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Search Result for Genre SOUNDTRACK
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CD
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DDJ 051CD
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$23.50
PREORDER
RELEASE DATE: 11/22/2019
L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini. CD version includes a 12-page booklet; liner notes and graphic layout by Daniele De Gemini.
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BCM 9587CD
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$23.50
PREORDER
RELEASE DATE: 11/22/2019
Beat Records presents for the first time on CD the complete edition of the soundtrack by Nino Oliviero and Bruno Nicolai from Il Pelo Nel Mondo (aka "Go, Go, Go World!"), a documentary directed in 1964 by Renato Marvi and Antonio Margheriti. A report on the most extreme customs in the most diverse corners of the world, the various episodes include -- in addition to some strip-teases -- visions of half-naked savages, documentation on the beheading of roosters, the slaughter of wild boars, the milking of Swiss cows, the sale of Chinese children in Hong Kong, prostitution and even some religious processions. This film is part of the famous trend of the "mondo movie". At the time, C.A.M. issued a 33rpm with 22 selections in mono; the same material was reissued in America by the Musicor Records label. For this release, Beat Records were able to use the master tapes of the mono recording session, which allowed us to discover 19 unreleased tracks. Throughout the 41 tracks, the listener will be immersed in fascinating sound dimensions that describe musically all the visual stimuli in the documentary.) This premiere "mondo" CD pays homage with great affection to the musical art of two titanic Italian musicians, the Maestros Nino Oliviero and Bruno Nicolai, and will certainly be welcome in every collection dedicated to high quality film music. This beautiful soundtrack will guide you around the world with almost seventy minutes of great, timeless music. Available packaged in a jewel case with a 12-page booklet designed by Daniele De Gemini with mastering and liner notes by Claudio Fuiano.
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GLAM 017CD
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$14.50
PREORDER
RELEASE DATE: 11/22/2019
Original music soundtrack from the film Far From The Apple Tree by Grant McPhee -- A psychedelic pop-art fairytale. Soundtrack composed by Rose McDowall and Shawn Pinchbeck. CD version and download code includes one extra track.
"Far From the Apple Tree is an eclectic mix of ghost story, fairy tale and horror. Evocative of films like Valerie and Her Week of Wonders and The Wicker Man and with a truly magical soundtrack by Rose McDowall (Strawberry Switchblade) and Shawn Pinchbeck make Far From The Apple Tree a must-see for fans of Redemption and ethereal thrills." --Salvation
"Rose and Shawn's soundtrack adds so much colour, mood, mystery and magic to our film that it would feel empty without it. I'm delighted that it is now being released on its own, and by Glass so that it can add those same qualities to anyone who picks up a copy for themselves. " --Grant McPhee
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2CD
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RBL 072CD
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$22.00
PREORDER
RELEASE DATE: 11/22/2019
"The original soundtrack for the cult film, Lucifer Rising, by Underground filmmaker Kenneth Anger. Composed by Bobby BeauSoleil who is joined in the performances by his prison band, The Freedom Orchestra, recorded 1975-1979 at Tracy Prison. The music of Lucifer Rising is closely linked with the occult elements with dark psychedelic mystical sounds. Bobby composed electronic sounds interspersed with interesting slow trumpet fanfares, keyboard wizardry and fine guitar solos. For sure one of influential soundtracks ever and one of the most important psychedelic ambient album of music history. Magical & essential. Artwork by Malleus. Limited edition digipack."
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DDJ 004DLX-LP
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$37.50
PREORDER
RELEASE DATE: 11/22/2019
LP version. 180 gram vinyl. L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini.
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RBL 072LP
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$32.00
PREORDER
RELEASE DATE: 11/22/2019
Limited edition LP version on red marble vinyl, housed in a gatefold sleeve with insert. "The original soundtrack for the cult film, Lucifer Rising, by Underground filmmaker Kenneth Anger. Composed by Bobby BeauSoleil who is joined in the performances by his prison band, The Freedom Orchestra, recorded 1975-1979 at Tracy Prison. The music of Lucifer Rising is closely linked with the occult elements with dark psychedelic mystical sounds. Bobby composed electronic sounds interspersed with interesting slow trumpet fanfares, keyboard wizardry and fine guitar solos. For sure one of influential soundtracks ever and one of the most important psychedelic ambient album of music history. Magical & essential. Artwork by Malleus."
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LP BOX
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RBL 072BOX
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$113.00
PREORDER
RELEASE DATE: 11/22/2019
Limited box edition. "Limited gold vinyl, limited picture vinyl with unreleased bonus material, CD, 2 postcards, two posters, gold pendant with bag, insert with liner notes by Bobby Beausoleil. Limited 149 copies."
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LP
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GLAM 017LP
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$23.50
PREORDER
RELEASE DATE: 11/22/2019
LP version. Includes download code. Original music soundtrack from the film Far From The Apple Tree by Grant McPhee -- A psychedelic pop-art fairytale. Soundtrack composed by Rose McDowall and Shawn Pinchbeck.
"Far From the Apple Tree is an eclectic mix of ghost story, fairy tale and horror. Evocative of films like Valerie and Her Week of Wonders and The Wicker Man and with a truly magical soundtrack by Rose McDowall (Strawberry Switchblade) and Shawn Pinchbeck make Far From The Apple Tree a must-see for fans of Redemption and ethereal thrills." --Salvation
"Rose and Shawn's soundtrack adds so much colour, mood, mystery and magic to our film that it would feel empty without it. I'm delighted that it is now being released on its own, and by Glass so that it can add those same qualities to anyone who picks up a copy for themselves. " --Grant McPhee
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LP
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ESC 107LP
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$23.50
PREORDER
RELEASE DATE: 11/8/2019
Never before released score for Nicolas Winding Refn's infamous movie Pusher II: With Blood on My Hands from 2004, composed by legendary Danish punkers Peter Peter (Sods) and Peter Kyed. Refn's three Pusher films endure as the most important Danish gangster films ever made. They revealed a gruesome, desperate national underbelly that had not been depicted on screen before, and they single-handedly anticipated the dark aesthetics of so-called "Nordic Noir" that took over the world in the two decades that followed. The films launched the international career of Mads Mikkelsen, unrecognizable in the early role of skinhead thug Tonny. The films are driven by a jagged, schizophrenic tempo, anxious atmosphere, and explosions of catharsis, a vibe Refn engineered with the close collaboration of Peter Peter and Peter Kyed. The audio and the visuals are inseparable. Since late '70s, Peter Peter casts a long shadow over the Danish punk underground, embracing the aesthetics and possibilities opened up by that period, from post-punk to goth, noise, art rock and free jazz. Peter's invigorating, almost optimistic attitude about the possibilities of sonic violence is a crucial early influence on Refn, and Peter Peters group Bleeder even inspired the title of Refn's movie by that same name. In Pusher II, eerie ambience and violent outburst of heavy synth follow the cascading drums and uncompromising guitar riff of the memorable theme as Tonny (Mads Mikkelsen) adjusts to life on the outside. Driving rock sketches describe a race through chaos, and the clash between instinct and morality. Solid red vinyl.
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LP
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LPDM 021LP
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LP version, first time pressing on 180 gram vinyl. Digitmovies is pleased to reissue, the OST by Carlo Savina for spy film Suicide Mission To Singapore (1966) (original title Goldsnake Anonima Killers). For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir. The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film's protagonist, performs the romantic piece "Crazy", which also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. The mono master tapes of the recording session were used for the remaster.
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CD
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CDDM 302CD
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$22.00
PREORDER
RELEASE DATE: 11/8/2019
Digitmovies is pleased to reissue, the OST by Carlo Savina for spy film Suicide Mission To Singapore (1966) (original title Goldsnake Anonima Killers). For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir. The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film's protagonist, performs the romantic piece "Crazy", which also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. The mono master tapes of the recording session were used for the remaster. LP version is the first time on vinyl; 180 gram pressing.
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CD
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DGST 044CD
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$22.00
PREORDER
RELEASE DATE: 11/8/2019
Digitmovies presents a complete CD edition of Riz Ortolani's OST for the film Make Love, Not War (aka Non Faccio La Guerra, Faccio L'amore) (1966). Ortolani composed a pleasant symphonic OST dominated by a romantic main theme. It's introduced with horns and performed by trumpet and orchestra in the opening credits, and then reprised throughout the soundtrack in a series of captivating variations. The motif is alternated with romantic moods, suspense pieces, jazz and folk music, the brilliant Latin theme for billionaire Don Getullio, and a wild shake. Originally C.A.M. had only released a 45 rpm single with two mono tracks. For this CD, the masters from the original recording session -- which was entirely in stereo -- were used.
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12"
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SONOR 014EP
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The legendary hip-hop/dusty fingers heavy tune "Col Fiato In Gola" by maestro Filippo Trecca, originally released in 1978 for the Giallo TV mini-series Diario Di Giudice, directed by Dante Troisi. Sampled by tons of artists, this track represents a true holy grail for Italian TV-soundtracks music lovers and DJs with a totally mental down-tempo hip-hop beat played in a heavy funk key with just everything you could dream about: sleazy and punishing drum patterns, huge and ceaseless string cuts, heavy Giallo orchestration, meandering flutes, and a groovy and totally killer mood. Features versions by Kush and L.U.C.A..
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LP
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SME 060LP
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Sonor Music Editions reissue of a previously unreleased soundtrack for the obscure drama movie Seduzione Coniugale from 1974, directed by Daniele Franco. Originally published by CAM label with just two tracks recorded on a scarce 45, Sonor Music Editions was able to restore the music from the original CAM archive tapes to offer a proper vinyl edition that this beautiful score absolutely deserves. Maestro and orchestra director Giancarlo Gazzani -- the great musician and arranger behind several Italian grails like Feelings (1986) and more killer Library recordings from Costanza Records -- composed an enchanting and unmissable OST with loads of refined Morricone-esque orchestral arrangements, insane groovy beats, and Nuova Consonanza-inspired avant-garde music. The whole soundtrack is great with a huge strings orchestra that swings between sweet and flirtatious bossa nova themes and mental sounding experimentation with a driving drums kit.
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LP
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ESC 108LP
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$23.50
PREORDER
RELEASE DATE: 11/8/2019
Never before released score for Nicolas Winding Refn's infamous movie Pusher 3: I'm The Angel of Death from 2005, composed by legendary Danish punkers Peter Peter (Sods) and Peter Kyed. Refn's three Pusher films endure as the most important Danish gangster films ever made. They revealed a gruesome, desperate national underbelly that had not been depicted on screen before, and they single-handedly anticipated the dark aesthetics of so-called "Nordic Noir" that took over the world in the two decades that followed. The films launched the international career of Mads Mikkelsen, unrecognizable in the early role of skinhead thug Tonny. The films are driven by a jagged, schizophrenic tempo, anxious atmosphere, and explosions of catharsis, a vibe Refn engineered with the close collaboration of Peter Peter and Peter Kyed. The audio and the visuals are inseparable. Since late '70s, Peter Peter casts a long shadow over the Danish punk underground, embracing the aesthetics and possibilities opened up by that period, from post-punk to goth, noise, art rock and free jazz. Peter's invigorating, almost optimistic attitude about the possibilities of sonic violence is a crucial early influence on Refn, and Peter Peters group Bleeder even inspired the title of Refn's movie by that same name. In Pusher 3, guitar noise, pulses of static, and ghostly piano figures tail the terrorizing stress of Milo (Zlatko Burić) through the film. Crystalline synth soundscapes offer temporary, untrustworthy relief, a nauseous kind of peace. The soundtrack is a sonic companion to heroin relapses, birthday party preparations and the carving up of rivals. Solid purple vinyl.
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LP
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TRANSVERS 013LP
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Transversales Disques present the first LP reissue of Défense De Savoir (L'uomo A Destra Basso Nella Fotografia) original soundtrack written by Italian composer Bruno Nicolai. During the Giallo boom of the early '70s, a lot of French film directors started working with maestro Ennio Morricone. French director Nadine Trintignant decided to hire the maestro's musical orchestrator and collaborator Bruno Nicolai to compose the score of her fourth movie, a political thriller released in 1973 starring her husband Jean-Louis Trintigant. Recorded at Morricone's Ortophonic studio in Rome, this OST is undoubtedly the most underrated Bruno Nicolai's soundtrack, probably because it was only released in France at the time. Presented here with previously unreleased tracks as an alternative to the rare original French pressing. Remastered from the original master tapes.
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LP
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MOVATM 110LP
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$29.00
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RELEASE DATE: 10/18/2019
"Ennio Morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late '50s. The Legend of 1900 (Italian: La leggenda del pianista sull'oceano, The Legend of the Pianist on the Ocean) is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince and Melanie Thierry. The film is inspired by Novecento, a monologue by Alessandro Baricco. The Legend Of 1900 was nominated for a variety of awards worldwide, winning several for its soundtrack. Throughout his career Morricone received an unprecedented amount of awards, including Grammys, Golden Globes and BAFTAs. Ennio Morricone has influenced many artists including Danger Mouse, Dire Straits, Muse, Metallica, Radiohead, Hans Zimmer and many more. Edition of 1000 numbered copies on transparent blue 180 gram vinyl, includes insert."
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LP
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RBL 048-3LP
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"Deluxe and definitive release of the iconic horror film soundtrack firmed by Claudio Simonetti for the horror/gore movie Demons by Dario Argento and Lamberto Bava. The lower tones as the main characters move through the dark theater give a distinctly 'creepy' air to the movie. A distinctly frightening melody characterizes the 'transformation' sequences as the 2nd prostitute slowly becomes a demon. The same melody appears throughout the film in different places. Limited edition 499 copies gatefold cover + poster + metropol ticket + colored marble vinyl."
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LP
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RBL 069-2LP
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"Finally, Demons 2 soundtrack is Available. Definitive release of the Iconic Horror Movie directed by Lamberto Bava and produced by Dario Argento Simon Boswell combines dark electronic prog grooves with violently smashing rock. The result is an epic musical score rich with analog synthesizers, guitars, tense rhythms and Boswell's signature atmospheres. Welcome to the world of demons. Contains unreleased tracks and a remixed track by Motion Kapture."
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CD
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PAN 098CD
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$16.50
PREORDER
RELEASE DATE: 9/27/2019
Deriving from the acclaimed performance and exhibition -- staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation -- the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event. Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organizing the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. The album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy. Faust is anchored around three pieces -- "Medusa's Song", "O.W.E.N.", and "Queen Song" -- written and sung by performers Eliza Douglas and Franziska Aigner. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act -- the brutal chorus of Douglas' "Faust's Last Song", a pulsing canon of looped and layered voice pierced by black metal screams -- the record admits the listener into the inner space of Imhof's dramatic vision of power, complicity, and vulnerability. Faust shifts hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity. The release of Faust illustrates the centrality of music to Imhof's artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof's Angst (2016) and recently her performance trilogy Sex (2019). Includes expansive booklet of photography by Nadine Fraczkowski. Mixed by Nanni Johansson at Hansa Studios and Ville Haimala; mastered by Rashad Becker at Dubplates & Mastering. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin/Cologne/New York.
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LP
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CSR 272LP
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Cold Spring Records announce the first ever official physical release of the soundtrack to Lars Von Trier's controversial film Antichrist, originally released in 2009. Ten years after the film's initial release, the extreme, provocative performances from Willem Dafoe and Charlotte Gainsbourg in Antichrist still have the power to shock, repulse, and divide. The sound design by Kristian Eidnes Andersen with Lars Von Trier was composed using only natural sounds and samples (including internal body recordings). Each element was recorded specifically for the film and overseen by Von Trier, including a brand new, somber performance of Händel's "Lascia Ch'io Pianga", recorded in Kastelskirken church in Copenhagen, 2009. Pressed onto heavyweight 180 gram vinyl with an etched B-side; housed in a heavy 350gsm full-color sleeve featuring the original theatrical release artwork, approved by the director.
Award-winning Danish composer Kristian Eidnes Andersen has produced music and sound design for films, television, and documentaries for 30 years, notably working with Lars Von Trier on the films Antichrist, The House That Jack Built (2018), Dancer In The Dark (2000), Melancholia (2011), and Nymphomaniac (Vol I & II) (2013).
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2LP
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PAN 098LP
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$27.50
PREORDER
RELEASE DATE: 9/27/2019
Double LP version. Deriving from the acclaimed performance and exhibition -- staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation -- the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event. Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organizing the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. The album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy. Faust is anchored around three pieces -- "Medusa's Song", "O.W.E.N.", and "Queen Song" -- written and sung by performers Eliza Douglas and Franziska Aigner. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act -- the brutal chorus of Douglas' "Faust's Last Song", a pulsing canon of looped and layered voice pierced by black metal screams -- the record admits the listener into the inner space of Imhof's dramatic vision of power, complicity, and vulnerability. Faust shifts hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity. The release of Faust illustrates the centrality of music to Imhof's artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof's Angst (2016) and recently her performance trilogy Sex (2019). Includes expansive booklet of photography by Nadine Fraczkowski. Mixed by Nanni Johansson at Hansa Studios and Ville Haimala; mastered by Rashad Becker at Dubplates & Mastering. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin/Cologne/New York.
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LP
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LR 001LP
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$46.50
PREORDER
RELEASE DATE: 8/30/2019
Collector's first-ever LP release famous Japanese composer Taro Iwashirô's original soundtrack of the thriller masterpiece Memories Of Murder, (2004), directed by Boong Joon Ho (Parasite, 2018). The first and exclusive LP release for the soundtrack of Memories Of Murder, the film that changed modern thrillers forever and revealed acclaimed director Bong Joon Ho, winner of the 2018 Cannes Palme d'Or with Parasite. Composed by Taro Iwashiro, talented Japanese composer of 60 original soundtracks, including epic scores for John Woo's Red Cliff (2008) and major video game Onimusha 2 (2002). Score entirely remastered by Sean Magee at Abbey Road Studios, at 45rpm to ensure exceptional sound quality. Comes in gatefold sleeve; Sleeve designed by All City Media (designers of Nicolas Windin Refn's platform ByNWR.com); Printed inner sleeves with stills form the movie. Pressed at Pallas; edition of 1000.
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CD
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WM 009CD
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The original score music by Alexandre Desplat for the film Every Thing Will Be Fine by Wim Wenders, originally released in 2015. Together with the Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Alexandre Desplat recorded the score music for Wim Wenders's last feature film in February 2015. It is a unique orchestral work, conveying the emotional journey of the film's protagonists. The perfectly arranged motifs and themes of the recordings gives the listener the opportunity to feel that journey and see images with closed eyes. Even if you had not seen the film, the subtle arrangement of the music and the orchestra's superb performance makes the score's music a unique experience. The 20 instrumental tracks are a true work of contemporary classical film music. Either for classic aficionados or background music, this album has it all -- written, composed, and performed by some of the best artists in their field today. The soundtrack compiles 20 tracks with all themes from the film. The film was premiered at Berlinale (Berlin Film Festival) in February 2015.
Fascinated by both music and film, French composer Alexandre Desplat decided to pursue a career as a composer of movie scores. Starting with Ki Lo Sa? in 1985, his scores for television and film had reached a total of 100 by 2007. In these works, he developed a contemplative style that did not attempt to respond on a point-by-point basis to the action onscreen, but rather set its own complementary mood. He began to attract attention in the US with The Luzhin Defence in 2000, which had a soundtrack album released in America by Silva Screen Records. His music for Girl with a Pearl Earring (2003) earned a Golden Globe nomination, and with that recognition he began to work increasingly on English-language films distributed by the Hollywood studios, including Birth (2004), The Upside of Anger (2005), Hostage (2005), Casanova (2005), Syriana (2005) (also nominated for a Golden Globe), Firewall (2006), and The Painted Veil (2006) (a Golden Globe Award winner), all of which produced soundtrack albums. The Queen (2006) earned him his first Academy Award nomination. As of today, Desplat composed score music to more than 150 films and received an Oscar for the Original Score to The Grand Budapest Hotel (2014). The soundtrack of The King's Speech reached #15 of the US Billboard Charts in 2011.
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LP
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FOX 010LP
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Alternative Fox present a reissue of Piero Umiliani and Chet Baker's original soundtrack for Smog, originally released in 1962. As noted for the label's Il Paradiso Dell'uomo (FOX 001LP) soundtrack release, Italian film composer Piero Umiliani was responsible for over 200 original motion picture soundtracks during his long and varied career, creating 35 television theme songs and 40 music library albums. Born in Florence in 1926, he began to receive international recognition in 1958 for his work on the soundtrack of the comedic crime film I Soliti Ignoti (also known as Persons Unknown, Le Pigeon or Big Deal on Madonna Street, depending on the territory), which featured the contribution of jazz trumpeter and actor Chet Baker, an alumnus of Stan Getz, Charlie Parker, and Gerry Mulligan's bands that enjoyed a successful solo career, both in the US and in Europe, despite longstanding issues with heroin addiction. In 1961, Umiliani and Baker joined forces again for the soundtrack of the film Smog, a complicated courtroom drama about an Italian lawyer's travels to Los Angeles, which resulted in all manner of unexpected escapades. Baker features prominently on the moody theme song, the unexpected swing of "Thinkin' Blues", the terse melody of the aptly-titled "Tension", the lingering moodiness of "Alone In A Crowd" and the intense edginess of "Twilight At Los Angeles"; Helen Merrill contributes an alternate reading of the theme song in vocal form and a sultry number called "Dawn". The remainder is pure Umiliani, mostly in the form of heavily-orchestrated big-band jazz, fitting music for a silver-screen venture.
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