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LOIE BC2
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Poems of resistance against death and the dead squares. After years of collecting and reading the stuff, Byron Coley started writing poetry in 1998 as a reaction to the death vortex seemingly surrounding everything in his life at the time. From that moment on, he wrote lots of poems, mainly published in chapbooks, broadsides, and underground magazines: all almost impossible to find. Defense Against Squares is the first major collection of Byron Coley's poetry to be published. It features odes to personal heroes such as Jack Rose, Lou Reed, and Captain Beefheart, poems against the rotten world of George Bush and words of resistance against all squares. With an introduction by Kim Gordon, cover drawing of the author by Charles Burns, and French translation supervised by John-Glassco prize winner Marie Frankland. Softcover; 166 pages; Bilingual; 4.75 x 8.5 inches.
Byron Coley was born in Manhattan in 1956 and currently lives on an old farm in Western Massachusetts with his wife, the inventor Lili Dwight. He has written extensively about underground culture since the mid-70s. Known most prominently for his work for Forced Exposure in the 1980s, he has been resident editor at NY Rocker, managing editor Take It!, underground editor Spin, ghost editor Ecstatic Peace Poetry Journal, etc. He has been a columnist for the L.A. Weekly, Arthur, Spin, le Bathyscaphe, Harp, and so on. He co-wrote No-Wave with Thurston Moore (2008). He has written liner notes for hundreds of records, spewed for more zines than anyone could ever remember, and contributed to various anthologies. He currently writes for The Wire, codirects the label Feeding Tube Records, and publishes Bull Tongue Review, a quarterly journal of post-rock cultural pluralism. Historical straight jobs include dishwasher, snowmaker, Teamster, carpenter, line cook, janitor, doorman, panhandler, and drug tester. Byron Coley's previous book for L'Oie de Cravan was the collection of his articles, C'est La Guerre: Early Writings 1978-1983 (2011).
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LOIE BC
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Frontline writings from the music war by Byron Coley. C'est La Guerre is a perfect snapshot of a time of great changes in American music, one that saw the emergence of new kinds of untamed rock, punk, and noise that extended the explorations of free jazz and of rock innovators like Captain Beefheart. These early essays, articles, and letters crisscross the continent and cover a wide array of musical acts, including David Bowie, Robert Fripp, Fred Frith, Devo, Hüsker Dü, Suicide, The Germs, Lydia Lunch, Jim Morrison, the Meat Puppets, and the Minutemen, whose bass player, Mike Watt (now with the Stooges), contributed the introduction. Byron Coley was born in Manhattan in 1956. He has written extensively about underground culture since the mid-'70s. Among other things, he has been resident editor at NY Rocker, managing editor at Take It!, jazz editor at Forced Exposure, underground editor at Spin, ghost editor of the Ecstatic Peace Poetry Journal, etc. He has been a columnist for the L.A. Weekly, Arthur, Spin, Le Bathyscaphe, Harp, The Wire and so on. His books include Chuck Norris, Ass Candles For Joni, Beefheart and No Wave which he wrote with Thurston Moore. He has written liner notes for hundreds of records, spewed for more 'zines than anyone could ever remember, and contributed to various anthologies of prose, poetry, and pus. He currently writes for The Wire and runs Glass Eye Books and the Ecstatic Yod record label. Cover drawn & silkscreened by Simon Bossé. 142 pages. Bilingual, translated by Marie Frankland (John-Glassco Translation Prize, 2007). 6.5 x 6.5 inches.
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