Search Result for Genre
viewing 1 To 25 of 75766 items
Next >>
|
|
|
|
|
|
|
|
|
|
Book
|
|
9783907236666
|
$65.00
PREORDER
RELEASE DATE: 2/3/2026
Delayed until 2026... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9783959053204
|
$60.00
PREORDER
RELEASE DATE: 2/3/2026
Delayed further... until early 2026.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9781633451766
|
$22.00
PREORDER
RELEASE DATE: 1/20/2026
Paperback. 150 pages. "One of the towering figures of 20th-century art holds forth on his controversial life and career in a previously unpublished set of interviews. Over six sessions between September 1951 and November 1952, Marcel Duchamp sat down with collectors and gallerists Harriet and Sidney Janis for a wide-ranging conversation about his inspirations and working processes, and his many opinions on the workings of the modern art world and its histories. The Janises, owners of the influential Sidney Janis Gallery, were ardent supporters of modern art and close friends with Duchamp. Harriet, an accomplished author, led the interviews with an eye toward writing a monograph on Duchamp, though this was never realized. Now, this previously unknown chronicle is available for the first time through the efforts of Carroll Janis, Sidney and Harriet's son. Under Harriet's expert guidance, Duchamp holds forth on his artistic philosophies, his career, his friends, his rivals and his lifelong obsession with chess. He provides an inside look at some of his most famous works, from his controversial 'Readymades' to 'The Large Glass.' Contextualized with illustrations, annotations and an introduction by Carroll Janis, this publication is a rich treasure trove of information on one of the 20th century's most controversial, groundbreaking and larger-than-life artists. Marcel Duchamp (1887-1968) dismantled the boundaries of what constitutes a work of art. Although he began his career as a painter, Duchamp was also a curator, conservator, art advisor, professional chess player, writer, inventor and celebrity. Following the completion of his conceptual masterpiece, 'The Large Glass' (1915-23), he abandoned traditional artmaking altogether. Today he is best known for his 'Readymades' -- ordinary objects such as a urinal or bicycle wheel, elevated to works of art -- which challenged traditional aesthetics and redefined authorship."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1671LP
|
Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1673LP
|
$26.00
PREORDER
RELEASE DATE: 12/31/2025
Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AKENAT 006LP
|
$25.00
PREORDER
RELEASE DATE: 12/12/2025
Volume 2 of this series focused on the amazing sonic treasures Bollywood music has to offer. This second volume is centered on the incredible instrumental gems that populate Hindi cinema soundtracks. 14 tracks of pure Bollywood instrumental genius to continue the dive into the mind-blowing world of Hindi cinema music. Covering a time span of three decades, this compilation mixes well-known names with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes. Featuring Charanjit Singh, R.D. Burman, Sapan & Jagmohan, Raghunath Seth, Chic Chocolate, S. D. Burman, Van Shipley, Kalyanji Anandji, O.P. Nayyar, Govind Naresh, Usha Khanna, S. Hazarasingh, Babla & His Orchestra, and Laxmikant-Pyarelal.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 192LP
|
$33.00
PREORDER
RELEASE DATE: 12/5/2025
Buh Records presents Selva Selva, the debut album by Wayku, a project led by guitarist and researcher Percy A. Flores Navarro, originally from Tarapoto, in the Peruvian Amazon. The album centers the electric guitar, blending traditional jungle sounds with contemporary approaches to explore new textures, rhythms, and expressions. Wayku emerged in late 2022 after Flores's previous project Motilones de Tarapoto. It reflects a dialogue among Amazonian music, rock, and jazz, while also drawing on Brazilian music, tropical rhythms, and other popular expressions from the jungle. The sound feels organic and evolving, rooted in tradition yet open to modern languages. According to its creator, the album seeks to renew the Amazon's repertoire by adapting it to contemporary sonic languages. Selva Selva weaves three strands of Amazonian popular music: sounds and instruments recorded in ethnographic archives, traditional folk ensembles, and tropical jungle bands. Flores Navarro's ethnographic research in Indigenous communities of San Martín and Loreto has profoundly informed Wayku's vision. His compositions interlace narratives of Indigenous resistance with traditional aesthetics, modern harmony, electric instrumentation, and symphonic elements, balancing formal exploration with cultural commitment. Across eleven tracks, Selva Selva offers a journey through native communities while reflecting the cosmopolitan realities of Amazonian cities. Songs such as "Carnaval en la selva" and "Por la marginal reimagine pandilla," a festive Amazonian genre of lively rhythms, flutes, percussion, and community ties. Wayku projects pandilla into the present, amplifying its vitality with contemporary arrangements. This work continues a lineage dating to the 1970s, when tropical Amazonian bands incorporated electric guitar into pandilla, creating the form now known as electric pandilla. Wayku revives and expands that language, asserting a discourse that empowers Amazonian musicians and raises the visibility of their work on broader stages. Selva Selva was recorded between January and March 2024 in Morales, San Martín, with Michel Paredes on bass. Flores performed the rest and handled recording and digital mastering. Vladimir Ivanov completed analog mastering and Gonzalo de Montreuil produced the artwork. The album is released by Buh Records, supported by the Peruvian Ministry of Culture's 2023 Cultural Stimulus Grants.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MMCD 25006LP
|
$35.00
PREORDER
RELEASE DATE: 12/5/2025
The incredibly beautiful album Shinsekai, released in 1994, is finally being reissued. Long considered a phantom masterpiece and a cornerstone of Japanese techno, the album had been out of print for many years due to the business circumstances of its original label, Rising High. Now reissued by Sublime and Musicmine.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VIT 001LP
|
$35.00
PREORDER
RELEASE DATE: 12/5/2025
Hidden Traffic is the debut album by Hard To Tell via their own imprint, Vitrage Records. Spanning eight tracks, the album blends Detroit-influenced house, breakbeat textures, warm analog tones and subtle hypnotic techno nods. From the atmospheric opener "Last Night Jam" to the emotional closer "Solid Love," Hidden Traffic showcases the full spectrum of the duo's sound -- introspective, danceable, and deeply personal.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
LMS 1725560
|
$17.50
PREORDER
RELEASE DATE: 11/28/2025
Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WRWTFWW 109LP
|
$38.50
PREORDER
RELEASE DATE: 11/28/2025
WRWTFWW Records presents the limited-edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kankyō ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center/Spiral's visionary NEWSIC label. Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm -- a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative -- an album that breathes with nature itself. Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog -- alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous -- Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital. A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LMS 1725562
|
$32.00
PREORDER
RELEASE DATE: 11/28/2025
LP version. Green color vinyl. Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACOLOUR 053LP
|
$30.50
PREORDER
RELEASE DATE: 11/28/2025
Going back to sleep... is a lovingly gathered suite of windswept, heart-bursting contemporary DIY indie-pop and folk including new songs by Carla dal Forno, The Reds, Pinks and Purples, Lewsberg-related duo The Hobknobs and Rat Columns, next to luminaries and newcomers Daily Toll, Who Cares?, The Lewers, The Sprigs, Drunk Elk, I Can I Can't, The Gabys, and Chateau. A beautiful contemporary companion of I Won't Have To Think About You (2017). Focused on Australian artists predominantly recording and performing in intimate spaces, the compilation's sentiment extends to likeminded artists around the world. A feeling of introspection that seems impossible to achieve when recording for anyone but yourself. A trip through the wonderfully diverse international pop underground, or more simply, a group of music makers performing on A Colourful Storm's imaginary stage.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 484LP
|
$26.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. A timeless statement on media, culture, and music. Karl Bartos, renowned as an essential member and songwriter of Kraftwerk during their most innovative years, is reissuing his solo album Communication on Hamburg's Bureau B. First released in 2003, 13 years after leaving the legendary electronic group, the re-release arrives at a moment when its central theme, the transformation of culture through electronic media, feels more relevant than ever. When Bartos departed Kraftwerk in 1990, he left behind a catalogue that had redefined electronic music: "The Model," "The Robots," "Numbers," "Pocket Calculator," and many more bear his imprint as co-writer and melody-maker. 2021 Kraftwerk's classic line-up was inducted into the Rock & Roll Hall of Fame for their innovative work -- the first German band ever to be honored. With the sharp-witted electro-pop of Communication, the Kraftwerk legend extended that legacy, turning his focus toward a rapidly evolving media landscape at the turn of the millennium. At the time, the album's exploration of celebrity culture, digital imagery, and the early internet felt like a glimpse into the future. Today, it reads as sharp cultural analysis of a reality that has since become ordinary. Two decades later, this reissue allows Communication to be reconsidered on its own terms. The questions Bartos posed, about image saturation, reality fragmentation, and identity commodification, resonate more strongly in the age of smartphones, social media, and streaming platforms than they did in the early 2000s. Karl Bartos: "We are living in an age of huge behavioral manipulation. Cybernetics, artificial intelligence -- this is a major challenge for humanity." Bartos's role in shaping Kraftwerk's defining sound is undisputed, yet Communication also asserts his independent artistic voice: one that critiques media while celebrating the joy of electronic sound. Its rerelease is less a nostalgic act than a reminder that Bartos's work continues to speak directly to the cultural present. With this reissue on Bureau B, Communication endures as both a document of its time and a timeless statement on media, culture, and music.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
VAMPI 45116EP
|
$15.50
PREORDER
RELEASE DATE: 11/21/2025
Manny Corchado should be a household name for all boogaloo fans. His classic track "Pow-Wow" is one of the most sought-after singles among collectors and DJs -- not just for its A-side, but also for the absolute dance floor bomb hidden on its B-side: "Chicken and Booze." This instrumental recording features an irresistible rhythm section that could practically serve as the definition of the boogaloo genre itself. On the B-side of this single comes another version of the same song -- this time re-titled "Aguardiente y Pollo" in Spanish -- performed by Nelson y sus Estrellas. The tropical and salsa orchestra, founded in Venezuela by pianist, composer, and bandleader Nelson González Rojas, keeps the same punch and dance-driven focus as Corchado's version, but adds more melodic and sophisticated arrangements.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEARLP 060LP
|
$38.00
PREORDER
RELEASE DATE: 11/21/2025
"Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward first came together in 1968 and originally named themselves The Polka Tulk Blues Band, before transitioning to Earth shortly afterwards. In 1969, they recorded a number of demos in Zella Studios in Birmingham that were never released. The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock. All tracks featured have been carefully restored from the original masters, untouched for over 50 years, and presented here for the very first time in all their glory."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 334LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
This anthology of Los Wembler's allows listeners to appreciate the legacy of the iconic group from Iquitos, the most important city in the Peruvian Amazon which is only accessible by air or river, and their key role in the creation and revival of Amazonian cumbia. Los Wembler's emerged as a family band in the late 1960s in the Belén district of Iquitos and are regarded as pioneers of electric guitar-driven Amazonian cumbia from Perú. The selection of songs that make up this compilation dates from the period between 1972 and 1980, at the peak of the band's career. Songs such as "Sonido amazónico" or "La danza del petrolero" have become highly influential classics of the genre. Most of these tracks are reissued here for the first time after remaining unavailable for decades. Selva includes an insert with liner notes and photos. Pressed on 180g vinyl.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 966LP
|
$23.00
PREORDER
RELEASE DATE: 11/21/2025
"Glyders been dreaming up this sound for ages -- over years, with different players, countless shows and many late nights at the tape machine. It's been a long ride to Forever -- but now that they've arrived, the vibe's lightning and the blink of an eye. Guitarist/vocalist Joshua Condon and bassist Eliza Weber started up in 2014, but even when they put together their 2023 album debut, Maria's Hunt, they still had a revolving door on the drums. Then they met Joe Seger, who fit on the kit like a glove and in their sound like a brother. Since then, the three have ridden together, building up Forever while playing shows all around the US and Europe. This makes Forever's spirit high and tight, its sinews rumbling with communal joy. The song nugs of Forever sprouted branches and spokes on the road, the increased physicality driving their mellow licks and riffs with a great depth of rolling bottom, its groove taking them further into their own thing. After all this time, the streamlined new chassis feels mighty fine, making this the first real band album for Glyders. These sweet tunes punctuate and emphasize the wind and rain in the hair of Forever's driving jams. Glyders like to keep shuffling the deck. Taped at their own Studio 'G' in Chicago's Humboldt Park, with Josh getting the sounds they like, then mixed by Cooper Crain at Sweat Loge Studios down in Pilsen, Forever is super rich, crackling with the raw details of real life. The title comes from a battle cry within the band, something they hear at shows too. Eliza's amazing art emphasizes this for life credo, mixing classic roots with punk collage style drawn from years of flyers. It's like a family/club vibe, the kind of thing you get tattooed into your skin. Forever lands smooth, its lightning-quick 37 minutes leaving you plenty of time to live. Flip it over and let it go again, then!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RIPS 010CD
|
$11.00
PREORDER
RELEASE DATE: 11/21/2025
Pilot is the debut album from London quintet Miniseries. Channeling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread. Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub -- a musical nexus where burgeoning indie and Americana scenes collide -- where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock. When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland. Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SR 559CD
|
$16.00
PREORDER
RELEASE DATE: 11/21/2025
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after Ceux du Dehors, due to a change in line-up and a new repertoire, although the EP Crawling Wind had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in "Célesta (For Chantal)," and André Mergen on electric cello and alto saxophone, who enriched the orchestral texture. With Dirk Descheemaeker on clarinet and soprano saxophone and the return of Christian Genet on bass, this evolution can also be explained by the arrival of new musicians. Uzed is entirely composed and arranged by Daniel Denis. The recording and mixing were done at Daylight Studio in Brussels in 1984, but to bring out Uzed, the sound had to be improved by giving it more dynamic range, which was done at ICP Studios in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music -- most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 372CD
|
$16.00
PREORDER
RELEASE DATE: 11/21/2025
Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett. Also available on black vinyl (HPS 372LP), orange vinyl (HPS 372LTD-LP), and splatter vinyl (HPS 372ULTRA-LP).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 372LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 11/21/2025
LP version. Orange color vinyl. Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 372ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. Splatter color vinyl. Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BEARCD 060CD
|
$22.00
PREORDER
RELEASE DATE: 11/21/2025
"The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TR 598LP
|
$26.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. In 1985, Eric Goulden released an album entitled A Roomful Of Monkeys on the Go! Discs label under the name Captains Of Industry. It was a disaster -- most people didn't like it -- where it wasn't roundly ignored it was critically slated. Forty years later he decided to use these songs, written in the Medway Towns between 1982 and '84, as the basis for a new album: England Screaming. On the new recordings Eric played most of the instruments himself. Sam Shepherd played the drums, Amy Rigby and Marc Valentine sang backing vocals, and contributed piano along with Eric's art school friend, performance artist Graham (Graham) Beck. England Screaming is a sonically savage world apart from the insipid, half-arsed (Eric's words) original album. He has succeeded in marrying a young and unrealized vision to the wisdom and experience of his older years, incidentally posing the question: how far have we actually come as a society? As Wreckless Eric he needs little introduction -- he wrote and recorded the classic "Whole Wide World" and had a hit with it back in 1977. Since then it's been a hit for countless other artists including The Monkees, Cage The Elephant, and Billie Joe Armstrong of Green Day. As Eric Goulden it's a little more complicated -- a musician, artist, writer, recording engineer and producer, he didn't like either the music business, the mechanics of fame, or the name he'd been given to hide behind, so he crawled out of the spotlight and disappeared into the underground. He went on to release twenty something albums in forty something years under various names -- The Len Bright Combo, Le Beat Group Electrique, The Donovan Of Trash, The Hitsville House Band, and with his wife as one half of Wreckless Eric & Amy Rigby, finally realizing he was stuck with the name Wreckless Eric.
|
viewing 1 To 25 of 75766 items
Next >>
|
|