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Search Result for Genre SOUNDTRACK
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LP
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FOX 001LP
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$17.50
PREORDER
RELEASE DATE: 6/7/2019
Alternative Fox present a reissue of Piero Umiliani's Il Paradiso Dell'uomo, originally released in 1963. Italian film composer Piero Umiliani enjoyed a long and illustrious career, creating nearly 200 film soundtracks, along with 40 music library LPs, and some 35 television themes. Born in Florence in 1926, he was first recognized internationally for his work on the soundtrack of 1958 crime caper I Soliti Ignoti (AKA Big Deal on Madonna Street, Persons Unknown or Le Pigeon), which featured noted jazz trumpeter, Chet Baker -- the first time, in fact, that jazz music had been used for an Italian comedy feature. Umiliani teamed with Baker again in 1961, along with Croatian-American jazz singer Helen Merrill, for the soundtrack of Smog, a drama about an Italian lawyer's unintended escapades in Los Angeles, and his work was later featured on American and British television shows, including The Muppets, the Benny Hill Show, and the Red Skelton Show. Il Paradiso Dell'uomo (AKA Man's Paradise), subtitled "Forbidden Japan", was a little-known documentary released in 1963 focusing on the roles assigned to women in the country, from the traditional pearl-fishing divers of the coast and urban factory workers to traditional dancers and the ambiguous world of geisha and striptease. This impossibly-rare soundtrack mixes eastern and western musical elements, veering from classical tropes to swing jazz, with Chinese singer Mei Lang Chang on a couple of tracks and singer/composer/musicologist Francesco Potenza leading the chorus on another. 180 gram vinyl.
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CDDM 301CD
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$18.00
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RELEASE DATE: 5/24/2019
At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digitally restored and remastered record, the label had access to the mono master tapes of the recording session which gave them the chance to discover some unreleased takes which we have assembled in a nearly eight-minute suite. In addition, a special bonus track features the very rare stereo-mixed version of the original 45rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in the opening credits in a pop key and with a little Bacharach flavor called "Can Be Done", sung by Rocky Roberts and accompanied by a children's choir. This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini and alternated with saloon as well as instrumental and choir folk music. This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western, and the music art of the Academy Award winner Luis Bacalov.
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DGST 039CD
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$21.00
PREORDER
RELEASE DATE: 5/24/2019
Digitmovies present a reissue of Piero Piccioni's original soundtrack for La Citta' Prigioniera, originally released in 1962. Piccioni, one of the colossal names of international film music, composed this symphonic OST in the early '60s where gloomy and tense passages frequently recur to perfectly describe the dramatic situation in Athens during the Second World War. The author alternates a melancholic love theme that timidly emerges to contrast with suspense music and exciting battle pieces, all enriched with Greek folk music. Originally C.A.M. released a vinyl LP containing fifteen tracks in mono and an EP single with two tracks in mono. In 1991, the same material was re-released for the first time on CD in the series C.A.M.'s Soundtrack Encyclopedia with audio filtered in Dolby Surround. For Digitmovies' CD, the label was able to use a first-generation master tape with the LP recording along with the mono master tapes from the original recording session, discovering almost forty minutes of previously unreleased material, all specially restored.
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LPDM 018LP
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$34.50
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RELEASE DATE: 5/24/2019
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SVVRCH 006LP
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Space Pirate Captain Harlock was originally a manga comic series created and illustrated by Leiji Matsumoto, which debuted in 1977. The comic was adapted into an anime television series in 1978 directed by Rintaro and produced by Toei Animation. The soundtrack to this series was composed by Seiji Yokoyama and is perhaps his best-known work. Symphonic and tense, the music perfectly complements the show, where Captain Harlock denies defeat and leads an outlaw crew aboard his starship Arcadia to undertake daring raids against Earth's oppressors during a low time for Earth's population, in the future of 2977 AD. A great and rare anime soundtrack, highly sought after by collectors both of anime and Japanese electronics/symphonic music.
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PAN 089LP
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$25.50
PREORDER
RELEASE DATE: 4/26/2019
LP version. Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes, and myths, her stories soon turn ominous. Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton, and Will Worsley), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film's sound design, evokes it's claustrophobic atmospheres and moments of haunting beauty. The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right. Written and produced by Tujiko Noriko. Photography by Joji Koyama. Mastered by Rashad Becker at Dubplates & Mastering, Berlin.
"When we first decided to 'split' the film into what might be described as two parallel layers -- the narrated story and the visual story -- we found that it opened up an 'in-between' space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place... We both thought of the music of Kuro as a score to this space in-between." --Joji Koyama
"I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course, in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either -- I didn't want to get stuck by trying to be too specific." --Tujiko Noriko
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PAN 089CD
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$16.50
PREORDER
RELEASE DATE: 4/26/2019
Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes, and myths, her stories soon turn ominous. Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton, and Will Worsley), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film's sound design, evokes it's claustrophobic atmospheres and moments of haunting beauty. The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right. Written and produced by Tujiko Noriko. Photography by Joji Koyama. Mastered by Rashad Becker at Dubplates & Mastering, Berlin.
"When we first decided to 'split' the film into what might be described as two parallel layers -- the narrated story and the visual story -- we found that it opened up an 'in-between' space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place... We both thought of the music of Kuro as a score to this space in-between." --Joji Koyama
"I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course, in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either -- I didn't want to get stuck by trying to be too specific." --Tujiko Noriko
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RBL 064-2LP
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"Rustblade presents Claudio Simonetti and his Goblin playing and reinterpreting the score of one of the most famous horror movies of all times to celebrate 40 years of the idolised film Dawn of the Dead directed by George Romero and produced by Dario Argento. The music that accompanies the movie is a mix of prog and electronic rock full of tension and magic tribalism. Piercing guitars, synth orchestration and virtualism give life to thousands of blood thirsty zombies. Limited colored lime vinyl plus gatefold poster."
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7"
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RED 258EP
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RSD 2019 release. First vinyl reissue ever of this legendary soundtrack composed for the Alberto De Martino cult thriller by maestro Ennio Morricone and his longtime collaborator Bruno Nicolai. Original 7" replica. Limited edition of 500 (numbered).
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7"
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FKSP 016EP
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RSD 2019 release. When braving the oblique corners of Jean-Claude Vannier's vault, few lost souls cast a darker silhouette than the cinematic obscurity known only as La Bête Noire ("The Black Beast"). Lost and presumed missing for decades the soundtrack tapes to this lesser-known 1983 French thriller, captures the revered composer and arranger of Serge Gainsbourg's Histoire De Melody Nelson embarking on a darker exploration of free jazz, frenzied batucadas, and cyclic carousel psychedelia. Counting key players of the French jazz scene within its ranks, The Insolitudes group comprises a crack team of Palm/Futura/Actuel/Saravah regulars such as saxophonist Philippe Maté alongside drummer Bernard Labat (Mad Ducks), and legendary Arpadys/Voyage rhythm masters Marc Chantereau and Pierre-Alain Dahan (Brutus Drums) all of whom alongside Michel Zanlonghi (Ensemble De Percussion De Paris) make up this thunderous, tumultuous, four-headed rhythm machine bridging an authentic gap between the Jef Gilson groups and France's signature "cosmic" revolution.
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LP
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RED 257LP
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RSD 2019 release. The original soundtrack recording for this 1969 Italian thriller filmed in San Francisco by cult director Lucio Fulci. The movie has one of the best and most well-known scores written by the mighty Riz Ortolani. Groovy and jazzy and unlike many other Italian soundtracks. Limited edition pink vinyl; Special deluxe gatefold sleeve; Edition of 500.
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CD
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GZH 087CD
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Manta Ray is the first release of Snowdrops, a French-based keyboard duo composed by Mathieu Gabry and Christine Ott (Yann Tiersen, Tindersticks, Foudre !); this opus is the soundtrack they composed for Phuttiphong Aroonpheng's film of the same name, which has won several awards including Best Film in the Orizzonti section at the Venice Film Festival. Strangers in a strange land... Borders, belonging and banishment are the issues in Manta Ray. The Thai film trains a poetic look at the void of humanity through the story of two men, a Thai fisherman with peroxide blonde hair and a nameless stranger stuck in a foreign land and supposed to be a Rohingya of Myanmar, whose continuing persecution is constituting one of the biggest human rights scandals of our time. The realism of this story melds with magical elements into a complex whole leaving plenty of room for interpretation. Aroonpheng's first feature is a mesmerizing experience, sometimes compared to Weerasethakul's Uncle Boonmee (2010) and Hitchcock's Vertigo (1958). Snowdrops' soundtrack brings another dimension to Aroonpheng's movie. The duo was especially focused to build their sound here on a frame of keyboards of different generations (Ondes Martenot, Mellotron, MS2000 or Altered keyboards). The color is sometimes dark ("The Mangrove", "Losing A Friend To Death"), sometimes surrealistic ("Lights In The Deep"), and in the case of "Weird Dance", a suggestion of romance between the two main characters on the rhythm of a dreamy electronic tune. The French duo also re-arranged a composition ("Hot Springs") by renowned Thai singer Rasmee, who features as an actor in the movie. Always moving in a physical and sensorial approach, Snowdrops were also involved in the sound design of the movie, as the music is often merging with the other auditive elements and with the images themselves as an organic painting; this hypnotic experiment finds its climax at the end of the movie, with Ott's piano running wild and Gabry's soundscapes swirling in between "The Harmony Of Rohingya's Voices" in a breathtaking scene. File under: avant-garde, electronic, experimental, modern classical, soundtrack.
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12"
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12BACH 010EP
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$12.50
PREORDER
RELEASE DATE: 4/12/2019
A world premiere of AI-generated symphonic music -- all three audio files are compiled from two live recordings with different microphone settings. The cover image is generated by algorithms trained with the following image searches: migration, Mediterranean, boat, Libyan coast, EU. Different search engines were used. Land der Musik celebrated its world premiere on October 7th 2018 at steirischer herbst '18 -- volksfronten in Graz, Austria. Commissioned and produced by steirischer herbst in cooperation with ORF Musikprotokoll.
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LP
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RED 256LP
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Dagored present a vinyl reissue of the soundtrack for Farewell Uncle Tom ("Addio Zio Tom"), complete with extra tracks. Italian directors Gualtiero Jacopetti and Franco Prosperi gave birth to a whole new subgenre of "non-fiction" exploitation movies with their 1962 hit Mondo Cane. After repeated accusations of forgery, unethical behaviors, and war crimes, they decided to make a movie about the atrocities of American slavery as an apology of sorts. It was 1971 and the movie was Farewell Uncle Tom ("Addio Zio Tom"). The famous critic Roger Ebert called the result "the most disgusting, contemptuous insult to decency ever to masquerade as a documentary." Naked flesh, voyeurism, and violence is constantly used but gorgeous photography and a memorable score from Academy Award nominee Riz Ortolani add a sickening slickness to it all: rock-beat tunes mixed with classic big band themes, waltz, and funny marches and the beautiful "Oh My Love", with the vocals from Katyna Ranieri, used, among many others by Winding Refn in his cult movie Drive (2011).
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LP
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FKR 048LP
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B-movie junkies, gather round and prepare yourselves for what could only be described as a cinematic speedball. Take a combined hit of two of the most potent strains of toxic cinema, dress it up in ritualistic robes, and make it dance to the beat of a stoned, motoric, country commune soundtrack. Like an exploit-o double-bill where both films merge into a single feature, this directorial debut by an ex-Roger Corman protégé and future Russ Meyer art director (another heady cocktail) is the product of one writing duo's fleeting time in the driving seat as the moviedrome marathon approached its dwindling finish line. Werewolves On Wheels emerged in 1971 in a climate where the B-movie genre of the previous two decades began to make way for the early glimpses of imported slasher films and video nasties. Entirely out of popular context in 1971, the soundtrack music of Don Gere (Curt Boettcher, Kid Dynamite, Don & Stevie) would perhaps reveal him as the most versatile actor involved in the whole production. Until this point, Don Gere had been a pop folk songwriter and a country music devotee, but while riding with the werewolves, Don Gere became a disjointed psych rock stoner making ritualistic commune country with more coincidentally in common with Germany's emerging krautrock scene or the more localized stoner psych of Skip Spence (whose radically ahead of its time LP OAR (1969) was recognized by Columbia Records as their lowest selling record in the company's history). Imagine guitarist Sandy Bull jamming with Munich's Amon Düül or some Swedish prog outfits like Träd, Gräs Och Stenar or a sedated Kebnekaise. In comparison to the Curb Records/Davie Allan scores, for films like Wild Angels (1966), Devil's Angels (1967), Thunder Alley (1967), and Born Losers (1967) (often released on Curb's own Sidewalk or Tower Records), the new music made by Don Gere, only three years down the line, sounds like it's from an entirely different generation... "Pre-certified biker psych from the hillbilly Haxan. Amazing!" --Sean Canty (Demdike Stare)
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DGST 038CD
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Digitmovies present the complete edition of Stelvio Cipriani's original sound track for the action film Tough To Kill ("Duri A Morire") for the first time on CD. Stelvio Cipriani composed an OST where funk music, which was typical at the time, blends with Latin American sounds. The wild dance song in the opening credits is reprised in a fast version, a slow version with South American rhythms, and then contrasted with sad and dramatic strings. Electronic and rhythmic suspense pieces are perfect to describe the hidden dangers waiting for the protagonists of the story. There is no lack of piano pieces performed by the composer, Greek folk music, and military themes. For this CD, the restored stereo master tapes from the original recording session were used. Edition of 300.
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DGST 037CD
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Digitmovies release the complete edition CD of Carlo Savina and Aldemaro Romero's original sound track for the historical film Simon Bolivar. The film was presented at the XI Festival of Moscow (1969) where it won the Special Jury Prize, Carlo Savina and Aldemaro Romero work together on this symphonic score dominated by the charming sounds of Latin America. The historical figure of Simon Bolivar is emphasized through heroic passages for orchestra and chorus which alternate with a romantic love theme and music for the battle scenes. C.A.M. originally released a vinyl LP (SAG 9022) with eighteen stereo selections, which was reissued for the first time on CD in 1992 in the C.A.M. Soundtrack Encyclopedia series. Thanks to the stereo master tapes from the original recording session, which were kept in excellent condition, Digitmovies discovered about forty minutes of previously unreleased material such as alternative mixes and film versions. Edition of 300.
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LP
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RGM 850LP
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"Seldom has any artist captured that ineffable 'high, lonesome sound' quite as beautifully as Ry Cooder did on his landmark soundtrack to Wim Wenders' 1984 film Paris, Texas. Not quite blues, not quite bluegrass, not quite ambient, Cooder's haunting, evocative score mirrors the existential journey of Harry Dean Stanton's Travis Henderson as he wanders through the empty Texas prairie landscape in pursuit of his irretrievable past. With the able help of multi-instrumentalists David Lindley and Jim Dickinson, Cooder crafts a soundscape (much of it based on Blind Willie Johnson's 'Dark Was the Night, Cold Was the Ground') that is profoundly sad yet leavened with bits of humor and whimsy. Real Gone Music is proud to present this classic soundtrack in a limited white vinyl edition."
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DOC 145LP
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Akira Ifukube's score to the legendary 1962 monster movie King Kong vs. Godzilla. Ifukube's visionary music is tense and violent, a perfect complement to Ishirō Honda's film. This incredible score alternates between brass and strings as you witness the death and destruction that comes in the wake of these two classic film monsters' battles. Edition of 500.
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JBH 077LP
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$25.50
PREORDER
RELEASE DATE: 2/15/2019
Out of print since 2001, a classic Trunk release gets a rare repress, the original soundtrack of Kes. This is pastoral British jazz film music at its very best. Includes sleeve notes by Jarvis Cocker. Kes by Ken Loach is one of the greatest British films of all time. It also has one of the finest soundtracks of the period. Put together by the incredibly talented John Cameron (the arranger for Donovan and great film score composer in his own right) this score sums up beautifully the freedom, innocence, and tragedy put across in the film. With a crack British jazz line-up, including flute legend Harold McNair, Ronnie Ross (bass clarinet), Tony Carr (drums), Danny Moss (clarinet), and David Snell (harp), this score not only appeals to the soundtrack collectors but also followers of the classic British jazz sound. Source material was the original John Cameron master, which had been slightly damaged at the front end, so there is a slight change in volume at the beginning of the LP. Nobody moaned back in 2001. Things might be different now. The score is only 19 minutes long and therefore fits perfectly onto a one-sided LP. Full color sleeve; Produced by Jonny Trunk.
"The sound of long-lost childhood... The smell of a damp school cloakroom, from an age when comics were still printed on newsprint... But this is more than just a product of the nostalgia industry -- put on this album and immediately you'll be soaring through the air, free of your earth shackles; for this is the sound of a human soul in flight. A beautiful daydream antidote to an all too real South Yorkshire nightmare. This is the real thing. This is beauty so fragile it hurts." --Jarvis Cocker
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FKR 092LP
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With this previously unreleased 1963 score for Jindlich Polák's Ikarie XB-1, Finders Keepers present an "elusive" musical artifact by Zdeněk Liska, the label's third soundtrack by the composer. Fettered by the hampers of communism, this lifelong resident of Czechoslovakia would never quite find his seat at the same table as the likes of John Barry, Ennio Morricone, Michael Nyman, and Stanley Myers. But having waited patiently behind the borders of the wider landscapes of international cinema, Liska's musical brood, spanning multiple stylistic decades and generations, has now started to walk proudly amongst his would-be, latter-day compeers. In an era where music lovers have almost become immune to adjectives like "lost", "rare", and "unreleased" in a climate where previously lesser-known off-kilter master composers such as Vannier, Kirchin, and Axelrod have become widely revered, it is perhaps the perfect time for discerning listeners to advance above the feeding trough and seek out this truly pioneering and revolutionary Eastern European composer. Rivaled only by the likes of Krzysztof Komeda and Andrzej Korzynski in Poland, alongside Alexandr Gradsky in Russia, and often splitting workloads with fellow Czech composers like Lubos Fiser, Zdeněk Liska's filmography of over almost 300 fully formed movie scores virtually eclipses the achievements of these socialist era luminaries. Respected unanimously in both Czech and Slovakian by studio bosses, producers, directors and actors alike Liska is widely known for his ability to take the existing energy in a reel of film and literally change the polarity to suit his own interpretation while maintaining the full support from his "client" who would in-turn end up working under this composer's creative direction. Not only was Liska a genius of emotive orchestral and coral composition, his grasp on small group arrangements and intimate, minimal scores set him above the competition. By utilizing primitive sample techniques by "looping" a film's existing ambient noise, or rearranging found sounds and dialog into subtle melodic arrangements, Liska would independently develop his own techniques which had simultaneously become known in Paris as musique concrète. It is a direct extension of these experiments that saw Liska also draw parallels with Walter Branchi (Ennio Morricone's main electronic sidekick) in Italy as well as Daphne Oram in the UK, making Liska a relatively untraveled pioneer of early electronic composition and sound design due to his unlikely global environment. Remastered from the original tapes with the full cooperation of the National Film Archive in the Czech Republic.
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DGST 043CD
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Digitmovies presents the soundtrack by brothers Guido & Maurizio De Angelis for the movie Zorro (1974). At that time a 45 rpm single was issued in Italy and in Japan, with the songs "Zorro Is Back" and "To You Mi Chica", and a vinyl album with twelve selections was issued in France, Germany and Japan and later reissued with the same contents by C.A.M. on CD in 1991. For this CD, Digitmovies uses the first generation stereo master tapes of the original recording session allowing for almost forty extra minutes of material. The De Angelis brothers have written a cheerful main theme for the masked avenger Zorro called "Zorro Is Back", introduced in the version performed by Oliver Onions in "Titoli Di Testa" and reprised in instrumental form. This motif is alternated with the love theme "To You Mi Chica" for solo guitar, orchestra, and vocal with dramatic symphonic music with Latin flavor for the heroic actions of Zorro. The bonus material contains exciting reprises of the album versions of "Zorro Is Back", "To You Mi Chica" and the dramatic background themes among which a remarkable rarity can be found: the off-vocal take of the main theme song, that is to say "karaoke" with Zorro! Edition of 300.
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LP
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LPDM 014LP
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LP version. In a small village in Emilia, pastor Don Camillo (Terence Hill) and Communist Mayor Peppone (Colin Blakely) are from opposing political factions and are invaluable friend/enemies. They clash at every opportunity, which often ends up in a fight -- as in the case of the football game played by teams which they had trained. Obviously, the mayor is not happy with Don Camillo's behavior and threatens to transfer him to a remote mountain village. This is a remake of the movie Don Camillo (1952) by Julien Duvivier. It was Terence Hill's first time behind the camera and he wanted to make the action between Don Camillo and Peppone take on a more modern feel, which better suited his style. The story is set in recent times, with a sportier priest (he skates in the church), and embellished with classic fist-fights (as in the football game scene). There are also some small cameos by famous Italian ex-footballers, including Roberto Boninsegna, Roberto Pruzzo, Luciano Spinosi, and Carlo Ancelotti. Ancelotti was a soccer player for A.S. Roma and former coach of teams such as Juventus, Milan, Chelsea, Paris Saint-Germain, and Real Madrid. He is now the current coach of Bayern Munich. Music by Pino Donaggio; Conductor: Natale Massara; Producer: Roberto Danè. In this new edition Digitmovies honor the original editing of the album released in 1984 by Senso Unico.
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DGST 036CD
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Digitmovies release the first complete edition CD of Carlo Rustichelli's original soundtrack for the giallo comedy film The Almost Perfect Crime (original title: Delitto Quasi Perfetto). Carlo Rustichelli (December 25, 1916 Carpi - November 13, 2004 Rome) wrote a mysterious score of pure suspense with strings and organ pieces. The author alternates gloomy atmospheres with wild surf lounge-style music and a recurring melody with trumpets and orchestra, which you might think of as a "cousi"" to the movie Blood and Black Lace (Sei Donne Per L'assissino) directed by Mario Bava in 1964. This soundtrack also contains the hit song "E Se Domani" ("And If Tomorrow") by G. Calabrese and C.A. Rossi in an instrumental jazz-blues club version beautifully arranged by Rustichelli. C.A.M. previously released a single with two tracks specially assembled by the author using various takes. For Digitmovies' full-length CD, the label was able to access the mono master tapes from the original recording session, with Bruno Nicolai as conductor. This is another CD which can be added to the ever-growing discography of the venerated maestro Carlo Rustichelli.
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CD
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CDDM 295CD
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In a small village in Emilia, pastor Don Camillo (Terence Hill) and Communist Mayor Peppone (Colin Blakely) are from opposing political factions and are invaluable friend/enemies. They clash at every opportunity, which often ends up in a fight -- as in the case of the football game played by teams which they had trained. Obviously, the mayor is not happy with Don Camillo's behavior and threatens to transfer him to a remote mountain village. This is a remake of the movie Don Camillo (1952) by Julien Duvivier. It was Terence Hill's first time behind the camera and he wanted to make the action between Don Camillo and Peppone take on a more modern feel, which better suited his style. The story is set in recent times, with a sportier priest (he skates in the church), and embellished with classic fist-fights (as in the football game scene). There are also some small cameos by famous Italian ex-footballers, including Roberto Boninsegna, Roberto Pruzzo, Luciano Spinosi, and Carlo Ancelotti. Ancelotti was a soccer player for A.S. Roma and former coach of teams such as Juventus, Milan, Chelsea, Paris Saint-Germain, and Real Madrid. He is now the current coach of Bayern Munich. Music by Pino Donaggio; Conductor: Natale Massara; Producer: Roberto Danè. In this new edition Digitmovies honor the original editing of the album released in 1984 by Senso Unico.
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