|
Search Result for Genre HIPHOP
viewing 1 To 25 of 636 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
GET 51313LP
|
$33.00
PREORDER
RELEASE DATE: 10/25/2019
2019 repress; clear vinyl. "Super Tight... is the second album from hip hop legends UGK, originally released in 1994. The title of the album is taken from its stand out single 'Front, Back & Side To Side'. Bun B and Pimp C (R.I.P.) were already on fire from their debut album a few years prior but they perfected the southern playa sound with this record. At the time of its release Super Tight... was only issued on cassette and CD, so it's a must for fans and collectors to grab the vinyl now that it's available for the very first time. The album kicks off with 'Return', which after a few snare hits and the bluster of Pimp C's voice it is clear to the world - the underground kings are back. Countless tracks like 'Three Sixteens' (featuring DJ DMD), 'Stoned Junkee', 'It's Supposed To Bubble', 'I Left It Wet For You' and the previously mentioned 'Front, Back, & Side To Side' all perfectly showcase the chemistry between Bun B & Pimp C, over deep southern funk grooves. The production on this album is stellar, all bass heavy and features Meters lead guitarist Leo Nocentelli. Like their debut album Too Hard To Swallow, Bun B and Pimp C were ahead of the game, and with Super Tight... they perfected it."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DTW 055LP
|
$25.00
PREORDER
RELEASE DATE: 10/25/2019
While jazz and funk are at the core of Michele Manzo's musical foundation, the Italian artist deftly draws upon his inspirations in hip-hop, dub, and Brazilian music as both an instrumentalist and producer. But above genres, inimitable grooves are the key driver of his work, and in his grooves one can hear the vibe of a moment being captured and perpetuated for eternity. With this combination of musical depth and raw feeling, it is no surprise Michele has crossed paths with Darker Than Wax, and the label present his new LP All Rise. All Rise is a genuine reflection of Manzo's art form, which sees so many different styles and influences coming together in the most natural, organic way. Everything was recorded live using bass, synth bass, guitar, old analog keyboards, blended together with modern synths, dub delays and ambient FX -- giving off the familiar warmth of boom bap and progressive stimulation of neo-soul. The pervasive harmonies and clever use of chords give the album a real musical depth, but grounded with an effortless, natural approach to creation. More than just showcasing Michele's musical prowess and mastery of the instrumental, All Rise is also a deeply collaborative effort. The chemistry with heavyweight collaborators like Georgia Anne Muldrow, Dudley Perkins, Nicholas Ryan Gant, and RayClev is incredible -- they complement his instrumental tapestry with poetic ammo, elevating All Rise to a level of virtuous artistry. The five vocal cuts also offer a sober reflection on the turbulent social climate of 2019 America, and the world at large. Police violence, racism, and growing divisions that dominate the current zeitgeist are examined front and center, most prominently by Dudley Perkins on the title track. Yet. despite such a worrying state of affairs, there is an underlying message of positivity triumphing, and a rallying call to destroy evil at its root rather than be consumed by it. All Rise is about people standing up and uniting, being brought together by a common spirit and emotional music. RIYL: Shafiq Husayn, Fatima, Dam-Funk.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 51318LP
|
$25.00
PREORDER
RELEASE DATE: 10/11/2019
2019 repress; clear transparent vinyl. "Future archaeologists will discuss two periods in 1980s: before Run-D.M.C. and after Run-D.M.C. It's no exaggeration to say that the group changed the course of music in the '80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic. Coming up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as 'Son of Kurtis Blow') and Blow's bassist and burgeoning super-producer Larry Smith, the trio -- Joseph 'Run' Simmons, Darryl 'DMC' McDaniels and Jason 'Jam Master Jay' Mizell -- learned from the best, but created their own path. 1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, 'Sucker M.C.s (Krush-Groove 1)' was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The song's lyrics are a mandatory memorization assignment to this day by MCs learning their craft. 'Two years ago, a friend of mine...' The group's sound, which was laid out muscularly on Run-D.M.C. (1984), had a harder approach than their peers, thanks to producer Larry Smith's use of live musicians who laid down grooves but didn't soften the edges. Lyrically the group wasn't just about brags either, with songs like 'Hard Times,' 'It's Like That' and 'Wake Up' (the first two were singles). Run's and DMC's overlapping tag-team approach to lyricism was powerful and immensely influential. 'Rock Box,' another single and arguably the centerpiece of the album, was a nod to their hard edge, and a foreshadowing of their first worldwide smash, 1985's 'King Of Rock.' Jam Master Jay's DJ work was stellar, knowing exactly when to jump in and put listeners' ears in a headlock. The album was the first rap full-length to achieve Gold status, and as fans know, the group was just getting started -- their next two LPs would take them to even higher status in the music world, critically and sales-wise. But this is where it all started, and it's a classic that still sounds fresh today as it did more than 30 years ago."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51310LP
|
'Illmatic, the 1994 studio debut of Nasir 'Nas' Jones, was more than just a critical success for the Queensbridge-based rapper. At a time when East Coast hip-hop was increasingly being taken less seriously than their West Coast counterparts, Illmatic's raw jazz and soul-based production, dire atmosphere and lyrics, coupled with Nas' uncompromising flow was integral in restoring interest in the East Coast as a hotbed of hip-hop artistry. Along with key releases from Wu-Tang Clan and Notorious B.I.G., it shifted attention away from the funky, dayglo synth-based G-funk coming out of California and back to the grimy streets of New York. After such an unprecedented debut record, expectations were understandably high for Nas' follow-up. What came next threw critics and fans for a loop, but was no less influential than Illmatic, and would become the most commercially successful album in the entirety of Nas' discography. The 1996 sophomore follow-up was titled It Was Written, and in contrast to the urban bleakness of his debut, had Nas dipping his toes into the world of mafioso rap. Amidst production from heavy hitters like Trackmasters, Dr. Dre, L.E.S., Havoc of Mobb Deep, and Illmatic-collaborator DJ Premier, among others, Nas weaves evocative narratives of gang warfare, downtrodden neighborhoods, drug deals gone awry, and gangsta triumph, against a backdrop of samples from Sam Cooke, Etta James, the Isley Brothers, and even Chuck Mangione. It Was Written was not hard up for top-tier guests either, featuring major guest turns from Lauryn Hill and Joel 'JoJo' Hailey of K-Ci & JoJo. It also introduced the world to The Firm, the brief Nas-led supergroup featuring rappers AZ, Foxy Brown, and Cormega. It even managed to cause some minor controversy in the hip-hop community for its collaboration with West Coast producer Dr. Dre, at a time when the East Coast/West Coast rap feud was reaching a fever pitch, briefly attracting the ire of one Tupac Shakur. Not only was It Was Written received warmly by critics, but became a major commercial success, reaching the top of the Billboard 200 charts, reaching platinum sales status four times, and alongside albums like Raekwon's Only Built 4 Cuban Linx, helped usher in the era of mafioso rap in the mainstream. It rendered chart hits out of singles like the Eurhythmics-mimicking 'Street Dreams', and the Grammy-nominated 'If I Ruled The World (Imagine That)', and proved to be a major influence on artists like Kendrick Lamar, Lupe Fiasco, and many more."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52716LP
|
2019 repress. "It's safe to say that hip-hop has never seen an album like Ol' Dirty Bastard's 1995 solo debut Return to the 36 Chambers. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks ('Damage,' with GZA), drugged-out party jams (the monster singles 'Brooklyn Zoo' and 'Shimmy Shimmy Ya') and bizarre, grimly hilarious fantasies of sex and violence ('Don't U Know' and the R&B-tinged 'Sweet Sugar Pie'). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998. In honoring the legacy of one of hip-hop's most innovative releases, Get On Down is proud to present this incredible and unique special edition of Ol' Dirty Bastard's Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality." Includes 18"x24" poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MGC 500LP
|
$25.00
PREORDER
RELEASE DATE: 9/13/2019
LP version. "Ghostface Killahs marks the return of Ghostface. After several side projects, GFK returns with his first true solo album in years. He is joined by fellow Wu-Tang members Method Man, Inspectah Deck, Cappadonna, & Masta Killa. Other guests include Harley, Sun God (Ghosts first born son), Solomon Childs, Shawn Wigs, and Eamon. Production is handled primarily by Danny Caiazzo. Iron Man Tone continues his onslaught of colorful wordplay, and harsh street realities, as the laser beam vocalist tells it. This album sounds like vintage Ghostface and will prove worthy amongst any true Hip Hoppers. Proving the Wu Tang is truly forever, this is a must for any Wu fan as well as every Ghostface Killah fan. The veteran wordsmith, known for his prolific and versatile catalogue, delivers another classic album to the Ghostface and WuTang legacy."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 51293LP
|
2019 repress. "Cypress Hill's self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren't usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group's first single, 'The Phuncky Feel One,' to deeper album cuts like 'Stoned Is The Way Of The Walk' and 'Tres Equis,' it was clear that Cypress Hill was something different. And very, very dope. The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real's back, to bring intensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group's relationship in the reissue's liner notes (which is included only in limited edition Skull) saying, '[By the late '80s] the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter's deep wrangle, the former's inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop's most formidable young producer, while straddling the bi-coastal gap.' Cypress Hill's debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of 'The Phuncky One' and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group's live set to this day."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TEG 75510C-LP
|
$26.00
PREORDER
RELEASE DATE: 9/13/2019
Red and green opaque vinyl version. "De La Soul and A Tribe Called Quest may have been more commercially successful, but the afrocentric, jazz political rap movement and unfadeable Native Tounge Massive started with the Jungle Brothers. Their debut full length Straight Out the Jungle opened up many doors that are walked through by today's artists like Mos Def, Common and even Kanye West. Their taste for jazzy horn samples helped kick-start the entire jazz-rap movement, and their James Brown fixation was one of the first. Plus, the group's groundbreaking collaboration with legendary house producer Todd Terry, 'I'll House You,' paved the way for numerous hip-house hybrids that shot up the dance and pop charts over the next few years and appeared to be a staple on every East Coast Rap Album from '88 until '92. The opening track 'Straight Out the Jungle' samples the classic Bill Withers drum break as the JB's tell you where they are coming from. 'Black Is Black' (featuring a young Q-Tip) and 'Sounds Of The Safari' introduces the pro-black edge, while the sexually subtle classics 'Jimbrowski' and 'I'm Gonna Do You' are funny, clever and timely. Hard, smart, fun, clever and brilliant, Mike G., Africa Baby Bam and Sammy G may not have realized it but they crafted a classic rap album that stands the test of time. Available here on high grade, loud pressed, double vinyl for the first time ever!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MGC 500CD
|
"Ghostface Killahs marks the return of Ghostface. After several side projects, GFK returns with his first true solo album in years. He is joined by fellow Wu-Tang members Method Man, Inspectah Deck, Cappadonna, & Masta Killa. Other guests include Harley, Sun God (Ghosts first born son), Solomon Childs, Shawn Wigs, and Eamon. Production is handled primarily by Danny Caiazzo. Iron Man Tone continues his onslaught of colorful wordplay, and harsh street realities, as the laser beam vocalist tells it. This album sounds like vintage Ghostface and will prove worthy amongst any true Hip Hoppers. Proving the Wu Tang is truly forever, this is a must for any Wu fan as well as every Ghostface Killah fan. The veteran wordsmith, known for his prolific and versatile catalogue, delivers another classic album to the Ghostface and WuTang legacy."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 51321LP
|
2019 repress on translucent red vinyl. "Run-DMC's self-titled 1984 debut pushed the doors of pop music open, showing that hip-hop was not the fad that haters had prophesized. As they proved decisively on Run-DMC, rap was a legit art form, fully capable of producing long-players full of no-fast-forward cuts. By 1985, any doubters were running on fumes, as the group's King Of Rock blew the aforementioned pop doors off their hinges. Emboldened by their success (including the first rap album to ever go Gold); energized by worldwide touring and accolades; and given all the support they could want by a genius producer (Larry Smith), an open-minded label (Profile) and a charismatic manager (Russell Simmons, who also lent a hand on production), they ruled the charts and hinted at even greater things to come. The album's most fondly-remembered single set the album's tone perfectly: 'King Of Rock' was hard, full of charisma and tag-team vocal finesse, and had enough guitars to bring the suburbs into the rap fold. The song's video was equally popular and powerful, and the pioneering MTV exposure drove the group into a new stratosphere. But there was much more to King Of Rock than the title track, including more rock / rap hybrids -- 'Can You Rock It Like This' and 'You're Blind' -- as well as the additional singles 'Jam-Master Jammin'' and 'You Talk Too Much.' (The latter, incidentally, charted as high as 'King Of Rock' on both the Pop and R&B charts). Throw in the forward-thinking reggae/rap collab 'Roots, Rap, Reggae' (featuring the legendary Yellowman) and the live-throwdown-simulation 'Darryl and Joe (Krush-Groove 3)' and the album -- which went on to pass Platinum status -- is a winner from A1 to B4."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TEG 76549C-LP
|
Opaque red vinyl. "In listing the greatest albums in hip-hop history, one title never seems to stray from the upper echelons, no matter how many years pass: Boogie Down Productions' undisputed classic from 1986, Criminal Minded. Released amidst a battle between BDP and MC Shan that would redefine the New York rap landscape as it was then known, the album, which features the songs 'South Bronx,' 'Criminal Minded' and 'The Bridge is Over,' captures the excitement, urgency and raw power that embodies hip-hop culture as we know it, with KRS-One's aggressive yet intelligent lyricism backed by Scott La Rock's hard-hitting, stripped-down beats. A true classic, Criminal Minded has been recognized by Vibe Magazine, The Source and Rolling Stone as one of the most important albums of all time. Traffic Entertainment Group and B-Boy Records are proud to present Criminal Minded, presented in a double-LP pressing."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 51320LP
|
2019 repress on translucent blue vinyl. "Too many people sleep on Tougher Than Leather, Run-DMC's fourth album. But hear us out as we plead the case for this amazing LP. By 1988 there was a lot more competition in the rap game -- Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given Hollis, Queens' prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this classic -- chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] -- get lost in their crates. For starters, the album's first single, 'Run's House' b/w 'Beats To The Rhyme' is arguably the most powerful one-two punch of the trio's career, showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were also reminded on both sides that Jam-Master Jay remained one of the world's best DJs, flexing the pinnacle of what would be called 'turntablism' a decade later. Both songs show a musical telepathy between all three that has rarely been equaled. The second single, 'Mary, Mary,' driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on the Raising Hell bandwagon had something to chew on. But, like 'Walk This Way,' the song wasn't just bubblegum -- there was an edge to it, and the lyrical gymnastics were very real. It wasn't selling out, it was allowing fans to buy in. 'Papa Crazy,' driven in concept and by a sample from the Temptations' 'Papa Was A Rolling Stone,' followed a similar pop-leaning path. Overall, the lyrical content on the album was a step up from the group's first three LPs. It's easy to infer, looking back, that they were feeling the heat from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like 'Radio Station' they bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. 'Tougher Than Leather' reminds the world that they were still the Kings of Rock, with hard guitars to drive the point home. And 'They Call Us Run-DMC' and 'Soul To Rock And Roll' both bring things back to their early days, with sure-fire park jam rhymes and killer cuts. Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the '80s output of one of the decade's most important groups. It encompasses the full range of the trio's capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers and party-rockers. And so, we say, long live Joe, Darryl and Jay!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NUP 007CD
|
Seanie T is a true veteran of the UK music scene with a jaw dropping discography featuring some of the most important releases in the history of UK hip-hop. Produced in full by Hamburg-based DJ Suro, Ruff, Rugged and Smooth touches on elements of roots reggae, dancehall, bashment, soul, and pop, all with that unmistakable hip-hop swagger. As the title suggests, there's moments of rough reality, elements of rugged rawness and enough smooth reflection to keep everyone entertained. Kicking off with "Get Hustling", a familiar vocal sample sets up Seanie to set out his manifesto perfectly. Lead single "Warning" is a tag-team takedown with his old sparring partner Roots Manuva, with the duo trading devastating bars, whilst "The Bird" ups the tempo for a party time banger, compete with dance moves. "More To This" is a statement on the current state of image hungry MCs, with "Mad Dem" providing more party vibes and some deft turntable skills from Suro. "Plush" shows a softer side to proceedings with a tribute to the fine female form, whilst "Blaze Fire Bun' finds Seanie teaming up with UK don Serocee for another call to arms on a Timbaland sounding beat. Pitching for the Guinness World Record of number of UK MCs on a track, "Veterans" lines up a hot verse from 19(!) vocalists such as Rodney P, Ty, Ragga Twins, Navigator, and Hill St Soul, amongst many other legends (count them!) -- never before has this many UK artists collaborated on one track. Following this up is "UK Warriors" finding Seanie riding solo once again, but hailing up his UK comrades, UK Allstars. Things gradually get smoother as you find Seanie in full gentleman mode on the lush "Dancefloor", before showing his love for "Weed" alongside Jamaican legend Chezidek. As we come to a close, the smooth reggae vibes of "Acceptable" ring out the album in perfect style, featuring the smooth vocals of more JA vocalists Little Hero & PZ. Already sounding like a modern classic -- never retro, but respectful of its roots whilst keeping it fresh and always keeping it Ruff, Rugged and Smooth. Also features Simone Watson.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NUP 007LP
|
LP version. Seanie T is a true veteran of the UK music scene with a jaw dropping discography featuring some of the most important releases in the history of UK hip-hop. Produced in full by Hamburg-based DJ Suro, Ruff, Rugged and Smooth touches on elements of roots reggae, dancehall, bashment, soul, and pop, all with that unmistakable hip-hop swagger. As the title suggests, there's moments of rough reality, elements of rugged rawness and enough smooth reflection to keep everyone entertained. Kicking off with "Get Hustling", a familiar vocal sample sets up Seanie to set out his manifesto perfectly. Lead single "Warning" is a tag-team takedown with his old sparring partner Roots Manuva, with the duo trading devastating bars, whilst "The Bird" ups the tempo for a party time banger, compete with dance moves. "More To This" is a statement on the current state of image hungry MCs, with "Mad Dem" providing more party vibes and some deft turntable skills from Suro. "Plush" shows a softer side to proceedings with a tribute to the fine female form, whilst "Blaze Fire Bun' finds Seanie teaming up with UK don Serocee for another call to arms on a Timbaland sounding beat. Pitching for the Guinness World Record of number of UK MCs on a track, "Veterans" lines up a hot verse from 19(!) vocalists such as Rodney P, Ty, Ragga Twins, Navigator, and Hill St Soul, amongst many other legends (count them!) -- never before has this many UK artists collaborated on one track. Following this up is "UK Warriors" finding Seanie riding solo once again, but hailing up his UK comrades, UK Allstars. Things gradually get smoother as you find Seanie in full gentleman mode on the lush "Dancefloor", before showing his love for "Weed" alongside Jamaican legend Chezidek. As we come to a close, the smooth reggae vibes of "Acceptable" ring out the album in perfect style, featuring the smooth vocals of more JA vocalists Little Hero & PZ. Already sounding like a modern classic -- never retro, but respectful of its roots whilst keeping it fresh and always keeping it Ruff, Rugged and Smooth. Also features Simone Watson.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 906EP
|
"These 'Big Hole' 7 inches from Lord Willin' are presented on white vinyl in mini Star Trak die-cut jackets -- replicas of the label's original 12" sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as Clipse. The group's first single 'Grindin',' impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC's 'Sucker MCs' did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes' groundbreaking production, sent a clear message to the rap world -- 'we are not the same.' Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin' will now be available from Get On Down on white vinyl in 7" size diecut jackets that reproduce the look of the original 12" releases on the Neptune's Star Trak imprint."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 907EP
|
"These 'Big Hole' 7 inches from Lord Willin' are presented on white vinyl in mini Star Trak die-cut jackets -- replicas of the label's original 12" sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as Clipse. The group's first single 'Grindin',' impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC's 'Sucker MCs' did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes' groundbreaking production, sent a clear message to the rap world -- 'we are not the same.' Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin' will now be available from Get On Down on white vinyl in 7" size diecut jackets that reproduce the look of the original 12" releases on the Neptune's Star Trak imprint."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51295LP
|
2019 repress. "The cultural phenomenon that is the Wu-Tang cannot accurately be described without referencing one of the pillars in the Clan's discography. Chef Raekwon's Only Built 4 Cuban Linx remains firmly planted as one of the defining triumphs in their artistic legacy. The oft referred 'Purple Tape' has been cited and debated by many as the greatest Wu-Tang solo project to date and remains a bullet point in any discussion involving the greatest 'cocaine rap' or 'street hop' albums of all time. In continuing with its proud tradition of honoring historically significant hip hop albums, Get On Down is honored to present Raekwon's Only Built 4 Cuban Linx for the first time ever on double translucent purple vinyl housed in a high density re-sealable poly bag. This edition features, for the first time ever on vinyl, the formerly CD-only bonus track, 'North Star (Jewels).' And if that wasn't enough, the entire album also features completely enhanced and painstakingly remastered audio. This is the definitive must-own vinyl edition of Raekwon's masterpiece."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KCR 3492LP
|
"This album was produced & A&R'ed by Madlib, Freddie Gibbs, Ben 'Lambo' Lambert & Eothen Alapatt. Additional A&R for ESGN by Rich Gains. Special Thanks to Kyambo 'Hip Hop' Joshua. Recorded by Sidney 'Speakerbomb' Miller, Rich Gains, Eric Sandoval & Fabian Hummel between June 2016 and April 2018. 'Education' Originally Edited & Recorded by J.Rocc. Mixed by Mario Caldato, Jr. at MCJ Sound. Mastered by Dave Cooley for Elysian Masters."
"Overcoming the constraints on black freedom was always the underlying mission of Madlib's beloved jazz and soul artists, as well as Gibbs' prized black rebels. For Bandana, the pair taps into that heritage and allow themselves to be shaped by its highs and lows, its heroes and villains. Finding themselves within that slipstream of black thought and life, they plot their course on their terms. Bandana is tradition and transgression: one rapper, one producer, no limitations." --Pitchfork (8.1)
"Bandana is weirder, more freewheeling, more Madlib-y than its predecessor. Gibbs remains unphased; he fields each beat like Omar Vizquel and splits it down the middle with raw charisma, torrential flows, and economic, impactful writing. The end result is glorious -- the sound of two rap veterans still working at the height of their powers..." --Rolling Stone, 2019 (4/5)
"The rapper-producer duo follow up Piñata with another cinematic series of street stories delivered with lyrical majesty." --The Guardian (5/5)
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 905EP
|
"These 'big hole' 7's from Lord Willin' are presented on white vinyl in mini star trak die-cut jackets -- replicas of the label's original 12' sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as The Clipse. The group's first single 'Grindin',' impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC's 'Sucker MCs' did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes' groundbreaking production, sent a clear message to the rap world ? 'we are not the same.' Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin' will now be available from Get On Down on white vinyl in 7' die-cut jackets that reproduce the look of the original 12' releases on the Neptune's Star Trak imprint."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TEG 78509LP
|
2019 repress. "2015 was the 20th Anniversary of this undisputed New York classic from the late, great, Harlem MC, featuring production from D.I.T.C. legends Showbiz, Buckwild and Lord Finesse. The album itself was another shot across the bow of mid-90s pundits who were prophesizing the death of New York's boom-bap dominance. Alongside recent classics from Nas, Biggie, Mobb Deep and Smif N Wessun, Lifestylez Ov Da Poor & Dangerous laid out the ascendancy of another visionary MC who could throw down brags punchlines with the best of them, but who never veered away from truly thoughtful lyrical dialogue. Most tracks on the album feature slower tempos, which gave the soon-to-be-immortalized MC the chance to fully explore a range of flows and approaches. Cases in point include the two commercial singles -- 'Put It On' and 'MVP' -- as well as the promo-only single 'Street Struck,' the latter produced by Lord Finesse and containing perhaps L's deepest rhymes on the album. There are also some great posse cuts here, starting with '8 Iz Enuff,' which was all about exposing L's crew (including Herb McGruff, Mike Boogie and Buddah Bless); and the amazing 'Da Graveyard,' which let established peers like Lord Finesse and Grand Daddy I.U. flow alongside another newcomer to the scene named Jay-Z. Less-renowned but no less crucial album cuts like 'All Black' and 'I Don't Understand It' help to tie it all up in a beautiful boom-bap package, with production by and from legends in the game that vaulted Big L into the national spotlight. L would be tragically taken from us in 1999, so this album -- along with 2000's posthumous The Big Picture -- will always be special to fans. Big L was a huge talent with the world in front of him, and it's only right to celebrate his life again on the 20th Anniversary of the album that started it all for him."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 903EP
|
"These 'big hole' 7's from Lord Willin' are presented on white vinyl in mini star trak die-cut jackets -- replicas of the label's original 12' sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as The Clipse. The group's first single 'Grindin',' impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC's 'Sucker MCs' did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes' groundbreaking production, sent a clear message to the rap world ? 'we are not the same.' Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin' will now be available from Get On Down on white vinyl in 7' die-cut jackets that reproduce the look of the original 12' releases on the Neptune's Star Trak imprint."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 901EP
|
"These 'big hole' 7's from Lord Willin' are presented on white vinyl in mini star trak die-cut jackets -- replicas of the label's original 12' sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as The Clipse. The group's first single 'Grindin',' impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC's 'Sucker MCs' did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes' groundbreaking production, sent a clear message to the rap world ? 'we are not the same.' Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin' will now be available from Get On Down on white vinyl in 7' die-cut jackets that reproduce the look of the original 12' releases on the Neptune's Star Trak imprint."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LEWIS 092LP
|
LP version. "A soul and jazz spreading of wings, with the help of scene headliners Nubya Garcia, Omar, Joel Culpepper, Jungle Brothers and Edo. G. Home Cooking is the new, mature sound of DJ Yoda. Maximizing the experience and enjoyment gained from recording live instruments and prioritizing songs over beats for his previous two albums Breakfast of Champions and Chop Suey, this is a big step for the cut-and-paster as a producer, having wowed the world over for over two decades with his celebrated turntable tomfoolery. Recorded between his own studio and the world-famous Abbey Road, Home Cooking keeps one foot in the hip-hop old school with collaborations with the returning Jungle Brothers (the party-starting 'Afrika') and Boston bastion Edo. G (a peaceful route from London to 'Roxbury'), and spreads to a melodic vibe scoring chilled Sunday mornings. 'I titled this one Home Cooking because the music is so close to my heart, in terms of what I grew up on, and what really speaks to me on a personal level'. Imbued with the spirit of Guru's 'Jazzmatazz', the output of Acid Jazz and 90s vitals from the Jungle Brothers, A Tribe Called Quest and De La Soul, Yoda admits that it's a happy accident that, whilst drawing on jazzy, soulful hip-hop from 25 years ago, the sound of Home Cooking is very much of-the-moment."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KAYDEE 006LP
|
$26.00
PREORDER
RELEASE DATE: 6/21/2019
LP version. "First Brick is the long-awaited return of critically acclaimed emcee Rasheed Chappell. His debut LP Future Before Nostalgia was heralded as a classic by many in the indie Hip Hop scene. On First Brick Rasheed pairs once again with legendary producer Kenny Dope to provide the canvas for his vivid wordplay. It's been 7 years since Rasheed's last release and First Brick serves as a reminder and reintroduction. It reminds those already familiar with Rasheed why he is held in such high regards by luminaries such as O.C., Lord Finesse, DJ Eclipse, DJ Scratch & DJ Clark Kent to name a few. It also serves as an introduction to those who may not be familiar with the work Rasheed had been putting down over the years. Collaborating with the likes of Raheem DeVaughn, Apollo Brown, Diamond D and others has maintained his profile as an elite level rhyme sayer. First Brick provides an in-depth look into the mind and musings of Rasheed Chappell. The title serves as a compass, leading the listener to the very beginnings of what made Rasheed the man he is. His crisp delivery and penchant for silver screen-esque lyricism is on full display on songs such as '101' and 'Shorty Rock Pt.1'. The opening track 'Breaking Ground' is a spoken word piece that informs the audience about the ride they're about to embark on. All of life's hardships and heroism are captured in his words. 'Street Corner Shit' is a standout track that serves as an ode and cautionary tale to those that indulge in such recreation. Unlike his debut LP, Rasheed isn't the sole voice on this project. Enlisted are some of today's truly exceptional rhyme spitters. CRIMEAPPLE and Daniel Son help paint a haunting picture on 'Aiding & Abetting'. On the bar for bar banger 'Kingsmen' Recognize Ali, Hus Kingpin, Napoleon Da Legend and Lil Fame of M.O.P. all pen precise poetic mayhem over a neck snapping Kenny Dope rhythm. As the introduction of the album states, every building starts with a single brick. As long as the foundation of Rasheed Chappell and Kenny Dope remain intact, expect nothing but good things."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BEWITH 035LP
|
2018 release. Be With Records present a reissue of Sleepy's Theme's The Vinyl Room, originally released in 1998. With powerhouse production trio Organized Noize, Sleepy Brown orchestrated Atlanta's hallmark sound of the '90s; his slow-cooked southern-fried G-Funk providing hits for TLC, Outkast, and Goodie Mob. However, by 1998 and post-Aquemini, his desire was to take center stage. The dizzying result was Sleepy's Theme and their wonderful throwback LP, The Vinyl Room. Their vintage, '70s soul-steeped magnum opus was promptly passed on by Jimmy Iovine at Interscope, released only on CD on a limited scale, and mostly...um...slept on. Be With Records finally present the inaugural vinyl edition of this landmark record as a DJ-friendly double LP. Blending organic instrumentation from one of the tightest, greasiest, yet sophisticated bands in the land, The Vinyl Room presented dreamy melodies, warm synth textures, stately horns and wayward beats. Brown conceived his "garage funk band" as adhering to the sonic touchstones of Blaxploitation and he achieved it. Featuring keyboardist/singer Eddie Stokes, drummer Victor Rico Cortez, guitarist Bill Odum, vocalist Keisha Jackson, and the late Pimp C, the sound was always going to be in the pocket. While it eschewed contemporary trends, the underground sound was nevertheless fresh and grounded in the hat-tip spirit of hip-hop. With Sleepy bragging that there were no samples, The Vinyl Room comprised a richly textured, mesmerizing and confident sound where the recurring themes were women, cars, and weed. The luscious bass grooves, silk-soft cymbal pats, raindrop-drowsy keyboards, and country-fried wah-wah guitar licks conjure Bobby Womack in the lab with Marley Marl, Isaac Hayes laced by Dr. Dre or Curtis Mayfield bring introduced to DJ Quik. "Can't Let Go" with its heist movie aesthetic, morphs into a strung-out love song as Sleepy slurs compellingly throughout. Pimp C's low-riding beat for "Simply Beautiful", a bouncing track brilliantly inspired by Barry White's swaggering "You're The One I Need", is exceptional. Perhaps as a nod to the great Brick, the horn section on "Grind On" is quietly joyous and profound whilst "Curse On You" is a dark groover and features a great vocal from Cee-Lo Green. "Still Smokin'", another rousing track, is a peculiarly laidback anthem; hypnotic, hot and smooth. Perhaps the highlight of the entire piece, "Choked Out Saturday Night" sounds like the old Atlanta. Remastered. Gatefold jacket, adorned with purple foil layer; printed lyrics across two double-sided inner sleeves. 180 gram vinyl.
|
viewing 1 To 25 of 636 items
Next >>
|
|