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viewing 1 To 25 of 32 items
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LP
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DMOO 055LP
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$20.50
PREORDER
RELEASE DATE: 12/15/2023
Another of the albums that Prestige would issue several years after it was recorded, Bahia is drawn from a couple of sessions that John Coltrane recorded for the label in the late 1950s, during a time in which he was exploring different genres with various players, including pianist Red Garland, bassist Paul Chambers, plus drummers Jimmy Cobb and Art Taylor. The album has plenty of Trane hallmarks in the saxophone lead, and there is noteworthy contribution from trumpeter Wilbur Harden on "My Ideal" and Freddie Hubbard on "Something I Dreamed Last Night." This is simply a great Coltrane listening experience.
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LP
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DMOO 041LP
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Reissue, originally released in 1963. During the late 1950s, the iconic tenor saxophonist John Coltrane was exploring different milieus with various associates, most notably reconnecting with Miles Davis during a time when the latter was working with pianist Red Garland, bassist Paul Chambers, and drummers Jimmy Cobb and Art Taylor. These players are featured on the 1958 session that would yield Stardust, released by Prestige four years later, and although comprised of four standard cover tunes, Trane's playing is so supremely emotive and the hard-bop arrangements so subtle and engaging that the LP becomes another deep audio dive that sounds better with every listen. Clear vinyl.
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LP
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DMOO 029LP
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Sold out, repress available Oct/23 Recorded by the German WDR radio at the Apollo Theater in Düsseldorf on Monday, March 18, 1960 this session documents a precise step in John Coltrane's career. While on tour in Europe with the Miles Davis quintet, the young but already mature tenor saxophonist took the chance to lead a quartet session with the Davis rhythm section, a hard swinging combo with pianist Wynton Kelly, bassist extraordinaire Paul Chambers, and drummer Jimmy Cobb. This is very fine set based on a bunch of well selected standards, among them "On Green Dolphin Street", Miles Davis's "Walkin'" and a deep ballad medley including "Yesterdays", "Autumn Leaves", 'What's New", and "Moonlight In Vermont".
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LP
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SOW 034LP
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Reissue. Recorded in NYC in 1958 and originally released in 1959 as The Cecil Taylor Quintet - Hard Driving Jazz this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there. Clear vinyl.
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2LP
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WHP 1449LP
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The classic four-piece line-up -- John Coltrane (tenor and soprano saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), and master drummer Elvin Jones -- recorded live at Tivoli Concertsaal, Copenhagen, on the October 25th. A long hard to find concert with extended versions of Coltrane's compositions "Mr. PC", "Impressions", "The Promise", and "Naima", plus rendition of Mongo Santamaría's "Afro Blue" and Richard Rodgers-Oscar Hammerstein II's "My Favorite Things".
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LP
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HE 66002LP
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Limited restock. Reissue of John Coltrane's classic album Kulu Sé Mama from 1967 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself "the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."
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LP
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WLV 82142LP
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"Recorded on June 24, 1958 at the Van Gelder Studio in Hackensack, NJ, these sessions feature original compositions by Wilbur Harden (best known for his work with Yusef Lateef and John Coltrane) and hard-bop trombonist Curtis Fuller (best known for his work with Art Blakey's Jazz Messengers and appearance on the classic Blue Trane album).The 32-year-old John Coltrane had only just recorded Blue Trane a year earlier and it is interesting to hear his style beginning to stretch out, as he makes his musical transition from strict hard bop to the groundbreaking style that would become legendary the following year on Giant Steps, making Coltrane one of the biggest names in jazz."
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2CD
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D 20005CD
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John Coltrane was one of the most influential musicians of the twentieth century. His early recordings capture a musician in the relatively conventional confines of bebop and hardbop, but his enduring legacy primarily rests on the modal jazz pioneered by his classic quartet and by free jazz explorations late in his career. Starting out as alto saxophonist, he played since the early 1950s tenor saxophone and from 1960 onward as well the soprano saxophone.
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LP
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DAD 139LP
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This great document consists of two different 1956, Hollywood, studio sessions with the young John Coltrane leading a true jazz delegation from the East, in other words a NY/Philly-based quartet featuring young lions such as pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. These are good solid blowing sessions, originally not even scheduled for a release and consisting of fine and surprising renditions of Charlie Parker's "Dexterity", Benny Golson's "Stablemates", and Cole Porter's "Easy To Love", plus three originals by Coltrane, Chambers, and Drew.
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LP
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WLV 82127LP
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Wax Love presents a reissue of John Coltrane's Wells Fargo, originally released in 1958. Here is a 32-year-old Coltrane sharing a studio recording session with trumpeter Wilbur Harden and a bunch of young lions such as Tommy Flanagan (piano) Doug Watkins (bass), and Louis Hayes (drums), plus Curtis Fuller (trombone), Ali Jackson (bass) Howard Williams (piano), and Art Taylor (drums) on couple of tracks. In 1958 Coltrane was deeply exploring the hard bop idiom; the saxophonist was still playing with Thelonious Monk and Miles Davis and was about to begin leading his own groups.
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LP
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WLV 82115LP
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Wax Love present a reissue of John Coltrane's My Favorite Things, originally released in 1961. Credit for this album is partially due to Miles Davis, who had somewhat recently purchased Coltrane his first soprano saxophone, previously it had been little used in jazz. This 1961 album also seems to fully mark Coltrane's transformation into modal jazz, another Davis influence, and his modal take on the classic standard, "My Favorite Things", from The Sound Of Music soundtrack, remains one of the more iconic jazz songs in history. Rounded out by three more standards, performed in modal interpretations that completely redefined the meaning of a "standards" album, My Favorite Things, is one of the many transcendent jazz albums the legendary John Coltrane is responsible for.
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CD
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TRAIT 004CD
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A selection from John Coltrane's Atlantic period. From the incredible up-tempo phrasing of "Giant Steps" to the hypnotic intensity of "My Favorite Things". Wonderful music that would influence generations to come. Includes selections from Giant Steps (1960), My Favorite Things (1961), and Olè Coltrane (1961).
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LP
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TRAIT 004LP
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LP version. A selection from John Coltrane's Atlantic period. From the incredible up-tempo phrasing of "Giant Steps" to the hypnotic intensity of "My Favorite Things". Wonderful music that would influence generations to come. Includes selections from Giant Steps (1960), My Favorite Things (1961), and Olè Coltrane (1961).
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LP
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WLV 82048LP
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Wax Love present a reissue of John Coltrane's The Believer, originally released in 1964. The Believer collects recordings from 1958 from tenor master John Coltrane. Featuring longtime collaborators Red Garland and Paul Chambers, as well as two of the finest trumpet players to ever grace a jazz record, Donald Byrd and Freddie Hubbard, the album begins with longtime Coltrane collaborator McCoy Tyner's title composition. Though it's a piecemeal album, Coltrane is in top form and his soloing on tenor at the time was unparalleled. Another great one from 'Trane.
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LP
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WLV 82025LP
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When John Coltrane performed in 1963 at Penn State University, it was with the group that is now considered his most "classic" group: the quartet featuring McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums. Featuring an epic, 25-minute long "Bye Bye Blackbird", among other early '60s originals and covers, this is the sound of an artist coming into his own and truly shining. Coltrane at the top of his modal/post-bop powers.
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LP
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ACV 2088LP
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Featuring John Coltrane's classic quartet (McCoy Tyner, Jimmy Garrison, and Elvin Jones), Doxy present two live shows recorded in Stockholm (ACV 2087LP) and Berlin during the legendary 1963 European tour, which are a fairly typical example of the incredible strength of the group at the time. As with most of his live dates, Coltrane turns in extended explorations on all the selections, also leaving plenty of room for pianist Tyner to stretch out on more straightforward, but equally challenging solos. Drummer Jones matches the intensity of Coltrane's solo flights with propulsive and sensitive rhythmic support, while bassist Garrison anchors the proceedings with his steady and somewhat mercurial basslines. During the period when the shows were recorded, Coltrane was playing at an amazingly high level, with masterworks like Crescent (1964) and A Love Supreme (1965) just around the corner. The blend of freedom, energy, and formality in his solos make live recordings from this time a good bet for newcomers to Coltrane's work. First edition of 500 (numbered).
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LP
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ACV 2087LP
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Featuring John Coltrane's classic quartet (McCoy Tyner, Jimmy Garrison, and Elvin Jones), Doxy present two live shows recorded in Stockholm and Berlin (ACV 2088LP) during the legendary 1963 European tour, which are a fairly typical example of the incredible strength of the group at the time. As with most of his live dates, Coltrane turns in extended explorations on all the selections, also leaving plenty of room for pianist Tyner to stretch out on more straightforward, but equally challenging solos. Drummer Jones matches the intensity of Coltrane's solo flights with propulsive and sensitive rhythmic support, while bassist Garrison anchors the proceedings with his steady and somewhat mercurial basslines. During the period when the shows were recorded, Coltrane was playing at an amazingly high level, with masterworks like Crescent (1964) and A Love Supreme (1965) just around the corner. The blend of freedom, energy, and formality in his solos make live recordings from this time a good bet for newcomers to Coltrane's work. First edition of 500 (numbered).
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PIC. DISC
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DOP 8012LP
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Doxy present a picture disc reissue of John Coltrane's Blue Train, originally released in 1957. Blue Train is Coltrane's third session as a leader and one of the most iconic jazz albums of all-time. Featuring Curtis Fuller, Lee Morgan, Paul Chambers, Kenny Drew, and Philly "Joe" Jones, this is an absolutely essential jazz album and the title track is one of the most celebrated in jazz history, maybe matched only in recognition by Miles Davis's "So What" or Dave Brubeck's "Take Five".
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3LP
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UMG 53604LP
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2016 release. "Until now, the complete picture of what happened on those two days, including all takes, overdubs, and even studio chatter, has been unavailable. That changes when Verve Music Group proudly releases A Love Supreme: The Complete Masters, to celebrate the 50th anniversary of the release of this seminal recording. It includes this alternate version, taken from reels from the personal collection of John Coltrane and originally recorded in incredible sonic detail by Rudy Van Gelder, along with revised notes and detailed information on these amazing lost sessions. With the availability of long-lost session reels, A Love Supreme: The Complete Masters brings together all existing recordings and written outlines for the first time to paint the most comprehensive and accurate picture of the A Love Supreme story. It reveals how Coltrane's masterpiece came together, from its initial conception as a nine-piece performance - it turns out the original plan was for a nine-piece band, including three Latin percussionists - to how it changed and developed in the studio. While the 2002 edition of A Love Supreme did include some of the music recorded at the second session, The Complete Masters is the first to feature all six takes of 'Acknowledgement,' the opening section of the suite, in their entirety, providing a deeper understanding and appreciation of how Coltrane would allow music to mature in the studio."
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LP
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ACV 2058LP
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Impressions is a hodgepodge of memorable John Coltrane performances from the 1961-1963 period, originally released in 1963. "India" and "Impressions" are taken from Coltrane's famous November 1961 engagement at the Village Vanguard; bass clarinetist Eric Dolphy is heard on the former while the latter features a marathon solo from Coltrane on tenor. Also included in this set are 1962's "Up 'Gainst the Wall" and the classic of the album, 1963's "After the Rain."
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LP
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ACV 2003LP
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This album was conceived and recorded in 1958 as an experiment by some of the important "new" faces in modern jazz, under the leadership of Wilbur Harden, with the young, talented John Coltrane, the fresh-voiced Curtis Fuller and Tommy Flanagan that blend opinions and expression in an album of extended improvisational forms. Limited edition of 500 copies pressed on audiophile clear vinyl (ACV).
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LP
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SD 1382HLP
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2010 reissue, originally released in 1962 on Atlantic. "Trane uses the blues to explore the boundaries of jazz with McCoy Tyner and Elvin Jones." On 180 gram vinyl.
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LP
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SD 1354HLP
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"The first album to hit the shelves after Giant Steps, Coltrane Jazz was largely recorded in late 1959, although one of the eight songs ('Village Blues') was done in late 1960. On everything save the aforementioned 'Village Blues,' Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb." --All Music Guide. Exact repro reissue, on 180 gram vinyl.
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LP+CD
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DOK 209LP
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"Recorded on 24 October 1960 in NYC, Coltrane Plays The Blues is perhaps a misleading title for this album as Coltrane is not so much playing the blues as bringing the feeling of blues into the idiom of jazz. This memorable album, featuring McCoy Tyner on piano, Elvin Jones on drums and Steve Davis on bass, hails from Coltrane's first period as leader of his own quartet, and finds Coltrane playing then highly unusual soprano sax on two numbers -- 'Blues To Bechet', a pianoless tribute to the great Sydney Bechet, and 'Mr. Syms', where McCoy Tyner is given the opportunity to really show his stuff, which he does masterfully. Includes 'Exotica' (also recorded during this session) as a bonus track + 4 more bonus alternate tracks on the CD." 180 gram vinyl.
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LP
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SD 1373HLP
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2013 repress; 180 gram exact repro reissue, manufactured by Rhino. "Olé, which was originally released in 1962, was recorded in between the two sessions that formed the Impulse! release Africa/Brass. It appears that with Olé, Coltrane was continuing the experimentation of his earlier Atlantic recordings. In this case Coltrane was trying to explore the larger group format. Olé features Eric Dolphy, Freddie Hubbard, Art Davis, McCoy Tyner, Reggie Workman and Elvin Jones, and of course Coltrane himself -- a septet...quite a large band/ensemble." -- All About Jazz
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viewing 1 To 25 of 32 items
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