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7"
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BEWITH 003-7
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$17.50
PREORDER
RELEASE DATE: 8/30/2019
Breakwater's earth-shattering "Release The Beast" is unquestionably the standout song from their 1980 funk masterpiece LP Splashdown. "Release The Beast" is a showcase for Breakwater's phenomenal power-funk capabilities. The energy is astounding. It also came out as a now-hen's-teeth-rare 7" in the same year; It's one of the best album cover shoots of all time. For the B side, Be With Records backed Breakwater's biggest track with their favorite: the quietly majestic gem "Let Love In", another winner from the same LP. Remastered for this vinyl reissue. Picture sleeve.
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7"
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BEWITH 004-7
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$17.50
PREORDER
RELEASE DATE: 8/16/2019
Two of Alex Chilton's staggeringly beautiful demos, on vinyl for the first time. "It Isn't Always That Easy" and "If You Would Marry Me" both sound like templates for some of Alex's best-known Big Star numbers. These demos come from the transitional recording sessions he made with Terry Manning at the Ardent Studio in 1969, but were missing from the vinyl version of the wonderful Free Again compilation that was released in 2012.
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2LP
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BEWITH 056LP
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$36.50
PREORDER
RELEASE DATE: 8/16/2019
Be With Records present a reissue of Sweet And Nice, the vital debut album from Jamaica's undisputed first lady of song Marica Griffiths, originally released in 1974. It's reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original's opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn't mess with magic. Marcia's version of "Here I Am (Come and Take Me)" has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It's followed by the sophisticated, rollicking wah-wah funk of "Everything I Own" and the slice of smooth lovers soul par excellence that is "Green Grasshopper" and her ace, lilting Neil Diamond cover "Play Me". The thundering, humid funk of "Children At Play" "sounds uncannily like a precursor of Massive Attack", as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody, and essential. Side two keeps the fire burning. "Sweet, Bitter Love" should leave you swooning, and is also one of the album's alternate titles. Curtis Mayfield's already-eternal "Gypsy Man" follows, recast as proto-lovers rock. "There's No Me Without You" is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia's heartbreaking delivery. And if this doesn't get you then surely the next track will: arguably the definitive version of Ewan MacColl's "The First Time Ever I Saw Your Face". "I Just Don't Want To Be Lonely" re-takes its rightful place at the end of the LP's second side... but Be With Records added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Amongst these 14 extra tracks you'll find the exquisite late-60s singles "Melody Life" and "Mark My Word" which, along with the sumptuous reading of "Band Of Gold". All material is remastered. 140 gram vinyl.
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LP
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BEWITH 065LP
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Be With Records present the first vinyl issue of Tommy Guerrero's From The Soil To The Soul, originally released in 2006. Yes! Tommy Guerrero's much-loved fourth album -- the smooth West Coast classic From The Soil To The Soul -- gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria (BEWITH 026LP), this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself. From The Soil To The Soul represents a continuation of Tommy's blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz, and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it's a vibe from start to finish. Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion, and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version. As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener "Hello Again" to the penultimate, punk-rocking track "Let Me In Let Me Out" (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus. You're treated to the gorgeous hip-hop blues of "The Under Dog", Meters-style Hammond B-3 jams like "War No More" and "No Guns More Glory" and Balearic bangers like Bing Ji Ling's star-turn on the sleazy "Don't Fake It". Curumin's soulful guest vocal elevates the already-great Brazilian lounge feels of "Salve" to hitherto unscaled heights and the heavy, driving basslines -- funky and warm on "Badder Than Bullets", somber and intense in "Tomorrow's Goodbye" and "Molotov Telegram" -- never fail to move both body and soul. But Be With's favourite track is the beautiful breezy pop of "Just Ain't Me". A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. "What you want from me, I can never give" he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would've been number 1 across the planet in a parallel universe. Remastered. 180 gram vinyl.
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LP
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BEWITH 006LP
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2015 release. Be With Records present a reissue Letta Mbulu's In The Music... The Village Never Ends, originally released in South Africa in 1983. A holy-grail African record. Featuring the enormous "Nomalizo", it's a record that aficionados around the world have been waiting many years for. Be With Records' reissue has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer), pressed on audiophile 180 gram vinyl for the first time, and features the original artwork. In The Music... The Village Never Ends is one of those holy grail African records that barely needs any introduction. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic. South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul, and pop music of the most incredible kind. The gleaming guitars recall disco's finest hours while the thump of the beats anticipate '80s British soul.
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12"
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BEWITH 004EP
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2017 release. Two seminal 12" mixes of a pair of Michael Wycoff heavy hitters from 1982. One a two-step favorite and one a loft classic, these sought-after versions have never been paired on the same record. Side A features the smooth-gliding anthem "Looking Up To You" whilst Side B houses the legendary Tee Scott dub mix of uplifting boogie gem "Diamond Real".
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2LP
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BEWITH 026LP
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2019 repress, 2017 release. Be With Records present a reissue of Tommy Guerrero's Soul Food Taqueria, originally released in 2003. It's rare that a certain sound is entirely an artist's own. Although undeniably a stew of impeccable influences -- from blues to folk to Latin to dusty funk, soul and hip-hop -- one cannot hear a Tommy Guerrero song without immediately recognizing it as his -- and his only. The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who've basked in its blissful glow. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it's two of his most vital LPs. The originals were quietly pressed on to a single piece of vinyl, so Be With Records worked closely with Tommy to offer fresh, limited editions. Soul Food Taqueria continued Guerrero's guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. Denied the promotion it deserved upon release, it flew under the radar. It is now the most wanted record of his wondrous back catalog. Guerrero's atmospheric touch and subtle guitar provide lush, glimmering pieces of musical texture. Within his spacious compositions, uniquely arranged instruments flourish alongside each other to create a languid soundtrack for halcyon days. From bossa nova, samba, and cumbia rhythms to understated folk, funk and soul grooves, this is another exotic set of mellow gold. Dubby, bass-heavy instrumentals give way to moody folk-soul -- witness "It Gets Heavy", featuring melancholic vocals from Gresham Taylor -- whilst "Thank You MK" is a gentle ode to the tropics, featuring ethereal instrumentation, bright bass and warm, jazzy guitars. The second half in particular contains a number of stunning ambient tracks -- check "Lost Unfound", "Another Brother Gone", and "Broken Blood" -- built around minimalist, laid-back grooves, and detailed guitar orchestrations which wouldn't be out of place on the latest Jonny Nash release. Guerrero closes this flawless set with a moment of true beauty. Restrained and graceful, "Falling Awake" is a pared back piece containing meditative guitar melodies set against melancholic piano arrangements. Remastered. 180 gram vinyl; expanded to double-LP and presented in a gatefold sleeve.
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LP
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BEWITH 055LP
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Be With Records presents a reissue of Logg's self-titled LP, originally issued on Salsoul Records in 1981. The undisputed Godfather of boogie, Leroy Burgess' Logg project is his masterpiece. Logg is one of the greatest albums of the post-disco era; it's one of Be With's favorite-ever LPs and so it's a complete honor to be reissuing it. With all the touchstones of Burgess's finest work -- breezy grooves, undulating synths, funk-drenched bass, and life-affirming lyrics -- delivered with gospel-derived vocals and harmonies, it's a record to uplift both body and spirit. Already a cult soul figure as lead singer of Black Ivory, Burgess cut his teeth as arranger, vocalist, and songwriter with producer Patrick Adams on essential late-'70s projects like Phreek and Dazzle. He went on to define the essence of "boogie": the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed the cool boogie of Burgess has the disco bounce, just more laid back. All six tracks here could have been stand-alone hits; indeed, some of them were. But together they are also an incredibly cohesive album. In short, it's a thrilling showcase for Burgess' finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass. Opener "(You've Got) That Something" is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of "Dancing Into The Stars" -- married to percolating synth and airtight drums -- showcases the chemistry between Burgess and the rhythm section. The fusion of funk and gospel-influenced harmonies which propels "Something Else" is remarkable: deep, joyous, and bouncy. Infamously mixed by Larry Levan, "I Know You Will" is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. "Lay It On The Line" radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer "Sweet To Me" is a chilled-out gem of profound soulful elegance. Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, MCDE and Harvey Sutherland have also cited it as an influence. This reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves. Mastered by Simon Francis, cut by Pete Norman with reproduced artwork, this is a reissue that does justice to this classic LP. 180 gram pressing.
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12"
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BEWITH 011EP
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In 1980, Randy Muller's Skyy dropped the monumental Here's To You, comfortably one of the greatest dance singles of all time. Released on Salsoul, Here's To You is now exceptionally hard to find in its original form. On this special Be With double-header, the label presents the sought-after 12" mix and back it up with the strutting "You Got Me Up", which has never been on a 12" before.
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LP
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BEWITH 054LP
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Be With Records presents a reissue of Vaughan Mason and Butch Dayo's Feel My Love, originally released on Salsoul in 1983. If ever an album could transport one to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, or could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches "magic hour" in Santa Ana or Anaheim, then it's Feel My Love. A brilliantly produced deep slung, low rider funk classic, it's a masterpiece of "funk love music." A perfectly formed five track mini LP of unparalleled heat, there's one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, "Feel My Love". This is a work of art that made people fall in love with the funk -- it transcends the limitations of genre. "Feel My Love"'s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It's sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so much raw energy -- this is music. The rest of the record is hardly filler though. Opener "Oh, Love" is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing -- it's sensational. A rollerskating jam named "Rollalong Songs" is an ultra-swish piece of dance floor dynamite; its slick drums, staccato piano, and neck-snapping claps underscore Dayo's buoyant vocals. It's essentially "Bounce, Rock, Skate, Roll Part II". The flip begins with "Party On The Corner" with smoother-than-silk vocals, day-glo synths, a bubbling bassline, and guitar licks that would surely receive the Prince seal of approval. It's another example of how Mason and Dayo flirt with perfection so routinely. The majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater "You Can Do It" is a proto-rap groover that truly smokes. This LP is a stone-cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered by Simon Francis, cut by Pete Norman, with lovingly reproduced artwork, this Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should. 180 gram pressing.
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7"
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BEWITH 001-7
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2017 release. You may know Aretha Franklin's scintillating "One Step Ahead" from its vital role in the Oscar-winning movie Moonlight (2016). You may also know it as providing the beautifully melancholic backdrop for Mos Def's 1999 hit "Ms Fat Booty". The inaugural Be With Records 7" is a special one indeed, containing the first ever officially licensed reissue of Aretha's all-time deep soul classic, paired with goosebump-inducing killer "I Can't Wait Until I See My Baby's Face".
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12"
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BEWITH 002EP
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2016 release. Originally released in 1982, Anna's cosmic coldwave bomb Systems Breaking Down is one of the most mysterious and sought-after singles of the period. Here, both seminal mixes have been remastered for vinyl by Simon Francis and are housed in a replica jacket of the maxi original. A masterful study in dread, describing the gentle collapse of all structures, it is set against a backdrop of eerie, synth-heavy electronics.
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LP
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BEWITH 027LP
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2018 release. Be With Records present the first officially licensed vinyl reissue of Batteaux's self-titled album, originally released in 1973. A notoriously jaw-dropping folk-funk classic, long treasured by the Balearic fraternity, the self-titled LP from the brothers Batteau nevertheless remains a criminally underheard gem. Appealing to fans stuck on Ned Doheny's scorching blue-eyed soul as well as Gene Clark's rich country-rock, this is and undoubted masterpiece of proto-Yacht-Rock. Like a forgotten piece of baroque folk caught in 1973, Batteaux's eponymous album somehow sounds magically timeless. A full 45 years after the fact, it remains a mystery as to why they weren't better known. The lush production and virtuoso playing conforms with the ruling aesthetic of the time -- well-crafted, melodic songs performed with precision and balance -- whilst the shimmering AOR atmosphere and sun-dappled vocal washes align neatly with the best Crosby, Stills & Nash records. Throughout, the beautifully penned tracks hold traces of Jimmie Spheeris, America, and Seals & Crofts. The immaculately orchestrated percussion and additional instrumentation (electric piano and fiddle to name a few) are performed by perennially celebrated West-Coast cats including Tom Scott, John Guerin, and Andy Newmark.It's no surprise that the heavenly "High Tide" is such a Balearic touchstone. A free soul aqua-space groover, its sophisticated rhythms predict the swing of CSN's canonical "Dark Star" by a full four years. An alternative measure of its enduring magnificence can be gauged by MF Doom sampling Paul Horn's wonderful version, subsequently used by Ghostface Killah. The highlights are many and memorable. Gorgeous opener "Tell Her She's Lovely" is the perfect example of the addictive, melody-driven songwriting which really should have earned them stardom. Moody ballad "Living's Worth Loving" is nothing short of heartbreaking whilst the chugging elegance of "Wake Me In The Morning" showcases their bewitching harmonies. The hypnotic yearning of "Lady Of The Lake" is an exquisitely string-drenched, piano-laced favorite that achieves a peculiar strutting-funk. This lovingly curated reissue enables a long overdue reappraisal of the hitherto buried genius of Batteaux. The serene aqua artwork which adorned the original jacket -- their father worked on a dolphin-human communication project in Hawaii, hence the infamous design -- and sumptuous inner sleeve have been faithfully restored. Whilst, with access to the original tapes, Simon Francis's sensitive mastering elevates the sound throughout and, as ever, it has been pressed on 180 gram vinyl. Edition of 500.
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12"
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BEWITH 008EP
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2018 release. Quite simply the greatest & most sought after street soul holy grail of them all. The sound of Manchester then and now. Fully remastered, produced in conjunction with Bô'vel herself and Ruf Dug, and featuring the huge Metrodome remix everyone's been raving about on the flip.
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12"
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BEWITH 001EP
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2016 release. Be With Records present the sublime Peaking Lights remix of Here In Iowa, the farewell single from tropical dream pop maestros Korallreven. Also included is the original and, for the first time on vinyl, the breathtaking cover of Guns & Roses' "November Rain" from 2014 plus "Shine On", the duo's rework of their own 2010 single Honey Mine, featuring Taken By Trees' Victoria Bergsman.
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12"
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BEWITH 009EP
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2018 release. You'd think that following Melodies Of Love (BEWITH 005EP) would be an impossible task. Not so, if you happen to be genius Brit-Funk pioneers John Rocca and Andy Stennett. On their more understated -- yet, pound for pound, stronger -- second record, Pink Rhythm stretched out to create a four-track EP of richly melodic, exquisite beauty. In the process, they trumped their most well-known release.
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12"
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BEWITH 005EP
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2018 release. Timeless drum-machine soul music from genius Brit-funk pioneer John Rocca. Melodies Of Love was first released in 1985 yet, still sounding staggeringly fresh, it's no surprise that discerning DJs call on it now more than ever. As the title suggests, it's so melodically profound and so effortlessly funky, once you hear it, you never forget it. Pink Rhythm were a mid-80s evolution of Rocca's London-based band Freeez, featuring the great Andy Stennett and Peter Maas.
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12"
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BEWITH 010EP
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2018 release. Insane synth-heavy feel-good Brit-funk classic and huge favorite of Dam-Funk. A certified UK boogie bomb, originally released in 1982, and coming hot on the heels of the Pink Rhythm reissue campaign. Side On was a one-off UK soul dream team, consisting of Peter Maas (Freeez, Pink Rhythm bassist), Everton McCalla (Freeez, Light Of The World, Potion), and the legendary Rick Clarke (Potion).
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2LP
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BEWITH 035LP
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2018 release. Be With Records present a reissue of Sleepy's Theme's The Vinyl Room, originally released in 1998. With powerhouse production trio Organized Noize, Sleepy Brown orchestrated Atlanta's hallmark sound of the '90s; his slow-cooked southern-fried G-Funk providing hits for TLC, Outkast, and Goodie Mob. However, by 1998 and post-Aquemini, his desire was to take center stage. The dizzying result was Sleepy's Theme and their wonderful throwback LP, The Vinyl Room. Their vintage, '70s soul-steeped magnum opus was promptly passed on by Jimmy Iovine at Interscope, released only on CD on a limited scale, and mostly...um...slept on. Be With Records finally present the inaugural vinyl edition of this landmark record as a DJ-friendly double LP. Blending organic instrumentation from one of the tightest, greasiest, yet sophisticated bands in the land, The Vinyl Room presented dreamy melodies, warm synth textures, stately horns and wayward beats. Brown conceived his "garage funk band" as adhering to the sonic touchstones of Blaxploitation and he achieved it. Featuring keyboardist/singer Eddie Stokes, drummer Victor Rico Cortez, guitarist Bill Odum, vocalist Keisha Jackson, and the late Pimp C, the sound was always going to be in the pocket. While it eschewed contemporary trends, the underground sound was nevertheless fresh and grounded in the hat-tip spirit of hip-hop. With Sleepy bragging that there were no samples, The Vinyl Room comprised a richly textured, mesmerizing and confident sound where the recurring themes were women, cars, and weed. The luscious bass grooves, silk-soft cymbal pats, raindrop-drowsy keyboards, and country-fried wah-wah guitar licks conjure Bobby Womack in the lab with Marley Marl, Isaac Hayes laced by Dr. Dre or Curtis Mayfield bring introduced to DJ Quik. "Can't Let Go" with its heist movie aesthetic, morphs into a strung-out love song as Sleepy slurs compellingly throughout. Pimp C's low-riding beat for "Simply Beautiful", a bouncing track brilliantly inspired by Barry White's swaggering "You're The One I Need", is exceptional. Perhaps as a nod to the great Brick, the horn section on "Grind On" is quietly joyous and profound whilst "Curse On You" is a dark groover and features a great vocal from Cee-Lo Green. "Still Smokin'", another rousing track, is a peculiarly laidback anthem; hypnotic, hot and smooth. Perhaps the highlight of the entire piece, "Choked Out Saturday Night" sounds like the old Atlanta. Remastered. Gatefold jacket, adorned with purple foil layer; printed lyrics across two double-sided inner sleeves. 180 gram vinyl.
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2LP
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BEWITH 033LP
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2018 release. Be With Records present the first ever vinyl issue of Sorcerer's Neon Leon, originally released in 2009. A continuation of his kaleidoscopic sun-dappled cosmic-disco, Neon Leon was the much-loved CD-only album by Sorcerer (Californian Dan Judd, one half of Windsurf with Hatchback). Remastered. Double gatefold package with freshly updated artwork throughout.
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2LP
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BEWITH 032LP
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2018 release. Be With Records present the first ever vinyl issue of Sorcerer's White Magic, originally released in 2007. A perfect summer record, White Magic was the lauded CD-only debut album by Sorcerer (Californian Dan Judd, one half of Windsurf with Hatchback). Back in summer 2007, this majestic set gently nestled itself into the Balearic soundtrack-to-summer slot for many, making him a household name for cosmic disco heads alongside the likes of Lindstrøm, Metro Area, Todd Terje, Mudd, Studio, and Quiet Village. In the intervening years, exceptional producers have created vibrant variations on the dreamy, dubby, melodic nu-disco theme. Happily, the emergence of such luminaries as Jex Opolis, Harvey Sutherland, Suzanne Kraft, Tornado Wallace, et al has only served to make the master -- Sorcerer -- sound ever more brilliant and vital. Utilizing his array of guitars, drum machines, synths, and trusty MPC, the loved-up Sorcerer sound inspires halcyon memories of warm days, endless sunsets and pure youthful abandon. Influenced by surf, '80s dance pop, acid-R&B, space jazz, krautrock, disco, dub, and AM radio gold, his music maps a tour through a uniquely Californian lifestyle. Yet when music so vividly captures a vibe and a feeling, it can make writing about it appear almost redundant. Instead, to glean the full color of what your turntable will soon gratefully radiate. Remastered by Simon Francis. Pressed on heavyweight double vinyl. Presented in a deluxe gatefold jacket with freshly commissioned artwork throughout from original designer Rich Robinson; Edition of 500.
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LP
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BEWITH 017LP
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2016 release. Be With Records present a reissue of Edna Wright's Oops! Here I Go Again, originally released in 1977. Edna Wright's idiosyncratic Oops! is one of the most sublime vocal refrains in soul music history. Anchoring its host album's leadoff cut, it sets the tone for a uniquely satisfying modern soul LP. Indeed, whilst many of its ilk come laden with filler, Wright's one solo record is an exercise in elegant restraint; a concise killer. Originally released in 1977 on RCA, this rare and sought-after album followed the 1973 disbanding of Edna's much-loved Honey Cone. Produced by her husband, legendary producer/songwriter Greg Perry, the album was somewhat of a risk; a deep soul album released during the period when disco was altering the landscape of popular music. And perhaps inevitably, despite the stellar production and spine-tingling vocals throughout, the album glided gracefully under the radar, spawning only one single and seeing no chart action. That single -- the magnificent title-track -- soon became a notorious rare groove stepper in its own right. However, in the years since, it has become a crate-digger's classic. Its fame was elevated among hip-hop heads when Prince Paul memorably looped the shimmering intro when crafting the melodic hook for De La Soul's late-summer-stunner "Pass The Plugs", a wistfully melancholic back-porch nostalgia trip. And, more recently, Leon Vynehall liberally lifted the same intro for his sepia-tinged "Midnight On Rainbow Road" to augment the excellent Rush Hour compilation Musik For Autobahns 2 (RHM 018CD/LP, 2016). Yet this album is so much more than its most famous song. An assuredly lean masterpiece from start-to-finish, the album features a further six dynamite tracks of warm, smooth soul. As such, it's an impossible task to choose certain tracks to highlight alongside the mighty title track. Throughout, Edna's strikingly mature vocals are wonderful, proudly stepping out with a sophisticated groove reminiscent of Jean Carn or Gloria Scott, whilst Greg Perry's gorgeous string-drenched backdrops add a rich depth. Following her glowing role in the acclaimed documentary 20 Feet From Stardom (2013), Be With Records hope this long overdue reissue will allow further light to shine on Edna. Officially licensed and beautifully remastered for vinyl by Simon Francis. On 180 gram vinyl for the first time and features the original iconic artwork; printed inner sleeve with a sumptuous black-&-white photo, full lyrics, and heartfelt notes from Edna herself.
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7"
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BEWITH 002-7
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2018 release. Neck-snapping soul masterpiece from Freddie Scott, famously sampled by Biz Markie for his melancholic pop-rap hit "Just A Friend" and a surefire piano-driven basement party anthem in its own right. On the flip, "Powerful Love" is up-tempo guitar-soul with finger-popping swing. Featuring delicate horns and gorgeous backing vocals, it's an unfairly slept-on gem. A peerless piece of deep soul and hip-hop history.
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LP
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BEWITH 028LP
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2018 release. Be With Records present the first ever official reissue of Kimiko Kasai with Herbie Hancock's Butterfly, originally released in 1979. The positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie, and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin, and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie/Headhunters jazz-funk. Unsurprisingly, it has been heavily in demand for many years. The LP opens with Kimiko's highly desirable version of "I Thought It Was You", an elegant take on Herbie's own anthem. Other superb re-workings include the delicately soulful "Butterfly", jazzy groover "Sunlight", the smooth and sexy "Tell Me A Bedtime Story", and the beautiful ballads "Maiden Voyage" and "Harvest Time". A wonderful example of perfectly understated and masterful jazz-funk soul fusion that shouldn't be missed, the set closes with a jaw-dropping version of Stevie Wonder's "As". This lovingly curated reissue enables a long overdue reappraisal of this hitherto unavailable masterpiece. The stunning artwork which adorned the original jacket -- complete with obi strip and sumptuous four-page folded insert -- has been faithfully restored. Mastered by Simon Francis, and pressed on 180 gram vinyl.
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2LP
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BEWITH 010LP
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2016 release. Be With Records present the first ever vinyl reissue of Kylie Minogue's self-titled album, originally released in 1994. Deluxe limited edition; Double-LP, 180 gram vinyl presented in a sumptuous gatefold jacket, allowing the iconic Rankin portraits room to breathe. Beloved by perfect pop fans, this is Kylie's most sought-after record. Originally released in 1994, Kylie Minogue represents the fun '90s pop acts had in absorbing an increasingly diverse range of influences -- from house and ambient to Balearic and R&B. Beloved by perfect pop fans, this is Kylie's most sought-after record; finding a decent copy on vinyl will set you back well over £150. After phenomenal chart success in the late '80s and early '90s with the PWL Records hit factory, Kylie desired greater artistic freedom and critical credibility. Her move to dance music label deConstruction, and its commendable hands-off attitude, marked this profound shift in thinking and enabled the singer to make the album she really wanted. Indeed, Kylie Minogue is a sophisticated collection of stylish songs that elegantly reference new jack swing, R&B ballads, ambient pop and piano house. String-drenched epic "Confide In Me" (produced by acclaimed dance duo, Brothers in Rhythm) confidently sets the tone whilst "Surrender", a seductive sunset slow jam, unwittingly anticipates the voguish Balearic pop of the past decade. Jazzy pop-R&B groovers keep things moving but it's the masterful "Put Yourself In My Place" -- in all its understated melancholy -- that stops listeners in their tracks. Widely regarded as her finest downtempo moment, the monster single recalled late '80s American R&B but, having never received a proper vinyl release, its inclusion here is worth the price of admission alone. Further orchestral ballads, subtly cinematic pieces, and minor key house tracks (with the involvement of the Pet Shop Boys and acid house stalwarts Farley & Heller) serve to complete an assured collage of accessible yet resolutely eclectic "perfect pop". Over 20 years on, Kylie Minogue remains quietly revered and relevant today. Fellow Aussie group Tame Impala covered the pop juggernaut "Confide In Me".
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