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Search Result for Genre SOUNDTRACK
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LP
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CSR 272LP
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$25.50
PREORDER
RELEASE DATE: 9/27/2019
Cold Spring Records announce the first ever official physical release of the soundtrack to Lars Von Trier's controversial film Antichrist, originally released in 2009. Ten years after the film's initial release, the extreme, provocative performances from Willem Dafoe and Charlotte Gainsbourg in Antichrist still have the power to shock, repulse, and divide. The sound design by Kristian Eidnes Andersen with Lars Von Trier was composed using only natural sounds and samples (including internal body recordings). Each element was recorded specifically for the film and overseen by Von Trier, including a brand new, somber performance of Händel's "Lascia Ch'io Pianga", recorded in Kastelskirken church in Copenhagen, 2009. Pressed onto heavyweight 180 gram vinyl with an etched B-side; housed in a heavy 350gsm full-color sleeve featuring the original theatrical release artwork, approved by the director.
Award-winning Danish composer Kristian Eidnes Andersen has produced music and sound design for films, television, and documentaries for 30 years, notably working with Lars Von Trier on the films Antichrist, The House That Jack Built (2018), Dancer In The Dark (2000), Melancholia (2011), and Nymphomaniac (Vol I & II) (2013).
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CD
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PAN 098CD
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$16.50
PREORDER
RELEASE DATE: 9/27/2019
Deriving from the acclaimed performance and exhibition -- staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation -- the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event. Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organizing the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. The album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy. Faust is anchored around three pieces -- "Medusa's Song", "O.W.E.N.", and "Queen Song" -- written and sung by performers Eliza Douglas and Franziska Aigner. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act -- the brutal chorus of Douglas' "Faust's Last Song", a pulsing canon of looped and layered voice pierced by black metal screams -- the record admits the listener into the inner space of Imhof's dramatic vision of power, complicity, and vulnerability. Faust shifts hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity. The release of Faust illustrates the centrality of music to Imhof's artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof's Angst (2016) and recently her performance trilogy Sex (2019). Includes expansive booklet of photography by Nadine Fraczkowski. Mixed by Nanni Johansson at Hansa Studios and Ville Haimala; mastered by Rashad Becker at Dubplates & Mastering. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin/Cologne/New York.
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2LP
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PAN 098LP
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$27.50
PREORDER
RELEASE DATE: 9/27/2019
Double LP version. Deriving from the acclaimed performance and exhibition -- staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation -- the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event. Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organizing the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. The album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy. Faust is anchored around three pieces -- "Medusa's Song", "O.W.E.N.", and "Queen Song" -- written and sung by performers Eliza Douglas and Franziska Aigner. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act -- the brutal chorus of Douglas' "Faust's Last Song", a pulsing canon of looped and layered voice pierced by black metal screams -- the record admits the listener into the inner space of Imhof's dramatic vision of power, complicity, and vulnerability. Faust shifts hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity. The release of Faust illustrates the centrality of music to Imhof's artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof's Angst (2016) and recently her performance trilogy Sex (2019). Includes expansive booklet of photography by Nadine Fraczkowski. Mixed by Nanni Johansson at Hansa Studios and Ville Haimala; mastered by Rashad Becker at Dubplates & Mastering. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin/Cologne/New York.
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RBL 069-2LP
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$38.00
PREORDER
RELEASE DATE: 9/27/2019
"Finally, Demons 2 soundtrack is Available. Definitive release of the Iconic Horror Movie directed by Lamberto Bava and produced by Dario Argento Simon Boswell combines dark electronic prog grooves with violently smashing rock. The result is an epic musical score rich with analog synthesizers, guitars, tense rhythms and Boswell's signature atmospheres. Welcome to the world of demons. Contains unreleased tracks and a remixed track by Motion Kapture."
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LR 001LP
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$46.50
PREORDER
RELEASE DATE: 8/30/2019
Collector's first-ever LP release famous Japanese composer Taro Iwashirô's original soundtrack of the thriller masterpiece Memories Of Murder, (2004), directed by Boong Joon Ho (Parasite, 2018). The first and exclusive LP release for the soundtrack of Memories Of Murder, the film that changed modern thrillers forever and revealed acclaimed director Bong Joon Ho, winner of the 2018 Cannes Palme d'Or with Parasite. Composed by Taro Iwashiro, talented Japanese composer of 60 original soundtracks, including epic scores for John Woo's Red Cliff (2008) and major video game Onimusha 2 (2002). Score entirely remastered by Sean Magee at Abbey Road Studios, at 45rpm to ensure exceptional sound quality. Comes in gatefold sleeve; Sleeve designed by All City Media (designers of Nicolas Windin Refn's platform ByNWR.com); Printed inner sleeves with stills form the movie. Pressed at Pallas; edition of 1000.
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WM 009CD
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The original score music by Alexandre Desplat for the film Every Thing Will Be Fine by Wim Wenders, originally released in 2015. Together with the Göteborgs Symfoniker (Gothenburg Symphony Orchestra), Alexandre Desplat recorded the score music for Wim Wenders's last feature film in February 2015. It is a unique orchestral work, conveying the emotional journey of the film's protagonists. The perfectly arranged motifs and themes of the recordings gives the listener the opportunity to feel that journey and see images with closed eyes. Even if you had not seen the film, the subtle arrangement of the music and the orchestra's superb performance makes the score's music a unique experience. The 20 instrumental tracks are a true work of contemporary classical film music. Either for classic aficionados or background music, this album has it all -- written, composed, and performed by some of the best artists in their field today. The soundtrack compiles 20 tracks with all themes from the film. The film was premiered at Berlinale (Berlin Film Festival) in February 2015.
Fascinated by both music and film, French composer Alexandre Desplat decided to pursue a career as a composer of movie scores. Starting with Ki Lo Sa? in 1985, his scores for television and film had reached a total of 100 by 2007. In these works, he developed a contemplative style that did not attempt to respond on a point-by-point basis to the action onscreen, but rather set its own complementary mood. He began to attract attention in the US with The Luzhin Defence in 2000, which had a soundtrack album released in America by Silva Screen Records. His music for Girl with a Pearl Earring (2003) earned a Golden Globe nomination, and with that recognition he began to work increasingly on English-language films distributed by the Hollywood studios, including Birth (2004), The Upside of Anger (2005), Hostage (2005), Casanova (2005), Syriana (2005) (also nominated for a Golden Globe), Firewall (2006), and The Painted Veil (2006) (a Golden Globe Award winner), all of which produced soundtrack albums. The Queen (2006) earned him his first Academy Award nomination. As of today, Desplat composed score music to more than 150 films and received an Oscar for the Original Score to The Grand Budapest Hotel (2014). The soundtrack of The King's Speech reached #15 of the US Billboard Charts in 2011.
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FOX 010LP
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Alternative Fox present a reissue of Piero Umiliani and Chet Baker's original soundtrack for Smog, originally released in 1962. As noted for the label's Il Paradiso Dell'uomo (FOX 001LP) soundtrack release, Italian film composer Piero Umiliani was responsible for over 200 original motion picture soundtracks during his long and varied career, creating 35 television theme songs and 40 music library albums. Born in Florence in 1926, he began to receive international recognition in 1958 for his work on the soundtrack of the comedic crime film I Soliti Ignoti (also known as Persons Unknown, Le Pigeon or Big Deal on Madonna Street, depending on the territory), which featured the contribution of jazz trumpeter and actor Chet Baker, an alumnus of Stan Getz, Charlie Parker, and Gerry Mulligan's bands that enjoyed a successful solo career, both in the US and in Europe, despite longstanding issues with heroin addiction. In 1961, Umiliani and Baker joined forces again for the soundtrack of the film Smog, a complicated courtroom drama about an Italian lawyer's travels to Los Angeles, which resulted in all manner of unexpected escapades. Baker features prominently on the moody theme song, the unexpected swing of "Thinkin' Blues", the terse melody of the aptly-titled "Tension", the lingering moodiness of "Alone In A Crowd" and the intense edginess of "Twilight At Los Angeles"; Helen Merrill contributes an alternate reading of the theme song in vocal form and a sultry number called "Dawn". The remainder is pure Umiliani, mostly in the form of heavily-orchestrated big-band jazz, fitting music for a silver-screen venture.
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CD
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BCM 9583CD
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Beat Records presents for the first time on CD the complete edition of the soundtrack by Piero Piccioni for L'Italia Vista Dal Cielo, a series of fourteen documentaries directed by Folco Quilici from 1966 to 1978, all commissioned, sponsored, and produced by Italian Esso with the aim of portraying the scenic, artistic and architectural beauties of each region of Italy with aerial shots taken by helicopter. The most prestigious theaters were chosen in the capitals of the interested regions, such as the Teatro La Fenice in Venice, the Teatro Massimo in Palermo, the Teatro Argentina in Rome, the Teatro Nuovo in Milan, the Teatro San Carlo in Naples, the Petruzzelli Theater in Bari and the Municipal Theater in Bologna, screened in the presence of political, civil, cultural, and religious representatives. The films were also shown in schools and universities and in the main cities of each region, eventually also disseminated abroad with English, French, German, and Spanish versions. Numerous screenings were organized together with the Italian embassies and institutes of culture through an agreement with the Ministry of Foreign Affairs. The films were put on display at fairs, Italian festivals, and other events. Presented here are the beautiful scores by Piccioni for the L'Italia Vista Dal Cielo episodes "Emilia," "Marche", and "Sicilia" in their entirety, assembled from the stereo master tapes of the original recording sessions. Previously, only one mono track called "Primavera" was issued on a C.A.M. library LP. For the regions "Emilia" and "Marche," Piccioni composed a score that is a true hymn to the joy of living. The main titles theme ("Primavera") provides the background for the aerial shots of colorful balloons flying in the background of a blue sky with green landscapes below, a perfect marriage of music and image. The pleasing motif is performed by a symphonic orchestra with beat arrangements. Piero Piccioni reprises this main theme with many wonderful versions, including Latin American, beat, sacred, cheerful, sad, slow, fast, etc., each allowing the listener to realize the greatness of this musician. For the "Sicily" region, Piero Piccioni wrote pastoral passages of rare beauty with sparse instrumentation including organ, guitar, flute, and oboe. This CD represents another wonderful addition to the ever-growing discography of Piccioni. Jewel case with a 12-page booklet designed by Alessio Iannuzzi. Mastering and liner notes by Claudio Fuiano.
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CD
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CFS 003CD
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Beat Records release for the first time on CD -- complete and in stereo -- the scores by Riz Ortolani for the comedy movies Un Caso Di Coscienza, directed in 1970 by Giovanni Grimaldi, and Non Commettere Atti Impuri, directed in 1971 by Guilio Petroni. For Un Caso Di Coscienza, Ortolani composed a wild shake theme that is introduced in the opening titles in a vocal version (with lyrics by the actor Fiorenzo Fiorentini and orchestra conducted by Natale Massara) performed by Il Supergruppo. This beat motif is revisited throughout the film in different versions and for the party scene in the Baron Favara palace. Ortolani composed other motifs for a magical and mysterious theme with ancient flavor for flutes and guitar, another danceable shake, an evocative piece with solo organ for the mass scene, and atmospheric lounge music for romantic or dining sequences. Beat Records used everything that was recorded in stereo during the recording session, stored in the private archives of the Ortolani family. The cue sheets indicate that track 12 was considered for a single that was never released, but in 1970 the song featured in the opening titles was officially released on Ricordi LP with the title Il Supergruppo, formed by members of other bands known in the '60s: Victor Sogliani of Equipe 84, Mino Di Martino of Giganti, Gianni Dall'Aglio of Iribelli, Petruccio Montalbetti of Dik Dik, and Ricky Gianco who supervised the production of the 33rpm. There is also a promotional white-label single featuring the song (same piece on both sides). For Non Commettere Atti Impuri, Ortolani composed a brilliant soundtrack that opens with a lively, beat-flavored main theme introduced in "Titoli Di Testa" and reprised as a shake. For the tender love story between the boy and girl, Ortolani composed a delicate motif with several variations, an agitated theme for psychedelic organ and percussion, religious music for organ and organ with Gregorian chant, and sensual music for the scenes with Barbara Bouchet, The main theme is reprised in the finale with rock guitar and brass, the middle portion featuring drums in a shake tempo with Gregorian chant. The material from Non Commettere Atti Impuri comes from the stereo master recordings stored in Beat Records' archives. Co-produced by Claudio Fuiano for CFSoundtracks and Daniele De Gemini for Beat Records. Mastering by Claudio Fuiano and Enrico De Gemini.
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LP
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DDJ 003LP
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Finally, an important void in Guido & Maurizio De Angelis's discography is filled. Nearly 40 years since its theatrical release in 1982, one of the most long-awaited scores for the fans of the two Roman musicians is now available. Directed by Michele Lupo and starring Bud Spencer and Jerry Calà, the movie tells the story of an ex-pugilist who is given the chance to amend an old wrong he suffered while supporting the cause of a young athlete's gym. For this soundtrack, the two brothers build a score based on the theme "Fantasy", a very popular cue held dear by generations of cartoons lovers since this melody is also the Italian main title of "Galaxy", the famous cartoon that follows the adventures of two heroes onboard a space train. Another theme is the Italian answer to the Philadelphia Rocky fanfares composed by Bill Conti few years before, a cue that keeps an epic and sporty tone but more in line with the comedy aura of that movie. Also present are other cues synchronized with the movie's key scene, as variants of the two main themes or as alternate solutions. The CD is presented as a deluxe edition in the DDJ DLX series, mastered from the original elements and remastered by Enrico De Gemini and arranged in film sequence with the addition of some bonus tracks and outtakes. Includes a full-color, 12-page booklet with liner notes by Daniele De Gemini and original artwork painted by Renato Casaro, kindly granted by the artists.
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LP
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SME 057LP
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Sonor Music Editions present a reissue of Alberto Baldan Bembo'sL'Amica Di Mia Madre, originally released in 1975. This spellbinding soundtrack by the cult maestro Baldan Bembo is another exotica jewel from the Italian film music golden era. Original music for the erotic drama movie L'amica Di Mia Madre starring Barbara Bouchet and Carmen Villani, and directed by Mauro Ivaldi. Stunning, sophisticated, and groovy orchestral themes and arrangements with refined lounge softcore vibes/soft jazz, as well as psychedelic cues with tribal, exotic, and disco-driving moods. Superior score music alongside the strict partner Lingua D'Argento (SME 054LP, 2018) with dreamy orchestrations and Fender piano/groovy samba beats and bouncing jazz/outstanding Bossa styles and bewitching disco strings/Brazilian-influenced sound with exquisite tropical suites, and so on. Gatefold sleeve; includes an A3 poster reprint of the original film lobby card; edition of 400.
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7"
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SONOR 013EP
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Sonor Music Editions present the previously totally unreleased Italian soundtrack for Spell (Dolce Mattatoio) on 45. Claudio Tallino's score from 1977, originally composed for the censored erotic thriller movie directed by the visionary genius Alberto Cavallone. A shocking, freaking and occult storyline set in the province of Rome, scene of shady affairs and private dramas that protagonists try to hide behind a respectable front. Stunning and booming Italian OST production with 2 killer sleazy Funk shots selected from the original recording sessions.
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CD
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DGST 041CD
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Digitmovies release the complete edition CD of the original soundtrack by Francis Lai for the 1977 drama The Forbidden Room (aka Anima Persa). The legendary Oscar-winning composer Francis Lai wrote the music for this psychological film based on a recurring nostalgic main theme for orchestra with Moog interventions, which is introduced in the opening credits. The author has succeeded perfectly in representing the atmosphere of a mysterious and esoteric Venice, with a whole series of tense motifs alternated with romantic pop atmospheres and baroque phrases. C.A.M. had originally released a vinyl LP with 14 tracks. Thanks to the stereo master tapes from the recording session, Digitmovies were able to discover six unreleased tracks which bring our CD. This is without a doubt one of Francis Lai's masterpieces, and one of the greatest in international film music, which Digitmovies reissue after already having released his fabulous music for Baby Sitter in 2010. Directed in 1976 by Dino Risi, the film features Vittorio Gassman, Catherine Deneuve, Danilo Mattei, Anicée Alvina, Ester Carloni, Gino Cavalieri, Michele Capnist, and Aristide Caporale. Nineteen-year-old Tino, an aspiring painter, goes to Venice to visit his uncle Fabio Stolz -- a former engineer at a gas company who is proud of his Hapsburg origin -- and his wife Elisa, a sickly blonde woman who is completely submissive to her husband. One evening Tino hears unexplainable noises coming from the attic in the ancient building they live in. The hired help reveals to Tino what the noises are and Tino's aunt and uncle reluctantly confirm what she says -- Fabio's lunatic brother lives in the attic. He went insane after causing the death of his niece Beba, Elisa's ten-year-old daughter from her first marriage, whom he had fallen in love with. However, there are conflicting versions to the story: according to Fabio, Elisa let her daughter die of pneumonia because she did not treat it in time. But where is Beba's grave? There is no trace of it at the cemetery. Increasingly intrigued, Tino discovers another lie: his uncle does not work but instead spends his days with friends, squandering Elisa's fortune. Once Tino finds the attic door open he finally has an explanation to the mystery: a shocking explanation that will convince him to leave Venice forever.
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CDDM 300CD
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Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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LP
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LPDM 020LP
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LP version. Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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2CD/BOOK
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RBL 064LTD-CD
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"Rustblade presents Claudio Simonetti and his Goblin playing and reinterpreting the score of one of the most famous horror movies of all times to celebrate 40 years of the idolised film Dawn of the Dead directed by George Romero and produced by Dario Argento. The music that accompanies the movie is a mix of prog and electronic rock full of tension and magic tribalism. Piercing guitars, synth orchestration and virtualism give life to thousands of blood thirsty zombies. Special double-CD plus original comic book Dawn of the Dead Hotel La Muerte plus poster.
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2CD/BOOK
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RBL 048LTD-CD
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"Deluxe edition and definitive release of the iconic horror film soundtrack firmed by Claudio Simonetti for the horror/gore movie Demons by Dario Argento and Lamberto Bava. The lower tones as the main characters move through the dark theater give a distinctly 'creepy' air to the movie. A distinctly frightening melody characterizes the 'transformation' sequences as the second prostitute slowly becomes a demon. The same melody appears throughout the film in different places. Special Edition contains the soundtrack and a bonus CD with remixes by Ohgr (Skinny Puppy), Leather Strip, Bahntier, plus original comic book Kingdom of Darkness and poster."
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5x10" BOX
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MOVATM 235LP
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"Breaking Bad remains as relevant as ever today, with Sony Pictures Television celebrating its 10th anniversary all year long this year. In celebration of this milestone, Music on Vinyl is releasing a box set of 5x10" vinyl in 5 different jackets, containing the definitive collection of Breaking Bad songs, including tracks by Badfinger, Calexico, America, Fever Ray, Apparat, Marty Robbins, Vince Guaraldi, The Peddlers and many more. Also included are iconic character dialogue snippets from Walter, Jesse, Skyler, Mike, Gus and Saul, among others. The 10th Anniversary Breaking Bad package is housed in a lift off box-set with the Breaking Bad logo in a special drip-off varnish on front. Inside the box you'll find an exclusive Breaking Bad poster and a special 'Los Pollos Hermanos' plastic ID badge. The box also includes a 24-page booklet with exclusive pictures and extensive liner notes by Thomas Golubic, Breaking Bad's music supervisor. The set is available in a limited edition of 5,000 individually numbered copies on Albuquerque crystal (transparent with a hint of turquoise) vinyl."
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2LP
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MOVATM 256LP
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"Breaking Bad is one of the most critically acclaimed television shows of all time. Following its premiere in 2008, the show's five-season run won 16 Emmy Awards and earned 58 nominations and continues to appeal to new fans every day in over 170 territories worldwide. The series follows the story of Walter White, a desperate man who turns to a life of crime to secure his family's financial future, and is supported by an impressive soundtrack. Music from a variety of styles and decades can be heard throughout the 5 seasons of the series. Music On Vinyl releases a special 2LP soundtrack, containing a selection of defining songs from the series. The soundtrack includes tracks by Dave Porter, Gnarls Barkley, J.J. Cale, Los Cuates de Sinaloa, The Beastie Boys, Badfinger, Nat King Cole and The Monkees. The Breaking Bad release is housed in a gatefold sleeve with UV-spot varnish. The package includes a special Heisenberg postcard. To understand the story behind the songs we have included a 4-page booklet with exclusive pictures and liner notes by Thomas Golubic, Breaking Bad's music supervisor."
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2CD
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RBL 048CD
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"Deluxe edition and definitive release of the iconic horror film soundtrack by Claudio Simonetti for the horror/gore movie Demons by Dario Argento and Lamberto Bava. Contains the soundtrack plus a bonus CD with remixes by Ohgr (Skinny Puppy), Leather Strip, Bahntier. Special 6 panel digipak."
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LP
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TRANSVERS 011LP
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Transversales Disques presents the first ever LP reissue of Gianni Marchetti's Il Magnifico Tony Carrera, ultra-rare Italian soundtrack originally released on cult CAM label in 1969. Gianni Marchetti wrote this beautiful score for the Euro-spy film Il Magnifico Tony Carrera as he was more of a songwriter than a film composer. The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound. Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original track listing. Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age. Remastered from the original master tapes.
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LP
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RBL 070LP
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"Remixed version of the iconic horror film soundtrack composed by Claudio Simonetti for Dario Argento and Lamberto Bava's 1980's gore classic Demons. Contains remixes by Ohgr (Skinny Puppy), Leather Strip, Bahntier, Simonetti Horror project and many others. Limited vinyl 499 copies."
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CD
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CDDM 299CD
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Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. The CD also contains three superb "shake" dance floor music themes that bring us the unforgettable Beat atmospheres of those days' discotheques.
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LP
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JBH 078LP
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Trunk Records presents a reissue of Vernon Elliott's Clangers: The Original Television Soundtrack. Out of print since its original release on CD in 2001, a classic Trunk Records release gets a rare repress; this is naïve and pastoral space music at its very best. In 2001 Jonny Trunk started working with Oliver Postgate and his Smallfilms archive. The first music issued was the unreleased music from all 26 episodes of Clangers. To create the soundtrack, all music was originally "drawn" by Postgate -- sketched out in graphic form on the original scripts. This was then translated by his good friend and regular musical collaborator Elliott into the music we know and love. It was all recorded in a village hall in Kent in the late 1960s and released originally in 2001 by Jonny Trunk, garnering a mass of fine reviews including a full 5 stars from NME. Listening today, these recordings have lost none of their naivety and charm, and the Clangers soundtrack remains a seminal work of both TV and intergalactic musical history. Album produced by Jonny Trunk. Full color sleeve with notes included.
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2LP
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MOVATM 250LP
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"Roma is a 2018 drama film written and directed by Alfonso Cuaron, which is a semi-autobiographical take on Cuaron's upbringing in the Colonia Roma neighborhood of Mexico City. The music in the movie recreates the mood of Mexico City in the 1970s. 'It was mostly about choosing songs that were on the radio,' says music supervisor Lynn Fainchtein. She did research on the different music the Mexican radio stations were playing during the time in which the story of the movie takes place. English rock and pop music alternated with the typical Mexican music of the '70s, from performers like Jose Jose, Juan Gabriel, and Rigo Tovar. Fainchtein is known for her work on movies like Birdman and The Revenant. Roma earned multiple Academy Awards and Alfonso Cuaron won different awards for directing the movie (Golden Globe, Oscars). The soundtrack package contains a 4-page booklet. Features Leo Dan, Rocio Durcal, Juan Gabriel, Jose Jose, Rigo Tovar, Javier Solis, Christie, Yvonne Elliman, Orquesta Perez Prado, Trio Chicontepec, Los Socios Del Ritmo, Lupita D'alessio, Angelica Maria, Acapulco Tropical, and Elbert Moguel Moguel Y Los Strwck."
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