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Search Result for Genre WORLD
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LP
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BTR 109LP
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$28.00
PREORDER
RELEASE DATE: 3/7/2025
LP version. Şatellites' self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and they were invited to record live sets for both Gilles Peterson's Worldwide FM, and KEXP in Seattle. Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes Tsuf Mishali on keys and synths, known for his work in proggy psych bands, and the animated Tal Eyal on percussion. Şatellites blast back into orbit on Aylar, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. Rotem Bahar has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, Lotan Yaish brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. Aylar (Turkish for "moons" or "months") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. Kluger's saz and Mishali's synths intertwine seamlessly, underpinned by Ariel Harrosh's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. The album's most ambitious cover is their cosmic folk-funk rendition of Hakki Bullut's ballad "Ikmiz Bir Fideniz," followed by the original instrumental "Beş Kardeş" ("Five Brothers"). If Şatellites' self-titled debut laid the blueprint for their sound, Aylar marks their transformation into a fully realized musical force. With this album, Şatellites step confidently out of the shadows of their Anatolian psych heroes to craft a modern yet timeless record, expanding their influences while deepening their connection to their roots.
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2LP
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VAMPI 312LP
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$37.50
PREORDER
RELEASE DATE: 3/7/2025
After digging deep into the overwhelming archives of Discos Fuentes and Codiscos in the previous volumes, this third instalment in the series Cumbia Cumbia Cumbia!!! comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987. Cumbia Cumbia Cumbia!!! combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. MAG had released porros since the label was set up, and by 1957 it was already selling records by the Colombian Lucho Bermúdez, a leading figure in porro and cumbia in orchestra format, from Buenos Aires. Colombian cumbia has come a long way in Peru since those years and put down its own roots, just as it has in other Latin American countries. This third volume of the series Cumbia, cumbia, cumbia demonstrates how the rhythm has persisted over three decades of Peruvian recordings, ranging from versions by orchestras and ensembles to original cumbias with electric guitars, with lingering echoes of Caracas-born Hugo Blanco, Tulio Enrique León, Los Teen Agers and Amparito Jiménez. Featuring Carlos Pickling Y Su Orquesta, Los Chicoques, Los Demonios De Corocochay , Los Felcas, Sonora Casino De Hugo Macedo, Sam Brasil, Volada 5, Otto De Rojas Y Su Orquesta, Silvestre Montez Y Sus Guantanameros, Ñico Estrada, Freddy Roland Y Su Orquesta De Moda, Los Avileños, Joe Di Roma Y Su Conjunto, Los Rumberos Del Solar, Los Pavos Reales, Nilo Espinosa Y Su Orquesta, Tito Chicoma Y Su Orquesta, Nelson Ferreyra Y Su Sonora, Los Kintos, Manzanita Con Los Cañeros, and Los Belking's.
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CD
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BTR 109CD
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$16.00
PREORDER
RELEASE DATE: 3/7/2025
Şatellites' self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and they were invited to record live sets for both Gilles Peterson's Worldwide FM, and KEXP in Seattle. Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes Tsuf Mishali on keys and synths, known for his work in proggy psych bands, and the animated Tal Eyal on percussion. Şatellites blast back into orbit on Aylar, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. Rotem Bahar has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, Lotan Yaish brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. Aylar (Turkish for "moons" or "months") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. Kluger's saz and Mishali's synths intertwine seamlessly, underpinned by Ariel Harrosh's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. The album's most ambitious cover is their cosmic folk-funk rendition of Hakki Bullut's ballad "Ikmiz Bir Fideniz," followed by the original instrumental "Beş Kardeş" ("Five Brothers"). If Şatellites' self-titled debut laid the blueprint for their sound, Aylar marks their transformation into a fully realized musical force. With this album, Şatellites step confidently out of the shadows of their Anatolian psych heroes to craft a modern yet timeless record, expanding their influences while deepening their connection to their roots.
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LP
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FS 4485LP
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$26.00
PREORDER
RELEASE DATE: 2/28/2025
One of the greatest classics of Brazilian popular music, with Jorge Ben mixing funky samba, Afro-Brazilian beats, and crunching guitars. Jorge Ben was the most prominent figure of the samba soul and samba funk scenes of the '70s in Brazil, and África Brasil is probably the most famous of his '70s recordings.
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LP
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AKENAT 005LP
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$25.00
PREORDER
RELEASE DATE: 2/28/2025
Second installment of this wonderful compilation of gems from the '60s and '70s Singapore music scene, focused on the amazing ladies that helped make it so vibrant. 14 gems of female fronted Pop Yeh Yeh, another eye-opening collection of amazing Singapore treasures. Be it as solo singers, backed by other bands or as band leaders, women had a huge presence on the Singapore music scene. All under the idiosyncratic Pop Yeh Yeh umbrella and each with her strong personality and musical tendencies, the music contained in this beautiful record is an absolute trip for anyone interested in '60s and early 70s music. Featuring Li Li Wong, Lena Lim & The Stylers, Fung Po Po, Ervinna & The Stylers, Nancy Sit, Mai Le Huyen, Lara & The Trailers, Chen Jie & The Golden Melody Band, Alina Rahman & The Bateks, Wong Shiau Chuen & Brothers Hawk, Nam Hong, Lotus Liew, The Crescendos, and Siti Zaiton & The Firebyrds.
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LP
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VAMPI 311LP
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$28.50
PREORDER
RELEASE DATE: 2/21/2025
Brooklyn Sounds' legendary second album from 1972, full of heavy Nuyorican underground salsa dura propelled by raw trombones, off-kilter piano and in-your-face percussion. A perfect blend of barrio attitude and Caribbean swing, the album proves Brooklyn has sabor y salsa! Pressed on 180gram vinyl, Vampisoul's reissue includes liner notes featuring never-before seen photos. Libre -- Free is the now legendary second album by the short-lived Brooklyn Sounds and is arguably even better than their self-titled debut (VAMPI 297LP), displaying a more mature and practiced sound, no doubt honed by their experiences playing more gigs in support of their first record. Brooklyn Sounds were one of a handful of garage salsa bands from the independent scene that was gathering steam in the early 1970s in the New York boroughs, despite little support or exposure in the mainstream Latin music industry from more dominant labels like Fania, Mericana, Cotique and Alegre. As with many others, Brooklyn Sounds briefly fluoresced in a burst of creativity and defiance, yet flamed out shortly thereafter, dying like a flower among the ruins of burned-out apartment blocks in the barrios of its home city. Though the band only cut two LPs and a couple singles in their brief half-decade of existence, and never really broke out of the cuchifrito circuit in the tri-state area of New York, New Jersey and Connecticut, their music gradually spread far and wide, eventually becoming a sought-after global commodity by the late 1990s. In contrast to the first album Libre -- Free is up-tempo and ebullient, with fewer slow songs and more confident, creative arrangements, full of heavy Nuyorican underground salsa dura propelled by raw trombones, off-kilter piano and in-your-face percussion.
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7"
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BTR 108EP
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$17.50
PREORDER
RELEASE DATE: 2/21/2025
Sababa 5 collaborate with India born singer Sophia Solomon on their most exciting double A-side to date, merging Bollywood-style songs with their signature blend of Middle Eastern grooves. Renowned for their instrumental releases that fuse traditional and contemporary Middle Eastern music with psychedelic rock, funk, and disco, Sababa 5 have also pushed boundaries in collaborations with vocalists such as Shiran Tzfira, Yurika Hanashima, and Inbal Nur Dekel. These efforts have won them support from the likes of Gilles Peterson, Cerys Matthews, and Jeremy Sole, on BBC Radio 6 Music and KCRW. Now, the band joins forces with Sophia Solomon for their latest musical exploration. Born in Bengaluru, South India, and trained in Hindustani classical music in Mumbai, Sophia Solomon is a versatile, multilingual singer, recording artist, and live performer, drawing inspiration from Bollywood legend Asha Bhosle. A standout moment early in her career -- a global tribute to Mahatma Gandhi -- ignited her passion for bridging musical traditions across cultures. "Shehzadi" ("Princess") is an Indo-disco delight. Solomon's Hindi vocals soar effortlessly across Sababa 5's finely balanced arrangement of hypnotic drums, pulsing electric bass, fanning electric guitar, and sparkling synths in a beguiling minor key. There's a strong hint of '80s nostalgia with a contemporary shine, evoking a Stranger Things meets Bollywood charm. "Ranjha" ("Lover") takes on a more Middle Eastern feel, with synth notes that undulate with longing and emotion, reminiscent of traditional instruments like the saz or baglama. The upbeat groove pairs seamlessly with Solomon's dynamic, hope-filled vocals. Well-timed pauses add dramatic flair, while Sophia's performance allows space for an exuberant synth solo. This exciting collaboration marks another bold turn for Sababa 5, infused with new life through Sophia Solomon's artistry. "Shehzadi" and "Ranjha" represent a fruitful exchange of cross-cultural musical exploration, destined to be played on repeat.
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7"
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VAMPI 45110EP
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$15.50
PREORDER
RELEASE DATE: 2/21/2025
Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname "Loco" by being a free, independent spirit, an innovator and iconoclast who was initially branded as "crazy" for the freshness and audacity of his sound. These two hot tracks were released in the early '70s and became instant dance floor fillers. First time 7" reissue of these salsa and guaguancó gems. Amazingly, he is not that well known in the US, where he spent some time in the late 1960s and salsa was king during the 1970s. Yet he was quite popular in his home country from the beginning, especially amongst the working class of Caracas and Maracaibo, who adopted Cuban music played by New York Puerto Ricans as their own and called it "salsa" years before the term was employed by US labels like Fania as a marketing tool. Pérez is revered in Venezuela, as well as in Mexico and Colombia, and his storied career, which spans seven decades and thousands of concerts, has yielded more than 35 albums recorded by his various bands, including Los Dementes, Los Kenya, and Los Calvos, all of which are collector's items today. "Muchacho Barrigón" crossed over beyond the Venezuelan salsa scene and a few versions of the tune were recorded by international artists. How cool and handy is to have both songs together on a DJ-friendly 45. First time 7" reissue.
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12"
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PRTL 12029EP
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$19.00
PREORDER
RELEASE DATE: 2/14/2025
Originally released on a Partial 10" in 2019, "Mediation" became a hit on the underground roots and dub sound system scene with regular plays from the late Jah Shaka, amongst others. This 12" reissue features the original vocal and dub cut, but also contains two previously unreleased dubplate cuts. Hailing from Limerick, Ireland, Eva Keyes has a very bright and distinctive voice with an undeniable hint of Sinead O' Connor and Dolores O'Riordan. Produced by Dublin-based Dan Taliras.
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CD
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OH 041LP
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$24.00
PREORDER
RELEASE DATE: 2/14/2025
LP version. "Life has never been easy, so keep moving" is the opening line of "Making Moves," the title song of Santrofi's new album. In 2021 their celebrated debut Alewa introduced this eight-piece Highlife collective powerhouse from Accra to the world. After five solid years on the road, Santrofi is now ready to release some fresh material. co-produced and mixed by four-time Grammy Award winner Jerry Boys (REM, Ali Farka Toure, Buena Vista Social Club, Orchestra Baobab, Kronos Quartet). Making Moves is both a celebration of Santrofi's roots and a leap into the future of Highlife. The opening track "Amina" is a Ghanaian childhood game turned Highlife funk. It draws from the past, pushing it into the future. The title song "Making Moves" sees Santrofi team up with the current booming Afrobeatscene in Ghana: It features Ghanas Newcomers Kofi Jamar and Arathejay. "Su nkwa" sees Santrofi celebrating their love for typical Sikji Highlife music. From the opening Highlife funk of "Amina" to the Ghanaian-childhood-game-turned- boogie-banger "Gyae Me How," this record will get you dancing. Led by producer-bassist Kojo Ofori, Santrofi unites eight of Accra's most gifted musicians with a passion for both vintage highlife grooves and a hip hop sensibility. Members of the band have played with leading Ghanaian artists including Ebo Taylor, Pat Thomas, Ambolley, AK Yeboah, and highlife pioneer AB Crentsil with whom they recorded just before he passed away. Santrofi have shared stage and studio with rising stars of Ghana's vibrant urban music scene such as Kidi, Yaw Tog, Black Sherif, AratheJay and even Nigerian superstar Wizkid.
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LP
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SMR 081LP
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$29.50
PREORDER
RELEASE DATE: 2/14/2025
How can a sense of beauty be found amidst fear and cruelty? How can all the unspeakable be made audible, but also anger, hope, and an unyielding will to live? With his third album Temple Of Hope, Iranian composer Saba Alizadeh has created a moving homage to the people of his homeland. He transforms the events during the "Woman Life Freedom" movement, as well as the struggles of the population in previous years, into poignant electro-acoustic music. Intensified by the vocals and lyrics of Andreas Spechtl, Sanam Maroufkhani, and Leila Rahimi. In his compositions, Saba Alizadeh combines the traditional string instrument Kamancheh with strings, modular synthesizers, and a no-input mixer. This results in a tense sound that explores the speechlessness and torn emotions between suffering, rebellion, and hope. Historical radio sequences ground his pieces in the culture and history of the country. The strong alienation and deconstruction of these acoustic elements, in turn, point to the incomprehensible -- to existential upheavals and dissolution processes.
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CD
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BTR 103CD
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$18.00
PREORDER
RELEASE DATE: 2/14/2025
Ethio-jazz pioneer Mulatu Astatke joins the Hoodna Orchestra, Tel Aviv's number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across original compositions that play tribute to the classic Mulatu sound while forging fresh paths. Produced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting. Mulatu Astatke requires little introduction at this point. Born in Jimma, Ethiopia, Mulatu went on to live and study in London, Boston and New York. Initially drawn to and trained in jazz and Latin music, he developed the sound he called "Ethio-jazz" over a series of seminal albums combining jazz, Latin, funk and soul, with traditional Ethiopian scales and rhythms. Long a cornerstone of the Ethiopian recording industry, his albums and even guest appearances were long sought after by record collectors and music enthusiasts around the globe. Formed in 2012 on the south side of Tel Aviv, the 12-member Hoodna Orchestra is a collective of musicians and composers who initially bonded over a shared love of Afrobeat. They have gone on to incorporate psychedelic rock, hard funk and soul, jazz, and East African music into their sought-after releases, winning praise and airplay from the likes of Iggy Pop and Huey Morgan on BBC Radio 6 Music. The collective draws together a huge array of musical talents such as guitarist Ilan Smilan and organist Eitan Drabkin of Sababa 5 fame, Shalosh trio drummer Matan Assayag, and percussionist Rani Birenbaum of The Faithful Brothers, many of whom also contribute compositions to the orchestra, ensuring its collaborative environment. Over time, members of the orchestra came to find they shared a growing interest in Ethiopian music, particularly the Ethio-jazz of Mulatu Astatke. One can imagine the band slowly marching out of the venue through the crowd at the end of their show, the audience clapping in time with the orchestra's brass and percussion, recalling another legend, the late great Sun Ra. On one hand, Tension is clearly a deeply personal tribute by the Hoodna Orchestra to iconic Mulatu Astatke, but at the same time the recordings emit a remarkable amount of chemistry, and together they have created an essential addition to Mulatu's rich discography that charts new directions in his Ethio-jazz trajectory and provides the Hoodna Orchestra with their strongest album to date.
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CD
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OH 041CD
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$16.00
PREORDER
RELEASE DATE: 2/14/2025
"Life has never been easy, so keep moving" is the opening line of "Making Moves," the title song of Santrofi's new album. In 2021 their celebrated debut Alewa introduced this eight-piece Highlife collective powerhouse from Accra to the world. After five solid years on the road, Santrofi is now ready to release some fresh material. co-produced and mixed by four-time Grammy Award winner Jerry Boys (REM, Ali Farka Toure, Buena Vista Social Club, Orchestra Baobab, Kronos Quartet). Making Moves is both a celebration of Santrofi's roots and a leap into the future of Highlife. The opening track "Amina" is a Ghanaian childhood game turned Highlife funk. It draws from the past, pushing it into the future. The title song "Making Moves" sees Santrofi team up with the current booming Afrobeatscene in Ghana: It features Ghanas Newcomers Kofi Jamar and Arathejay. "Su nkwa" sees Santrofi celebrating their love for typical Sikji Highlife music. From the opening Highlife funk of "Amina" to the Ghanaian-childhood-game-turned- boogie-banger "Gyae Me How," this record will get you dancing. Led by producer-bassist Kojo Ofori, Santrofi unites eight of Accra's most gifted musicians with a passion for both vintage highlife grooves and a hip hop sensibility. Members of the band have played with leading Ghanaian artists including Ebo Taylor, Pat Thomas, Ambolley, AK Yeboah, and highlife pioneer AB Crentsil with whom they recorded just before he passed away. Santrofi have shared stage and studio with rising stars of Ghana's vibrant urban music scene such as Kidi, Yaw Tog, Black Sherif, AratheJay and even Nigerian superstar Wizkid.
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CD
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MODCD 099CD
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$17.50
PREORDER
RELEASE DATE: 2/7/2025
In 2007, Céu debuted her self-titled album, becoming one of the select Brazilian artists nominated for an American Grammy in the World Music category and is widely regarded as one of the most influential Brazilian artists of her generation. With now six albums to her credit, Céu has transcended borders, captivating audiences on five continents at prestigious festivals such as the Montreal Jazz Festival, Coachella, Roskilde, Rock in Rio and Lollapalooza. She is renowned for her collaborations with both Brazilian and international artists like Duran Duran, Herbie Hancock, Jorge Ben Jor, Gilberto Gil, and Emicida. Recorded in the USA, the album features musical production by Céu as well as Brazilian musician and producer Pupillo (drummer of Nação Zumbi) and American multi-instrumentalist and arranger Adrian Younge (co-founder of Jazz Is Dead). Recorded at Linear Labs Studio in Los Angeles, Novela is Céu's sixth studio album. It was captured live on tape, in a dynamic moment that demands total presence. A number of artists feature on the record: American MC and songwriter LadyBug Mecca, Franco-Senegalese singer and songwriter anaiis, American singers Loren Oden and Jensine Benitez, American DJ and producer Frankie Reyes, French artist Hervé Salters (General Elektriks) and Brazilian national treasure Marcos Valle. In Novela, ancient technologies, healing, creaminess, bolero, polished stars, echoes of soul music, things of the earth, rap, and whispers to guides emerge. Throughout the record, there is a reaffirmation of the author's fearlessness, committed to her time, in the complexity and beauty of creative work. Always keeping the diversity of Brazilian music on the horizon.
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LP
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VAMPI 308LP
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$30.50
PREORDER
RELEASE DATE: 2/7/2025
Reissued here for the first time, Cartão Postal is one of the best and most sought-after Brazilian funk-soul albums from the early '70s. It includes some outstanding up-tempo gems like Marcos and Paulo Sergio Valle's "Que bandeira," and the stellar "Esperar Prá Ver," co-written by Evinha's brother Renato Corrêa who also happened to be a member of the Golden Boys. This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. Cartão Postal was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of Trio Esperança, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off. Cartão Postal, her third solo album, comprises some outstanding gems. "Só Quero" emanates samba soul sounds while songs like "Por Mera Coincidência" or "Rico Sem Dinheiro" resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists. Ridiculously rare and expensive now, and at the top of many collectors' wants lists for decades, it's finally reissued here after years unavailable.
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CD
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TRC 038X-CD
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$16.00
PREORDER
RELEASE DATE: 2/7/2025
Born into a music-loving Palestinian family and raised between Jerusalem and Ramallah, Christine Zayed is a singer, composer and musician, and a virtuoso of the qanûn. From an early age, she was introduced to classical and contemporary Arab music, as well as traditional Palestinian music. Her repertoire is based mainly on classical Arab music, based on maqam (the science and practice of Arabic modal improvisation), and on Arabic poetry, particularly contemporary Palestinian poetry. Her compositions, strongly rooted in tradition, are resolutely contemporary, seeking out the paths of modernity through their intersection with other musical universes. She has been living and working in France for several years, collaborating on a wide range of projects, notably with the Ensemble Chakâm and the band Atine. She performs solo or in trio with flutist Sylvain Barou and percussionist Habib Meftah, playing a repertoire that is featured on her first album, Kama Kuntu ("What I was"). The album also features a number of guest stars, including Piers Faccini.
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NL 001SP-CD
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$16.00
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RELEASE DATE: 2/7/2025
The debut album from French singer-songwriter Siân Pottok. A unique sound enriched by horns and electronic textures. Featuring Mamani Keïta, NNEKA, Abou Diarra, and Sanseverino. Deep Waters is much more than just an album. It embodies a "here and now" where the raw intensity of the earth and the yearning for a new vibration intersect. Siân Pottok has found this unique balance in the Kamele Ngoni, a traditional West African harp the practice of which she has been perfecting for several years. Surrounded by layers of brass and electronic sounds, she invites listeners to dive into a universe where every note is a nugget of emotion, a vibrant echo of the times. With this record, Siân asserts herself with the strength and simplicity of a landmark debut album, in the tradition of visionary artists such as Björk and Joni Mitchell. With Valentin Couineau as producer and Cyril Atef (Matthieu Chedid, Brigitte Fontaine, Bumcello) on drums and percussion, Siân surrounds herself with talented musicians who enrich her compositions with singular textures. Exceptional collaborations with NNEKA, Mamani Keïta, and Abou Diarra also enhance this album. Deep Waters is a powerful and authentic work, a sonic voyage that promises to leave a lasting impression.
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LP
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VAMPI 306LP
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$30.50
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RELEASE DATE: 2/7/2025
Gerson King Combo's 1977 album is a masterpiece of Brazilian soul, emerged within the Black Rio movement, which was recorded with União Black as the backing band. It features the kind of full-on funky sound you'd only expect to hear from a rare few American groups of the time. Its ten songs mix political statements, which primarily address issues of racial pride, and dancefloor-oriented music. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. The Côrtes brothers were born and raised in Madureira. Their careers in music stood away from samba carioca and followed different paths: Getúlio was one of Jovem Guarda's composers (author of hits such as "Negro Gato") while Gerson was involved in underground dance groups and would later (as Gerson King) become a leading figure in the Black Rio movement. This album was produced by Ronaldo Corrêa and features Pedrinho da Luz as artistic director. The album has achieved cult status over the years, becoming one of the most sought-after Brazilian funk records of all times. Ridiculously rare and expensive now, at the top of many collectors' wants lists, it's finally reissued here after years unavailable out of Brazil.
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FARO 248CD
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$13.50
PREORDER
RELEASE DATE: 2/7/2025
At the forefront of a rising wave of Brazilian artists captivating international audiences, Nyron Higor brings a quiet yet potent sense of wonder to his new self-titled album. Born in Maceió, Higor's latest work is rooted in the traditions of Northeastern Brazilian music and golden-era MPB. Within the peaceful surroundings of his home, Higor weaves these roots together with global influences and contemporary production techniques, for a uniquely dreamlike vision of hope. Following the success of his self-released debut Fio de Lâmina -- an instrumental record of delicately balanced rhythmic and harmonic patterns, which earned support from tastemakers like Mr. Scruff, Gilles Peterson, and John Gomez -- Higor's new album is a move towards a more expansive, lyrical exploration of transcendence and triumph. Taking his demos and unfinished tracks to São Paulo, Higor worked alongside friends and collaborators from Brazil's vibrant contemporary music scene -- including fellow Maceioense artists Bruno Berle, Batata Boy, and New York-based Brazilian vocalist Alici Sol -- assembling a rich musical landscape and a cutting-edge development on the musical world from which he emerges. For Higor, the process of recording and producing in close collaboration with Berle and Batata Boy allowed him to fully cultivate the emotive power of his compositions. Album opener "Ciranda" sets the tone with a slow frevo rhythm, as wistful trombone melodies and melancholic acoustic guitar harmonies create an atmosphere both intimate and grand. Lead single "São Só Palavras," featuring Alici Sol and Bruno Berle, captures both the lightness and depth of young love in an all too fleeting minute-and-a-half moment of soaring brilliance. Building upon the instrumental sound of his debut, "Louro Cantador" with its playful organ, birdlike whistles and elegant acoustic guitar, emanates a kind of rare natural beauty, as each sound dances amidst the gentle pulse of Higor's bass. Through ten carefully crafted tracks, Higor's acuity for sound and silence draws listeners into a place that feels both deeply personal and universally resonant. This album is a testament to the timeless themes that define Higor's artistry, as well as his creative drive to overcome the obstacles he faces. Conveying his feelings of jubilance for his work, Higor notes, "This work is liberating, contemplative and victorious!" Each track invites the listener to experience the raw intimacy, the joy and longing, and the otherworldly ingenuity of Brazilian music, which seems to endlessly keep listeners coming back for more.
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LP
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WWSLP 095LP
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$31.50
PREORDER
RELEASE DATE: 2/7/2025
Wewantsounds presents the reissue of Ammar El Sherei's sought-after instrumental album Music From The East from 1976. Here, the iconic Egyptian musician and composer revisits seven classic compositions by another Egyptian legend, Mohamed Abdel Wahab, in his own hypnotic way. Mixing Arabic music with funky arrangements and electric keyboard experimentations, the album is a perfect showcase for El Sherei's artistry. Curated and annotated by Lebanese-born Arabic music expert Mario Choueiry from Institut du Monde Arabe in Paris, this reissue has been newly remastered and comes with original Soutelphan artwork. Musician and composer Ammar El Sherei (1948-2012) is a giant of Egyptian music. Born in Upper Egypt in 1948 into an upper middle-class family (his grandfather was MP during King Fouad's reign and his eldest brother became the Egyptian ambassador to Australia), El Sherei attended a special school for the blind in Cairo (he lost his eyesight in his early childhood). He got noticed by his teachers there who recommended him to the Hadley School for the Blind in America so he could perfect his studies through a correspondence course. Thanks to this, he quickly learnt piano, oud and composition. Once his studies completed, El Sherei began playing in various Cairo bars and clubs and quickly made a name for himself on the Cairo music scene. He also started writing songs for many established Egyptian artists and quickly rose to fame, becoming one of the most sought-after composers for films and TV series. In 1976, El Sherei signed to leading Egyptian label Soutelphan and recorded Music from the East, an homage to the leading Egyptian composer Mohamed Abdel Wahab. On the album, El Sherei masterfully interprets classics from Abdel Wahab including "Enta Enta," "El Kamh El Leila," and "Balad El Mahob." With the help of innovative keyboards of the time, such as the Steelphon S900 or the Farfisa (as seen on the album cover), El Sherei creates hypnotic instrumentals that blend traditional Arabic melodies with jazz, funk and groove. Popular with vinyl collectors and diggers alike, Music from the East is a sought-after gem on the international Arabic Funk scene.
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LP
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NL 001SP-LP
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$28.00
PREORDER
RELEASE DATE: 2/7/2025
LP version. The debut album from French singer-songwriter Siân Pottok. A unique sound enriched by horns and electronic textures. Featuring Mamani Keïta, NNEKA, Abou Diarra, and Sanseverino. Deep Waters is much more than just an album. It embodies a "here and now" where the raw intensity of the earth and the yearning for a new vibration intersect. Siân Pottok has found this unique balance in the Kamele Ngoni, a traditional West African harp the practice of which she has been perfecting for several years. Surrounded by layers of brass and electronic sounds, she invites listeners to dive into a universe where every note is a nugget of emotion, a vibrant echo of the times. With this record, Siân asserts herself with the strength and simplicity of a landmark debut album, in the tradition of visionary artists such as Björk and Joni Mitchell. With Valentin Couineau as producer and Cyril Atef (Matthieu Chedid, Brigitte Fontaine, Bumcello) on drums and percussion, Siân surrounds herself with talented musicians who enrich her compositions with singular textures. Exceptional collaborations with NNEKA, Mamani Keïta, and Abou Diarra also enhance this album. Deep Waters is a powerful and authentic work, a sonic voyage that promises to leave a lasting impression.
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CD
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WWSCD 096CD
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$16.00
PREORDER
RELEASE DATE: 2/7/2025
Wewantsounds presents the release of one of Japan's most coveted albums of the '70s, Mangekyou by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal-clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time Mangekyou is available outside of Japan, featuring remastered audio, original artwork and a four-page insert including new liner notes by Paul Bowler. Yoshiko Sai holds a unique status in the Japanese music landscape. The Japanese singer songwriter made a strong impression with her blend of ethereal melodies, poetic lyrics and crystalline singing. A private, almost enigmatic artist, Sai only made four highly praised albums during the '70s and all but retired from the music industry in 1979, which adds to the mystic surrounding her persona. Only thanks to the persistence of Japanese guitarist Jojo Hiroshige from the noise group Hijokaidan did she come out of retirement to record new material in the 2000s. She was originally noticed by key record labels and swiftly signed to Black Records/Teichiku. This led to the recording of Mangekyou ("Kaleidoscope"), in the Spring of 1975. While she penned all the material for Mangekyou, the arrangements were assigned to Ace producer Yuji Ohno, one of the top arrangers in Tokyo at the time. Ohno helped craft the album's superb funk sound and also played keyboards. The album displays Sai's unique craftmanship when it comes to songwriting and alternates between mid and up-tempo songs such as "Yoru No Sei" (Night Spirit) and "Fuyu No Chikadou" (Winter Underpass) and more atmospheric ballads such as "Tsubaki Wa Ochita Kaya" (Did The Camellia Fall?) or "Yukionna" (Snow Woman). It's worth noting Ohno blended his rich arrangements with elements of Japanese traditional music, with the use of such instruments as the Shakuhachi (bamboo flute), Tsuzumi (hand drum), and Biwa (wooden lute), giving the music its unique twist. All in all, listening to Mangekyou is a unique experience and it's easy to see why the album and Yoshiko Sai garnered such a cult following over the years.
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2LP
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BR 017LP
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$29.00
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RELEASE DATE: 2/7/2025
"Chicha Libre celebrates early seventies Peruvian music styles which mixed cumbia and funk with Andean melodies, Cuban son, and heady swirls of surf guitar, farfisa organ and moog synth. The Brooklyn based band pushes their music way beyond mere pastiche and into strange, sun-blanched epiphanies with elegant homages that take a sublime twist of the new, re-interpreting chicha and pop classics such as 'Popcorn', Joe Dassin/Toto Cutugno's 1975 hit 'Indian Summer', and subtly executed cumbia takes on pieces by Satie and Ravel. Bandleader Olivier Conan initially developed a passion for vintage Chicha during a trip to Peru in the nineties, which resulted in the internationally acclaimed 'Roots Of Chicha' compilations he produced, before going even further by forming his inventive 21st Century band. Personnel: Olivier Conan (lead vocals, cuatro), Joshua Camp (keyboards), Nicholas Cudahy (bass), Vincent Douglas (guitars), Greg Burrows (percussion), Timothy Quigley (percussion) and others. Side D is an etched disc."
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FARO 248LP
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$29.50
PREORDER
RELEASE DATE: 2/7/2025
LP version. At the forefront of a rising wave of Brazilian artists captivating international audiences, Nyron Higor brings a quiet yet potent sense of wonder to his new self-titled album. Born in Maceió, Higor's latest work is rooted in the traditions of Northeastern Brazilian music and golden-era MPB. Within the peaceful surroundings of his home, Higor weaves these roots together with global influences and contemporary production techniques, for a uniquely dreamlike vision of hope. Following the success of his self-released debut Fio de Lâmina -- an instrumental record of delicately balanced rhythmic and harmonic patterns, which earned support from tastemakers like Mr. Scruff, Gilles Peterson, and John Gomez -- Higor's new album is a move towards a more expansive, lyrical exploration of transcendence and triumph. Taking his demos and unfinished tracks to São Paulo, Higor worked alongside friends and collaborators from Brazil's vibrant contemporary music scene -- including fellow Maceioense artists Bruno Berle, Batata Boy, and New York-based Brazilian vocalist Alici Sol -- assembling a rich musical landscape and a cutting-edge development on the musical world from which he emerges. For Higor, the process of recording and producing in close collaboration with Berle and Batata Boy allowed him to fully cultivate the emotive power of his compositions. Album opener "Ciranda" sets the tone with a slow frevo rhythm, as wistful trombone melodies and melancholic acoustic guitar harmonies create an atmosphere both intimate and grand. Lead single "São Só Palavras," featuring Alici Sol and Bruno Berle, captures both the lightness and depth of young love in an all too fleeting minute-and-a-half moment of soaring brilliance. Building upon the instrumental sound of his debut, "Louro Cantador" with its playful organ, birdlike whistles and elegant acoustic guitar, emanates a kind of rare natural beauty, as each sound dances amidst the gentle pulse of Higor's bass. Through ten carefully crafted tracks, Higor's acuity for sound and silence draws listeners into a place that feels both deeply personal and universally resonant. This album is a testament to the timeless themes that define Higor's artistry, as well as his creative drive to overcome the obstacles he faces. Conveying his feelings of jubilance for his work, Higor notes, "This work is liberating, contemplative and victorious!" Each track invites the listener to experience the raw intimacy, the joy and longing, and the otherworldly ingenuity of Brazilian music, which seems to endlessly keep listeners coming back for more.
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2LP
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GR 037LP
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$41.00
PREORDER
RELEASE DATE: 2/7/2025
A collection with a very specific criterion: to bring together the best songs that exemplify the model of what would later be known as salsa. Tito's sessions at RCA produced the highest quality and sounding recordings of the epoch, and are up to today's sound standards. 24 tracks compiled from the best dancefloor tracks from Tito's golden era that easily adapt to the aesthetics of modern salsa. Featuring: Santos Colón, Vicentico Valdés, Alfredito Valdés, Vitín Avilés, Yayo "el Indio," and Tony Molina. Complete liner notes Spanish/English by collector and DJ, Pablo "Bongohead" Yglesias. Format designed for DJ's, collectors and general public. Though it may seem obvious or perhaps even a fool's errand to dedicate a compilation to this theme, since everything Tito recorded was full of "salsa y sabor" (sauce and flavor), it's actually perhaps the first of its kind in that every recording here is specifically chosen for today's salsa dancers, in whichever style they choose to dance, with an emphasis on the guaguancó rhythm and mambo arrangement. Tito's RCA sessions produced the most high quality, incredible sounding recordings of the epoch, and they more than hold their own by today's sonic standards. For this reason, Grosso has collected two dozen of Tito's finest golden era nuggets for the dance floor, with a concerted emphasis on midtempo numbers with clear percussion patterns that easily fit the modern salsa aesthetic. Many of these tracks, such as "Cuando Te Vea," "Complicación," "Agua Limpia Todo," "Con Sandunga," and "Guaguancó Margarito" are directly connected to traditional Afro-Cuban rumba or Santería rituals through their original composers, rhythm structure, lyrical content and melodies. Indeed, they could all be performed -- and some were -- as strictly percussion and vocal rumbas, but the real difference is what Tito Puente did with the instrumentation, arrangements, vocals and pacing, turning them into the big band extravaganzas that caused "mambo mania," routinely working his audiences into a frenzy on the dance floor.
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