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AHA 004CD
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$24.00
PREORDER
RELEASE DATE: 4/3/2026
Zos Kia's music is an essential insight and archival piece into the early work of the industrial scene and particularly of Coil in their formative stages. Their recordings are even darker and more industrial-rooted than much of the Coil material that followed. The music is primal, brutal and reveals the interests that surrounded Coil/Zos Kia. John Gosling was an original member of Zos Kia (as Joan D'Arc), alongside John Balance (Coil) and Min. This trio, together with Peter Christopherson (TG, Coil) and other guests, recorded and performed in the early 1980s under the names Zos Kia/Coil, including the "Performance Action" (involving blood and flesh cutting) at the Air Gallery in London in August 1983 and a performance at the Berlin Atonal festival in December 1983. The latter comprised one side of the transparent cassette issued by the now defunct Austrian label Nekrophile in 1984, which became the first released recordings of both Coil and Zos Kia. It was reissued years later by Coil (Threshold House/Eskaton) and included the Coil manifesto The Price of Existence Is Eternal Warfare, originally written by John Balance in 1983, in which numerous references that inspired their future work can already be found. The name "Zos Kia" had been taken from the magickal system of occult artist Austin Osman Spare although John Gosling never really seemed too occult-fixated, AOS was a great source of inspiration for Coil's members. In 1984, Balance and Christopherson left to concentrate on Coil full-time. All material released under the Zos Kia name alone was primarily the work of John Gosling. After retiring the Zos Kia name, Gosling went on to record with Sugardog, Psychic TV and work solo as Sugar J and Mekon. Debuting in 1994 with Phatty's Lunchbox, Gosling pioneered the blueprint for the dance music popularized years later by the Prodigy and Chemical Brothers: breakbeat trip-hop invested with a lot of energy and old-school attitude.
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AHA 003CD
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This new album by Eric Random coincides with the start of the last Cabaret Voltaire tour, for which Eric joined as a member. The album marks a contrast to his most recent releases, less dance-oriented and with a darker pop tone and a cinematic, soundtrack-like atmosphere.
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AHA 002CD
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This is the first-ever compilation bringing together Nigel Ayersʼ solo work and his long-running project Nocturnal Emissions. Covering recordings from the early 1980s up to 2024, it spans more than four decades of experimental sound. Nocturnal Emissions is recognized as one of the earliest and most uncompromising industrial/noise groups, standing alongside Throbbing Gristle, SPK, and Cabaret Voltaire. Their sound sits at the intersection of raw industrial electronics, noise, and electronic Dada, fusing harsh textures, tape collage, and rhythm in a constantly evolving hybrid form. The compilation, fully remastered in Tokyo, traces the major phases of Nocturnal Emissions and Nigel Ayersʼ work, spanning raw, confrontational noise rooted in the squatting scene and anti-capitalist protest of the early 1980s; the rhythm-driven period that brought dancefloor energy to industrial grit; and Ayersʼ later solo "Neotantric" phase of ambient, ritualistic sound exploring magick, ancient beliefs and altered states while carrying forward a spirit of subversion and transcendence that remains entirely intact decades later. Across these eras, the collection captures the full breadth of Ayersʼ creative journey and moves between intense, layered noise and quiet, atmospheric soundscapes blending field recordings, spoken word, electronics, and collage.
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AHA 001CD
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Magical Power Mako passed away unexpectedly on February 7, 2025. The reissue release was planned and authorized by Mako before his passing. Packaged in a standard jewel case with an obi stripe, manufactured in Tokyo. Artwork by Yuko Asano stills from her animation movie The Western Mantra (1980). Originally released in 1993 Next Millennium Vibrations drifts through warped tape loops, ambient zones and sampled oriental percussion with comical electronics, conjuring a surreal, meditative and disorienting atmosphere. Mako weaves fractured beats with ethereal melodies, blending kosmische, lo-fi psychedelia, and avant-garde experimentation.
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