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viewing 1 To 25 of 71 items
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2LP
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GODREC 077LP
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$35.00
PREORDER
RELEASE DATE: 8/15/2025
As he is master of crushing beats/bass, Mick Harris (Scorn, Napalm Death, Pain Killer) remained faithful to his primary love -- DRONES! With brand new LULL, Harris delivers four deep drone pieces. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music.
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CD
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GODREC 077CD
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$18.00
PREORDER
RELEASE DATE: 8/15/2025
As he is master of crushing beats/bass, Mick Harris (Scorn, Napalm Death, Pain Killer) remained faithful to his primary love -- DRONES! With brand new LULL, Harris delivers four deep drone pieces. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music.
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LP
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GODREC 076LP
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$22.50
PREORDER
RELEASE DATE: 8/11/2025
Klaus Lang's compositional approach has always been deeply rooted in the music of old Renaissance masters. Never shy of the that fact, he constantly explores the connections between old and new (old to new). This unique release presents Klaus' fascination with the music of Johannes Ockeghem and it contains harmonium (Klaus' trademark instrument) transcriptions of his sacred and secular songs.
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LP
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GODREC 074LP
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$24.00
PREORDER
RELEASE DATE: 1/31/2025
GOD Records presents its first release from the controversial composer with cult status, Erik Satie. He influenced not only the entire musical language of John Cage but also an entire generation of 20th and 21st century composers, whose influence remains noticeable today. This unique release presents two of his rather obscure and lesser-known, but unique pieces, both composed for visual arts: a movie ("Cinéma") and a ballet ("Uspud"). Renowned Serbian piano player Branka Parlić, famous for her interpretations not only of Satie's works but also of other minimal composers like Philip Glass and Gavin Bryars, shares some of her impressions about the pieces: "'Cinema' is the first example of music scored explicitly for film, frame-by-frame. These facts really interested me, so I started working on it. So far, I have performed 'Cinema' live-to-film Entr'acte many times as part of my concerts. 'Uspud' is a less communicative three-act Christian ballet written for a shadow play back in 1892. This timeless, mystical work drew me in on the first reading, and I was delighted to work on it. Satie offered this piece to the director of the Paris Opera, and after he was rejected, he declared: 'I believe in the appearance of 'Uspud' at the Opera for the winter of 1927, or no later than 1943.' The meaning of the word 'Uspud' is still not fully clarified."
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6LP BOX
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GODREC 075LP
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Mick Harris has been an epitome of extremes: either as a drummer or as a sound sculptor and explorer of crushing beats, heavy bass or darkest soundscapes. Through the last 30 years, Harris has been an utterly prolific electronic artist (Monrella, The Weakener, Fret, Quoit), but known mostly for his famous project Scorn. At the beginning of the century, Harris started one of his longest-standing projects, HedNod. Alongside Scorn, HedNod turned out to be his most fruitful project, which in the meantime made up of as many as twenty volumes. GODrec is happy to announce the first instalment of HedNod boxes, featuring EPs that were originally available only as a download.
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LP
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GODREC 072LP
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Losing The War Inside Our Heads is the 17th official album by The Flying Luttenbachers. It is a desolate, bracing collection of music showcasing five varied new tracks of intense, composed modernism. The previous release Terror Iridescence (GODREC 069LP, 2022) was an abstract horrorscape of alienated dissonance marking founding member Weasel Walter's transition back to the original base of operations, Chicago. Following four albums with New York based personnel since reviving the Flying Luttenbachers in 2017 after a decade long hiatus, Losing The War is a transitional work like 2003's epic Systems Emerge From Complete Disorder, one of the most complex and ambitious chapters in the entire saga. Largely conceived and executed by Walter solo as a stopgap between phases, the dark, rigorous constructions here are tightly sculpted and scripted examples of the "brutal prog" aesthetic the group pioneered in the early 2000s. From the cathartic, asymmetrical riffing of "The Solution is the Problem," the quasi brutal death metal-influenced jigsaw puzzle "Id Vomit," to the endless corridor of minimalistic, epic doom, "Crawling 1000 Meters Across A Cold Stone Floor Towards The Forbidden," the mood is suffocatingly malevolent and oppressive, crammed full of bizarre twists, coruscating guitar abrasion, and relentless structural momentum.
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2LP
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GODREC 071LP
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Morton Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as they were in Piano and String Quartet. Double LP with 4th side etched.
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LP
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GODRECORDS 023
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2023 repress. "Oog Bogo are a four-piece rock band from Los Angeles and their new album is Plastic -- an electrifying set of songs and sounds that just don't stop, working like a machine that makes joy and endless flips and repetitions, whether in front of the turntable or out in the real world. Plastic's tunes depict a polymorphic cast of characters. As in life, they leap avidly from style to style; from pretty psych rock to new wave apocalypse disco and harsh post punk bleakness, sometimes in a verse and a half. Corkscrewing over and over like a riff-driven space-coaster, morphing in and out of each successive moment with increasing momentum and gravity, Plastic defines and redefines Oog Bogo, with sweet tunes, barely-controlled intensity and sharp production moves -- a killer first album and an equally killer evolving state of mind."
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LP
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GODREC 070LP
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2024 restock. This new Laibach album, through a new/fresh interpretation, examines the conflict-ridden genesis of the band's formation in the industrial town of Trbovlje in 1980 and questions the band's aesthetic, sonic, and ideological roots from the distance of time. Includes 16-page booklet.
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2LP
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GODREC 068LP
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"Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the letters in these names were assigned to notes on the keyboard according to a fixed system. Each sound has to be played softly and as long as possible. After the attack, all sounds should fade away into silence..." --Hubert Steins
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LP
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GODREC 066LP
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"This is the third and concluding part of the trilogy In Another Land. It is not the dialectic synthesis of its antagonistic predecessors, it is just one of three equivalent antipodes that could have been released in any order. Mostly percussive and constantly transforming structures are weaving their net through both sides of this album. Processes of convergence follow moments of decay, high event density alternates with moments of quiet, aimless meandering. A further commentary on the not so obvious subject of the whole trilogy: absence and/or inevitability of repetition." --Kauders
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GODREC 070CD
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This new Laibach album, through a new/fresh interpretation, examines the conflict-ridden genesis of the band's formation in the industrial town of Trbovlje in 1980 and questions the band's aesthetic, sonic, and ideological roots from the distance of time. Includes 16-page booklet.
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GODREC 060CD
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2022 repress. 2021 release. We Forge The Future is a document of a Laibach show, held in Museo Reina Sofía, Madrid, on November 26th, 2017. For this museum occasion, Laibach re-enacted the historic performance that was initially staged on April 23rd, 1983, as part of the XII Music Biennale Zagreb in Croatia -- then still a part of Yugoslavian federation. The performance caused furious public/media campaign against the group, whose result was a formal ban on Laibach in Slovenia and Yugoslavia, that lasted until 1987. Musically, the record documents Laibach revisiting their noise/industrial roots, including their famous pieces of that period, such as "Smrt za Smrt", "Boji", and the title song...
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LP
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GODREC 069LP
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After the magnificent Negative Infinity (GODREC 062LP), which is easily one of their best and most furious works they have ever done, The Flying Luttenbachers return with completely different musical approach. Something that can be described as kind of open-form, the record contains two one-sided pieces, almost in tradition of old prog-rock records. Hustle and bustle heavy and complex riffing from previous records, turned into high intensity droning fields...
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LP
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GODREC 057LP
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2020 release. ...a little bit of Baroque... ...a little bit of Zwölftonmusik... ...a little bit of electronica... ..............that's Lepenik................
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LP
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GODREC 059LP
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2020 release. Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive, repetitive, irritating.
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LP
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GODREC 063LP
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In 2015, Bernhard Lang was approached by Sebastian Berweck to compose a piece for his Berlin-based synthesizer trio Lange // Berweck // Lorenz. Considering his musical background and his roots, Lang saw this offer as double opportunity, one of them being a chance to compose an ultimate tribute to one of his musical heroes, electronic pioneer, Klaus Schulze. On the other side, "Cheap Opera #1 "Répétitions"" turned out as Lang's most political piece to day: his merciless comment on fake patriotism... Both pieces continue Lang's trademark loop aesthetics tradition, however, in a more abstract manner...
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LP
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GODREC 058LP
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2020 release. Klaus Lang's involvement with GOD Records began with his cult, two-part release of stunning organ works. Famous for his heavy droning sound, Lang's new pieces are highly successful ensemble pieces. "linea mundi." and "weiße farben." were both premiered at the festival Wien Modern. Heavy textures, disturbing counterparts, slow progressions, threatening dynamics. Personnel: Bas Wiegers - conductor; Klangforum Wien - performer; oenm - Österreichisches Ensemble für Neue Musik - performer.
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LP
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GODREC 061LP
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2020 release. Peter Ablinger is one of home composers of GOD Records. His cult releases Regenstücke 1 and 2 (GODREC 018LP) and Voices and Piano (GODREC 034LP) are part of every serious record collection around the globe. With Orchesterstücke, Ablinger finally delivers some of his remarkable orchestra pieces in last ten years. The release contains three of Ablinger's orchestra pieces: "Quartz", "Wachstum, Massenmord", and highly controversial piece "4 Weiss", for orchestra and white noise, the piece that caused utterly polarized reactions at its premiere on 2019 edition of festival Wien Modern. This LP documents notorious event in the best possible way -- stunning performance and angry audience reaction. Transparent red vinyl.
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LP
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GODREC 065LP
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"Since my piece Terrible Fake (GODREC 033LP, 2015) and especially Darkroom (GODREC 047LP, 2017), I've been trying to integrate some grooves into classical contemporary idiom. Since those experiments were mostly for smaller setups, this time I wanted to transfer it into the larger one in order to get more possibilities to work with different textures and coloring within harmonic structures of clusters and chromatic movements of melodies. Constant transformation and mutation of musical material makes the sound movable and the whole piece is morphing throughout. The sound of the whole ensemble is filtered through delay effect, which offered additional, almost psychedelic tension to the whole piece, even with some microtonal incidents. The division of the piece into 'Element A' and 'B' is actually a concept of two-sided vinyl and the two parts with almost same duration, are one of the concepts of the whole piece." --Slobodan Kajkut
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2LP
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GODREC 056LP
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2019 release. The Flying Luttenbachers' Imminent Death is the second release by the seminal cult band since its reincarnation in 2017. Imminent Death is very different in many ways from the previous Luttenbachers releases, but then again, you could consistently say that about most of them. The group has always followed the direction set by its leader Weasel Walter, and reflects his desire to create music of a determinately less common quantity in any given era. The Flying Luttenbachers have always been staunchly committed to making artistic statements which defy current trends and seek the expression of personal truth, mania, and iconoclasm. This offering is a record Mr. Walter has pondered and thought about making for 30 years -- finally, here it is, and it is quite a cathartic exorcism. Personnel: Weasel Walter - drums; Tim Dahl - bass, guitar; Matt Nelson - tenor saxophone; Brandon Seabrook - guitar.
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LP
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GODREC 062LP
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2021 release. Negative Infinity is a sort of return-to-form in a regard, featuring six tightly scripted doses of what they call "brutal prog" -- the tag Weasel coined in the early 2000s to describe an elite breed of intense, complex bands who emphasized harshness and intensity over the typical prog-rock flutes and fairy positivity. This is prog for the apocalypse, not your uncle.
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6LP BOX
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GODREC 050X-LP
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Limited restock; 6LP box with black cover. Excerpt from liner notes by Sebastian Claren: "When Morton Feldman wrote his second string quartet -- or String Quartet II, as he titled it in the score -- in 1983, he found himself at the height of his career: prior to this, his long form compositions, of which the majority lasted around one and a half hours, had not isolated him or let him disappear from concert and festival programming, as he had expected, but were on the contrary celebrated as a major 'breakthrough' and a big 'step forward' . . . Like the long pieces that preceded it, Feldman's String Quartet II consists of repeated patterns, which usually surface at a certain point in the composition without preparation, are maintained over a given period, and then abruptly abort to possibly return later. In this context, Feldman has always emphasized the interplay of 'reiteration' and 'change' in his music -- two aspects that in his mind had been decisive criteria of the music of the twentieth century as 'repetition' and 'variation' (Stravinsky and Schoenberg). He even claimed Schoenberg's concept of 'developing variation' for his composition technique..." Live Recording! 317 minutes over six LPs. Personnel: Morton Feldman - composition; Pellegrini Quartet: Antonio Pellegrini - violin; Thomas Hofer - violin; Fabio Marano - viola; Helmut Menzler - violoncello.
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LP+CD
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GODREC 051LP
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The title, Linien II, gives an indication as to what this cycle is about: "Lines" as a catch-all phrase for melodic relationships: differently formed -- from a unison melody for two instruments to counterpoints of independent voices; composed in different ways -- from "calculated" proportioning to spontaneous writing; expressive in different ways -- from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset horn and bass clarinet, all the way down to two contrabass clarinets. Personnel: Alexander Stankovski - composition; Petra Stump-Linshalm - Bb Clarinet, basset horn, bass clarinet, contrabass clarinet; Heinz-Peter Linshalm - Eb Clarinet, Bb Clarinet, bass clarinet, contrabass clarinet.
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2LP
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GODREC 053LP
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Another five years were necessary for Kajkyt to destroy old and develop completely new musical concept. III explores territories of complete alienation, abstraction, degradation. A four-part process of pulses that increase to complete reduction and secession. Personnel: Kajkyt - voice, electronics.
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viewing 1 To 25 of 71 items
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