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CD
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EE 004CD
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Originally released in 2013, now reissued on Sleaford Mods' own Extreme Eating imprint. From the 2013 press release: "Sleaford Mods started out sometime during 2006 whilst Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009. Soon after that he that he met Andrew Fearn and the Sleaford Mods became a duo. The rest, as they say?" CD includes one bonus track.
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LP
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EATING 004LP
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Originally released in 2013, now reissued on Sleaford Mods' own Extreme Eating imprint. Neon yellow vinyl. From the 2013 press release: "Sleaford Mods started out sometime during 2006 whilst Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009. Soon after that he that he met Andrew Fearn and the Sleaford Mods became a duo. The rest, as they say..."
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LP
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EATING 005LP
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LP version. Transparent blue vinyl. Reissue of the classic 2014 album. Once dismissed around their native Nottingham as "two skip rats with a laptop" the Sleaford Mods have simply knocked all their distractors clear out of the way. From the 2014 press release: "Divide And Exit contains 14 tracks and the result is as immediately in your face as its vicious predecessor. Whilst Fearn's beats and loops will pull you up into the urgency of Sleaford Mods they also allow you to run the gauntlet from deliberate clumsy dance-floor swaggers to full-on punk throwabouts with them. Williamson is let free to spit out his unempathetic litany of bile and anger towards the bloated and tedious. His verbal salvos and side-swipes are often savage and brutal, yet at turns, hilarious, but always spot on as Sleaford Mods rage and despair as the country sinks deeper into a cesspool of its own idiocy. It's an album that doesn't have the privilege of luxury, indulgence or extravaganza and it will strike a resonant chord with many because it simply refuses to compromise."
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CD
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EATING 005CD
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Reissue of the classic 2014 album. Once dismissed around their native Nottingham as "two skip rats with a laptop" the Sleaford Mods have simply knocked all their distractors clear out of the way. From the 2014 press release: "Divide And Exit contains 14 tracks and the result is as immediately in your face as its vicious predecessor. Whilst Fearn's beats and loops will pull you up into the urgency of Sleaford Mods they also allow you to run the gauntlet from deliberate clumsy dance-floor swaggers to full-on punk throwabouts with them. Williamson is let free to spit out his unempathetic litany of bile and anger towards the bloated and tedious. His verbal salvos and side-swipes are often savage and brutal, yet at turns, hilarious, but always spot on as Sleaford Mods rage and despair as the country sinks deeper into a cesspool of its own idiocy. It's an album that doesn't have the privilege of luxury, indulgence or extravaganza and it will strike a resonant chord with many because it simply refuses to compromise."
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LP
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EATING 003LP
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EP featuring the B-side from the "Discourse" single, originally only released digitally track "Desert", and three completely unreleased tracks from the Eton Alive sessions.
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CD
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EE 006CD
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Reissue of Sleaford Mods' 2015 album Key Markets on Extreme Eating. Mastered by Matt Colton at Alchemy. Everything else was done by Sleaford Mods.
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LP
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EE 006LP
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LP version. Red and white splatter vinyl; Housed in a gatefold sleeve designed by Steve Lippert.Reissue of Sleaford Mods' 2015 album Key Markets on Extreme Eating. Mastered by Matt Colton at Alchemy. Everything else was done by Sleaford Mods.
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7"
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EE 002EP
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Jason Williamson on side A: "'Discourse' chapters that dark silence in the vaults of the unskilled worker. The acceptance of all that is horrible and endured. Moments of connection between living vessels are rare but sometimes they do pass through the wire and lives are understood for a flicker of a second." And on side B: "The previously unreleased 'Eton Alive' chronicles the scenes outside, mostly sleeping bags. Dulled reds, greens and cardboard head boards. Paper cups, bitten around the edges, full of copper."
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LP
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EATING 001LP
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LP version. Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled Eton Alive. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew's newly formed label Extreme Eating and their first album since parting ways with Rough Trade Records.
"Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order". --Jason Williamson on Eton Alive
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CD
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EATING 001CD
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Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled Eton Alive. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew's newly formed label Extreme Eating and their first album since parting ways with Rough Trade Records.
"Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order". --Jason Williamson on Eton Alive
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LP
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EATING 001B-LP
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LP version. Green vinyl. Sleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond. They are now poised to release their fifth studio album entitled Eton Alive. The new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew's newly formed label Extreme Eating and their first album since parting ways with Rough Trade Records.
"Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution. So after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order". --Jason Williamson on Eton Alive
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CD+DVD
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TTNC 190615CD
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Thanks to their sweary rants about modern England, Nottingham duo Sleaford Mods have been called "The world's greatest rock 'n' roll band" by Iggy Pop and "the soundtrack to post-Brexit Britain" by the Guardian. Jason Williamson, a former chicken factory worker and father of two, his band mate, beatmaker Andrew Fearn, and their manager Steve Underwood, avant-garde bedroom label owner and former bus driver, have won over fans with their brutally honest lyrics and DIY ethos. Following them on their two-year journey from Sherwood to chart success, award-winning music documentary Bunch Of Kunst tells the story of three guys taking on the music business on their own terms. "This documentary film is the perfect antidote to those sexy, racy, rock'n'roll yawns most bands hide behind. We are indeed, a Bunch Of Kunst." --Jason Williamson, Sleaford Mods. The CD was recorded at SO36 Berlin on June 19th, and features the complete unedited performance, originally released in an edited form as a vinyl LP on Harbinger Sound (HARBUSA 001LP, 2016). Subtitles options on the DVD -- English, Deutsch, Espanol, Francais. NTSC format, region free.
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LP
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HARBUSA 001LP
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Sleaford Mods's third Berlin show took place at Kreuzberg's legendary SO36 club. The band took to the stage on a hot sweaty June night and played to a sold out audience. The show was captured by a German documentary crew and this limited edition album captures the highlights of that incendiary performance. Among the 14 tracks on the album are favorites like "Tied Up In Nottz", "Jobseeker", "Fizzy" and the great crowd-pleaser and closer, "Tweet Tweet Tweet". The recording is a testament to the connection between the band and those that follow them. Hear the glorious carnage and madness throughout the record's duration. No language barriers, no borders, no restrictions of any kind. This album also represents the first release on Harbinger Sound's new USA subsidiary label. Fuck England!
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LP
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HARB 150LP
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Gatefold LP version. Nottingham duo Sleaford Mods present third "proper" album, Key Markets. "Key Markets was a large supermarket bang in the centre of Grantham from the early 1970's up until around 1980," explains Jason Williamson. "My mum would take me there and I'd always have a large Coke in a plastic orange cup surrounded by varnished wood trimmings and big lamp shades with flowers on them. Beige bricks with bright yellow points of sale and large black foam letters surrounded you and this is why we called the album Key Markets. It's the continuation of the day to day and how we see it, the un-incredible landscape." "The album was recorded in various periods between summer 2014 through to October of that year. We worked fast as we normally do, the method was the same as the other albums and like the other two, the sound has naturally moved itself along. Key Markets is in places quite abstract but it still deals heavily with the disorientation of modern existence. It still touches on character assassination, the delusion of grandeur and the pointlessness of government politics. It's a classic. Fuck em." Housed in a gatefold sleeve designed by Steve Lippert; mastered by Matt Colton at Alchemy. Everything else was done by Sleaford Mods. Sleaford Mods are Jason Williamson: words; Andrew Fearn: music.
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CD
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HARB 150CD
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Nottingham duo Sleaford Mods present third "proper" album, Key Markets. "Key Markets was a large supermarket bang in the centre of Grantham from the early 1970's up until around 1980," explains Jason Williamson. "My mum would take me there and I'd always have a large Coke in a plastic orange cup surrounded by varnished wood trimmings and big lamp shades with flowers on them. Beige bricks with bright yellow points of sale and large black foam letters surrounded you and this is why we called the album Key Markets. It's the continuation of the day to day and how we see it, the un-incredible landscape." "The album was recorded in various periods between summer 2014 through to October of that year. We worked fast as we normally do, the method was the same as the other albums and like the other two, the sound has naturally moved itself along. Key Markets is in places quite abstract but it still deals heavily with the disorientation of modern existence. It still touches on character assassination, the delusion of grandeur and the pointlessness of government politics. It's a classic. Fuck em." Housed in a gatefold sleeve designed by Steve Lippert; mastered by Matt Colton at Alchemy. Everything else was done by Sleaford Mods. Sleaford Mods are Jason Williamson: words; Andrew Fearn: music.
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12"
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AUK 115EP
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A two-track 12" with an etched side, "Fizzy" is a studio recording and was recorded in the summer of 2012. "Urine Mate (Welcome to the Club)" was recorded live at the German club Skalitzer in Berlin, featuring John Paul. Released on Anton Newcombe's label A Recordings. "Urine Mate (Welcome to the Club)" is an exclusive version of this track, and "Fizzy" can be found on the album Austerity Dogs (2013). "Fizzy" was inspired by the many thousands of psychopathic managers and supervisors that terrorize low-paid workers throughout the world on a daily basis. "Urine Mate (Welcome to the Club)" describes in detail Nottingham's Mansfield Road.
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LP
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HARB 121LP
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2015 rerpress; LP version. Divide and Exit sees Sleaford Mods once again released on the elusive Nottingham-based low-profile Harbinger Sound label. Once dismissed around their native Nottingham as "two skip rats with a laptop," the last 12 months has seen the Sleaford Mods simply knock all their distractors clear out of the way. The mounting hysteria surrounding their 2013 album Austerity Dogs (HARB 106CD/LP) has spread like chlamydia at a teenage house party and saw them topping many "End of Year" lists worldwide. Along with a handful of limited 7" releases on labels as diverse as Matador and X-Mist, plus an extensive European touring program have all helped to solidify their growing reputation as "ones to watch ." The Sleaford Mods duo of Jason Williamson and Andrew Fearn have also been busy throughout the year working on this follow-up album. Divide and Exit contains 14 new tracks all written over the last 12 months and the result is as immediately in your face as its vicious predecessor. While Fearn's beats and loops will pull you up into the urgency of Sleaford Mods, they also allow you to run the gauntlet from deliberate, clumsy dancefloor swaggers to full-on punk throwabouts with them. Williamson is let free to spit out his litany of bile and anger towards the bloated and tedious. His verbal salvos and side-swipes are often savage and brutal, yet at turns, hilarious, but always spot-on as Sleaford Mods rage and despair as the country sinks deeper into a cesspool of its own idiocy. It's an album that doesn't have the privilege of luxury, indulgence or extravaganza and it will strike a resonant chord with many because it simply refuses to compromise. Many critics have attempted to tag and align the Sleaford Mods with other artists and have done little other than to advertise their own shortcomings and lack of knowledge. If you need a pointer, try and imagine an East Midlands take on Suicide that survived rave culture and looked to the Wu-Tang Clan for the escape hatch. The down-to-earth observations and story-telling of Ian Dury or Patrik Fitzgerald are maybe closer than any other names flung about in desperation. If you wish to tag and place Sleaford Mods, you're only limiting yourself.
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CD
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HARB 121CD
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Repressed! Divide and Exit sees Sleaford Mods once again released on the elusive Nottingham-based low-profile Harbinger Sound label. Divide and Exit contains 14 new tracks all written over the last 12 months and the result is as immediately in-your-face as its vicious predecessor. While Fearn's beats and loops will pull you up into the urgency of Sleaford Mods, they also allow you to run the gauntlet from deliberate clumsy dancefloor swaggers to full-on punk throwabouts with them. Williamson is let free to spit out his unempathetic litany of bile and anger towards the bloated and tedious.
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LP
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HARB 106LP
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Restocked; LP version. Sleaford Mods started out sometime during 2006 while Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009. Soon after that he met Andrew Fearn and the Sleaford Mods became a duo. Fearn's first work was on the production of Wank -- the Mods' fifth CD-R album. Soon after, he started stalking the studio and stage with Williamson. Just after the release of Wank, the duo were invited to play a three-day festival curated by Nottingham's Rammel Club. During that weekend they were introduced to the Harbinger Sound label. A meeting which -- a year later -- resulted in the release of Austerity Dogs. Numerous shows around the UK and Europe followed, including further festival appearances. Rave reviews of the album have appeared in magazines as diverse as The Wire and Uncut, along with interviews being published both on paper and on the internet, both here and abroad. With more international dates on the horizon including excursions to Poland and Sweden, the interest in the Mods continues to spread.
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7"
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FDS 088EP
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2015 repress. Sleaford Mods started around 2006 in Nottingham by Jason Williamson. Born out of frustration and by accident, it quickly found its feet as an aggressive attack on all that is contrived and connected to the day-to-day hammer of low paid employment. "Mr. Jolly Fucker" and "Tweet Tweet Tweet" sees the duo continuing their sometimes raucous yet always edgy melding of mean hip-hop beats, often savage poetic observations (think whizzed-out Mark E. Smith) and snarling punk attitude. A full-on kick to the senses inspired by the Sex Pistols, The Last Poets, and '60s garage and soul music.
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CD
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HARB 106CD
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Repressed. Sleaford Mods started out sometime during 2006 while Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009. Soon after that he met Andrew Fearn and the Sleaford Mods became a duo. Fearn's first work was on the production of Wank -- the Mods' fifth CD-R album. Soon after, he started stalking the studio and stage with Williamson. Just after the release of Wank, the duo were invited to play a three-day festival curated by Nottingham's Rammel Club. During that weekend they were introduced to the Harbinger Sound label. A meeting which -- a year later -- resulted in the release of Austerity Dogs. Numerous shows around the UK and Europe followed, including further festival appearances. Rave reviews of the album have appeared in magazines as diverse as The Wire and Uncut, along with interviews being published both on paper and on the internet, both here and abroad. With more international dates on the horizon including excursions to Poland and Sweden, the interest in the Mods continues to spread.
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