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7"
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GBR 051EP
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$10.00
PREORDER
RELEASE DATE: 3/26/2021
Positivism and anger in equal parts for these strange and difficult times. Influenced by '77s punk, power pop and glam rock bands, Carlos Creator's impressive production at Rock Estudios has resulted in a debut single with three hymns of sonic affections with the Clash the Jam, Thin Lizzy, or Generation X. The Rods is the result of the collaboration of producer and musician Carlos Creator with Brixton Records label founder, Xabi Rod.
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LP
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GBR 010LP
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Guns Of Brixton reissues the 1991 album from Spanish punk band Eskorbuto. Demasiados Enemigos ("Too Many Enemies") is not just the title of another disc by the blazing band from Santurtzi but the album with the difficult duty of putting an end to a legendary combo as we knew it. Eskorbuto was a band of its time and that is shown in every chord and every chorus, branded in fire through the years by those who danced and vibrated around the flames of this cursed band. This is a unique album -- special due to its legacy and the circumstances under which it was recorded. Now it is reissued on vinyl. If you didn't get it at the time or you were too young to know, now you have the chance to request the max from your turntable, not giving a damn if volume affects the structure of the building.
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LP
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GBR 012LP
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Ten years after its original release, La Otra Cara Del Rock (trans. "The Other Side of Rock") is once again available, containing the recording of Eskorbuto's legendary live performance in the town of Villarreal in December 1989. This great reissue also features the original cover, four bonus tracks from the same gig and a 20-page fanzine covering the band's adventures during 1989, plus photographs, anecdotes and a review of the Villarreal '89 concert. Sixteen cannon shots including the legendary tracks -- from "Mucha Policía Poca Diversión (Too Much Police, Too Little Fun)" to "No Quiero Cambiar (I Don't Wanna Change)" -- are finally released in glorious vinyl more than 24 years after it happened. The live recording has a brilliant sound and reflects faithfully what Eskorbuto was like in 1989. Gloomy rumors said the band was almost done, but once again they managed to surprise both followers and slanderers with this live set in another amazing chapter in the career of the most honest rock n' roll band that has ever walked this planet.
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LP
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GBR 017LP
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Reissue of the only studio album from this Basque band, originally released in 1987. After including four tracks on the 1984 split mini-album Zona Especial Norte, (trans. "North Special Zone"), finally, three years later, RIP walked into the studio. Kaki Azkarazo was at the controls with the collaboration of Pepin Fernandez, a valued engineer from Madrid that decided to work on it just because he liked the band. Three days were enough to capture all 14 tracks. The result is a key album in understanding the later development of rock music in the Basque Country and beyond. This reissue features the original artwork with the addition of a poster and a 24-page fanzine narrating the career path of RIP from birth to break-up; anecdotes, gigs, projects, photographs, and more. This is a great opportunity to once again enjoy this quartet's music that branded a generation.
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LP
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GBR 011LP
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Guns Of Brixton Records presents a vinyl reissue -- as rock'n'roll liturgy deserves -- of the fifth album of an independent and combative band like no other. In July of 1988, the most obscure record of Spanish punk band Eskorbuto's discography was released. Vomited from the entrails with the boredom of a life blackened by the soot pouring from the nozzles of the factories of the beaten left bank of the Nervión River. Time had already hardened them and their attitude was plain, above all they were "anti-everything." Las Más Macabras de las Vidas ("The Most Macabre of Lives") is a timeless record and paradoxically sounds fresh again in its vinyl format. It is a great opportunity to once again taste the subtle shades of exasperation that hang around the grooves of the bitterest record from the bitterest band. Eskorbuto inoculates in the listener, harder than ever, the rage and the nihilism of which they were keen transmitters.
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