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IN STOCK
01. Jean-Claude Vannier - La bête noire (Intro)
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02. Jean-Claude Vannier - Chasser la bête noire
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03. Jean-Claude Vannier - Histoire de Daniel
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04. Jean-Claude Vannier - The Black Beast (Effets Cords)
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05. Jean-Claude Vannier - Rythme de la bête noire
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06. Jean-Claude Vannier - Danse de la bête noire
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07. Jean-Claude Vannier - Le dealer
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08. Jean-Claude Vannier - Karen/Antonia
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09. Jean-Claude Vannier - The Black Beast 2 (Effets Cords)
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10. Jean-Claude Vannier - The Writer/Yves
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11. Jean-Claude Vannier - Chasser bête noire (Revenir)
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12. Jean-Claude Vannier - The Juvenile Judge
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13. Jean-Claude Vannier - La bête noire (Generique)
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14. Jean-Claude Vannier - Paris n'existe pas (Opening Titles)
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15. Jean-Claude Vannier - Angela en ambré
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16. Jean-Claude Vannier - Télékinésie en turquoise
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17. Jean-Claude Vannier - Simon Slips
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18. Jean-Claude Vannier - La chambre rose
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19. Jean-Claude Vannier - Fantôme félicienne
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20. Jean-Claude Vannier - Le feu
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21. Jean-Claude Vannier - La tête
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22. Jean-Claude Vannier - Les chemins n'existent pas
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23. Jean-Claude Vannier - Fantôme soirée
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24. Jean-Claude Vannier - Le temps passe
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25. Jean-Claude Vannier - Flipbook
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26. Jean-Claude Vannier - Fantôme soiree (Outtake)
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27. Jean-Claude Vannier - Flipbook (Outtake)
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ARTIST
VANNIER, JEAN-CLAUDE
TITLE
La bete noire/Paris n'existe pas
FORMAT
LP
LABEL
FINDERS KEEPERS
CATALOG #
FKR 109LP
FKR 109LP
GENRE
SOUNDTRACK
RELEASE DATE
9/23/2022
Finders Keepers Records present both the hallucinogenic orchestral music to
Robert Benayoun
's
Paris n'existe pas
(1969) and the rhythmic onslaught and cyclic waltzes from
Patrick Chaput
's
La bête noire
(1983) complete with an extensive booklet of essays, interviews, secrets, and rare images from both of these mythical cinematic obscurities. From deep in the vaults of the Parisian composer,
Jean-Claude Vannier
finally liberates two previously unreleased and fabled film soundtracks that mark significant milestones in the career of this legendary composer and his close connection to the French free jazz scene. Comprised on this one vinyl disc you will find the only existing original historic recordings to his first ever 1968 collaboration with
Serge Gainsbourg
as well as the entire lost musical score for Vannier's first major star-studded solo film commission.
La bête noire
: From the furious pen of controversial author
Jean-Pierre Bastid
(
Let The Corpses Tan
/
Massacre Of Pleasure
) and directed by one-time realisateur Patrick Chaput the gritty street crime thriller precedes the likes of
La haine
. Revealing itself to be one of Jean-Claude Vannier's most unique scores these previously unreleased studio master tapes capture self-styled batucadas and furious rhythm tracks next to frenzied carousel waltzes free from the stylistic time-stamp of their 1983 recording date. These experimental recordings remain independent from the pop and rock idiom and are both timeless as well as groundbreaking due to the deployment of key players from the French free jazz scene and the reunion of Vannier's long-standing
Insolitudes
. Showcasing a crack team of Palm/Futura/Actuel/Saravah label regulars such as saxophonist
Philippe Maté
alongside drummer
Bernard Lubat
, Arpadys/Voyage rhythm masters
Marc Chantereau
and
Pierre-Alain Dahan
, and session legend
Michel Zanlonghi
, this thunderous group bridges an authentic gap between
The Jef Gilson Group
and France's signature "cosmic" revolution. Previously unheard compositions, rhythms, and sound design experiments.
Paris n'existe pas
: Previously the subject of biographical rock history, archival documentaries, and cruel bootlegging opportunity, the official master tapes to Jean-Claude Vannier's first ever studio date with Serge Gainsbourg poetically mirrors the title of the film... They didn't exist, until now. Culled from reference recordings, rehearsals, playback tapes, and work-in-progress TV magazine features, Finders Keepers in close collaboration with Jean-Claude present the genuine hallucinogenic orchestral and experimental sound design recordings that appeared on the 1968 film
Paris n'existe pas
. The brooding orchestrations and experimental music found on this record comes complete with interjections of modern jazz courtesy of French free jazz mainstays Philippe Maté and
Jean-Louis Chautemps
. With the help of an esteemed string ensemble Vannier also lays down an early orchestral blueprint for his own "approximately-Orient" signature sound in its earliest naked form just three years before
Histoire de Melody Nelson
would cause widespread controversy on its release.
Other releases on FINDERS KEEPERS
Other releases by VANNIER, JEAN-CLAUDE