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CD
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FALLT 18.0004
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"Dublin based artist Hard Sleeper (Peter Maybury) has previous releases on Sub Rosa, Tu m', Static Caravan and Émigré Music. His first release for Fällt, Land features a performance at Dublin's Rausch. Land is characterized by minimal clicks and pulses set amidst a backdrop of warm electronic drones -- a sound Rudy Vanderlans (Émigré Music) describes as 'tentative shapes and melodies, pieced together through fragments of dislocated sounds'. Building slowly it establishes a gentle series of interlocking rhythmic patterns which underpin ghostly piano fragments and slowly coalescing electronic harmonies of delicate beauty. Focused around a sustained core passage of melody Land hovers, melodies deftly coaxed and stretched, before easing into a beautiful closing passage of digitally folded drums."
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3" CD
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FALLT 14.0003
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This is a series of 24 3" CDs, each packaged and sold separately (you can no longer order the entire series -- volumes by Pita, Scanner, Stephan Mathieu, Steve Rodan, Richard Chartier, Ekkehard Ehlers & VV/M are out of print ). Limited availability of the remaining. "The invalidObject Series was established in 2000 as a sublabel of Fällt to release a finite series of twenty four 3"CD/.mp3 releases. Offering a unique perspective on a diverse range of musical output at the turn of the millennium the Series features work by some of the most respected artists operating within the field of '.microsound'. Each 3" CD is housed in a full-size clear jewel-case with two-colour (Pantone metallic and black) packaging and limited to 250 copies only. This volume: all compositions by Cray."
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3" CD
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FALLT 14.0013
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"Epilogue: 'I do want to tell you that I love you. My thoughts are with you and of you most of the time. How about a nice long letter and soon.'"
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3" CD
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FALLT 14.0008
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"'Else' is constructed from four sources, which were recorded synchronously at 00:00 GMT, on 29 April 2000. The recordings were made by Michael Bentley (Berkeley), Shannon O'Neill (Sydney), Mitchell Whitelaw (Sydney) and Danny Wyatt (New York)."
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3" CD
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FALLT 14.0009
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"Fifteen variable use audio modules."
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3" CD
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FALLT 14.0007
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"I write all of my own audio synthesis software, sometimes on a 'per-composition' basis. My software synthesizer utilizes a variation of the Genetic Algortihm to produce new sounds. Therefore, I am able to 'evolve' new sounds and compositional arrangements rather than 'design' them, and my own contribution as an artist has the aura of Sonic Gardener, rather than DSP Engineer. The homebrew techniques employed on 'do' include evolved timbres for all synthsized sounds, granular synthesis, evolved scores, mutating repetitive sample loops, cellular 'audiomata' (only on 'Relent'), and honkeytonk piano."
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3" CD
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FALLT 14.0021
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"Massimiliano Sapienza (1975), lives in Catania where he studies Political and Social Sciences, is currently working on -- to use an original technical term -- new forms of entertainment and games>: generative and 'randomised' processes; ambients for interactive manipulation and creativity; interpretations and captive actions in real time. According to the author these particular recent disciplines, to which he is attracted by their mythical and creative potential, will gradually but ever more frequently, come to replace the classic social games."
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3" CD
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FALLT 14.0005
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"Fifteen tracks of ultraminimal electronics and field recordings mixed to create one sectored, fifteen minute composition. Using: turntables, piano, feedback, guitar, CDs, G3 and MiniDisc field-recordings made during a warm fall in California and a cold spring in Scandinavia."
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3" CD
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FALLT 14.0022
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"What is called the spirit of the void is where there is nothing. It is not included in man's knowledge. Of course the void is nothingness. By knowing things that exist, you can know that which does not exist. That is the void. People in this world look at things mistakenly, and think that what they do not understand must be the void. This is not the true void. It is bewilderment. In the Way of strategy, also, those who study as warriors think that whatever they cannot understand in their craft is the void. This is not the true void. To attain the Way of strategy as a warrior you must study fully other martial arts and not deviate even a little from the Way of the warrior. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void. Until you realize the true Way, whether in Buddhism or in common sense, you may think that things are correct and in order. However, if we look at things objectively, from the viewpoint of laws of the world, we see various doctrines departing from the true Way. Know well this spirit, and with forthrightness as the foundation and the true spirit as the Way. Enact strategy broadly, correctly and openly. Then you will come to think of things in a wide sense and, taking the void as the Way, you will see the Way as void. In the void is virtue, and no evil. Wisdom has existence, principle has existence, the Way has existence, spirit is nothingness. Twelfth day of the fifth month, second year of Shoho (1645) -- Shinmen Musashi."
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3" CD
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FALLT 14.0024
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Berthling is 1/3 of the Swedish group Tape. "The fifteen tracks included here were created exclusively for this project, but feature several elements that consist of earlier material, either re-made/mixed or used as layer(s) within a totally new context. All of the tracks are improvisations recorded directly to hard-disk then edited to fit in length. Track 04 With(er) consists of samples taken from Otomo Yoshihide's 'Digital Tranquilizer': DT-1 and DT-2."
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FALLT 14.0017
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"Eloy Anzola's experiments using audio rendered from QuickTime video first drew our attention in 1999. A music production graduate from Berklee College, Eloy now works as a new media and sound designer in New York City. He is a regular contributor to the .microsound mailing list, and is webmaster of cSounds.com."
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3" CD
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FALLT 14.0020
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"Typically for Chartier 'typeof' is an exercise in extreme restraint. Few artists use the space between sound -- the negative space of audio -- quite as effectively and as courageously as Chartier. Track one in particular -- all the tracks are untitled -- consists of fewer than six seconds of the most discreet of audio events suspended within a 54 second sound-space. Allowing the number of events to build over the course of the release, Chartier builds the most delicate of structures which generously rewards repeated listening."
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