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viewing 1 To 25 of 73 items
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12"
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LIVITY 068EP
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In a flurry of angular beats and space age synth licks, Livity Sound welcomes Willis Anne to the fold under the guise of a new alias, Foreigner. Operating within the thriving scene around his current base Naarm, Anne brings a live, jammed-out focus to machine-rooted electronic performance that translates into his productions. All four tracks on this new EP crackle with improvised energy, whether it manifests in the dramatic synth shapes on "Last Peoples" or tangled up in the beat exploration on "Visible." At its core, the EP makes its mark thanks to the clarity of Anne's ideas as he swerves the temptation to over-work the sound, ringing true with the immediate, spacious approach of Livity Sound's many-sided catalogue. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 067EP
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Drawing a line under his Pulse series, Pev brings a fifth and final dose of positivity to the dance with a distinctly techno-oriented focus and space for the odd curveball. Strident opener "Pulse XVII" bookends a lean, subtly stepped mid-section workout with pearlescent synth strings and chord stabs patched in for maximum Motor City uplift. "Pulse XVIII" operates within a taut house framework, stirring up a forthright jack track with the sparsest of ingredients drawn from the palette of bassweight 4/4 that has run throughout the Pulse series. The tempo noticeably nudges up on "Pulse XIX" -- a nagging dub techno variation where the genre's usual blown-out dreaminess is replaced with snappy urgency. That leaves it to "Pulse XX" to close the series out with a sharp left turn towards light-footed leftfield steppers gear with alien hooks -- an approach that harks back to earlier Pev output, but given a fresh lick with the bright-eyed production that has informed his latest phase of studio exploration. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 066EP
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The fourth instalment in Pev's Pulse series finds him further widening the scope of his sound as he touches on the distinct energies which inform his unique strain of soundsystem techno. "Pulse XIII" deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. "Pulse XIV" finds him dialing up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to "Pulse XV" and "Pulse XVI" deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 065EP
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Three years in the making, Livity Sound alumni Azu Tiwaline and Forest Drive West combine their distinct but compatible styles into an EP of advanced, reduced sound system immersion. The idea for the collaboration took shape not long after Tiwaline's first Livity release, the Magnetic Service EP, and the pair took time to settle on a sound set which now shapes out Fluids In Motion. Drawing on a cohesive palette, the tracks they pieced together in a remote exchange between Tunisia and the UK explored a variety of tempos and rhythms ranging from pure ambience through to spring-loaded 4/4, with a focus on minimalism and dub-spirited spatial sound design. The end result naturally evolves from each artist's existing work, matching subtlety and space with intricate detail to present a complete, considered release that runs as deep as an album over the course of four tracks. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 064EP
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DJ Polo returns to Livity Sound with an EP that moves beyond the UK funky styles he established alongside Tribal Brothers on The Link Up EP in 2021. Through his productions and steady online radio presence, the Bristol-based producer has been flying the flag for lean, punchy rhythms with a low-end focus, but on If The Glove Fits, Polo has branched out to explore different tempos and sounds taking influence from gqom, techno and Afrobeats. Much like his approach to funky, this isn't a set of genre exercises but more a celebration of the shared qualities which bind together dance music from different parts of the world. The result is four sharply-defined club workouts unique to DJ Polo that balance tension and release, flair and subtlety and a consistent physical weight true to Livity's emphasis on soundsystem suitability. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 062EP
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Matching his signature melodic futurism with enduring club music structures, Pev brings the Pulse series to a natural conclusion with the Pulse Phase EP. On this third release he underlines the broader approach to tempos and styles he's taken across this latest period of his output. If there's been a nostalgic streak detectable amongst the crisp modernism of the Pulse series, it comes through clearer than ever in the looped-up house jack and starry-eyed techno synth hooks of "Pulse IX." "Pulse TEN" pares back for a lean sound-system workout driven by a strafing arp and fractured drums while "Pulse XI" revisits '90s bleep techno with a deep, dubby intention. "Pulse XII" completes the picture capturing the skeletal pressure of two-step at its most slender and deadly. There's never a sense of over-familiarity -- the exacting angles of the drums and alien hue of the synths maintain Pev's distinctive sound first and foremost. But this series has also been an opportunity to hear some of his musical DNA more explicitly than before, cast in universal rave motifs propelled by the unrelenting pursuit of new forms for the dance. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 063EP
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Following his 2021 debut on the reverse label with Retreat Ites EP and a spot on the Molten Mirrors compilation, Jurango is back on Livity Sound with another four tracks of low-slung soundsystem pressure. On An Amorphous Mass EP, Jurango presents a particularly focused sound which draws on halftime D&B, dancehall and broken techno all filtered through the meditative pulse of low tempo club music. The measured pace of the tracks doesn't detract from their weight, whether it manifests in the heavy roll of murky opener "Big Saver," Inner Seam's mutant dembow rhythm or the heady breakbeat chops of the title track. The stripped-back subs and fractured percussion of "Muni Ce Boa" close the record in potent yet understated style, proving minimal music doesn't have to compromise on impact for the dance. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 061EP
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Peverelist swiftly follows up the Pulse EP with another four tracks of sprightly club gear that continue to shape out his current areas of exploration in the studio. As ever, there are no fixed concepts or approaches -- just an instinct for energizing, inventive tracks taking in a range of tempos and rhythms. The first half of Pulse Modulation EP is marked out by linear rhythms which showcase the most techno aspects of Pev's sound. "Pulse V" is charged with the kind of alien synth lines which could only come from his studio, but also draw a line to the hi-tech soul of foundational Detroit techno. "Pulse VI" has a starker, bleep-led sound pitched towards tougher dancefloors. "Pulse VII" strips things back in comparison, leaning in on a blanket of bass and keeping the drums sparse and to the point -- a study in sound system pressure. Widening the spectrum of the record, "Pulse VIII" sees Pev make a rare push up into 160+ territory -- something normally reserved for his DJ sets. Swerving obvious break edits, his take on jungle is lean and crisp, delivering a fresh slant on the sound while maintaining the sharp focus of his current output. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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LIVITY 060EP
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Five years since his last solo outing, Peverelist makes a very welcome return on his own label for Livity Sound's 60th release. Having focused on expanding the innovative scope of Livity through a prolific release schedule, frequent label nights and the tenth anniversary Molten Mirrors compilation (LIVITY 049CD, 2021), on the Pulse EP, Pev delivers on his reputation for inventive, sharply-focused club music with four lean, focused club tracks across the tempo range. From the crooked formation and pointillist bleeps of "Pulse I" through the light-footed percussion and airy melodies of "Pulse II" to the strafing techno synths of "Pulse III" and the surefooted, bass-loaded house jack of "Pulse IV", it's an EP of variation and consistency in equal measure. From the infectious, alien melodic lines to the elegant angles of the drums, not to mention the weighty subs, it's all strikingly fresh and unmistakably Pev.
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LIVITY 059EP
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Kouslin returns to Livity Sound Recordings with a second collection of slippery club tracks after the 2020 Vision EP. With an emphasis on head-twisting sound design and a detailed line in percussive programming, the London-based producer continues to reach into intriguing new areas without forsaking soundsystem-ready physicality. The tracks which make up the Patterns EP stemmed from a period of personal experimentation, where Kouslin returned to making music for its therapeutic benefits rather than a fixed purpose. The loops and sketches he returned to and expanded upon for this EP bristle with originality at every turn. There is a continued exploration of dancehall rhythms on "King", while "Five Four" toys with time signatures for a jagged, fast-paced abstraction of techno. "Why Don't You Don't" is harder to pin down thanks to its knotty beat and mutant synthesis, and "Michael" flips the script further with an unexpected swerve into pearlescent melodic lead lines -- the perfect demonstration of the honest and instinctive approach Kouslin took when making these tracks.
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LIVITY 057EP
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Two years since his Going For It EP, Livity Sound Recordings welcome back Sydney's DJ Plead for a second round of versatile, psychedelic club variations. Since debuting around 2018 Plead has forged a distinctive sound which focuses on inventive use of percussion and elegant melodic hooks that draw lines between global dance music cultures without adhering to any fixed formula. From the carnival futurism of lead track "Come Quick" to the infectious reggaeton lilt and understated trance synths of "El Es", Plead presents a sound as playful as it is serious, predominantly exploring the 100 bpm tempo range. Shaped out by acutely angled rhythms, shifting time signatures and bold licks, Quick EP further establishes him as a vital, individual talent with the kind of flexible club tracks that bend between scenes and inject vibrant energy into the dance.
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LIVITY 055EP
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The latest release on Livity Sound features an extensive insight into the work of Seb Uncles, aka Eusebeia. Uncles has been releasing his work prolifically over the past six years, from self-released tapes on Rebellion Electronics through to reams of 12"s and LPs for labels like Earthtrax, Western Lore, Rupture London, and re:st. While his sound has often tilted towards drum & bass and jungle, he places atmosphere and composition ahead of genre boundaries and tempo restrictions. Cosmos EP finds Uncles stretching out over eight varied tracks for a broader experience compared to the usual Livity EP. Glacial ambience and richly layered synthesis guides the record overall, at times leaving drums behind altogether, but even at its mellowest you can sense the overbearing bias towards soundsystem music. The melancholic electronica of "Becoming" gets underpinned by dread bass, and "Solace" places a haunting steppas-esque refrain in the midst of heavily dubbed downtempo. When he does turn to full-tilt drumfunk edits on the likes of "Hopes + Dreams" and "Love + Light", he approaches them with subtlety and finesse, matching rhythmic flair with melodic progressions which lend themselves to introspective listening as much as full dancefloor immersion.
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LIVITY 054EP
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Following a debut appearance on the reverse label in 2020, Bristol-based artist Ido Plumes is back on Livity Sound with four tracks of experimental dance music for soundsystems. Plumes established his sound with pointillist drums and echo chamber atmospherics the first time around, and now he builds on that premise with a more dense and dramatic approach. Plumes' layered tracks follow non-linear narratives, switching lanes and exploring unusual, evocative landscapes while retaining a fundamental physicality. Longer form tracks like "Afloat" cover a lot of ground across their run time, while the likes of "Been Here" revel in audacious plot twists to create strikingly confident and original variations on the UK dance music tradition.
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LIVITY 053EP
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Toma Kami returns to Livity Sound Recordings for a third EP of provocative, experimental club gear. At the helm of his own Man Band label the French producer continues to explore a hybridized style which favors fractured beats, playful samples and occasional psychedelic flourishes. Compared to the busier sound of previous releases, minimalism informs Toma's approach on this EP as he sits his crunchy drums and weighty low-end in a tangibly spacious mix on "Amapicante". Even within a stripped-down context, his unique approach shines through as "Later To The Bone" progressively ramps up in scratched and scuffed sonic interference and "Mzecal" trips over its own fragmented found-sound drum formations.
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LIVITY 052EP
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Continuing the theme of community collaboration sparked by Hodge and Simo Cell's recent 12" (LIVITY 050EP), Livity Sound Recordings presents the first joint works by Azu Tiwaline and Al Wootton. While they come from distinct settings (Azu in the Tunisian desert, Al in London's urban sprawl), their music shares a similar affinity for intricate percussion and dub-informed space. The four tracks on Alandazu EP deal in a variety of rhythms and tempos, veering from the propulsive intensity of "Blue Dub" to the sparse, skipping two-step framework of "Light Transmission". Azu and Al's refined, detailed approach blurs the lines between electronic sound design and earthy sonics, resulting in dynamic drum tracks loaded with weighty atmospherics and unrelenting tension.
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4x12" BOX
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LIVITY 049LP
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4x12" boxset version. Comes in hardcase boxset. One of Bristol's foremost electronic labels toasts ten years with a 19-strong family gathering of adventurous, contemporary club music. Livity Sound has evolved considerably since 2011. Originally it was established as a vessel for new tracks from Peverelist, Kowton and Asusu --three Bristol-based artists who found common ground between their distinct styles in pursuit of a reduced, heavyweight strain of soundsystem techno. A run of hand-stamped 12"s and a three-way live show followed, while the Reverse sister label provided a conduit for emergent artists to enter the fray. Early breakthroughs from Hodge, Batu, Bruce and Simo Cell pointed to the broader horizons Livity was heading towards -- an expanding community of like-minded artists creating dancefloor misfits that somehow fit together. First appearing with a compilation of remixes in 2014, Tess Redburn's iconic artwork heralded a fresh new impetus for the label, and the music seemed to become more colorful in kind. While the founding principles of space, bass and fractured rhythms have largely abounded up to the present day, there's been a progressively broader palette of sound employed. Technoid melodic shimmers, earthen percussion and found sounds have become as prominent as sub frequencies and cavernous dub echoes, delivered by a vivid and varied ensemble of producers.
Molten Mirrors captures the dynamic energy of Livity Sound at ten years, with 19 artists from the label's roster coming together to present an honest document of where the label is at in the present moment. No over-arching concepts, no hackneyed themes -- true to Livity's open-ended mode since 2011, it's as much a declaration of community as a cross-section of experimental dance music in 2021. Trying to pin down the sonic styles is something of a fool's errand -- from the older guard to recent signings, what binds together this international, inter-generational span of artists is their lack of convention. A case in point: Azu Tiwaline's submerged and subdued rhythmic incantations sit between Bakongo (aka Roska)'s raw and angular drum pressure and Al Wootton's needlepoint, swinging dub tech variations. Nothing is totally placeable, and yet everything meets that ill-defined Livity Sound ethos, which stretches back to the earliest 12"s. Club music continues to mutate and break new ground with each passing year, and as a faithful document of one microcosm within an ever-expanding music culture, Molten Mirrors reflects the multifaceted, technicolor energy of the here and now while celebrating the possibilities of an open, unpredictable future.
Features Azu Tiwaline, Forest Drive West, Batu, Two Shell, Al Wootton, DJ Plead, Bakongo, Cando, Facta, Pev & Kowton, Simo Cell, Hodge, Bruce, Kouslin, Jurango, Toma Kami, Ido Plumes, and Surgeons Girl.
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LIVITY 050EP
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The next drop on Livity Sound is the first collaboration from long-time label mainstays Hodge and Simo Cell. True to the styles the artists have individually marked out since first appearing on Livity Sound circa 2014-15, Drums From The West EP presents fiercely imaginative, upfront club music across a spectrum of tempos. The supple, fluid approach to electronic music the two producers are separately known for feeds into a cohesive partnership, whether they're turning their hand to dancehall-inspired, sub-100BPM heavy hitters or jagged, technicolor half-step tapestries.
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LIVITY 051EP
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Livity Sound Recordings present a 12" of lean, refined club tracks from UK stalwart Beneath. The Mistry and No Symbols boss has spent the past ten years exploring a sound which nods to the legacy of bleep techno, dubstep and UK funky while leaning forwards into its own distinctive space. His stripped-back blend of crisp drums, sprightly hooks and sub bass are instantly identifiable, but across four new tracks Beneath displays the versatility within his reach. Stomping four to-the-floor rollers on the A side face-off with minimalist dub and weighty, synth-rich expressions on the flip that move beyond the demands of the dancefloor.
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2CD
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LIVITY 049CD
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One of Bristol's foremost electronic labels toasts ten years with a 19-strong family gathering of adventurous, contemporary club music. Livity Sound has evolved considerably since 2011. Originally it was established as a vessel for new tracks from Peverelist, Kowton and Asusu --three Bristol-based artists who found common ground between their distinct styles in pursuit of a reduced, heavyweight strain of soundsystem techno. A run of hand-stamped 12"s and a three-way live show followed, while the Reverse sister label provided a conduit for emergent artists to enter the fray. Early breakthroughs from Hodge, Batu, Bruce and Simo Cell pointed to the broader horizons Livity was heading towards -- an expanding community of like-minded artists creating dancefloor misfits that somehow fit together. First appearing with a compilation of remixes in 2014, Tess Redburn's iconic artwork heralded a fresh new impetus for the label, and the music seemed to become more colorful in kind. While the founding principles of space, bass and fractured rhythms have largely abounded up to the present day, there's been a progressively broader palette of sound employed. Technoid melodic shimmers, earthen percussion and found sounds have become as prominent as sub frequencies and cavernous dub echoes, delivered by a vivid and varied ensemble of producers.
Molten Mirrors captures the dynamic energy of Livity Sound at ten years, with 19 artists from the label's roster coming together to present an honest document of where the label is at in the present moment. No over-arching concepts, no hackneyed themes -- true to Livity's open-ended mode since 2011, it's as much a declaration of community as a cross-section of experimental dance music in 2021. Trying to pin down the sonic styles is something of a fool's errand -- from the older guard to recent signings, what binds together this international, inter-generational span of artists is their lack of convention. A case in point: Azu Tiwaline's submerged and subdued rhythmic incantations sit between Bakongo (aka Roska)'s raw and angular drum pressure and Al Wootton's needlepoint, swinging dub tech variations. Nothing is totally placeable, and yet everything meets that ill-defined Livity Sound ethos, which stretches back to the earliest 12"s. Club music continues to mutate and break new ground with each passing year, and as a faithful document of one microcosm within an ever-expanding music culture, Molten Mirrors reflects the multifaceted, technicolor energy of the here and now while celebrating the possibilities of an open, unpredictable future.
Features Azu Tiwaline, Forest Drive West, Batu, Two Shell, Al Wootton, DJ Plead, Bakongo, Cando, Facta, Pev & Kowton, Simo Cell, Hodge, Bruce, Kouslin, Jurango, Toma Kami, Ido Plumes, and Surgeons Girl.
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LIVITY 048EP
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Following on from the success of 2020's Inside EP on Livity Sound and previous releases on UK labels Cong Burn and Blank Mind, Manchester's Lack returns to Livity Sound with a brand-new EP of hybridized and dubbed techno cuts. "I wanted to try and create a sense of space or calm within the tracks, even if only subtle. I suppose it was a reflection on the crazy state of the world and needing to find space within myself to stay grounded and get through it." From the deep bass and irresistible skank of "Grapefruit" to the rapid yet ice cool propulsion of "Microshift" and the spacious yet energized rhythms of "Make It Circular" and "Constant", this new record further explores Lack's fractured techno aesthetic, skillfully joining the dots between broken dub techno and vintage dubstep.
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LIVITY 047EP
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Continuing a long history of musical dialogue between the two cities, London's dance scene veterans Tribal Brothers join forces with Bristol's own UK funky doyen DJ Polo for the Link Up EP on Livity Sound. Sharing interests in the legacy of London's homegrown scenes, and the melting pot of global percussive club music infiltrating the UK, this new EP showcases and encapsulates the energy of a contemporary rhythm centered, outward looking UK club sound. A longstanding collaboration of artists LR Groove and Razzlerman, Tribal Brothers' trajectories through London's rich history of soundsystem inspired dance music reads like a classic tale, from early productions on Playstation's Music 2000 software to regular pirate radio sets, through jungle, garage and UK funky eras. LR started Djing in the mid-nineties mixing Jungle, making his debut at the legendary Edmonton Roller Express venue. As the garage scene exploded he became a regular on the burgeoning pirate radio circuit playing on Deja Vu FM and securing sets at the Garage Nation club nights. In 2007 as the UK Funky scene emerged, LR felt revitalized by the music's irresistible energy and started producing and DJ-ing once again, making links with MA1 and Marcus Nasty. Around the same time, also inspired by Marcus Nasty, Supa D and Footloose, Razzlerman started producing percussion focused tracks and DJ-ing on pirates stations such as Nasty FM and Deja Vu, where they were eventually crossed paths and began to swap tracks, going on to collaborate on what became the original Tribal Brothers EP.
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LIVITY 046EP
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2025 Repress in plain white disco sleeve. Forest Drive West returns to Livity Sound with the Dualism EP, a tour de force of stripped dub aesthetics and swirling psychedelic rhythms. One of the finest breakthrough UK producers of recent years, in a short space of time Forest Drive West has created an enviable catalog across labels such as Livity Sound, Rupture, Echocord, Whities, and Mantis. This new EP marks some of his best work to date. The final track on the EP, "Scorpion", features Melbourne based percussionist Lucky Pereira whose frenetic but tightly locked drums add a fizzing energy to Forest Drive West's deep atmospheric rhythm track.
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LIVITY 045EP
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Following on from the huge success of 2019's Access EP on Livity Sound Recordings (LIVITY 036EP), Two Shell return to Livity Sound with the SoulCity EP. This new EP expands their sonic utopia, injecting early dubstep and grime influences with their signature optimistic digital futurism for maximum dancefloor effect.
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LIVITY 043EP
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Bakongo returns with his unique brand of UK rhythm tracks to Livity Sound Recordings for 3 x 2 EP. Under his more familiar Roska alias, Wayne Goodlitt has been a stalwart of the underground London sound for well over a decade: helping both define the UK funky genre and then carrying it forward, nurturing a new generation of producers and DJs along the way. With Bakongo, the focus is on a rawer, darker, precision tooled club tracks, irresistible for DJs and dancers alike, fusing house music with a raw sound system focus. Livity Sound Recordings is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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YTIVIL 589EP
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Bristol's Jurango kicks off 2021 in fine style with the Retreat Ites EP for the Livity Sound Reverse series. From the paranoid echo of the title track to the dark mutant dancehall of "Theeves", Jurango crafts heavyweight ice cold drum and bass rhythms exploring the outer reaches of soundsystem music in true school Bristol fashion, placing him amongst peers such as Laksa, Batu, and Lurka. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture.
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