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viewing 1 To 4 of 4 items
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LP
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RLSUPSETT 006LP
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Late 2020 RSD release. Lee Scratch Perry and long-time collaborator Daniel Boyle, team up once again to deconstruct Max Romeo's sell-out double-vinyl album, Horror Zone. Into an eight-track journey into the deepest and heaviest of dub albums to hit the streets in recent decades. After collaborating on a number of award-winning vinyl albums, box sets, and singles totaling over 80 songs together, they are back once again with this special, limited edition vinyl dub album. The original Horror Zone album was recorded live, using vintage Black Ark equipment to recreate Lee's famous lo-fi drum sound. With veteran Upsetter and Bob Marley and the Wailers musicians -- Glen Da Costa, Vin Gordon, and Robbie Lynn, alongside Daniels Rolling Lion All Stars session band. It has now been deconstructed and dub mixed live on Rolling Lion Studios SSL mixing console, using entirely vintage analog equipment including the same pieces from Lee's original Black Ark Studio. Driven by the idea to merge lo-fi and hi-fi. Merging the absolute best in class analog equipment available on the planet, with the very best vintage equipment from the 1950s-1970s. Glow-in-the-dark vinyl, with a hand painted cover by Ellen G. Limited crystal clear vinyl.
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4LP BOX
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RLSUPSETT 005LP
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RSD 2019 release. Lee Perry is keen to present to the world, a collector's edition 12" box set. Featuring re-cuts of four obscure rhythms from the late '70s period of his Black Ark Studio. Features Dennis Bovell and Studio One's Vin Gordon amongst the musicians. Each LP has four versions of a rhythm, with guest singers Ashanti Roy (Congos) Sylford Walker, Highie Izachaar, and Danny Red, a horns cut by Vin Gordon, a Lee Perry vocal. and a dub version.
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2LP
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RLSUPSETT 004LP
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2019 repress; double LP version. At 83 years of age, Lee Scratch Perry presents to the world his next full-length solo album, The Black Album, with dub versions, continuing his inimitable roots reggae legacy. Lee's brief for the album, was to blend the vintage and the obscure, during the sessions Lee referred to the sound and "black" and wanted space, light and darkness in the songs and their respective dub versions. The result sees Lee having mixed up an analog concoction of ultra-rare effects, sonic wizardry and deep heavy roots rhythms. Over 2017 and 2018, Lee Scratch Perry reunited with producer and mixer Daniel Boyle to start work on their second solo album project for Lee. Picking up where their last efforts Back On The Controls (2014) left off. Lee wanted to continue the raw analog sound they had cultivated together over multiple past releases, and take it to the next level with new effects devices to create another sonic signature. They entered the studio in 2017, to begin to put together ideas for the tracks, which were then taken to RAK studios in London with their ever-changing Rolling Lion All Stars session band; to lay down the rhythm versions. Using strictly vintage analog equipment, they employed Neuman valve and RCA Ribbon microphones, and RAK's early model vintage API desk to record, the "sound" for the album was sculpted in these sessions. Vintage, but punchy, which was then blended with Lee's choice of super rare and custom analogue effects. Ursa Major Space Station and Stargate delays and reverbs, old choruses, plate and spring reverbs, and tape delays were used to create a tight vintage feel but retaining the rawness of the "Low Fi" roots sound Lee was aiming for. With the music coming together, the vocal sessions were held in Abbey Road Studio 3, again using vintage RCA ribbon mics, overdriving their EMI TG console and Fairchild compressors to create a pleasantly distorted lo-fi vocal sound. Lee and Daniel then returned to Daniels Rolling Lion Studio, to mix and dub the album, live, on the mixing console.
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CD
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RLSUPSETT 004CD
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At 83 years of age, Lee Scratch Perry presents to the world his next full-length solo album, The Black Album, with dub versions, continuing his inimitable roots reggae legacy. Lee's brief for the album, was to blend the vintage and the obscure, during the sessions Lee referred to the sound and "black" and wanted space, light and darkness in the songs and their respective dub versions. The result sees Lee having mixed up an analog concoction of ultra-rare effects, sonic wizardry and deep heavy roots rhythms. Over 2017 and 2018, Lee Scratch Perry reunited with producer and mixer Daniel Boyle to start work on their second solo album project for Lee. Picking up where their last efforts Back On The Controls (2014) left off. Lee wanted to continue the raw analog sound they had cultivated together over multiple past releases, and take it to the next level with new effects devices to create another sonic signature. They entered the studio in 2017, to begin to put together ideas for the tracks, which were then taken to RAK studios in London with their ever-changing Rolling Lion All Stars session band; to lay down the rhythm versions. Using strictly vintage analog equipment, they employed Neuman valve and RCA Ribbon microphones, and RAK's early model vintage API desk to record, the "sound" for the album was sculpted in these sessions. Vintage, but punchy, which was then blended with Lee's choice of super rare and custom analogue effects. Ursa Major Space Station and Stargate delays and reverbs, old choruses, plate and spring reverbs, and tape delays were used to create a tight vintage feel but retaining the rawness of the "Low Fi" roots sound Lee was aiming for. With the music coming together, the vocal sessions were held in Abbey Road Studio 3, again using vintage RCA ribbon mics, overdriving their EMI TG console and Fairchild compressors to create a pleasantly distorted lo-fi vocal sound. Lee and Daniel then returned to Daniels Rolling Lion Studio, to mix and dub the album, live, on the mixing console.
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