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LP
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HE 72008LP
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$26.00
PREORDER
RELEASE DATE: 5/17/2024
Lady Lake is the second album by British progressive rock band Gnidrolog. Originally released in 1972, it offers fans an immersive experience into the band's unique blend of intricate melodies, complex arrangements, and thought-provoking lyrics. Gnidrolog's Lady Lake showcases the band's exceptional musicianship and songwriting skills. The album seamlessly combines elements of progressive rock, folk, and classical music to create a captivating sonic journey. LP on 180-gram vinyl. Includes insert with story and lyrics.
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HE 70015LP
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$26.00
PREORDER
RELEASE DATE: 5/17/2024
Kraftwerk is the self-titled debut album by the Düsseldorf band Kraftwerk. It was produced by Conny Plank and released in 1970. LP on 180-gram vinyl with gatefold sleeve.
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LP
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HE 70012LP
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$26.00
PREORDER
RELEASE DATE: 5/17/2024
Pure class as always from Gal Costa! This record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements -- but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the '70s. LP on 180-gram vinyl. 45RPM.
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LP
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HE 70010LP
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$26.00
PREORDER
RELEASE DATE: 5/17/2024
Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss' superb Hammond organ played front and center and a glimmering of the Caribbean dancing in the shadows. LP on 180-gram vinyl.
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LP
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HE 72001LP
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$26.00
PREORDER
RELEASE DATE: 3/22/2024
Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group's only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny's future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan's "Too Much of Nothing" and Gordon Lightfoot's "The Way I Feel."
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HE 69016LP
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This incredibly rare release predates their more widely-known second album, Mice and Rats in the Loft (TDP 54020LP). This is superb psych-folk dated 1969. The Jan Dukes De Grey started out as a duo of two multi-instrumentalists, Michael Bairstow and Derek Noy, who stood midway between Tyrannosaurus Rex and Jethro Tull with very short all-acoustic songs with strange lyrics. Similar to early Incredible String Band or Mark Fry, with a touch of Comus weirdness. A mixture of trippy and stoned songs and instrumentals with eastern feel. A unique album. One of the most brilliant acoustic experiments of folk-psych-prog rock ever.
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HE 68007LP
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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set. Actually, the most interesting aspect of the R&B-oriented release (which includes such songs as "Hold on, I'm Comin'," "House of the Risin' Sun" and "Unchain My Heart") is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.
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LP
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HE 69015LP
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$26.00
PREORDER
RELEASE DATE: 3/22/2024
LP issued to celebrate more European artists than ever before winning the annual "Downbeat" polls in 1969. On this release they all perform as a unit. Personnel: John Surman - baritone saxophone, soprano saxophone; Niels Henning Oersted-Pedersen - bass; Daniel Humair - drums; Francy Boland - piano; Albert Mangelsdorff - trombone; Karin Krog - vocals. Produced on the occasion of the Berlin Jazz Festival 69 by Joachim E. Berendt. Recorded Berlin 10 and 11 November 1969, Sonopress Studio.
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LP
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HE 69014LP
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Up Tight is a soundtrack album by Southern soul band Booker T. & the M.G.'s for the film of the same title. The album features "Time Is Tight," the single version of which became a US Top 10 hit and a signature song for the band.
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HE 69011LP
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Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry.
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LP
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HE 65001LP
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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.
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HE 72005LP
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Masayuki "Jojo" Takayanagi (1932 - 1991) was a Japanese jazz/free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.
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HE 70003LP
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Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was rising from the ashes.
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HE 67004LP
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The group takes a psychedelic turn, adding lush orchestral arrangements to the group's tight harmonies and narrative lyrics. The album was recorded at the famed IBC Studios in London. Barry Gibb commented that their recording process was one of impromptu creativity, in which they'd "think up a subject, then write a song on the spot." The instrumental parts were added later, adding a fullness to the songs. For instance, Bee Gee's 1st opens with strains of oboe and harpsichord on the whimsical "Turn of the Century," while "Every Christian Lion Hearted Man Will Show You" begins with dark Gregorian chants.
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HE 67007LP
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Rich blend of Brazilian samba and Afro percussion, more like the jazz of Getz/Gilberto than the Bossa Nova of, say, Sergio Mendes and Brasil '66. An exquisite album, that stretches the boundaries of Bossa Nova.
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HE 71001LP
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Gilberto With Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine. It features performances recorded in 1971, originally released at CTI Records by Creed Taylor. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.
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HE 69012LP
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With her tenure on Verve drawing to a close, Astrud Gilberto steps further away from her bossa nova roots with I Haven't Got Anything Better to Do, an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach, whose "Trains and Boats and Planes" is beautifully rendered here. Mistakenly considered a minor entry in the Gilberto canon, I Haven't Got Anything Better to Do is instead a minor masterpiece. Each song is ideally suited to her distinctive style and the disc as a whole maintains a consistency of mood and feeling largely unmatched in her catalog.
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HE 69013LP
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This A&M/CTI debut album by George Benson signaled the arrival of a true star in the jazz scene. Creed Taylor signed Benson immediately after Wes Montgomery's passing in 1968 -- he was being groomed for it by Verve's house producer, Esmond Edwards, and arranger, Tom McIntosh, before he ever came to CTI. Taylor paired Benson with arranger Don Sebesky (who had done plenty of work on Montgomery's A&M sides) and engineer Rudy Van Gelder. Herbie Hancock and Ron Carter (both members of the Miles Davis Quintet with whom Benson had guested earlier that year), bassist Richard Davis, and pianist Hank Jones were all guests.
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HE 70005LP
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One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger, as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing -- still moments of freedom that reflect Satoh's connection to the avant-garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects.
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HE 70007LP
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Though only ever released in Japan and in sore need of reissue (affordability not being among the virtues of an original copy), Green Line sits easily alongside the most progressive jazz albums of the early '70s, many of which featured the work of the quartet's alumni -- namely Sharrock's uncredited appearance on "Yesternow" for Miles Davis' A Tribute to Jack Johnson, Vitous' early fusion-defining tenure with Weather Report, and Marcus' collaboration with Japanese jazz-rock outfit Jiro Inagaki and Soul Media. And so, Green Line was ultimately the beginning and end of its own trajectory, but damn, what a glorious path it blazed.
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LP
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HE 70004LP
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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index (HE 68005LP, 2023), it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.
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HE 68005LP
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Nico immediately embarked on a solo recording career after splitting with the Velvet Underground and had an unfulfilling experience making her first album. For The Marble Index, she seized control of the recording process, determined that her vision be more fully realized on her second LP. Writing all of the songs and enlisting John Cale's playing and production assistance, Nico created a dark, stripped-down atmosphere that was a million miles from Top 40. Centered around her signature harmonium playing, the songs have a stark, Gothic quality that profoundly affected listeners.
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HE 69010LP
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It's hard to understand why Warne Marsch was so neglected during his lifetime. It's harder still to substantiate the charges with which his music was branded -- cerebral, cold, unemotional, uninvolving. This album alone, one of his best, should have been enough to put such absurd slurs to rest. The music on Ne Plus Ultra is intimate, warm, passionate, risky. There is much beauty to be shared.
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HE 72002LP
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A superb and under-recognized recording, Crisis is one-third of a trilogy of extraordinary albums -- the others being Broken Shadows and Science Fiction -- by Ornette Coleman's small groups of the late '60s and early '70s. A rendition of the piece "Broken Shadows" itself, a dirge of astonishing beauty second only to his "Lonely Woman," opens the live performance and offers solos of deep and poignant probity from Coleman and tenorist Dewey Redman, whose earthy growled tones counterbalanced the leader's so well for so long. Crisis somehow lacks the reputation of the revolutionary Coleman albums from early in his career, but on purely musical grounds it ranks among his most satisfying works. LP 180 gram gatefold.
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LP
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HE 70002LP
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Juju was the first album recorded by the rock band Gass and featured guitarist Peter Green, who had just left Fleetwood Mac at this time. The album was released by Polydor in 1970 and withdrawn soon after it was released to retail outlets and re-issued (entitled Gass).
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