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2LP
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HOS 656LP
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$34.50
PREORDER
RELEASE DATE: 3/5/2021
Hospital Productions announce the unreleased, would-be-classic from Japanese noise hero Painjerk. Originally recorded immediately after the canonical Gallon Gravy classic, this is pure -- definitive -- loop-heavy noise energy and dynamism that would become the signature of Kohei Gomi's electronic studies having influenced two generations of underground electronics since. Hailing from a background of Japanese punk, Kohei Gomi stayed true to the fierce ethos of independence and experimentation that reached its peak in Japan in the late '90s. But make no mistake, Mr. Gomi never stagnated into a single platform, having worked with such diverse labels as Alternative Tentacles, Relapse, Editions Mego, and so on. Composed with a mysterious configuration of constantly flowing noise hardware -- always recorded live without overdubs, Gomi went on to risk taking computer explorations into the roots of avant-garde compositions inspired by the likes of Pan Sonic and David Tudor. Having reached cult status and maintaining an air of mystery after an onslaught of now classic and highly collectible tape-only releases, such as the monstrous Cacophony Of A Thousand Pleasures 3xCS which was been cited as an influence for Mika Vainio. Never settling for stale genre collaborations, Kohei Gomi further went on to such divergent ends as the insane collaboration with Russell Haswell, psychedelic commune pioneers Smegma, and power violence royalty Bastard Noise. Hospital Productions now unleash this critical document onto the world, one that 20 years on can easily sit alongside the classics of its day. Raise a fist in solidarity for the inimitable punk noise of Painjerk. Double-LP wide spine jacket with inner printing and gold metallic ink.
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HOS 668LP
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Originally initiated for the Merzbow, Kelly Moran, Prurient USA tour (representing three generations of heavy electronics), this archival recording is finally released as Chain Reaction At Dusk. Moran and Prurient first met in 2018 in support of electronic music luminary Oneohtrix Point Never at his legendary debut of Myriad at the Park Avenue Armory. The two bonded over an unlikely composite of piano, drone and noise synthesis (Moran from John Cage, while early Prurient tapes cut-up Erik Satie). A leader in the realm of prepared piano, Kelly Moran quickly drew attention for her massive and seamlessly complex juxtapositions of plucked icy melodic sequences and deep sub bass compositions, culminating in a stunning 2018 LP, Ultraviolet for Warp Records. With three tracks of continuous intertwining melodic tension, Moran continues her juxtaposition of crystalline single note attacks upon a bed of massive low-end prepared drones. Shattering genre, Moran culls from a broad palate of classical, post-minimalism, ambient and other forms to free the piano from convention pushing high and low frequencies through electronic pairing and coupling. Recorded at her home in fall 2018, Moran's split side showcases the composer's prepared piano treated with delays and granular synthesis over a heavy wash of droning, arpeggiating synthesizers. Similarly, Prurient returns with a side parallax-view vocal barrage complimentary to Moran's fractal modes. Composed at Guy Brewer's (Shifted) former Berlin studio, Fernow accessed a cache of pristine analog synthesizers and sequencers while finishing the process with Kris Lapke in New York with layers of crude telephone dictation manipulation, resulting in surrealist vocal cut-ups -- and "exquisite corpse" static. Kelly Moran speaks of her music and as movement on the psychedelic path and the interior, while Prurient's noise derives nearly exclusively from dissociative and nightmarish imaginations. This is the meeting of psychedelia and anxiety disorder, but the opposing morphosis is ultimately one creation of "classical doom electronics".
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2LP
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HOS 681LP
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E-Saggila is an enigmatic cult producer in electronics, constructing soaring calm from dynamic turbulence as the era of domesticated destruction and creation arrives. Conceived by Iraqi-born, Canadian sound artist Rita Mikhael, E-Saggila has quickly established itself as an unapologetic presence in superseding divisionism in underground music. With prior crucial releases on Northern Electronics and BANK Records, the project quickly gained attention among the disparate factions of noise, breakcore, and infrastructure rising outside of the traditional European club superstructure. After delivering a commanding and highlight performance at the 2019 Hospital Fest, E-Saggila forged an alliance with Hospital Productions and presents her label debut, Corporate Cross, an intricate multifaceted double album that requires introspection with its wide spectrum of emotion, coldness, and light that defies definition. Combining elements of breakcore, ambient, contemporary composition, and twisted rhythms, the album provides a deep headphone listen that can function both as elemental elevation or wreck any club system. Heavy cut-up bass is immediate and but never overrides detailed abstract melodic hooks. E-Saggila creates music that coexists on the dancefloor, the car stereo and the bedroom bookshelf speakers, simultaneously and seamlessly. The composer took inspiration from social anthropologist Mary Douglas, particularly in regards to her concepts of "dirt" which associates dirt as a form of disruption to order. E-Saggila takes this concept in compressed surreal washes of melody noise and merciless drum building hierarchy deconstruction. In the artist's own words: "This album is a framework of placement and displacement of what I recognize as organic and instinctive. The constructed sounds draw a parallel between primalism and mechanization, where structure and disorder mimic themselves through these titles. A lot of these ideas are based off of the environment I come in contact with and the familiar expression and tone that is set into this album. It's a narration of transparent rhythms and patterns I see as natural, but to the listener is observed as ambiguous. Corporate Cross scans through the themes of novelty in human and animal, endemic and deterioration, and the sub-systems of our concealed environment." Throughout these concise and powerful eight tracks, melodies and textures juxtapose with sound events for a euphoric convergence. Each track maintains and explores a different facet of sound while maintaining an overall arc that grips the listener from start to finish, a true narrative without the "ambient" filler that proliferates currently.
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4LP BOX
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HOS 655LP
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Fragmentation was the third full-length album from Orphx, originally released in 1996 on the legendary Malignant Records label. Rich Oddie, Christina Sealey, and Aron West had founded the project three years earlier, creating pitch black noisescapes inspired by early industrial music and the extreme fringes of metal. By 1996, West had departed to focus on his absurdist noise project Tropism, while Oddie and Sealey began to push Orphx in a more rhythmic direction. Cassette releases on their own Xcreteria imprint (reissued by Hospital Productions and Mannequin Records in 2017) quickly attracted the attention of Malignant Records, who offered to release the next album. Fragmentation was made using the same basic tools as the early cassettes: contact microphones, scrap metal, effects pedals, feedback circuits, a drum machine, a couple of synths, and location recordings and found sounds manipulated by Sealey on reel-to-reel machines and an 8-bit sampler. While early Orphx recordings were primarily improvised direct to tape, this album places much greater emphasis on carefully constructed layers of sound, shaping their improvisational energy into powerful compositions that combines death industrial atmospheres and brutal power electronics with relentless, hypnotic percussion. Themes of illness, infection, and psychopathology dominate the album but are intertwined with references to transcendence, suggesting a desperate search for salvation in the midst of social/psychological disintegration. The Fragmentation reissue on Hospital Productions includes the original album, now remastered by Joshua Eustis (Telefon Tel Aviv), and over an hour of additional rarities and previously unreleased recordings. This includes rare compilation tracks, selections from the Obsession and Progress cassette (BloodLust!, 1996), the Final Moments cassette (Third Force/Isolation, 1997), and live recordings from 1995 and 1996. One of the only acts from the '90s to originate in the industrial underground, cross over into the rhythmic noise enclave of the early 2000s and attain a leadership role in the contemporary live techno apparatus with total authenticity. Clear vinyl; edition of 290.
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5CD BOX
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HOS 599CD
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A key component of the 1990s Birmingham techno sound, and co-founder of the Downwards label, Female's music is as important for everything it doesn't tell you as it is for the pummeling rhythms it forces you to engage with. One of the few remaining examples of an artist with a palpable sense of mystique, Female conjures a world that evokes Film Noir, or even something out of a Burroughs story. The language of this music will be familiar to those who listen to "dance music", but the bare building blocks are often all we get. Development within these tracks is subtle, and it's the sense that something is being held back that gives the music its power. The forceful minimalism of these tracks creates a narrative that, when combined with their titles and the visual imagery of the sleeves, is at once immediate and yet feels almost impenetrable. This tension is what makes the music so invigorating. It's as if we're hearing blocks of sound carved out from larger monoliths that have no beginning or end. This music is an aural equivalent to an act of voyeurism, or the fear of seeing something horrific we shouldn't have seen. Brutal and repetitive, it recalls a distant time and place, yet somehow escapes the confines of linear time and sounds fresh today. This comprehensive box set places Female in the same spotlight as luminary figures Regis and Surgeon. These sides are no less important and their simplicity is deceptive. Female, with all its bleak and yet forward-thrusting energy, is crucial to understanding how Downwards, as a precursor to Sandwell District, created a larger-than-life legend. Carefully transferred from the original vinyl records with audiophile needles for the best stereo cuts, the audio was then meticulously cleaned and de-clicked. Justin Broadrick, a contemporary of the early Downwards crew with a pristine ear, was then brought in to remaster everything, resulting in a true to the original vibe but larger than life textural result. In addition to including every solo Female track and record released on Downwards and Sandwell District, the fifth disc presents a never-before released live collaboration with Regis from 2000. Velvet wrapped and debossed box with spot gloss individual CD wallets; includes large, fold-out poster featuring rare photos; includes download code.
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3LP
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HOS 654LP
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Originally released in 1993 on cassette, Thirdorgan has remained one of the most elusive yet constant figures in Japan's acclaimed noise and industrial movement. Despite having worked with nearly every cult label of the '90s cassette scene, Thirdorgan has scarcely been presented on vinyl and CD, as this special set shows the awesome and challenging long form relentless feedback paths and synthesizer psycho erotic gain staging. Momentous appearances on classic labels such as Skin Crime's inimitable Self Abuse records, Harbinger Sound, and yet another on the influential "Japanese American Noise Treaty" edifice on Release Entertainment. Thirdorgan's base of synthesizer noise cemented him with a deeper connection to the European noise scene ahead of many of his peers. The emphasis on wild and insane analog synth cacophony sets him apart from the more traditional Japanese noise pallet. Painstakingly restored by Kris Lapke, the breadth of this triple-LP gives a new life to the nearly impossible to obtain original cassette on classic Pittsburgh label SSS. Included inside this deluded heavy red paper wide spine jacket is a bonus cd of unreleased master class perfection from the era that was unknown until now. Inquisitive minds may not find answers on The Pornogrpahy of Despair but receptive bodies will find painful pleasure. Red vinyl.
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CD
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HOSANTIGO 401CD
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Departure Chandelier's music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects. Recorded nearly a decade ago, Departure Chandelier's debut album, Antichrist Rise To Power, actually preceded the band's demo, The Black Crest of Death, The Gold Wreath of War (2011). Recorded in a basement at grave-level behind the New York City Marble Cemetery (the oldest cemetery in New York City), established as a repository for the dead in 1831, just a decade after Napoleon's death. Within the gates of the small graveyard (where photography for the album was taken during a rare snowstorm) each plot is commemorated with a marble tomb. Compositionally, one hears the heavy influence of Bathory and other seminal acts overwritten by the sound of classic French black metal. Keyboard stabs and swells outline the riffs, accentuating the guitar's stately thrust. Rising out of the music, the vocals seethe, the commingled expression of scorn for life and spiritual dissent. The recording manages to capture the best elements of raw black metal, leaving the guitars brittle and charged, while simultaneously supplying depth and balance. The juxtaposition between the lean, stripped-down essence of the recording with the ornate and complex melodies and florid compositional accents is a perfect complement to the album's boldly unique detail of the Napoleonic era. Co-release with the Nuclear War Now! label.
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HOS 658LP
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Declassified militarist ambience from Vatican Shadow, finding Dominik Fernow (Prurient) donning his desert fatigues for a mesmerizing follow-up to his technoid outings with Ostgut Ton and Ancient Methods. It's also the last in a series of first-time vinyl editions of previously tape-only releases. "Opium Crop" makes a return to what could be termed a vintage Vatican Shadow sound, steeped in nods to Muslimgauze and modern geopolitics and fringed with an aura of clammy, atmospheric terror. The title piece pushes off across the front with a sort of stately, waltzing rhythm and druggy synth pads recalling John Foxx and DJ Screw as much as Bryn Jones. "Hellfire Hidden Tribes" sinks into the B-side with lagging Dabke rhythm embedded in oily black backdrops, occasionally lit up with vaporous synth stabs mirroring the arc and flash of distant artillery, and leading to an exquisite ambient devotional, "Loyal To The Deceased". Unmissable. Completely new artwork by Dominick Fernow. Mastered and cut at Dubplates & Mastering Berlin. Limited edition pressing.
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7"
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HOS 659EP
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The last part in the "Grim Alchemy" trilogy. As the curtain closes on the Oaken Stage. there is a single black eye peering through, the silent eye of the last star before its death rattle behind the sky's veins runs cold... The coldest and most isolated offering yet in the series. Silver metallic ink on black paper fold over covers; Edition of 500.
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2LP
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HOS 653LP
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Nathaniel Young, aka Guilt Attendant, lives and works in NYC, where he also produces music under the monikers Hofmann, Kohl, Moral Extrication, and richard_p, and runs the Severed Mercies and Blankstairs platforms for art and music alongside his design duties for Dais and Hospital Productions among many other publications and labels. Suburban Scum is his devilishly detailed debut of girder-strength techno for Hospital Productions, forged in the image of late '90s hard techno and reverberating strongly with prevailing trends. It's inspired and informed by the artist's deeply held urge to undo the dogma instilled by his religious Christian upbringing. and, as such, it expresses a sense of free will within the context of Satan's fall from grace, fully grasping techno's repetitive excess as a potential path to hedonism, freedom and other ungodly matters. Recorded between 2016-2019, the eight tracks of Suburban Scum find Guilt Attendant in cold control of his agency. While they may possibly make crowds consider their own relationship to god, especially in his use of sampled sermons by his former preacher that crop up throughout, and most strikingly on the closing "Severe Mercy", the majority are more likely to make dancers slam the walls and trample a hole in the 'floor, especially with the galloping horsepower traction of "Broken (Free)" and his scudding 140bpm missile "Cursed Spawn Of White Flight", while the title track deals in purely clenched EBM and the dread-filled palpitations of "Imminent Unraveling" features his vocals low in the mix and wrapped around the track's rugged spine. While there's a certain irony in eschewing one dogma to embrace another, Guilt Attendant utilizes the inherently principled form of hard techno as a steely framework in which to explore his own spirit. In the process he opens a derelict warehouse-like playground to reflect on key themes of moral independence, social segregation, free will, blissful despair and decisive autonomy (from a much longer list) that patently apply to popular conceptions of the dancefloor as "church" and techno as ritual. Firmly modeled in the image of classic Regis, Silent Servant, Steve Bicknell, Adam X, Ancient Methods.
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LP
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HOS 651LP
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Old English power electronics dealing with Middle Ages warfare and subsequent exile of the King alongside the mythological poetry of Beowulf and, of course, the total and complete failure of modern-day society. Unpretentious in its visceral execution of high-pressure bass noise upholding doomsaying vocals from the streets recoiled at passersby as they do their best to move on quickly to safety. English Channel electronics. Edition of 250.
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CD
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HOS 656CD
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Hospital Productions announce the unreleased, would-be-classic from Japanese noise hero Painjerk. Originally recorded immediately after the canonical Gallon Gravy classic, this is pure -- definitive -- loop-heavy noise energy and dynamism that would become the signature of Kohei Gomi's electronic studies having influenced two generations of underground electronics since. Hailing from a background of Japanese punk, Kohei Gomi stayed true to the fierce ethos of independence and experimentation that reached its peak in Japan in the late '90s. But make no mistake, Mr. Gomi never stagnated into a single platform, having worked with such diverse labels as Alternative Tentacles, Relapse, Editions Mego, and so on. Composed with a mysterious configuration of constantly flowing noise hardware -- always recorded live without overdubs, Gomi went on to risk taking computer explorations into the roots of avant-garde compositions inspired by the likes of Pan Sonic and David Tudor. Having reached cult status and maintaining an air of mystery after an onslaught of now classic and highly collectible tape-only releases, such as the monstrous Cacophony Of A Thousand Pleasures 3xCS which was been cited as an influence for Mika Vainio. Never settling for stale genre collaborations, Kohei Gomi further went on to such divergent ends as the insane collaboration with Russell Haswell, psychedelic commune pioneers Smegma, and power violence royalty Bastard Noise. Hospital Productions now unleash this critical document onto the world, one that 20 years on can easily sit alongside the classics of its day. Raise a fist in solidarity for the inimitable punk noise of Painjerk. Digipack CD with obi.
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2LP
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HOS 657LP
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Amplified Tactics collects four segments of live performances from Texas and Mexico in 1999, rolling back to an era when live noise shows were isolated mysterious affairs or opportunities to infiltrate mundane society via bars, tea shops, art galleries, youth centers, and goth clubs. Richard Ramirez is one of the first and last standing harsh noise originators from the Texan deserts and humid turf that would spawn some of the most influential and dirtiest units to ever grace the Xeroxed pages of zines ranging from industrial to grindcore. Having touched all the most essential noise imprints of his time (Tesco Organization, Praxis Dr. Bearmann, Release, Membrum Debile Propaganda, MSBR, Self Abuse Records, Mother Savage, etc.), Ramirez continues to define "fetish" in noise. Since the application of live recordings was a cornerstone of the artist's studio process these live sessions are as wide ranging, fluid and climactic as any proper "studio" releases from the vast library of SM noise that Mr. Ramirez has explored on the eve of 30 years of existence. If you're looking for an entry point to probe the inner working of Ramirez's most iconic visions of noise, Amplified Tactics is essential with its saturated ripping and wild envelopes. Edited from the original 2xCDr originally released in an edition of 50. Housed in a deluxe wide spine foil block jacket with large format newsprint poster; Edition of 300.
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2LP
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HOS 662LP
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Hospital Productions present a reissue of Akitsa's Au Crépuscule de L'Espérance, originally released in 2010. A faithfully restored for vinyl edition of the band's fourth album, marking the band's 20th anniversary. The double-LP format gives the proper space for vinyl that it always deserved. Includes bonus tracks from Akitsa's debut live set recorded to tape in New York City 2009, as well as introverted and haunted solo grand piano recordings from the archives. Quebec black metal. Double-LP in wide spine jacket.
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2LP
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HOS 408LP
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Hospital Productions present a reissue of Akitsa's Goetie, originally released in 2001. Repressed 20th anniversary edition with updated layout. Classic debut album that has influenced a generation since with its stunning and inimitable mix of black metal, punk, funeral doom, and industrial ascension. Juvenile black metal madness. Double-LP in wide spine jacket.
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2LP
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HOS 426LP
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2020 restock; gatefold double-LP version. Though known as a touring and recording musician associated with Nine Inch Nails, Alessandro Cortini has really come into his own via his Forse trilogy, and his 2014 Hospital Productions debut, Sonno (HOS 412CD). For his Hospital follow-up, he maintains the grittiness and intimacy introduced on his debut, but expands on it, offering a wider spectrum of emotion and depth. Like Sonno, Risveglio was written and recorded while on tour. The drive to create intimate works during late-night downtime reveals Cortini to be committed to a personal vision beyond the call of duty. While Sonno was created using only a 202 and delay, Risveglio adds a TB303, synced to the 202. In Cortini's words, "The 303 can be such a haunting instrument used in a certain way, and I felt it completely fit the mood of the previous work I have done on the 202, especially when given a specific location in space... it's such a living instrument." The addition of TR606 gives one of the pieces a rhythmic pulse that separates it from the preceding synthscapes and renders Risveglio an altogether more dynamic affair than Sonno. With Risveglio, Cortini emphasizes the imperfections and visceral textures of electronics absent from so much contemporary solo synthesizer music. He carves out a similar space to that formed by Kevin Drumm's releases for Hospital in the worlds of drone and noise by finding the emotional and, ultimately, human voice within synthesis.
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LP
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HOS 442LP
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Hospital Productions present a reissue of Akitsa's Grands Tyrans, originally released in 2015. Repressed edition of the band's fifth album with updated layout. Marks the 20th anniversary of the band. The minimalist turning point and confluence of all the band's influences on the road to underground mastery. Possessed doom punk black metal. Includes fold-out poster.
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2LP
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HOS 664LP
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Hospital Productions present a reissue of Akitsa's Sang Nordique, originally released in 2007. A faithfully restored vinyl edition of the band's second album, marking the band's 20th anniversary. The double-LP format gives the proper space for vinyl that it always deserved. Includes original outro as well as a very harsh, full band rehearsal recording from the era of the album as bonus tracks. Nordic black metal. Double-LP in wide spine jacket.
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2LP
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HOS 665LP
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Hospital Productions present a reissue of Akitsa's Totale Servitude, originally released in 1999. A faithfully restored vinyl edition of the band's demo, released for the first time as a deluxe, standalone vinyl. Marks the band's 20th anniversary. '90s esoteric black metal. Includes color fold-out poster; Double-LP in wide spine jacket.
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2LP
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HOS 412LP
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Restocked; 2020 repress; gatefold double LP version. Alessandro Cortini is best known as the lead electronics performer in Nine Inch Nails' live unit. His recordings under his own name have gained prominence in recent years and he has become known as one of the pre-eminent Buchla masters in North America. Cortini makes a surprising departure into the 202 on his debut album for Hospital Productions -- Sonno. Sonno was recorded in hotel rooms, using a Roland MC 202 through a delay pedal, recorded direct, sometimes into a small portable speaker system. "I liked to walk around the room with a handheld recorder to hear where the sequence would sound better, turn on faucets, open doors or windows to see how the ambient sounds would interact with the MC 202/delay/speaker sound. It was very relaxing and liberating to make music this way." The result is a beautifully restrained yet oddly emotive album that's quite distinct from the overly academic approach so often undertaken by hardware-driven devotees. Mastered by Matt Colton.
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2LP
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HOS 663LP
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Hospital Productions present a reissue of Akitsa's La Grande Infamie, originally released in 2008. A faithfully restored vinyl edition of the band's third album, marking the band's 20th anniversary. The double-LP format gives the proper space for vinyl that it always deserved. Includes bonus tracks from a brutal, full band rehearsal from the era. Natural disaster black metal. Double-LP in wide spine jacket.
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LP
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HOS 644LP
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Before another Vatican Shadow release appears on vinyl for the first time early in 2020, Hospital Productions reissue a killer 2011 tape release on a 2019 vinyl pressing after appearing on a long sold-out LP edition for Type in 2012. Remastered and slightly edited from the original 4x tape boxset, Kneel Before Religious Icons reasserts its place in the pantheon of Vatican Shadow's prized early releases which, with the benefit of hindsight, arguably amount to one of this past decade's definitive projects. Originally recorded in 2010, the album's eight tracks revolve some of the first material recorded by Dominick Fernow in this mode, aside from his then better-known work as Prurient. At the time, Fernow was still working under cover of anonymity and this release in particular only aided in heightening the intrigue and fascination surrounding this project and the way it eerily resonated with the both the redrawing of geopolitical borders and those between industrial, ambient, noise, and techno styles. The album contains one of the most valued VS outings in "Worshippers At The Same Mosque", with its pall of synth pads, harpsichord, and stepping drums patently influenced by Muslimgauze, while the parade ground trample of "Church Of All Images" -- which would form the basis for a now classic Regis remix issued by Blackest Ever Black -- adds up to one of the project's most militant numbers along with the scudding, bombed-out terrain of "Gods Representative on Earth" and "Shooter In The Same Uniform as The Soldiers". As a historic document of the time and a gripping album in its own right, Kneel Before Religious Icons holds tight among Vatican Shadow's most crucial and convincing communiques.
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2LP
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HOS 607LP
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Hospital Productions present a reissue of Slogun's The Pleasures of Death, originally released in 1997. From the austere and frightening cover with the name of forgotten killers to the monolithic washes of analog synthesized grit and dust cloud vocals of the id, this legendary album first released as a limited cassette of 100 on the cult Labyrinth Recordings from NYC (one of the all-time great NYC cassette imprints) and then famously reissued to wide distribution via cold meat industry sublabel Death Factory, The Pleasures of Death came to prominence in the minds of the same era of release entertainment and descent magazine and Alchemy Records and Bloodlust. Never has there been such an in-depth, caustic, intelligent and evil exploration of true crime violence. Slogun has managed to take familiar stories, untangle them and create deep profiles that leave the listener with unsettling conclusions that do not provide the answers we are commonly forced to accept. Set against the decline of America, the abstraction of the victim landscape is shattered with the brutal and disturbing lyrics faithfully reprinted. A classic of NYC radical art and true crime electronics. Wide spine sleeve; includes large-format booklet and poster taken from the original cassette version.
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4LP
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HOS 618LP
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Hospital Productions present a reissue of Incapacitants' Stupid Is Stupid, originally released in 1993. In 1993, founding fathers of Japan noise T. Mikawa and F. Kosokai revealed Stupid Is Stupid, one of the most classic titles to emerge from the criminally underrated and revered Incapacitants. A seminal document already over a decade into the duo's unrelenting path of pure chaos after their formation in 1981, Stupid Is Stupid was released as a double cassette on the equally influential Sounds For Consciousness Rape label from France. Divided into studio materials and live materials oddly from two performances at the same venue on two different years. Beyond the massive frequency exploration and freedom of the sounds this set revealed dramatic documentation of the projects history, performances, and influence as shown in the form of color live photos pasted into the metal wire and mesh encased booklet where one can feel the physical energy just from the ravaged and ecstatic face and contorted bodies of the two doing the business. Japanese artist and illustrator Takuya Sakaguchi created The Incapacitants Data File comic book detailing the otherworldly origins behind the devotion and pure frequency dedication only Incapacitants create. Sakaguchi also wrote The Incapacitants Story which reveals insights from the Japanese perspective into how much influence the project achieved as early as 1993. The audio here is painstakingly restored for vinyl by Kris Lapke. Presented in a wide spine slipcase cover with obi strip; includes large format two-sided color poster that no Incapacitants worshipper's home can continue without, alongside full-size comic book and insert card.
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LP
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HOS 648LP
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Regarded by Dominik Fernow as the "best US noise project in terms of texture and composition", Skin Crime return to Hospital Productions with an immanent inversion of noise convention exploring ideas of tense, slow-burn patience instead of aggressive intensity. Brutally active between the early '90s and mid '00s, Skin Crime took a 12-year hiatus until 2016 and the bloodshed of their instantly sold-out, 20CD boxset of archival material. That same year they also issued Ghosts I Have Been, a crushingly bleak album inspired by Japanese mythology and ghost stories which have paved the way for this new one, where the band's Patrick O'Neil and Mark Jameson continue to refine their instincts into the dankest brand of organic ambient noise. In key with their ghostly Japanese muse, specifically the Bakaneko (1968) or Ghost Cat movies of the '50s and '60s, as well as the writing of Lafcadio Hearn, aka Koizumi Yakumo, the author of Kwaidan: Stories and Studies of Strange Things (1904) -- Skin Crime's music in Traveller on the Road is all about presence and the suggestibility of hypnagogic and half-awake states. Their cold-fingered sleight of hand is applied to exceedingly fine layers of textural enigma in long, unbroken tracts that hold the listener's gaze with frightening power. "Avoid Large Places At Night" takes hold with intravenous potency, very subtly drawing eyes to half-mast with its mechanical womb-like ambience, and stealthily introducing subharmonic rumbles and peripheral rustles that suggest unseen spectres lurking in a thicket of ghosts. A lack of sudden movement only ratchets the threat levels to seat-edge. Likewise, with its deeply soporific subs and texturhythms, the B-side's "Black Cat From The Grove" continues to numb the senses in a noise style, but eviscerated of all open aggression, preferring a dense mode of suggestion that only emphasizes the unheimlich nature of their music. It's a masterclass in saying it without saying it, and effectively amounts to a missing link between Kevin Drumm, Painjerk, and Mika Vainio, or even Rainforest Spiritual Enslavement and Meitei, that should not be missed by any fans of the above. Clear vinyl; mastered and cut at Dubplates & Mastering, Berlin.
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