|
|
|
|
|
|
|
|
|
|
|
LP
|
|
WHYT 092LP
|
Joanne Robertson follows up on AD 93 with the album Blurrr. Written between painting sessions and also whilst raising a child, Blurrr is a record of loose and playful intuition. Robertson's vocals and guitar drift, murmur and whisper across the record; fostering a deep intimacy as unknown emotions rise up from the well. Robertson's intuitive approach to music making co-exists alongside her improvisatory and collaborative nature. She has collaborated regularly with artists such as Elias Rønnenfelt on Heavy Glory, Dean Blunt on Backstage Raver, and Black Metal, and Sidsel Meineche Hansen on Alien Baby. In Blurrr Robertson turns to previous collaborator and friend: cellist, composer and producer Oliver Coates.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TCD 015CD
|
2008 release. "It's hard to describe exactly how Joanne's songs function. In certain ways they bear a similarity to folk music. Empirically, they fulfill most of that genre's requirements, but they actually hew to none of its conventions. The lyrics, the structures, the rhythms all breathe with a unique quality that feels born of a free improvisational impulse rarely associated with folk music. The surface of this music is so casual it almost defies you to get close enough to really see it, really try to comprehend it. But the closer you listen, the weirder and deeper everything becomes. Transparent and opaque at the same moment, The Lighter represents a brilliant set of songs, made even more luminous by David Cunningham's production touch. Dig it." --Byron Coley, 2007
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FTR 179LP
|
2025 restock; repress on clear vinyl. "Black Moon Days is the second amazing solo LP by British polymath Joanne Robertson. It comes six years after her 2008 debut, The Lighter (Textile), which was one of that year's signal releases. In the meantime, she has continued painting (the activity for which she is best known), curating shows, writing, recording odd bits in trio with Tom Greenwood and David Cunningham, touring and recording with Dean Blunt, and doing whatever the hell else it is she does. The songs on Black Moon largely proceed from the avant-volk tradition Joanne first explored on The Lighter. One can hear shards of Sibylle Baier's deepest darkness in these acoustic moments. But there's also electric material that is rougher, and more indicative of the wandering approach Joanne takes to rockist songwriting -- open form, open chord squalls of quiet brutality leavened by sweet vocals and lulling cadences. Her poetry, painting and music all have the same binary quality -- they pour sugar directly onto raw wounds in a way that is healing and transformative. Alchemical, I guess. Not easy to shorthand, Joanne Roberston's Black Moon Days is one of the great albums of the new year. Give yourself a treat and check it out." --Byron Coley, 2015. Includes download code.
|