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CD
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DASH 092CD
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$16.00
PREORDER
RELEASE DATE: 11/7/2025
"Stella Donnelly returns with a deeply personal and anchored album, a body of work that traces the journey back to herself after a period of profound change. Recorded in Naarm/Melbourne, the album carries the grounding energy of place, offering a sonic landscape that feels both intimate and expansive. Joining Donnelly on the record are longtime collaborators and friends Marcel Tussie, Sophie Ozard, Julia Wallace, Timothy Harvey, and Ellie Mason, whose playing brings a looseness and vitality to the music, holding space for Donnelly's voice to shine in its most tender and unguarded forms."
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LP
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DASH 092LP
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$25.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. "Stella Donnelly returns with a deeply personal and anchored album, a body of work that traces the journey back to herself after a period of profound change. Recorded in Naarm/Melbourne, the album carries the grounding energy of place, offering a sonic landscape that feels both intimate and expansive. Joining Donnelly on the record are longtime collaborators and friends Marcel Tussie, Sophie Ozard, Julia Wallace, Timothy Harvey, and Ellie Mason, whose playing brings a looseness and vitality to the music, holding space for Donnelly's voice to shine in its most tender and unguarded forms."
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LP
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DASH 092X-LP
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$25.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. Color vinyl. "Stella Donnelly returns with a deeply personal and anchored album, a body of work that traces the journey back to herself after a period of profound change. Recorded in Naarm/Melbourne, the album carries the grounding energy of place, offering a sonic landscape that feels both intimate and expansive. Joining Donnelly on the record are longtime collaborators and friends Marcel Tussie, Sophie Ozard, Julia Wallace, Timothy Harvey, and Ellie Mason, whose playing brings a looseness and vitality to the music, holding space for Donnelly's voice to shine in its most tender and unguarded forms."
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LP
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DASH 058LP
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"Perth artist Carla Geneve announces the international release of her debut self-titled record. With a captivating live show and relatable lyricism, Geneve hails from the small coastal town of Albany, some 400 kilometers south of Western Australia's capital city of Perth. She cut her teeth playing solo shows in and around regional centers as a 16-year old, bursting onto the WA scene in 2017. After being hailed by Pilerats as one of their '18 Artists to Watch in 2018', her debut single 'Greg's Discount Chemist' was released to overwhelming support. The single was the #1 most played track in 2018 for the Perth community radio station. Key support slots followed for the likes of Gareth Liddiard (The Drones/Tropical Fuck Storm), Cat Power and Kurt Vile. After releasing her second single 'Listening' and garnering praise for her showcases at BIGSOUND, the end of 2018 saw her lead with seven nominations at the 2018 WAM Awards where she won Best Single and Best Rock Act. In 2019 Geneve bettered this, winning four WAM Awards, including Best Rock Act, Best Single, Best Guitarist and Best EP. Geneve's eponymous record was recorded at RADA Studios. Born of smoldering passion and framed by lacerations of heartbreak, the record places her direct and compelling lyricism front and center without sacrificing the dynamism so central to her live performances."
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CD
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DASH 056CD
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"Can't Make You Love Me is the debut album from Melbourne based Gena Rose Bruce. Bruce's vocals drive this album; a stirring force amidst the pulsing rhythms, echoes of Mazzy Star and Lynchian undertones. Add to this the masterful restraint in the arrangements and one has an album that is both instantly timeless and unmistakably contemporary. In December 2017, Bruce pulled herself out of a toxic relationship, shifting focus entirely towards her music. 'I quit my job, gave up the room I was renting and left the whole situation. I spent three months alone at a family property in Warrnambool on the south coast of Australia and wrote the album. It was a healing time.' The place was a small weatherboard near the ocean in the middle of nowhere. Secluded and eerily quiet, Bruce credits the album's darker edges in part to this environment; 'It's not a sunny beach town, it's very melancholic. Even in the middle of summer there was no-one around.' But it was here that she regained focus and confidence, entering a period of intense creative output. With fresh perspective, lyrics fell into place, followed by sound. Producer Tim Harvey and Bruce bounced ideas constantly. 'There was lots of demoing and experimenting. We didn't feel I had to fit to any genre -- we just wanted it to be 'me'.' Consequently, Can't Make You Love Me is a distinct and dynamic debut from a young artist with a clear vision. With its infectious melodies, sultry vocal performances and biting lyricism it's thrillingly playful and confessional. Bruce presents a refreshing brand of vulnerability through unfettered explorations of her life choices."
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LP
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DASH 056LP
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LP version. "Can't Make You Love Me is the debut album from Melbourne based Gena Rose Bruce. Bruce's vocals drive this album; a stirring force amidst the pulsing rhythms, echoes of Mazzy Star and Lynchian undertones. Add to this the masterful restraint in the arrangements and one has an album that is both instantly timeless and unmistakably contemporary. In December 2017, Bruce pulled herself out of a toxic relationship, shifting focus entirely towards her music. 'I quit my job, gave up the room I was renting and left the whole situation. I spent three months alone at a family property in Warrnambool on the south coast of Australia and wrote the album. It was a healing time.' The place was a small weatherboard near the ocean in the middle of nowhere. Secluded and eerily quiet, Bruce credits the album's darker edges in part to this environment; 'It's not a sunny beach town, it's very melancholic. Even in the middle of summer there was no-one around.' But it was here that she regained focus and confidence, entering a period of intense creative output. With fresh perspective, lyrics fell into place, followed by sound. Producer Tim Harvey and Bruce bounced ideas constantly. 'There was lots of demoing and experimenting. We didn't feel I had to fit to any genre -- we just wanted it to be 'me'.' Consequently, Can't Make You Love Me is a distinct and dynamic debut from a young artist with a clear vision. With its infectious melodies, sultry vocal performances and biting lyricism it's thrillingly playful and confessional. Bruce presents a refreshing brand of vulnerability through unfettered explorations of her life choices."
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