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Search Result for Genre SOUNDTRACK
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LP
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LPDM 020LP
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$37.50
PREORDER
RELEASE DATE: 7/19/2019
LP version. Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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DGST 041CD
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$21.00
PREORDER
RELEASE DATE: 7/19/2019
Digitmovies release the complete edition CD of the original soundtrack by Francis Lai for the 1977 drama The Forbidden Room (aka Anima Persa). The legendary Oscar-winning composer Francis Lai wrote the music for this psychological film based on a recurring nostalgic main theme for orchestra with Moog interventions, which is introduced in the opening credits. The author has succeeded perfectly in representing the atmosphere of a mysterious and esoteric Venice, with a whole series of tense motifs alternated with romantic pop atmospheres and baroque phrases. C.A.M. had originally released a vinyl LP with 14 tracks. Thanks to the stereo master tapes from the recording session, Digitmovies were able to discover six unreleased tracks which bring our CD. This is without a doubt one of Francis Lai's masterpieces, and one of the greatest in international film music, which Digitmovies reissue after already having released his fabulous music for Baby Sitter in 2010. Directed in 1976 by Dino Risi, the film features Vittorio Gassman, Catherine Deneuve, Danilo Mattei, Anicée Alvina, Ester Carloni, Gino Cavalieri, Michele Capnist, and Aristide Caporale. Nineteen-year-old Tino, an aspiring painter, goes to Venice to visit his uncle Fabio Stolz -- a former engineer at a gas company who is proud of his Hapsburg origin -- and his wife Elisa, a sickly blonde woman who is completely submissive to her husband. One evening Tino hears unexplainable noises coming from the attic in the ancient building they live in. The hired help reveals to Tino what the noises are and Tino's aunt and uncle reluctantly confirm what she says -- Fabio's lunatic brother lives in the attic. He went insane after causing the death of his niece Beba, Elisa's ten-year-old daughter from her first marriage, whom he had fallen in love with. However, there are conflicting versions to the story: according to Fabio, Elisa let her daughter die of pneumonia because she did not treat it in time. But where is Beba's grave? There is no trace of it at the cemetery. Increasingly intrigued, Tino discovers another lie: his uncle does not work but instead spends his days with friends, squandering Elisa's fortune. Once Tino finds the attic door open he finally has an explanation to the mystery: a shocking explanation that will convince him to leave Venice forever.
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CD
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CDDM 300CD
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$21.00
PREORDER
RELEASE DATE: 7/19/2019
Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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FOX 010LP
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$17.50
PREORDER
RELEASE DATE: 7/19/2019
Alternative Fox present a reissue of Piero Umiliani and Chet Baker's original soundtrack for Smog, originally released in 1962. As noted for the label's Il Paradiso Dell'uomo (FOX 001LP) soundtrack release, Italian film composer Piero Umiliani was responsible for over 200 original motion picture soundtracks during his long and varied career, creating 35 television theme songs and 40 music library albums. Born in Florence in 1926, he began to receive international recognition in 1958 for his work on the soundtrack of the comedic crime film I Soliti Ignoti (also known as Persons Unknown, Le Pigeon or Big Deal on Madonna Street, depending on the territory), which featured the contribution of jazz trumpeter and actor Chet Baker, an alumnus of Stan Getz, Charlie Parker, and Gerry Mulligan's bands that enjoyed a successful solo career, both in the US and in Europe, despite longstanding issues with heroin addiction. In 1961, Umiliani and Baker joined forces again for the soundtrack of the film Smog, a complicated courtroom drama about an Italian lawyer's travels to Los Angeles, which resulted in all manner of unexpected escapades. Baker features prominently on the moody theme song, the unexpected swing of "Thinkin' Blues", the terse melody of the aptly-titled "Tension", the lingering moodiness of "Alone In A Crowd" and the intense edginess of "Twilight At Los Angeles"; Helen Merrill contributes an alternate reading of the theme song in vocal form and a sultry number called "Dawn". The remainder is pure Umiliani, mostly in the form of heavily-orchestrated big-band jazz, fitting music for a silver-screen venture.
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LP
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TRANSVERS 011LP
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$29.00
PREORDER
RELEASE DATE: 7/12/2019
Transversales Disques presents the first ever LP reissue of Gianni Marchetti's Il Magnifico Tony Carrera, ultra-rare Italian soundtrack originally released on cult CAM label in 1969. Gianni Marchetti wrote this beautiful score for the Euro-spy film Il Magnifico Tony Carrera as he was more of a songwriter than a film composer. The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound. Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original track listing. Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age. Remastered from the original master tapes.
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CDDM 299CD
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Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. The CD also contains three superb "shake" dance floor music themes that bring us the unforgettable Beat atmospheres of those days' discotheques.
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LP
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LPDM 019LP
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LP version. Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni.
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DGST 040CD
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Digitmovies release, for the first time as a complete edition on CD, Marcello Giombini's soundtrack for the horror film Enter The Devil ("L'Ossessa") (1974). Giombini (July 8, 1928 Rome-December 12, 2003 Assisi) experimented with symphonic music, electronic music and also religious music with a rock beat during his career. For cinema he wrote numerous soundtracks including the well-known ones from the Sabata trilogy of spaghetti westerns, for the cult horror film Antropophagus (1980) and the main score for the Italo-German science fiction film Mission Stardust (1967). For the present CD the mono master tapes (with the exception of two tracks in stereo) from the original recording session were used. The composer wrote an experimental electronic soundtrack with gloomy and dramatic passages as well as female voices for the satanic litanies and demonic sabbaths. The evil atmosphere is broken up by enjoyable pieces such as a samba and the recurring "Tema dell'ossessa", an extremely lyrical and sad motif. Edition of 300.
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LP
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JBH 078LP
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Trunk Records presents a reissue of Vernon Elliott's Clangers: The Original Television Soundtrack. Out of print since its original release on CD in 2001, a classic Trunk Records release gets a rare repress; this is naïve and pastoral space music at its very best. In 2001 Jonny Trunk started working with Oliver Postgate and his Smallfilms archive. The first music issued was the unreleased music from all 26 episodes of Clangers. To create the soundtrack, all music was originally "drawn" by Postgate -- sketched out in graphic form on the original scripts. This was then translated by his good friend and regular musical collaborator Elliott into the music we know and love. It was all recorded in a village hall in Kent in the late 1960s and released originally in 2001 by Jonny Trunk, garnering a mass of fine reviews including a full 5 stars from NME. Listening today, these recordings have lost none of their naivety and charm, and the Clangers soundtrack remains a seminal work of both TV and intergalactic musical history. Album produced by Jonny Trunk. Full color sleeve with notes included.
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2LP
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MOVATM 250LP
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"Roma is a 2018 drama film written and directed by Alfonso Cuaron, which is a semi-autobiographical take on Cuaron's upbringing in the Colonia Roma neighborhood of Mexico City. The music in the movie recreates the mood of Mexico City in the 1970s. 'It was mostly about choosing songs that were on the radio,' says music supervisor Lynn Fainchtein. She did research on the different music the Mexican radio stations were playing during the time in which the story of the movie takes place. English rock and pop music alternated with the typical Mexican music of the '70s, from performers like Jose Jose, Juan Gabriel, and Rigo Tovar. Fainchtein is known for her work on movies like Birdman and The Revenant. Roma earned multiple Academy Awards and Alfonso Cuaron won different awards for directing the movie (Golden Globe, Oscars). The soundtrack package contains a 4-page booklet. Features Leo Dan, Rocio Durcal, Juan Gabriel, Jose Jose, Rigo Tovar, Javier Solis, Christie, Yvonne Elliman, Orquesta Perez Prado, Trio Chicontepec, Los Socios Del Ritmo, Lupita D'alessio, Angelica Maria, Acapulco Tropical, and Elbert Moguel Moguel Y Los Strwck."
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LP
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RBL 069LP
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LP version. "Finally, Demons 2: Original Soundtrack is available. Definitive release of the iconic horror/gore movie directed by Lamberto Bava. Simon Boswell combines dark electronic prog grooves with violently smashing rock. The result is an epic musical score rich with analog synthesizers, guitars tense rhythms and Boswell's signature atmospheres. Welcome to the world of demons. Contains unreleased tracks and a remixed track by Motion Kapture. Special six panel digipack."
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LP
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FOX 001LP
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Alternative Fox present a reissue of Piero Umiliani's Il Paradiso Dell'uomo, originally released in 1963. Italian film composer Piero Umiliani enjoyed a long and illustrious career, creating nearly 200 film soundtracks, along with 40 music library LPs, and some 35 television themes. Born in Florence in 1926, he was first recognized internationally for his work on the soundtrack of 1958 crime caper I Soliti Ignoti (AKA Big Deal on Madonna Street, Persons Unknown or Le Pigeon), which featured noted jazz trumpeter, Chet Baker -- the first time, in fact, that jazz music had been used for an Italian comedy feature. Umiliani teamed with Baker again in 1961, along with Croatian-American jazz singer Helen Merrill, for the soundtrack of Smog, a drama about an Italian lawyer's unintended escapades in Los Angeles, and his work was later featured on American and British television shows, including The Muppets, the Benny Hill Show, and the Red Skelton Show. Il Paradiso Dell'uomo (AKA Man's Paradise), subtitled "Forbidden Japan", was a little-known documentary released in 1963 focusing on the roles assigned to women in the country, from the traditional pearl-fishing divers of the coast and urban factory workers to traditional dancers and the ambiguous world of geisha and striptease. This impossibly-rare soundtrack mixes eastern and western musical elements, veering from classical tropes to swing jazz, with Chinese singer Mei Lang Chang on a couple of tracks and singer/composer/musicologist Francesco Potenza leading the chorus on another. 180 gram vinyl.
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CD
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RBL 069CD
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"Finally, Demons 2: Original Soundtrack is available. Definitive release of the iconic horror/gore movie directed by Lamberto Bava. Simon Boswell combines dark electronic prog grooves with violently smashing rock. The result is an epic musical score rich with analog synthesizers, guitars tense rhythms and Boswell's signature atmospheres. Welcome to the world of demons. Contains unreleased tracks and a remixed track by Motion Kapture. Special six panel digipack."
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CD
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GDM 2110CD
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Hereby the expanded edition of the sought-after Italian soundtrack for Gomorrah, comprised of eight bonus tracks -- just released for Season 4 -- and composed by roman cult band Mokadelic. The original soundtrack of Gomorrah, the acclaimed Italian television crime drama inspired by Roberto Saviano's 2008 best-selling book Gomorrah. Gomorrah received unprecedented critical acclaim all over the world. The Guardian (UK) called it "The unmissable, ultimate mafia show" and German magazine Spiegel-Online says, "Forget the Sopranos, here they are the Savastanos!" The music from both seasons of Gomorrah is composed and performed by Mokadelic, a Rome based psychedelic-post-rock collective, specializing in music for film. The music of Mokadelic is influenced by the contemporary sounds of such names as Mogwai, Explosions in the Sky, and Godspeed You Black Emperor, without forgetting the lessons from the great Italian soundtrack composers of the sixties and seventies. The soundtrack has an eclectic sound palette that alternates from spacious, melancholic atmospheres to extremely dense climaxes. It's an emotionally intense musical narrative, deeply inspired by Gomorrah's haunting realism. Features Lucariello.
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CD
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PAN 089CD
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Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes, and myths, her stories soon turn ominous. Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton, and Will Worsley), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film's sound design, evokes it's claustrophobic atmospheres and moments of haunting beauty. The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right. Written and produced by Tujiko Noriko. Photography by Joji Koyama. Mastered by Rashad Becker at Dubplates & Mastering, Berlin.
"When we first decided to 'split' the film into what might be described as two parallel layers -- the narrated story and the visual story -- we found that it opened up an 'in-between' space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place... We both thought of the music of Kuro as a score to this space in-between." --Joji Koyama
"I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course, in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either -- I didn't want to get stuck by trying to be too specific." --Tujiko Noriko
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PAN 089LP
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LP version. Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes, and myths, her stories soon turn ominous. Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton, and Will Worsley), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film's sound design, evokes it's claustrophobic atmospheres and moments of haunting beauty. The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right. Written and produced by Tujiko Noriko. Photography by Joji Koyama. Mastered by Rashad Becker at Dubplates & Mastering, Berlin.
"When we first decided to 'split' the film into what might be described as two parallel layers -- the narrated story and the visual story -- we found that it opened up an 'in-between' space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place... We both thought of the music of Kuro as a score to this space in-between." --Joji Koyama
"I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course, in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either -- I didn't want to get stuck by trying to be too specific." --Tujiko Noriko
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DGST 039CD
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Digitmovies present a reissue of Piero Piccioni's original soundtrack for La Citta' Prigioniera, originally released in 1962. Piccioni, one of the colossal names of international film music, composed this symphonic OST in the early '60s where gloomy and tense passages frequently recur to perfectly describe the dramatic situation in Athens during the Second World War. The author alternates a melancholic love theme that timidly emerges to contrast with suspense music and exciting battle pieces, all enriched with Greek folk music. Originally C.A.M. released a vinyl LP containing fifteen tracks in mono and an EP single with two tracks in mono. In 1991, the same material was re-released for the first time on CD in the series C.A.M.'s Soundtrack Encyclopedia with audio filtered in Dolby Surround. For Digitmovies' CD, the label was able to use a first-generation master tape with the LP recording along with the mono master tapes from the original recording session, discovering almost forty minutes of previously unreleased material, all specially restored.
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LP
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LPDM 018LP
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LP version. At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digitally restored and remastered record, the label had access to the mono master tapes of the recording session which gave them the chance to discover some unreleased takes which we have assembled in a nearly eight-minute suite. In addition, a special bonus track features the very rare stereo-mixed version of the original 45rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in the opening credits in a pop key and with a little Bacharach flavor called "Can Be Done", sung by Rocky Roberts and accompanied by a children's choir. This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini and alternated with saloon as well as instrumental and choir folk music.
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CDDM 301CD
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At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digitally restored and remastered record, the label had access to the mono master tapes of the recording session which gave them the chance to discover some unreleased takes which we have assembled in a nearly eight-minute suite. In addition, a special bonus track features the very rare stereo-mixed version of the original 45rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in the opening credits in a pop key and with a little Bacharach flavor called "Can Be Done", sung by Rocky Roberts and accompanied by a children's choir. This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini and alternated with saloon as well as instrumental and choir folk music. This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western, and the music art of the Academy Award winner Luis Bacalov.
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12"
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12BACH 010EP
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A world premiere of AI-generated symphonic music -- all three audio files are compiled from two live recordings with different microphone settings. The cover image is generated by algorithms trained with the following image searches: migration, Mediterranean, boat, Libyan coast, EU. Different search engines were used. Land der Musik celebrated its world premiere on October 7th 2018 at steirischer herbst '18 -- volksfronten in Graz, Austria. Commissioned and produced by steirischer herbst in cooperation with ORF Musikprotokoll.
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LP
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JBH 077LP
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Out of print since 2001, a classic Trunk release gets a rare repress, the original soundtrack of Kes. This is pastoral British jazz film music at its very best. Includes sleeve notes by Jarvis Cocker. Kes by Ken Loach is one of the greatest British films of all time. It also has one of the finest soundtracks of the period. Put together by the incredibly talented John Cameron (the arranger for Donovan and great film score composer in his own right) this score sums up beautifully the freedom, innocence, and tragedy put across in the film. With a crack British jazz line-up, including flute legend Harold McNair, Ronnie Ross (bass clarinet), Tony Carr (drums), Danny Moss (clarinet), and David Snell (harp), this score not only appeals to the soundtrack collectors but also followers of the classic British jazz sound. Source material was the original John Cameron master, which had been slightly damaged at the front end, so there is a slight change in volume at the beginning of the LP. Nobody moaned back in 2001. Things might be different now. The score is only 19 minutes long and therefore fits perfectly onto a one-sided LP. Full color sleeve; Produced by Jonny Trunk.
"The sound of long-lost childhood... The smell of a damp school cloakroom, from an age when comics were still printed on newsprint... But this is more than just a product of the nostalgia industry -- put on this album and immediately you'll be soaring through the air, free of your earth shackles; for this is the sound of a human soul in flight. A beautiful daydream antidote to an all too real South Yorkshire nightmare. This is the real thing. This is beauty so fragile it hurts." --Jarvis Cocker
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LP
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RGM 827LP
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"One of the great Blaxploitation film scores of the '70s, finally back on vinyl where it belongs! This 1973 feature introduced one of the great characters in the whole genre, starring the indomitable, six-foot-two Tamara Dobson as Cleopatra Jones, a taller, hipper, and blacker James Bond. In this film, she thwarts a lesbian L.A. drug lord as played by Shelley Winters, all accompanied by the musical efforts of what is pretty much a '70s soul/jazz/funk dream team. On vocals, you had the leading male and female lights of the Spring label, the great Joe Simon (performing the hit title theme) and Millie Jackson. And on the instrumental side, jazz trombone giant J. J. Johnson (in collaboration with the underrated Carl Brandt of Mod Squad score fame). The result: a prime example of the symphonic funk that became the siren song for Blaxploitation soundtracks throughout the '70s. For its first domestic vinyl reissue, we've pressed up just 700 copies in red and blue starburst vinyl, with original artwork intact... oh so tasty!"
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LP
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SVVRCH 006LP
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Space Pirate Captain Harlock was originally a manga comic series created and illustrated by Leiji Matsumoto, which debuted in 1977. The comic was adapted into an anime television series in 1978 directed by Rintaro and produced by Toei Animation. The soundtrack to this series was composed by Seiji Yokoyama and is perhaps his best-known work. Symphonic and tense, the music perfectly complements the show, where Captain Harlock denies defeat and leads an outlaw crew aboard his starship Arcadia to undertake daring raids against Earth's oppressors during a low time for Earth's population, in the future of 2977 AD. A great and rare anime soundtrack, highly sought after by collectors both of anime and Japanese electronics/symphonic music.
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LP
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RBL 064-2LP
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"Rustblade presents Claudio Simonetti and his Goblin playing and reinterpreting the score of one of the most famous horror movies of all times to celebrate 40 years of the idolised film Dawn of the Dead directed by George Romero and produced by Dario Argento. The music that accompanies the movie is a mix of prog and electronic rock full of tension and magic tribalism. Piercing guitars, synth orchestration and virtualism give life to thousands of blood thirsty zombies. Limited colored lime vinyl plus gatefold poster."
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7"
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FKSP 016EP
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RSD 2019 release. When braving the oblique corners of Jean-Claude Vannier's vault, few lost souls cast a darker silhouette than the cinematic obscurity known only as La Bête Noire ("The Black Beast"). Lost and presumed missing for decades the soundtrack tapes to this lesser-known 1983 French thriller, captures the revered composer and arranger of Serge Gainsbourg's Histoire De Melody Nelson embarking on a darker exploration of free jazz, frenzied batucadas, and cyclic carousel psychedelia. Counting key players of the French jazz scene within its ranks, The Insolitudes group comprises a crack team of Palm/Futura/Actuel/Saravah regulars such as saxophonist Philippe Maté alongside drummer Bernard Labat (Mad Ducks), and legendary Arpadys/Voyage rhythm masters Marc Chantereau and Pierre-Alain Dahan (Brutus Drums) all of whom alongside Michel Zanlonghi (Ensemble De Percussion De Paris) make up this thunderous, tumultuous, four-headed rhythm machine bridging an authentic gap between the Jef Gilson groups and France's signature "cosmic" revolution.
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