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Search Result for Genre WORLD
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LP
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AKENAT 002LP
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$25.00
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RELEASE DATE: 7/19/2019
Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and Latin music, to rock-and-roll, rhythm-and-blues, surf, psychedelia, soul, and many more) the few pre 75 Cambodian recordings that survived -- most of them were destroyed -- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered on Cambodian Nuggets are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. A celebration of some of the best music ever made. Features Ros Serey Sothea, Yol Aularong, Pan Ron, Tet Somnang & Meas Samon, Houy Meas & Dara Chom Chan, Choun Malai, Sinn Sisamouth, Liev Tuk, Thra Kha Band, Yol Aularong & Liev Tuk, Eng Nary, and Baksey Cham Krong + Mol Kamach. Edition of 500.
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CLE 025LP
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$18.50
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RELEASE DATE: 7/5/2019
LP version. Oumar Konate's brilliant new studio album, I Love You Inna, was recorded in Bamako Mali during the Spring of 2018. A superstar in Mali, Oumar can be found every weekend playing in nightclubs, concert halls, and on festival stages across that country. He can shred like no other on electric guitar and at the same time make you cry. I Love You Inna, his fifth album, features on bass long-time collaborator Dramane Toure, former lead guitarist for the late great Khaira Arby, and on percussion power-house drummer Makan Camara. Oumar invited other friends into the sessions to add their unique perspective to the project. Sometimes jubilant, sometimes angry, Oumar reflects the mood of young people in Mali today. His songs range from love songs to dance anthems to ballads. This is new music is from an award-winning singer/songwriter whom audiences from all over his country adore.
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OME 1021LP
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$23.00
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RELEASE DATE: 7/5/2019
Fantôme Phonographique present a reissue of Umm Kulthum's (Oum Kalthoum) The Twinkling Star, originally released in 1961. Kalthoum is a legendary Egyptian vocalist and one of the biggest celebrities of the 20th century Arab world. She was dubbed "the voice of Egypt" and "Egypt's fourth pyramid", and is considered a national treasure. This 1961 album originally released on Parlophone is one of the finest examples of her vocal ability and a beautiful example of mid-20th century Egyptian popular music. Kalthoum counts among her legion of fans none other than Bob Dylan, Robert Plant, Bono, and Youssou N'Dour, along with most of the Arab speaking world, and this LP is one of the finest of her career. An absolute legend!
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FARO 211CD
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$14.00
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RELEASE DATE: 7/5/2019
The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros, a horn section including Valle's go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you'd expect from the Brazilian titan. Updating Marcos Valle's seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle's late-seventies and early-eighties output. But lyrically the new album is more closely reminiscent of Valle's progressive early '70s releases. Heralding love, tolerance, and living in the present, while satirizing political corruption, Sempre recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985. The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit "Olha Quem Tá Chegando" and the infinitely classy "Vou Amanhã Saber", to the nine-minute synth heavy instrumental funk stepper "Odisséia", which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss by London based producer Daniel Maunick. More moments of boogie delight come in the form of "Minha Roma" and the sunshine anthem title-track. Translating as "Ever", Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle's astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the '60s, writing the world famous bossa standard "Summer Samba (So Nice)" for his sophomore album Samba 68. After a brief stint in the States, Valle returned to Brazil, and the early '70s saw the release of four ground-breaking Valle albums. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento's backing band Som Imaginaro, the prog-rock band O Terco, and jazz funk legends Azymuth. Returning back to the US in '75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn, and Leon Ware, before returning to Brazil once more. Since the mid-nineties, Valle has been experiencing a renaissance with Far Out Recordings. Sempre is his fifth album for the label, following 2010's critically acclaimed Estatica (FARO 153CD).
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FARO 211LP
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$21.00
PREORDER
RELEASE DATE: 7/5/2019
LP version. 180 gram vinyl; includes download code. The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros, a horn section including Valle's go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you'd expect from the Brazilian titan. Updating Marcos Valle's seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle's late-seventies and early-eighties output. But lyrically the new album is more closely reminiscent of Valle's progressive early '70s releases. Heralding love, tolerance, and living in the present, while satirizing political corruption, Sempre recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985. The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit "Olha Quem Tá Chegando" and the infinitely classy "Vou Amanhã Saber", to the nine-minute synth heavy instrumental funk stepper "Odisséia", which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss by London based producer Daniel Maunick. More moments of boogie delight come in the form of "Minha Roma" and the sunshine anthem title-track. Translating as "Ever", Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle's astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the '60s, writing the world famous bossa standard "Summer Samba (So Nice)" for his sophomore album Samba 68. After a brief stint in the States, Valle returned to Brazil, and the early '70s saw the release of four ground-breaking Valle albums. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento's backing band Som Imaginaro, the prog-rock band O Terco, and jazz funk legends Azymuth. Returning back to the US in '75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn, and Leon Ware, before returning to Brazil once more. Since the mid-nineties, Valle has been experiencing a renaissance with Far Out Recordings. Sempre is his fifth album for the label, following 2010's critically acclaimed Estatica (FARO 153CD).
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CD
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CLE 025CD
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$12.00
PREORDER
RELEASE DATE: 7/5/2019
Oumar Konate's brilliant new studio album, I Love You Inna, was recorded in Bamako Mali during the Spring of 2018. A superstar in Mali, Oumar can be found every weekend playing in nightclubs, concert halls, and on festival stages across that country. He can shred like no other on electric guitar and at the same time make you cry. I Love You Inna, his fifth album, features on bass long-time collaborator Dramane Toure, former lead guitarist for the late great Khaira Arby, and on percussion power-house drummer Makan Camara. Oumar invited other friends into the sessions to add their unique perspective to the project. Sometimes jubilant, sometimes angry, Oumar reflects the mood of young people in Mali today. His songs range from love songs to dance anthems to ballads. This is new music is from an award-winning singer/songwriter whom audiences from all over his country adore.
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LP 005LP
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$25.50
PREORDER
RELEASE DATE: 7/5/2019
In September 2008, Bareto released Cumbia on CD, an album that conquered wider markets. The complete record, a process that began at the end of 2007, is a tribute to a fundamental group of the Amazonian psychedelic, Juaneco y Su Combo. Bareto gives a modern and original sound to its classics, such as "Mujer Hilandera" and "Ya se ha muerto mi Abuelo", among others. In the other tracks like "Soy Provinciano", "El Aguajal", and "La Danza de Los Mirlos", by another Amazonian legend, Los Mirlos, the band continues its rescue of popular cumbia music. In a country where record piracy reigns, Cumbia received first a gold record and then a platinum one for its high sales. It won also the Luces Award for the Best Peruvian Music/Fusion Album awarded by the newspaper El Comercio and the artistic award of the APDAYC as the Revelation Artist of 2008. This same entity awarded Bareto as Artist/Pop Group of 2009 and as Artist/Fusion Group of 2010. Discos Eternos present a tenth anniversary edition of the album and it's first vinyl release. Remastered from the original master. Green vinyl; gatefold sleeve.
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WWSLP 022LP
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$31.00
PREORDER
RELEASE DATE: 7/5/2019
Wewantsounds continues to pursue its exploration of great Lebanese music with the reissue of Wahdon, released in 1978 by legendary Middle Eastern diva Fairuz and recorded during the Abu Ali sessions (WWSLP 021LP). The album includes the Lebanese dancefloor cult classic, "Al Bostah". 1978 was a turning point for the Lebanese diva. The '70s had seen her rise as an international star, playing sold out concerts in the US and in Europe, and appearing on national TV in France. She had had a long-lasting artistic collaboration with her husband Assi Rahbani and his brother Elias (aka The Rahbani Brothers) who, together, had penned most of the singer's classics. In 1978, Assi who had suffered a brain hemorrhage in 1972 got weaker and the collaboration finally ended (together with their personal relationship). Their 22-year-old son Ziad took over Fairuz's musical reins and set to work on their first album together, Wahdon ("Alone"), serving as her mother's producer, composer and musical director. Wahdon typifies this key moment in Fairuz's career when she switched from traditional to more modern arrangements. The first side of the album encapsulates the more traditional side of the singer with such mesmerizing songs as "Habaitak Ta Neseet Al Naoum" (I Loved You So Much I Forgot To Sleep) or "Ana Indi Haneen" (I'm Nostalgic), filled with gorgeous Arabic strings and percussion. The second side though is a whole different affair. Recorded in Athens at the EMI Greece studio at the same time as the Abu Ali sessions, the two long tracks brings a hipper, contemporary funk and disco feel that has made the album such a collector's item with DJs and diggers around the world. Clocking at almost nine minutes "Al Bostah" (The Bus) tells the story a woman in love remembering a bus journey with her lover under a scorching heat, enhanced by an hypnotic up-tempo funkified disco beat, while "Wahdon" brings a slower and jazzier underlay to Fairuz's superb singing. These tracks shocked some of the diva's fans at the time but they've since passed the test of time and have become highly sought after. Whadon has since become both a classic Fairuz album and a cult Ziad Rahbani production that Wewantsounds is delighted to bring to a wider audience for the first time.
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CREP 066LP
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$21.00
PREORDER
RELEASE DATE: 6/21/2019
La Danza del Agua (The Dance of Water) is an eclectic musical journey through Latin American experimentalism -- a sort of unofficial companion to the Antologia De Musica Atipica Portuguesa (Anthologies of Atypical Portuguese Music) volumes, but focusing on South American music themes instead. Originally released as two volumes (digital and cassette versions) on Papaki Records (2017, Argentina), this new concise edition presents 12 of the original 38 artists. Not to be seen as exhaustive document representing the wide styles of the even wider continent, it hopes to showcase some of its more marginal music with artists from a variety of countries such as Argentina, Mexico, Peru, Bolivia, and Venezuela. As such, this compilation shines a wider light on new and exciting sounds from the vast continent with a wide range of styles such as digital cumbias, sound experimentation, freak folk, noise, exotica, danceable beats, and much more, mixed together to give life to the continuing strange world of contemporary South American experimental music. A logical continuation of our new weird South American explorations after releasing works from Meridian Brothers, Romperayo, Chupame El Dedo, and a tape batch on Sucata sister label featuring Panchasila, Los Siquicos Litoraleños, Bardo Todol, Tomás Tello, and more. Features Tomás Tello, Wellman, Joa Joys, Horacio, Simón vs Saimon, M3Y, Manrico Montero, Gil Sanson, Pandelindio, Gustavo Obligado, Ciudad Satélite, and José Soberanes.
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HC 063LP
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$27.50
PREORDER
RELEASE DATE: 6/21/2019
Hot Casa present a reissue of Manu Dibango's African Voodoo, originally released in 1972. A fantastic and rare album by the Afro soul maestro. These files were recorded in 1971 at Pathé-Marconi studio (Boulogne-Billancourt) for professional sound illustration intended for the cinema, television, and advertising. At the time, jazz musicians were interested in and experimented with all genres, and started to convert solely to what soon to be called "rare groove", somewhere between soul, jazz, and Afro funk with a hint of Latin clave. These tunes have not aged and the sound will be considered as "huge" by many cratediggers. These recording were not supposed to reach the club or radio audience, they were freer sessions, a moment for the musicians to open their imagination and test their "Afro something", like Manu Dibango liked to say. These recording sessions included the best of the French soul scene at the time: Yvan Julien (trumpet), Slim Pezin (guitar), Jacques Bolognesi (trombone), Lucien Dobat (drums), Emile Boza (percussion), Manfred (bass), and the conductor himself at the vibraphone, marimba, saxophone, organ. This album is a wonderful return to the future and should satisfy the need of the Afro soul aficionados. Mastering by The Carvery. Replica; vinyl-only; 180 gram vinyl; includes interview by Jacques Denis; limited press.
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CD
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EB 138CD
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$15.50
PREORDER
RELEASE DATE: 6/21/2019
Along with Massive Attack, nobody else than More Rockers with Smith & Mighty's Rob Smith helped define the dark creation of art -- of what came to be known as The Bristol Sound. In the late '80s, producers Rob Smith perfected the blend of rare groove, hip-hop, reggae, ganja, dread, Bacharach, bass, jungle, and drum & bass. Peter Rose, aka Peter D. the sometimes collaborator and early member of Massive Attack, hooked up with Rob Smith and they formed More Rockers. Their talent of what would become their signature blend of dub stylings with junglist tempos was amazing. It merged in the debut album Dub Plate Selection Vol. 1 in 1995 and continued this pattern with rootical jungle that could have come from some "nyabinghi" session in Kingston.That sound is simple jungle breakbeats flavored with a masterful understanding of the dub sound system roots into drum & bass. The first thing you notice is the heavy bass -- a deep round frequency that most electronic producers would die for to be able to create. It's that magical sound that feels completely natural, comforting supernaturally and powerful at the same time. It progresses into a mixed affair, blending from track to track and its quite heavily DJ-based. MCs, rappers, and female vocalists slither through for the perfect mix. Features a remix from Ronni Size & DJ Krust.
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HIT 003LP
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$29.00
PREORDER
RELEASE DATE: 6/21/2019
"The trombonist Dewell Narváez appears again in the music scene, this time as musical producer of the album Asunto Social (Social Matter) recorded by the Son De Cuba International Orchestra. The director of the legendary Narváez Orchestra, stands out in the performance of the Puerto Rican cuatro in the song "Guajira Con Amor" and playing the trombone in the "Canguil a la SDC" also. On the other hand, two other notable members made their contribution: José Mangual Jr. who plays the maracas and the güiro in all the songs and participates in "Canguil A Lo SDC" finale. And the vocalist Renzo Padilla, who sings "Pa 'La Batalla". Son de Cuba is an orchestra that was born in a neighborhood of the city of Pereira, Colombia called Cuba. Under the direction of William Cano Tabares they've undertaken a musical work according to the sound of the salsa brava, thinking of the dancer, without neglecting the great value of daily social content in lyrics, as well as themes around the rumberos environment. Asunto Social offers in its songs a diverse menu of messages. The song "Asunto Social", which gives title to the album, is a sound painting that invites the change of attitude of society. "Mujer Ajena" (Another's Woman) is a declaration of forbidden love feeding impossible illusions. "Salsa Al Barrio" is a citizen complaint of those who face harsh daily life and invite reflection. "Melodioso" dedicated to the businessman of music concerts Edgar Berrío. "Barco A La Deriva" (Ship Drifting) is the manifestation of nostalgic love memories. "Guajira Con Amor" (Guajira with Love) is a creation of William Cano for his wife Paula. "Pa 'La Batalla" (Into The Battle) is dedicated to Salsa collectors and the musical meetings that are organized among them. "Canguil A Lo SDC" is a reinterpretation with new elements, in its arrangements and disposition of horns. The cover is a creation of the painter Andrés Saúl Arango -- born in Medellín -- in which the three pillars for the construction in society: Education, art, and peace are symbolized. A production of Hitmusical in association with Dewell Narváez. This is Asunto Social, an album full of authenticity. A neighborhood expression turned on musical art with Colombian talent and the experience of first-class guests." --Diego Andrés Aranda Estrada English and Spanish lyrics included.
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MAIS 037LP
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$26.50
PREORDER
RELEASE DATE: 6/21/2019
LP version. Includes printed inner sleeve. On the eve of her 80th birthday, Dona Onete, the grande dame of Amazonian song, returns with her third album Rebujo, a love letter to her hometown of Belém, situated deep in the Amazon. Rebujo brims with two music styles born in Belém: carimbós, influenced by African grooves, and bangues, a ska-type rhythm. Plus, there's a cumbia, brega ("romantic" music) and samba. Since the release of her 2017 album Banzeiro (MAIS 034CD/LP), Onete has become a superstar in Brazil -- she composed and sung the theme song for one of Brazil's biggest soap operas (A Força do Querer), been awarded the Brazilian Ordem do Mérito Cultural in recognition for her contribution to Brazilian culture, and her video for "No Meio do Pitiu" has an impressive 9.2 million views on YouTube. Outside of Brazil Onete has performed at Roskilde, Womad (UK, New Zealand, and Australia), Gilles Peterson's Worldwide Festival, and TFF Rudolstadt, and she is a global spokesperson for indigenous cultures. RIYL: Soundway Records, Analog Africa, Calypso Rose, Oumou Sangare. Mastered at the Carvery.
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GUESS 154LP
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$25.50
PREORDER
RELEASE DATE: 6/21/2019
Guerssen Records present a reissue of Miguel Abuelo & Nada, originally released in 1975. A stunning blend of psychedelia, hard-rock, and prog-folk courtesy of Miguel Ángel Peralta, aka Miguel Abuelo, the legendary Argentinean rock pioneer. Recorded and released only in France in 1975, featuring some top Argentinean musicians such as killer guitar player Daniel Sbarra. Miguel Abuelo was a musician, poet and singer from Buenos Aires, Argentine. During the '60s, he was the leader of early psychedelic band Los Abuelos de la Nada, who released a highly sought-after 45 in 1968. In the early '70s, Miguel, a free spirit who left Argentina for Europe and ended up busking in Paris. There, he formed a band called Nada featuring guitar player Daniel Sbarra and other expat Argentinean musicians. Supported by their producer, Moshé Naïm, who was fascinated with Miguel's personality and voice, they registered in France their only album, recorded circa 1973 but actually released in 1975 on Moshé's own label, just when the band had decided to part ways. Housed in a beautiful gatefold cover depicting Miguel in full hippie-fashion along with his little child Gato Azul, Miguel Abuelo & Nada is simply one of the best Argentinean rock albums ever recorded. Cleary influenced by bands like Deep Purple, Led Zeppelin, Jethro Tull, and the like, Miguel and Daniel managed to create a very unique sound, powerful yet delicate, highlighted by Miguel's heartfelt vocals (sometimes treated as just another instrument), outstanding guitar playing by Daniel (listen to him doing one of the early known examples of proto-metal tapping on "Tirando Piedras Al Río"), well-crafted songs and deep, poetic lyrics. The album was recorded at a state-of-the-art studio located in the countryside and was carefully produced: electric and acoustic guitars, bass, drums, flute, keyboards (including Moog), cello, violin. Sadly, the release date kept getting delayed, the band had to go on tour without the album in the street and when it was finally released, Miguel and Daniel had decided to take separate ways. During the '80s, Miguel obtained mainstream success in Argentine until his death in 1988. Miguel Abuelo & Nada is now widely regarded worldwide as a legendary, cult album. Master tape sound. Original artwork in gatefold sleeve; includes insert with lyrics, rare photos, and liner notes by Daniel Sbarra.
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GB 077CD
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$15.50
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RELEASE DATE: 6/21/2019
Park Jiha's debut album Communion (GB 057CD/LP) -- released internationally by tak:til in 2018 -- drew well deserved attention to the young Korean instrumentalist/composer's vivid sound world. The widely acclaimed album graced 2018 critics lists at The Wire, Pop Matters, and the Guardian. Her new album Philos -- which she calls an evocation of her "love for time, space and sound" -- is every bit as inventive, elegant, and transcendent as her debut. While Park Jiha's music is often contextualized by its kinship with minimalism, ambient, and chamber jazz, her creative backbone is Korean traditional music. Jiha formally studied both its theory and practice and has mastered three of its most emblematic instruments: Piri (double reed bamboo flute), saenghwang (mouth organ), and yanggeum (hammered dulcimer). On Communion, Park Jiha wove these ancient instruments into an ensemble sound that included other musicians contributing on vibraphone, saxophone, bass clarinet, and percussion. The effect felt revelatory; it seemed to naturally evoke Jon Hassell's "Fourth World" ethos, morphing across time and tradition. Philos is both an extension of, and a swerve away from, her previous record. It shares its predecessor's patience and deeply resonant hypnotic effects. It similarly looks to the future, while continuing to converse with a rich instrumental language from the past. But the overall tone and intent feels much more interior and personal -- more rarefied. Whereas Communion featured the classic sound field of a group of musicians playing in a room, Philos trades that for more density and concentration. Each sound has been given the artist's full attention. In Greek, "Philos" is the plural for "philo" which can mean "love" or "the liking of a specified thing." The album's compositions include "Arrival", which slowly introduces every sound featured on the record. The gift of unexpected rain in the heat of midsummer is heard on "Thunder Shower". "Easy" is a poem written and recited by the Lebanese artist Dima El Sayed who visited Korea to participate in the Hwaeom Spiritual Music Ritual and was inspired by Park Jiha's work. The title track "Philos" was created by overlapping sounds and stretching time. "Walker: In Seoul" evokes the vivid soundscape of the city in which Jiha lives. "When I Think If Her" features the ghostly melodies of the yanggeum and saenghwang. Park Jiha reaches for a sturdy simplicity. A borderless connection between her life and her accomplished musical art.
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7"
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XRP 1901EP
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$11.00
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RELEASE DATE: 6/21/2019
Seizing on the success and popularity of their previous collaborations including three tracks on DJ Vadim's Dubcatcher Vol. 3, forthcoming album Likkle More feels like the natural progression for two artists who have worked and travelled the world together. The Legendary DJ Vadim, sound design mastermind who's been slaying turntables for the last two decades. Jman is recognized as one of the most dexterous and adaptable MC's to come out of the UK, in terms of his lyricism and wordplay, as well as his ability to flow on almost any genre and style.
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PHS 064CD
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$17.00
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RELEASE DATE: 6/21/2019
Pharaway Sounds present a reissue of Chelique Sarabia's Revolucion "Electronica" en Musica Venezolana, originally released in 1971. Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous "Ansiedad" when he was just a kid) decided to register an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtered these instruments through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds. The result was Revolución "Electrónica" en Música Venezolana, an album with a truly exotic, psychedelic, and ahead of its time sound. Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees, and friends of the company as a Christmas gift in 1973. It was titled 4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia (4 Phases of Four - Venezuelan Music Electronically Developed by Chelique Sarabia). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of Revolución "Electrónica" en Música Venezolana (Electronic Revolution in Venezuelan Music). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America. Master tape sound. Includes insert with liner notes by Chelique Sarabia.
"In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that Chelique Sarabia did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time." --Alex Figueira (Fumaça Preta)
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MAIS 037CD
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$14.00
PREORDER
RELEASE DATE: 6/21/2019
On the eve of her 80th birthday, Dona Onete, the grande dame of Amazonian song, returns with her third album Rebujo, a love letter to her hometown of Belém, situated deep in the Amazon. Rebujo brims with two music styles born in Belém: carimbós, influenced by African grooves, and bangues, a ska-type rhythm. Plus, there's a cumbia, brega ("romantic" music) and samba. Since the release of her 2017 album Banzeiro (MAIS 034CD/LP), Onete has become a superstar in Brazil -- she composed and sung the theme song for one of Brazil's biggest soap operas (A Força do Querer), been awarded the Brazilian Ordem do Mérito Cultural in recognition for her contribution to Brazilian culture, and her video for "No Meio do Pitiu" has an impressive 9.2 million views on YouTube. Outside of Brazil Onete has performed at Roskilde, Womad (UK, New Zealand, and Australia), Gilles Peterson's Worldwide Festival, and TFF Rudolstadt, and she is a global spokesperson for indigenous cultures. RIYL: Soundway Records, Analog Africa, Calypso Rose, Oumou Sangare. Mastered at the Carvery. CD version comes in a gatefold digipack; includes 16-page booklet with Portuguese lyrics and English translations; includes one bonus track.
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12"
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SNDW 12037EP
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$15.50
PREORDER
RELEASE DATE: 6/21/2019
Soundway Records presents the official vinyl release of George & Glen Miller's 1979 hit "Easing" -- encapsulating late '70s New York in its blend of disco, soul and Caribbean soca. Restored, remastered and cut loud for the dancefloor, the 12" single features the original vocal on the A-side and the essential instrumental on the flip. Soft, subtle keys and guitars are punctuated with layered trumpet and violin riffs, complimenting George's silken, restrained vocal. Frankie McIntosh's arrangement shines through with what might be his finest work, placing this track on the mantle with other New York classics of the time.
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12"
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SNDW 12036EP
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$15.50
PREORDER
RELEASE DATE: 6/21/2019
Soundway reissue the massively in-demand Soca cover-version of Sade's classic cut "Sweetest Taboo" by Caribbean band Rebles from 1986. In the late '80s, as electronic music permeated popular culture, Rebles helped define the soca genre outside of the Caribbean. Also known as D' Rebel's Band and led by St Vincentian band-leader and trombonist Denniston Young, the group were the 1980s house band for Caribbean label, Strakers Records, based in Brooklyn, New York. Strakers released hundreds of Calypso and Soca releases over a thirty year period from 1970 to 2000. This 12" paves the way for a Soca compilation on Soundway.
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2LP
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FVR 148LP
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$30.50
PREORDER
RELEASE DATE: 6/21/2019
Double LP version. Deluxe gatefold, tip-on sleeve. Born in 1949 in Recife (Brazil), Roberto De Melo Santos, despite a very light discography, is among the true icons of the Brazilian soul music under his artist alias, Di Melo. He's indeed only needed an eponymous album, released in 1975 on Odeon, to assert himself as a star in his native country, but also as a legend for all collectors and connoisseurs of the world. More than 40 years after its release, this famous album sells for several hundred euros in its original version, and even for the few reissues that were offered. Not very active since then, Di Melo however returned in 2016 with the album O Imorrível, released on the Brazilian label Casona Produções. It is then that a year later, came a meeting with the French group Cotonete. Florian Pellissier, founding member and keyboard within the band, tells the story: "On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta, or Ed Motta ... but Rafaela Prestes our Brazilian 'sound ingineer/genius' told me she'd worked with Di Melo for his recent comeback and gave me his number. No sooner said than done, as I'm a huge fan of Di Melo. The next day he arrived at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us and gives us a private show of three hours. We cried the tears of joy. He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for two days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. This album is the summary of this moment, of these five days of madness spent together between 'the best band in the world' and the legend Roberto Di Melo -- Simple, beautiful, Brazilian-French, human music..." Atemporal found its final version in collaboration with Favorite Recordings and is presented as the genuine long-awaited follow-up to the classic Di Melo LPs.
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CD
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FVR 148CD
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$19.50
PREORDER
RELEASE DATE: 6/21/2019
Born in 1949 in Recife (Brazil), Roberto De Melo Santos, despite a very light discography, is among the true icons of the Brazilian soul music under his artist alias, Di Melo. He's indeed only needed an eponymous album, released in 1975 on Odeon, to assert himself as a star in his native country, but also as a legend for all collectors and connoisseurs of the world. More than 40 years after its release, this famous album sells for several hundred euros in its original version, and even for the few reissues that were offered. Not very active since then, Di Melo however returned in 2016 with the album O Imorrível, released on the Brazilian label Casona Produções. It is then that a year later, came a meeting with the French group Cotonete. Florian Pellissier, founding member and keyboard within the band, tells the story: "On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta, or Ed Motta ... but Rafaela Prestes our Brazilian 'sound ingineer/genius' told me she'd worked with Di Melo for his recent comeback and gave me his number. No sooner said than done, as I'm a huge fan of Di Melo. The next day he arrived at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us and gives us a private show of three hours. We cried the tears of joy. He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for two days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. This album is the summary of this moment, of these five days of madness spent together between 'the best band in the world' and the legend Roberto Di Melo -- Simple, beautiful, Brazilian-French, human music..." Atemporal found its final version in collaboration with Favorite Recordings and is presented as the genuine long-awaited follow-up to the classic Di Melo LPs.
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LP
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PHS 064LP
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$25.50
PREORDER
RELEASE DATE: 6/21/2019
LP version. Includes insert with liner notes by Chelique Sarabia. Pharaway Sounds present a reissue of Chelique Sarabia's Revolucion "Electronica" en Musica Venezolana, originally released in 1971. Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous "Ansiedad" when he was just a kid) decided to register an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtered these instruments through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds. The result was Revolución "Electrónica" en Música Venezolana, an album with a truly exotic, psychedelic, and ahead of its time sound. Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees, and friends of the company as a Christmas gift in 1973. It was titled 4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia (4 Phases of Four - Venezuelan Music Electronically Developed by Chelique Sarabia). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of Revolución "Electrónica" en Música Venezolana (Electronic Revolution in Venezuelan Music). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America. Master tape sound. Includes insert with liner notes by Chelique Sarabia.
"In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that Chelique Sarabia did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time." --Alex Figueira (Fumaça Preta)
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LP
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MAIS 037LTD-LP
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$28.50
PREORDER
RELEASE DATE: 6/21/2019
LP version. Tropical red vinyl; includes printed inner sleeve. On the eve of her 80th birthday, Dona Onete, the grande dame of Amazonian song, returns with her third album Rebujo, a love letter to her hometown of Belém, situated deep in the Amazon. Rebujo brims with two music styles born in Belém: carimbós, influenced by African grooves, and bangues, a ska-type rhythm. Plus, there's a cumbia, brega ("romantic" music) and samba. Since the release of her 2017 album Banzeiro (MAIS 034CD/LP), Onete has become a superstar in Brazil -- she composed and sung the theme song for one of Brazil's biggest soap operas (A Força do Querer), been awarded the Brazilian Ordem do Mérito Cultural in recognition for her contribution to Brazilian culture, and her video for "No Meio do Pitiu" has an impressive 9.2 million views on YouTube. Outside of Brazil Onete has performed at Roskilde, Womad (UK, New Zealand, and Australia), Gilles Peterson's Worldwide Festival, and TFF Rudolstadt, and she is a global spokesperson for indigenous cultures. RIYL: Soundway Records, Analog Africa, Calypso Rose, Oumou Sangare. Mastered at the Carvery.
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LP
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GB 077LP
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$23.50
PREORDER
RELEASE DATE: 6/21/2019
LP version. 180 gram vinyl. Includes download code. Park Jiha's debut album Communion (GB 057CD/LP) -- released internationally by tak:til in 2018 -- drew well deserved attention to the young Korean instrumentalist/composer's vivid sound world. The widely acclaimed album graced 2018 critics lists at The Wire, Pop Matters, and the Guardian. Her new album Philos -- which she calls an evocation of her "love for time, space and sound" -- is every bit as inventive, elegant, and transcendent as her debut. While Park Jiha's music is often contextualized by its kinship with minimalism, ambient, and chamber jazz, her creative backbone is Korean traditional music. Jiha formally studied both its theory and practice and has mastered three of its most emblematic instruments: Piri (double reed bamboo flute), saenghwang (mouth organ), and yanggeum (hammered dulcimer). On Communion, Park Jiha wove these ancient instruments into an ensemble sound that included other musicians contributing on vibraphone, saxophone, bass clarinet, and percussion. The effect felt revelatory; it seemed to naturally evoke Jon Hassell's "Fourth World" ethos, morphing across time and tradition. Philos is both an extension of, and a swerve away from, her previous record. It shares its predecessor's patience and deeply resonant hypnotic effects. It similarly looks to the future, while continuing to converse with a rich instrumental language from the past. But the overall tone and intent feels much more interior and personal -- more rarefied. Whereas Communion featured the classic sound field of a group of musicians playing in a room, Philos trades that for more density and concentration. Each sound has been given the artist's full attention. In Greek, "Philos" is the plural for "philo" which can mean "love" or "the liking of a specified thing." The album's compositions include "Arrival", which slowly introduces every sound featured on the record. The gift of unexpected rain in the heat of midsummer is heard on "Thunder Shower". "Easy" is a poem written and recited by the Lebanese artist Dima El Sayed who visited Korea to participate in the Hwaeom Spiritual Music Ritual and was inspired by Park Jiha's work. The title track "Philos" was created by overlapping sounds and stretching time. "Walker: In Seoul" evokes the vivid soundscape of the city in which Jiha lives. "When I Think If Her" features the ghostly melodies of the yanggeum and saenghwang. Park Jiha reaches for a sturdy simplicity. A borderless connection between her life and her accomplished musical art.
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