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viewing 1 To 17 of 17 items
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ACRSLP 1652LP
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"Lalo Schifrin is an Argentinian pianist, composer, arranger, and conductor who studied and played in France in the early 1950s before forming his own jazz orchestra back in Argentina. The founding father of bebop, Dizzy Gillespie is regarded as one of the most innovative and forward-thinking jazz musicians ever to grace the genre. When the two decided to start working together in the early 1960s, they laid to tape some of the greatest jazz records ever. He first met Dizzy Gillespie in 1956 when Gillespie visited Buenos Aries and offered to write the trumpeter a suite of orchestral jazz. The result was the glorious extended work 'Gillespiana.' While in New York in 1960, he recorded this masterpiece with Gillespie's 22 piece big band and was offered chance to join Gillespie's Quintet as pianist. Over the next two years they recorded a number of sessions as well as performing at recorded concerts and club dates. This exposure helped establish Schifrin's reputation, providing the basis for becoming a celebrated composer of film music in later years. This collection provides and snap shot into their time together, featuring three movements from Schifrin's Gillespiana on side A, with three of Gillespie's classic bebop tunes, 'Salt Peanuts,' 'A Night In Tunisia,' and 'Here 'Tis' performed by his quintet with Shifrin sitting in on piano on the flip. It will leave the listener with a thirst for more from this stunning collaboration."
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ACRSLP 1655LP
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"Eddie 'Guitar Slim' Jones was no ordinary bluesman. A major inspiration for Jimi Hendrix, Buddy Guy, Frank Zappa, Earl King, Stevie Ray Vaughan, and many more, Slim brought a new level of raw energy and electric intensity to guitar playing never witnessed before. Born in 1926 and raised in the blues heartlands of the Mississippi Delta, he plied his trade in the clubs of New Orleans after serving in WWII. His incendiary approach, vehement vocals and flamboyant theatrics made him the hottest ticket in town and his rockin' ways became the stuff of legend. His performances were loud, not content with turning his amp to ten, he would often plug straight into the PA system, creating an overdriven distortion that hadn't been heard before. In his short career he only recorded 30 sides and sadly his stage exploits were never captured on film. This collection features all his A and B sides released on the Specialty label from 1953-56 including the groundbreaking R&B No.1 'The Things That I Used To Do,' a track that features in the Rock and Roll Hall Of Fame's '500 Songs That Shaped Rock 'n' Roll.' He was an artist way ahead of his time, and a man who lived life as hard and fast as the most iconic contemporary rockers, becoming a huge influence for generations of blues and rock guitarists."
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ACRSLP 1640LP
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"Despite having such a short recording career, the original guitar hero Charlie Christian single-handedly revolutionized the electric guitar. With having no direct influence on his guitar playing, he used the horn and reed lines he heard from the likes of Lester Young as inspiration to develop his unique single line phrasing -- and so was born the guitar solo. Christian tragically died at 25 of tuberculosis, just as he was jamming with cool cats Thelonious Monk and Charlie Parker on the East coast, developing the future sound of be-bop. Our collection features some of the best material he recorded with the legendary Benny Goodman small bands. Playing alongside such luminaries of the jazz world as Goodman himself, Count Basie, Fletcher Henderson, 'Papa' Jo Jones, Lester Young and Lionel Hampton, Christian shone above them all with his utterly unique and pioneering playing."
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ACRSLP 1639LP
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"Johnny Burnette had two distinct phases in his career. Many will remember his Liberty years, the teen idol performing polished pop such as 'Dreamin',' 'You're Sixteen,' and 'Little Boy Sad.' Before this transformation though, he was Rockabilly through and through. With his visceral vocals and the driving rhythms of his brother Dorsey and his Rock 'n' Roll Trio, Johnny Burnette laid down some of the finest rockabilly tracks of all time. This collection concentrates on that era. It is not about conquering charts or sales successes, but highlights the pure power, energy and spirit of the music that helped form rock 'n' roll. We feature the best of Burnette's recorded singles up to his commercial breakthrough in 1960 including the immortal 'Tear It Up,' the distorted chugging's of 'The Train Kept A-Rollin',' and 'Honey Hush,' through to the distinctly mad 'Gumbo.'"
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ACRSLP 1634LP
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"Hank Williams was one of the single most important and influential artists in the history of country music, providing a template for which a host of country stars successfully followed during the decades after his tragically premature death in 1953 at the age of 29. He was a recording artist for just six years, yet he had around thirty-five country chart hits, including eleven No. 1s. His songs have been recorded by, and provided hits for, dozens of artists across just about every genre over the years. This 16-track collection features all Hanks chart toppers alongside the majority of his 2nd place finishes and provides a great snapshot of country music's biggest icon. It is not only a showcase for his unique talent but an insight into a song writing and performing style which was central to the development of country music. Included in this collection are the massive chart toppers 'Lovesick Blues,' 'Long Gone Lonesome Blues,' 'Why Don't You Love Me,' 'Moanin' The Blues,' 'Cold,' 'Cold Heart,' 'Hey Good Lookin',' 'Jambalaya,' 'I'll Never Get Out Of This World Alive,' 'Kaw Liga,' 'Your Cheating Heart,' and 'Take These Chains From My Heart.' With broken marriage, alcohol dependence and drug addiction featuring heavily in his life, he skillfully captured these personal demons in his song writing and performance creating the template for country acts to follow paving the way for others to articulate their own intimate feelings."
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ACRSLP 1633LP
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"Without question, Lloyd Price was one of the key protagonists for the rock 'n' roll explosion of the mid-fifties. Taking the gritty style of New Orleans R&B, where he started, he adapted it with innovative instrumental arrangements alongside the emergence of rock 'n' roll during the late '50s. Before the likes of Martin Luther King started smashing the cultural barriers down, Lloyd "Mr Personality" Price was already bringing the black and white youth together through his music. Of his 1952 hit, Lloyd pronounced 'I revolutionized the South! Before 'Lawdy Miss Clawdy' white kids were not really interested in this music.' He went on to achieve a remarkable run of pop and R&B successes throughout the decade with over 30 chart entries, a combined 11 top ten hits and four number 1's. This stunning 18-track collection concentrates on the biggest R&B hits he enjoyed from the debut smash hit 'Lawdy Miss Clawdy' in 1952 through 'Personality,' 'I'm Gonna Get Married,' 'Come Into My Heart' to his last top ten hit in 1960 'Question.' Along the way, the listener can hear not only how 'Mr. Personality' influenced rock 'n' roll, but also how he embraced the new genre with great success."
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ACRSLP 1642LP
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"Marion 'Little Walter' Jacobs was possibly one of the most important blues artists of the post-war era. He not only revolutionized harmonica playing by using amplification to compete with the growling guitars of the Chicago blues movement, he changed the way the harp was perceived and opened up a new world of instrumentation. Walter purposely pushed his amplifiers beyond their intended technical limitations to explore and develop radical new timbres and sonic effects previously unheard from a harmonica or indeed, any other instrument. This natural distortion opened musicians' ears to the possibilities of their own instruments and, in many ways, laid the foundations for the blues boom to come along in the sixties. Walter was the first, and to this point, only artist to have a No.1 hit with his self-penned, harp led instrumental Juke. He went on to have numerous R&B chart hits before succumbing to his wild, violent and hard drinking life-style. This LP features all Little Walters biggest R&B chart hits from his debut No.1 'Juke,' to his last chart entry in 1959, the ironically titled 'Everything Gonna Be Alright.'"
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ACRSLP 1632LP
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"Gene Vincent was an iconic figure in the history of rock 'n' roll, if only for his iconic landmark hit in 1956 with the self-penned Be-Bop-A-Lula, which remains one of the great rockabilly records of its time. It has become one of the most recorded rock 'n' roll songs of all and has been a standard in the repertoire of bands all over the world ever since. Performing with his band The Blue Caps, his moody image of a leather-clad bad boy with distinctive quiffed hair, the mystique being heightened by walking with a pronounced limp -- the result of a motor-cycle accident in 1955 -- made him a popular figure in rock 'n' roll films and tours on both sides of the Atlantic. He was at least as popular in the UK, if not more, as the USA, influencing as he did not only rockers like Cliff Richard and Johnny Kidd, but also The Beatles. This 18-track LP celebrates his legacy by bringing together his most beloved A and B sides from his massive debut hit 'Be-Bop-A-Lula' through to his more up-tempo, twist inspired re-recording of the hit in 1962. Along the way we hear classics such as 'Race With The Devil,' 'Blue Jean Bop,' 'Git It' (featuring Eddie Cochran on backing vocals), 'Wild Cat,' 'Jezebel,' and 'Lucky Star.' So sit back and unleash the Wildcat."
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ACRSLP 1618LP
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"Duane Eddy's guitar was the sound of the instrumental hits of rock 'n' roll music in the late fifties and early sixties. This collection, pressed on 140g black vinyl, features some of his greatest songs from a five-year period and highlights just how integral Eddy was for the development of rock music. With Lee Hazlewood's trademark productions, featuring rasping sax, Duane helped inspire a generation of teenagers to pick up a guitar and emulate his technique. He enjoys continuing respect from many artists who cite him as a major influence. Spawning hits on both sides of the pond, this collection includes favorites such as 'Rebel-'Rouser,' 'Peter Gunn,' 'Because They're Young,' 'The Ballad Of Paladin' and 'Dance With The Guitar Man.' Celebrate the sound of a sensational six-string pioneer and dare to 'Dance With The Guitar Man'!"
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ACRSLP 1627LP
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"Etta James' approach to both singing and life was one akin to riot and rebellion that included violence, drug addiction, armed robbery and highly impulsive behavior. She sang with unrivalled emotion and a pain that can leave the stoniest listener in emotional turmoil. The ferocity of her voice reflected her traumatic life... a neglected child, a teen drug addict, a woman constantly entering into bad relationships and an artist raging against an industry and a society that had routinely discriminated against her. Over a career spanning more than half a century Etta 'Peaches' James has become a true blues icon. Widely acknowledged as one of the most important and influential female blues and R&B singers of the post-war era, she has been cited by critics, peers, younger artists whom she influenced, industry insiders and consumer aficionados, as one of most versatile and expressive blues singers. Effortlessly bridging the divides between pure blues, rhythm and blues, rock n' roll, sophisticated pop and jazz with an intensity and passion rarely matched. From Bonnie Raitt to Beyonce, Tina Turner to Adele, Etta James stands alone in her far-reaching influence. This LP shines a light on her early career, showcasing some of her greatest and earthiest recordings. From her first single as a delinquent teenager 'The Wallflower,' through to the distinctly Motown influenced 'Next Door To The Blues' we hear just why Etta James is the true embodiment of blues."
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ACRSLP 1609LP
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"Wanda Jackson started her career in country music before embracing rock 'n' roll. While remaining true to her roots, the transition proved so successful she was affectionately crowned 'The Queen of Rockabilly'. Possessing a voice that demanded to be heard in a world dominated by male rockers, she blazed a trail for all that followed. Pressed on 140g black vinyl, this 17-track LP comprises some of her best singles from 1954-62. The first track is from her time with Decca, but the other tracks are from her time with Capitol from 1956-62. Features rollicking numbers such 'Mean Mean Man,' 'Fujiyama Mama,' 'Honey Bop,' 'Riot In Cell Block #9,' 'Let's Have A Party' and heartbreakers like 'Right Or Wrong,' 'I'd Be Ashamed' and 'A Little Bitty Tear.' An entertaining showcase for a highly distinctive talent, dubbed 'the sweet lady with the nasty voice.'"
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ACRSLP 1611LP
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"Muddy Waters was one of the most important figures in post-war blues, influencing some of the most significant rock musicians of his era. He was one of the most prominent, in a relatively small coterie of performers, who effectively invented and defined the approach to amplified guitar-based blues, in the hotbed of the genre, Chicago, and much of what has happened since then reflects Muddy's rich legacy. This 14-track collection, featuring such instantly recognizable numbers as 'I'm Your Hoochie Coochie Man', 'Got My Mojo Working' and 'I'm Ready', offers an entertaining overview of his recordings aimed at the commercial market, especially in the context of an R&B scene which was changing rapidly during a decade and a half of musical evolution and revolution. A delightful celebration of his unique style which became the template for every electric blues performer."
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ACRSLP 1615LP
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"Powerhouse performer, Willie Mae 'Big Mama' Thornton, was a singing sensation who did not get the recognition her talents so richly deserved. A big woman with a big personality, Big Mama Thornton possessed one of the most soulful voices in R&B history. She had a huge-selling R&B No.1 with the original recording of Jerry Leiber and Mike Stoller's 'Hound Dog', but would see her success eclipsed by Elvis Presley who would go on to sell 10 million copies globally with his cover on his way to being crowned 'The King of Rock 'n' Roll'. This 16-track, 140g black vinyl, goes some way in showcasing her colorful personality as well as highlighting her as a performer who brought much more to popular music than one landmark hit. Also includes numbers such as 'They Call Me Big Mama', 'I Smell A Rat', 'Just Like A Dog (Barking Up The Wrong Tree)', 'Don't Talk Back' and 'Big Mama's Coming Home'. Big Mama Thornton not only gifted the world one of the most bombastic interpretations of the blues, but she also helped redefine the place of black women in the music business."
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ACRSLP 1622LP
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"Pioneering Southwest Virginian collective, The Carter Family, were one of the very first groups to be captured on disc and are now recognized as 'The First Family of Country Music'. With rich vocal harmonies and innovative musicianship, Sara Carter, husband A.P. and sister-in-law Maybelle, would shape future generations with their earthy mix of traditional folk, bluegrass, and southern gospel. This collection, pressed on 140g black vinyl, presents some of their finest work and celebrates their undeniable importance. Their influential sound would shape the future of Americana and all aspects of music which sit under that umbrella including bluegrass, folk, gospel, rock and, of course, country. This 14-track LP includes famous songs such as 'Can The Circle Be Unbroken', 'I'm Thinking Tonight Of My Blue Eyes', 'Wabash Cannonball' and their biggest seller 'Wildwood Flower'. A fascinating portrait which celebrates The Carter Family's vital contribution to US culture."
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ACRSLP 1603LP
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"Howlin' Wolf was one of the most charismatic and exciting performers in the history of blues music. Standing six feet three inches he was a mountain of a man whose menacing vocal and low down 'n' dirty delivery greatly influenced a whole generation of rockers who followed. Born Chester Burnett, Wolf was one of the most important and influential figures in Chicago Blues through the 1950s. Rougher-edged than Muddy Waters, the intensity of Wolf's performance prompted Sun Records impresario, Sam Phillips, to observe: 'When I heard Howlin' Wolf, I said: 'This is for me. This is where the soul of man never dies'.' Pressed on 140g black vinyl, this 16-track LP features the bluesman's best-loved songs from the first decade or more of his recording career, comprising songs from his 1951 debut recording for Phillips in Memphis, through to 1962 by which time commercial blues had become focused on the middle-class, white student market as much as its traditional black roots. A fitting tribute to one of the true greats of the blues."
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ACRSLP 1613LP
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"Known as 'the first lady of the jazz keyboard', Mary Lou Williams achieved extraordinary recognition and success as pianist, composer and arranger in an era where women often found it hard to break through. The perpetually contemporary Williams was always ahead of the field and in a different class. This collection covers a large period of her career, stopping before she chose to devote herself to religion around the 1950s.Had she not largely withdrawn from focusing on the commercial aspect of her art at a crucial stage in her career, she may have achieved a greater level of recognition not only during the rest of her life but in subsequent decades Pressed on 140g black vinyl, this 14-track LP features much-loved numbers such as 'Night Life', 'Overhand (New Froggy Bottom)', 'Walkin' And Swingin'', 'Roll 'Em' and 'In The Land Of Oo-Bla-Dee'. The pioneering Mary Lou Williams is an artist whose versatility and ability matched that of her peers and whose contribution to music remains vital. It's an evocative showcase for her distinctive style."
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ACR 2501LP
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"This is the first vinyl LP release from the Acrobat label, and it features, unreleased 'live' recording from 1969 by one of the greatest of all British jazzmen, tenor saxophonist Tubby Hayes, performing at one of London's most popular jazz venues, the Hopbine pub in Wembley, where Tubby's fellow tenor player Tommy Whittle used to run a weekly jazz night. He was playing there with his regular quartet comprising Mike Pyne (piano); Ron Mathewson (bass); Spike Wells (drums), and the LP features two extended pieces, one on each side of the LP. After hitting a career low point in 1968 as a result of his heroin addiction, he was rebuilding his health and career and had thrown himself into a punishing round of 'live' work and recording, and was looking for new musical challenges, as the music landscape was evolving rapidly around him, and contemporary musicians were pushing boundaries of their own with psychedelia and progressive rock. He was still in vibrant form and still a master of the kind of hard bop tear-up exhibited in parts of these performances, and still able to find a new way of approaching a standard like 'What Is This Thing Called Love?', as well as introduce his own compositions like 'For Members Only'. However, this was one of the final performances of this kind by the quartet, as it was only a month later that he collapsed and was hospitalized -- the beginning of the health issues which would bring about his demise in 1973. As such it is an important musical landmark, as he saw out the '60s in typical style."
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