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Artist	Title	Format	Label	Catalog #

VA	Modern Jazz Dance Classics Volume One: Compiled by Jeff The Fish	2LP	STAUBGOLD	STAUB 148LP
$23.00 PREORDER RELEASE DATE: 2/15/2019 For some time now in the continual hunt for new DJ material to play in the jazz scene, Staubgold have been coming across great tracks by current artists that are often only available on digital or CD format, and have been cutting dubplates so the label can play them in jazz dance gigs. Modern Jazz Dance Classics aims to provide DJs with this new music on vinyl and thus inject new music into the jazz dance scene. Following a discussion between Jeff The Fish and Markus at the Staubgold record label in Germany, Staubgold created a new sub-label MJDC to do this, and here they are, with the first collection of some of these tracks that have gone down well in sets across Europe from various Fish events in France including the legendary "Fish Party" in Perpignan, to Genis Worksong's "Cool Fingers" in Barcelona, and Melody Nelson's "Home and Abroad" sessions in Hamburg and Hanover in Germany and more in between. If you are a DJ, hopefully you will find some of these tracks indispensable in your set, and if you are a collector, hopefully you will find this a great listen and addition to your collection. There are tracks from all over the world carefully selected to make a great set and selection. Features Bill Laurance, Hajime Yoshizawa, Khari Cabral & Jiva, Cro Magnon Jin, Maurice Brown, Yusuke Shima, Hermeto Pascoal & Grupo, Lovely Day, Johnaye Kendrick, Novox, Volunteered Slaves, Michele Villari, The Art Eixample of Canigo, The Ricky-Tick Big Band and Julkinen Sana, and TRI4TH.

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 9: Blue Notes Parts One & Two	2CD	JAZZMAN RECORDS	JMAN 103CD
$17.50 PREORDER RELEASE DATE: 2/15/2019 The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman. Available as a double-CD set, Parts One & Two (JMAN 103CD). Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard. Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.

Artist	Title	Format	Label	Catalog #
C'MON TIGRE	Racines	2LP/BOOK	BDC - BONANNI DEL RIO CATALOG	CT 002LP
$43.00 PREORDER RELEASE DATE: 2/15/2019 Double LP version; 180 gram vinyl; gatefold sleeve; includes 84-page book. Tradition and experimentation are two familiar territories that C'mon Tigre, a duo who find their identity by working with musicians from all over the world, can balance between very well. As they did for their debut album (2014), they have put together a multicolored collective for their second record Racines. The title is a French word that means "roots", referring to the musical roots in which C'mon Tigre's feet, head and heart are immersed, and from which their contaminated tracks sprout to create unusual and original sound environments. On Racines the sounds of the Mediterranean -- the sea of their land -- intersect, intertwine, and overlap with a kaleidoscope of other sounds and a new approach based. They explain: "on the type of work we had done when we rearranged the first album for live shows, by emphasizing the synthetic part of our tracks". This time around they did it from the very beginning: "The composition of the pieces immediately included the use of machines and synthesizers as a basis for acoustic instruments. The goal was to reprocess the terrain of Mediterranean influences that was undoubtedly our starting point". Imagine a work in progress where bass and guitars interact with woodwind, synths, percussions, vibraphones, dipping the listener into a sensual and hypnotic musical journey. Sailing from the Mediterranean basin and being guided by the fascination for Africa and the Middle East, C'mon Tigre give rise to a personal language, made up of mixtures with jazz, Afrojazz, the rhythms of hip hop, funk, and '70s disco. All without ever confining their songs to one style, but pushing the exploration as much as possible, into a dimension that every journey worthy of this name should encompass. "With the musicians we work with the exchange and experimentation continue till the end, the songs can take different directions at any time". The result is a mixed, cosmopolitan record, which escapes from any label for the affirmation of a free attitude. The attitude that led C'mon Tigre to seek a connection with dancefloor culture, even if considered only as an evocation to revisit in an absolutely personal way. "Underground Lovers" features vocals by Mick Jenkins. Other collaborations include musicians like DRB of Drumetrics and The Tiptons Sax Quartet.

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 9: Blue Notes Part One	2LP	JAZZMAN RECORDS	JMAN 103LP
$25.50 PREORDER RELEASE DATE: 2/15/2019 Double LP; Part one of two double-LP versions. Gatefold sleeve. The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman. Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard.

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 9: Blue Notes Part Two	2LP	JAZZMAN RECORDS	JMAN 104LP
$25.50 PREORDER RELEASE DATE: 2/15/2019 Double LP; Part two of two double LP versions. Gatefold sleeve.The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman. Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.

Artist	Title	Format	Label	Catalog #
C'MON TIGRE	Racines	CD	BDC - BONANNI DEL RIO CATALOG	CT 002CD
$15.50 PREORDER RELEASE DATE: 2/15/2019 Tradition and experimentation are two familiar territories that C'mon Tigre, a duo who find their identity by working with musicians from all over the world, can balance between very well. As they did for their debut album (2014), they have put together a multicolored collective for their second record Racines. The title is a French word that means "roots", referring to the musical roots in which C'mon Tigre's feet, head and heart are immersed, and from which their contaminated tracks sprout to create unusual and original sound environments. On Racines the sounds of the Mediterranean -- the sea of their land -- intersect, intertwine, and overlap with a kaleidoscope of other sounds and a new approach based. They explain: "on the type of work we had done when we rearranged the first album for live shows, by emphasizing the synthetic part of our tracks". This time around they did it from the very beginning: "The composition of the pieces immediately included the use of machines and synthesizers as a basis for acoustic instruments. The goal was to reprocess the terrain of Mediterranean influences that was undoubtedly our starting point". Imagine a work in progress where bass and guitars interact with woodwind, synths, percussions, vibraphones, dipping the listener into a sensual and hypnotic musical journey. Sailing from the Mediterranean basin and being guided by the fascination for Africa and the Middle East, C'mon Tigre give rise to a personal language, made up of mixtures with jazz, Afrojazz, the rhythms of hip hop, funk, and '70s disco. All without ever confining their songs to one style, but pushing the exploration as much as possible, into a dimension that every journey worthy of this name should encompass. "With the musicians we work with the exchange and experimentation continue till the end, the songs can take different directions at any time". The result is a mixed, cosmopolitan record, which escapes from any label for the affirmation of a free attitude. The attitude that led C'mon Tigre to seek a connection with dancefloor culture, even if considered only as an evocation to revisit in an absolutely personal way. "Underground Lovers" features vocals by Mick Jenkins. Other collaborations include musicians like DRB of Drumetrics and The Tiptons Sax Quartet.

Artist	Title	Format	Label	Catalog #
DAVIS & JIMMY FORREST, MILES	Live At The Barrel	2LP	DOWN AT DAWN	DAD 128LP
$21.00 PREORDER RELEASE DATE: 2/1/2019 Down At Dawn present a reissue of Jimmy Forrest and Miles Davis' Live At The Barrel, originally issued in 1983 on Prestige. Recorded in the spring of 1952 at the Barrel Club in St. Louis, this is an inspired bop session of Davis and tenor sax player Forrest (then at the peak of his career). Davis and Forrest are joined here by the rhythm section of Charles Fox (piano), Johnny Mixon (bass), and Oscar Oldham (drums). This is a fine selection of standards including Dizzy Gillespie's "Night In Tunisia" and classics tunes such as "Perdido", "All The Things You Are", and "Oh Lady Be Good."

Artist	Title	Format	Label	Catalog #
SILVER QUINTET, HORACE	Doin' The Thing At The Village Gate	LP	DOWN AT DAWN	DAD 123LP
$18.00 PREORDER RELEASE DATE: 2/1/2019 Down At Dawn present a reissue of Doin' The Thing At The Village Gate, originally released in 1961. Doin' The Thing At The Village Gate consists of a 1961 live recording featuring the great pianist and composer Horace Silver and his most acclaimed quintet with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. A strong four-track live set full of soul, funk, hard bop vibes.

Artist	Title	Format	Label	Catalog #
DAVIS, MILES	WBCN Broadcast 1972: Live At Paul's Mall	LP	WAX RADIO	WLVR 006LP
$18.00 PREORDER RELEASE DATE: 2/1/2019 Miles Davis and his electric group of the early '70s is some of the most innovative and important jazz music ever set to tape. While the studio recordings are amazing, they often pale in comparison to the loose, improvisational and fiery heights that the group could reach in front of a live audience (as was captured on Live-Evil (1971), In Concert (1973), and Miles Davis At Fillmore (1970), among others). This set from September of 1972 is no exception. Recorded just prior to the release of On The Corner (1972), this stellar performance features tracks from that classic as well as Jack Johnson (1971) and Bitches Brew (1970). Featuring the great guitar work of his live band staple, Reggie Lucas, and the phenomenal saxophonist Carlos Garnett, this is early '70s electric Miles at its finest, a brilliant radio broadcast.

Artist	Title	Format	Label	Catalog #
NAKAYAMA, EIJI	Aya's Samba	LP	STUDIO MULE	STUDIOMUL 013LP
$33.00 PREORDER RELEASE DATE: 2/1/2019 Johnny's Disk record is an independent jazz label, run by the owner of jazz cafe Kaiunbashi No Johnny located in Rikuzentakata City in Iwate Prefecture, Japan. The legendary label released a string of albums of high-quality, but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as Farewell My Johnny / Left Alone (1980) and Aya's Samba (1978) have reached cult status among fans as some of the best works to come out of the Japanese jazz scene. The Japanese jazz classic, Aya's Samba, was a debut effort by bassist Eiji Nakayama, who played as part of Elvin Jones' Jazz Machine and toured with Don Friedman. This album is an important release in the Johnny's Disk catalog, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be. Aya's Samba is a mellow jazz samba in minor key that's considered a Japanese jazz classic. Slow ballad "Yellow Living" is drenched in melancholy with emotive keys and sax notes.

Artist	Title	Format	Label	Catalog #
QUEBEC, IKE	Blue & Sentimental	LP	DOWN AT DAWN	DAD 124LP
$18.00 PREORDER RELEASE DATE: 2/1/2019 Down At Dawn present a reissue of Ike Quebec's Blue & Sentimental, originally released in 1962. This is without doubt Ike Quebec's Blue Note masterpiece. The result of a 1961 recording date featuring a superb quartet including guitarist Grant Green, bass man Paul Chambers, and master drummer Philly Joe Jones. Mood and atmosphere seem to be the key words for the most of Quebec's music, while Blue & Sentimental, as the title suggests, speak volumes about the smoky late-night feeling of the whole album. The sensuous voice of Quebec's tenor sax shine through a dense sequence of blues numbers and soulful ballads.

Artist	Title	Format	Label	Catalog #
BYRD, DONALD	Fuego	LP	DOWN AT DAWN	DAD 121LP
$18.00 PREORDER RELEASE DATE: 2/1/2019 Down At Dawn present a reissue of Donald Byrd's Fuego, recorded in 1959 and released by Blue Note in 1960. Fuego features trumpeter Donald Byrd at the head of an all-star quintet with Jackie McLean on alto sax, Duke Pearson on piano, Doug Watkins on bass, and Lex Humphries on drums. A fine classic Blue Note album with the magnificent Byrd-McLean horn section driving the combo through different sound territories from a hard bop to soul jazz to post bop.

Artist	Title	Format	Label	Catalog #
ROLLINS, SONNY	Rollins Plays For Bird	LP	DOWN AT DAWN	DAD 122LP
$18.00 PREORDER RELEASE DATE: 2/1/2019 Down At Dawn present a reissue of Sonny Rollins's Rollins Plays For Bird, originally recorded and released in 1956. Recorded a year after Charlie Parker's passing, Rollins Plays For Byrd was the young Sonny's tribute to the bebop genius. For the occasion, Rollins leads a fine quintet featuring Kenny Dorham on trumpet, Wade Legge on piano, George Morrow on bass, and the great Max Roach on drums representing here the closest connection with Parker.

Artist	Title	Format	Label	Catalog #
GORDON QUARTET, DEXTER	San Francisco '82	CD	HI HAT	HH 3116CD
$17.00 PREORDER RELEASE DATE: 2/1/2019 Dexter Gordon Quartet, live from Keystone Korner, San Francisco Bay Area, December 1982. This great saxophonist's long and remarkable career saw him perform alongside Lester Young, Lionel Hampton, Charlie Parker, Louis Armstrong, John Coltrane, and many others. After a long spell in Europe, he returned to the US in 1976, and was named DownBeat's Musician of the Year in 1978 and 1980. This superb set was broadcast on KCSM in 1982, and finds him on vintage form, even throwing in some festive standards. The entire KCSM-FM set is presented here, digitally remastered, with background notes and images.

Artist	Title	Format	Label	Catalog #
REA, OONA	First Name Oona	CD	VIA VENETO JAZZ	VVJ 126CD
$18.00 PREORDER RELEASE DATE: 2/1/2019 Oona is a girl's name. It's the English version of the Irish name Úna, spelled strictly with an accent mark on the letter "u". Oona is matchless. Her voice is intimate and emotional. It glides from a velvet soft, soothing and captivating sound that first hypnotizes then freezes the listener in a startingly intense sound experience. An airy and easy-going melody that lulls and then swings you into a gentle groove you'll find hard to resist. Oona has her own rhythmic way with words and vocals, and a masterful capacity of playing with the Italian and English languages. She can write a line then change it entirely; since everything moves incessantly -- so does she. Oona is funk, jazz, bossa nova, or pop. She doesn't care what she is because she's just herself. She's acquainted with all genres and uses everything to create her own unequalled style. First Name Oona is Oona Rea's first album, with nine songs that will enchant you before you're even aware of it. Oona wrote all the lyrics herself and co-composed the music with Luigi Masciari, who created the arrangements and plays guitar. She then had the nine songs played by Alfredo Paixão who added bass lines, and Alessandro Marzi who put in drums. Occasionally, Danilo Rea went to listen to them at the studio where he added his masterful piano flourishes. First Name Oona is a subtle album, like a languid warmth it rushes through your veins and reverberates through your body, insisting and demanding that you listen to it yet once more.

Artist	Title	Format	Label	Catalog #
HOLIDAY/BUDDY DEFRANCO QUARTET, BILLIE	Live In Cologne 1954	BLU-RAY AUDIO	JAZZLINE/PÖ	N 80014BR
$14.50 PREORDER RELEASE DATE: 1/18/2019 Blu-Ray Audio version. Region free. Original master concert recording from January 22nd, 1954 in Cologne, recorded at the trade fair area Kölner Messe, Halle V, West Germany. Previously unreleased, respectively released for the first time in 2014 -- a release in the WDR The Cologne Broadcasts series. Credits and liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Both, Billie Holiday and the Buddy DeFranco Quartet, were part of the package tour entitled Jazz Club USA to perform in Scandinavia, the Netherlands, France, Switzerland, and Germany in January 1954. It was Billie Holiday's first European tour and the story goes that the star was badly beaten up by her husband the night before the Cologne show and had Billie Holiday to appear on stage wearing dark sunglasses. Personnel for Billie Holiday: Billie Holiday - vocals; Carl Drinkard - piano; Red Mitchell - bass; Elaine Leighton - drums; Personnel for the Buddy DeFranco Quartett: Buddy DeFranco - clarinet; Sonny Clark - piano; Gene Wright - bass; Bobby White - drums. Executive producer - Franz-Josef Schwarz. Mastered by John Cremer.

Artist	Title	Format	Label	Catalog #
HOLIDAY, BILLIE	Lady Day	LP	DOWN AT DAWN	DAD 117LP
$18.00 PREORDER RELEASE DATE: 1/18/2019 Down At Dawn presents a reissue of Billie Holiday's Lady Day, originally issued in 1954. Based on a very accurate selection from different recordings from the golden era 1935-1937, Lady Day consists of a gorgeous collection of classic performances by Holiday accompanied by a stellar cast of jazz greats such as Lester Young, Teddy Wilson, Benny Goodman and the great Count Basie's rhythm section with Freddie Green, Walter Page and Jo Jones.

Artist	Title	Format	Label	Catalog #
HIORTHOY & RUNE KRISTOFFERSEN, KIM	Let's Put It To Music: 20 Years Of Rune Grammofon	7"/Book	RUNE GRAMMOFON	RBK 2200BK
$52.00 PREORDER RELEASE DATE: 1/18/2019 After having borrowed lines from Jimi Hendrix and English poets for all previous anniversary releases, Rune Grammofon struck out for this one until Kim Hiorthøy, well after the deadline, accidentally stumbled over Johnny Cash and Forever Words: The Unknown Poems (2016). Let's Put It To Music quite nails it when it comes to the basic idea of the book and how the label approach the whole process of making a record. As Tim Gane is quoted in Adrian Shaughnessy's introduction "a Stereolab* record was never finished until the cover was done". That rings true for Rune Grammofon as well, and they would like to add that a sleeve is never designed for the sole purpose of selling a product (it took 28 releases before an artist was pictured on the sleeve), or necessarily reflect the music in any way, but rather to establish a suggestive relation between the two, often based on the album title or a song title, but not in an obvious way. After some 200 releases, Kim has never "explained" a sleeve design, and Rune can't remember ever asking him. But it's hard to recall another label that has worked with one designer exclusively for 20 years and 200 releases. The exclusivity was a premise for the collaboration from the very beginning, but Rune certainly never had any expectations about how long the label would be able to keep it going. Especially when considering that Kim is occupied on a number of arenas; as photographer, filmmaker, illustrator, painter, writer, musician, dancer, and choreographer. As one will discover, the book is far from being a catalog lining up the releases (it's not even "complete" or chronological in that sense), but gives an interesting insight by also including sketches, rejected designs, and unused ideas that never left the drawing board... until now. Lists are a source of controversy, as Hedvig Mollestad* discusses rather well in her text. The idea of including a 7" single also came late, and would depend on getting at last one track really quick. To Rune Grammofon's delight, they miraculously ended up with what is surely three of the most beautiful tracks in their catalog, and all exclusive for this release, featuring Fire! Orchestra, Maja S. K. Ratkje, and The Last Hurrah!! with Nora Zheng. Introductions by David Fricke and Adrian Shaughnessy. 224 pages.

Artist	Title	Format	Label	Catalog #
GORDON, DEXTER	A Swingin' Affair	LP	DOWN AT DAWN	DAD 114LP
$18.00 PREORDER RELEASE DATE: 1/18/2019 Down At Dawn presents a reissue of Dexter Gordon's A Swingin' Affair, originally issued in 1962. "Swingin'" is the key word for this great 1962 recording session with the Gordon's tenor saxophone, leading an all-star quartet including Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums). The album opens with the infectious, Afro-Cuban groove of "Soy Califa", featuring the unique Higgins beat, and develops through some high class renditions of romantic standards such as "Don't Explain" and "You Stepped Out Of A Dream", plus the dynamic Latin rhythm of Warren's "Backbone".

Artist	Title	Format	Label	Catalog #
COLTRANE, JOHN	1960 Dusseldorf	LP	JAZZLINE/PÖ	N 78002LP
$21.00 PREORDER RELEASE DATE: 1/18/2019 LP version. 180 gram vinyl; Gatefold sleeve. Original master concert recording from March 28th, 1960 in the city of Düsseldorf, Germany, recorded at the Apollo Theater, a theater which was converted into a TV studio by WDR. Previously unreleased, respectively released for the first time in 2010 -- a release in the WDR The Cologne Broadcasts series. Personnel: John Coltrane - tenor saxophone; Paul Chambers - bass; Jimmy Cobb - drums; Wynton Kelly - piano; Stan Getz - tenor saxophone; Oscar Peterson - piano. Credits and liner notes by journalist and radio host Karsten Mützelfeldt, in English and German. Executive producer - Franz-Josef Schwarz; Mastered by Thomas Sehringer.

Artist	Title	Format	Label	Catalog #
PETERSON TRIO, OSCAR	1961 Cologne Gurzenich Concert Hall	CD	JAZZLINE/PÖ	N 77004CD
$14.50 PREORDER RELEASE DATE: 1/18/2019 The Oscar Peterson Trio's 1961 Cologne Gurzenich Concert Hall presents an original master concert recording from the 11th of April 1961, performed in Cologne, Germany at the Gürzenich Concert Hall. Previously unreleased, until 2010, as a release in the WDR: The Cologne Broadcasts series, Jazzline presents it here with composer credits and liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Many experts believe the trio of Oscar Peterson, with bassist Ray Brown and drummer Ed Thigpen was the pianist's best group; it existed for six years between 1959 and 1965. The concert itself was part of the Konzert Für Die Jugend series, part of activity on the part of WDR to introduce selected artists to German adolescents. The other group performing that day was the Orchester Kurt Edelhagen, and the idea was to create a lasting enthusiasm among young people and to foster future jazz aficionados. Mastered by Thomas Sehringer at WDR Studio TBR 91. In slipcase with eight page booklet.

Artist	Title	Format	Label	Catalog #
FITZGERALD, ELLA	Ella Wishes You A Swinging Christmas	LP	RUMBLE RECORDS	RUM 2011147LP
$20.00 IN STOCK Rumble Records present a reissue of Ella Fitzgerald's Ella Wishes You A Swinging Christmas. Ella's 1960 Christmas album is a sultry, swinging holiday classic. Originally released on Verve and her only full-length Christmas album for the label, it features arrangements by the great Frank DeVol who worked with a who's who of '50s/'60s pop and jazz vocalists from Nat King Cole and Sarah Vaughan to Tony Bennett and Dinah Shore. This is a beautiful collection from one of jazz music's finest all-time vocalists. Perfect for that swinging holiday party!

Artist	Title	Format	Label	Catalog #
COLTRANE, JOHN	1960 Dusseldorf	BLU-RAY AUDIO	JAZZLINE/PÖ	N 80009BR
$14.50 PREORDER RELEASE DATE: 1/18/2019 Blu-Ray Audio version. Region free. Original master concert recording from March 28th, 1960 in the city of Düsseldorf, Germany, recorded at the Apollo Theater, a theater which was converted into a TV studio by WDR. Previously unreleased, respectively released for the first time in 2010 -- a release in the WDR The Cologne Broadcasts series. Personnel: John Coltrane - tenor saxophone; Paul Chambers - bass; Jimmy Cobb - drums; Wynton Kelly - piano; Stan Getz - tenor saxophone; Oscar Peterson - piano. Credits and liner notes by journalist and radio host Karsten Mützelfeldt, in English and German. Executive producer - Franz-Josef Schwarz; Mastered by Thomas Sehringer.

Artist	Title	Format	Label	Catalog #
HOLIDAY/BUDDY DEFRANCO QUARTET, BILLIE	Live In Cologne 1954	2LP	JAZZLINE/PÖ	N 78015LP
$26.50 PREORDER RELEASE DATE: 1/18/2019 Double LP version. 180 gram vinyl; Gatefold sleeve. Original master concert recording from January 22nd, 1954 in Cologne, recorded at the trade fair area Kölner Messe, Halle V, West Germany. Previously unreleased, respectively released for the first time in 2014 -- a release in the WDR The Cologne Broadcasts series. Credits and liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Both, Billie Holiday and the Buddy DeFranco Quartet, were part of the package tour entitled Jazz Club USA to perform in Scandinavia, the Netherlands, France, Switzerland, and Germany in January 1954. It was Billie Holiday's first European tour and the story goes that the star was badly beaten up by her husband the night before the Cologne show and had Billie Holiday to appear on stage wearing dark sunglasses. Personnel for Billie Holiday: Billie Holiday - vocals; Carl Drinkard - piano; Red Mitchell - bass; Elaine Leighton - drums; Personnel for the Buddy DeFranco Quartett: Buddy DeFranco - clarinet; Sonny Clark - piano; Gene Wright - bass; Bobby White - drums. Executive producer - Franz-Josef Schwarz. Mastered by John Cremer.

Artist	Title	Format	Label	Catalog #
HOLIDAY/BUDDY DEFRANCO QUARTET, BILLIE	Live In Cologne 1954	CD	JAZZLINE/PÖ	N 77015CD
$14.50 PREORDER RELEASE DATE: 1/18/2019 Original master concert recording from January 22nd, 1954 in Cologne, recorded at the trade fair area Kölner Messe, Halle V, West Germany. Previously unreleased, respectively released for the first time in 2014 -- a release in the WDR The Cologne Broadcasts series. Credits and liner notes by journalist and radio host Karsten Mützelfeldt in English and German. Both, Billie Holiday and the Buddy DeFranco Quartet, were part of the package tour entitled Jazz Club USA to perform in Scandinavia, the Netherlands, France, Switzerland, and Germany in January 1954. It was Billie Holiday's first European tour and the story goes that the star was badly beaten up by her husband the night before the Cologne show and had Billie Holiday to appear on stage wearing dark sunglasses. Personnel for Billie Holiday: Billie Holiday - vocals; Carl Drinkard - piano; Red Mitchell - bass; Elaine Leighton - drums; Personnel for the Buddy DeFranco Quartett: Buddy DeFranco - clarinet; Sonny Clark - piano; Gene Wright - bass; Bobby White - drums. Executive producer - Franz-Josef Schwarz. Mastered by John Cremer.

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