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LP
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STAM 1007LP
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"The first engineering job for the great producer Chris Kimsey (famed for his later work with The Rolling Stones, Yes, ELP, INXS among many others), featuring legendary Genesis guitarist Steve Hackett on 'Prologue', and with future Whitesnake drummer Dave Dowle in the line-up, this album, a psychedelic/progressive crossover with church-music and bluesy influences, was made by a group of musicians very much on the London underground 'scene' of the time, playing gigs at Middle Earth and The Electric Garden, supporting Hendrix, supported by John Peel and pitched to CBS and Polydor, both of whom failed to pick up on a fabulous and original piece of work by a band which, on the strength of these songs, deserved more recognition. At the time of a 2007 CD release on Ork Records/RPM, 2 tracks ('Battle Hymn' and 'The Roman Head Of A Marble Man') could not be found, but after Simon Ashley at Stamford Audio contacted Malcolm Ironton late in 2009 to arrange releasing the album on vinyl, he searched again and, this time, the search bore fruit! Listening to all of the original tracks together again, he remembered that 'Gloria' had been intended as the last track on the album and 'Battle Hymn' finished off side one, so 'The Roman Head Of A Marble Man' then slotted in between 'Prologue' and 'Gloria' on side two and we now had the original running order for the vinyl LP, as it should have been issued all those years ago." 180 gram vinyl pressing housed in a deluxe gatefold sleeve.
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LP
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STAM 1005LP
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"Deluxe gatefold sleeve with 180 gram LP. First time on vinyl since the Neon release. Hand numbered limited 500 edition. The Brotherhood of Breath was an exuberant big-band created by South African born pianist and composer Chris McGregor. In South Africa, McGregor had formed the racially mixed Blue Notes in the early 1960s. By 1964, finding it very difficult to work at home; they left for Europe, finally settling in London in 1966. The Blue Notes -- Chris McGregor, Dudu Pukwana, Mongezi Feza, Johnny Dyani and Louis Moholo made a huge impact on London's jazz scene and befriended many in London's emerging avant-garde jazz community." CD version released on Fledg'ling (FLED 3062CD).
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LP
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STAM 1003LP
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Warehouse find, last available copies. "Stamford Audio, in association with Fledg'ling Records and by special arrangement with the Sandy Denny Estate, is very proud to present the first pressing on beautiful 180 gram vinyl of Sandy Denny's first recordings, unavailable on vinyl until now! The five songs on this LP, recorded at home in London in 1967, capture Sandy proving her vocal and, on two songs, writing mettle at the age of 19, around the same time as her first professional recording sessions with the Saga label, but before her work with The Strawbs, Fairport Convention and Fotheringay. The beauty and purity of Sandy's vocals shine through on these haunting early recordings, setting the template for an all too short career as one of, if not the, finest female singer our shores produced." This is a short release (16 minutes approx), with acetate-quality sound sourcing; previously released on the Fledg'ling A Boxful of Treasures 5CD box.
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2LP
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STAM 1002LP
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"Features four tracks with Sandy Denny: 'Who Knows Where The Time Goes,' 'That'll Be The Day,' 'Ballad Of Ned Kelly,' and 'Something You Got.' First time on vinyl. Limited to hand numbered run of 500. Pressed on 180 gram double vinyl." Deluxe gatefold sleeve.
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