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viewing 1 To 19 of 19 items
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LP
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WHYT 086LP
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$28.00
PREORDER
RELEASE DATE: 10/4/2024
Artist, composer and producer James William Blades' score Pare De Sufrir is presented via AD 93. Pare De Sufrir (translating to 'End of Suffering') is the official soundtrack to A.G Rojas' film of the same title. Spanish-born, Southern California-raised filmmaker AG Rojas is known for creating videos and working with the likes of Jamie xx, Gil Scott Heron, Kamasi Washington, Spiritualized, and Mitski. Rojas' sensitive eye and subjectivity has brought him from the world of music videos to creating his first independent film: a 48-minute featurette following three people as they navigate the liminal space between life and the afterlife in an attempt to heal themselves and each other. Rojas reached out to Blades after coming across his score for Keeping Time (dir. Darol Olu Kae). An intimate and unusual process unfolded. Rojas explained to Blades the personal narrative of the film, the two sharing unfurling conversations on the nature of loss and the human spirit. But Blades did not watch the film and instead worked on instinct to build out a conception of how the score would unfold, shaping its operatic, textural and granular tone. Blades went on to record the score in full, with orchestra and choir, without going back to Rojas for feedback, aware that he was taking a complete risk. The score's pull is reflective of the process of grief itself, how its moods and memories oscillate up and down into the past and lost futures, Blades hitting all those spaces with diverse and stretching notes. The piano holds the memories of Blades and Rojas' grandmothers, who both had out-of-tune pianos sitting in an empty room. The Silogo-De-Oro choir sing throughout, reminiscent of the broken phonetics of grief, the build-up and release of tension and the inability to articulate complete sound or words. The harmony stabilizes and then becomes distant, taking the griever away from the lushness of life and into the realms of loss, death and dream-like realities, as mirrored in Rojas' layered vignettes. As the score closes, the harmonies become richer and fuller, marking a return to life. Understanding the power of sound to both respond to and drive narrative, Blades' score weaves together field recordings, half-remembered conversations, choral movements, string arrangements and electronic fragments into a nuanced and evocative whole.
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LP
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WHYT 079LP
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$28.00
PREORDER
RELEASE DATE: 9/20/2024
Formed in Bristol, four-piece Lice have become one of UK experimental rock's most inventive and ambitious outliers. Their second album Third Time At The Beach is a three-part epic exploring the struggle to better understand the world. Darting between minimalism, rock, techno and more, it sends listeners hurtling through time and space: featuring a cast of astronauts, cavemen and dinosaurs. This follows Lice's internationally acclaimed debut album WASTELAND: What Ails Our People Is Clear (2021). Third Time At The Beach's concept is expressed through three movements. The first ("Unscrewed," "White Tubes," "Red Fibres") presents the child being introduced to the world, hammered into shape through prevailing culture, and realizing they have reached adulthood with a blinkered understanding of the world. The second ("To The Basket," "Wrapped In A Sheet," "Scenes From The Desert," "Mown In Circles") is a disorientating, alien sequence: reevaluating fundamental concepts including money, time, nationhood and language. In the third ("Fatigued, Confused," "Third Time At The Beach," "The Dance"), the individual embraces these new ideas -- granting them a changed understanding of the world, and more agency in the path they take through it. Everything is always changing in Third Time At The Beach. The album shifts from lush piano balladry to crushing industrial, and from swampy avant-garde compositions to triumphant rock freakouts. Employing vocal manipulation and field recordings, as well as cutting together studio recordings and home demos, the band produces a spatially elastic, collage-like effect. The album, like the ideas being reached within it, presents a work-in-progress. Lyrically, the record employs a scattershot style to present the experience of learning (or "unlearning"). The listener visits ancient civilizations, the Industrial Revolution, outer space and the land of the dinosaurs: encountering mediaeval farmers, silver miners, cavemen, Napoleon and Satan. Speaking on the record, the band say: "This album's about trying to understand the world and everything in it: history, science and the way we explain it all to each other. It's a celebration of feeling confused or intimidated by the processes that shape our lives."
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LP
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WHYT 080LP
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$28.00
PREORDER
RELEASE DATE: 8/9/2024
The Tumbling Psychic Joy of Now is a ritualistic and expanding collaborative album between Holy Tongue and Shackleton. Holy Tongue are a trio composed of Valentina Magaletti, Al Wootton, and Susumu Mukai. Accomplished musicians in their own right, they combined to create psychedelic, free-form, high energy, spiritual dub-dance music across a trilogy of critically acclaimed EPs and their debut album Deliverance and Spiritual Warfare. Their high energy live performances invoke the experimental dub of On-U-Sound, the frenetic rhythms of 23 Skidoo, Liquid Liquid, and ESG, and the spiritual energy of free jazz. The trio's dynamic collaboration extends in their meeting with Shackleton, one of the most original and critically lauded voices in electronic music. Shackleton has moved from the depths of the early 2000s dubstep underground to a diverse range of international collaborations and commissions over the last two decades. After honing his hypnotic beats on the cult UK record label Skull Disco, his unique rhythmic touch is now heard on some of the most adventurous and progressive projects that have emerged from the European dance scene in recent years. Shackleton's work explores conceptual and spiritual themes with an emotional depth beyond most artists working in European dance music today, and his visions of inner space, apocalypse and dread are more-timely than ever before. This record was conceived after Holy Tongue and Shackleton shared a festival line up in Sweden. Holy Tongue were initially keen to get Shackleton to remix one of their existing tracks but they soon decided to have a project together and work on some fresh new music, allowing Shackleton to do something more creative with it in the studio. Thus, Holy Tongue recorded a collection of raw material in the studio and sent it to Shackleton. The result is far more than the sum of its parts. A psychedelic, ritualistic, dub trip, oscillating between the maximal and the minimal, the internal and the external, the micro and the macro, ecstasy and agony, all The Tumbling Psychic Joy Of Now.
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LP
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WHYT 077LP
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$28.00
PREORDER
RELEASE DATE: 6/28/2024
Meaning shifts throughout Martha Skye Murphy's debut album Um with songs that meld moments of baroque beauty with crashes of electronic noise, employing textures that are by turns organic and artificial, hi-fi and lo-fi. Collaborations with the likes of Claire Rousay and Roy Montgomery are finely intertwined with the fruits of rigorous studio sessions with producer Ethan P. Flynn. Lyrically Martha conjures images inspired by everything from Ancient Roman hand-binding torture to a Fred and Ginger tap routine. The listener is catapulted across landscapes and left disoriented. "First Day" consists of individual notes recorded remotely on different instruments across Texas, New Zealand and London, coalescing into one hovering chord around a field recording Murphy took while wandering New York. It's telling that when Marta Salogni, who mixed the album, first heard Um, she commented that it was like experiencing a memory of an experience that hadn't yet happened. As a vocalist Murphy has a rare talent for transformation, from her intimate, cracked whispers over the hypnotic drift of "Theme Parks," to her piercing disembodied wails as "Kind" implodes into a cataclysm of electronic noise. Elsewhere, she offers little more than a distracted hum. In the studio, she and co-producer Ethan P. Flynn focused on maximizing those vocal capabilities by teasing out different personas. On the crystalline "Pick Yourself Up," part of which she wanted to sound like a lullaby, she cradled objects as she sang in order to draw out the maternal. It would be an oversimplification to say that Murphy inhabits different characters on the record. Rather, she extracts different characters from the depths of her own psyche who gesture towards the fact that "the self" is ultimately a vague and impermanent thing. She can be both exorcist and orator.
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12"
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WHYTBLU 007EP
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Two tracks aimed at the floor, with a running theme being the human voice, from screaming to singing and laughing. Happa: "Vocals aren't a rarity in dance music obviously, but I wanted to experiment with them in a more instrumental and textural sense. Plus, I think you don't hear enough kinda weird shit in the more formulaic dance tunes -- only on the more experimental edges of club music ya kno?"
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12"
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WHYT 024EP
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Inspired by cosmology and ancient mythology, the Anunaku project is a continuation of TSVI's debut album Inner Worlds (2018) and aims to explore the use of various drums from around the world combined with elements of UK underground club music.
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12"
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WHYT 023EP
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Carl Gari are a trio of German musicians made up of Jonas Yamer, Till Funke, and Jonas Friedlich. Abdullah Miniawy is an Egyptian musician and poet, currently based in France. Whities share their latest release with you, a six-track extended EP, The Act Of Falling From The 8th Floor. A meditative and provoking listen, focused around the poem in "B'aj بعاج" that forms the lyrical centerpiece of the record. In this song, Abdullah is the protagonist, jumping from the eighth floor of a building in Cairo. While falling he describes a unique scene happening on every balcony, painting a dark picture of Egyptian society. Carl Gari produced and mixed the record, providing a melancholic backbone for Abdullah's lyrics and melodies.
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12"
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WHYTBLU 005EP
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Forest Drive West debuts on Whities with two sub heavy rollers perfectly crafted to move human limbs.
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LP
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WHYT 020LP
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Made up of six tracks but presented as two 17-minute pieces, Leif's Loom Dream meanders through warm chord-scapes, glistening synths, and loose live percussion, woven together with field recordings and ambience. Loom Dream invites the listener to peacefully reconnect with the living world by placing one amongst lush sonic verdure.
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12"
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WHYTBLU 006EP
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A three-tracker by Pugilist that explores cross sections of bass, breaks and techno. There's real variation to the styles here but all have the Australian producers signature mastery of rhythmic low end.
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12"
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WHYTBLU 003EP
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Netherlands' Upsammy shares 12" space with the UK's BFFT. Whities were glued to Upsammy's release on Nous'klaer Audio from first listen; we were delighted to work with her on Blue 03. The Dutch producer and De School resident has provided two tracks, "Vacate Or Annihilate" and "Warm Puddles", the first of which is cathartic expulsion of energy stemming from a transitional period in Upsammy's life, the second a contemplative, balmy antidote to the tension. Stoke-born Leeds-based BFTT contributes the bass-heavy "Kueen" with an intricacy, preciseness and evolution; "Enin" is a driving but delicately hypnotic track with a melancholic leaning.
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12"
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WHYTBLU 004EP
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Blue 04 is two strong cuts by E-Talking and Ilian Tape's Laksa!
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12"
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WHYT 017EP
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Repressed in Whities house sleeve. Nathan Micay (formerly Bwana) steps out under his own name for the first time with a pair of glistening panoramas well-primed for those exultant hours of the early morning. In Nathan's words: "These are without a doubt the most personal tracks I have written to date. I made them as a sort of exercise in self-therapy during my first few months in Berlin. As time has gone on, more meanings have unfolded with each listen. For me, these tracks are a rebuttal to the endless churn of negativity in the news and online."
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12"
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WHYTBLU 001EP
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Blue 01 comes in the form of a split 12" release from Tessela and Lanark Artefax. It features Tessela's "Glisten", a track we've loved and coveted since Joy Orbison slipped into his essential mix in 2016. Alongside that is the "Intimidating Stillness Mix" Of Lanark's "Touch Absence", which was first released as a limited edition Whities dubplate back in 2016. It has been remastered by Beau Thomas at Ten Eight Seven; artwork designed by Alex McCullough.
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12"
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WHYT 014EP
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Whities 014 is by Londoner and master digger, Jules Venturini. It's a three-track 12" of discordant choral euphoria. Artwork by Alex McCullough.
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12"
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WHYT 012EP
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Minor Science returns with more genre defying bass experiments on this two-track Whities 12". The sleeve designed by Alex McCullough, is a 12" accurate scale reproduction from Willem Claeszoon Heda's painting "Still Life With Gilt Cup" (currently hanging in Amsterdam's Rijksmuseum).
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12"
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WHYT 011EP
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A skyscraper extending its fingertips upwards, outstretched and pointing towards an unmarked ceiling that extends even more itself, spinning and slicing its way through the horizontal and the layers that are see through and infinite and stacked one on top of the other.
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12"
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WHYT 005EP
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After a cool 2015 debut on Pinkman, here's Reckonwrong with more experiments -- this time on Young Turks sub-label Whities.
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12"
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WHYT 003EP
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Terron is back on Whities. This four-track EP features two lead singles -- "N° 29 Pareto 20/80" and "N° 34 Dove [Part II]" -- and a continuous piece of music running across three tracks on the B-side. Hand-painted sleeves.
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