|
|
|
|
viewing 1 To 6 of 6 items
|
|
|
|
|
|
|
|
|
|
|
|
CD
|
|
DOG 084CD
|
$18.00
PREORDER
RELEASE DATE: 11/7/2025
"Introducing the Bayside Beat of The Gnomes! Although they emerged from Melbourne bayside outer suburbs onto the local live scene with their fresh and spirited indie-rock update of the garage-beat sounds of The Easybeats, Kinks and early Beatles only recently, Gnomes actually started out as a bedroom solo project for teenaged singer/songwriter/ guitarist Jay Millar a few years back. Jay, playing everything himself, started recording and releasing a steady succession of material -- quite a few albums' worth -- on his own Goblin Records label via Bandcamp. Realizing he needed a band to start playing out, Jay approached some like-minded players from Frankston's rehearsal hub Singing Bird, and with Jay on lead vocals and lead guitar, Ned Capp on guitar, Olly Katsianis on bass, and Ethan Robins on drums, Gnomes became a band. Early in 2025, the last solo Jay recordings released under the Gnome name caused something of an international underground sensation when the Bandcamp only I Like It EP -- four songs of kranked up Kinks-style mono riffage -- was posted by a Spanish garage-punk YouTube page and quickly clocked up over 50,000 views. At the same time, the band quickly began gaining attention on the thriving Frankston scene and around Melbourne. They started breaking out, sharing bills with the likes of Drunk Mums, Skegss, Split System, The Prize, The Unknowns, Cosmic Psychos, Hockey Dad, Guitar Wolf, The 5.6.7.8's, The Breadmakers, Loose Lips, fellow Frankstoners/Singing Bird alumni The Belair Lip Bombs, and, on a quick trip to Sydney, Cammy Cautious & The Wrestlers. And now, finally, comes The Gnomes' debut album. Twelve killer tracks that combine the best of the '60s with the best of today. Twelve killer tracks that show off assertive and accomplished songwriting, singing and playing and an explosive and authentic swinging group sound. Twelve killers slices of raw rock'n'roll running the gamut from savage Rhythm & Blues to vibrant beat pop, with forays into heavy reverb psych, Cavern/Star Club stylings and first flyte jangle along the way. There's more of course, including a new version of that Kinks-style kranker 'I Like It' for good measure. Frankston's Fab Four are taking their sound to the world. Join them for the ride!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOG 084LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. "Introducing the Bayside Beat of The Gnomes! Although they emerged from Melbourne bayside outer suburbs onto the local live scene with their fresh and spirited indie-rock update of the garage-beat sounds of The Easybeats, Kinks and early Beatles only recently, Gnomes actually started out as a bedroom solo project for teenaged singer/songwriter/ guitarist Jay Millar a few years back. Jay, playing everything himself, started recording and releasing a steady succession of material -- quite a few albums' worth -- on his own Goblin Records label via Bandcamp. Realizing he needed a band to start playing out, Jay approached some like-minded players from Frankston's rehearsal hub Singing Bird, and with Jay on lead vocals and lead guitar, Ned Capp on guitar, Olly Katsianis on bass, and Ethan Robins on drums, Gnomes became a band. Early in 2025, the last solo Jay recordings released under the Gnome name caused something of an international underground sensation when the Bandcamp only I Like It EP -- four songs of kranked up Kinks-style mono riffage -- was posted by a Spanish garage-punk YouTube page and quickly clocked up over 50,000 views. At the same time, the band quickly began gaining attention on the thriving Frankston scene and around Melbourne. They started breaking out, sharing bills with the likes of Drunk Mums, Skegss, Split System, The Prize, The Unknowns, Cosmic Psychos, Hockey Dad, Guitar Wolf, The 5.6.7.8's, The Breadmakers, Loose Lips, fellow Frankstoners/Singing Bird alumni The Belair Lip Bombs, and, on a quick trip to Sydney, Cammy Cautious & The Wrestlers. And now, finally, comes The Gnomes' debut album. Twelve killer tracks that combine the best of the '60s with the best of today. Twelve killer tracks that show off assertive and accomplished songwriting, singing and playing and an explosive and authentic swinging group sound. Twelve killers slices of raw rock'n'roll running the gamut from savage Rhythm & Blues to vibrant beat pop, with forays into heavy reverb psych, Cavern/Star Club stylings and first flyte jangle along the way. There's more of course, including a new version of that Kinks-style kranker 'I Like It' for good measure. Frankston's Fab Four are taking their sound to the world. Join them for the ride!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOG 084X-LP
|
$29.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. Color vinyl. "Introducing the Bayside Beat of The Gnomes! Although they emerged from Melbourne bayside outer suburbs onto the local live scene with their fresh and spirited indie-rock update of the garage-beat sounds of The Easybeats, Kinks and early Beatles only recently, Gnomes actually started out as a bedroom solo project for teenaged singer/songwriter/ guitarist Jay Millar a few years back. Jay, playing everything himself, started recording and releasing a steady succession of material -- quite a few albums' worth -- on his own Goblin Records label via Bandcamp. Realizing he needed a band to start playing out, Jay approached some like-minded players from Frankston's rehearsal hub Singing Bird, and with Jay on lead vocals and lead guitar, Ned Capp on guitar, Olly Katsianis on bass, and Ethan Robins on drums, Gnomes became a band. Early in 2025, the last solo Jay recordings released under the Gnome name caused something of an international underground sensation when the Bandcamp only I Like It EP -- four songs of kranked up Kinks-style mono riffage -- was posted by a Spanish garage-punk YouTube page and quickly clocked up over 50,000 views. At the same time, the band quickly began gaining attention on the thriving Frankston scene and around Melbourne. They started breaking out, sharing bills with the likes of Drunk Mums, Skegss, Split System, The Prize, The Unknowns, Cosmic Psychos, Hockey Dad, Guitar Wolf, The 5.6.7.8's, The Breadmakers, Loose Lips, fellow Frankstoners/Singing Bird alumni The Belair Lip Bombs, and, on a quick trip to Sydney, Cammy Cautious & The Wrestlers. And now, finally, comes The Gnomes' debut album. Twelve killer tracks that combine the best of the '60s with the best of today. Twelve killer tracks that show off assertive and accomplished songwriting, singing and playing and an explosive and authentic swinging group sound. Twelve killers slices of raw rock'n'roll running the gamut from savage Rhythm & Blues to vibrant beat pop, with forays into heavy reverb psych, Cavern/Star Club stylings and first flyte jangle along the way. There's more of course, including a new version of that Kinks-style kranker 'I Like It' for good measure. Frankston's Fab Four are taking their sound to the world. Join them for the ride!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DOG 083CD
|
"A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, Pat Todd and his band The Rankoutsiders. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. New originals like 'All We Have To Show,' the horn-riffing rocker 'Living In A World of Hurt,' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers -- a version of 'Hi Ho Silver Lining,' sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese's Johansen documentary got out -- shows by comparison to the original versions just how well these guys can crank it out. Prior to the new album Sons of the City Ditch, the Rankoutsiders have released six full-length albums and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat's personal vision of raw, high energy rock'n'roll infused with elements of country and rhythm and blues, and documentary proof that the Rankoutsiders are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the Rankoutsiders truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- -- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOG 083LP
|
LP version. "A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, Pat Todd and his band The Rankoutsiders. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. New originals like 'All We Have To Show,' the horn-riffing rocker 'Living In A World of Hurt,' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers -- a version of 'Hi Ho Silver Lining,' sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese's Johansen documentary got out -- shows by comparison to the original versions just how well these guys can crank it out. Prior to the new album Sons of the City Ditch, the Rankoutsiders have released six full-length albums and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat's personal vision of raw, high energy rock'n'roll infused with elements of country and rhythm and blues, and documentary proof that the Rankoutsiders are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the Rankoutsiders truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- -- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOG 083X-LP
|
LP version. Color vinyl. "A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, Pat Todd and his band The Rankoutsiders. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. New originals like 'All We Have To Show,' the horn-riffing rocker 'Living In A World of Hurt,' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers -- a version of 'Hi Ho Silver Lining,' sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese's Johansen documentary got out -- shows by comparison to the original versions just how well these guys can crank it out. Prior to the new album Sons of the City Ditch, the Rankoutsiders have released six full-length albums and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat's personal vision of raw, high energy rock'n'roll infused with elements of country and rhythm and blues, and documentary proof that the Rankoutsiders are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the Rankoutsiders truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- -- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails."
|
|
|
|