Search Result for Genre JAZZ
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HH 144CD
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$13.50
PREORDER
RELEASE DATE: 3/17/2023
Hush Hush Records present a bold new exploration within their cinematic, atmospheric, and genre-free sonic universe with Open, a collaborative album between veteran Finnish musicians Tapani Rinne and Juha Mäki-Patola. An organic melding of each musician's distinctive style that yields their own unique shared language, Open reveals a cohesive meditative thread through ambient, jazz, and neo-classical music, paving the way for a refreshingly cool and sophisticated Nordic sound. Tapani and Juha were strangers prior to connecting online in February, yet they've both been active players within the Finnish music community for decades. Tapani's illustrious career as a saxophonist, clarinetist, and composer has been an evolving path of collaborative works, solo releases, and an array of commissioned work dating back to the mid-1980s. He was featured prominently on legendary Finnish jazz drummer/composer Edward Vesala's critically acclaimed 1987 album Lumi for ECM Records, and the following year he co-founded RinneRadio, a pioneering Finnish outfit that forged a thrilling experimental intersection between jazz and techno. Open was written quickly during a three-month creative burst in early 2021. Working remotely from their respective home studios in Helsinki, the two artists eagerly traded ideas back-and-forth to find a warm, immersive, and transportive shared sonic vision. Tapani's rich saxophone and clarinet melodies blend seamlessly into Juha's complementary guitar, piano, organ, and synthesizer compositions. Sometimes Tapani's contributions joyfully dance around in the foreground, elsewhere they provide a deep, subtle, cavernous accompaniment to Juha's lush arrangements. Opening track "Brevity" introduces their combined palette in welcoming fashion, Tapani's dueling melodies interweaving gently within Juha's twinkling minimal foundation before swelling alongside additional layers of piano. Lead single "Open Pt. 1" provides the album's most upfront and immediate moment, Tapani's exploratory saxophone melodies dominating the spotlight to glide atop a meditative piano motif. Penultimate track "Fall" serves as another early single off the album, its undulating pulse finding beauty in its restraint and spotlighting the duo's atmospheric strengths. "Hover" eases the listener towards a gracious finale, Tapani and Juha having a playful dialogue with rich organ chords laying the groundwork for Tapani's whimsical saxophone. Stylistically reminiscent of Floating Points and Pharaoh Sanders's instant 2021 classic Promises, Open distinguishes itself with an expansive and contemplative aesthetic informed by Finland's icy climate and long winters, as well as the atmospheric nature of the Nordic experimental jazz scene.
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LP
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HH 144LP
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$26.00
PREORDER
RELEASE DATE: 3/17/2023
LP version. Hush Hush Records present a bold new exploration within their cinematic, atmospheric, and genre-free sonic universe with Open, a collaborative album between veteran Finnish musicians Tapani Rinne and Juha Mäki-Patola. An organic melding of each musician's distinctive style that yields their own unique shared language, Open reveals a cohesive meditative thread through ambient, jazz, and neo-classical music, paving the way for a refreshingly cool and sophisticated Nordic sound. Tapani and Juha were strangers prior to connecting online in February, yet they've both been active players within the Finnish music community for decades. Tapani's illustrious career as a saxophonist, clarinetist, and composer has been an evolving path of collaborative works, solo releases, and an array of commissioned work dating back to the mid-1980s. He was featured prominently on legendary Finnish jazz drummer/composer Edward Vesala's critically acclaimed 1987 album Lumi for ECM Records, and the following year he co-founded RinneRadio, a pioneering Finnish outfit that forged a thrilling experimental intersection between jazz and techno. Open was written quickly during a three-month creative burst in early 2021. Working remotely from their respective home studios in Helsinki, the two artists eagerly traded ideas back-and-forth to find a warm, immersive, and transportive shared sonic vision. Tapani's rich saxophone and clarinet melodies blend seamlessly into Juha's complementary guitar, piano, organ, and synthesizer compositions. Sometimes Tapani's contributions joyfully dance around in the foreground, elsewhere they provide a deep, subtle, cavernous accompaniment to Juha's lush arrangements. Opening track "Brevity" introduces their combined palette in welcoming fashion, Tapani's dueling melodies interweaving gently within Juha's twinkling minimal foundation before swelling alongside additional layers of piano. Lead single "Open Pt. 1" provides the album's most upfront and immediate moment, Tapani's exploratory saxophone melodies dominating the spotlight to glide atop a meditative piano motif. Penultimate track "Fall" serves as another early single off the album, its undulating pulse finding beauty in its restraint and spotlighting the duo's atmospheric strengths. "Hover" eases the listener towards a gracious finale, Tapani and Juha having a playful dialogue with rich organ chords laying the groundwork for Tapani's whimsical saxophone. Stylistically reminiscent of Floating Points and Pharaoh Sanders's instant 2021 classic Promises, Open distinguishes itself with an expansive and contemplative aesthetic informed by Finland's icy climate and long winters, as well as the atmospheric nature of the Nordic experimental jazz scene.
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SVVRCH 042LP
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$20.50
PREORDER
RELEASE DATE: 3/3/2023
Reissue, originally released in 1962. The gifted Puerto Rican-American drummer and percussionist Willie Bobo was one of the architects of Latin jazz. Following mentorship from Machito and Mongo Santamaria, Bobo played with Tito Puente, Cal Tjader, and Herbie Mann, before going solo. Bobo's Beat is a sure-fire winner from 1962 with excellent support from trumpeter Clark Terry, saxophonist Joe Farrell, and keyboardist Frank Anderson, a fully three-dimensional set with fine jazz nuances. It shows that Bobo never accepted less than the best from his counterparts, and there are some bossa nova covers mixed in with the driving Latin originals too. An essential work! Includes two bonus tracks.
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SIR 021LP
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$35.50
PREORDER
RELEASE DATE: 3/3/2023
2023 repress. 2021 release. Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D'Silva produced some of the most adventurous and sophisticated recordings within the canon of "Indo-jazz", a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An experiment which reached a pinnacle in 1972 with D'Silva's seminal recording Dream Sequence by Cosmic Eye, an adventurous fusion of modal jazz and Indian classical music viewed through the psychedelic lens of swinging London. Exotic third-stream jazz conceived by a visionary composer whose virtuosic technique and deeply emotive guitar playing defined his two earlier and now legendary 1969 UK jazz albums Integration and Hum Dono with Joe Harriott, both recorded for the much-celebrated Lansdowne label. Also recorded in 1972, although not released at the time, was Konkan Dance, an unofficial sequel to Dream Sequence that further explored the unchartered possibilities of an Indian music-jazz fusion. Featuring many of the same personnel, this session also included support from Don Rendell and Alan Branscombe, two giants of the UK jazz scene who add serious credentials to D'Silva's singular and intimate compositions. For reasons unknown the album was cancelled by Lansdowne at the time and never saw the light of day until being resurrected again in the 2000s. The Roundtable showcase this important artist and present a new addition of this incredible and almost forgotten piece of the Amancio D'Silva story. Includes liner notes and rare photos. Custom 1960s-style flip-back sleeve; 180 gram vinyl.
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LP
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SIR 023LP
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$35.50
PREORDER
RELEASE DATE: 3/3/2023
2023 repress. 2022 release. It is widely accepted that the recorded musical output of Indian-born British guitarist Amancio D'Silva came to a premature closure with the landmark 1972 albums, Cosmic Eye and the unreleased masterpiece Konkan Dance. The Roundtable are here to prove otherwise, announcing the discovery of an extraordinary lost recording. Forty years after it was recorded, the label present Sapana, the forgotten piece of a remarkable musical legacy, the final recording from one the most singular artists to emerge from the British Jazz scene of the 1960s/'70s. Recorded in 1983 and released here for the first time, Sapana is thematically akin to Cosmic Eye, a further musical exploration into the subconscious (Dream Sequences) imagined with traditional Hindustani and western improvisation. A spellbinding fusion of Indian raga and new-age jazz. Celebrated as a pioneer of the "Indo-jazz" movement of the 1960s, D'Silva's adventurous synthesis of modal jazz and Indian classical music defined the seminal 1969 Lansdowne jazz recordings Hum Dono and Integration. Here you find D'Silva fifteen years later, removed from the jazz scene, and musically in place of deep introspection and meditative tranquility. The recording features sitarist Clem Alford, a collaborator from the Konkan Dance sessions, plus renowned tabla player, Jahlib Millar, and saxophonist/flautist Lyn Dobson, a musician who had previously worked with Soft Machine, Third Ear Band, and Henry Lowther. Together the quartet produce deeply evocative music which transcends the realms of both jazz and Indian music. Includes liner notes by renowned jazz writer Francis Gooding. Custom flip-back sleeve; 180 gram vinyl.
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LP
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MOV 3119LP
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$37.00
PREORDER
RELEASE DATE: 2/24/2023
Black vinyl. "American trumpeter Chet Baker was a major innovator in cool jazz, leading him to be nicknamed 'the prince of cool'. He earned much attention and praise through the fifties, particularly for albums featuring his vocals. This included his 1954 album Chet Baker Sings and its follow-up Chet Baker Sings Again in 1985. The latter he released on the Dutch jazz label Timeless Records. He recorded the album with bassist Ricardo Del Fra, drummer John Engels and pianist Michel Graillier. Chet Baker Sings Again is available on black vinyl."
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LP
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MAR 071LP
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$35.50
PREORDER
RELEASE DATE: 2/24/2023
Reissue, originally released in 1974. Obscure and rare album of spacey fusion grooves, played by a group that includes Robert Rockwell on reeds, plus Bobby Lyle on piano and electric piano. Lyle's presence gives the album a nice groove. Bob Rockwell, born in Miami, Oklahoma, is an American jazz saxophonist who emigrated to Denmark in 1983 and has lived ever since. 180-gram black vinyl; hardcover sleeve with OBI strip.
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2LP
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MOV 3289COL-LP
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$46.00
PREORDER
RELEASE DATE: 2/24/2023
"The double-LP Great Moments With documents the music of Pharoah Sanders from 1983 to 1990, showcasing both the raw energy and tender nature of his music. It contains 12 of his recordings, including 'Africa', 'Naima', 'You've Got To Have Freedom' and also the previously unreleased version of 'Central Park West'. Featured guest musicians are John Hicks, Idris Muhammad, Curtis Lundy, Benny Golson, Cedar Walton, Ron Carter and more jazz masters. For this compilation, Bret Primack has written new liner notes and Timeless Records founders Ria and Wim Wigt here share additional great moments from Sanders's sublime work. Great Moments With is available as a limited edition of 1500 individually numbered copies on translucent blue color vinyl, housed in a gatefold sleeve."
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FFL 078LP
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Reissue, originally released in 1971. Solaire, Siegfried Kessler, that is the least you can say! Aged four: learns piano. Aged six: his first concert. After this: studies classical music like everyone else... until the jazz of Jack Diéval and Stan Kenton turned everything upside down. So, it was goodbye to Bach... And hello to Dexter Gordon, Joe Henderson, Ted Curson, and Archie Shepp (who he would accompany over a long period). In 1969, with Yochk'o Seffer, Didier Levallet, and Jean-My Truong, he formed a group which would mark history and create a sensation: Perception. If French free jazz exists, its thanks to Kessler (and company). The following year, the pianist recorded his first album: Live at the Gill's Club. On this one-night concert date can also be heard Barre Phillips and Steve McCall. But it was in 1971 that Kessler would record his greatest album; still in a trio setting, but this time with bassist Gus Nemeth and percussionist Stu Martin: Solaire. Five tracks of extraordinary music, moving back and forth between modal jazz and contemporary music. Let's begin at the end, with the title track "Solaire", on which Kessler plays a melody on flute and piano which resists all onslaughts. It sends out powerful waves, Kessler's jazz, bubbling like hot oil ("Persécution", "Drum"), shaking modal jazz to its roots ("De l'Orient à Orion") or upsetting the memory of a cantata ("Bach Hcab"). The piano is an instrument which can provide a tendency towards, demonstrative technique; with Kessler, it is something else: a joyful persecution. Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Licensed from Futura. 180 gram vinyl.
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CD
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ESPDISK 5081CD
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$15.00
PREORDER
RELEASE DATE: 2/24/2023
Bára Gísladóttir is an Icelandic composer and double bassist based in Copenhagen. She is an active performer and regularly plays her own music, mostly solo or with her long-time collaborator Skúli Sverrisson. Additionally, she is the double bassist of Elja Ensemble. Occasionally, she performs as a soloist with ensembles or orchestras, most recently in her own double bass concert, "Hringla," with the Copenhagen Philharmonic. Every sound on SILVA is of the double bass, processed to various degrees (with MAX/Live) and layered into a mass of noise. Gísladóttir describes SILVA as "a work for processed double bass built on the idea of a downward growing forest, living its own secret life of underground raves and meditative cohesiveness." She continues: "I like to think of different movement and direction in the musical form and was intrigued by the thought of something that would otherwise naturally grow upwards, in reach for light and surrounded by air, rather being drawn in the opposite direction where darkness and solid form serve as the source of gleaming luminosity and breezy surroundings. Both in my compositional and instrumentalist work, in every nook and cranny I've been driven to dig as deep as I've been able, with SILVA perhaps quite literally so. Although growing up in classical music and predominantly working and living in an environment of classical contemporary/avant-garde music, I've been very much into other genres as well; alternative, experimental, heavy metal, noise, drone, techno, and electronica, and I believe SILVA is the byproduct of all of that." SILVA is a joint release by Sono Luminus and ESP Disk'. Personnel: Bára Gísladóttir - double bass, effects, composition.
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2LP
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AMEL 724LP
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$25.00
PREORDER
RELEASE DATE: 2/24/2023
Samuel Rohrer's newest solo album, Codes of Nature, shows the artist making yet more refinements and additions to an already rich catalog of musical ideas. Though he has excelled in collaborative projects with Ambiq, Ricardo Villalobos, Max Loderbauer, Tobias Freund, Dark Star Safari, Nils Petter Molvaer, Oren Ambarchi, and many others, it is fascinating to experience him also working in a field completely his own, yet managing to still give the impression of being fully integrated or connected with a larger musical universe. A strange, intriguing ambiguity between the specific and the universal is indeed what makes Rohrer's music worth playing on a loop -- the cool, downtempo, yet energized constructions on Codes are powered by subtle atmospheric and tonal changes, and work like a camouflage adaptable to any environment. This is a record whose strength derives from its versatility. It's clear that this versatility of sounds has been inspired by a commitment to positive differentiation that is not just a musical one, and that's where this work will inspire others in turn. Personnel: Samuel Rohrer - drums, percussion, electronics, keys, modular synths; Music produced, recorded, and mixed by Samuel Rohrer.
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CD
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CONICROSE 001CD
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$13.50
PREORDER
RELEASE DATE: 2/17/2023
Heller Tag is the debut album of Berlin-based jazz collective Conic Rose. The young musicians come from the most diverse musical backgrounds: their other projects include names such as arena-filling German pop stars Clueso or Samy Deluxe, but also jazz legends such as Michael Wollny or Joy Denalane. What connects them is their love to explore, create, redefine, and effortlessly move between abstraction and accessibility, high quality sound, and the beauty of the imperfect -- interweaving electronic elements, cinematic jazz, vibey soundscapes, and hints of art rock with eclectic, zeitgeisty influences. Their releases so far as well as the few shows they played on the back of their debut EP (2020) exceeded all expectations, attracting the attention of industry professionals all the way from the UK or USA. All songs are written, recorded, and produced by Conic Rose in their own recording studio in the Wedding neighborhood of Berlin.
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LP
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CONICROSE 001LP
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$26.00
PREORDER
RELEASE DATE: 2/17/2023
LP version. Heller Tag is the debut album of Berlin-based jazz collective Conic Rose. The young musicians come from the most diverse musical backgrounds: their other projects include names such as arena-filling German pop stars Clueso or Samy Deluxe, but also jazz legends such as Michael Wollny or Joy Denalane. What connects them is their love to explore, create, redefine, and effortlessly move between abstraction and accessibility, high quality sound, and the beauty of the imperfect -- interweaving electronic elements, cinematic jazz, vibey soundscapes, and hints of art rock with eclectic, zeitgeisty influences. Their releases so far as well as the few shows they played on the back of their debut EP (2020) exceeded all expectations, attracting the attention of industry professionals all the way from the UK or USA. All songs are written, recorded, and produced by Conic Rose in their own recording studio in the Wedding neighborhood of Berlin.
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LP
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HOL 133LP
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Reissue, originally released in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic music, and spiritual jazz, Pygmy Unit's Signals From Earth -- originally self-released by the band in 1974 -- forges a singular and almost entirely unknown path, and stands almost entirely on its own in the history of west coast American jazz. First appearing on the San Francisco scene sometime during the early 1970s, almost nothing is known about the Pygmy Unit, a seven-piece band steered by Darrel De Vore, who contributed flute, bass, percussion, piano, and vocals to the band's lone LP, first appeared with percussionist Terry Wilson within the psychedelic folk rock band, The Charlatans, who belonged to the legendary Family Dog scene. Jim Pepper, a Native American tenor saxophonist known for being a member of the Mal Waldron Quartet, played with Charlie Haden, Don Cherry, and numerous others, and produced the cult favorite, Pepper's Pow Wow, for Embryo Records in 1971. John Celona, who contributes parts on sax, synthesizer, and percussion, would later go on to be regarded as an electronic composer of some note. Of the remaining members, saxophonist Frank Albright, bassoonist Ron Grunn, and percussionist Marvin Kirkland, very little else is known. It seems this LP is more or less all they recorded. While undeniably jazz -- riding a remarkable line between avant-garde electronic music, spiritual jazz, and free improvisation -- the band was very much a product of the diverse creative ferment that developed in their hometown of San Francisco during the 1960s. Embodying the raw spirit of DIY (many of the instruments used in the recordings were made by DeVore himself, self-described as an "itinerant flute-maker") the ensemble channels references -- via passages of chanting and percussion, as well as conceptual underpinnings -- from Jim Pepper's Native American roots, intuiting them with the soulfulness of spiritual jazz, wild moments of avant-gardism centered around synths and electronic effects, and explosions of wild free improvisation. "Development of new music is a continuous path that grows directionally according to psychoacoustical phenomena available for unification. This record is evidence of that development, containing 12 performance pieces, at 12 separate times in different acoustical spaces with various combinations of musicians and instrumentation. The music is shaped by signals, received and sent by life forms on this planet. It is unwritten, unrehearsed, utilizing new and traditional approaches to energy, motion, and form. Eventually, music develops as a natural extension of the environment in which it exists. It is the aim of the traditions... to signal the universe from the Earth." Includes two booklets/replicas of original DeVore's publications; edition of 500.
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FFL 076CD
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$13.50
PREORDER
RELEASE DATE: 2/17/2023
First ever reissue. Paris, 1965. Pianist François Tusques laid the foundation stone of French-style free jazz with his first, soberly titled, album Free Jazz. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles Saudrais, and François Jeanneau) all of whom honed their skills at the beginning of the decade in Jef Gilson's groups, although he was none too fond of the turbulent new face of jazz at the time. Ten years later, Jef Gilson had obviously changed his tune, as the label Palm that he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneau and Une Bien Curieuse Planète. His first album as leader (after briefly erring into pop with Triangle) was recorded in 1975, a few months after Watch Devil Go (FFL 071CD/LP) by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clark on bass and percussions, Lubat replacing Thollot on drums, and Michel Grailler (plucked out of Magma) was called in as a reinforcement for his completely "out of space" synthesizer sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde. From 1960 to nowadays, from Georges Arvanitas to Laetitia Shériff, from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to play with François Jeanneau at some point. There is a good reason for this. The saxophonist is a formidable improviser, but also a solid composer, as he demonstrates on this record with, for example, the monumental "Droit d'Asile", the spooky "Theme For An Unknown Island" or the Coltranesque "Mr J.C. For Ever". Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Licensed from Palm / Geneviève Quievreux.
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SDBANU 028CD
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$13.50
PREORDER
RELEASE DATE: 2/17/2023
Stellar Legions is four experienced space cadets from the Antwerp interstellar legion, led by Captain Andrew Claes (STUFF., BRZZVLL, Internal Sun). With a sound rooted in jazz, improv, hip-hop, dub, and electronic music, brace yourself for an intergalactic trip through colorful musical worlds and allow yourself to be carried away to indefinable, otherworldly but always hospitable beacons. Alongside Claes, the delegates on duty are all heroes from the Allied star: Bram Weijters (Raymond Van Het Groenewoud, Crazy Men), Klaas De Somer (Tourist Lemc, Selah Sue), and Fre Madou (ex-DAAU, Namid). With them, come stories and artifacts from the multidimensional cosmos to our beloved mother planet Earth and they passionately present their first omnibus Stellar Legions via the groove-obsessed Sdban Ultra label. The album consists of eight tracks recorded in the studio and live, resulting in one big cosmic experience that exhilarates down to every last arrangement. From Claes's twisted sax on the semi-electronic ecstatic dream world that is an "An Arp in Tunisia" to the jazzy snatches of "Wessel" where De Somer's hurried drum patterns and Weijters's frenzied keyboard solos catch light, Stellar Legions unites the adventure and improvisation of jazz with contemporary sounds. At the core of the Stellar Legions sound is a rhythm section Sly & Robbie would have approved of: loose and sticky, grinding and unwinding: De Somer's drums fizz with expectation while the relentless bass strokes from Madou provide the beating pulse. It's fresh, it's raw and it keeps us listening, grooving and wanting more. Elsewhere, "Odyssey" is a cataclysmic mix of feverish sounds and melodies that take you to an extra-terrestrial place, while the live recording of "Alcyone", basks in a spatial mix of futuristic grooves and ethereal soundscapes before album closer "Covix", results in a spacious and wonderfully atmospheric affair. Electronics wizard Andrew Claes has recorded music in a wide range of styles ranging from free jazz outfit Chaos of the Haunted Spire (duo with Teun Verbruggen) to techno icon Marco Bailey and new wave hero, Marcel Vanthilt. In addition, he has collaborated with Zach Danziger, Zap Mama, Brussels Jazz Orchestra, Hermes Ensemble, Mauro Pawlowski, Josse De Pauw, and many others and released music with the electro-jazz collective AAN/EOP and his solo project, Internal Sun. Claes is also a teacher of "Live Electronics" at the Conservatory of Antwerp and a doctorate in the arts, where he is currently investigating the possibilities of an electro-acoustic saxophone. He also regularly gives workshops on the Belgian synthesizer microcontroller platform, Axoloti.
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SDBANU 028LP
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LP version. Stellar Legions is four experienced space cadets from the Antwerp interstellar legion, led by Captain Andrew Claes (STUFF., BRZZVLL, Internal Sun). With a sound rooted in jazz, improv, hip-hop, dub, and electronic music, brace yourself for an intergalactic trip through colorful musical worlds and allow yourself to be carried away to indefinable, otherworldly but always hospitable beacons. Alongside Claes, the delegates on duty are all heroes from the Allied star: Bram Weijters (Raymond Van Het Groenewoud, Crazy Men), Klaas De Somer (Tourist Lemc, Selah Sue), and Fre Madou (ex-DAAU, Namid). With them, come stories and artifacts from the multidimensional cosmos to our beloved mother planet Earth and they passionately present their first omnibus Stellar Legions via the groove-obsessed Sdban Ultra label. The album consists of eight tracks recorded in the studio and live, resulting in one big cosmic experience that exhilarates down to every last arrangement. From Claes's twisted sax on the semi-electronic ecstatic dream world that is an "An Arp in Tunisia" to the jazzy snatches of "Wessel" where De Somer's hurried drum patterns and Weijters's frenzied keyboard solos catch light, Stellar Legions unites the adventure and improvisation of jazz with contemporary sounds. At the core of the Stellar Legions sound is a rhythm section Sly & Robbie would have approved of: loose and sticky, grinding and unwinding: De Somer's drums fizz with expectation while the relentless bass strokes from Madou provide the beating pulse. It's fresh, it's raw and it keeps us listening, grooving and wanting more. Elsewhere, "Odyssey" is a cataclysmic mix of feverish sounds and melodies that take you to an extra-terrestrial place, while the live recording of "Alcyone", basks in a spatial mix of futuristic grooves and ethereal soundscapes before album closer "Covix", results in a spacious and wonderfully atmospheric affair. Electronics wizard Andrew Claes has recorded music in a wide range of styles ranging from free jazz outfit Chaos of the Haunted Spire (duo with Teun Verbruggen) to techno icon Marco Bailey and new wave hero, Marcel Vanthilt. In addition, he has collaborated with Zach Danziger, Zap Mama, Brussels Jazz Orchestra, Hermes Ensemble, Mauro Pawlowski, Josse De Pauw, and many others and released music with the electro-jazz collective AAN/EOP and his solo project, Internal Sun. Claes is also a teacher of "Live Electronics" at the Conservatory of Antwerp and a doctorate in the arts, where he is currently investigating the possibilities of an electro-acoustic saxophone. He also regularly gives workshops on the Belgian synthesizer microcontroller platform, Axoloti.
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FFL 076LP
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LP version. 180 gram vinyl. First ever reissue. Paris, 1965. Pianist François Tusques laid the foundation stone of French-style free jazz with his first, soberly titled, album Free Jazz. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles Saudrais, and François Jeanneau) all of whom honed their skills at the beginning of the decade in Jef Gilson's groups, although he was none too fond of the turbulent new face of jazz at the time. Ten years later, Jef Gilson had obviously changed his tune, as the label Palm that he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneau and Une Bien Curieuse Planète. His first album as leader (after briefly erring into pop with Triangle) was recorded in 1975, a few months after Watch Devil Go (FFL 071CD/LP) by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clark on bass and percussions, Lubat replacing Thollot on drums, and Michel Grailler (plucked out of Magma) was called in as a reinforcement for his completely "out of space" synthesizer sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde. From 1960 to nowadays, from Georges Arvanitas to Laetitia Shériff, from Manu Dibango to "Mama" Béa Tékielski, everyone has wanted to play with François Jeanneau at some point. There is a good reason for this. The saxophonist is a formidable improviser, but also a solid composer, as he demonstrates on this record with, for example, the monumental "Droit d'Asile", the spooky "Theme For An Unknown Island" or the Coltranesque "Mr J.C. For Ever". Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Licensed from Palm / Geneviève Quievreux.
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SDBANU 030CD
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$14.50
PREORDER
RELEASE DATE: 2/17/2023
Hailing from Brussels, Bandler Ching is a creation of musical ideas from composer and saxophonist Ambroos De Schepper (Kosmo Sound, Azmari, Mos Ensemble). Flawlessly blending contemporary jazz, electronics, trap, hip-hop, and global beats, the sound is based around the freedom of expression and improvisation and performed with astounding conviction. With the help of Alan Van Rompuy (Azertyklavierwerke), Federico Pecoraro (ECHT!), and Olivier Penu (Kel Assouf), the four idiosyncratic artists come together to express their musical identity to dazzling effect. After a period of exploration, the quartet release their debut album Coaxial via the groove-obsessed Sdban Ultra label. A hypnotic trip through each band members' musical fantasies, the band have their roots in jazz. "We start from jazz and we give it our own attitude with improvisation and a lot of freedom and eventually mix it with influences such as electronics, beats, hip-hop etc.," says De Schepper. From the free-spirited beauty of "You Call It" and pulsating, loose beats of "Awpril" to the luminous "Dag na Naamdag" inspired by warm winter memories and wild summer dreams, De Schepper gives the sax a new place in its musical sphere. The album title refers to the band members' various musical influences that coalesce around one artistic center. That center is Coaxial -- a distinct sound with a clear identity, yet versatile and difficult to categorize. Elsewhere, the bass-heavy "RoodGroen" features Vieze Meisje (singer Maya Mertens) while the sonoric mayhem of "Smooch" mutates without border -- mischievous, dynamic and unpredictable at the same time. "Rave Fever" is rich cataclysm of sound and rhythm while the intriguing "You Have Got Me" and album closer "Kitsune" showcase the magnetic soundings of Bandler Ching.
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LP
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HONEY 068LP
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$23.50
PREORDER
RELEASE DATE: 2/17/2023
Reissue, originally released in 1963. Milton Banana was one of the busiest drummers during the golden age of bossa nova. He was the man who provided the subtle and elegant groove for some historical recordings like João Gilberto's "Chega de Saudade" and the highly celebrated Getz/Gilberto album (1964), further he worked extensively with Antonio Carlos Jobim, João Donato, Sergio Mendes, Luiz Bonfà, Bola Sete, and many others. Originally released in 1963, O Ritmo E O Som Da Bossa Nova (The Rhythm and the Sound of Bossa Nova) stands as his perfect showcase featuring classy versions of Brazilian hits, among them: Gilberto's "Desafinado", Jobim's "Samba de una Nota", and Lalo Schifrin's "O Amor e a Rosa".
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LP
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HONEY 065LP
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$23.50
PREORDER
RELEASE DATE: 2/17/2023
The fruitful relationship between Brazilian music and American jazz took shape between the mid-50s and the '60s. This turned out to be one of the most prolific meetings in the history of popular music. Two music cultures that are still resonating today as a timeless combination of elements. Now if you feel like getting through the unique flavor of such musical marriage this compilation is the right place to start. This is a great selection of Brazilian flavored jazz tunes performed by top Brazilian artists of the likes of Sergio Mendes, Bola Sete, Baden Powell, and Tamba Trio, including classic standards such as Gershwin's "I Got Rhythm", Cole Porter's "Love For Sales", and Horace Silver's "Nica's Dream". Also features Dick Farney, Brazilian Jazz Quartet, Rubens Bassini E Os 11 Magnificos, Moacir Santos, Ed Lincoln, Milton Banana & The Oscar Castro Neves Quintet, João Donato, and Os Cobras.
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LP
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HONEY 070LP
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$23.50
PREORDER
RELEASE DATE: 2/17/2023
Reissue, originally released in 1963. Pianist and arranger João Donato was a major figure in the bossa nova movement. During his long career he recorded with many of the great names from both Brazilian and American Latin-jazz scene (Tom Jobim, Ron Carter, Airto Moreira, E. Deodato, Randy Brecker, Mongo Santamaria, Tito Puente, Cal Tjader, and several others). First released in 1963, this is a marvelous example of bossa jazz album featuring the highly syncopated drums grooves of Milton Banana and Amaury Rodriguez's Afro-Cuban flavored bongos.
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LP
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SDBANU 030LP
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LP version. Hailing from Brussels, Bandler Ching is a creation of musical ideas from composer and saxophonist Ambroos De Schepper (Kosmo Sound, Azmari, Mos Ensemble). Flawlessly blending contemporary jazz, electronics, trap, hip-hop, and global beats, the sound is based around the freedom of expression and improvisation and performed with astounding conviction. With the help of Alan Van Rompuy (Azertyklavierwerke), Federico Pecoraro (ECHT!), and Olivier Penu (Kel Assouf), the four idiosyncratic artists come together to express their musical identity to dazzling effect. After a period of exploration, the quartet release their debut album Coaxial via the groove-obsessed Sdban Ultra label. A hypnotic trip through each band members' musical fantasies, the band have their roots in jazz. "We start from jazz and we give it our own attitude with improvisation and a lot of freedom and eventually mix it with influences such as electronics, beats, hip-hop etc.," says De Schepper. From the free-spirited beauty of "You Call It" and pulsating, loose beats of "Awpril" to the luminous "Dag na Naamdag" inspired by warm winter memories and wild summer dreams, De Schepper gives the sax a new place in its musical sphere. The album title refers to the band members' various musical influences that coalesce around one artistic center. That center is Coaxial -- a distinct sound with a clear identity, yet versatile and difficult to categorize. Elsewhere, the bass-heavy "RoodGroen" features Vieze Meisje (singer Maya Mertens) while the sonoric mayhem of "Smooch" mutates without border -- mischievous, dynamic and unpredictable at the same time. "Rave Fever" is rich cataclysm of sound and rhythm while the intriguing "You Have Got Me" and album closer "Kitsune" showcase the magnetic soundings of Bandler Ching.
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CD
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TROST 220CD
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$16.50
PREORDER
RELEASE DATE: 2/17/2023
Inspired by Georg Trakl's "Nocturnal Song" and recorded in separate locations during lockdown 2021. The Japanese free music players Harutaka Mochizuki and Makoto Kawashima excite with their haunting play in the spirit of Kaoru Abe -- beautiful and sad and violent at the same time. The French lap steel guitarist Michel Henritzi mixes the pieces together, they float naturally into a melancholic but vibrant sound poem, evocating their ghosts, their desires, and feeling the mood of Trakl's poem, the dread of lonesome dark nights. Mixed by Kevin Le Quellec, in Metz, 2021. Mastered by Martin Siewert, in Vienna, 2022. Calligraphy by Fuji Yuki, artwork by Michel Henritzi. Personnel: Makoto Kawashima - alto saxophone; Harutaka Mochizuki - alto saxophone; Michel Henritzi - lap steel, guitar feedback.
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LP
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NA 5228LP
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$28.00
PREORDER
RELEASE DATE: 2/17/2023
"Reissue of the sought-after deep/spiritual jazz album, the first time it's been pressed from the master tapes. All analog lacquer by Bernie Grundman. Liner notes delving into the history of Hamilton and this special album. Bobby Hamilton founded the band Anubis in Syracuse, New York, and they put out their awesome 'Ecology' single on Charles Bazen's Salt City imprint. It's a highlight on the Soul-Cal anthology Now-Again issued in 2012, something akin to Terry Callier and Gil Scott Heron's most soulful works. Shortly after issuing that single, Bobby put together the Bobby Hamilton Quintet Unlimited and recorded and issued Dream Queen in 1972. The last clean copy Bobby Hamilton had, he sold to the musician Jamie XX in 2021 for a princely sum. Few originals will ever surface again -- its original run of 500 units having disappeared into the ether decades ago. This is your chance to hear a masterwork of deep, spiritual jazz lacquered directly from its original master tape in an all-analog transfer by the legendary Bernie Grundman. Dream Queen's story is told for the first time in extensive liner notes by Torii McAdams. Dig deeper and expand."
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