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LP
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CPR 004LP
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2022 restock. "Cinema Paradiso Recordings is proud to announce the release of the soundtrack to the motion picture The Parallax View, on vinyl for the first time ever. Based on the book by Loren Singer, The Parallax View is directed and produced by Alan J. Pakula as the second installment of his 'political paranoia' trilogy -- alongside Klute (1971) and All The President's Men (1976). With cinematography by Gordon Willis (The Godfather trilogy, Annie Hall) and starring Warren Beatty, this political thriller from 1974 is perhaps even more relevant today than it was back then. The legendary score by composer Michael Small is regarded as a benchmark in the sound of paranoia thrillers that dominated cinema in the 1970s, with revered film critic Pauline Kael hailing the film as an essential for all fans of the genre. Now, forty-seven years later, the soundtrack will finally be available to own on vinyl. The CPR edition of The Parallax View soundtrack includes for the first time the infamous brainwashing scene, an influence on countless films and TV shows over the years. Notably, most recently with the Watchmen series and shows Mr. Robot and Homecoming even using the music from the film. Whilst researching to gain approval for this usage we discovered from Jon Boorstin, (assistant to Pakula on The Parallax View), that the unaccredited disembodied voice from the 'Parallax Test' scene belonged to director Pakula himself. This single LP, deluxe gatefold limited edition in colored vinyl, comes with liner notes that include two essays by Scott Bettencourt and Alexander Kaplan (of Film Score Monthly), which provide a fascinating insight into the making of the film and an analysis of the score." "Michael Small's score raises the spectre of all that is hidden in American history, and superimposes them in a collage that reveals itself to be the unseen hands that shape it." --Jim O'Rourke
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CD
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CPR 001CD
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"Since their last album Miseress at the end of 2015, Mueran Humanos have continued to expand their audience playing major festivals like Primavera Sound, sharing the stage with the likes of Swans, The Fall and Royal Trux, playing legendary venues like the Berghain main room, touring the world and completing a full European tour supporting The Horrors, hand-picked by the band themselves. They have also recently placed synchs on Netflix show Diablero and upcoming HBO paranormal comedy, Los Espookys (Fred Armisen) which is HBO's first entirely Spanish language series. For the uninitiated, Mueran Humanos, (Tomas Notcheff, Carmen Burguess), can be a tough one to explain. Their influences could be listed and they could be called 'a psychedelic-krautrock garage punk-electronics duo who manage to capture the rich cultural history and excitement of their adopted home of Berlin and infuse it with a sophisticated South American chic imported from their native Buenos Ares'. At their core, these are simple and catchy songs with a solid electronics foundation solidified by driving bass lines and textural keyboard parts. Vocals are shared by both members, and they create an important dichotomy between the masculine and feminine energies that shape the band. Spanish speakers are in luck, because the lyrics are surrealist poetry of the highest order. Thankfully for the everyone else, they occupy that special place reserved for bands like Einstürzende Neubauten, (Jochen Arbeit of EN actually appeared on the bands last album), or Os Mutantes, where they transcend language barriers and are capable of telling a story through the sheer power of the human voice. Hospital Lullabies is a companion piece to a movie of the same name directed by Carmen Burguess, and without question this is their most refined and cohesive statement so far. While there is a darkness to some of it (fleshed out by imagery of nightmares, childhood terrors, and the trauma of mental institutions), it is balanced by feelings of romance and optimism and an overwhelming sense of childlike wonder."
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LP
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CPR 001LP
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LP version. "Since their last album Miseress at the end of 2015, Mueran Humanos have continued to expand their audience playing major festivals like Primavera Sound, sharing the stage with the likes of Swans, The Fall and Royal Trux, playing legendary venues like the Berghain main room, touring the world and completing a full European tour supporting The Horrors, hand-picked by the band themselves. They have also recently placed synchs on Netflix show Diablero and upcoming HBO paranormal comedy, Los Espookys (Fred Armisen) which is HBO's first entirely Spanish language series. For the uninitiated, Mueran Humanos, (Tomas Notcheff, Carmen Burguess), can be a tough one to explain. Their influences could be listed and they could be called 'a psychedelic-krautrock garage punk-electronics duo who manage to capture the rich cultural history and excitement of their adopted home of Berlin and infuse it with a sophisticated South American chic imported from their native Buenos Ares'. At their core, these are simple and catchy songs with a solid electronics foundation solidified by driving bass lines and textural keyboard parts. Vocals are shared by both members, and they create an important dichotomy between the masculine and feminine energies that shape the band. Spanish speakers are in luck, because the lyrics are surrealist poetry of the highest order. Thankfully for the everyone else, they occupy that special place reserved for bands like Einstürzende Neubauten, (Jochen Arbeit of EN actually appeared on the bands last album), or Os Mutantes, where they transcend language barriers and are capable of telling a story through the sheer power of the human voice. Hospital Lullabies is a companion piece to a movie of the same name directed by Carmen Burguess, and without question this is their most refined and cohesive statement so far. While there is a darkness to some of it (fleshed out by imagery of nightmares, childhood terrors, and the trauma of mental institutions), it is balanced by feelings of romance and optimism and an overwhelming sense of childlike wonder."
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