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Search Result for Genre SOUNDTRACK
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LP
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MVLP 008LP
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$33.00
PREORDER
RELEASE DATE: 4/3/2026
"Experience the intense score for the 1987 gore-fest, Retribution! Score composed by horror and sci-fi legend Alan Howarth, known for his iconic scores for films such as: Halloween II-V, Christine, Prince of Darkness, Escape From New York, They Live, and Big Trouble in Little China (Many of Howarth's most famous scores were composed in collaboration with John Carpenter). This special release is pressed on striking Green and Blue Pinwheel Vinyl and includes an insert featuring liner notes from the composer."
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2LP
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MVLP 012LP
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$37.00
PREORDER
RELEASE DATE: 4/3/2026
"Score composed by Gerhard Heinz. The score was composed by Gerhard Heinz, an influential figure in '60s and '70s European exploitation cinema music. Born on September 9, 1927, in Vienna, Austria, Heinz started his career as a young composer, lyricist, and pianist in the 1960s. He initially composed scores for German and Austrian B and C-grade comedies and sleazy soft-core action thrillers. Traveling frequently between Vienna and Munich, Heinz quickly became highly sought after for porn soundtracks. His distinctive music blended an infectious soul jazz sound with heavy funk and disco flavors. Over his career, Gerhard Heinz composed over 130 scores for a wide variety of films, though he remains best known for the music he contributed to the exploitation genre."
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CD
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CSR 363CD
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$15.50
PREORDER
RELEASE DATE: 3/27/2026
Best known for his Nekromantik soundtracks (Dir. Jörg Buttgereit), Hermann Kopp composed and recorded his new soundtrack to the 1920 classic horror film Der Golem -- a leading example of early German Expressionism by Paul Wegener. First released in 1914, three versions of this material were made, but only the 1920 version is still available. Using violin, viola and electronic/synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered March 7, 2025 in a Parisian cinema near Place de l'Etoile -- by invitation of Vincent Glaume (organizer of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the '70s, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his Pop LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for Nekromantik, later in Der Todesking and finally in Nekromantik 2. He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
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6CD
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SPDM 030CD
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$43.50
PREORDER
RELEASE DATE: 3/13/2026
6CD box set from Digitmovies. Includes soundtracks for Angelo Lavagnino's Venere Imperiale, Mario Nascimbene's Uomini E Lupi, and Angelo F. Lavagnino, La Maja Desnuda. Venere imperiale (aka "Imperial Venus") was directed in 1962 by Jean Delannoy and starred Gina Lollobrigida, Stephen Boyd, and Gabriele Ferzetti. Originally, C.A.M. released a 33 rpm LP which was then reissued on a CAM CD in 1991 and contained thirteen selections in mono with a total of 47:15 minutes. By looking at the cue sheets attached to the mono master tapes of the original sessions, Digitmovies realized that most of the tracks on the album were in fact suites assembled by the author at the time for record purposes. So thanks to the master tapes stored in optimal condition, the label could create the definitive presentation of this important International movie OST on a double CD. The orchestra was masterfully conducted by Carlo Savina. Uomini e lupi (aka "Men and Wolves") was directed by Giuseppe De Santis in 1956. For this double CD set Digitmovies has used the master tapes in mono of the recording sessions from 1956 well preserved until today which allowed us to use every note recorded, including alternate versions, choral pieces and pieces with solo male. A proper rescue and preservation of the Italian Golden Age, the music art of Mario Nascimbene and a sincere tribute to the land of Abruzzo which with its natural beauty has been the backdrop for the film. La Maja desnuda (aka "The naked Maja") was directed in 1958 by Henry Koster and Mario Russo and starring Ava Gardner, Anthony Franciosa, and Gino Cervi. At the time, in Italy, a vinyl album on the label Fonit Cetra was released and with partially different selections on the United Artists LP issued in America that, despite did feature the writing stereo on the sleeve was absolutely in mono. For Digitmovie's double CD project, the label had access to master tapes in mono of the original recording session with conducting of Carlo Savina. In addition to the material of the previous CD that have sequenced with the film music sequence with the "finale" rightly at the end of the tracks list, the label has discovered fabulous in-edit material.
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AWE 003CD
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$16.00
PREORDER
RELEASE DATE: 3/13/2026
Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone -- a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining -- the film traces a descent into one of Earth's last untouched ecosystems. Charrière's film reveals the deep not as void, but as a luminous biome teeming with fragile life: bioluminescent creatures, swirling schools of fish, and elusive predators. The suspended lens becomes an abyssal campfire, attracting species caught in the tides of uncertainty, their futures hanging in the balance. Echoing this tension, Halo's compositions evoke a sensory freefall, where gravity falters and light and sound flicker in uncertain rhythms. Midnight Zone is a sonic drift through the space between what we seek to extract, fail to understand, and must protect. Halo's score evokes the life that exists beyond a physical airbound capacity. The material features long, subtle passages of electro-acoustic ambient, drone and sound design, slowly flowing and unfolding with rich detail. The music, composed largely on a Montage 8 synthesizer and Yamaha TransAcoustic piano at the Yamaha studios in New York City, possesses an uncanny quality: that of synthetic waveforms being amplified and sung through the stringboard of the physical body of the TransAcoustic piano. Combined with stacks of violin and viol da gamba, the music on Midnight Zone possesses trace elements of a human hand in an otherwise sunken landscape. Patient, submerged, and alive. The album will be the third on Halo's imprint, Awe. The film is central to Charrière's current solo exhibition Midnight Zone. The exhibition engages with underwater ecologies, exploring the complexity of water as an elemental medium affected by anthropogenic degradation. Reflecting upon its flow and materiality, profundity and politics, its mundane and sacral dimensions, the solo show acts as a kaleidoscope, inviting us to dive deep.
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LP
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AWE 003LP
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$31.50
PREORDER
RELEASE DATE: 3/13/2026
LP version. Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone -- a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining -- the film traces a descent into one of Earth's last untouched ecosystems. Charrière's film reveals the deep not as void, but as a luminous biome teeming with fragile life: bioluminescent creatures, swirling schools of fish, and elusive predators. The suspended lens becomes an abyssal campfire, attracting species caught in the tides of uncertainty, their futures hanging in the balance. Echoing this tension, Halo's compositions evoke a sensory freefall, where gravity falters and light and sound flicker in uncertain rhythms. Midnight Zone is a sonic drift through the space between what we seek to extract, fail to understand, and must protect. Halo's score evokes the life that exists beyond a physical airbound capacity. The material features long, subtle passages of electro-acoustic ambient, drone and sound design, slowly flowing and unfolding with rich detail. The music, composed largely on a Montage 8 synthesizer and Yamaha TransAcoustic piano at the Yamaha studios in New York City, possesses an uncanny quality: that of synthetic waveforms being amplified and sung through the stringboard of the physical body of the TransAcoustic piano. Combined with stacks of violin and viol da gamba, the music on Midnight Zone possesses trace elements of a human hand in an otherwise sunken landscape. Patient, submerged, and alive. The album will be the third on Halo's imprint, Awe. The film is central to Charrière's current solo exhibition Midnight Zone. The exhibition engages with underwater ecologies, exploring the complexity of water as an elemental medium affected by anthropogenic degradation. Reflecting upon its flow and materiality, profundity and politics, its mundane and sacral dimensions, the solo show acts as a kaleidoscope, inviting us to dive deep.
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LP
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CSR 362LP
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$33.00
PREORDER
RELEASE DATE: 2/27/2026
LP version. Red color vinyl. The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve.
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CD
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CSR 362CD
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$15.50
PREORDER
RELEASE DATE: 2/27/2026
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. CD comes in matt-laminate gatefold ecopak. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve (CSR 362LP).
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LP
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WRWTFWW 119LP
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$41.00
PREORDER
RELEASE DATE: 2/27/2026
WRWTFWW Records presents a limited-edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal "Cristo" Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more). This collector's edition presents Tapia de Veer's complete original score for the critically acclaimed feature film PONYBOI -- a bold, genre-defying neo-noir tale directed by Esteban Arango and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon's world-renowned legacy. Vivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own -- an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film's world of danger, desire, identity, and survival on a single wild New Jersey night. It's daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse. The LP showcases Cristobal Tapia de Veer's uncanny ability to blend experimental sound design with narrative emotion -- a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus. This new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.
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CD
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DDJ 037DLX-CD
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$28.00
PREORDER
RELEASE DATE: 2/20/2026
Beat Records presents a reissue of Ennio Morricone's score for the cult western My Name Is Nobody, directed in 1973 by Tonino Valerii and starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli, Benito Stefanelli, R.G. Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, and Antoine Saint John. Ennio Morricone composed one of the soundtracks most beloved by his fans around the world, using elements typical of his genius, such as Alessandro Alessandroni's whistling, the voice of Edda Dell'Orso (and many other highly esteemed soloists), but also mixed with some sonic innovations, such as in "Mucchio Selvaggio," where the composer even ventures to include Wagner's "Ride of the Valkyries." This CD was created using the stereo/mono masters of the original session, with a total running time of 74:21. Mastering by Claudio Fuiano, production notes by Andrea Morandi, graphic layout by Daniele De Gemini.
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2LP
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MVLP 015LP
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$38.00
PREORDER
RELEASE DATE: 2/13/2026
"Troma Triple Feature Soundtrack 2LP features the film scores from Story of a Junkie (1985), Sugar Cookies (1973), and Scream Baby Scream (1969). It was made to bring that gritty 42nd Street grindhouse vibe straight to your speakers. All the sleaze and chaos of 1980's NYC safely contained on vinyl."
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LP
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SME 092LP
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Sonor Music Editions presents the definitive reissue of Piero Piccioni's often unheralded soundtrack to the 1969 bittersweet Italian comedy classic Amore Mio Aiutami (Help Me, My Love), starring two giants of Italian cinema, Monica Vitti and Alberto Sordi. This soundtrack is a prime example of Piccioni's immense talent as a composer of timeless, lushly orchestrated lounge music -- a masterpiece of its era that rightfully deserves its place alongside his most cherished works from the same period, such as Colpo Rovente, Camille 2000, Appassionata, Il Dio Sotto La Pelle, and Travolti Da Un Insolito Destino Nell'Azzurro Mare D'Agosto (Swept Away). In recent years, it has found new life in the age of streaming, being extensively rediscovered and sampled within the hip-hop and lo-fi communities. Maestro Piero Piccioni remains one of the brightest shining stars among Italian composers from the golden age of cinema, soundtracks, and library music. With a prolific career that includes more than 300 film scores, Piccioni began his journey in the world of cinema in Rome during the 1950s. At the time, he was practicing law but soon began composing for film, developing a particularly close working relationship with directors Francesco Rosi and Alberto Sordi. Among his vast body of work -- especially his collaborations with Sordi -- Amore Mio Aiutami stands at the pinnacle of Piccioni's oeuvre, showcasing his style of composition and production. The score moves seamlessly from sophisticated bossa and lounge pieces like "Amanda Strain," "North Pole Penguin," and the versions of "Bossa Per Alberto" -- performed with a smaller jazz combo -- to dreamy vocal pieces by Nora Orlandi and her choir, including "Miss Luna Special," "Luna Amore E No," and "Luna Non Sei Nessuna," featuring British actress and dancer Gloria Paul. The highlight, however, perhaps remains the pastoral main theme, where romantic strings intertwine with Piccioni's unmistakable sound and bittersweet melodies -- forever linked to Italian Commedia all'italiana films, of which Amore Mio Aiutami is a prime example. This revitalized reissue of Piero Piccioni's Amore Mio Aiutami soundtrack has been carefully remastered by Jonathan Dakers, lacquer-cut by Jukka Sarapää at Timmion Cutting, and packaged in a thick cardboard tip-on sleeve with fully restored artwork. It also includes two versions of "Bossa Per Alberto" as bonus tracks.
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5CD BOX
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SPDM 027CD
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5CD themed box set. Features OSTs from new horror and thriller movies. Featuring Basement's Glare, Luigi Seviroli, Vito Lo Re, and Maurizio Abeni. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone," which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Digitmovies also presents on CD the original soundtracks, from the movies Io sono l'abisso and La ragazza nella nebbia. Finally, Digitmovies presents on CD the original motion picture soundtrack by Maurizio Abeni from the movie, directed by Sergio Stivaletti, Rabbia furiosa.
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LP
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PD 042LP
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The collaboration between Anthony Moore and filmmaker David Larcher began in the late '60s, at the start of both their respective careers and lasted many years. Following on from the 2024 release of the soundtrack to Mare's Tail (PD 041LP) (the first collaboration with Larcher) comes the release of the soundtrack to his second film, Monkey's Birthday. This LP is a condensation of the essence of this six-hour film. The sound is partly taken directly from the existing soundtrack and partly from stereo masters that have survived through the decades. Shot and edited between 1973 and 1975 this epic film moves through a variety of landscapes, both physical and abstract. It was filmed in various locations, starting in Germany and moving through Hungary, Romania and most substantially in rural Turkey. In large part this is a road movie that takes the filmed events and locations and uses them as sources for further experimentation. In much the same way, the location recordings made by Anthony Moore are used as raw material for creating much of the soundtrack, working from a battery powered studio in the back of his truck in this east bound convoy. The previously released excerpt, "Plains Of Hungary (ReR Quarterly Vol.2 No.1)" is included on this album in its rightful place among the collages of Islamic chant, field recordings, tape loops, jam sessions etc. Heathcote Williams is also in the mix reading from esoteric texts. Also feature, alongside various voices from the crew and general public, is a repeated theme using the looped cut up voice recordings from the two other members of Slapp Happy (Dagmar Krause and Peter Blegvad), who took to the road for part of this grueling journey. Comes with large four-sided insert. Numbered edition of 500.
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4CD BOX
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SPDM 029CD
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4CD themed box set of horror movie OSTs. Featuring soundtracks from Giuliano Sorgini, Marcello Giombini, Franco Piersanti, and Carlo Maria Cordio. Giuliano Sorgini has composed a very macabre, avant-garde, and perfect score to describe the struggle between good and evil. The composer has created sonic dimensions with infernal tones, abstract bands, scary effects, which also feature the recognizable voice of Edda Dell'Orso, organ music to describe the figure of the exorcist priest, and Gregorian-flavored pieces. Using the master tapes from the original recording session (including the LP), Digitmovies was able to discover additional unreleased material, such as alternate versions of those included on the album. Marcello Giombini experimented with symphonic music, electronic music and also religious music with a rock beat during his career. For cinema he wrote numerous OSTs including the well-known ones from the Sabata Trilogy of Spaghetti Westerns. For this CD Digitmovies was able to use the mono master tapes from the original recording session. Digitmovies also presents, for the very first time in complete edition on CD, two Franco Piersanti's OSTs, one for the horror movie Spider Labyrinth, with Sergio Stivaletti's special effects, and one for the psychological thriller for TV Una prova d'innocenza. Carlo Maria Cordio is without any doubt a specialist of the genre. For this movie Cordio has written an orchestral -- electronic score with a very American sound concerning the instrumentation of the dissonant strings and of the brass clusters. The terrible murders are scored with a large number of mysterious, suspenseful and often gloomy motifs where the cleverness and creativity of Cordio give interesting results.
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5CD BOX
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SPDM 028CD
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Digitmovies Collection Box: Thriller is a 5CD themed box set featuring soundtracks from Carlo Savina, Mario Bertolazzi, Stefano Torossi, Guido & Maurizio De Angelis, and Trans Europa Express. Carlo Savina's OST for Il Tuo Dolce Corpo Da Uccidere is presented for the absolute first time on CD. For this CD, Digitmovies were able to use everything that was found on the mono master tapes from the original recording session. Carlo Savina composed a recurring main score with a mysterious feminine voice which develops into a shake and is alternated with sometimes calm passages and sometimes violent noir and bossa nova lounge music. Mario Bertolazzi was a jazz musician who starred in TV programs from the 1950s. For The Silkworm, Bertolazzi composed a main score in music-hall style for Smeralda, the failed singer in the film, which is repeated with instrumental variations and also a vocal French version. This excellent OST has been released in its complete version on CD for the first time ever, using the master tapes in full stereo from the original recording session. Stefano Torossi composed a lounge-style score where the Noir side of the story is contrasted with a danceable shake. There are also plenty of romantic themes as well as an atmosphere of suspense typical of giallo films. For Digitmovie's CD we were able to access the master tapes in mono from the original recording session. This new revised CD version of Guido & Maurizio De Angelis' OST for Il Gatto Dagli Occhi Di Giada carries the top eleven tracks in stereo version (identical to the 1973 unpublished album and to the 1999 CD) and the following 22 tracks in mono version. Guido & Maurizio De Angelis composed an OST which was perfect for the scenes but which also has its own life outside of the movie, where a quite cheerful and pop main theme alternates with mysterious and suspended ones, at times with dark and frightening voices. Finally, Digitmovies reintroduces the remarkable progressive avant-garde rock soundtrack based on Antonio Bido's 1977 cult movie Watch me when I kill. Music is written and performed by Trans Europa Express. For this CD the label used the recording session's master stereo tapes. Its progressive style follows the band's origins.
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2LP
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WRWTFWW 121LP
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WRWTFWW Records presents a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print. Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes. The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work. The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.
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LP
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MVLP 010LP
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"Charles Band's Parasite (1982) soundtrack. Experience the post-apocalyptic desolation and terror of the 1982 cult classic, Charles Band's Parasite, on this new vinyl pressing! The chilling score, composed and conducted by the legendary Richard Band (known for Re-Animator, From Beyond, Ghoulies, Troll, and more), is now available on wax. This collector's edition features 'Parasitic Sludge.' Includes inserts featuring notes written by Richard Band himself. Bonus poster: a huge 24x36 fold-out poster of the film artwork."
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LP
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RBL 099LP
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"This exclusive vinyl edition features the haunting soundtrack from Jenifer, the unforgettable episode directed by Dario Argento for the acclaimed Masters of Horror series. Composed by maestro Claudio Simonetti (Goblin). The score fuses dark electronic tones with terrifying orchestral strings, perfectly capturing Argento's signature blend of beauty and terror. A must-have for collectors and fans of Italian horror cinema. For the first time on Vinyl -- limited edition 400 copies on colored vinyl."
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2CD
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LPS PS019CD
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The legacy of wipE′out″ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn't just revolutionize the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground. Decades later, the game's impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out″'s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack. This is why Lapsus decided to go deeper into the slipstream and build the second volume you're now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn't fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga -- wipE′out″ HD and wipE′out″ Pure -- plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise. Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE's pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum and bass vanguard. Expect the DNA you remember -- accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft's hull, and at times even echoes of classic hardstyle -- now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. For the faithful -- crate-digging ravers, speed-run obsessives, and design nerds -- this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out″ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.
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3LP
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LPS PS019LP
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Triple LP version. The legacy of wipE′out″ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn't just revolutionize the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground. Decades later, the game's impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out″'s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack. This is why Lapsus decided to go deeper into the slipstream and build the second volume you're now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn't fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga -- wipE′out″ HD and wipE′out″ Pure -- plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise. Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE's pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum and bass vanguard. Expect the DNA you remember -- accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft's hull, and at times even echoes of classic hardstyle -- now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. For the faithful -- crate-digging ravers, speed-run obsessives, and design nerds -- this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out″ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.
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CD
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FLIES 075CD
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"On 26 August 1975, Nude Per L'Assassino (also known as Strip Nude for Your Killer) landed in Italian cinemas. It was the sexiest, sleaziest, and most unhinged giallo film of the decade. Four Flies Records now makes a landmark announcement: the original soundtrack, long thought lost to time, has been found. This marks its first-ever release, presented in a lavish CD edition meticulously remastered from the original 8-track tapes. The score, composed by Berto Pisano and Elsio Mancuso is an intoxicating and lethal brew: jazz-funk grooves, highly charged lounge atmospheres, chilling dodecaphonic suspense, and sweeping orchestral themes. All of it crowned by Edda Dell'Orso's magnetic, otherworldly voice at one of her career's absolute peaks. Believed to be gone and vanished forever, this soundtrack has obsessed collectors and fans of Italian film scores for decades. And yet, there it was, forgotten in a dusty cellar. It may sound like an urban legend, but it's true. So, we can finally listen to a proper, stand-alone, official edition of one of the most beautiful soundtracks from the '70s, a true manifesto of the Italian erotic sound, but also a testament to the skill with which Italians could lift American funk and imbue it with a unique, visionary spin that was entirely their own. This soundtrack is the very soul of the film, hidden for far too long, now gloriously brought into the light. A forbidden dream made real."
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LP
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MOVATM 448LP
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"Based on Denis Johnson's beloved novella, Train Dreams is the moving portrait of Robert Grainier, a logger and railroad worker who leads a life of unexpected depth and beauty in the rapidly-changing America of the early 20th Century. The Netflix film features the music of Bryce Dessner, who blends classical influences with a modern sensibility. Dessner has been a member of the successful rock band The National for years. In the past years he becomes more and more known for scoring contemporary films, such as C'mon C'mon, Sing, Sing and The Two Popes. The final song on this album features none other than Nick Cave, making this a real must-have. Train Dreams is available as a limited edition on orange & black marbled vinyl and includes an insert."
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LP
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SSR 162LTD-LP
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$31.50
PREORDER
RELEASE DATE: 12/5/2025
Color vinyl version. Featuring Svetlana Spajić-Latinović on vocals (also lead singer for the amazing trio Gordan featuring Guido Möbius and producer Rabih Beaini), Back to Hermetics and Martial Arts Vol. 1 is an epic adventure through the invisible worlds of Neoplatonic cinema. From mockumentaries about the lost books of occult correspondences, through psychedelic surf noir chambers with ritual suppers, and giallo screams of the world squished by the chthonic grasp, to the original footage of the victorious Belgrade-Dharamsala bicycle marathon of 1931, Morriconesque spaghetti western theophanies, and the saving grace of the Heart pierced by Seven Swords, the album delivers nine movie themes that combine various musical elements into a unique work of cinematic alchemy.
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LP
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SSR 162LP
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$26.00
PREORDER
RELEASE DATE: 12/5/2025
Featuring Svetlana Spajić-Latinović on vocals (also lead singer for the amazing trio Gordan featuring Guido Möbius and producer Rabih Beaini), Back to Hermetics and Martial Arts Vol. 1 is an epic adventure through the invisible worlds of Neoplatonic cinema. From mockumentaries about the lost books of occult correspondences, through psychedelic surf noir chambers with ritual suppers, and giallo screams of the world squished by the chthonic grasp, to the original footage of the victorious Belgrade-Dharamsala bicycle marathon of 1931, Morriconesque spaghetti western theophanies, and the saving grace of the Heart pierced by Seven Swords, the album delivers nine movie themes that combine various musical elements into a unique work of cinematic alchemy. Also available on color vinyl (SSR 162LTD-LP).
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