|
|
|
|
|
|
|
|
|
12"
|
|
TRESOR 298EP
|
2024 repress forthcoming. Following the last Borderland single (TRESOR 296EP), the focus returns on Transport (TRESOR 285CD/LP, 2016), the last collaborative album by Juan Atkins and Moritz von Oswald. Carl Craig provides a take on "Transport". Extending and stripping the original sequence to its bone, also summoning a stepping drum sequence and a swaying array of moving delays. 12" edit is cut on the A-side -- the full version of Craig's remix clocks just above 20 minutes, available digitally; Includes download card. DJ Deep and Roman Poncet rework Carl Craig's remix, adding their signature grooves and myriad of tough drums, to full effect.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 296EP
|
2024 repress. Juan Atkins and Moritz von Oswald -- the two vital proponents of Detroit-Berlin axis -- return to the mothership following their 2016 full-length effort Transport (TRESOR 285CD/LP). Angles is the result of a new conversation between the founding father of electronic music and his German counterpart. The serene source of captivating musical ideas that is Borderland (TRESOR 262CD, 2013) keeps on flowing and vibrating with subtle energy. Both parts of "Concave" are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their origins.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TRESOR 285LP
|
2024 repress. Double LP version. Juan Atkins and Moritz von Oswald -- the two indispensable protagonists of the "Electric Garden" -- plug back into the wilderness. Transport brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not on the grid. The Detroit-Berlin axis triangulates to a third point that, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz that cannot be broken down into constitutive parts. Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for 60 seconds in every minute.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRESOR 285CD
|
Juan Atkins and Moritz von Oswald -- the two indispensable protagonists of the "Electric Garden" -- plug back into the wilderness. Transport brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not on the grid. The Detroit-Berlin axis triangulates to a third point that, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz that cannot be broken down into constitutive parts. Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for 60 seconds in every minute. CD version includes exclusive transitions.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 284EP
|
Juan Atkins and Moritz von Oswald -- the two indispensable protagonists of the "Electric Garden" -- plug back into the wilderness. "Riod" is the first single from the duo's 2016 Transport album (TRESOR 285CD/LP). The Detroit-Berlin axis triangulates to a third point that, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz that cannot be broken down into constitutive parts. The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for 60 seconds in every minute.
|