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Search Result for Genre SOUNDTRACK
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CD
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SR 494CD
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$15.50
PREORDER
RELEASE DATE: 2/28/2020
Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was entirely improvised while watching the movie's rushes. On those sessions that took place between Mikrokosm recording studios in Lyon and Magnum Diva home studio in Paris, you find Oiseaux-Tempête's quartet core team: Frédéric D. Oberland, Stéphane Pigneul, Mondkopf, and Jean-Michel Pirès (Bruit Noir). Fully instrumental, including extended versions, and unreleased tracks, this immersive film score is also their most electronic album to date. "S, a young Tunisian soldier, has been told that his mother has died, and is given a week's leave. Instead of returning to his military base, he starts to drift and locking himself away in his parents' house. This passive form of desertion culminates in a manhunt through the outskirts of the city. In the second part of this hypnotic diptych, a young woman, F, is also fleeing an oppressive situation. Married to a rich man and pining away in a luxury solitude she decides to flee the golden cage and disappears into the nearby woods. Eventually the two characters will meet inside the strange forest." In his second feature, director Ala Eddine Slim presents an intriguing juxtaposition of raw realism with a hypnotic allegory of contemporary Tunisia, held together by an intense, powerful, and grating soundtrack. Regularly pairing with cinema and photography since their debut, Oiseaux-Tempête also accompanied the work of video/filmmakers As Human Pattern (KHAMSIN, best documentary at Torino Film Festival), Hinde Boujemaa (Noura's Dream, Golden Tanit & Best Actress prizes at JCC Carthage), Léa Fehner (Les Ogres, best film at Cabourg Film Festival), Stéphane Charpentier (The Divided Line, Athens French Institute), Karel Doing (Palindrome Series, International Film Festival Rotterdam), Clément Cogitore (Braguino exhibition at Le BAL), and the Temps Zero live screenings (in Berlin, Paris, Toulouse with photographers Michael Ackerman, Gaël Bonnefon, Adam Cohen, Damien Daufresne, Alisa Resnik, Gilles Roudière, Yusuf Sevincli...)
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LP
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SR 494LP
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$15.50
PREORDER
RELEASE DATE: 2/28/2020
LP version. Orange vinyl; includes poster. Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was entirely improvised while watching the movie's rushes. On those sessions that took place between Mikrokosm recording studios in Lyon and Magnum Diva home studio in Paris, you find Oiseaux-Tempête's quartet core team: Frédéric D. Oberland, Stéphane Pigneul, Mondkopf, and Jean-Michel Pirès (Bruit Noir). Fully instrumental, including extended versions, and unreleased tracks, this immersive film score is also their most electronic album to date. "S, a young Tunisian soldier, has been told that his mother has died, and is given a week's leave. Instead of returning to his military base, he starts to drift and locking himself away in his parents' house. This passive form of desertion culminates in a manhunt through the outskirts of the city. In the second part of this hypnotic diptych, a young woman, F, is also fleeing an oppressive situation. Married to a rich man and pining away in a luxury solitude she decides to flee the golden cage and disappears into the nearby woods. Eventually the two characters will meet inside the strange forest." In his second feature, director Ala Eddine Slim presents an intriguing juxtaposition of raw realism with a hypnotic allegory of contemporary Tunisia, held together by an intense, powerful, and grating soundtrack. Regularly pairing with cinema and photography since their debut, Oiseaux-Tempête also accompanied the work of video/filmmakers As Human Pattern (KHAMSIN, best documentary at Torino Film Festival), Hinde Boujemaa (Noura's Dream, Golden Tanit & Best Actress prizes at JCC Carthage), Léa Fehner (Les Ogres, best film at Cabourg Film Festival), Stéphane Charpentier (The Divided Line, Athens French Institute), Karel Doing (Palindrome Series, International Film Festival Rotterdam), Clément Cogitore (Braguino exhibition at Le BAL), and the Temps Zero live screenings (in Berlin, Paris, Toulouse with photographers Michael Ackerman, Gaël Bonnefon, Adam Cohen, Damien Daufresne, Alisa Resnik, Gilles Roudière, Yusuf Sevincli...)
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2LP
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MOVATM 184LP
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$39.00
PREORDER
RELEASE DATE: 2/14/2020
"Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them. The film received critical acclaim. Critics praised in particular Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction and the screenplay. Call Me By Your Name won a variety of Awards, including Academy, Bafta, GLAAD and many more. Sufjan Stevens's song 'Mystery of Love' was nominated for the Academy Award for Best Original Song at the 90th Academy Awards. Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces in order to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and 'the kind of canon they would be a part of'. Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: 'Visions of Gideon', which was used at the end of the film, 'Mystery of Love,' which was featured in the film's first trailer and a new rendition of 'Futile Devices' with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film. The vinyl package of Call Me By Your Name includes a poster, an insert and the 180 gram records are housed in 2 exclusive printed innersleeves. This is a limited edition of 10,000 individually numbered copies on transparent red vinyl, to celebrate the release of Find Me, André Aciman's brand new novel and sequel of Call Me By Your Name. The heavyweight jacket has a deluxe varnish on the title and special "linen-look" finish. The album is housed in a customized PVC jacket with 'Somewhere In Northern Italy' engraved on the back."
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7"
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FKSP 004EP
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$14.00
PREORDER
RELEASE DATE: 2/14/2020
This long-lost Parisian skin flick Jeunes Filles Impudiques (aka, Schoolgirl Hitchhikers) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion. From a director with early links with the Paris underground, the Letterists, the surrealists, improv theatre, and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments -- but let's not confuse this for high-art. Finders Keepers make no bones, this is Jean Rollin's maiden voyage into adult entertainment, Directed under the pseudonym of Miche Gentil with a flimsy plot, questionable acting skills and an awesome little schizophrenic soundtrack. The Brutus Drums percussion workout, the acidic folk pastoral movements, the Cul-De-Sac-esque jazz theme and the UK library sound-alike tile-tune all make up this five track veritable banquet of Gallic sleaze and second-class sound providing fans of cult cinema and b-music with an unexpected glimpse into the No-No generation at its most candid. The interests of good taste have ensured that this long-lost movie has been buried for some 40 odd years with a musical score bursting to jump out of the can and down your tone arm which has now been made possible by a recently renovated negative print and new source material. These original Pierre-Raph (of Requiem For A Vampire infamy) compositions from the publishing Library of Paris' Musicale Editions Dellamarre (of Acanthus/Unity fame) come straight from Rollin himself as an introduction to Finders Keepers' new Rollinade series documenting some of the finest musical moments of the director's career as an avant-gardener, counter-culture vulture and Gallic vamp-tramp all housed in their original hand-painted promotional artwork for the first time ever on vinyl.
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CD/BOOK
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CY 001CD
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$47.50
PREORDER
RELEASE DATE: 2/14/2020
Song Cycle Records announce the release of Solaris. Sound And Vision: The Film Album, in collaboration with the Andrey Tarkovsky Institute. A collector's edition book that includes the exclusive photo book with unreleased images of the movie set and essays about music and cinema of the duo Andrey Artemiev and Edward Tarkovsky, and the soundtrack on CD realized by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). List of contents: Dialogue with Andrey Tarkovsky about science-fiction on the screen by Naum Abramov; Interview with Edward Artemiev; Music in Solaris and other Andrey Tarkovsky films by Roberto Calabretta; Exclusive and unreleased images from Solaris. Deluxe photo-book (hard-cover); 30x30cm, 96 pp, 73 photos, 7 illustrations; limited edition of 1000.
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LP
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FKR 102LP
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$25.00
PREORDER
RELEASE DATE: 2/7/2020
From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synth-ridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona's daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids' affections through the 1980s as Finders Keepers present J. M. Pagan's lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend). From the same intergalactic phenomenon that brought such delights as Turkey's exploito cash-in "Badi" or South Africa's lo-rent homage "Nukie", and the same craze which filled international airwaves with the likes of Extra T's electro smash single "E.T. Boogie" or the million selling Columbian "Cumbia De E.T. El Extraterrestre" smash hit. In 1982, the diaspora from Steven Spielberg's small fictional mid-American neighborhood that played host to everyone's favorite torch-fingered, three-toed, Skittle-scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand/short-supply play-off in which bootleggers, copyists, and counterfeiters rose to the challenge like never before. When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezed-out, Mac & Me, ALF, and The Purple People Eater a team of kid's TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. "tributes" to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, Kiu has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts. The bulk of this LP is made up of tracks taken from the rare full-length album which was released after the TV program had aired, coinciding with sales of jigsaws and rubberized play figures in an attempt to catch-up with the unexpected mega-success of the show. Needless to say, with a short promotional window, the LP (and cassette edition) did not benefit a repress and most copies were unfortunately sold to children.
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LP
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RED 261LP
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$28.50
PREORDER
RELEASE DATE: 2/7/2020
First vinyl reissue of this true gem from the "cocktail generation" soundtracks! The great Armando Trovajoli, an exceptional composer and the one who brought American jazz to the Italian cinema, with his experienced touch, elegant phrasing and irony curry the listener over this incredible sound experience supported by the mighty vocal band, I Cantori Moderni of Alessandro Alessandroni. Bossa jazz vibes for this truly magnificent score for this Italian crime comedy movie, sequel of the famous The Seven Gold Men (1965) here presented in audiophile quality. 45RPM; Color vinyl; edition of 500.
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LP
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RED 260LP
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$28.50
PREORDER
RELEASE DATE: 2/7/2020
End Of The Game (aka Il Giudice e il suo Boia) finally on vinyl for the first time. One of the most wanted and mysterious scores by the maestro Ennio Morricone. With the help of the magical voice of Edda Dell'Orso (Sul Ponte di Istambul) this score follows the steps of the most famous soundtrack composed by the maestro combining melancholic melodies with wild funky tunes, such as the brilliant "Shake del Giudice". End Of The Game (aka Il Giudice e il suo Boia, aka Assassinio sul Ponte, aka Der Richter und Sein Henker) was a 1975 cult noir movie starring the great John Voigt and Jacqueline Bisset. Color vinyl; edition of 500.
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CD
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HELLEX 001CD
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$15.50
PREORDER
RELEASE DATE: 1/31/2020
The self-titled original soundtrack from the much-hyped Berlin-based movie Yung (2018). Music supervision by DJ Hell. First release on the brand-new DJ Hell label, The Hell Experience. Features DJ Hell, Tyrell, MCNZI, Fango, Abblou, YUNG, Malakoff Kowalski, and Vegas by Night.
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LP
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WRWTFWW 037LP
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$26.50
PREORDER
RELEASE DATE: 1/31/2020
WRWTFWW Records announce the first ever vinyl release of Tom Raybould's award-winning movie soundtrack for excellent AI-themed sci-fi thriller The Machine (2013). Undoubtedly one of the greatest (and most overlooked) movie scores of the 2010s, The Machine finds its influences in the works of John Carpenter, Vangelis, Brad Fiedel, and Tangerine Dream, but presents its own unique twist, one that cleverly evokes the thin line between man and machine that haunts the whole film. Cold and tenacious rhythms suggest mechanical killer instincts, brooding synths crystallize the fear of an AI-controlled future, but the warm and gentle sounds of guitar and piano ease the tension and bring hope of humanity. From its menacing introduction to its tender ending, Tom Raybould's masterwork ingenuously blends ambient, electronic, neoclassical, and synth wave to recontextualize and upgrade the classic '80s sci-fi movie score template, holding its own against mammoth soundtracks like Blade Runner (1982) or The Terminator (1984). Truly. Cold with a touch of humanity like the perfect machine, Tom Raybould's movie score won the BAFTA Cymru award for Best Original Music in 2013. LP housed in a glow-in-the-dark sleeve. "Tom Raybould's Music For The Machine Is Amazing" --Bloody Disgusting
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CD
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BCM 9585CD
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I Ladri Della Notte (aka "Les voleurs de la nuit" -- "Thieves After Dark") is a 1984 drama directed by Samuel Fuller and starring Véronique Jannot, Bobby Di Cicco, Victor Lanoux , Stéphane Audran, Camille de Casabianca, Micheline Presle, Claude Chabrol, Samuel Fuller, Samantha Fuller. Ennio Morricone wrote a perfect score to describe all the dramatic loneliness of the two protagonists linked not only by a feeling of love, but also by their criminal acts. Dark and mysterious atmospheres alternate with romantic passages for piano and orchestra, piano and flute with a classic flavor, oriental atmosphere and a dramatic theme with funky bass. Morricone wrote one of his most beautiful themes for this film, a poignant romance of ancient taste for the two lovers. At the time, General Music pressed a 33rpm which contained eleven selections. In 1997, the same material was reissued in Japan for the first time on CD by Soundtrack Listeners Communications Inc., and in Spain in 2002 by Saimel Bandas Sonoras featuring nine additional tracks approved by the composer, alternating with those of the 1984 album. Beat Records now re-release the same expanded material but including first the tracks in the 33rpm sequence followed by the bonus tracks from the stereo session, for a different listening experience. Available packaged in a jewel case with a 12-page booklet. Designed by Daniele De Gemini. Mastering and liner notes by Claudio Fuiano.
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CD
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CFS 004CD
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Beat Records present the soundtrack for La Chiave, a film by Tinto Brass, presented for the first time on CD from first-generation stereo album master tapes vaulted in Cabum archives in pristine conditions. Music composed, orchestrated, and conducted by Ennio Morricone. La Chiave (aka The Key, La clè, Der Schlüssel) is an erotic movie directed by Tinto Brass in 1983. The story of the film takes place in Venice during the fascist era on the eve of the declaration of the Second World War. It is the story of an elderly English professor, director of the Art Biennale, and his young wife Teresa. In 1983, the Triple Time Music label issued a 33rpm album with ten selections assembled by the composer himself. The same material was reissued on a French 33rpm album and on a German 33rpm album. For this world premiere CD reissue, Beat Records have remastered the first-generation stereo master tapes vaulted in Cabum archives and used for the 1983 Italian vinyl. For Ennio Morricone fans around the world, it'll surely be a welcome addition, especially considering that La Chiave is one of the very few scores by Ennio Morricone that was not yet available in CD format. The album opens with a grotesque slow waltz reprising Strauss's "The Blue Danube Waltz", given a very personal arrangement in "Da Vienna A Vienna (1a versione)" and reprised in "Da Vienna A Vienna (2a versione)", and "Quattro Frammenti Per Orchestra Da Camera". For "Funebre E Pomposo",' the composer has written a very dramatic orchestral piece for a funeral. The classic side of Ennio Morricone is present in "Due Variazioni Da Un Tema Sereno", where the Baroque approach represents Venice. A happy theme with a prominent flute and waltz tempo describes the quieter moments of the plot in "Citazione Da Un Vecchio Valzer", and there's a can-can with funny tonalities typical of the Petri and Tornatore movies in "Mini Can Can Grottesco". A string quartet slowly describes the sensuality of the protagonist in "Tre Frammenti Per Quattro D'archi", and a psychological feeling of sadness and anxiety is evoked by the seemingly quiet piece "Malessere". The piece "Lei Pensata Da Lui", with a Baroque flavor alternating between folk and pop, cheerfully closes the disc. La Chiave is the second release in a series aiming to reevaluate the classic Cabum OST catalog. Graphic design by Claudio Fuiano and Daniele De Gemini. Remastering by Claudio Fuiano.
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CD
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CDCR 141CD
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$23.50
PREORDER
RELEASE DATE: 1/24/2020
In 2019, Francesco de Masi's music has been given important tributes, among which being chosen for Quentin Tarantino's movie, Once Upon A Time In Hollywood, making available once again a score which has been out of stock for some time, Il Segno Del Coyote. The movie was released in 1963 and directed by Mario Caiano, another artist very dear to Beat Records and the subject of a video included on the label's CD release of the wonderful score for Napoli Spara, created by Filippo de Masi and Daniele De Gemini, who filmed and interviewed the aging director at his mansion. The music by Maestro de Masi, already available on a double-bill with the score of C'e' Sartana, Vendi La Pistola E Comprati La Bara!, represents the first Italian score for a Western movie, still without the trademarks that would define the genre from the following year. Instead, the music composed by the maestro was a wink to the Hollywood productions of the day, written in his typical symphonic style. Now available integrally in Beat Records' classic CDCR series featuring a lot of unreleased music. Graphic layout by Daniele De Gemini. Mastering by Enrico De Gemini. Liner notes by Filippo de Masi and English edit by Josh Mitchell. Includes 12-page booklet.
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SHUKAI 002LP
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Shukai present their second release, music for the animated television film Alice Through the Looking Glass, never before released. The music was recorded in 1981 and the film was broadcasted on Soviet television in 1982. Alice Through The Looking Glass, created by Kyivnauchfilm studio and directed by Efim Pruzhansky, was a color animated film based on the novel by Lewis Carroll. Volodymyr Bysrtiakov is a Soviet analog to the French Vladimir Cosma or Italian Ennio Morricone. He was a great soundtrack composer whose most active years were in the '80 and '90s when he worked at the Kyivnauchfilm studio, whose audio department was like the British BBC Radiophonic Workshop at the time. The soundtrack for the animated film Alice Through The Looking Glass was an attempt to create a psychedelic electroacoustic piece with a Victorian flavor. The film animation style is similar to Terry Gilliam's Monty Python cartoon clips. Gatefold sleeve; Obi; Edition of 300.
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3CD BOX
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FBS 004CD
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Gates of Hell Trilogy is Beat Records' tribute to the popular apocryphal trilogy directed by horror cinema legend Lucio Fulci in the early '80s, three movies that marked the evolution of the director's style over just two years. Starting with Paura Nella Citta' Dei Morti Viventi (1980), going through E Tu Vivrai Nel Terrore... L'aldila'! (1981), and ending with Quella Villa Accanto Al Cimitero (1981), all three featured the beautiful and skilled Catriona MacColl -- British actress with delicate and expressive features -- and plots dominated by a diabolic exotericism that always closed its infernal stories with all but cathartic epilogues. The scores by Fabio Frizzi (for the first two movies) and Walter Rizzati (for the last one) became part of the cinematic memory of these movies, with timeless sonorities much loved by fans of the films. At the dawn of the 40th anniversary of the first movie of the trilogy, Beat Records makes an iconic homage to these scores by releasing them for the first time together, officially validating the link between these films. The dedication, which we imagine would be appreciated by great Lucio, is in the cover art featuring the films' three evil protagonists, Father William Thomas (Paura Nella Citta' Dei Morti Viventi), Schweick (E Tu Vivrai Nel Terrore... L'aldila'!), and Dr. Freudstein (Quella Villa Accanto Al Cimitero), magisterially painted by English artist Graham Humphreys. The 40-page booklet -- richly illustrated and featuring liner notes by Antonella Fulci, the director's daughter -- is the Eibon sigil on this luxurious edition, a must-have for all lovers of good film music. Hard paper box; 40-page booklet.
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LP
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DDJ 005DLXLTDLP
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LP version. Limited edition. 180 gram, color vinyl; printed inner sleeve; edition of 100. Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia.
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CD
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DGST 046CD
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$22.00
PREORDER
RELEASE DATE: 1/17/2020
Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Gegè Bellavita (aka "Genarino, hombre objeto femenino") for the absolute first time on CD. Riz Ortolani composed "Nun Me Scuccià", the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. Originally C.A.M. published only one single with two tracks (tracks 1 and 2). Digitmovies were able to access the masters in stereo from the original recording session, which allowed the label to use everything that had been recorded. This is another CD that enriches the discography of one of the most beloved composers in the world.
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DDJ 052CD
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Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia. CD version includes 12-page booklet.
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DDJ 005DLX-LP
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LP version. Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia.
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CD
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BCM 9587CD
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Beat Records presents for the first time on CD the complete edition of the soundtrack by Nino Oliviero and Bruno Nicolai from Il Pelo Nel Mondo (aka "Go, Go, Go World!"), a documentary directed in 1964 by Renato Marvi and Antonio Margheriti. A report on the most extreme customs in the most diverse corners of the world, the various episodes include -- in addition to some strip-teases -- visions of half-naked savages, documentation on the beheading of roosters, the slaughter of wild boars, the milking of Swiss cows, the sale of Chinese children in Hong Kong, prostitution and even some religious processions. This film is part of the famous trend of the "mondo movie". At the time, C.A.M. issued a 33rpm with 22 selections in mono; the same material was reissued in America by the Musicor Records label. For this release, Beat Records were able to use the master tapes of the mono recording session, which allowed us to discover 19 unreleased tracks. Throughout the 41 tracks, the listener will be immersed in fascinating sound dimensions that describe musically all the visual stimuli in the documentary.) This premiere "mondo" CD pays homage with great affection to the musical art of two titanic Italian musicians, the Maestros Nino Oliviero and Bruno Nicolai, and will certainly be welcome in every collection dedicated to high quality film music. This beautiful soundtrack will guide you around the world with almost seventy minutes of great, timeless music. Available packaged in a jewel case with a 12-page booklet designed by Daniele De Gemini with mastering and liner notes by Claudio Fuiano.
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DGST 048CD
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$22.00
PREORDER
RELEASE DATE: 1/17/2020
Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Mimi (aka Un dramma borghese) for the first time on CD. Riz Ortolani composed an orchestral soundtrack with a recurring main theme resembling a children's lullaby which was written for the adolescent girl in the film. It has a dramatic introduction and is then expanded on with the harpsichord and reprised in different versions with oboe, harp, and guitar, giving it a touch of magic. The rustic atmosphere is often interrupted by dramatic and mysterious passages (which perfectly evoke the daughter's unhealthy relationship with her father), as well as baroque music in a pop arrangement. Digitmovies were able to access the masters in stereo from the original recording session and use everything that had been recorded. Here is another CD that enriches the discography of one of the most beloved composers in the world.
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LP
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MAR 016LP
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$31.00
PREORDER
RELEASE DATE: 1/17/2020
Mad About Records present the first worldwide reissue of Hareton Salvanini's soundtrack for Xavana, Uma Ilha Do Amo, originally released in 1981. Rare Brazilian album of the obscure film Xavana, Uma Ilha do Amor mixes elements of jazz, bossa nova, and psych. Hareton Salvanini creates a record full of groovy guitars, refined strings, and delicate orchestral sounds. Polish film maker Zygmunt Sulistrowski pioneered the format of shooting low-budget soft porn on exotic locations. In this case, Brazilian arranger and writer Hareton Salvanini was commissioned to deliver this soundtrack. No wonder many consider him a lesser-known Arthur Verocai. Salvanini creates a record full of groovy guitars and percussions that could rival with the best of KPM or Chappell library LPs. Deluxe reissue in thick carton cover; obi.
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TOUCH 017LP
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Touch Sensitive Records present their third release with Ivor Novello and BAFTA Award-winning modern master of the soundtrack, David Holmes, working in collaboration with composer Brian Irvine. Set in Northern Ireland, directed by Holmes's longtime friends Glenn Leyburn and Lisa Barros D'Sa (Good Vibrations (2012), Cherrybomb (2009)), and written by legendary Irish playwright Owen McCafferty (whom Holmes has known for forty years), the film tells the extraordinary story of Tom (Liam Neeson) and Joan (Lesley Manville) -- their life and love as they enter the uncertainty and upset of Joan's cancer diagnosis. In a career rich in highly personal work, Ordinary Love is up there with the most affecting in Holmes's canon. Recorded between Abbey Road and Holmes's own Drama Studio, the soundtrack features input from some of his most trusted collaborators. Holmes states: "I worked on the score with Brian Irvine. He is a longtime friend and the first person I ever had studio experience with 27 years ago. It felt important to work with Brian on this as his father (Ronnie), Owen's father (Gerry) and my father (Jackie) -- all now deceased -- were great friends through a shared love of Point-to-Point horse racing and their work as bookmakers." With contributions from Holmes's bandmates, Jade Vincent and Keefus Ciancia, who comprise the trio Unloved. Vincent provides a stand-out performance -- lending her haunting and smoky vocals to the album's centerpiece and final track -- "Isn't It So". The score to Ordinary Love wasn't inspired by any other soundtrack or even musical composition but by a mathematical theory called The Game of Life. Devised by mathematician John Conway in 1970, The Game of Life consists of a collection of cells which, based on a few mathematical rules, can live, die or multiply as the cells form various patterns throughout the course of the game. "Because of the nature of the story, this really spoke to Brian and I in a musical sense and we started to create the score with the notion that the notes in each cue resembled human cells, living and dying as Joan's journey with cancer unfolded." The score uses gentle rhythms and repetition to underline the comfort and balance in Tom and Joan's routine -- even though a potentially life-changing event looms over them. The score grounds the listener whilst providing an almost dreamlike blank canvas in which to live and to love.
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CDDR 010CD
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$24.00
PREORDER
RELEASE DATE: 1/3/2020
"Claudio Simonetti's Goblin: The Very Best Of - Volume I. The complete collection from the cult movies of Dario Argento, George Romero, Lamberto Bava."
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LR 001LP
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$46.50
PREORDER
RELEASE DATE: 12/27/2019
Collector's first-ever LP release famous Japanese composer Taro Iwashirô's original soundtrack of the thriller masterpiece Memories Of Murder, (2004), directed by Boong Joon Ho (Parasite, 2018). The first and exclusive LP release for the soundtrack of Memories Of Murder, the film that changed modern thrillers forever and revealed acclaimed director Bong Joon Ho, winner of the 2018 Cannes Palme d'Or with Parasite. Composed by Taro Iwashiro, talented Japanese composer of 60 original soundtracks, including epic scores for John Woo's Red Cliff (2008) and major video game Onimusha 2 (2002). Score entirely remastered by Sean Magee at Abbey Road Studios, at 45rpm to ensure exceptional sound quality. Comes in gatefold sleeve; Sleeve designed by All City Media (designers of Nicolas Windin Refn's platform ByNWR.com); Printed inner sleeves with stills form the movie. Pressed at Pallas; edition of 1000.
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