploration with cultural commitment. Across eleven tracks, Selva Selva offers a journey through native communities while reflecting the cosmopolitan realities of Amazonian cities. Songs such as "Carnaval en la selva" and "Por la marginal reimagine pandilla," a festive Amazonian genre of lively rhythms, flutes, percussion, and community ties. Wayku projects pandilla into the present, amplifying its vitality with contemporary arrangements. This work continues a lineage dating to the 1970s, when tropical Amazonian bands incorporated electric guitar into pandilla, creating the form now known as electric pandilla. Wayku revives and expands that language, asserting a discourse that empowers Amazonian musicians and raises the visibility of their work on broader stages. Selva Selva was recorded between January and March 2024 in Morales, San Martín, with Michel Paredes on bass. Flores performed the rest and handled recording and digital mastering. Vladimir Ivanov completed analog mastering and Gonzalo de Montreuil produced the artwork. The album is released by Buh Records, supported by the Peruvian Ministry of Culture's 2023 Cultural Stimulus Grants.
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CD
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NGEONE 025CD
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$16.50
PREORDER
RELEASE DATE: 12/5/2025
New album from critically acclaimed saxophonist Benjamin Boone and violinist Stefan Poetzsch, with their New Global Ensemble, which combines musicians from the United States, Germany, Ghana, Mexico, and Ireland. Dream Walking is a combination of composition and improvisation with strong rhythms throughout. Both a meditation and a celebration, the intuitively conceptual work of the German and American soul-brothers and their international guests is an important record for fans of global experiments and love for Steve Reich, Jan Garbarek, John Cage, or even Karlheinz Stockhausen. They create fascinating and uplifting soundscapes using a surprising collection of instruments, including violin, saxophone, live electronics, gyil (marimba), mbira (thumb piano), asalato (two shakers connected by a string), and electric guitar. If as a listener you allow yourself to be immersed in it, the music and the emotional depth of its performers will transport you through layers of memory and subconsciousness. As is true throughout, Dream Walking is the ultimate expression of listening, of musicians so tied together as an ensemble that musical ideas pass from one to another effortlessly, creating music that transcends.
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LP
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RCKLP 004LP
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$31.50
PREORDER
RELEASE DATE: 11/28/2025
Ranking Dread In Dub, originally released, on the Silver Camel UK label run by the late Tony Gorman, in 1982 is back in the shops with a completely remastered version that highlights the musical production of this classic album. The rhythms are provided by The Roots Radics and Sly & Robbie, with the tracks mixed at King Tubby's. It also comes back with the iconic artwork by Rod Vass.
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