|
Search Result for Genre SOUNDTRACK
viewing 1 To 25 of 796 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
REPOSE 096LP
|
$25.00
PREORDER
RELEASE DATE: 9/18/2020
Taras Bulba featuring ex Earthling Society head Fred Laird return with their second album Soul Weaver. Soul Weaver was recorded between February and April of 2020. The album is a sharp contrast to the Taras Bulba debut. Whereas One (2019) was a laidback psilocybic novelty travelogue; Soul Weaver is more guitar-driven dream like psychedelia, mixing '60s garage rock, shoegaze, bucolic west coast acid folk, and ambient feedback. The album builds on song structures instead of drifting instrumentals prevalent on the band's debut and is an indication of the path they want to go musically. Constructing the album in such a short time and under lockdown restrictions changed the way the album took shape. Due to the social distancing percussion had to be constructed from drum machines or "found" from previous sessions and cannibalized. So, in some ways this is more a solo record (Jon has never heard the songs). It is a guitar album whereas One was a rhythm/percussion focused recording. Lyrically it draws on (quite accidentally) the writings of Dion Fortune, particularly her novel The Sea Priestess (1938). It never even came into mind until I started draughting the lyrics and things started popping up that had very strong comparisons to that novel. The recording has a bit of a watery, dreamy feel too and it's also haunted. It's haunted by a good soul though; with electric blue eyes. Transparent turquoise vinyl; Housed in a reverse board printed outer sleeve with black poly-lined inner; includes download code; edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EZRDR 121LP
|
$23.00
PREORDER
RELEASE DATE: 9/11/2020
LP version. "From beyond the gutter, The Death Wheelers bring you their second album, the soundtrack to the fictional bikesploitation flick that never was: Divine Filth. Drawing inspiration from instrumental rock, proto-metal, punk and funk, the band embalms the listener in their sonic world of decay, groove and debauchery. Surfing the line between Motörhead, The Cramps and Dick Dale, the Canadian quartet uncompromisingly blends rawness and power in their riff-fueled compositions. Recorded entirely in forty-eight hours in a live setting just like in the good old days, this second opus is a testament to what the band stands for: a no BS attitude spiked with a heavy layer of crass. Just like their previous offering, the album is devised to serve as a soundtrack loosely based on a plot synopsis of a B-movie: 'It's 1982. Spurcity is run-down. The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain't pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumor has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?' The cycle of violence indeed continues with this sordid slab of sounds. So hop on, and enjoy one last ride with The Death Wheelers."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EZRDR 121CD
|
"From beyond the gutter, The Death Wheelers bring you their second album, the soundtrack to the fictional bikesploitation flick that never was: Divine Filth. Drawing inspiration from instrumental rock, proto-metal, punk and funk, the band embalms the listener in their sonic world of decay, groove and debauchery. Surfing the line between Motörhead, The Cramps and Dick Dale, the Canadian quartet uncompromisingly blends rawness and power in their riff-fueled compositions. Recorded entirely in forty-eight hours in a live setting just like in the good old days, this second opus is a testament to what the band stands for: a no BS attitude spiked with a heavy layer of crass. Just like their previous offering, the album is devised to serve as a soundtrack loosely based on a plot synopsis of a B-movie: 'It's 1982. Spurcity is run-down. The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain't pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumor has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?' The cycle of violence indeed continues with this sordid slab of sounds. So hop on, and enjoy one last ride with The Death Wheelers."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 028LP
|
$42.00
PREORDER
RELEASE DATE: 8/28/2020
Digitmovies release the original soundtrack by Berto Pisano for the film The Shameless Woman. Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual/erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film. Directed in 1974 by Giuliano Biagetti, the film stars: Philippe Leroy, Leonora Fani, Barbara Bouchet, Maria Pia Conte, Dante Cleri, Serena Cociani, Filippo De Gara, Pupo De Luca, Dana Ghia, Stefano Amato. Nino Bernardi (De Luca), a factory owner from Milan, goes on holiday to Ischia with his wife Clara (Ghia) and his teenage daughter Ornella (Fani). A depressed writer named Fabio Lorenzi (Leroy), who had been Clara's lover years ago, is staying in the same hotel. Ornella takes an interest in Fabio as she is tired of flirting with boys her own age. She has fun seducing Fabio without ever indulging herself completely. But Fabio's partner Silvia (Bouchet) arrives on the island which causes Ornella to become very jealous.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 309CD
|
$23.50
PREORDER
RELEASE DATE: 8/28/2020
Digitmovies re-release the originally soundtrack by Berto Pisano for the film The Shameless Woman, and for the absolute first time, Digitmovies release the OST on CD by Franco Pisano for the film Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte... anima mia!. The Shameless Woman soundtrack: Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual/erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film. Directed in 1974 by Giuliano Biagetti, the film stars: Philippe Leroy, Leonora Fani, Barbara Bouchet, Maria Pia Conte, Dante Cleri, Serena Cociani, Filippo De Gara, Pupo De Luca, Dana Ghia, Stefano Amato. Nino Bernardi (De Luca), a factory owner from Milan, goes on holiday to Ischia with his wife Clara (Ghia) and his teenage daughter Ornella (Fani). A depressed writer named Fabio Lorenzi (Leroy), who had been Clara's lover years ago, is staying in the same hotel. Ornella takes an interest in Fabio as she is tired of flirting with boys her own age. She has fun seducing Fabio without ever indulging herself completely. But Fabio's partner Silvia (Bouchet) arrives on the island which causes Ornella to become very jealous.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 026LP
|
$42.00
PREORDER
RELEASE DATE: 8/28/2020
LP version. For Da Corleone A Brooklyn, Franco Micalizzi composed and conducted an original soundtrack which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. It is introduced in the opening credits and reprised throughout the OST. There is no shortage of suspense or action music following the storyline and there are interventions with a marranzano (an instrument from Sicily). Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor which is reprised in several fast and slow orchestral versions. For this album, the stereo master tapes of the original recording session were used. Directed in 1979 by Umberto Lenzi, Da Corleone A Brooklyn stars: Maurizio Merli, Mario Merola, Laura Belli, Van Johnson, Biagio Pelligra, Venantino Venantini, Sonia Viviani, Tom Felleghy, Nando Marineo, Salvatore Billa, Giovanni Cianfriglia. After the assassination of Salvatore Santoro in Rome, commissioner Giorgio Berni is sent to Palermo to work on the case with the local commissioner Danova since there are good reasons to suspect that the mafia is involved. Meanwhile, Lieutenant Sturges of the New York Police Department stops a man who claims his name is Vito Ferrando, a suspected drug trafficker without a residence permit. Sturges sends a report to Palermo stating that Ferrando is actually the mafia boss Michele Barresi, a man who has repeatedly escaped the law. Barresi is cleared of charges for the crime in Rome, but people close to him are killed, including his girlfriend Liana Scala, and Francesco Santoro. One of the assassins, Salvatore Scalia, who is Liana's brother and Barresi's former trusted man, falls into the hands of the police during an armed conflict. Giorgio Berni obtains permission from his superiors to transfer the prisoner to America so that his testimony can be used to frame Barresi. The journey is full of dangers as the mafiosi try to eliminate the incriminating witness. Berni hides out at his ex-wife Paola's house and then manages to get to New York, but he cannot prevent Scalia's death. But Scalia has left a written testimony.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 307CD
|
$23.50
PREORDER
RELEASE DATE: 8/28/2020
For Da Corleone A Brooklyn, Franco Micalizzi composed and conducted an original soundtrack which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. It is introduced in the opening credits and reprised throughout the OST. There is no shortage of suspense or action music following the storyline and there are interventions with a marranzano (an instrument from Sicily). Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor which is reprised in several fast and slow orchestral versions. For this album, the stereo master tapes of the original recording session were used. Directed in 1979 by Umberto Lenzi, Da Corleone A Brooklyn stars: Maurizio Merli, Mario Merola, Laura Belli, Van Johnson, Biagio Pelligra, Venantino Venantini, Sonia Viviani, Tom Felleghy, Nando Marineo, Salvatore Billa, Giovanni Cianfriglia. After the assassination of Salvatore Santoro in Rome, commissioner Giorgio Berni is sent to Palermo to work on the case with the local commissioner Danova since there are good reasons to suspect that the mafia is involved. Meanwhile, Lieutenant Sturges of the New York Police Department stops a man who claims his name is Vito Ferrando, a suspected drug trafficker without a residence permit. Sturges sends a report to Palermo stating that Ferrando is actually the mafia boss Michele Barresi, a man who has repeatedly escaped the law. Barresi is cleared of charges for the crime in Rome, but people close to him are killed, including his girlfriend Liana Scala, and Francesco Santoro. One of the assassins, Salvatore Scalia, who is Liana's brother and Barresi's former trusted man, falls into the hands of the police during an armed conflict. Giorgio Berni obtains permission from his superiors to transfer the prisoner to America so that his testimony can be used to frame Barresi. The journey is full of dangers as the mafiosi try to eliminate the incriminating witness. Berni hides out at his ex-wife Paola's house and then manages to get to New York, but he cannot prevent Scalia's death. But Scalia has left a written testimony.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WHP 1441LP
|
WHP preset a reissue of Piero Piccioni's original score for Il Boom, originally released on CAM in 1963. Written by Cesare Zavattini, directed by Vittorio De Sica, and interpreted by Alberto Sordi, Il Boom can be easily considered as one of the most peculiar film comedies in the Italian post-war era. Premiered in the USA in 2017, more than 50 years after its release in 1963, the film has been described as something between Buster Keaton, David Lynch, and Billy Wilder. Some sort of very current dark satire of the consumer society. Part of the film's surreal atmosphere is due to the original score composed and produced by the legendary Piero Piccioni. A weird and very dynamic mixture of different music styles including jazz and various popular dance grooves of the period such as samba, twist, calypso, and hully gully. A simple and yet very effective compositional technique based on both serious and funny elements at the same time. The soundtrack includes "Samba Della Ruota", Piccioni's first use of samba for Alberto Sordi's films. A choice that would soon become a real passion and trademark for the great Italian comic actor.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SPDM 015CD
|
$23.50
PREORDER
RELEASE DATE: 8/14/2020
Marco Werba on his soundtrack for Il Delitto Mattarella (2019): "This is Aurelio Grimaldi's fourth film which I've had the pleasure to work for. I met Aurelio thanks to Antonella Salvucci and Raffaele Mallucci and we worked together for the first time on the historical drama Anita, una vita per Garibaldi (2007), an intense movie that describes the love story between Brazilian rebellious Anita and Italian hero, Giuseppe Garibaldi. We then continued our collaboration with Il sangue è caldo di Bahia (2014) and Controtempo (2016). This new film, Il Delitto Mattarella, marks the return of Aurelio Grimaldi with an important political movie, with a storyline dense of political plots, mafia and right-wing subversive groups that brought terror in the Italy of the '80s. Specifically, mafia, that turned out to be the main culprit for the death of many honest men that tried to stop the advancement of 'Cosa Nostra', the criminal organization that grew within the Sicilian social fabric. Aurelio is a sensitive director, who knows how to enhance music, measuring it in key moments. For this movie I worked again with Aurelio Grimaldi's faithful collaborator, Maria Soldatini, who wrote the additional music of the film, and Louis Siciliano kindly gave us a nice composition that we used in two scenes of the film. We recorded the film score in Gioia Tauro with the Orchestra del Teatro Cilea of Reggio Calabria, in Antonello Bruzzese's Metro Records Studio. I've had the pleasure of working with top level soloists such as Pasquale Faucitano (violino), Pierluigi Marotta (cello), Giampiero Cannata (horn), Riccardo Rocchi (guitar), and Federica Inson (flute). I also had two valid collaborators: Luca Poletti (music assistant) and Enrico Fallea (copyist). The film score of Il Delitto Mattarella contains an obsessive rhythmic theme ('L'Aquila'), an intriguing and turbid composition ('Corleone'), a theme linked to the main character ('Piersanti Mattarella') and another one that describes the Sicily of the '80s." Also features compositions by Henry Purcell.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DDJ 019CD
|
$30.50
PREORDER
RELEASE DATE: 8/7/2020
Occhio Malocchio Prezzemolo E Finocchio is one of the classic cult comedies of the '80s, the most prolific decade in Italian cinema for that cinematic genre. The movie is split into two episodes, the first featuring the absolute star Lino Banfi trying to find a jinx, and the second starring singer/actor Johnny Dorelli playing an amateur magician. Beat Records' collaboration with Cabum Publishing and the subsequent discovery in their vault of the complete original recording sessions, totally unreleased until now, gave the label the opportunity for a new release dedicated to the music for cult Italian cinema that will entertain with its fresh and funny style. The soundtrack also features "Sheriff", the main titles of the movie Uno Sceriffo Extraterrestre... Poco Extra E Molto Terrestre (1979), which together with the complete soundtrack of Occhio Malocchio Prezzemolo E Finocchio reflects the contents of this CD, the latest in Beat Records' ongoing series dedicated to Guido & Maurizio De Angelis. Mastering by Enrico De Gemini. Graphic layout by Daniele De Gemini. Jewel case; includes 16-page booklet; edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDCR 140CD
|
$23.50
PREORDER
RELEASE DATE: 8/7/2020
Directed by Sergio Garrone, Django Il Bastardo (1969) is considered by critics to be one of his best films. Here is one of the most iconic Spaghetti Western characters, Django, in one of his final movies, this time played by Anthony Steffen. It's not the first time Vasco Vassil Kojucharov (a maestro very dear to the Beat Records publishing group) scored this character. Thanks to the Nomus association, archivist of the Kojucharov fund, the label retrieved four master tapes and many documents from the recording session for this soundtrack, which -- coming as no surprise, being a representative example of its genre -- reveals all of the musical skills of the maestro. His immensely creative vein is evident from the main titles, which -- performed with typical instrumentation for Italian Western movies -- winks an eye to the spy genre. A wonderful unreleased score, finally available for your listening pleasure. Mastering by Enrico De Gemini. Graphic design by Daniele De Gemini. Liner notes by Alessandro Bratus (English-language translation edited by Josh Mitchell). Jewel case; 12-pages booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDCR 142CD
|
$23.50
PREORDER
RELEASE DATE: 8/7/2020
L'agnese Va A Morire is one of the most successful collaborations between director Giuliano Montaldo and composer Ennio Morricone. The composer, avails himself of exceptional soloists such as De Gemini on harmonica, Carnini on organ, Valdambrini on flugelhorn, Enrico Pierannunzi on piano, and the dramatic vocals of Clara Murtas to create the appropriate atmosphere to describe life turned upside-down by Nazism during WWII, during the eight months preceding the liberation of Italy from German occupiers. Morricone alternates sacral moments with dissonance to describe this dark period of Italian history. Beat Records used a first-generation stereo master prepared in 1977 for a 33rpm that was never released, now fully restored for an exceptional listening experience. The CD is released in the classic CDCR series with mastering by Daniel Winkler and Claudio Fuiano. Liner notes by Patrick Bouster. Graphic design by Daniele De Gemini, featuring the original poster art by Renato Casaro on the cover. Jewel case; 12-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TDP 54030LP
|
Trading Places present a reissue of John Barry's Zulu, originally released in 1964. One of the most important British film composers of all time, John Barry's body of work is simply astounding. In a career that spanned more than half a century, Barry composed some of the most popular soundtracks for British film and television, including eleven James Bond themes, winning numerous awards and accolades in the process. The son of a projectionist from York in the north of England, Barry was raised in a cinematic environment from a very young age and after a stint as an army trumpeter in Cyprus, he began to work back home in Britain for Jack Parnell and Ted Heath's Orchestra and after the subsequent formation of The John Barry Seven in 1957, he began to work in film and television. The highly evocative Zulu soundtrack of 1964 is the work that brought him to the attention of a wider audience, shortly before the first James Bond theme that would turn him into a household name; here the music shifts between an overriding tension and the kind of military fanfares reserved for pitched skirmishes on battlefields, the orchestrates peaks and troughs sounding every bit as stirring as anything recorded in Hollywood. 180 gram vinyl. Licensed by Cherry Red.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 022LP
|
$47.50
PREORDER
RELEASE DATE: 8/7/2020
LP version. Yellow vinyl. Digitmovies release the original soundtrack by Franco Micalizzi for the film Brothers Till We Die (original title La Banda Del Gobbo). Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings. Directed in 1977 by Umberto Lenzi, the film stars: Tomas Milian, Pino Colizzi, Isa Danieli, Sal Borgese, Luciano Catenacci, Francesco D'Adda, Sandra Cardini, Guido Leontini, Mario Piave, Jimmy il Fenomeno, Solvy Stubing. After Almost Human, Umberto Lenzi returns to crime drama with Brothers Till We Die, once again starring the Cuban actor Tomas Millian. Here the actor plays both the roles of the twin brothers: one brother is the ferocious "hunchback" and the other is a likeable swindler called "monnezza" who lives in the suburbs of Rome. The first is a ruthless criminal, the second a soft-hearted thief. During a robbery, the hunchback's partners betray him and he is forced to hide out at his friend's house. He then begins implementing his plan to take revenge. When the police are not able to find the hunchback's hiding place, they turn to his twin brother. During a dangerous car chase, the hunchback's car swerves and ends up in the Tiber River ... but the corpse is never found.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SPDM 016CD
|
$23.50
PREORDER
RELEASE DATE: 8/7/2020
Luigi Seviroli is an Italian composer. His music compositions, due to their natural dramatic intensity, have been chosen by different movie directors such as (among others) Michele Soavi (Attacco allo Stato, Nassirya), Gianluca Maria Tavarelli (Non prendere impegni stasera), Alexis Sweet (Il Capo dei Capi aka Corleone, the acclaimed TV motion picture, Intelligence and Ultimo caccia ai narcos, Alberto Ferrari (Crimini Bianchi), Federico Rizzo (Taglionetto and Il Ragioniere della Mafia aka The Bookkeeper), Patricio Valladares (Downhill, Hidden in the Woods), Antoni Sole (The Second Reign of Night) . He also composed the score of several "audio-fiction" aired by the Italian National Radio (RAI, among which are: Dylan Dog, Giovanna D'Arco, Tex, Il Graal, Mata Hari) and of the motion comic Orfani, co-produced by Sergio Bonelli Editore and RaiCom (ten episodes air played on RAI4). Luigi Seviroli is currently involved in other challenging movie projects following international productions such as the two horror Charlie Charlie directed by Tony Mercedes and Everybloody's End directed by Claudio Lattanzi.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 303CD
|
$23.50
PREORDER
RELEASE DATE: 8/7/2020
Digitmovies release the original soundtrack by Franco Micalizzi for the film Brothers Till We Die (original title La Banda Del Gobbo). Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings. Directed in 1977 by Umberto Lenzi, the film stars: Tomas Milian, Pino Colizzi, Isa Danieli, Sal Borgese, Luciano Catenacci, Francesco D'Adda, Sandra Cardini, Guido Leontini, Mario Piave, Jimmy il Fenomeno, Solvy Stubing. After Almost Human, Umberto Lenzi returns to crime drama with Brothers Till We Die, once again starring the Cuban actor Tomas Millian. Here the actor plays both the roles of the twin brothers: one brother is the ferocious "hunchback" and the other is a likeable swindler called "monnezza" who lives in the suburbs of Rome. The first is a ruthless criminal, the second a soft-hearted thief. During a robbery, the hunchback's partners betray him and he is forced to hide out at his friend's house. He then begins implementing his plan to take revenge. When the police are not able to find the hunchback's hiding place, they turn to his twin brother. During a dangerous car chase, the hunchback's car swerves and ends up in the Tiber River ... but the corpse is never found.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DDJ 4501EP
|
$31.00
PREORDER
RELEASE DATE: 8/7/2020
Occhio Malocchio Prezzemolo E Finocchio is one of the classic cult comedies of the '80s, the most prolific decade in Italian cinema for that cinematic genre. The movie is split into two episodes, the first featuring the absolute star Lino Banfi trying to find a jinx, and the second starring singer/actor Johnny Dorelli playing an amateur magician. Beat Records' collaboration with Cabum Publishing and the subsequent discovery in their vault of the complete original recording sessions, totally unreleased until now, gave us the opportunity for a new release dedicated to the music for cult Italian cinema that will entertain us with its fresh and funny style. The soundtrack also features "Sheriff", the main titles of the movie Uno Sceriffo Extraterrestre... Poco Extra E Molto Terrestre, which together with the main titles of Occhio Malocchio Prezzemolo E Finocchio reflects the content of the 7-inch vinyl, highly collectible, with Enzo Sciotti's original artwork for Occhio Malocchio Prezzemolo E Finocchio on the front cover and Renato Casaro's original artwork for Uno Sceriffo Extraterrestre... Poco Extra E Molto Terrestre on the back. The 45rpm also features a special edition for collectors, numbered. Mastered by Enrico De Gemini with graphic layout by Daniele De Gemini. 45rpm; numbered print; edition of 400.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 312CD
|
$23.50
PREORDER
RELEASE DATE: 8/7/2020
Digitmovies release the original soundtrack by Stelvio Cipriani for the film Fearless (original title Poliziotto Senza Paura). Stelvio Cipriani and his unmistakable style accompany the adventures of the fearless policeman in this soundtrack, with alternating action themes and romantic motifs. In the opening credits, a rhythmic motif with electric guitars and percussion is peacefully introduced by a synthesizer and bells, which is then reprised at the end of the film. He also includes danceable disco themes, bossa lounge music, music for Brigitte's striptease in the nightclub and music for the chases. The sad and romantic side of the story is given intense passages with strings that reveal once again the great melodic side of the composer. For this album, Digitmovies were able to use the stereo master tapes of the recording session. Directed in 1978 by Stelvio Massi, the film stars: Maurizio Merli, Joan Collins, Gastone Moschin, Werner Pochath, Annarita Grapputo, Franco Ressel, Alexander Trojan, Massimo Vanni. A private investigator from Rome, Detective Walter Spada, receives an assignment from his colleague Karl Koper in Vienna. He is to find the young Annelise Von Stradel, daughter of a wealthy Austrian banker, who joined a Buddhist community in Rome. Some thugs kidnap the girl before Walter arrives and he is forced to move to Vienna to continue the search. In the Austrian capital, the detective risks his life and finds himself involved in a mysterious and complicated story of minors who are killed or sent into prostitution. A 14-year-old girl named Renata reveals the repulsive part the girl's father and the gang play in the story, and is then killed soon after. The gang is led by a stripper who had kidnapped Annelise and had intended to blackmail the banker. Although his investigation proved successful, Spada returns to Rome penniless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 029LP
|
$42.00
PREORDER
RELEASE DATE: 8/7/2020
LP version. Digitmovies release the original soundtrack by Stelvio Cipriani for the film Fearless (original title Poliziotto Senza Paura). Stelvio Cipriani and his unmistakable style accompany the adventures of the fearless policeman in this soundtrack, with alternating action themes and romantic motifs. In the opening credits, a rhythmic motif with electric guitars and percussion is peacefully introduced by a synthesizer and bells, which is then reprised at the end of the film. He also includes danceable disco themes, bossa lounge music, music for Brigitte's striptease in the nightclub and music for the chases. The sad and romantic side of the story is given intense passages with strings that reveal once again the great melodic side of the composer. For this album, Digitmovies were able to use the stereo master tapes of the recording session. Directed in 1978 by Stelvio Massi, the film stars: Maurizio Merli, Joan Collins, Gastone Moschin, Werner Pochath, Annarita Grapputo, Franco Ressel, Alexander Trojan, Massimo Vanni. A private investigator from Rome, Detective Walter Spada, receives an assignment from his colleague Karl Koper in Vienna. He is to find the young Annelise Von Stradel, daughter of a wealthy Austrian banker, who joined a Buddhist community in Rome. Some thugs kidnap the girl before Walter arrives and he is forced to move to Vienna to continue the search. In the Austrian capital, the detective risks his life and finds himself involved in a mysterious and complicated story of minors who are killed or sent into prostitution. A 14-year-old girl named Renata reveals the repulsive part the girl's father and the gang play in the story, and is then killed soon after. The gang is led by a stripper who had kidnapped Annelise and had intended to blackmail the banker. Although his investigation proved successful, Spada returns to Rome penniless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 308CD
|
Digitmovies is releasing the original soundtrack by Franco Micalizzi for the film Merciless Man (original title Genova A Mano Armata). Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi's favorites and he often performs it live in concert with his orchestra Big Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this album, the master tapes of the recording session were used. Directed in 1976 by Mario Lanfranchi, the film stars Tony Lo Bianco, Maud Adams, Adolfo Celi, Howard Ross, Barbara Vittoria Calori, Fiona Florence, Luigi Bonos. After being expelled from the CIA, an American ex-cop sets up a detective agency in Genoa. There he is known as "The American", although he has Sicilian origin. He is hired to investigate the seizure and murder of a famous ship owner and get back the billion lire requested as ransom. After numerous ups and downs, the detective manages to get to the murderer.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDDM 311CD
|
Digitmovies release the original soundtrack by Gian Piero Reverberi and Gianfranco Reverberi for the film Django, Prepare a Coffin. Brothers Gianfranco and Gian Piero Reverberi composed OSTs for TV shows such as Robinson Crusoè (1964), The Secret Agents (1965), Devil in the Flesh (1968), and Torino Nero (1972). This OST follows the typical standards of spaghetti western film music, but with pop arrangements. The main theme to this film is "You'd Better Smile," sung by Nicola Di Bari who was a popular singer in the '60s and '70s. It has a tinge of rock accompanied by trumpet, chorus, and orchestra. The motif is reprised in various versions: a slow version, a faster rhythmic version, a slower version with trumpets and a chorus which are developed in epic form, a quieter version with electric guitar and flute, and for the opening credits a slower, instrumental version. The song is also reprised in the ending credits of the Italian version. For this album, Digitmovies were able to access the stereo and mono master tapes of the original recording session. Directed by Ferdinando Baldi, the film stars: Terence Hill, Horst Frank, Luigi Montefiori, Barbara Simon, Pinuccio Ardia, Guido Lollobrigida, José Torres, Gianni Brezza, Andrea Scotti, Giovanni Ivan Scratuglia, Franco Balducci, Gianni Di Benedetto, Angela Minervini, Franco Gulà, Luciano Rossi, Roberto Simmi. Django's one-time friend, David Berry, asks Django to help him become governor. Knowing how ambitious and ruthless David is, Django refuses and sets out on a journey to transport a load of gold to the federal deposit. During the trip, a group of bandits led by Lucas assault the convoy, massacre the bodyguard and also kill Django's wife. Determined to take revenge, Django heads up a gang of innocently convicted men he saves from being hanged by Lucas. Unbeknownst to Django, in their group is an Indian named Garcia who convinces the others to attack a convoy loaded with gold. The attack is successful, but losing the gold angers Berry who is counting on the money to finance his career. Django falls into the hands of Lucas and Berry, but escapes and kills Lucas. He sets a trap for Berry, which the shady character falls into.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CDX 1016CD
|
Beat Records kick off 2020 with the fifth release in the L'uomo dell'armonica series, dedicated to the historical leader and founder of Beat Records Company Publishing Group, harmonica player Franco De Gemini. Franco passed away in July 2013, leaving an enormous void, but he keeps on living through immortal musical performances that connoted his long career. This time Beat Records selected his collaborations with maestro Ennio Morricone, with whom he'd worked many times as soloist, but most notably Once Upon A Time In The West (Sergio Leone, 1968). A cool selection for highlighting the stylistic measure of the evolution both for the composer and the performer, passing through film music milestones, some of which have long since gone missing from the market. Including Per Per Un Pugno Di Dollari (A Fistful of Dollars, 1967), Il Buono, Il Brutto, Il Cattivo (The Goods, the Bad and the Ugly, 1967), C'Era Una Volta Il West (Once Upon A Time In The West, 1968), Faccia A Faccia (Face to Face, 1967), Sette Donne Per I MacGregor (1968), L'alibi (1969), and many more, the scores in which the contribution of the harmonica player to the wonderful Maestro's music was iconic. By the end of the track list, Beat Records offer again the ghost track released through our 50th year Once Upon A Time In The West edition featuring the studio sound tests by Franco De Gemini during the recording session of that soundtrack. Franco De Gemini plays Ennio Morricone, original recordings from the motion picture soundtracks. Graphic layout and liner notes by Daniele De Gemini. Mastering by Claudio Fuiano and Daniel Winkler. Slim jewel case with an external obi.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 027LP
|
LP version. Digitmovies is releasing the original soundtrack by Franco Micalizzi for the film Merciless Man (original title Genova A Mano Armata). Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi's favorites and he often performs it live in concert with his orchestra Big Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this album, the master tapes of the recording session were used. Directed in 1976 by Mario Lanfranchi, the film stars Tony Lo Bianco, Maud Adams, Adolfo Celi, Howard Ross, Barbara Vittoria Calori, Fiona Florence, Luigi Bonos. After being expelled from the CIA, an American ex-cop sets up a detective agency in Genoa. There he is known as "The American", although he has Sicilian origin. He is hired to investigate the seizure and murder of a famous ship owner and get back the billion lire requested as ransom. After numerous ups and downs, the detective manages to get to the murderer.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPDM 030LP
|
LP version. Digitmovies release the original soundtrack by Gian Piero Reverberi and Gianfranco Reverberi for the film Django, Prepare a Coffin. Brothers Gianfranco and Gian Piero Reverberi composed OSTs for TV shows such as Robinson Crusoè (1964), The Secret Agents (1965), Devil in the Flesh (1968), and Torino Nero (1972). This OST follows the typical standards of spaghetti western film music, but with pop arrangements. The main theme to this film is "You'd Better Smile," sung by Nicola Di Bari who was a popular singer in the '60s and '70s. It has a tinge of rock accompanied by trumpet, chorus, and orchestra. The motif is reprised in various versions: a slow version, a faster rhythmic version, a slower version with trumpets and a chorus which are developed in epic form, a quieter version with electric guitar and flute, and for the opening credits a slower, instrumental version. The song is also reprised in the ending credits of the Italian version. For this album, Digitmovies were able to access the stereo and mono master tapes of the original recording session. Directed by Ferdinando Baldi, the film stars: Terence Hill, Horst Frank, Luigi Montefiori, Barbara Simon, Pinuccio Ardia, Guido Lollobrigida, José Torres, Gianni Brezza, Andrea Scotti, Giovanni Ivan Scratuglia, Franco Balducci, Gianni Di Benedetto, Angela Minervini, Franco Gulà, Luciano Rossi, Roberto Simmi. Django's one-time friend, David Berry, asks Django to help him become governor. Knowing how ambitious and ruthless David is, Django refuses and sets out on a journey to transport a load of gold to the federal deposit. During the trip, a group of bandits led by Lucas assault the convoy, massacre the bodyguard and also kill Django's wife. Determined to take revenge, Django heads up a gang of innocently convicted men he saves from being hanged by Lucas. Unbeknownst to Django, in their group is an Indian named Garcia who convinces the others to attack a convoy loaded with gold. The attack is successful, but losing the gold angers Berry who is counting on the money to finance his career. Django falls into the hands of Lucas and Berry, but escapes and kills Lucas. He sets a trap for Berry, which the shady character falls into.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DDJ 006DLX-LP
|
LP version. 180 gram color vinyl; printed inner sleeve. Lo Chiamavano Bulldozer is a movie that was directed by Michele Lupo in 1978 that tells the story of an ex-football player (Bud Spencer) turned sailor, who after some misadventures ends up training a team of ragtag young players, far from real sportsmen. The match against Sergeant Kempfer's team, from a nearby military base, is approaching soon, and Bulldozer will have to give his all to win it. Lo Chiamavano Bulldozer is one of the most beloved scores by Guido & Maurizio De Angelis fans, dominated by the iconic theme dedicated to great Bud Spencer. This edition marks the collaboration between the two composers' label, Cabum and Beat Records, continuing a series that aims to shed new light upon the two maestros' catalog. It's a release that can't be missed by lovers of film music and all fans of this soundtrack who have been waiting years for this release. Part of the DDJ DLX series. Iconic poster art by Renato Casaro on the cover, graphic layout and liner notes by Daniele De Gemini and English edit by Josh Mitchell. Mastering by Enrico De Gemini.
|
viewing 1 To 25 of 796 items
Next >>
|
|