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Search Result for Genre SOUNDTRACK
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LP
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VIERNULV 019LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. While composing the music for The Juniper Tree, Midori Hirano drew on her own memories of touring Iceland, which included a stop at a waterfall featured in the film and rendered in sound on "Mother's Path." Folktales, like the origins of The Juniper Tree, are often attempts to contend with humans' place in the natural world, with all its mysteries and intricacies, and both the film and Hirano's soundtrack draw their sense of breathless wonder in part from the sensation of being engulfed by one's environment. Margit, played by Björk, possesses a sublime sensitivity to her environment that allows her to receive messages from her mother, who was murdered for their shared inheritance of witchcraft. Hirano captures the relationship between the transcendental awe that is felt as supernatural and the private feelings of being immersed in that experience, creating a musical dialogue between the self and what lies beyond. In the final sentences of her liner notes describing the film's philosophical and feminist throughlines, Anna Bogutskaya says, "what we call Margit's witchcraft is maybe just her willingness to listen." This is the magic of music, and Hirano composes with an alchemist's pen. Just as Keene seems to break down barriers between binary poles, Hirano uses both electronic and acoustic means to communicate the film's emotive cues, uniting approaches she has explored under her own name and the alias MimiCof. There is an understanding that stillness can be understood as peaceful or foreboding, that dissonance and consonance are contextual, that efforts to protect one's own kin can lead to tragic ends. At the film's end the audience sees Margit enthralled with birdsong, understanding it as something deeper, a connection to those she has lost. Through sound, listeners understand what lies beyond sight, beyond convention, and with this new soundtrack they hear the story anew.
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CD
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VIERNULV 019CD
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$20.00
PREORDER
RELEASE DATE: 10/2/2026
While composing the music for The Juniper Tree, Midori Hirano drew on her own memories of touring Iceland, which included a stop at a waterfall featured in the film and rendered in sound on "Mother's Path." Folktales, like the origins of The Juniper Tree, are often attempts to contend with humans' place in the natural world, with all its mysteries and intricacies, and both the film and Hirano's soundtrack draw their sense of breathless wonder in part from the sensation of being engulfed by one's environment. Margit, played by Björk, possesses a sublime sensitivity to her environment that allows her to receive messages from her mother, who was murdered for their shared inheritance of witchcraft. Hirano captures the relationship between the transcendental awe that is felt as supernatural and the private feelings of being immersed in that experience, creating a musical dialogue between the self and what lies beyond. In the final sentences of her liner notes describing the film's philosophical and feminist throughlines, Anna Bogutskaya says, "what we call Margit's witchcraft is maybe just her willingness to listen." This is the magic of music, and Hirano composes with an alchemist's pen. Just as Keene seems to break down barriers between binary poles, Hirano uses both electronic and acoustic means to communicate the film's emotive cues, uniting approaches she has explored under her own name and the alias MimiCof. There is an understanding that stillness can be understood as peaceful or foreboding, that dissonance and consonance are contextual, that efforts to protect one's own kin can lead to tragic ends. At the film's end the audience sees Margit enthralled with birdsong, understanding it as something deeper, a connection to those she has lost. Through sound, listeners understand what lies beyond sight, beyond convention, and with this new soundtrack they hear the story anew.
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5CD BOX
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CSR 366CD
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$50.00
PREORDER
RELEASE DATE: 9/18/2026
This boxset contains the original soundtracks to the five core works of Andrei Tarkovsky, the master of Soviet cinema: Ivan's Childhood, Andrei Roublev, Solaris, Mirror, and Stalker. The works by Eduard Artemyev and Vyacheslav Ovchinnikov may sound imperfect to the modern ear, but have been sympathetically remastered and presented as close as possible to how striking they would have sounded to audiences at the original film presentations. Deluxe matt-laminate boxset containing 5 CDs in individually-printed card sleeves. Each album is accompanied by an artcard featuring the original Soviet/Japanese cinema posters on its release. The haunting soundtrack for Tarkovsky's 1962 film Ivan's Childhood was composed by the prolific Soviet composer Vyacheslav Ovchinnikov. It features a deeply romantic yet sorrowful 5-note leitmotif that captures the poignancy of innocence lost in war. Ovchinnikov's sweeping score relies on romantic idioms to contrast the harsh realities of the Eastern Front with Ivan's nostalgic, dream-like flashbacks. The soundtrack for the 1966 masterpiece Andrei Roublev was also composed by Vyacheslav Ovchinnikov. The sweeping, evocative score is deeply intertwined with the film's religious and historical themes, with its profound, choral-heavy resonance that perfectly accompanies the film's exploration of faith, art, and Russian history. The composer collaborated closely with Tarkovsky to create a score that captures the raw, earthy reality of 15th-century Russia while elevating the film's stunning visual language. Eduard Artemyev's score for Tarkovsky's 1972 sci-fi masterpiece Solaris is a ground-breaking work of early electronic music. With Tarkovsky envisioning an ambient / mechanical soundscape, Artemyev's futuristic takes on Bach's organ works are combined with haunting, abstract synthesizer drones and environmental noise, all crafted on the famed ANS synthesizer. At atmospheric, dreamlike score that perfectly mirrors the psychological themes of the film. Eduard Artemyev's magnificent soundtrack to Tarkovsky's 1975 film Mirror is the natural follow-up to Solaris. Dense, slow-moving, and often disorienting mood pieces with Baroque sensibilities resonate beyond the film's dream-like images. A combination of monolithic scale and pastoral melody makes the music so intriguing, lush and unique. For Stalker, the third part of Tarkovsky's science fiction trilogy, Eduard Artemyev was inspired by Indian classical music and employed eerie layers of synth tones, flute, harpsichord, and tar (Iranian stringed instrument), as well as choirs, to create a central theme as spellbinding as The Zone, a setting in the film where laws of physics no longer apply. Achingly beautiful.
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3LP
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WRWTFWW 094LP
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$54.00
PREORDER
RELEASE DATE: 8/28/2026
3LP version. Limited yellow color vinyl. 45rpm cut, triple gatefold sleeve. WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.
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CD
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WRWTFWW 094CD
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$27.00
PREORDER
RELEASE DATE: 8/28/2026
WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.
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BCM 9628CD
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$24.00
PREORDER
RELEASE DATE: 8/21/2026
Beat Records reissues on CD the brilliant OST by Ennio Morricone for the romantic film La notte e il momento, directed in 1995 by Anna Maria Tatò with a screenplay by Anna Maria Tatò and Jean-Claude Carrière, photography by Giuseppe Rotunno, editing by Ruggero Mastroianni, music by Ennio Morricone. Morricone perfectly represented the eighteenth century in music with a fascinating orchestral soundtrack introduced by the cheerful and fast-paced baroque main theme. The composer always created atmospheres balanced between romanticism and comedy. The love theme emerges in "La notte e il momento," which listeners hear again in "The loving game" sung by Simona Patitucci. The purely eighteenth-century atmosphere is produced by the sound of "Un clavicembalo," the mysterious and suspended string tremolos acting as background in "Spiegazioni di torture," and a solemn march for wind instruments and strings in "Tromba e cavalli." In 1995, Sony published a CD prepared by the composer, and in 2011, GDM reissued this music on CD with the addition of six bonus tracks for which Ennio Morricone gave his approval. This presentation returns this OST to the market as a tribute to the musical brilliance of Ennio Morricone.
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CD
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BCM 9629CD
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$24.00
PREORDER
RELEASE DATE: 8/21/2026
Beat Records reissues on CD the OST by Ennio Morricone for the drama film Il pentito, directed in 1985 by Pasquale Squitieri with a screenplay by Pasquale Squitieri, Laura Toscano, Lino Jannuzzi, Orazio Barrese, and Franco Marotta. In 1985, Ennio Morricone prepared a twelve-track album that never saw the light of day at the time, but ten years later, in 1995, the material was released on GDM Point paired with "Corleone." In 2007, under Ennio Morricone's supervision, Il pentito was expanded on GDM CD with the addition of eight bonus tracks. Now, this presentation, taken from the stereo masters of the original sessions, is back on the market.
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LP
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LPOST 077LP
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$43.00
PREORDER
RELEASE DATE: 8/21/2026
Cinevox Records, in collaboration with AMS and Beat Records Company, presents the first-ever vinyl release of Il Secondo Tragico Fantozzi's soundtrack, marking the 50th anniversary of the theatrical release of Fantozzi II. Fantozzi II, directed again by Luciano Salce, is the sequel to the highly successful first film, released just a year earlier. It picks up on the original plot, expanding it with numerous new situations involving Italy's most famous accountant, played by Paolo Villaggio. The soundtrack, composed by Franco Bixio, Fabio Frizzi, and Vince Tempera, draws inspiration from the previous album's mood and quickly becomes a true cultural marker for the Fantozzi film phenomenon. It shrugs off the idea of simply reworking the previous year's score and quickly stands on its own two feet. Available on vinyl for the first time, this 50th anniversary edition features the period poster photo on the cover, depicting Paolo Villaggio as a lightning rod. The 12-inch crystal white vinyl is available in 400 exclusive copies, mastered by Claudio Fuiano, and graphic design by Daniele De Gemini.
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LP
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MVLP 014LP
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$35.00
PREORDER
RELEASE DATE: 8/7/2026
"Jim Van Bebber's 1988 psychedelic horror action masterpiece Deadbeat At Dawn soundtrack is now available for the first time ever on vinyl, pressed on 180 gram black vinyl, double sided insert with artwork included. Limited to 500 units. Score composed by Mike Pierry and Ned Folkerth. Deadbeat at Dawn depicts a street gang leader setting out for revenge against a rival street gang, filmed in Dayton, Ohio. Written by, directed by, and starring Van Bebber as gang leader 'Goose.' Nick Pinkerton of Sight & Sound described the film as an 'incredible no-budget mend-and-make ingenuity' that was as 'kinetic, visceral, and palpably dangerous as anything then coming out of Hong Kong.' Jason Buchanan of AllMovie referred to the film as a 'prime example of creativity and enthusiasm picking up where budget and other resources fall short,' calling the film a 'pleasantly surprising mini-masterpiece of gritty urban nightmares. Viewers may initially chuckle at how many times van Bebber's name appears in the credits, attached to virtually every component of the film's production from editing to special effects, but they will come to appreciate the sometimes subtle (and other times less so) creative touches that he lends to the various aspects of the film.' The review concluded that it was 'unclear at times whether the film is aiming to be completely serious and dramatic, or tongue in cheek and over the top, though the answer likely falls somewhere in between.'"
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LP
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SME 093LP
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$36.50
PREORDER
RELEASE DATE: 7/31/2026
The legends of the golden era of Italian soundtracks and library music go by many names, but the backbone of that era's definitive sonic identity is most often identified as I Marc 4 (also known as Marc 4 or I Marc Quattro). While the moniker might be less familiar to the uninitiated, it is a simple acronym derived from its founding members: Maurizio Majorana (bass), Antonello Vannucchi (organ), Roberto Podio (drums and percussion), and Carlo Pes (guitar). The number 4 serves to highlight the core synergy of these four master musicians. Their journey began in Rome's vibrant jazz scene of the 1950s and early 1960s, where they honed their craft as members of the RAI national orchestra and collaborated with the most prominent jazz and pop icons of the day. However, it was their pivotal role in defining the Italian cinematic sound of the 1960s and 1970s that secured their legacy. Their unmistakable style was an eclectic fusion of beat, jazz, classical, and Latin influences -- textured with early synthesizers, experimental sound effects, and a blend of electronic and baroque instrumentation. Beyond their work as session luminaries, they produced a vast body of library music under their own name at the legendary Telecinesound Studios in Rome. These recordings were released through prestigious library labels like Sermi, Ricordi, and Fonit Cetra, as well as through their own imprints: Nelson Records, Silver Men, and Silver Music, spanning a definitive series of sixteen albums. Ten of these volumes were issued on Nelson Records during the 1970s, featuring the now-iconic military stencil design. The series was completed by two elusive companion releases: S.M. 2001 on Silver Music and S.M. 2002 on Silver Men, both presented in the same distinctive brown sleeve. Rediscovered in the 1990s and 2000s, these Nelson releases have since achieved cult status among collectors, producers, and DJs worldwide. The final two installments, S.M. 2001 and S.M. 2002, remain the rarest and most enigmatic of the set. Often overlooked, they contain some of the most profound "hidden gems" in the group's catalog. Sonor Music Editions has meticulously curated the finest moments from these two rare albums for this first-ever dedicated reissue. Bringing together the best of Silver Music (S.M. 2001) and Silver Men (S.M. 2002), this release retains the iconic stencil artwork but introduces a striking silver finish. This design choice honors the original ten-album sequence while shedding new light on these outstanding recordings -- works that remain, in every sense, golden.
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2LP
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WRJ 015GOLD-LP
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The Zelda Suites: a modern jazz reinterpretation of the music from the Legend Of Zelda, on special-edition gold vinyl. We Release Jazz presents the release of a limited-edition gold variant vinyl for Casimir Liberski ReTRio's The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey comes as limited edition of 300: 180g half speed mastered gold vinyl double LP housed in a heavyweight sleeve with obi. Casimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) -- plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.
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CD
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CDCR 157CD
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$24.00
PREORDER
RELEASE DATE: 7/17/2026
The score for Emanuelle e gli ultimi cannibali (Emanuelle And The Last Cannibals), a movie featuring the beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude listeners by preparing a variation on the theme that gives the Emanuelle flavor with alternate solutions, without falling in sterile self-quoting. If you thought earlier Emanuelle scores had a great rhythm now you shall face this new sound experience and it will leave you astonished! Liner notes written by Maestro Fidenco, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.
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LP
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DDJLP 032DLX-LP
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$43.50
PREORDER
RELEASE DATE: 7/17/2026
LP version. Blue color vinyl. Beat Records presents the world premiere of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe's Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments.
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DDJ 067CD
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$24.00
PREORDER
RELEASE DATE: 7/17/2026
Beat Records presents the world premiere of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe's Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments.
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MOVATM 459R-LP
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$38.00
PREORDER
RELEASE DATE: 7/10/2026
"Something Very Bad is Going to Happen is a Netflix horror series produced by the Duffer Brothers, the creative minds behind the global hit Stranger Things. The story follows engaged couple Rachel Harkin (Camila Morrone) and Nicky Cunningham (Adam DiMarco) in the tense week leading up to their wedding, as what should be the happiest time of their lives slowly unravels into a nightmarish descent of psychological terror and creeping dread. The narrative keeps guessing whether the threat they face is human, supernatural, or rooted in the couple's own fears and relationships, with eerie encounters, unsettling family dynamics, and haunting revelations. The series also features standout performances from seasoned actors Jennifer Jason Leigh and Ted Levine as members of the Cunningham family, along with Jeff Wilbusch, Karla Crome, Gus Birney, and Zlatko Buric. The music for the series is composed by Grammy Award-winning musician and composer Colin Stetson, renowned for his idiosyncratic use of saxophone in his projects. He has collaborated with acclaimed artists such as Bon Iver, Arcade Fire, and The National, amongst others. Scoring Something Very Bad is Going to Happen builds on Stetson's extensive experience in film and game music. He has composed soundtracks for films like the psychological horror Hereditary (2018) and the dark thriller The Menu (2022), as well as the epic Rockstar game Red Dead Redemption 2 (2018). For this series, Stetson delivers a suspenseful soundtrack, perfectly complementing the Duffer Brothers' signature storytelling. A must-have release for fans! Something Very Bad is Going to Happen is available as a limited edition on red colored vinyl and includes an insert."
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3LP
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GB 1574LP
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LP version. Five-time Oscar nominated composer George Fenton is comfortably one of today's most prolific and acclaimed British composers, having worked on numerous Ken Loach films including I, Daniel Blake, Hollywood moderns classics like Groundhog Day, and Hitch, and written the iconic TV theme for Newsnight. He is also a lifelong Manchester United fan, leading to his scoring of a new historical documentary, The United Way, which tells the epic story of one of the world's most successful football clubs ever. Fenton's musical underscoring adds gravitas and a sense of spiritual awakening to the film, which begins its journey in the early days of the club, in post-war, industrial Manchester. Recent events have shown that the history and city behind an organization as powerful and global as Manchester United are what matter to people most, and Fenton's inspiring soundtrack to The United Way emphasizes this whilst showcasing the club's core narrative in all its glory.
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Cassette
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SOL 206CS
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"Back in 1987, Clive Barker's supernatural body-horror classic Hellraiser hit cinemas worldwide and introduced audiences to the demonic Cenobites. Barker was a devoted Coil fan (Peter Christopherson and John Balance), and he famously said they were the only band he'd ever heard on record whose music he'd had to take off because, in his words, 'they made his bowels churn.' He initially invited them to compose the film's music, and the group began recording cues. But the producers at New World Pictures ultimately rejected the material in favor of a more traditional approach, bringing in Christopher Young, whose final score remains excellent, if less experimental. What remains from Coil is an unfinished soundtrack with surviving fragments and rough ideas, abruptly left behind mid-process, a glimpse into an alternate Hellraiser movie, one listeners can only fantasize into existence. Nearly 40 years after the first Soleilmoon cassette edition was released, key long-term collaborator and Coil's 'secret third member' Danny Hyde located the original Hellraiser studio session tapes, and the bonus material recovered from them is presented here as an 'expanded ritual' edition, reassembled into a standalone, possibly definitive and strangely beautiful nightmare suite. Play it in the dark and experience the consequences of raising hell. Notes by Danny Hyde. Original artwork by Trevor Brown."
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CD
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GB 1574CD
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Five-time Oscar nominated composer George Fenton is comfortably one of today's most prolific and acclaimed British composers, having worked on numerous Ken Loach films including I, Daniel Blake, Hollywood moderns classics like Groundhog Day, and Hitch, and written the iconic TV theme for Newsnight. He is also a lifelong Manchester United fan, leading to his scoring of a new historical documentary, The United Way, which tells the epic story of one of the world's most successful football clubs ever. Fenton's musical underscoring adds gravitas and a sense of spiritual awakening to the film, which begins its journey in the early days of the club, in post-war, industrial Manchester. Recent events have shown that the history and city behind an organization as powerful and global as Manchester United are what matter to people most, and Fenton's inspiring soundtrack to The United Way emphasizes this whilst showcasing the club's core narrative in all its glory.
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LP
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CSR 362LP
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LP version. 2026 repress; brown color vinyl. The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve.
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10"
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MOM 068LP
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$28.50
PREORDER
RELEASE DATE: 6/26/2026
Gadea's original soundtrack to In the Beginning, the new animated short film by director Ala Nunu, unfolds across three surreal, yet surprisingly real, stories about people and the world around them: a lunar probe's tardigrade cargo, 16th-century myths surrounding birds of paradise, and Hong Kong's pandemic-driven hamster cull. The film is a tonally absurd documentary-fiction essay on anthropocentrism and the human need to control narratives. This is Gadea's first musical accompaniment for animation. Collaborating with Marina Herlop on vocals, Gadea's sonic palette sits somewhere between field-recording minimalism, chamber electroacoustics, and the more fragile end of speculative composition.
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CD
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CSR 363CD
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Best known for his Nekromantik soundtracks (Dir. Jörg Buttgereit), Hermann Kopp composed and recorded his new soundtrack to the 1920 classic horror film Der Golem -- a leading example of early German Expressionism by Paul Wegener. First released in 1914, three versions of this material were made, but only the 1920 version is still available. Using violin, viola and electronic/synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered March 7, 2025 in a Parisian cinema near Place de l'Etoile -- by invitation of Vincent Glaume (organizer of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the '70s, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his Pop LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for Nekromantik, later in Der Todesking and finally in Nekromantik 2. He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
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BCM 9626CD
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Beat Records reissues the soundtrack by Ennio Morricone for the drama film La Scorta, directed in 1993 by Ricky Tognazzi, with a screenplay by Graziano Diana and Simona Izzo. Ennio Morricone is no stranger to the noir and crime genres. It was only natural for Morricone to continue his collaboration with Ugo Tognazzi's son Ricky, director of La scorta. At the time, Morricone prepared a 21-track assembly with a running time of approximately 49:21, derived from the stereo masters tapes of the original session. That material was first released on the premiere CD release and reissued in 2000 on CD and on vinyl. Thirty-two years after the original CD release and twenty-five years after the CD reissue, this thrilling soundtrack returns to the market on CD. To illustrate the drama and violence of the story, Morricone composed a soundtrack that draws deeply from his well-known sounds from the films of the '70s. This CD is truly essential for any collection dedicated to the musical genius of the immense Ennio Morricone.
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LP
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GET 52785LP
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$33.00
PREORDER
RELEASE DATE: 5/22/2026
"The '90s had some of the best hip-hop soundtracks to complement their respective movies, and were compilations that could stand on their own. From 1991 to 1994, there was New Jack City ('91), Boyz N The Hood ('91), Juice ('92), Menace II Society ('93), and Above The Rim ('94). In between these movies, in 1992, the writers of Back to the Future, Bob Gale, and Robert Zemeckis, brought us Trespass, starring Ice Cube and Ice-T in an inner-city treasure hunt set in an abandoned factory in St Louis. The movie didn't break any box office records, but it was an entertaining film nonetheless. What was better than the movie was the 12-song soundtrack, released in tandem with the movie, featuring some underrated gems by Lord Finesse, Black Sheep, Gang Starr, WC & the MAAD Circle, DJ Quik, affiliates Penthouse Playas Clique and AMG. And for the first time, Ice-T and Ice Cube linked up on a song together for the title track. They would reconnect on 2Pac's second album for Last Wordz. Out of print on vinyl since its original release in 1992, Get On Down is proud to resurrect this soundtrack with a limited-edition pressing on splatter colored vinyl."
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HBR 032LP
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$37.00
PREORDER
RELEASE DATE: 5/22/2026
"Composed by Maestro Franco Micalizzi for the cult 1984 film Non C'è Due Senza Quattro, starring the iconic duo Bud Spencer & Terence Hill in a rare fourfold role, this soundtrack captures the playful spirit and global flair of the film. Micalizzi delivers a vibrant and rhythm-driven score, infused with warm Latin influences, breezy melodies, and an unmistakable sense of lightness. The result is a richly entertaining listening experience that perfectly mirrors the film's humor, energy, and escapist charm. A joyful and sun-soaked addition to any collection, this release stands as both a nostalgic tribute and a testament to Micalizzi's enduring legacy in Italian cinema soundtracks -- best enjoyed, perhaps, with a well-mixed cocktail in hand."
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THROT 017LP
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Clark's latest film score is for We Bury the Dead, the Daisy Ridley-starring feature film. Limited to 500 copies for the world on color-within-color vinyl. Stunning artwork. Set in Tasmania and offering a fresh take on the zombie genre. Clark reveals the films emotional heart with tender strings and choral recordings, whilst underpinning with glorious bass sounds that could be taken straight from recent studio album Steep Stims. Plus the occasional requisite jump scare, pin drop tension and vocal eeriness.
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